Mainstage Playbill

Richard Hopkins, Producing Artistic Director

This project is sponsored in part by the Department of State, Division of Cultural Affairs, the Florida Council on Arts and Culture and the State of Florida.Pictured: George Tynan Crowley and Rachel Moulton. Photo by Matthew Holler.

Heisenbergby Simon Stephens

Alex Priest .....................................George Tynan Crowley*Georgie Burns .....................................Rachel Moulton*

Season UnderwritersGerri Aaron, Gaele Barthold, Ed & Judy Christian, Georgia Court, Shirley Fein,

Wendy & Bob Grady, Gulf Coast Community Foundation, Robert & Bonny Israeloff, Ernie Kretzmer in loving memory of Alisa Kretzmer, Dennis and Graci McGillicuddy,

Anne H.S. Nethercott, Gail & Skip Sack, Dorothy Waldron

Scenic DesignerDavid Arsenault

Costume DesignerJeff Cone

Lighting DesignerRob Perry

CAST

Directed by: Kate Alexander

The video or audio recording of this performance by any means is strictly prohibited.

Heisenberg was originally commissioned by the Manhattan Theatre Club, (Lynne Meadow, Artistic Director; Barry Grove, Executive Producer) and received its world premiere there on May 19, 2015.

Heisenberg is presented by special arrangement with Dramatists Play Service, Inc., New York.

Show Co-ProducersJim Bruen & Jane Plitt, Sydney & Jerome Goldstein, Ruth Gorton, Lois Stulberg,

Tom Wilson & Patrick Crimmings, Alan & Lois Schottenstein, and SCENE Magazine

Stage Manager: Kelli Karen*

Setting: London, present day

Sound DesignerThom Korp

ChoreographerGreg London

* Denotes member Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States.

ARTIST PROFILES

GEORGE TYNAN CROWLEY (Alex Priest) has an MFA in Directing from the Yale School of Drama. He has helmed his own plays, including the premieres of Irish, Most Happy, and the indie feature Cleopatra Backstage. As an actor, he has played at Lincoln Center’s Mitzi Newhouse, Here Arts Center, American Place Theatre, The Wilma Theatre, Stratford’s American Shakespeare Theatre, DC’s Studio Theatre, and with much gratitude, again and again, at Florida Studio Theatre in Gross Indecency, Proof, Two Jews Walk Into a War, Freud’s Last Session, Ten Unknowns, and most recently, Outside Mullingar. www.georgetynancrowley.comRACHEL MOULTON (Georgie) is absolutely thrilled and honored to be back in

Sarasota for her sixth production with FST. You may have seen her earlier this spring as the Pilot in George Brant’s one-woman show Grounded directed by Kate Alexander as part of FST’s Stage III series. Also at FST: Alabama Story, The God of Isaac, The Columnist (regional premiere) and Jericho (National New Play Network’s Rolling World Premiere). Off Broadway/New York: In a Tilted Place (IRT), Sex Tips For Straight Women from a Gay Man (777 Theatre), Philip Goes Forth (The Mint) and as Zelda Fitzgerald in This Side of Paradise (St.Clements). Regional: The Book Club Play (Virginia Stage Co.), One Slight Hitch (Florida Rep.), Black Comedy and RENT (Pioneer Theatre Company), My Fair Lady (JW Engeman Theatre), Midsummer (Pennsylvania Shakespeare Festival), Finding Nemo: The Musical (WDW). Several commercials, most notably as the spokesperson

for Office Depot. Training: Interlochen Arts Academy and Syracuse University, B.F.A. www.rachelmoulton.comKATE ALEXANDER (Director) is the Associate Director At-Large of FST and the Founder of the FST Theatre School with its acting method of training. Ms. Alexander has directed numerous productions and premieres on the FST stages including The Absolute Brightness of Leonard Pelkey; brownsville song: (b-side for tray); Clever Little Lies; Alabama Story; Outside Mullingar; Over the River and Through the Woods; Chapatti; Dancing Lessons; Becoming Dr. Ruth; Freud’s Last

Session; Thurgood; South Beach Babylon; The Columnist; Talley’s Folly; Jericho; Next Fall; The Savannah Disputation; Ghost- Writer; Two Jews Walk into a War...; I Love You, You’re Perfect, Now Change; Sylvia; Shotgun; The Miamians; Brooklyn Boy; The Exonerated; Wit; Proof; Lobby Hero; and Ten Unknowns. Ms. Alexander has also been a resident actress for over 25 years. Some of her leading roles were in the plays: Edward Albee’s The Goat; Filumena; Master Class; Edward Albee’s Three Tall Women, The Occupant , The Play About the Baby; Golda’s Balcony; and Taking Shakespeare. Ms. Alexander is the recipient of numerous acting, directing, and public service awards, including FAER, She Knows Where She’s Going Award (Girls, Inc.), The Woman of Light Award, National Council of Jewish Women, The Woman of Power Award, the Sarasota County Arts Leadership Award, Education Award, Sarasota Manatee Jewish Federation, and most recently, The Unity Award. Ms. Alexander leads the FST Forums Series and developed the Blue Butterfly Theatre Program, a program for teens suffering from grief through loss. She created the Art of The Gesture program at Ringling College of Animation and is the co-author of The Animated Short, with Karen Sullivan, now in its 2nd edition.

ARTIST PROFILES

ARTIST PROFILESKELLI KAREN (Stage Manager) has been an integral member of Florida Studio Theatre. Kelli began at FST as a dance teacher in the education department in 1993. In addition to her classes at FST, Kelli has created and taught outreach programs at Care Pointes in Swaziland, South Africa, The Pines of Sarasota, Girls Inc., The Boys and Girls Club, and has taught playwriting at numerous local elementary schools as well as in our sister city of Dunfermline, Scotland. Stage management credits: Off-Broadway: The New Victory Theater (Fly). Selected Regional Credits: Pasadena Playhouse (Fly), Crossroads Theatre (Fly), Oprah Winfrey Theatre Smithsonian (Fly), FST Credits: Clever Little Lies; Inspired Lunacy; Fly; Taking Shakespeare; Pump Boys and Dinettes; Daddy Long Legs; Monty Python’s Spamalot; The Underpants; The World Goes ‘Round; The Columnist; Smokey Joe’s Café; Perfect Wedding; Jericho; Next Fall; Next to Normal; Cowgirls; Ghost-Writer; Shear Madness; I Love You, You’re Perfect, Now Change; The 39 Steps; Beehive: The 60s Musical; Ruined; The 25th Annual Putnam County Spelling Bee; Edward Albee’s Occupant; Motown Cabaret.DAVID L. ARSENAULT (Scenic Designer) FST: Debut. Recent NYC: Peer Gynt (Classic Stage Company), A Better Place (The Duke). International: English Theatre Berlin, Germany. Regional: Kennedy Center, Bay Street Theatre, Kitchen Theatre Company, Geva Theatre, Hangar Theatre, Northern Stage, Weston Playhouse, Dorset Theatre Festival, Gulfshore Playhouse, Urban Arias, Bucks County Playhouse, and others. Broadway (Associate): The Color Purple (also London and National Tour), King Charles III, Constellations, Disaster!, Les Liaisons Dangereuses. www.DavidArsenaultDesign.comJEFF CONE (Costume Designer) Since receiving his MFA in

Costume Design in 1984, he has been a draper at the Alliance Theatre in Atlanta (12 yrs), a draper at the Seattle Opera (5 yrs) and Costume Shop Manager at Portland Center Stage (12 yrs). Most recently, he managed the costume shop at the Alliance Theatre. While in residence, he designed for both Portland Center Stage and the Alliance Theatre. During these years, he designed costumes for 60+ productions at regional theaters across the country. THOMAS KORP (Sound Designer) a former FST intern, is excited to be entering his second season as staff. Sound design credits include Once; Burt & Me; The Absolute Brightness of Leonard Pelkey; The Columnist; Talley’s Folley; A Chorus Line; Spamalot; and The West Side Waltz. Mixing Credits: Next to Normal; Das Barbecu; Smokey Joe’s Café; The World Goes Round; Tango: Buenos Aires; We Will Rock You; Sound engineer with Royal Caribbean Cruise Lines 2014 – 2016.ROB PERRY (Lighting Designer) Florida Studio Theatre: Alabama Story, Over the River and Through the Woods, Inspired Lunacy, Freud’s Last Session, World Goes’ Round, The Best Of Enemies, Talley’s Folly, The Last Romance, Two Jews Walk into a War, Race, Brassy Broads, The Wanderers, and Shotgun. Robert has also designed Off-Broadway, in addition to the Goodman Theatre, Arena Stage, LaJolla Playhouse, Hartford Stage, and the McCarter. MFA: Yale School of Drama. BFA: UNC School of the Arts. He is a member of United Scenic Artists.

EXECUTIVE STAFFRICHARD HOPKINS Mr. Hopkins is the Producing Artistic Director of Florida Studio Theatre. Mr. Hopkins has fostered the development of FST’s Mainstage and Cabaret productions. His many directing Mainstage credits include: Inspired Lunacy, The Best of Enemies, Next to Normal, Race, Ruined, The 25th Annual Putnam County Spelling Bee, Boleros for the Disenchanted, Permanent Collection, and Metamorphoses, among numerous other plays. Mr. Hopkins led the development of FST’s Cabaret productions of Piano Men, The Prima Donnettes, Too Darn Hot, and By Gershwin. Mr. Hopkins also serves as the Chief Executive Officer of Florida Studio Theatre. This includes overseeing the creation and implementation of all FST programming, including Mainstage, Cabaret, Stage III, New Play Development, Education, and Touring. Since his arrival at FST in 1980, Mr. Hopkins has guided the theatre from a small touring company to a nationally recognized regional theatre which impacts over 200,000 adults and children annually. He created the New Play Development Program, the Cabaret Series, FST’s award winning WRITE A PLAY Program, and he has directed the design and renovation of all FST’s theatres. Mr. Hopkins is the recipient of numerous awards including the Arts Leadership Award from the Sarasota Arts Council, the Richard G. Fallon Award for Artistic Excellence from the Florida Professional Theatres Association, and the 2012 Cultural Champion Award from the Arts and Cultural Alliance of Sarasota County. In 2016, Mr. Hopkins was awarded the Luminaire Award honoring excellence in creativity, philanthropy, advocacy, and all elements that are keys to future growth of the arts in Sarasota.

REBECCA HOPKINS Mrs. Hopkins serves as Managing Director for Florida Studio Theatre, and as such, is the Chief Operations Officer. Mrs. Hopkins is responsible for the oversight of FST’s Administration, including the Business Office, Development, Marketing, Box Office, Front of House, Restaurant, budgeting, and maintaining the overall quality of FST’s internal management. Nationally, Mrs. Hopkins is President of the National New Play Network and serves on the Board of Directors for the League of Resident Theatres and the Theatre Communications Group. She has been actively involved in development of FST’s Cabaret productions since her arrival in 1998. This season she is the lead developer on Blue Suede Shoes and on the development team for Mack the Knife and Shakespeare’s Greatest Hits. Previously, she was the lead developer on Gypsies, Tramps, and Thieves; Older Than Dirt; Yesterday; American Pie; and Poems, Prayers, and Promises, and co-developer of Piano Men. She has been the head writer on all five Laughing Matters shows. Some of her favorite shows she helped develop include: The Prima Donnettes; That’s Life; The Wanderers; My One and Only Gershwin; Hot and Cole; Shakespeare’s Greatest Hits; The British Invasion; The Flip Side; and Outlaws and Angels. In addition, she is the founder and producer of FST Improv and the Sarasota Improv Festival. In 2012, the Arts & Cultural Alliance awarded Mrs. Hopkins the Cultural Champion Award in recognition of her many years of accomplishment and growth with Florida Studio Theatre. In 2016, Mrs. Hopkins was awarded the Luminaire Award honoring excellence in creativity, philanthropy, advocacy, and all elements that are keys to future growth of the arts in Sarasota.

ABOUT THE PLAYWRIGHT

SIMON STEPHENS is an award-winning playwright whose work includes The Curious Incident of the Dog in the Night-Time (National Theatre, 2012; Apollo Theatre, 2013; Gielgud, 2014 – present; Barrymore Theatre in Broadway, 2015); Bluebird (Royal Court, 1998); Herons (Royal Court, 2001); Port (Manchester Royal Exchange, 2002 - Pearson Award for Best New Play); Christmas (Bush Theatre, 2004); Country Music (Royal Court, 2004); On the Shore of the Wide World (Manchester Royal Exchange/National Theatre, 2005 - Olivier Award for Best New Play); Motortown (Royal Court, 2006); Harper Regan (National Theatre, 2008); Sea Wall (Bush Theatre/Traverse Theatre, 2008-2009); Pornography (Deutsches Schauspielhaus, Hanover, 2007, Edinburgh Festival/Birmingham Rep, 2008 and Tricycle Theatre, 2009); Punk Rock (Lyric Hammersmith/Manchester Royal Exchange, 2009); The Trial of Ubu (Schauspielhaus, Essen/Toneelgroep Amsterdam, 2010); A Thousand Stars Explode in the Sky written in collaboration with David Eldridge and Robert Holman (Lyric Hammersmith, 2010); Marine Parade, a play with songs composed by Mark Eitzel (Brighton Festival, 2010); T5 (Traverse Theatre, 2010); Wastwater (Royal Court Theatre, 2011) and an adaptation of Jon Fosse’s I Am the Wind (Young Vic Theatre, 2011). His adaption of Mark Haddon’s novel, The Curious Incident of the Dog in the Night-Time, won the Oliver and Tony Awards for Best New Play. The Trial of Ubu made its UK premiere at the Hampstead Theatre in January 2012 and his play Three Kingdoms, which had a run at the NO99 Theatre in Estonia and the Munich PlayChamber, Germany, opened at the Lyric Theatre, Hammersmith in 2012. Simon is currently under commission to the National Theatre, Manchester Royal Exchange, and the Young Vic. TV credits include an adaptation of Pornography for Coming Up (Channel 4, 2009) and “Dive” (Granada/BBC, 2009).

FST FORUMS

In Simon Stephens’ Heisenberg, Georgie Burns kisses Alex Priest on the back of the neck—an unorthodox way to show that you are interested in or attracted to someone.

What drives Georgie to do this? Is it lust? Attraction? Or something else entirely? Love is one of life’s most perplexing phenomena, but scientists and psychologists have started to glean what drives attraction and romantic love. Recent studies have shown that brain—not physical or emotional—chemistry plays a significant role in relationships.

According to scientists at Rutgers University, romantic love can be placed into one of three categories: lust, attraction, and attachment. When a person experiences any of these, chemicals are released that can increase their libido or silence the area of the brain responsible for logical behavior

and reasoning. This is why people stammer, trip, and get flustered when they are around a person to which they are attracted. Their brains are literally tripping them up!

It also turns out that lust and attraction are closely connected, yet distinct, entities. When a person is attracted to someone, lots of dopamine—the chemical that causes people to feel energized and exhilarated—is released in their brain. Ever heard of the “honeymoon phase” of a relationship? The high levels of dopamine being released in the couple’s brains are partially responsible for that.

Although there are multiple scientific and psychological causes for attraction, it is generally believed that attraction remains highly individualized. The personality and physical traits of someone might be attractive to one person yet undesirable to another.

The Enigma of Love by Lydia Baxter

FST FORUMS

For the past two years, Heisenberg’s success has skyrocketed. Commissioned by Manhattan Theatre Club, the play enjoyed a sold-out run at the company’s Off-Broadway performance space in 2015. The next year Heisenberg transferred to Broadway, bringing the play’s original director and cast with it. Critics found it “quirky, lovely, funny, and powerful” and “one of [2016’s] best” productions. From there, the production moved to Los Angeles, where it spent this past summer at Center Theatre Group.

It is unique for a play to be remounted multiple times across the country and maintain its original cast and creative team. Director Mark Brokaw tried to create the feeling of intimacy, which was vital to the play’s first production, in

each performance space. He wanted it to feel like the characters are “under a microscope,” as if “we [the audience] are sort of on top of them.”

This past October, the play was finally produced in the playwright’s native country of England with a jazzy new title: Heisenberg: The Uncertainty Principle. Two giants of British acting—Anne-Marie Duff and Kenneth Cranham—play Georgie Burns and Alex Priest, respectively. This London production was directed by Marianne Elliot, who was also responsible for directing Simon Stephens’ famed theatrical adaptation of The Curious Incident of the Dog in the Night-Time.

Heisenberg on the Rise by Lydia Baxter

Pictured: George Tynan Crowley and Rachel Moulton. Original photo by Matthew Holler.

SEASON UNDERWRITERSso fortunate to have such a professional and creative venue with so many facets. It is a cultural beacon in our community, and with your support, the future of FST will be bright.

GEORGIA COURT I love great theatre and FST delivers that. FST is among the best theatre companies I have seen, but it is more than a theatre company. It is an organization that recognizes it is part of the greater community - and it reaches out to that community in positive, productive ways. Having FST so accessible adds to the joy of living in the fabulous arts community that is Sarasota.

SHIRLEY FEIN My support of FST was immediate. I felt a comfortable intimacy and a grandeur regarding their intellectually stimulating and entertaining performances. I salute FST for having exceptional management, a friendly and caring staff, and performers extraordinaire! It is my sincere pleasure to be a sponsor of the 2017-18 Winter Mainstage Season, full of new and exciting productions for us all to enjoy. See you there!

WENDY & BOB GRADY We were so impressed when we first visited FST, that we immediately wanted to become involved. Whenever you come across a system as unique as FST’s, where the key to getting art into the hearts of so many has been found

GERRI AARON To me, FST is a great theater experience in the respect that I’ve seen plays in New York City and then seen the very same plays here; they are just as good if not better. Richard Hopkins is amazing; he continues to select plays that both confirm and challenge one’s beliefs. FST is a Sarasota treasure that keeps getting better.

GAELE BARTHOLD FST is family and an integral part of my life. Its community contributions are myriad and a model of theatrical excellence. Quality and diverse stage productions at affordable prices are but one component of FST’s offerings. Other contributions include extensive contact with local schools to foster student creativity and theatre appreciation, structured and wide-ranging educational programs for adults and children, community forums and other community outreach programs, and a strong commitment to new play development and excellence in the arts. FST is a gem which well warrants our widespread financial and artistic support.

ED & JUDY CHRISTIAN For business travel, we experience many towns in the US. I always ask the question: What’s important about your community? In Sarasota, the overwhelming answer is “it’s the arts,” followed with “We have a great theatre company with Florida Studio Theatre”. We are

SEASON UNDERWRITERS-- in a comfortable and easily accessible way -- you know you’ve spotted a winner. We are proud to be season underwriters and hope that others will join us in supporting FST’s important work.

GULF COAST COMMUNITY FOUNDATION Together with our donors, Gulf Coast Community Foundation transforms our region through bold and proactive philanthropy. Gulf Coast is a public charity that was created in 1995 through the sale of the Venice Hospital. Since then, we have become the philanthropic home of more than 650 families who have established charitable funds here, and we have invested over $260 million in grants in the areas of health and human services, civic and economic development, education, arts and culture, and the environment. Learn more at GulfCoastCF.org.

ROBERT & BONNY ISRAELOFF Our favorite FST story happened while attending a performance for the first time, many years ago and saying, “This is theatre! Do they have a season subscription?!” FST is thought-provoking, Broadway worthy theatre. We believe FST is important because it enriches our community; it helps make Sarasota what it is. This is why we have proudly contributed to past expansions; especially the new Gompertz Theatre complex, to aid

FST’s mission in being even more accessible to the public.

ERNIE KRETZMER IN LOVING MEMORY OF ALISA KRETZMER I would describe FST as uncommonly, intimate theater that is well-articulated and succinct. FST is important to me because it is the perfect window to take in the American contemporary theatre scene. A favorite play was Golda’s Balcony; superbly acted. I continue to support FST’s five stages of engaging theatre.

DENNIS AND GRACI MCGILLICUDDY FST is important to us because we believe so strongly in the transformative power of the arts. For close to 30 years now, we have been so fortunate to experience first-hand how that transformative power works its magic in the hands of an organization that is not only experienced and dedicated, but so highly skilled in their craft. The values of the theater and its leadership, as reflected in its mission and as manifested in its work, whether it be on the mainstage, in the cabaret, in its education and community outreach programs: these are values that we so strongly believe in. As a consequence, it is a privilege for us to be a part of, and supportive of this great theatre.

ANNE H.S. NETHERCOTT When asked to define giving, Anne said: “My mother used to say the best way to find you is to lose

CO-PRODUCERSJIM BRUEN & JANE PLITT FST continues to produce theatre that inspires, entertains, and makes us think. We are delighted to help our community enjoy the richness of FST productions, starting with youth and WRITE A PLAY and concluding with these provocative plays.

SYDNEY & JEROME GOLDSTEIN FST is important to us because we have always enjoyed the theatre and it provides good, thought-provoking plays. Its productions are unique to our community. Our favorite show was Master Class in 1998 with Kate Alexander. We generally like the dramas, which makes us think and touches our emotions. FST has many facets, all of them worthwhile. It is our pleasure to support these efforts!

RUTH GORTON FST is truly a great regional theatre that professionally produces the work of the playwright, including children through its WRITE A PLAY program. It is a joy to see school children try their hands at playwriting and then to see their plays produced on the FST stage. It is equally exciting to see plays produced by contemporary artists and it is a thrill for me to sponsor these productions.

ALAN & LOIS SCHOTTENSTEIN We are proud to support FST, and are lucky to have such great theater in Sarasota. FST reaches out to the community and provides wonderful affordable productions at the Broadway level.

TOM WILSON & PATRICK CRIMMINGS Sarasota’s vibrant arts scene was a big factor in choosing to retire here. Prominent in that scene is FST and its five stages, offering a wide variety of theatre experiences at very affordable prices. And, the children’s WRITE A PLAY and

SEASON UNDERWRITERSyourself, by focusing on the needs of others rather than on oneself.” So giving has always been an important family value, which in childhood was reinforced by the community experience of surviving the Depression. Anne is proud to be a supporter of FST.

GAIL & SKIP SACK Florida Studio Theatre brings world class acting and phenomenal,

thought-provoking plays to Sarasota. We’re delighted to support FST in this mission.

DOROTHY WALDRON I support FST for its diversity of programming: Mainstage, Cabaret, Improv, WRITE A PLAY children’s program, summer camp, adult education classes, and the VIP program for special needs children. It is truly a wonderful community asset.

941.366.90001241 North Palm Avenue • Downtown Sarasota, FL 34236

www.floridastudiotheatre.org • info@floridastudiotheatre.org

FST COMPANYBOARD OF TRUSTEES

President ................................................................. Dennis McGillicuddyVice-President ................................................................ Richard HopkinsSecretary/Treasurer ......................................................... Jennifer MichellTrustee .................................................................................Gaele BartholdTrustee ................................................................... Carol Poteat BuchananTrustee ..................................................................................Georgia CourtTrustee ............................................................................. Patricia CourtoisTrustee ................................................................................... Jeff HotchkissTrustee .................................................................................Barbara LupoffTrustee ............................................................................... Jennifer Michell Trustee ................................................... Chief Judge Charles E. Williams

EXECUTIVE STAFF Producing Artistic Director ........................ Richard HopkinsManaging Director .......................................Rebecca Hopkins

ARTISTIC STAFF Director of Artistic Operations .........................Greg LondonAssociate Director At-Large ...........................Kate AlexanderCasting/Hiring Coordinator ............................James AshfordResident Pianist ...................................................... Jim ProsserAssociate Artist .................................................. Jason CannonAssociate Artist ....................................... Catherine RandazzoDirector of Improvisation .......................................Will LueraAssistant to the Artistic Director .......................Doris Iemolo

PRODUCTION STAFFProduction Manager ..............................................Bruce PriceMainstage Stage Manager ........................................ Roy JohnsMainstage Stage Manager........................................Kelli KarenStage III Stage Manager................................... Jynelly RosarioTechnical Director...............................................Mike SchwentCostume Shop Manager .............................Adrienne WebberScene Shop Foreman.......................................Daniel EmersonSound Supervisor ...................................................Thom KorpProps/Paint Supervisor ................................Kristine Kreutzer

ADMINISTRATIVE STAFFIT Manager .......................................................... Lee SchlosserBusiness Manager ....................................... Carmen GonzalezBusiness Office Associate .................................David WallaceBusiness Office Associate. ...................................... Bart DolceAsst. to the Managing Dir ...........................Phyllis SilvermanFacilities Manager ........................................ Joseph Goepfrich Facilities Technician ................................ Mark QuackenbushGeneral Manager .............................................. Jill Zakrzewski Events Coord/Asst. Box Office Manager.......Matthew QuickCompany Manager .............................................Luke JohnsonMarketing Director ..........................................Becca JenningsPublic Relations Associate ...............................Nicole ClaytonMarketing Associate. .......................................Alexandria HillDigital Marketing Associate. .............................. Emily BlazekDirector of Indiv. Giving ................. Melody Mora-ShihadehDevelopment Associate ...................................Samus HaddadBox Office Manager ............................................Kelsey WehdeAsst. Box Office Manager ................................... Gigi DelperoAsst. Box Office Manager ........................... Katelyn McKelleyAsst. Box Office Manager ............................Noah ScheibmeirRestaurant Manager ............................................... Tom CurryRestaurant Manager ...........................................Karen KrasterRestaurant Manager ............................................ Josh RodoskiAsst. Restaurant Manager......................................Kristy PlumReceptionist/ Volunteer Coord ......................... Joan O’Dowd

EDUCATION & TOURSDirector of Children’s Theatre .......................Caroline KaiserDirector of Education ................................Christine HopkinsEducation Administrator...................................Pamela SmithTeaching Artist/YPF Coordinator .................... Adam Ratner Education Group Sales Assoc .......................Hannah BagnallTeaching Artist ...................................................... Denee Lortz

COMMUNITY RESOURCE GROUP

AUDIENCE ENRICHMENT GROUP

OUTSIDE ASSISTANCEHouse Counsel ..................................................John PattersonFacility Custodian ......................................Carlos De Oliveira............................................... Confidence Cleaning CompanyCaretaker .................................................................Doctor Nik

INTERN PROGRAMActing Apprentice ......................................Brooke BensonActing Apprentice ........................................Erin BradfordActing Apprentice ................................... Carey BlackburnActing Apprentice ...........................................Randy BoydActing Apprentice .......................................Davion BrownActing Apprentice ........................................... Jon DeVriesActing Apprentice ...........................................Eileen DoanActing Apprentice ...................................... Michael FraserActing Apprentice ......................................Ryan FriedmanActing Apprentice ...............................Kihresha RedmondActing Apprentice ...................................... Brianna RocheActing Apprentice ................................................... J VanceArtistic/Co. Mgmt Intern ............................... Katie NoyesCompany Management Intern .................. Dianna BurgosDevelopment Intern..................................Amanda MothsDirecting Intern .............................................. Meg GilbertEducation & Outreach Intern ..................Maclain HardinLiterary/Playwriting Intern ..................... Alexander HehrLiterary Intern ...........................................Mary DonofrioLiterary Intern ............................................... Lydia BaxterLiterary Intern .......................................... Jordan OrlandoLiterary Intern ............................................Melanie SlusarProd./Carpentry Intern ............................... Marco AcostaProd./Costume Intern .................................... Shaye HurstProd./Lighting Intern .................................. Bryce BensonProd./Sound Intern....................................Jonathan BakerProduction Management Intern .............. Kristina RamosStage Management Intern ...................Kelsey PeavyhouseStage Management Intern ..............................Sarah LevettStage Management Intern ...............................Tanner LiasStage Management Intern .........................Elliott Karliner

Jan ColemanLarry Coleman

Shirley FeinMaddy Freshwater

Carol GilbertSy Goldblatt

Jim GoldmanSandy Goldman

Robert GradyWendy Grady

Robert IsraeloffBonny Israeloff

Hon. Larry L. EgerTrevor Harvey

The Jewish Federationof Sarasota-ManateeGilbert King

Michele D. RedwineDr. Eddy Regnier