the art of the italian renaissance

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The Art of the Italian Renaissance. By: Susan M. Pojer Horace Greeley HS Chappaqua, NY. Art and Patronage. Italians were willing to spend a lot of money on art. Art communicated social, political, and spiritual values. Italian banking & international trade interests had the money. - PowerPoint PPT Presentation

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Page 1: The Art  of the Italian Renaissance
Page 2: The Art  of the Italian Renaissance

By: Susan M. PojerHorace Greeley HS

Chappaqua, NY

Page 3: The Art  of the Italian Renaissance

Art and Patronage• Italians were willing to spend a lot of money on

art.– Art communicated social, political, and spiritual

values.– Italian banking & international trade interests had

the money.• Public art in Florence was organized and

supported by guilds.

Therefore, the consumption of art was used as a form of competition for social & political status!

Page 4: The Art  of the Italian Renaissance
Page 5: The Art  of the Italian Renaissance

1. Realism & Expression

� Expulsion fromthe Garden

� Masaccio

� 1427

� First nudes sinceclassical times.

Page 6: The Art  of the Italian Renaissance

2. Perspective

Perspective!Perspective!Perspective!

Perspective!Perspective!

First use of linear

perspective!

Perspective!Perspective!

� The Trinity

� Masaccio

� 1427

What you are, I once was; what I am, you will

become.

Page 7: The Art  of the Italian Renaissance

Perspective

Page 8: The Art  of the Italian Renaissance

3. Classicism

� Greco-Roman influence.

� Secularism.

� Humanism.

� Individualism free standing figures.

� Symmetry/BalanceThe “Classical Pose”

Medici “Venus” (1c)

Page 9: The Art  of the Italian Renaissance

4. Emphasis on Individualism� Batista Sforza & Federico de Montefeltre:

The Duke & Dutchess of Urbino

� Piero della Francesca, 1465-1466.

Page 10: The Art  of the Italian Renaissance

Isabella d’Este – da Vinci, 1499� 1474-1539

� “First Lady of the Italian Renaissance.”

� Great patroness of the arts.

� Known during her time as “First Lady of the World!”

Page 11: The Art  of the Italian Renaissance

5. Geometrical Arrangement of

Figures� The Dreyfus Madonna with the Pomegranate

� Leonardo da Vinci

� 1469

� The figure as architecture!

Page 12: The Art  of the Italian Renaissance

6. Light & Shadowing/Softening

Edges

Chiaroscuro

Sfumato

Page 13: The Art  of the Italian Renaissance

7. Artists as Personalities/Celebrities

� Lives of the Most Excellent Painters, Sculptors, andArchitects

� Giorgio Vasari

� 1550

Page 14: The Art  of the Italian Renaissance
Page 15: The Art  of the Italian Renaissance

Renaissance Florence

The Wool Factoryby Mirabello Cavalori, 1570 1252 – first gold

florins minted

Florentine lion:symbol of St.

Mark

Page 16: The Art  of the Italian Renaissance

Lorenzo the Magnificent

1478 - 1521

Cosimo de Medici

1517 - 1574

Page 17: The Art  of the Italian Renaissance

Florence Under the Medici

Medici Chapel

The Medici Palace

Page 18: The Art  of the Italian Renaissance

� Filippo Brunelleschi1377 - 1436

� Architect

� Cuppolo of St. Mariadel Fiore

Page 19: The Art  of the Italian Renaissance

Filippo Brunelleschi

• Commissioned to build the cathedral dome.– Used unique

architectural concepts. He studied the ancient

Pantheon in Rome. Used ribs for support.

Page 20: The Art  of the Italian Renaissance

Brunelleschi’s “Secret”

Page 21: The Art  of the Italian Renaissance

Brunelleschi’s Dome

Page 22: The Art  of the Italian Renaissance

Comparing Domes

Page 23: The Art  of the Italian Renaissance

Other Famous Domes

Il Duomo St. Peter’s St. Paul’s US capital

(Florence) (Rome) (London) (Washington)

Page 24: The Art  of the Italian Renaissance

The Ideal City Piero della

Francesca, 1470

Page 25: The Art  of the Italian Renaissance

A Contest to Decorate the Cathedral: Sacrifice of Isaac

PanelsBrunelleschi Ghiberti

Page 26: The Art  of the Italian Renaissance

Ghiberti – Gates of ParadiseBaptistry Door, Florence – 1425 -

1452The Winner!

Page 27: The Art  of the Italian Renaissance

� David by Donatello

� 1430

� First free-form bronze since Roman times!

The Liberation of Sculpture

Page 28: The Art  of the Italian Renaissance

David

Verrocchio

1473 - 1475

Page 29: The Art  of the Italian Renaissance

The Baptism of Christ Verrocchio, 1472 - 1475

Leonardo da Vinci

Page 30: The Art  of the Italian Renaissance

The Baptism of Christ Verrocchio, 1472 - 1475

Leonardo da Vinci

Page 31: The Art  of the Italian Renaissance
Page 32: The Art  of the Italian Renaissance

� Vitruvian Man

� Leonardo daVinci

� 1492

TheL’uomo

universale

Page 33: The Art  of the Italian Renaissance

The Renaissance “Man”

� Broad knowledge about many things in different fields.

� Deep knowledge/skill in one area.� Able to link information from

different areas/disciplines and create new knowledge.

� The Greek ideal of the “well-rounded man” was at the heart of Renaissance education.

Page 34: The Art  of the Italian Renaissance

1. Self-Portrait -- da Vinci, 1512

1452 - 1519

� Artist

� Sculptor

� Architect

� Scientist

� Engineer

� Inventor

Page 35: The Art  of the Italian Renaissance

Leonardo, the Artist

� The Virgin of the Rocks

� Leonardo daVinci

� 1483-1486

Page 36: The Art  of the Italian Renaissance

Leonardo, the Artist:From hisNotebooks of over 5000

pages (1508-1519)

Page 37: The Art  of the Italian Renaissance

Mona Lisa – da Vinci, 1503-4

Page 38: The Art  of the Italian Renaissance

A Macaroni Mona

ParodyThe Best Form of Flattery?

Page 39: The Art  of the Italian Renaissance

A Picasso Mona

Page 40: The Art  of the Italian Renaissance

An Andy Warhol Mona

Page 42: The Art  of the Italian Renaissance

Mona Lisa OR da Vinci??

Page 43: The Art  of the Italian Renaissance

The Last Supper - da Vinci, 1498& Geometry

Page 44: The Art  of the Italian Renaissance

Refractory

Convent of Santa

Maria delle

Grazie

Milan

Page 45: The Art  of the Italian Renaissance

horizontal

vert

ical

Perspective!

The Last Supper - da Vinci, 1498

Page 46: The Art  of the Italian Renaissance

� Detail of Jesus

� The Last Supper

� Leonardo da Vinci

� 1498

Deterioration

Page 47: The Art  of the Italian Renaissance

A Da Vinci “Code”:St. John or Mary Magdalene?

Page 48: The Art  of the Italian Renaissance

Leonardo, the Sculptor

� An Equestrian Statue

� 1516-1518

Page 49: The Art  of the Italian Renaissance

Leonardo, the Architect:Pages from his Notebook

� Study of a central church.

� 1488

Page 50: The Art  of the Italian Renaissance

Leonardo, the Architect:Pages from his Notebook

� Plan of the city of Imola, 1502.

Page 51: The Art  of the Italian Renaissance

Leonardo, the Scientist (Biology):Pages from his Notebook

� An example of the humanist desire to unlock the secrets of nature.

Page 52: The Art  of the Italian Renaissance

Leonardo, the Scientist (Anatomy):

Pages from his Notebook

Page 53: The Art  of the Italian Renaissance

Leonardo, the Inventor:

Pages from his Notebook

Page 54: The Art  of the Italian Renaissance

Man Can Fly?

Page 55: The Art  of the Italian Renaissance

A study of siege defenses.

Studies of water-lifting devices.

Leonardo, the Engineer: Pages from his

Notebook

Page 56: The Art  of the Italian Renaissance

Leonardo da Vinci….

O investigator, do not flatter yourself that you know the things nature performs for herself, but rejoice in knowing that purpose of those things designed by your own mind.