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CHETAN ANAND , B.ARCH IV

ARCHITECT PRESENTATION

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DANIEL LIBESKIND

Born in postwar Poland in 1946

Mr. Libeskind became an Americancitizen in 1965.

He studied music in srael and in!ew "ork# becomin$ a %irtuosoper&ormer.

He le&t music to stud' arc(itecture#recei%in$ (is pro&essionalarc(itectural de$ree in 19)* &romt(e +ooper ,nion &or t(eAd%ancement o& -cience and Artin!ew "ork +it'.

He recei%ed a post$raduate de$reein Histor' and (eor' o&Arc(itecture at t(e -c(ool o&+omparati%e -tudies at /sse0,ni%ersit' /n$land2 in 19)3.

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PHILOSPHY

architecture tells a story about the world, our desires and

dreams. Architecture, and the buildings, are much more than aplace, they are destinations meant to evoke emotion and tomake you think about the world we all live in.

buildings and urban projects are crafted with perceptible humanenergy and that they speak to the larger cultural community inwhich they are built

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Competition: 1989Completion: 1999Opening: 2001Client: Stiftung Juedisches Museum Berlin

PROJC! : J"#S$ M%S%M BR' ()et*een

the lines+

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,S#-' .O&%!#O'

STA represents !ewish history and culture throughout thehistory of "erlin and its absence in the present#day city.

$%$A& '%() represents the atrocities done on !ewish

*ithout spiritual content and without a contribution to a

deeper understanding of our "eing there can be nosigni+cance in any building A(%%)' '%")S-%(

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numerous numbers of trajectories betweentwo points A"/, representing the individual biographicaltrajectories of citi0ens of "erlin, which 'ibeskind refers to as

histories

,S#-' .O&%!#O'

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&i)es/ind igg in Berlin

The new Jewish Museum in Berlin, a striin! "e#$nstru#ti%ist stru#ture is #la"

#hie&l' with titanium(#$%ere" )in# whi#h will $*i"i)ean" turn +luish as it weathers.

. The museum rises &r$m a +ase wh$se line is &reuentl' +r$en an" unwin"s in

)i!)a! &ashi$n.

a##essi+le $nl' %ia an un"er!r$un" -assa!e &r$m the Berlin Museums +ar$ue win!

The interse#ti$n $& tunnels un"erneath the museum.

/A0ADE

THE A1ES

HO2OCA3ST TO4ER

VOID

THE 5ARDEN O/ E1I2E

NE4 52ASS(ROO/ED CO3RT6ARD

http://en.wikipedia.org/wiki/Oxidizehttp://en.wikipedia.org/wiki/Oxidize

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FACADE

the "i%isi$n $& neither le%els n$r

r$$ms +ein! a--arent t$ the

$+ser%er

win"$ws 7 -rimaril' narr$w slits 7

&$ll$ws a -re#ise matri*

Daniel 2i+esin" -l$tte" the

a""resses $& -r$minent Jewish an"

5erman #iti)ens $n a ma- $& -re(

war Berlin an" 8$ine" the -$ints t$

&$rm an 9irrati$nal an" in%isi+le

matri*:

untreate" all$' $& titanium an" )in#

http://www.juedisches-museum-berlin.de/site/EN/05-About-The-Museum/03-Libeskind-Building/02-Facade/facade.php?dummyinclude=/site/system/zoom_bild.php&bildDocID=13001&list=TRUE

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THE AXES : 12(T%(3%T4 ,)5%&AT%2( A( 62'21A3ST

62'21A3ST )5%&AT%2(

12(T%(3%T4All three of the underground a7esintersect, symboli0ing the connectionbetween the three realities of !ewish lifein &ermany.

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'ongest a7es is the 8A7is of 1ontinuity.8 %t connects the 2ld"uilding with the main staircase which leads up to the e7hibitionlevels

A7is of 1ontinuity as the continuation of "erlin9s history

The 8A7is of )migration8 leads outside to daylight and the&arden of )7ile

A heavy door must be opened before the crucial step into thegarden can be taken.

The 8A7is of the 6olocaust8 is a dead end

%t becomes ever narrower and darker and ends at the 6olocaustTower.

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HOLOCAUST TOWER

The concrete tower is :; meters high and neitherheated nor insulated.

Tower commemorates the numerous !ewishvictims of mass murder.

%t is lit by a single narrow slit high above theground. (oises from the outside world areclearly audible

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VOID

The 5useum9s

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THE GARDEN OF EXILE

The whole garden is on a @: gradient and disorientates visitors,

giving them a sense of the total instability and lack of orientatione7perienced by those driven out of &ermany

ussian olive grows on top of the pillars symboli0ing hope

The &arden of )7ile isreached after leaving thea7es.