High Renaissance

• Leonardo da Vinci• Raphael• Michelangelo• Architecture– Bramante– Palazzo Farnese

• Venetian regional style– Bellini– Giorgione– Titian– Palladio

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Figure 22-6 LEONARDO DA VINCI, The Fetus and Lining of the Uterus, ca. 1511–1513. wash, over

red chalk and traces of black chalk on paper, 1’ 8 5/8”. Royal Library, Windsor Castle.

LEONARDO DA VINCI, Study of the Varying Effectsof Light Striking a Profile from a Single Source,

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Terms: Chiaroscuro, modeling

LEONARDO DA VINCI, Madonna and ChildHugging a Cat

LEONARDO DA VINCI, Study of Babies, 1508-10,red chalk

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Figure 22-2 LEONARDO DA VINCI, Leonardo da Vinci, Madonna of the Rocks, from San Francesco Grande, Milan, Italy, begun 1483. Oil on wood (transferred to canvas), 6’ 6

1/2” x 4’. Louvre, Paris.

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Figure 22-8 RAPHAEL, Madonna in the Meadow, 1505. 1505–1506. Oil on wood, 3’ 8 1/2” x 2’ 10 1/4”. Kunsthistorisches Museum,

Vienna.

10Figure 22-4 LEONARDO DA VINCI, Last Supper, ca. 1495–1498. Oil and tempera on plaster, 13’ 9” x 29’ 10”. Refectory, Santa Maria delle Grazie, Milan.

Linear Perspective (one-point)

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Anonymous,The Last Supper,15th century,woodcut

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Figure 21-25 DOMENICO GHIRLANDAIO, Giovanna Tornabuoni(?), 1488. Oil and

tempera on wood, 2’ 6” x 1’ 8”. Thyssen-Bornemisza Collection, Madrid. 15

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Term: sfumato

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Rome with Renaissance and Baroque Monuments

Figure 22-24 CHRISTOFORO FOPPA CARADOSSO, medal showing Bramante’s design for the new Saint Peter’s, 1506. Bronze, 2 1/4” diameter. British Museum, London. 20

BRAMANTE

• Examine the achievements of Donato Bramante: innovative central-plan designs based on classical sources (influence of tholoi and Roman circular temples), and the beginning of new St. Peter’s in Rome.

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Figure 10-4 Temple of Vesta (?), Tivoli, Italy, early first

century BCE.

LEONARDO DA VINCI

Figure 22-25 MICHELANGELO BUONARROTI, plan for Saint

Peter’s, Vatican City, Rome, Italy, 1546. (1) dome, (2) apse, (3)

portico.24

Term: Portico

Figure 22-26 MICHELANGELO BUONARROTI, Saint Peter’s (looking northeast), Vatican City, Rome, Italy, 1546–1564. Dome completed by GIACOMO DELLA PORTA, 1590.

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Terms:PilasterColossal order

St. Peter’s Basilica from the Piazza San Pietro. Façade by Carlo Maderno, 1607-1615. Dome by Michelangelo, 1546-1564.

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Figure 22-8 RAPHAEL, Madonna in the Meadow, 1505. 1505–1506. Oil on wood, 3’ 8 1/2” x 2’ 10 1/4”. Kunsthistorisches Museum,

Vienna.

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Figure 21-40 PERUGINO, Christ Delivering the Keys of the Kingdom to Saint Peter, Sistine Chapel, Vatican, Rome, Italy, 1481–1483. Fresco, 11’

5 1/2” x 18’ 8 1/2”.

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Figure 22-10 RAPHAEL, Galatea, Sala di Galatea, Villa Farnesina, Rome, Italy, 1513.

Fresco, 9’ 8” x 7’ 5”.

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Figure 22-5 LEONARDO DA VINCI, Mona Lisa, ca. 1503–1505. Oil on wood, 2’ 6 1/4” x 1’ 9”. Louvre, Paris.

Figure 22-19 MICHELANGELO BUONARROTI, Creation of Adam detail of the ceiling (FIG. 22-1) of the Sistine Chapel, Vatican City, Rome, Italy, 1511–1512. Fresco, 9’ 2” x 18’ 8”.

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Michelangelo, Creation of Eve, Sistine Chapel, Rome, 1508-1512, fresco

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Figure 22-21 MICHELANGELO BUONARROTI, Last Judgment,

altar wall of the Sistine Chapel (FIG. 22-18), Vatican

City, Rome, Italy, 1536–1541. Fresco, 48’ x 44’. 42

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Sam Taylor-Wood, Pieta, 2001

Figure 21-12 DONATELLO, David, late 1440–1460. Bronze, 5’ 2 1/4” high. Museo Nazionale del Bargello,

Florence.

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First free-standing nude statue since antiquity. Notice the contrapposto

Nudity used to portray a Biblical hero rather than as an allegory for sinfulness (Medieval mentality).

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MICHELANGELO,Tomb of Julius II 48

MICHELANGELO,Tomb of Julius II,

1505-45

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Figure 21-36 MICHELOZZO DI BARTOLOMMEO, facade of the

Palazzo Medici-Riccardi, Florence, Italy, begun 1445.

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Terms:Rustication,Stringcourses, Dressed masonry, Cornice

Figure 21-37 MICHELOZZO DI BARTOLOMMEO, interior court of the Palazzo Medici-Riccardi, Florence, Italy, begun 1445.

53Term: Arcade

Figure 21-42 PIERO DELLA FRANCESCA, Enthroned Madonna and Saints Adored by Federico da

Montefeltro (Brera Altarpiece), ca. 1472–1474. Oil on wood, 8’ 2” x 5’ 7”. Pinacoteca di Brera, Milan.

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Term: Disegno

Figure 22-38 TITIAN, Madonna of the Pesaro Family, 1519–1526. Oil on canvas, 15’ 11” x 8’ 10”.

Pesaro Chapel, Santa Maria dei Frari,Venice.

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Figure 22-36 GIORGIONE DA CASTELFRANCO, The Tempest, ca. 1510. Oil on

canvas, 2’ 8 1/4” x 2’ 4 3/4”. Galleria

dell’Accademia, Venice.56

Figure 22-41 TITIAN, Isabella d’Este, 1534–1536. Oil on canvas, 3’ 4 1/8” x 2’ 1 3/16”.

Kunsthistorisches Museum, Vienna.

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Figure 22-35 GIORGIONE DA CASTELFRANCO (and/or TITIAN?), Pastoral Symphony, ca. 1508–1510. Oil on canvas, 3’ 7 1/4” x 4’ 6 1/4”. Louvre, Paris. 58

Terms:ColoritoDisegnoPoesia

GIORGIONE, Sleeping Venus, c. 1510, oil on canvas

Figure 5-62 PRAXITELES, Aphrodite of Knidos. Roman marble copy of an original of ca. 350–340 BCE. 6’ 8”

high. Musei Vaticani, Rome.60

Figure 21-28 SANDRO BOTTICELLI, Birth of Venus, ca. 1484–1486. Tempera on canvas, approx. 5’ 9” x 9’ 2”. Galleria degli Uffizi, Florence.

61Figure 10-49 Pantheon, Rome, Italy, 118 – 125 CE.

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Figure 10-3 Temple of Portunus

(Temple of “Fortuna

Virilis”), Rome, Italy, ca. 75 BCE.

63Figure 5-14 Elevations of the Doric and Ionic orders.

Compare Doric and Ionic Orders

Figure 22-30 ANDREA PALLADIO,

plan of the Villa Rotonda (formerly Villa Capra), near Vicenza, Italy, ca. 1550–1570. (1)

dome, (2) porch.64

Figure 22-32 ANDREA PALLADIO, interior of San Giorgio Maggiore ,Venice, Italy, begun 1566.67

Figure 21-44 LEON BATTISTA ALBERTI, west facade of

Sant’Andrea, Mantua, Italy, designed 1470, begun 1472.

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69Figure 22-4 LEONARDO DA VINCI, Last Supper, ca. 1495–1498. Oil and tempera on plaster, 13’ 9” x 29’ 10”. Refectory, Santa Maria delle Grazie, Milan.

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Figure 21-20 MASACCIO, Holy Trinity, Santa Maria Novella, Florence, Italy, ca. 1424–1427. Fresco, 21’ 10’ 5/8” x 10’ 4 3/4”.

Figure 22-47 TINTORETTO, Last Supper, 1594. Oil on canvas, 12’ x 18’ 8”. San Giorgio Maggiore, Venice.

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Figure 22-12 MICHELANGELO BUONARROTI, Pieta, ca. 1498-1500. Marble, 5’ 8 ½” high. Saint Peter’s,

Vatican City, Rome.72

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Figure 21-23 FRA FILIPPO LIPPI, Madonna and Child with Angels, ca. 1455. Tempera on wood, 2’ 11 1/2”. x

2’ 1”. Galleria degli Uffizi, Florence.

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Figure 22-2 LEONARDO DA VINCI, Leonardo da Vinci, Madonna of the Rocks, from San Francesco Grande, Milan, Italy, begun 1483. Oil on wood (transferred to canvas), 6’ 6

1/2” x 4’. Louvre, Paris.

FRANCOIS CLOUET,Woman in the Bath,c. 1571

Figure 22-45 BRONZINO, Portrait of a Young Man, ca. 1530–1545. Oil on wood, 3’ 1 1/2”

x 2’ 5 1/2”. Metropolitan Museum of Art, New York (H. O. Havemeyer Collection,

bequest of Mrs. H. O. Havemeyer, 1929).

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Figure 22-11 RAPHAEL, Baldassare Castiglione, ca. 1514. Oil on canvas, 2’ 6 1/4” x 2’ 2 1/2”.

Louvre, Paris.

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Paolo Veronese,The Crucifixion,c. 1584,Musée du Louvre

Figure 19-21 Doge’s Palace, Venice, Italy, begun ca. 1340-1345; expanded and remodeled, 1424-1438. 81

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Figure 21-48 ANDREA MANTEGNA, Camera Picta (Painted Chamber), Palazzo

Ducale, Mantua, Italy, 1465–1474. Fresco, 8’ 9” in

diameter.

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Figure 22-53 GIULIO ROMANO, Palazzo del Tè, Mantua, Italy, 1525–1535.

Figure 22-53 GIULIO ROMANO, interior courtyard facade of the Palazzo del Tè, Mantua, Italy, 1525–1535.

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BRAMANTE, Tempietto

Figure 21-36 MICHELOZZO DI BARTOLOMMEO, facade of the Palazzo Medici-Riccardi, Florence,

Italy, begun 1445.

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Terms:Rustication,Stringcourses, Dressed masonry, Cornice

Figure 21-37 MICHELOZZO DI BARTOLOMMEO, interior court of the Palazzo Medici-Riccardi, Florence, Italy, begun 1445.

93Term: Arcade

Figure 22-54 MICHAELANGELO BUONARROTI, vestibule of the Laurentian Library, Florence, Italy, 1524-1534; staircase, 1558-1559.

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Figure 22-54 MICHAELANGELO BUONARROTI, vestibule of the Laurentian Library, Florence, Italy, 1524-1534; staircase, 1558-1559.

Figure 22-54 MICHAELANGELO BUONARROTI, vestibule of the Laurentian Library, Florence, Italy, 1524-1534; staircase, 1558-1559.

Term: Corbel

Mannerist Sculpture

• Examine the expressive forms of sculpture.• Recognize the artistic elements of Mannerist sculpture.

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GIOVANNI BOLOGNA,Venus Bathing

Figure 5-62 PRAXITELES, Aphrodite of Knidos. Roman marble copy of an original of ca. 350–340 BCE. 6’ 8” high. Musei Vaticani, Rome.

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