the art of the italian renaissance

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By: Susan M. Pojer Horace Greeley HS Chappaqua, NY

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The Art of the Italian Renaissance. By: Susan M. Pojer Horace Greeley HS Chappaqua, NY. Art and Patronage. Italians were willing to spend a lot of money on art. Art communicated social, political, and spiritual values. Italian banking & international trade interests had the money. - PowerPoint PPT Presentation

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Page 1: The Art  of the Italian Renaissance

By: Susan M. PojerHorace Greeley HS

Chappaqua, NY

Page 2: The Art  of the Italian Renaissance

Art and Patronage� Italians were willing to spend a lot of

money on art./ Art communicated social, political, and

spiritual values./ Italian banking & international trade

interests had the money.� Public art in Florence was organized

and supported by guilds.

Therefore, the consumption of art was used as a form of competition for social & political status!

Page 3: The Art  of the Italian Renaissance
Page 4: The Art  of the Italian Renaissance

1. Realism & Expression� Expulsion

fromthe Garden

� Masaccio� 1427� First nudes

sinceclassical times.

Page 5: The Art  of the Italian Renaissance

2. Perspective

Perspective!Perspective!Perspective!

Perspective!Perspective!

First use of linear

perspective!

Perspective!Perspective!

� The Trinity� Masaccio� 1427

What you are, I once was; what I am, you will

become.

Page 6: The Art  of the Italian Renaissance

Perspective

Page 7: The Art  of the Italian Renaissance

3. Classicism

� Greco-Roman influence.

� Secularism.� Humanism.� Individualism

free standing figures.

� Symmetry/BalanceThe “Classical Pose”

Medici “Venus” (1c)

Page 8: The Art  of the Italian Renaissance

4. Emphasis on Individualism� Batista Sforza & Federico de Montefeltre:

The Duke & Dutchess of Urbino� Piero della Francesca, 1465-1466.

Page 9: The Art  of the Italian Renaissance

Isabella d’Este – da Vinci, 1499� 1474-1539

� “First Lady of the Italian Renaissance.”

� Great patroness of the arts.

� Known during her time as “First Lady of the World!”

Page 10: The Art  of the Italian Renaissance

5. Geometrical Arrangement of

Figures� The Dreyfus Madonna with the Pomegranate

� Leonardo da Vinci

� 1469� The figure as

architecture!

Page 11: The Art  of the Italian Renaissance

6. Light & Shadowing/Softening

Edges

Chiaroscuro

Sfumato

Page 12: The Art  of the Italian Renaissance

7. Artists as Personalities/Celebrities

� Lives of the Most Excellent Painters, Sculptors, andArchitects

� Giorgio Vasari

� 1550

Page 13: The Art  of the Italian Renaissance
Page 14: The Art  of the Italian Renaissance

Renaissance Florence

The Wool Factoryby Mirabello Cavalori, 1570 1252 – first gold

florins minted

Florentine lion:symbol of St.

Mark

Page 15: The Art  of the Italian Renaissance

Lorenzo the Magnificent

1478 - 1521

Cosimo de Medici

1517 - 1574

Page 16: The Art  of the Italian Renaissance

Florence Under the Medici

Medici Chapel

The Medici Palace

Page 17: The Art  of the Italian Renaissance

� Filippo Brunelleschi1377 - 1436

� Architect

� Cuppolo of St. Mariadel Fiore

Page 18: The Art  of the Italian Renaissance

Filippo Brunelleschi� Commissioned

to build the cathedral dome./ Used unique

architectural concepts. He studied

the ancient Pantheon in Rome.

Used ribs for support.

Page 19: The Art  of the Italian Renaissance

Brunelleschi’s “Secret”

Page 20: The Art  of the Italian Renaissance

Brunelleschi’s Dome

Page 21: The Art  of the Italian Renaissance

Comparing Domes

Page 22: The Art  of the Italian Renaissance

Other Famous Domes

Il Duomo St. Peter’s St. Paul’s US capital

(Florence) (Rome) (London) (Washington)

Page 23: The Art  of the Italian Renaissance

The Ideal City Piero della

Francesca, 1470

Page 24: The Art  of the Italian Renaissance

A Contest to Decorate the Cathedral: Sacrifice of Isaac

PanelsBrunelleschi Ghiberti

Page 25: The Art  of the Italian Renaissance

Ghiberti – Gates of ParadiseBaptistry Door, Florence – 1425 -

1452The Winner!

Page 26: The Art  of the Italian Renaissance

� David by Donatello� 1430� First free-form bronze

since Roman times!

The Liberation of Sculpture

Page 27: The Art  of the Italian Renaissance

David

Verrocchio

1473 - 1475

Page 28: The Art  of the Italian Renaissance

The Baptism of Christ Verrocchio, 1472 - 1475

Leonardo da Vinci

Page 29: The Art  of the Italian Renaissance
Page 30: The Art  of the Italian Renaissance

� Vitruvian Man

� Leonardo daVinci

� 1492

TheL’uomo

universale

Page 31: The Art  of the Italian Renaissance

The Renaissance “Man”� Broad knowledge about many

things in different fields.� Deep knowledge/skill in one area.� Able to link information from

different areas/disciplines and create new knowledge.

� The Greek ideal of the “well-rounded man” was at the heart of Renaissance education.

Page 32: The Art  of the Italian Renaissance

1. Self-Portrait -- da Vinci, 1512

1452 - 1519

� Artist� Sculptor� Architect� Scientist� Engineer� Inventor

Page 33: The Art  of the Italian Renaissance

Leonardo, the Artist

� The Virgin of the Rocks

� Leonardo daVinci

� 1483-1486

Page 34: The Art  of the Italian Renaissance

Leonardo, the Artist:From hisNotebooks of over 5000

pages (1508-1519)

Page 35: The Art  of the Italian Renaissance

Mona Lisa – da Vinci, 1503-4

Page 36: The Art  of the Italian Renaissance

A Macaroni Mona

ParodyThe Best Form of Flattery?

Page 37: The Art  of the Italian Renaissance

A Picasso Mona

Page 38: The Art  of the Italian Renaissance

An Andy Warhol Mona

Page 40: The Art  of the Italian Renaissance

Mona Lisa OR da Vinci??

Page 41: The Art  of the Italian Renaissance

The Last Supper - da Vinci, 1498& Geometry

Page 42: The Art  of the Italian Renaissance

Refractory

Convent of Santa

Maria delle

Grazie

Milan

Page 43: The Art  of the Italian Renaissance

horizontal

vert

ical

Perspective!

The Last Supper - da Vinci, 1498

Page 44: The Art  of the Italian Renaissance

� Detail of Jesus

� The Last Supper

� Leonardo da Vinci

� 1498

Deterioration

Page 45: The Art  of the Italian Renaissance

A Da Vinci “Code”:St. John or Mary Magdalene?

Page 46: The Art  of the Italian Renaissance

Leonardo, the Sculptor

� An Equestrian Statue

� 1516-1518

Page 47: The Art  of the Italian Renaissance

Leonardo, the Architect:Pages from his Notebook

� Study of a central church.

� 1488

Page 48: The Art  of the Italian Renaissance

Leonardo, the Architect:Pages from his Notebook

� Plan of the city of Imola, 1502.

Page 49: The Art  of the Italian Renaissance

Leonardo, the Scientist (Biology):Pages from his Notebook

� An example of the humanist desire to unlock the secrets of nature.

Page 50: The Art  of the Italian Renaissance

Leonardo, the Scientist (Anatomy):

Pages from his Notebook

Page 51: The Art  of the Italian Renaissance

Leonardo, the Inventor:

Pages from his Notebook

Page 52: The Art  of the Italian Renaissance

Man Can Fly?

Page 53: The Art  of the Italian Renaissance

A study of siege defenses.

Studies of water-lifting devices.

Leonardo, the Engineer: Pages from his

Notebook

Page 54: The Art  of the Italian Renaissance

Leonardo da Vinci….O investigator, do not flatter yourself that you know the things nature performs for herself, but rejoice in knowing that purpose of those things designed by your own mind.

Page 55: The Art  of the Italian Renaissance
Page 56: The Art  of the Italian Renaissance

2. Michelangelo Buonorrati

� 1475 – 1564

� He represented the body in three dimensions of sculpture.

Page 57: The Art  of the Italian Renaissance

� David� Michelangel

oBuonarotti

� 1504� Marble

Page 58: The Art  of the Italian Renaissance

15c

16c

What

a

difference

a

century

makes!

Page 59: The Art  of the Italian Renaissance

� The Pieta

� MichelangeloBuonarroti

� 1499

� marble

The Popes as Patrons of the Arts

Page 60: The Art  of the Italian Renaissance

The Sistine Chapel

Michelangelo Buonarroti

1508 - 1512

Page 61: The Art  of the Italian Renaissance

The Sistine Chapel’s Ceiling

Michelangelo Buonarroti1508 - 1512

Page 62: The Art  of the Italian Renaissance

The Sistine Chapel Details

The Creation

of the Heavens

Page 63: The Art  of the Italian Renaissance

The Sistine Chapel Details

Creation of Man

Page 64: The Art  of the Italian Renaissance

A Modern “Adaptation”

Joe Gallo in the New York Daily News, 2004

Page 65: The Art  of the Italian Renaissance

The Sistine Chapel Details

The Fall from Grace

Page 66: The Art  of the Italian Renaissance

The Sistine Chapel Details

The Last Judgment

Page 67: The Art  of the Italian Renaissance

3. Raffaello Sanzio (1483-1520)

Self-Portrait, 1506 Portrait of the Artist with a Friend, 1518

Page 68: The Art  of the Italian Renaissance

Baldassare Castiglione by Raphael,

1514-1515� Castiglione

represented the humanist “gentleman” as a man of refinement and self-control.

Page 69: The Art  of the Italian Renaissance

Perspective!

Betrothal

of the Virgin

Raphael1504

Page 70: The Art  of the Italian Renaissance

Raphael’s Canagiani Madonna, 1507

Page 71: The Art  of the Italian Renaissance

Raphael’s Madonnas (1)

Sistine Madonna Cowpepper Madonna

Page 72: The Art  of the Italian Renaissance

Madonna della Sedia Alba Madonna

Raphael’s Madonnas (2)

Page 73: The Art  of the Italian Renaissance

The School of Athens – Raphael, 1510 -11� One point perspective.

� All of the important Greek philosophers and thinkers are included all of the great personalities of the Seven Liberal Arts!

� A great variety of poses.� Located in the papal apartments

library.� Raphael worked on this commission

simultaneously as Michelangelo was doing the Sistine Chapel.

� No Christian themes here.

Page 74: The Art  of the Italian Renaissance

The School of Athens – Raphael, 1510 -11

Raphael

Da Vinci

Michelangelo

Page 75: The Art  of the Italian Renaissance

Aristotle:looks to thisearth [thehere and

now].

Plato:looks to theheavens [or

the IDEALrealm].

The School of Athens – Raphael, details

Page 76: The Art  of the Italian Renaissance

Averroes

Hypatia

Pythagoras

Page 77: The Art  of the Italian Renaissance

Zoroaster

Ptolemy

Euclid

Page 78: The Art  of the Italian Renaissance

The Liberation of St. Peter by Raphael, 1514

Page 79: The Art  of the Italian Renaissance

Portrait of Pope Julius II by Raphael, 1511-1512

� More concerned with politics than with theology.

� The “Warrior Pope.”

� Great patron of Renaissance artists, especially Raphael & Michelangelo.

� Died in 1513

Page 80: The Art  of the Italian Renaissance

Pope Leo X with Cardinal Giulio deMedici and Luigi De Rossi by Raphael, 1518-1519� A Medici Pope.� He went through

the Vatican treasury in a year!

� His extravagances offended even some cardinals [as well as Martin Luther!].

� Started selling indulgences.

Page 81: The Art  of the Italian Renaissance

Birth of Venus – Botticelli, 1485

An attempt to depict perfect beauty.

Page 82: The Art  of the Italian Renaissance

Botticelli’s Venus Motif.10¢ Italian Euro coin.

2002 Euro Coin

Page 83: The Art  of the Italian Renaissance

Primavera – Botticelli, 1482

Depicted classical gods as almost naked and life-size.

Page 84: The Art  of the Italian Renaissance

A Portrait of Savonarola� By Fra Bartolomeo,

1498.� Dominican friar who

decried money and power.

� Anti-humanist he saw humanism as too secular, hedonistic, and corrupting.

� The “Bonfire of the Vanities,” 1497./ Burned books, artwork,

jewelry, and other luxury goods in public.

/ Even Botticelli put some of his paintings on the fire!!

Page 85: The Art  of the Italian Renaissance

The Execution of Savonarola, 1452

Page 86: The Art  of the Italian Renaissance
Page 87: The Art  of the Italian Renaissance

The Doge, Leonardo LoredonBerlini, 1501

Page 88: The Art  of the Italian Renaissance

Venus of Urbino – Titian, 1558

Page 89: The Art  of the Italian Renaissance

The Penitent Mary Magdalene by Titian, 1533

� By the mid-16c, High Renaissance art was declining.

� Mannerism became more popular.

� This painting is a good example of this new artistic style.