social media best practices for musicians: twitter

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Social Media Best Practices for Musicians: Twitter Todd Tate @toddtate http://toddtate.net

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Todd Tate at SXSW 2012 Social Media Best Practices for Musicians: Twitter March 15, 1:30PM Ballroom E

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Page 1: Social Media Best Practices for Musicians: Twitter

Social Media Best Practices for

Musicians: TwitterTodd Tate@toddtate

http://toddtate.net

Page 2: Social Media Best Practices for Musicians: Twitter

Band? Manager? Label? Other?

Over 1000 followers? 5000? 100k? 1M?

Manage artist accounts?

Tweet every day?

Make a living at music or music-related activities?

Page 3: Social Media Best Practices for Musicians: Twitter

What is Twitter? Take a look at the About page:

http://twitter.com/about

“The fastest, simplest way to stay close to everything you care about.”

Twitter is a real-time information network that connects you to the latest stories, ideas, opinions and news about what you find interesting. 

At the heart of Twitter are small bursts of information called Tweets. Each

Tweet is 140 characters long…You can see photos, videos and conversations directly in Tweets to get the whole story at a glance, and all

in one place. You don’t have to tweet to get value from Twitter.

Page 4: Social Media Best Practices for Musicians: Twitter

You don’t have to use Twitter to get value from it? Sure! You can

browse, search.

I used Hootsuite to tactfully stalk music supervisors and got my band placed in 2 episodes of

MTV’s “Real World”.

Page 5: Social Media Best Practices for Musicians: Twitter
Page 6: Social Media Best Practices for Musicians: Twitter

Twitter for Business

Twitter connects businesses to customers in real time; to quickly share information with fans and

allies interested in their products and services, gather real-time market

intelligence and feedback, and build relationships with customers,

partners and influencers.

Page 7: Social Media Best Practices for Musicians: Twitter

What does this say to this room?

Twitter can connect bands and labels to their fans in real time and if used correctly can result in varying degrees of success.

Page 8: Social Media Best Practices for Musicians: Twitter

What are music people saying?

CyberPR:“This is an AP Wire of both your music and you

combined into one wire.”

Ian Rogers, CEO of TopSpin:“I would encourage people to take a look at 

FanPageList.com.  It's mind-blowing to think of all the direct connections artists have to fans today, and

how easy it is to get directly connected compared to the days of snail mail fan clubs. Direct connections between artists and fans are the key innovation of

the past 10 years IMHO.”

Page 9: Social Media Best Practices for Musicians: Twitter
Page 10: Social Media Best Practices for Musicians: Twitter
Page 11: Social Media Best Practices for Musicians: Twitter

Zoe Keating @zoecello

“I am a Twitter flaneur”“Twitter is my favorite of the mediums out there because it enables me to connect with the world at large with minimal cost to me. By cost I mean time and mental engagement. I can easily tweet what is going on, post a photo, and then go back to focusing on what I was doing. Other mediums, like blogging are a little more costly, and drain my artistic energy and so I do them less often....

...I use Twitter to tap into the stream, see what's happening and connect with people. It's kind of like what I used to do when I lived in the city. I would walk out of my studio, stroll down a busy street observing the world and have a cup of coffee at the cafe. I might not talk to anyone, but it make me feel connected enough to the world to go back to the studio and be creative.”

Page 12: Social Media Best Practices for Musicians: Twitter

More from Zoe“Social media in general allows me to be myself to as many people as possible. My unscientific opinion (and it might not be true) is that "being myself" is what humanizes me for listeners and

encourages them to buy my music or come to a concert...and it perhaps catches the interest of a stranger and encourages them to listen. Twitter is my favorite of the mediums out there because it

enables me to connect with the world at large with minimal cost to me. By cost I mean time and mental engagement. I can easily tweet what is going on, post a photo, and then go back to focusing

on what I was doing. Other mediums, like blogging are a little more costly, and drain my artistic energy and so I do them less often. Now that I'm a mother, this matters more than it used to. I've

had to scale back and I pretty much just use Twitter, Facebook and Tumblr...in that order...

With Twitter, the benefits go both ways. Of course I use it to do what every other artist does and endlessly talk about myself and what I'm doing. But I'm a solo artist and it can feel lonely backstage

before a show or during a long day in the studio with me, the cello and the computer. So I use Twitter to tap into the stream, see what's happening and connect with people. It's kind of like what I used to do when I lived in the city. I would walk out of my studio, stroll down a busy street observing

the world and have a cup of coffee at the cafe. I might not talk to anyone, but it make me feel connected enough to the world to go back to the studio and be creative. Twitter filled a void for me that I had when I moved to the country. I want to see what everyone is doing, but I don't necessarily want to interact too deeply with anyone because it will jolt me out of my creative state. So Twitter is

for me the equivalent of strolling down a city street and reading the headlines on the newsstand, looking into shop windows, and stopping at the cafe for a quick cuppa. I'm a twitter flaneur.

I don't have any illusions that everyone is listening all the time. If I have anything important I really want to get across, I find a way to say it at least 4 times in the course of a day. But most of the time

I don't bother being so calculated and let my messages be serendipitous.”

Page 13: Social Media Best Practices for Musicians: Twitter

Points of ReferenceLady Gaga has over 20MIL followers on Twitter.

Rammstein and Iron and Wine have under 20,000

I personally have almost 2,000; one of my bands has 800; another alter-ego has 300.

How many followers you do have?

Twitter is only going to give you a ROIT (Return On Invested Time) if you use it or abuse it, or a

tactful combination of both.

Cool well let’s get you set-up so you look good and you can operate this crazy thing. We are also going to look at some use cases, techniques,

tools to note, and finally just some general tips or my simple IMHO view.

Page 14: Social Media Best Practices for Musicians: Twitter

USERNAMEThe Twitter username limit is 15 characters but it's best not to

exceed 10 characters if you can.

Your Band name is best. Life is hard, oh well your band name is taken.

Don’t confuse username and NAMEi.e. Blackalicious is NAME and @blackalicious_ is username

because @blackalicious is being “squatted on”...

It is best if you SCORE that great name AND username, at times

you simply WILL NOT. It’s no big deal.

Page 15: Social Media Best Practices for Musicians: Twitter
Page 16: Social Media Best Practices for Musicians: Twitter

Most Popular blogged “project/ band” on Hypem.com as of last Friday was “Burial + Fourtet”

NAME ForeTetUSERNAME @FourTet

SCORE!

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NAME BurialUSERNAME @BurialUK

Hey shit happens, roll with it. But this is still cool, they rolled with it bt taking usernam “BurialUK”.

Page 20: Social Media Best Practices for Musicians: Twitter
Page 21: Social Media Best Practices for Musicians: Twitter

PROFILE PIC

Upload a good PROFILE PIC that features your logo or focus of your band /label. Label it the name of your

band for good SEO i.e. bandname.jpg I suggest making it consistent across all networks,

Facebook, Twitter, YouTube, etc. etc.

It’s everything goes, I prefer a uniform look, but hey when you are hot you are hot.

Page 22: Social Media Best Practices for Musicians: Twitter

BACKGROUND PICA cool background is great but as you’ll see

everyone kinda “wings it.” Take a look around.

Note: Background images must be in PNG, GIF, or JPG format, smaller than 800k. If your image's file size is too large, the easiest way to get it down is to use and image editing program or web app to

shrink the image. Animated GIFs are not supported as background

images. 

“A picture says a thousand words”

Page 23: Social Media Best Practices for Musicians: Twitter

Here are 3 examples of background pics, all very DIY, no fancy graphic artist needed!

I use the FREE GIMP 2 on a PC and I’m sure you MAC heads have a good free Photoshop-

like program if you don’t already have Photoshop or Illustrator.

Page 24: Social Media Best Practices for Musicians: Twitter

@waynecoyne666 X

1001

Page 25: Social Media Best Practices for Musicians: Twitter

927 X 1280

@flaminglips

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@zoecello1368 X 933

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@HalestormRocks480X360

“tiled”

Page 28: Social Media Best Practices for Musicians: Twitter

ME: At times I do 1800 X 1100, and I put some surprise

content right of 1250px from the left for bigger screens.

Page 29: Social Media Best Practices for Musicians: Twitter
Page 30: Social Media Best Practices for Musicians: Twitter

You can’t possibly make “one size fits” all so 1280 X 1024 resolution on 17-22 inch wide

monitors what you should prepare for. I don’t always use my own advice.

1280x1024 is larger than the current "standard" size, but many users view their Web pages in this display size.

A significant number of users have displays as large as 1600x1200.

My personal background is 1280px X 1024px and is 48k in file size

Page 31: Social Media Best Practices for Musicians: Twitter
Page 32: Social Media Best Practices for Musicians: Twitter

This is what it looks like on my 22 inch screen

Page 33: Social Media Best Practices for Musicians: Twitter

BIOIt is best practice to put up a good BIO that

describes what you and your band do and put your Website URL IN the BIO and another Website for fans to visit in the URL field.

DO NOT use URL shorteners. App URLs for Facebook are OK.

Best practice is to think what you want to come up in a search return or an App that uses the

Twitter API and uses the BIO info.

Page 34: Social Media Best Practices for Musicians: Twitter
Page 35: Social Media Best Practices for Musicians: Twitter
Page 36: Social Media Best Practices for Musicians: Twitter

How do I get people to follow me?

Be yourself; be popular; make good music! Or music that sucks that everyone likes! Best of luck on that!

It is a popularity contest, and a conversation.

Where it starts! How to get followers:- It has to be organic- Follow people, they may follow you back, they may not- Follow people? Follow fans back? MAX out at 2001!? What to do?

From your Website, Facebook Fan Page- Embed Twitter Badges and Follow buttons.- Link to your Twitter profile everywhere you can!- Say “Please follow us on Twitter” on your Facebook page posts and other Social Networking sites you have a presence on. - Want someone to follow you? Tweet at them “please follow me”.

Page 37: Social Media Best Practices for Musicians: Twitter

Twitter For MusiciansTodd Tate@toddtate

Page 38: Social Media Best Practices for Musicians: Twitter

Tweet styles: A look at 3 Tweeters

- Wayne Coyne of the Flaming Lips- Zoe Keating- Halestorm

Page 39: Social Media Best Practices for Musicians: Twitter

Wayne Coyne - @waynecoyne

- Wayne Coyne of the Flaming Lips has almost 86,000 followers

- Uses Twitter a lot

- All his Tweets are automatically retweeted by @theflaminglips which has almost 900,000

followers

He uses http://www.mobypicture.com/ and sends out pics and vids in a "status update" format

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Page 43: Social Media Best Practices for Musicians: Twitter

Zoe Keating - @zoecello

Avante Garde’ Cellist with almost 1.3 Million followers, has played with Rasputina, Imogen

Heap, Amanda Palmer, John Vanderslice and many others. Very talented individual.

She woke up one day and was featured in Twitters “recommended to follow”.

Majority of Tweets are direct interactions or conversations with fans and friends, and

occasionally "status updates” such as "I wish pancakes upon you all".

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Page 45: Social Media Best Practices for Musicians: Twitter
Page 46: Social Media Best Practices for Musicians: Twitter

Halestorm - @HalestormRocks

25000 followers. Awesome group that ROCKS live and is signed to Atlantic.

I suspect a few people are working on this account

- Someone with the band on tour is Tweeting and pointing URLs back to the band’s Website blog

- A band member uses Instagram and posts more intimate photos.

- Someone back at the office seems to be posting

- Post vary from very “buy” centric, to intimate and downright silly.

- Anywhere from 2-5 times a day.

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Page 48: Social Media Best Practices for Musicians: Twitter
Page 49: Social Media Best Practices for Musicians: Twitter
Page 50: Social Media Best Practices for Musicians: Twitter

Don't Tweet in the Dark!

- ViralHeat: Analytics beyond the "@" to monitor your band/brand, say if someone Tweets “bandname” instead @bandname. Must have unique band name.

- Crowdbooster

- Be sure to look at your “@” replies, be sure to interact with your fans, respond! ReTweet things you like to your followers. If you want something retweeted start your tweet with “Pls RT:”

- Use Twitter Search! See what the “Twittersphere” is saying about you.Search without the “@”

- Make short hashtags for shows and tours. i.e. Hash tag for the show tonight is “#gab” or say my band @lifelovemisery #llm, or #sxsw. It can be long if it must, for example #sfmusictech

Page 51: Social Media Best Practices for Musicians: Twitter

How frequently should I Tweet? And when?

I will share some insights to help you decide your best times!

- I personally, like times between 11am-Noon, and after 3pm, like 3:05-3:10- 2 Tweets M-F and 3 on Saturday and Sunday

Look into tools to help you manage this:

- Have no time to Tweet? Program it into Hootsuite or Tweetdeck.

- 6builder to build a following, maintain it, and help assemble content and copy to Tweet at the most appropriate time. Tools like this take a serious time investment.

- Use Google Analytics. Are 30% of your fans in France and you live in Chicago? Act accordingly.

Page 52: Social Media Best Practices for Musicians: Twitter

Music and content in your Twitter stream

- Post links to your Website, Blog, Facebook page, etc.

- Post pics ,videos, links to music to 3rd party services.

- Videos play right in the stream! No video? Get with it!

- iTunes samples in your stream! Post the link with /album/ directory in it.

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Page 54: Social Media Best Practices for Musicians: Twitter
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Page 56: Social Media Best Practices for Musicians: Twitter

Great OLD article on 100 musicians and how they use / or don’t use

Twitter.

http://mashable.com/2009/07/08/twitter-musicians/

Page 57: Social Media Best Practices for Musicians: Twitter

Finally....

- Be yourself- Provide content and information- Interact! Twitter is a direct-to-fan connection!- Make music! Find a good balance of using your social media presence!- Do not connect your Twitter account to your Facebook Page or vice versa.- Don’t forget about Mobile: connect your phone to Twitter and try out a few apps! Moby, SocialCam, Instagram, the Cam on your phone!

Page 58: Social Media Best Practices for Musicians: Twitter

Postscript:The CONFUSION OF THE “@”@twittermusic @tatiana

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Questions? Sure!

Follow me at @toddtate > Tweet at me!

Submit questions via my Website at http://www.toddtate.net/contact

In San Francisco this Fall? Do not miss the SF MusicTech Summit! http://www.sfmusictech.com

Page 60: Social Media Best Practices for Musicians: Twitter

Todd Tatehttp://toddtate.net/contact

@toddtate