Review early ren high ren

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  • 1.Review!Late Gothic to present

2. The EarlyRenaissanceGUILDSTHEGREATSCHISMCommonvernacularItalianCity-statesEarly Renaissance Art 3. Nicola PisanoPulpit of Pisa Cathedral Baptistery1259-1260marbleapproximately 15 ft. highAnnunciation and Nativity 4. Bonaventura BerlinghieriPanel fromthe Saint Francis AltarpieceSan Francesco, Pescia, Italy1235tempera on woodapproximately 5 ft. x 3 ft. 6 in.**Franciscan Order 5. CimabueMadonna Enthroned with Angels andProphetsca. 1280-1290tempera on wood12 ft. 7 in. x 7 ft. 4 in. 6. Giotto di BondoneMadonna Enthronedca. 1310tempera on wood10 ft. 8 in. x 6 ft. 8 in. 7. Giotto di BondoneInterior of the Arena ChapelPadua, Italy1305-1306fresco 8. Giotto di BondoneLamentationfrom the Interiorof the Arena ChapelPadua, Italy1305-1306fresco**Early innovator of PERSPECTIVE and LIGHTING!** 9. Duccio di BuoninsegnaVirgin and Child Enthroned with Saintsfrom the Maest altarpiecefrom Siena Cathedral, Siena, Italy1308-1311tempera on wood7 ft. x 13 ft. 10. Simone Martiniand Lippo MemmiAnnunciation1333tempera and gold leaf on wood10 ft.1 in. x 8 ft. 8 3/4 in.INTERNATIONAL STYLE 11. Ambrogio LorenzettiPeaceful CityDetail from the frescoEffects of Good Government in the City and in the Country1338-1339fresco 12. Ambrogio LorenzettiPeaceful CountryDetail from the frescoEffects of Good Government in the City and in the Country1338-1339fresco 13. Cambio et al.Florence CathedralFlorence, Italybegun 1296 14. Early Northern Renaissance Theme:ConsidertheNUT! 15. Claus SluterWell of MosesChartreuse de Champmol, Dijon, France1395-1406stonefigures approximately 6 ft. highPhilip the Bold Great patron ofN. Renaissance art 16. Robert CampinMerode Altarpiece (open)ca. 1425-1428oil on wood2 ft. 1 in. 2 ft. 1 in. (center) What is significant about the setting? Thepatrons? 17. Jan van EyckGhent Altarpiece (closed)Saint Bavo Cathedral, Ghent, Belgium1432oil on wood11 ft. 5 3/4 in. highJan van Eyck apainting WIZARDHow does this compare to the earlyRenaissance in Italy?Patron St. John the Baptist St. John the Evang. Patron 18. Jan van EyckGhent Altarpiece (open)Saint Bavo Cathedral, Ghent, Belgium1432oil on wood11 ft. 5 3/4 in. highThis is God, all-powerful in his divine majesty; of allthe best, by the gentleness of his goodness; the mostliberal giver, because of his infinite generosityOn his head, life without death. On his brow,youth without age. On his right, joy withoutsadness. On his left, security without fear 19. Jan van EyckGiovanni Arnolfini and His Bride1434oil on wood2 ft. 8 in. x 1 ft. 11 1/2 in.How many symbols can you spot? 20. Jan van EyckMan in a Red Turban1433oil on wood10 1/4 in. x 7 1/2 in. were portraits popular? Whatpurpose did they serve? 21. Rogier van der WeydenDepositionfrom Notre- Hors-les-murs, Louvain, Belgiumca. 1435oil on woodapproximately 7 ft. 3 in. x 8 ft. 7 in. 22. Rogier van der WeydenPortrait of a Ladyca. 1460oil on panel13 3/8 in. x 10 1/16 in. 23. Hieronymus BoschCreation of Eve, Garden of Earthly Delights, Hell1505-1510oil on wood7 ft. 2 5/8 in. x 6 ft. 4 3/4 in. (center) 24. Martin SchongauerTemptation of Saint Anthonyca. 1480-1490engraving13 x 11 in. 25. Early Renaissance ThemePMA - Perspective- Modeling- AnatomyPositive Mental AttitudeP=AM^2 26. The Baptistery door competition of1401- Originally 7 finalists, only 2 panelssurvive- Between Brunelleschi & Ghiberti 27. Filippo BrunelleschiSacrifice of Isaac1401-1402gilded bronze relief1 ft. 9 in. x 1 ft. 5 in. 28. Lorenzi GhibertiSacrifice of Isaac1401-1402gilded bronze relief1 ft. 9 in. x 1 ft. 5 in. 29. DonatelloSaint MarkOr San Michele, Florence, Italy1411-1413marblefigure 7 ft. 9 in. high 30. DonatelloDavidca. 1428-1432bronze5 ft. 2 1/4 in. highSymbol of FlorenceFirst fully nude malefreestanding sculpturesince antiquity 31. MasaccioTribute MoneyBrancacci Chapel, Santa Maria del Carmine, Florence, Italyca. 1427fresco8 ft. 1 in. x 19 ft. 7 in. 32. MasaccioExpulsion of Adam and Eve from EdenBrancacci Chapel, Santa Maria delCarmine, Florence, Italyca. 1425fresco7 ft. x 2 ft. 11 in. 33. MasaccioHoly TrinitySanta Maria Novella, Florence, Italyca. 1428fresco21 ft. x 10 ft. 5 in.One-point perspective 34. Fra AngelicoAnnunciationSan Marco, Florence, Italyca. 1440-1445fresco7 ft. 1 in. x 10 ft. 6 in. 35. Andrea del CastagnoLast SupperRefectory monastery ofSantApollonia, Florence, Italy1447frescoapproximately 15 x 32 ft. 36. Domenico GhirlandaioGiovanna Tornabuoni1448oil and tempera on woodapproximately 2 ft. 6 in. x 1 ft. 8 in. 37. Sandro BotticelliThe Birth of Venusca. 1482tempera on canvas5 ft. 8 in. x 9 ft. 1 in.Medici patronage reflects their sincerelove of art and wide and eclectic tastes 38. Filippo Brunelleschidome of Florence CathedralFlorence, Italy1420-1436 **Roman influence!Innovations:- Double shell- Ribs- Heavy lantern 39. Filippo Brunelleschiinterior of Santo SpiritoFlorence, Italybegun ca. 1436 40. Michelozzo di BartolommeoPalazzo Medici-RiccardiFlorence, Italybegun 1444CorniceStringcoursesDressed masonryRusticationWhy didnt Brunellechi design the Medici Palace? 41. Leon Battista Albertifaade of SantAndreaMantua, Italydesigned ca. 1470How does Alberti combineclassical elements to fit aChristian purpose? 42. PeruginoChrist Delivering the Keys of the Kingdom to Saint PeterSistine Chapel, Vatican, Rome, Italy1481-1483fresco11 ft. 5 1/2 in. x 18 ft. 8 1/2 in. 43. Luca SignorelliDamned Cast into HellSan Brizio Chapel, OrviettoCathedral, Orvietto, Italy1499-1504frescoapproximately 23 ft. wideSavonarola Burnthe vanities! Exilethe Medici! 44. Andrea MantegnaCamera degli Sposi ceilingPalazzo Ducale, Mantua, Italy1474fresco8 ft. 9 in. diameter 45. Andrea MantegnaDead Christca. 1501tempera on canvas2 ft. 2 3/4 in. x 2 ft. 7 7/8 in. 46. High Renaissance (Cinquecento Italy)THEME: PMA PyramidPMA 47. Leonardo da VinciVirgin of the Rocksca. 1485oil on wood6 ft. 3 in. x 3 ft. 7 in.Leonardo da Vinci the Renaissance man- Born in Vinci, trained under Verrocchio- Moved to Florence at 12 or 13- Spent much of his life in Milan workingon military and civil engineeringprojects 48. Leonardo da VinciThe Last SupperRefectory, Santa Maria delle Grazie, Milan, Italyca. 1495-98fresco (oil and tempera on plaster)29 ft. 10 in. x 13 ft. 9 in. 49. Leonardo da VinciMona Lisa (La Giaconda)ca. 1503-1505oil on wood2 ft. 6 in. x 1 ft. 9 in. 50. RaphaelMarriage of the VirginChapel of Saint Joseph in Citt di Castellonear Florence, Italy1504oil on wood5 ft. 7 in. x 3 ft. 10 1/2 in.Pope Julius II 51. RaphaelPhilosophy (School of Athens)Stanza della Segnatura, Vatican Palace, Rome, Italy1509-11frescoapproximately 19 x 27 ft. 52. RaphaelGalateaSala di Galatea, Villa FarnesinaRome, Italy1513fresco9 ft. 8 in. x 7 ft. 5 in. 53. MichelangeloPieta1498-1500marble5 8 high 54. Michelangelo BuonarrotiDavid1501-1504marble14 ft. 3 in. high 55. Michelangelo BuonarrotiMosesSan Pietro in Vincoli, Rome, Italyca. 1513-1515marbleapproximately 8 ft. 4 in. high 56. Michelangelo BuonarrotiSistine Chapel CeilingVatican City, Rome, Italy1508-12frescoapproximately 128 x 45 ft. 57. Michelangelo BuonarrotiCreation of Adam, Sistine Chapel CeilingVatican City, Rome, Italy1511-12frescoapproximately 18 ft. 8 in. x 9 ft. 2 in. 58. Michelangelo BuonarrotiLast JudgmentVatican City, Rome, Italy1537-41fresco 59. Donato dAngelo BramanteTempiettoSan Pietro in Montorio, Rome, Italy1502 60. Donato dAngelo BramantePlan for the new Saint Peters1505Michelangelo Buonarrotiplan for Saint PetersVatican City, Rome, Italy1546 61. Andrea PalladioVilla Rotundanear Vicenza, Italyca. 1566-1570 62. Andrea Palladiointerior ofSan Giorgio MaggioreVenice, Italybegun 1565 63. Giovanni BelliniSan Zaccaria AltarpieceSanta Zaccaria, Venice, Italy1505oil on wood transferred to canvas16 ft. 5 in. x 7 ft. 9 in. 64. TitianAssumption of the VirginSanta Maria Gloriosa del Frari, Venice, Italyca. 1516-1518oil on wood22 ft. 6 in. x 11 ft. 10 in. 65. TitianMadonna of the Pesaro FamilySanta Maria dei Frari, Venice, Italy1519-1526oil on canvasapproximately 16 x 9 ft. 66. TitianMeetingof Bacchusand Ariadne1522-1523oil on canvas5 ft. 9 in. x 6 ft. 3 in. 67. TitianVenus of Urbino1538oil on canvas4 ft. x 5 ft. 6 in.