whats the point? two case studies introducing digital in-gallery

41
WHAT’S THE POINT? Two Case Studies of Introducing Digital In-Gallery Experiences Museums and the Web 2015 Silvia Filippini-Fantoni @silviaff20 @imamuseum Director of Interpretation, Media, and Evaluation Margaret Collerd Sternbergh @margienchargie @phillipsmuseum Manager of Digital & In-Gallery Interpretation Vivian Djen Marketing Communications Editor

Upload: margaret-sternbergh

Post on 22-Jan-2018

428 views

Category:

Education


0 download

TRANSCRIPT

Page 1: Whats the Point? Two Case Studies Introducing Digital In-gallery

WHAT’S THE POINT?Two Case Studies of Introducing Digital In-Gallery Experiences

Museums and the Web 2015

Silvia Filippini-Fantoni@silviaff20@imamuseumDirector of Interpretation, Media, and Evaluation

Margaret Collerd Sternbergh @margienchargie@phillipsmuseumManager of Digital & In-Gallery Interpretation

Vivian DjenMarketing Communications Editor

Page 2: Whats the Point? Two Case Studies Introducing Digital In-gallery

• Washington, DC

• Founded 1921

• Modern and Contemporary

• 65 full-time staff

• Mission:

“An intimate museum

combined with an

experiment station”

Page 3: Whats the Point? Two Case Studies Introducing Digital In-gallery

• Indianapolis, Indiana

• Founded 1883

• Encyclopedic collection

of 54,000 works

spanning 5,000 years

• 152 acres of land

(gardens and park)

• 2 historic homes

• 184 full-time staff

• Visitor-centricity

Page 4: Whats the Point? Two Case Studies Introducing Digital In-gallery

WHAT’S THE POINT?

Face to Face: The Neo-Impressionist Portrait

IMAJune 15-September 17, 2014

Neo-Impressionism and the Dream of Realities: Painting, Poetry, Music

The Phillips CollectionSeptember 27, 2014-January 11, 2015

Page 5: Whats the Point? Two Case Studies Introducing Digital In-gallery

WHAT’S THE POINT?

THE APP

Page 6: Whats the Point? Two Case Studies Introducing Digital In-gallery

WHAT’S THE POINT?

THE APP

Page 7: Whats the Point? Two Case Studies Introducing Digital In-gallery

APPROACH

Page 8: Whats the Point? Two Case Studies Introducing Digital In-gallery

WHAT’S THE POINT?

TOP-DOWN APPROACHNew collaborative exhibition development model

- Core team: curator, an interpretation specialist, an evaluator, a designer, and an exhibition manager

Old model

New model

Page 9: Whats the Point? Two Case Studies Introducing Digital In-gallery

WHAT’S THE POINT?

TOP-DOWN APPROACHNew collaborative exhibition development model

- Big idea: identification of the main thesis and learning outcomes

Page 10: Whats the Point? Two Case Studies Introducing Digital In-gallery

WHAT’S THE POINT?

TOP-DOWN APPROACHNew collaborative exhibition development model

- Evaluation: carried out at multiple stages

Page 11: Whats the Point? Two Case Studies Introducing Digital In-gallery

WHAT’S THE POINT?

BEFORE

Page 12: Whats the Point? Two Case Studies Introducing Digital In-gallery

WHAT’S THE POINT?

AFTER

Page 13: Whats the Point? Two Case Studies Introducing Digital In-gallery

WHAT’S THE POINT?

HIGHER VISITORS’ SATISFACTION BETTER COMMUNICATION OF KEY MESSAGES

BETTER INTEGRATION OF INTERPRETIVE TOOLS

40-60% 60% 30-50% 30-50%

Page 14: Whats the Point? Two Case Studies Introducing Digital In-gallery

WHAT’S THE POINT?

GROUND-UP APPROACHStarting with smaller experiments and building on existing structures and programs

- One-time experiments: monthly Phillips after 5 event with crowd eager to experiment with technology

- Long-term project: uCurate as part of Made in the USA

Page 15: Whats the Point? Two Case Studies Introducing Digital In-gallery

WHAT’S THE POINT?

INSTAGRAM LEGO CHALLENGE

Page 16: Whats the Point? Two Case Studies Introducing Digital In-gallery

WHAT’S THE POINT?

DIGITAL LITE BRITES

Page 17: Whats the Point? Two Case Studies Introducing Digital In-gallery

WHAT’S THE POINT?

uCurate and Made in the USA

www.phillipscollection.org/ucurate

Page 18: Whats the Point? Two Case Studies Introducing Digital In-gallery

IMPLEMENTATION

Page 19: Whats the Point? Two Case Studies Introducing Digital In-gallery

WHAT’S THE POINT?

POINTILLIZE YOURSELF

Page 20: Whats the Point? Two Case Studies Introducing Digital In-gallery

WHAT’S THE POINT?

#NEOIMPRESSED

Page 21: Whats the Point? Two Case Studies Introducing Digital In-gallery

WHAT’S THE POINT?

#NEOIMPRESSED

Page 22: Whats the Point? Two Case Studies Introducing Digital In-gallery

EVALUATION

Page 23: Whats the Point? Two Case Studies Introducing Digital In-gallery

WHAT’S THE POINT?

POINTILLIZE YOURSELF: OBJECTIVES

• Engaging visitors of all ages

• Support social interaction

among visitors

• Promote the exhibition via

sharing

• Promote a positive attitude

toward the IMA as an

engaging institution

Page 24: Whats the Point? Two Case Studies Introducing Digital In-gallery

WHAT’S THE POINT?

VISITING WITH OTHERS71%

VISITORS AGED 45+59% younger visitors more likely to use it

AVERAGE SATISFACTION4.73/5

USAGE 61% of exhibition visitors 777 SURVEYS

30 INTERVIEWS

Page 25: Whats the Point? Two Case Studies Introducing Digital In-gallery

WHAT’S THE POINT?

Page 26: Whats the Point? Two Case Studies Introducing Digital In-gallery

WHAT’S THE POINT?

VISITOR INTEREST92% of visitors would participate in the future

IMPRESSIONS919,461 on Facebook, Instagram, and Twitter

USAGE 15% of exhibition visitors

MEASURABLE OUTCOMES

DESCRIPTIONS“fun” “easy” “not overdone” “should be done sparingly”

Page 27: Whats the Point? Two Case Studies Introducing Digital In-gallery

WHAT’S THE POINT?

13 IN-GALLERY INTERVIEWS

3 QUESTIONS

● What can you tell me about using the app?

● Would you participate in something like this in the

future? Why or Why not?

● Do you think museums should offer participatory

experiences like this? Why or Why not?

Page 28: Whats the Point? Two Case Studies Introducing Digital In-gallery

WHAT’S THE POINT?

WHO WAS USING #NEOIMPRESSED?

Page 29: Whats the Point? Two Case Studies Introducing Digital In-gallery

WHAT’S THE POINT?

WHO WAS USING #NEOIMPRESSED?

Page 30: Whats the Point? Two Case Studies Introducing Digital In-gallery

WHAT’S THE POINT?

HOW WERE THEY USING THE #NEOIMPRESSED?

Page 31: Whats the Point? Two Case Studies Introducing Digital In-gallery

WHAT’S THE POINT?

HOW WERE THEY USING THE APP?

Page 32: Whats the Point? Two Case Studies Introducing Digital In-gallery

WHAT’S THE POINT?

HOW WERE THEY USING THE APP?

Page 33: Whats the Point? Two Case Studies Introducing Digital In-gallery

WHAT’S THE POINT?

HOW WERE THEY USING THE APP?

Page 34: Whats the Point? Two Case Studies Introducing Digital In-gallery

WHAT’S THE POINT?

INDICATORS OF ENGAGEMENT

Page 35: Whats the Point? Two Case Studies Introducing Digital In-gallery

LESSONS LEARNED

Page 36: Whats the Point? Two Case Studies Introducing Digital In-gallery

WHAT’S THE POINT?

POINTILLIZE YOURSELF: LESSONS LEARNED

• Positive feedback confirmed

the need for more interaction

• Sharing on Facebook via the

app was limited (4% of total

users)

• Confirmed the success of the

exhibition development

process

• Installation in Star Studio and

permanent collection

Page 37: Whats the Point? Two Case Studies Introducing Digital In-gallery

WHAT’S THE POINT?

LESSONS LEARNED: MORE USER TESTING

Page 38: Whats the Point? Two Case Studies Introducing Digital In-gallery

WHAT’S THE POINT?

LESSONS LEARNED: BUILD IN TIME FOR MAINTENANCE

Page 39: Whats the Point? Two Case Studies Introducing Digital In-gallery

WHAT’S THE POINT?

LESSONS LEARNED: PICK YOUR BATTLES

Page 40: Whats the Point? Two Case Studies Introducing Digital In-gallery

WHAT’S THE POINT?

CONCLUSIONS: What’s the point?

- Small projects can be a starting point for any institution

- Structure needed to make things happen long term

Page 41: Whats the Point? Two Case Studies Introducing Digital In-gallery

Margaret Collerd Sternbergh@margienchargieThe Phillips CollectionManager of Digital & In-Gallery [email protected]

WHAT’S THE POINT?

Silvia Filippini-Fantoni@silviaff20Indianapolis Museum of ArtDirector of Interpretation, Media, and [email protected]