kyle fountain portfolio
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3 - 4 C U R R I C U L U M V I TA E P R O F I L E
5 - 1 2 M O N T R E A L F I L M I N S T.
1 3 - 1 4 C O N S T R U C T I O N D O C U M E N T S
3 5 - 4 0 D I S A S T E R R E L I E F S H E LT E R
1 5 - 2 6 O B A M A P R E S . L I B R A R Y
2 9 - 3 0 F O R S I N C F A U X F I R M
3 1 - 3 4 U N I V E R S I T Y B I K I N G C E N T E R
2 7 - 2 8 P H O T O G R A P H Y / W O O D W O R K I N G
TABLE OFCONTACTP H O N E( 2 1 7 ) 3 6 9 - 9 5 4 7
E M A I L< k f o u n t @ s i u . e d u >
A D D R E S SK y l e F o u n t a i n
1 7 0 E L a k e S t A p t 1 0 8
E l m h u r s t , I L 6 0 1 2 6
nt”Co-wrote and recorded the soundtrack to a senior thesis film In order of preferred method of contact, feel free to reach me all hours, seven days a week. I will answer phone calls unless I’m working, although, will rapidly return messages as soon as available.
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152914 TREADS @ 279mm2341
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685 355 1340 890 200
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FOURTH FLOOR
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05400.E3
05121
05310.A18
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FIRST FLOOR
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05310.A18
03000
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305356
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BASEMENT
-4900 mm
030000
055100
051200
030000
050900
020600
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PROJECT NO:
DRAWN BY:
CHECKED BY:
STUDENT:
SHEET OF
SHEET TITLE
COPYRIGHT:
PROJECT ARCHITECT:
PROJECT MANAGER:
CONSULTANTS:
1 2 3 4
1 2 3 4
A
B
C
SCHOOL OFARCHITECTURE
SOUTHERN ILLINOIS UNIVERSITY
ARCHITECTURE 342: BUILDING TECHNOLOGY III
MIDWEST MECHANICAL ENGINEERS
NATIONAL FIRE PROTECTION, LLC
SOUTHERN CONSULTING, INC.
SALUKI ENGINEERING, INC.
CARBONDALE, ILLINOIS
MARION, ILLINOIS
CARBONDALE, ILLINOIS
MT. VERNON, ILLINOIS
CR
EA
TE
D F
OR
ED
UC
AT
ION
AL
US
E O
NL
Y.
BOARD OF TRUSTEES
ARC342 KFountain A102
KRF
KYLE FOUNTAIN
KYLE FOUNTAIN
COMMERCE BANK
808 W GREEN STCHICAGO IL60118
KYLE FOUNTAIN
3/2
3/2
01
0 5
:02
:15
AM
A501
EGRESSDRAWINGS
JKD
1 : 50
STAIR SECTIONA2
1 : 50
ENLARGED SECONDFLOOR STAIR 02 PLANC1
1 : 50
ENLARGED BASEMENTSTAIR 02 PLANA1
1 : 50
ENLARGED FOURTHFLOOR STAIR 02 PLANB1
1 : 50
ENLARGED GROUNDFLOOR STAIR 02 PLAND1
1 : 50
SECTION THROUGHELEVATOR SHAFTA3
1 : 50
ENLARGED ELEVATORPLAND3
1 : 20
INTERMEDIATE LANDINGSUPPORTB4
1 : 20
FLOOR LANDING ANDSTRING CONNECTIONA4
1 : 20
THICKENED SLAB ATSTAIR LANDINGC4
020600 GRAVEL FILL030000 CONCRETE050900 FASTENING051200 STRUCTURAL STEEL053000 METAL DECKING055100 STAIRS AND LADDERS055200 HANDRAILS AND RAILINGS078100 SPRAY APPLIED FIRE PROOFING (2 HR)078400 75 FIRESTOPPING142000 ELEVATOR
GENERAL NOTES
REFERENCE KEYNOTES
SHEET KEY NOTES
1. DRAWINGS DO NOT SCALE.2. ALL DIMENSIONS IN MILLIMETERS UON.3. EXTERIOR WALL DIMENSIONS TO FACE
OF MASONRY.4. INTERIOR WALL DIMENSIONS TO FACE
OF STUDS.5. OPENINGS IN WALLS ARE M.O. OR R.O.
AS APPROPRIATE.6. ALL DOOR RETURNS 100MM UNLESS
OTHERWISE NOTED OR DIMENSIONED.7. PROVIDE BLOCKING IN WALLS FOR ALL
CASEWORK, FIXTURES, AND ACCESSORIES
1. 75 FIRE STOPPING2. 172 CONCRETE SLAB3. 172 GRAVEL FILL4. C - CHANNEL5. CONNECT GUARDRAIL BACK TO WALL6. ELEVATOR CAR7. ELEVATOR COUNTER WEIGHT8. ELEVATOR COUNTER WEIGHT BUFFER9. ELEVATOR GUARDRAIL10. FIRE RATED ELEVATOR DOOR (1.5 HR MIN)11. FOUNDATION PIPE DRAIN12. GOVERNOR13. HOIST BEAM14. KONE ECO DISC HOISTING MECHANISM15. KONE ELEVATOR THRESHOLD MECHANISM16. METAL COPING17. PAINT ON FIREPROOFING (2 HR MIN)18. PARTIALLY RECESSED FIRE EXTENGUISHER19. PIT LADDER (450 MAX FROM DOOR)20. SPRAY ON FIREPROOFING (2 HR MIN)21. STEEL JOIST22. SUMP23. SUPPLY LIGHT FOR PIT
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4 1 - 4 2 U R B A N D E S I G N - E A S T S T L O U I S
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Kyle fountain kfount@
siu.edu (217)369-9547
E D U C AT I O N
A C A D E M I C / L E A D E R S H I P
W O R K E X P E R I E N C E Although I have been interested in architecture most of my life, it wasn’t until myfirst years at Southern Illinois University that I began learning what architecturaldesign really encapsulated. Here, I have applied strengths learned, prior to aknowledge of the built environment. For example, I have a natural ability tolead and teach others. That is, I began training during my first part time job atage 16 and have been selected to train new/current employees at every job since. Furthermore, this strength has benefited when it came time to work in groups for design projects.
Although I was forced to learn time management skills during high school whilejuggling sports, a part time job, finalizing my eagle scout project, and homework; they were not fine-tuned until I was a full time student in the SIUC architecture program and worked two part time jobs while continuing to earn A grades.
I began to understand early that I was a kinaesthetic learner when I enjoyed taking art classes and wood design/build classes in high school. For instance, I enjoyed drawing, painting, and especially the process of sketching, to creating detail CAD drawings, to actually building. That is because I believe one really understands how to solve problems in the third dimension when forced to go through all of those steps. This is why I am fascinated with all things built, as it takes the process in order to understand how every component works and how it feels to move through a space.
My goals for the future are to acquire a position at a credible architectural design firm, while working toward an M-ARCH degree and completing the Architectural Registration Exam. In the office, I plan to bring elements of persistence, patience, and an open mind for learning from professionals. Also, I can apply almost a decade of service skills learned from sales, and expanse service applications. That is, as most of my professors have taught me, the practice of architecture is primarily a service industry.
Southern Illinois University: 2007 - 2011Parkland College: 2004 - 2006Associate degree in applied scienceDean’s list with a graduating accumulative GPA of 3.3/4.0
Monticello High School: 2000 - 2004Cabinetmaking/wood design classes using CAD softwareFour years of art classes, presented an exhibition of work
Architecture Design Studio: fall 2009 - spring 2010Awarded for leadership in timely completion of group projectsNominated group leader for pre design projects
American Institute of Architectural Students(active member)
Precast Concrete Institute(active student member)
Boy Scouts of AmericaEagle Scout merit: October 2003Built signs for Piatt County Park District (pg. 24)
Film/MusicCo-wrote and recorded the soundtrack to a senior thesis film: “A Wager of Testament”Twenty years experience playing guitar and drum setTen years experience writing/recording music
Computer ProficienciesMicrosoft Office, Auto Desk - Auto CAD 2003-2010, Revit 2008-2011,
Architectural Desktop 2008. Corel Draw. Google SketchUp Pro 2010. Adobe - In Design CS4-5, Photoshop CS4-5. Rhinoceros 3d modeling.
(in order of experience)
Buffalo Wild WingsCarbondale, Illinois
August 2008 - presentJob Titles: Server, Bartender, Cashier, Certified Trainer
(consistently top ten branch in nation)
SIUC TransitCarbondale, Illinois
August 2008 - May 2009Job Titles: Transit Driver, Disability Van Driver
Delivered disabled, and injured students to class
Samuel Music CompanyChampaign, Illinois
September 2005 - August 2007Job Title: Product/Service Specialist
(musical instrument sales and service)Consistent monthly leader in sales
Excelled in merchandising(designing displays to feature unpopular items)
references and hard copies available upon request
LEED GREEN ASSOCIATECompleted a LEED Green Associate workshop with Vertegy, Alberici’s LEED consultants. Plan to pass exam during summer 2011.
M O N T R E A L , Q U E B E C 2 0 0 9 C O N T E X T D E S I G N S T U D I OI N S T I T U T E
The design for the Montreal World Film Institute became a synthesis of a life of enjoying films, living with a film major, helping produce a motion picture, and researching the tectonics required to house that program complexity. The project was for context studio, therefore, as in the real world, a site visit is critical in order to understand how the building should live on the site. This site was chosen due to it’s proximity to downtown, within an urban corridor. Surrounded by typologies composed of a proposed symphony, Place Des Arts, an art museum, shopping centers, hotels, and Montreal University of Quebec. Also, a connection to several transportation media is adjacent below grade. Furthermore, a major highway that connects to New York is just one block away. Therefore, inspiration for the building came not only from film, but the ability to transpire the structure seamlessly with several different modes of transportation.
RUE ST DOMINIQUE
RUE
SAIN
TE C
ATHE
RINE
RU
E SH
ERBR
OO
KE
M
RUE
LEVE
SQUE
LEGEND
M
N
150' 300' 1000'
0.25 MILE
PLACE DE ARTS
ART MUSEUM
RU
E O
NTA
RIO
720
COMPLEXEDEJARDINS
RUE
EVAN
S
138
RUE CLARK
BLVD ST LAURENT
RESTAURANTSHOTELSSHOPPING
MONTREAL UNIVERSITYOF QUEBEC
P
P
PP
POLDEST ROUTE IN CANADACONNECTS TO NEW YORK 30
4 BLOCKS TO AUTOROUTE VILLA MARIE(MULTILANE HIGHWAY15' BELOW GRADE)
AVE
DU P
RESI
DENT
-KEN
NEDY
P
P
1" = 50'-0"
RUE JEANNE MANCE
RUE ST URBAIN
NEW SYMPHONY
CHIN
ATO
WN
S I T E
SITE BOUNDARY
ADJ BLDGS
VEGETATION
ROADS
BICYCLE ROUTE
BIXI (PUBLICBIKES)METROPARKING/SIDEWALKTOPOGRAPHYBLDG ENTRANCEDIR CAR TRAVEL
BUS STOP
PED CONGESTIONCAR CONGESTION
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kyle fountain [email protected] (217)369-9547
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The layout of this structure stresses horizontality, as Montreal is a horizontal city with a strong underground economy, as well as having two downtown areas. The box like structures on the south side (offices/editing) represent the fading approach to editing film by hand cutting and pasting.
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1. Entrance 2. Reception 3. Gift Shop 4. Snack Bar 5. Restroom 6. Sm Viewing 7. Lg Viewing 8. Lg Theatre 9. Sm Theatre 10. Historical Display 11. Archives 12. Viewing Station 13. Soundstage 14. Storage 15. Workshop 16. ADR Studio 17. Foley Studio 18. Mixing Room 19. Editing 20. Animation21. Offices 22. Distribution Services 23. Work Room 24. Conference Room25. Dressing Room
GEOMETRY The Geometry is
based on a film strip and music staff at
the entrance. The strip and staff split
and rejoin at the rear entrance. On the left, the broken
geometry represents film editing by hand cutting and pasting.
PARTI The initial parti
was fundamentally derived from the
major components of modern film:
SOUND and PICTURE. This
directly relates to the architecture -
SOUND = theatres, PICTURE = offices.
REGULATE This sketch is a
populace of those that typically come
to the Montreal Film Festival. The red
lines represent travel from the site to their
respective countries. Blue represents
rivers surrounding Montreal.
SPATIAL DIAGRAM The idea,
progressed from the first sketch, is to
have a celebrated barrier in between
the theatres and the offices/editing rooms. The area in between is the
outdoor theatre projected onto the
SPATIAL DIAGRAM II The relationship
analysis in this sketch seeks further variables
that determine how a building is pieced
together, in this case, the spaces with the least fenestrations - Theatres
should be located on the north side and offices
should be located with ample sunlight.
CIRCULATION There are two main
entrances in this design determined by whether
one wants to watch a film (west), or make a
film (east). The outdoor theatre can be accessed
by all four directions and both levels whether
biking or walking. Ample parking is located off site.
There are two built-in accessibility features that are opposite to give the client the option to decide. In the plans shown, and the rendering on the previous page illustrate the four legs that extend from the earth to the second story as walkable and bikeable elevated paths to access the upper level viewing and cafe areas. This structurally powerful statement deviates from the alternative option, an environmental approach, including an earth berm blocking north winds, shown in the section on the next page.
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kyle fountain [email protected] (217)369-9547
A
A
15’ 30’ 45’N
UPPER LEVEL NORTH
UPPER LEVEL SOUTH
17
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kyle fountain [email protected] (217)369-9547
1. Entrance 2. Reception 3. Gift Shop 4. Snack Bar 5. Restroom6. Sm Viewing 7. Lg Viewing8. Lg Theatre9. Sm Theatre 10. Historical Display 11. Archives 12. Viewing Station
13. Soundstage 14. Storage 15. Workshop 16. ADR Studio 17. Foley Studio 18. Mixing Room 19. Editing 20. Animation21. Offices 22. Distribution Services 23. Outdoor Theatre
SECTION A - A
8
23
21
12
10
10
23
NORTH SOUTH
5’ 10’ 15’
The first image is a spatial analysis concept model that was done before most of the sketching and modelling. Likewise, we were producing the site model on the right simultaneously in order to achieve a good contextual bearing for our designs. Unlike the buildings, the roads, contours, and sidewalks were hand cut in order to limit hard, burnt lines produced from laser cutting. The last model below and left, was a final presentation small scale model. The color was chosen to be dark to let the interior stand out when the roofs are taken off. In the end, I was thanked by our client after she had seen several presentations, for having a design that appreciates the art of cinema, and excitedly pronounced that she never became lost when describing conceptual and architectural drawings.
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kyle fountain [email protected] (217)369-9547
DOCUMENTS
DN
UP
UP
DN
UP
DN 15R
UP 14R
SECOND FLOOR
4300
BASEMENT
-4900
FIRST FLOOR
0
THIRD FLOOR
8600
FOURTH FLOOR
12900
ROOF
21500
4 3.75 3.5
PENTHOUSE ROOF
25800
B4
A501
A4
A501
C4
A501
26603
4900
4300
4300
4300
8600
15 R
ISE
RS
@ 1
75m
m14 R
ISE
RS
@ 1
75m
m14 R
ISE
RS
@ 1
75m
m14 R
ISE
RS
@ 1
75m
m14 R
ISE
RS
@ 1
75m
m
734 1072
Sim
A4
A501
Sim
A4
A501
Sim
A4A501
Sim
A4
A501
14 R
ISE
RS
@ 1
75m
m
002
3
236
3
3
422
1 1
3
3
3
2
3
3
3
14 R
ISE
RS
@ 1
75m
m14 R
ISE
RS
@ 1
75m
m14 R
ISE
RS
@ 1
75m
m
1717
16
17
17
1717
17
17
17
21
20
20
20 20
2020
20
20
20
20
20
20
20
2020
21
21
21
21
1
1
1
1
1
1
23
F
43.753.5A2
A301
A2
A501
3 3 3
3
2
3
236
2551 12 TREADS @ 286mm 1899
3789
1832
117
1640
7802
F
43.753.5A2
A301
A2
A501
3
3
6
002
7790
152914 TREADS AT 286mm2350
3436
117
1642
1640
2540
762 R
O134
F
43.753.5A2
A301
A2
A501
3 3 3
3
2
3
422
117
1642
1642
3400
7790
2541 3353
138
762 R
O2275
1899
F
43.753.5A2
A301
A2
A501
2314
762 R
O99
3 3 3
3
3
1127
137
1842
117
1920
3878
152914 TREADS @ 279mm2341
7790
486915845
BASEMENT
-4900
FIRST FLOOR
0
FIFTH FLOOR
17200
ROOF
21500
3.5
20
20
20
20
17
17
17
17
9
6
14
6
9
7
12
15
2
8
10
8
19
23 3
9
13
10
1
331
3
3
3
3
3
1525
2200 R
O2695
26235
2200 R
O1991
E.5
3.5
A3
A501
3
319
6109
23
19 7
1977
533
3
3
685 355 1340 890 200
3470
2710
200
FOURTH FLOOR
12900
4
2204
390
152
1661
05400.E3
05121
05310.A18
05121.I188
FIRST FLOOR
0
05121
051200
05310.A18
03000
050900
055100
28
305356
175
175
226
165
335
165
BASEMENT
-4900 mm
030000
055100
051200
030000
050900
020600
055200
PROJECT NO:
DRAWN BY:
CHECKED BY:
STUDENT:
SHEET OF
SHEET TITLE
COPYRIGHT:
PROJECT ARCHITECT:
PROJECT MANAGER:
CONSULTANTS:
1 2 3 4
1 2 3 4
A
B
C
SCHOOL OFARCHITECTURE
SOUTHERN ILLINOIS UNIVERSITY
ARCHITECTURE 342: BUILDING TECHNOLOGY III
MIDWEST MECHANICAL ENGINEERS
NATIONAL FIRE PROTECTION, LLC
SOUTHERN CONSULTING, INC.
SALUKI ENGINEERING, INC.
CARBONDALE, ILLINOIS
MARION, ILLINOIS
CARBONDALE, ILLINOIS
MT. VERNON, ILLINOIS
CR
EA
TE
D F
OR
ED
UC
AT
ION
AL
US
E O
NL
Y.
BOARD OF TRUSTEES
ARC342 KFountain A102
KRF
KYLE FOUNTAIN
KYLE FOUNTAIN
COMMERCE BANK
808 W GREEN STCHICAGO IL60118
KYLE FOUNTAIN
3/2
3/2
01
0 5
:02
:15
AM
A501
EGRESSDRAWINGS
JKD
1 : 50
STAIR SECTIONA2
1 : 50
ENLARGED SECONDFLOOR STAIR 02 PLANC1
1 : 50
ENLARGED BASEMENTSTAIR 02 PLANA1
1 : 50
ENLARGED FOURTHFLOOR STAIR 02 PLANB1
1 : 50
ENLARGED GROUNDFLOOR STAIR 02 PLAND1
1 : 50
SECTION THROUGHELEVATOR SHAFTA3
1 : 50
ENLARGED ELEVATORPLAND3
1 : 20
INTERMEDIATE LANDINGSUPPORTB4
1 : 20
FLOOR LANDING ANDSTRING CONNECTIONA4
1 : 20
THICKENED SLAB ATSTAIR LANDINGC4
020600 GRAVEL FILL030000 CONCRETE050900 FASTENING051200 STRUCTURAL STEEL053000 METAL DECKING055100 STAIRS AND LADDERS055200 HANDRAILS AND RAILINGS078100 SPRAY APPLIED FIRE PROOFING (2 HR)078400 75 FIRESTOPPING142000 ELEVATOR
GENERAL NOTES
REFERENCE KEYNOTES
SHEET KEY NOTES
1. DRAWINGS DO NOT SCALE.2. ALL DIMENSIONS IN MILLIMETERS UON.3. EXTERIOR WALL DIMENSIONS TO FACE
OF MASONRY.4. INTERIOR WALL DIMENSIONS TO FACE
OF STUDS.5. OPENINGS IN WALLS ARE M.O. OR R.O.
AS APPROPRIATE.6. ALL DOOR RETURNS 100MM UNLESS
OTHERWISE NOTED OR DIMENSIONED.7. PROVIDE BLOCKING IN WALLS FOR ALL
CASEWORK, FIXTURES, AND ACCESSORIES
1. 75 FIRE STOPPING2. 172 CONCRETE SLAB3. 172 GRAVEL FILL4. C - CHANNEL5. CONNECT GUARDRAIL BACK TO WALL6. ELEVATOR CAR7. ELEVATOR COUNTER WEIGHT8. ELEVATOR COUNTER WEIGHT BUFFER9. ELEVATOR GUARDRAIL10. FIRE RATED ELEVATOR DOOR (1.5 HR MIN)11. FOUNDATION PIPE DRAIN12. GOVERNOR13. HOIST BEAM14. KONE ECO DISC HOISTING MECHANISM15. KONE ELEVATOR THRESHOLD MECHANISM16. METAL COPING17. PAINT ON FIREPROOFING (2 HR MIN)18. PARTIALLY RECESSED FIRE EXTENGUISHER19. PIT LADDER (450 MAX FROM DOOR)20. SPRAY ON FIREPROOFING (2 HR MIN)21. STEEL JOIST22. SUMP23. SUPPLY LIGHT FOR PIT
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C H I C A G O , I L L I N O I S S P R I N G 2 0 0 8B U I L D I N G T E C H N O L O G Y I I I - S T E E L
DN 15RDN 15R UP 14R
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09250.D13
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07810.A1
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09270.A1
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09110.E4
07810.A1
09270.A1
244235
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RECORDS
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BOOKKEEPING
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CONFERENCE
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VAULT LOBBY
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LOAN OFFICE
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TELLER
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VESTIBULE
101
MENS
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WOMENS
118
OFFICE
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OFFICE
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OFFICE
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OFFICE
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OFFICE
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JANITOR
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BANK LOBBY
103
BREAK ROOM
106
OFFICE
121
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BUILDING LOBBY
122
107
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102
STAIR 1
STAIR 2
SERVER
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VENDING
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WAITING AREA
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CORRIDOR 1
CORRIDOR 2
C2
A102
D2
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B2
A102
E2A102
A2
A102
1212 3658 MO 7315 3658 MO 6077 3658 MO 7315 3658 MO 6096 3658 MO 1676
4750 4750 9500 9500 9500 4750 4750
47951
845
4266 M
O3658 M
O6020
1015 M
O8458
3658 M
O3657
9500
4000
4000
4000
4750
4750
4750
4841
31475
36316
608
711
3658 M
O1226
3658 M
O4800
915 M
O9677
3658 M
O3179
4815
31462
36277
711 3658 MO 1223 3658 MO 203 10021 9568 2245 3658 MO 8502 3658 MO 880
9452 19589 18942
47983
1449
1850 R
O1460
9980 9502 9453 9548 9226
2113 1604 1640 1760 1601 1049
4734 16089 7987 9324 9534
9638
8000
2221
3048
3629
4667
4895 3250 12719 4452 3431 1440 3431 6128 3154 4810
3
6844 4136 3461 6423
3031 2305 296617751415
1970
3300
2690
4040
3904
5631
5400
2200
1500
3
5100
2191
3170
3340
4670
6734
4738
4854
2900
B2
A101
1
A407
1310
2064
A1A408
3
3
3D3
A501
A1
A301
B2
A301
A1
A302
1
ELEVATION: +0
ELEVATION: +200
2
3 4
5Sim
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A102
Sim
C2A102
Sim
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Sim
C2
A102
Sim
D2A102
Sim
D2
A102
Sim
C2
A102
Sim
B2A101
Sim
B2A101
Sim
B2A101
Sim
B2A101
Sim
C2
A102
Sim
B2
A101
Sim
B2A101
Sim
B2
A101
Sim
C2A102
Sim
D2
A102
Sim
C2A102
A1
A101
Sim
E2
A102
Sim
D3A501
Sim
B2
A102
Sim
B2
A102
Sim
B2
A102Sim
A1
A101
Sim
B2A102
Sim
B2A102
Sim
E2
A102
Sim
A1A101
Sim
E2A102
Sim
E2
A102
6
2
Room
125
6
4668 1850 RO 3136
7
7
7
Sim
A2
A102
Sim
A2
A102
Sim
A2
A102
-
---
3
3
2100
A2A502
A106A1
4
4
4
4
4
4
5
4
4
5
5
130
131
4
4
4
4
4
4
4
3491
3 3
3
1215 1575
3313
5601
4854
ELE
VA
TIO
N: +
0
ELE
VA
TIO
N: +
0
D1A501
3
3
3
3
1
4
242
0238
329
245
9390
3 3
3
33
3
A2
A501
A3
A502
D
3
05120
07810.A1
09250.D13
09110.E4
15160
262198
476
272
341
613
15060
09270.A1
C
3
05120.K4
07840
09110.E4
09250.D13
09270.A1
250250
500
244
241
485
PROJECT NO:
DRAWN BY:
CHECKED BY:
STUDENT:
SHEET OF
SHEET TITLE
COPYRIGHT:
PROJECT ARCHITECT:
PROJECT MANAGER:
CONSULTANTS:
1 2 3 4
1 2 3 4
A
B
C
SCHOOL OFARCHITECTURE
SOUTHERN ILLINOIS UNIVERSITY
ARCHITECTURE 342: BUILDING TECHNOLOGY III
MIDWEST MECHANICAL ENGINEERS
NATIONAL FIRE PROTECTION, LLC
SOUTHERN CONSULTING, INC.
SALUKI ENGINEERING, INC.
CARBONDALE, ILLINOIS
MARION, ILLINOIS
CARBONDALE, ILLINOIS
MT. VERNON, ILLINOIS
CR
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BOARD OF TRUSTEES
ARC342 KFountain A102
KRF
KYLE FOUNTAIN
KYLE FOUNTAIN
COMMERCE BANK
808 W GREEN STCHICAGO IL60118
KYLE FOUNTAIN
3/2
3/2
010 5
:04:4
0 A
M
A102
FIRST FLOOR PLAN
Checker
1 : 20
EXT. CORNER COLUMNC2
1 : 20
EXT. PERIMETER COLUMND2
1 : 20
INT. 2-HOUR FIRECOLUMNB2
1 : 100
FIRST FLOOR PLANA1
1 : 20
INT. WET COLUMNA2
1 : 20
INT. 1-HOUR FIRECOLUMNE2
1. CABINETS2. CHECK WRITING STATION3. TELLER COUNTER4. ATM5. NIGHT DEPOSIT6. D.F.7. EXT LANDING SLOPE AWAY FROM
BUILDING AT 1MM/20MM
GENERAL NOTES
SHEET KEYNOTES
REFERENCE KEYNOTES
N
05120 STRUCTURAL STEEL05210 STEEL JOISTS07810.A1 25 MM SPRAYED ON FIREPROOFING08410 METAL FRAMED STOREFRONT09110.E4 100 MM C SHAPED METAL STUD @ 600MM OC HORIZ09270.A1 GYP BOARD CORNER BEAD15060 HANGERS AND SUPPORTS15160 406 MM STORM DRAINAGE PIPE
1. DRAWINGS DO NOT SCALE.2. ALL DIMENSIONS IN MILLIMETERS UON.3. EXTERIOR WALL DIMENSIONS TO FACE OF MASONRY.4. INTERIOR WALL DIMENSIONS TO FACE OF
STUDS.5. OPENINGS IN WALLS ARE M.O. OR R.O. AS
APPROPRIATE.6. ALL DOOR RETURNS 100MM UNLESS
OTHERWISE NOTED OR DIMENSIONED.7. PROVIDE BLOCKING IN WALLS FOR ALL
CASEWORK, FIXTURES, AND ACCESSORIES
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kyle fountain [email protected] (217)369-9547
14
6
LIBRARYWith a main conceptual focus on Interactionism - a sociological impetus for the parti and sketches that ultimately developed into the final design development phases. Interactionism - more than a technological pun, is a topic Erving Goffman talked about in his “Presentation of Self in Everyday Life.” He theorized that everyone lives with a faux facade, or a mask. A good portion of the presidential libraries give stark, up front, White House - like experiences. In his book, Goffman stated that interactionism “. . .is about organization of experiences and not organization of society. Aside from the deviation of normal architectonics, my design sought to contextualize to the fullest. For instance, rather than designing an elevated walkway from building to building that is only accessible by employees like Lincoln’s Museum and Library across the street; my design connects underground parking to the actual Amtrak station two blocks away. Still, the walkway will pierce both the museum and library for entrance to both buildings, all the while being accessible by public 24/7.
S P R I N G F I E L D , I L L I N O I S S P R I N G 2 0 1 1I N T E G R A T I O N S T U D I O - S E N I O R T H E S I S
kyle fountain [email protected] (217)369-9547
Here are three concept models that were developed alongside the sketches to help with scale and design throughout the semester. Clockwise from top left: The first model was exploring how the building’s second level could be accessed by earth berms in order to further the context - interactionism driving forces. The second model was an exploration into the idea of heavy geometries to appear floating. This was a minor failure with scale, and the walkway was neither integrated, nor accessible. Lastly, this model is closest to the final, with exploration into the expressive structure that would hold this expanse walkway.
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O C C U P A N C Y A N A L Y S I S F O R S T R U C T U R A L A N D L I G H T I N G C A L C U L A T I O N S
During the last semester of SIU’s 4-year Arch program, there is an integration of classes from studio to structures to lighting/acoustics.
For our structural analysis, we considered only gravity loads due to the alotted time and program complexity.
For our lighting analysis, we considered a 3,000 sq ft. area within our building to calculate lighting loads and required luminaires by code.
Note: this is only a couple pages of my senior project book. Please inquire for the entire 60 page project manual.
GROUND LEVEL STRUCTURAL ANALYSIS OF GRAVITY LOADS
Tributary Area - 558 sq ft Total Column Length - 20’-0”Live load(exhibition, storage, mechanical, atrium floor)1/4 of tributary @ 125 psf = 17437.5 + 3/4 @ 100 psf = 41832 = 106.25 psfLive Load = 106.25 psf
Dead Load(ceilings, walls, floors)Ceilings: -MEP/HVAC/Sprinkler - 9psf, -Plaster Ceiling -5psf, -Suspended Lighting and Air dist -3psfWalls: -Steel Studs @ 16” OC - 4psf, -Curtain Wall(interior Storefront Glazing) - 10psf, -Plaster Walls -5psfFloors: -Oak Flooring - 2.5 psf, -Lightweight Concrete on Steel Deck -55.0 psf
Dead Load = 90.5 psfDL+LL = 113.8 psf X 473.7 sq ft = 53.9 K
N 5’ 10’ 15’
RAMP ENTRANCE TOROOF (LEVEL 1)
MAIN ENTRANCE TO LIBRARY
AFTER HOURS ENTRANCEFOR CINEMA/LECTURES
RAMP ENTRANCE TO LEVEL 1 LANDSCAPE ENTRANCE TO GREEN ROOF (LEVEL 1)
MAIN ENTRANCETO EXHIBITION
AFTER HOURS CAFE ACCESS
SERVICE/DELIVERY ENTRANCE
SHAFT/X BRACE
EXHIBITION
BACK OF HOUSE PRODUCTIONUNLOADING/PROCESSING
RETAIL/CAFE
ATRIUM/GATHERING/LIGHT WELL
BACK OF HOUSEEGRESS/CORRIDOR
THEATER/AUDITORIUM
EXHIBITION
EXHIBITION
STORAGE
SERVICE/DELIVERY ENTRANCE
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kyle fountain [email protected] (217)369-9547
ELECTRICAL LIGHTING ANALYSIS OF REQUIRED LUMINAIRES FOR ATRIUM/EXHIBITION
6” LED DOWNLIGHT FOR ATRIUM/EXHIBITIONATRIUM SQ FT GROUND FLOOR = 8173WATTAGE OF LUMINAIRE = 36 WATTS
8173 X 0.5 (ATRIUM/CORRIDOR) = 113.5 = 114 LUMINAIRES
TRAC MASTER CONIX TRACK LIGHTINGEXHIBITION SQ FT GROUND FLOOR = 3,800WATTAGE OF LUMINAIRE = 50 WATTS
3,800 X 1.1 (EXHIBITION) /50 = 83 LUMINAIRES
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CCO R T W Y AA
54
55
58
----
106
107
108
Q S U V
109
110
111 112
GIFTS50
CAFE51
MENS52
WOMENS53
113
114
115
117
STORAGE54
STORAGE55
EXHIBITPRODUCTION/STUDIO
56
118
119
120
121
122
COAT/LOCKER60
WELCOME DESK61
STORAGE62
SECURITY63
WOMENS64
MENS65
130
131
132
138
139
STAIR 1
ELEV 1
ELEV 2STAIR 2
SERVICE ELEV 1
LOADING72
STAIR 3
MECH 1
P
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LIGHT WELLHT: 50'-0"
MUSEUM GROUND PLANSCALE: 1/32" = 1'-0"
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SYMBOL LEGENDCOOPER SELF POWERED LED EXIT SIGN WITH EMERGENCY LIGHTS
FLOOR OUTLET
SWITCH
GROUND FLOOR ELECTRICAL PLANN
5' 10' 15'
COOPER SELF POWERED LED EXIT SIGN WITH EMERGENCY LIGHTS
HOMERUN CIRCUIT TO PANEL BOARD
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LUMINAIRE SYMBOLSCOOPER SELF POWERED LED EXIT SIGN WITH EMERGENCY LIGHTS
INDY DESIGNER 6 LED DOWNLIGHT
TRAC MASTER HALOGEN TRACK LIGHTING4 BULBS PER TRACK
GROUND FLOOR LIGHTING PLANN
5' 10' 15'LUMINAIRE SCHEDULE
MARKMANUFACTURERAND DESCRIPTION TYPE VOLTS WATTS
LENSLAMPS FINISH MOUNTING NOTES
6" INDY LUMEN LED DOWNLIGHT LED 120 35 30'CEILING HEIGHT 40', LUMINAIRESUSPENDED FROM STRUCTURE
CONIX TRAC MASTER HALOGEN 120 35 16'TRACK LIGHTING IN EXHIBITION SPACES, FLOOR TOFLOOR HEIGHTS ARE 20'
COOPER SURE-LITE EXIT LED 120 35 8'
WHITEPAINT
WHITEPAINT
QTY
SELF-POWERED14
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SYMBOL LEGENDCOOPER SELF POWERED LED EXIT SIGN WITH EMERGENCY LIGHTS
FLOOR OUTLET
SWITCH
GROUND FLOOR ELECTRICAL PLANN
5' 10' 15'
COOPER SELF POWERED LED EXIT SIGN WITH EMERGENCY LIGHTS
HOMERUN CIRCUIT TO PANEL BOARD
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LUMINAIRE SYMBOLSCOOPER SELF POWERED LED EXIT SIGN WITH EMERGENCY LIGHTS
INDY DESIGNER 6 LED DOWNLIGHT
TRAC MASTER HALOGEN TRACK LIGHTING4 BULBS PER TRACK
GROUND FLOOR LIGHTING PLANN
5' 10' 15'LUMINAIRE SCHEDULE
MARKMANUFACTURERAND DESCRIPTION TYPE VOLTS WATTS
LENSLAMPS FINISH MOUNTING NOTES
6" INDY LUMEN LED DOWNLIGHT LED 120 35 30'CEILING HEIGHT 40', LUMINAIRESUSPENDED FROM STRUCTURE
CONIX TRAC MASTER HALOGEN 120 35 16'TRACK LIGHTING IN EXHIBITION SPACES, FLOOR TOFLOOR HEIGHTS ARE 20'
COOPER SURE-LITE EXIT LED 120 35 8'
WHITEPAINT
WHITEPAINT
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G R O U N D F L O O R E L E C T R I C A L P L A N
Below are two schematic plans for beam, column, luminaire, and electrical elements. The structural plan is a preiminary study of ideal beam/column layouts although the calculations on the previous page were for gravity loads only, structural cross bracing has been considered, and strategically placed in the circulation and mechanical shafts.
The lighting calculations on the previous pages were determined for this drawing in order to understand the density of luminaires required, and likewise.
kyle fountain [email protected] (217)369-9547
20
12
D A Y L I G H T I N G A N A L Y S I S A T R I U M O F M U S E U M
SU
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WIN
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Again for the lighting portion of this project, we were instructed to analyze the same areas natural lighting characteristics. Previous studies revealed that although the glazing was facing north, ultraviolet radiation would penetrate into the exhibition spaces, causing harm to prospective artifacts. By adding a louvre system to the north wall revealed that very little sunlight would be allowed in the space, therefore, a skylit roof above the atrium was added with a custom perpendicular louvre system to allow for double refraction of summer sun entering. (for detailed, turn page)
1/2" BEARING PAD
PRECAST CONCRETE FOOTING
5' X 10' PRECAST CONCRETE PERMEABLE GRADE PLATE
GRASS/SOD
SOIL COLLECTED FROMCONSTRUCTION
5' X 10' PRECAST CONCRETE PLANTER BOX
TO LIVING MACHINE FOR GRAYWATER CLEANING
COARSE AGGREGATE
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1/2" BEARING PAD
PRECAST CONCRETE FOOTING
5' X 10' PRECAST CONCRETE PERMEABLE GRADE PLATE
GRASS/SOD
SOIL COLLECTED FROMCONSTRUCTION
5' X 10' PRECAST CONCRETE PLANTER BOX
TO LIVING MACHINE FOR GRAYWATER CLEANING
COARSE AGGREGATE
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SITE PLAN AND SITE MODULAR COMPONENT DETAILDRAWINGS DO NOT SCALE
kyle fountain [email protected] (217)369-9547
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STEEL AND GLASS WALKWAYK WALL 100 TRANSLUCENT SYSTEMPRECAST PLANTERRAISED FLOOR AIR DISTRIBUTION SYSTEMANODIZED ALUMINUM STOREFRONT
K SERIES STEEL TRUSSEXTRUDED ALUMINUM LOUVER (N-S)
BUR WITH 1' PARAPET LT WT CONC ON STL DECK
CAFE
SUSPENDED FABRICWHITE CEILINGTO SOFTEN ACOUSTICSAND ACT AS INTERIORLIGHT SHELF FROMATRIUM ILLUMINANCE
EXTRUDED ALUMINUM LOUVER (E-W)LIGHT DRIVEN WELL
BRUSHED GLASSGUARD RAIL
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Above is Frank Lloyd Wright’s Fallingwater. Throughout my undergraduate career, I enjoyed taking pictures of architectural details that I had never seen prior. Wright’s design for these windows become one of the more memorable discoveries. Fallingwater has dozens of windows on this specific corner of the house giving a fascinating sound effect from the waterfall, and surrounding forest. The sound coming from the fenestrations literally sound like someone turning up the volume of a stereo as one opens window after window.
PHOTOGRAPHY
Above are two images that were taken on different site visits for studio class. The top image is of Richard Sera’s commission for the Pulitzer Arts Museum in St. Louis. The image below is Moshe Safdie’s Habitat 67 in Montreal, Quebec.
(beginning with the far left piece, moving clockwise) The first project, completed in cabinetmaking class in high school, is made of cherry ply and solid woods. The next project is an interlocking chair made of oak wood and green canvas. Next, a night stand also completed in high school also constructed of oak solid wood. The next is one of two signs that I drafted and constructed for my Eagle Scout project. One is located in Cerro Gordo, Illinois, the second is in Atwood, Illinois Lastly, is a construct of a modular component that was originally inspired by a series of taxonomical studies of a wild mushroom, done in concept studio class.
kyle fountain [email protected] (217)369-9547
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FAUX FIRM
twenty ninth November
Mr. Anthony Ryan201 University Oaks Blvd, Suite 1100Round Rock Tx, 78664
FORS Architecture and Interior Design200 S Hanley RdSt. Louis, Mo 63105
A 32,700 square foot retail building for REI Recreation co. in Round Rock Texas. The building is to be LEED Certified with an estimated cost of $8,175,000. The building program will be determined by our interior design team. The program, according to REI, and LEED Gold specifications is to be mixed use. Thereby, adding a mezzanine level to allow for community and recreation meetings during and after store hours. Likewise, the design of the interior, exterior, structure (sequenced by specialized consultants) will all be done by FORS.
two thousand ten
Compensation to be based on a percentage fee of 5.6% based on a Group II Complexity project with an estimated budget of $8,175,000 initially equalling a total fee of $457,800 to be adjusted at the end of each phase and at a project completion per the fee schedule attached.
5% of total billing408,750
Compensation to be based on a percentage fee of 5.6% based on a Group II Complexity project with an estimated budget of $8,175,000 initially equalling a total fee of $457,800 to be adjusted at the end of each phase and at a project completion per the fee schedule attached.
5% of total billing408,750
152040520
Typical list of Additional services for level II complexity project
LEED Research: Travel (other REI facilities): Mock up Furniture:Building Model: Building Information Modeling (BIM): Drawing Revisions: per paragraph 3.3.1
This is not a final list of additional services, the above are the ones that have been outlined prior to design. There will be additional compensation for services not mentioned above based on the fee schedule and articles 3 and 12 of the AIA B151 contract.
Compensation for additional project representation rendered by Principals and employees shall be based upon the hourly billing rates set forth below:
Principal: $225.00/hrConstruction Observer: $120.00/hr
Compensation for services rendered by principals and employees shall be based on a multiple of 3.0 times Direct Personnel Expense. Compensation for services rendered by Consultants shall be based on a multiple of 1.1 times their invoice.
Below is a list of prospective additional services based on project type and complexity. Compensation for additional project services rendered by Principals and employees shall be based upon the hourly billing rates set forth below:
Compensation for Additional Servicesper employee type
CEO: $225.00/hourCFO: /hour $225.00/hourHead of Retail Design: $225.00/hourHead of Studio $225.00/hour
Arc. CAD Designer (4) $120.00/hour
I.D. CAD Designers (4) $120.00/hour
Interns (4) $120.00/hour
Compensation for services rendered by principals and employees shall be based on a multiple of 3.0 times Direct Personnel Expense.
1.25
1.1
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Interest at a rate of 10% per month will be applied to invoices (or balances) unpaid after 30 days.
There will be a 10% discount of basic compensation, less additional services if paid 6 months prior to project completion. Additional services will be billed based on fore mentioned fee schedule, and any services that fall under article 3 of the AIA B151.
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Design Letterhead & Envelope
Develop Fax Sheet
Develop Business Cards
Design Brochure
Graphic Design
Create Timesheets
Legal Documentation
1st Year Projects (2 Build Out)
1st Year Projects (2 New Build)
Budget Sheet for Focus Project
Fee Schedule
Develop Mission Statement
Project List
Project Timeline
General Corporation Description
Letter of Understanding
Draft Contract
ARCHIpage Layout
Leasing Office Cost
Furnishings & Equipment for Office
Adjacency Diagram
Develop Floor Plan
Approximate Cost of Above
Yellow Page Price Listing
R: Person is solely responsible for successfully completing task.
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10 APPLIANCES
FORS200 S Hanley Rd Saint Louis, MO 63144
ArchitectsSee Also Home Design and Planning
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. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (314)892-6531
HOK211 N Broadway, Saint Louis, MO 63102
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (314)421-20000
MacGoy, Jon E326 Simmons Ave, Saint Louis, MO 63119
. . . . . . . . . . . . . . . . . . . . (314)968-3287
Chiodini Associates1401 S Brentwood Blvd, Saint Louis, MO 63144
. . . . . . . . . . . . . . . . . . . .(314)725-5588
Tao & Lee Associates308 N 21st St Ste 600, Saint Louis, MO 63103
. . . . . . . . . . . . . . . . . .(314)446-0885
Fox Architects500 Washington Ave, Saint Louis, MO 63101
. . . . . . . . . . . . . . . . . . . . . . . . .(314)621-4343
R E T A I L A R C H I T E C T U R E A N D I N T E R I O R D E S I G N
Address: 200 S. Hanley Rd. St. Louis, MO 63105Phone Number: 314-892-6530Fax Number: 314-892-6531Emails: [email protected], [email protected] [email protected], and [email protected]
NAME POSITION HOURLY RATE
Kyle CFO $75.00Megan Head of Retail Design $75.00Jason CFO $75.00Courtney Head of Studio $75.00
Arc. Cad Designer 1 $40.00Arc. Cad Designer 2 $40.00Arc. Cad Designer 3 $40.00Arc. Cad Designer 4 $40.00
I.D. Cad Designer 1 $40.00I.D. Cad Designer 2 $40.00I.D. Cad Designer 3 $40.00I.D. Cad Designer 4 $40.00
Intern 1 $15.00Intern 2 $15.00Intern 2 $15.00Intern 3 $15.00Intern 4 $15.00
Address: 200 S. Hanley Rd. St. Louis, MO 63105Phone Number: 314-892-6530Fax Number: 314-892-6531Emails: [email protected], [email protected], [email protected], and [email protected]
ACTIVE PROJECTS Jan. Feb Mar Apr May JunGodiva Home Cont. Close-outREI Round Rock ConstructionUniversity Biking Center ConstructionThomas starzewski boutique
The faux firm was a project to sum up the pro practice course. Shown on this page are some of the business aspects we worked on as well as completing a letter of understanding to supplement the AIA B151 shown below. At the end of the project we presented boards and a website, shown on the next page, for a client-Interview presentation.
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Develop Fax Sheet
Develop Business Cards
Design Brochure
Graphic Design
Create Timesheets
Legal Documentation
1st Year Projects (2 Build Out)
1st Year Projects (2 New Build)
Budget Sheet for Focus Project
Fee Schedule
Develop Mission Statement
Project List
Project Timeline
General Corporation Description
Letter of Understanding
Draft Contract
ARCHIpage Layout
Leasing Office Cost
Furnishings & Equipment for Office
Adjacency Diagram
Develop Floor Plan
Approximate Cost of Above
Yellow Page Price Listing
R: Person is solely responsible for successfully completing task.
A/V: Person must approve or veto decisions of other people.
S: Person is to furnish support to complete task.
R-CHART
I: Person must be informed of decisions by other members.
Task
Office Assembly
Real Estate Search
Yellow Page Price Search
home contact about us news projects jobs offices PROCESS
founta
in
owens
reynolds
safranek
FORS is a general corpora-tion firm that specializes in retail design. Following the importance of the built envi-ronment, our principles and employees are structured around an equal combination of Interior design and Archi-tectural design.
firm
principles
architects
interior designers
cad techs
interns
services
awards
clients
mission
firm
principles
mission
Megan Owens is the
Head of Retail Design.
Megan has been an In-
terior Designer for 2
years. Megan received
her BSID degree from
Southern Illinois Uni-
versity, and worked
for KHI Designers in
St Louis for 6 years.
Courtney Safranek is
the Head of Design
Studio.
Courtney has been an
Interior Designer for
5 years. Courtney
received her BSID
degree from Southern
Illinois University, and
her MARCH degree
from University of
Syracuse. Courtney
worked for KHI De-
signers in St Louis for
2 years.
jason reynolds aia
has been an architect
for 4 years. jason is
the CFO of FORS. He
received his BARCH
degree from Southern
Illinois University, and
his MARCH degree
from University of
Wisconsin Milwaukee.
Kyle has previously
worked for SKBH
Architects in St Louis,
Mo and RKGB Archi-
tecture in Round Rock
Texas.
kyle fountain aia
has been an architect
for 3 years. Kyle is
the CEO of FORS. He
received his BARCH
degree from Southern
Illinois University, and
his MARCH degree
from University of
Wisconsin Milwaukee.
Kyle has previously
worked for SKBH
Architects in Chicago,
Illinois and TYULS
and Associates in
Denver Co.
fors is a corporation dedi-cated to solving creative design solutions for the retail environment. Our de-sign team consists of Archi-tect and Interior Designers to deliver the most creative, innovative, and functional environment that satisfies the needs of the clients and consumers. In addition to focusing on sustaining the environmental conditions, our designers strive to give back by implementing the use of renewable energy sys-tems. Understanding the marketing techniques used in retail gives FORS an edge on its other competitors.
WHERE CREATIVITY AND INNOVATION MERGE TOGETHERF OR S
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P R O F E S S I O N A L P R A C T I C E F A L L 2 0 1 0
n o t e : n o t a l l o f t h e i n f o r m a t i o n b e l o w i s t r u e , a n d t h e R E I p r o j e c t w a s n o t c o m p l e t e d b y F O R S . A l s o , F O R S i s n o t a r e a l
a r c h i t e c t u r a l f i r m .
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Southern Illinois University already encourages walking and biking by maintaining a vast forest in the center and contouring the campus. Located adjacent to the site is a large under used parking lot. After group research, we developed further site analyses and were encouraged to construct at least two big idea concepts. My first sketch was to have the bike shop the nucleus of a small campus consisting of the programmatic features: bicycle retail/repair shop, base camp, and a camp site. My second idea was the beginning of my final concept, a more holistic approach. Rather than concentrating on the site, I used the campus lake, national and regional bike trails, and the city as regulating lines to allow for the building to be an attraction and elevated above the complex topography, embracing a creek that connects to a residential walk/bikeway. With these trails surrounding the building, the bike shop wouldn’t be a place to find, like the first idea, it will be a outlet passed by thousands of students and citizens that reside south of the site, on their way to work or class. Furthermore, if someone does not have a bicycle, one can be rented from the base camp.
C A R B O N D A L E , I L L I N O I S F A L L 2 0 0 9 C O M P L E X I T Y D E S I G N S T U D I O
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1 First concept study 2 Geometries of bldg taken from bicycle 4 Primary concepts taken from the idea that spokes hold the shape of the wheel and that the frame holds the user 5 Bike frame of two triangles regulate the east facade, curvilinear east facade reflects the bike’s wheel 6 Structural column diagram/truss calculations 7 North/south facade design based on design of logo 8 Further development of logo ideas 9 Bubble diagram 10 Progressed spatial diagram 11 Beginning floor plan sketch 12 A final sketch utilizing the site plan and regulating lines
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winter sun summer sunnatural/cross ventilation
(PREVIOUS PAGES) View approaching the building from the south as seen from a bicyclists perspective. Elevated bike/walk path allows travellers to venture off of the busy highway and through a peaceful forest. A Bioclimatic section showing how clerestory windows and natural ventilation help preserve the forest B Scenic overlook as a break from riding, jogging, or walking, to view the forest that will be minimally disturbed through the use of a pile foundation system. C Dynamic perspective from bicycle approaching the retail space.
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SHELTERThe shelter project began with group research presentations involving issues related to the aftermath of recent earthquakes in Haiti and Chile, aftermath of the Gulf Coast hurricanes of 2005, the ongoing issues of urban homelessness in the USA, the need for shelter in war zones, and the extremes of poverty worldwide. With a strong focus on altruism in our designs, our concept was aimed toward self dignity. With the request from our professor, we were encouraged to make the design “look like architecture,” and not what other shelters are becoming around the world. For instance, one extreme is a horizontally extruded pentagon made of plywood inspired strictly by cost, not modularity. Another extreme that has been given to disaster relief victims is essentially a collapsable clothes hamper. After research, we began to understand that neither of these structures would be something we would be proud to sleep in. Utilizing one simple rectangular slat made of oak plywood, our shelter can be mass produced, and shipped for assembly, or in the case of the model we built, footings, custom cots, and structure can be added for semi permanent capabilities. In the end, our shelter was the only one that survived a trial sleep. Others designed their shelters from the outside in, leaving an after thought decision of making the bed a flat sheet of plywood. Again, our concept was inspired by dignity - would we feel comfortable sleeping in this shelter and would we be proud to have this as our temporary dwelling after a terrible disaster? The test was successful as we woke up from our shelter in the middle of campus with hundreds of students walking passed us, we were proud to emerge from the dwelling.
kyle fountain [email protected] (217)369-9547
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SECTION THROUGH FOOTINGS
ARC RIB DETAIL FOOTING DETAIL
ARC DIAMETER - 6'0"LENGTH OF SHELTER - 6'-9"
4"
1/2" WOOD SCREW PLYWOOD SLAT (36)
1- 1/2" WOOD SCREW
2"
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2"1"
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CANVAS BED
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EACH FLAT CAN BE ATTACHED UP TO3 WIDE BY AN INFINITE NUMBER IN LENGTH
Professional altruism is the notion of doing somethingto help others without a direct benefit to oneself.In architecture, specifically design of a shelter; thedwelling should be able to accommodate anycontext, and most inhabitants without homes. Still itshould look architectural instead of the simplest formfor the least amount of money (tent). Our goal forevery design decision was based on dignity. Wouldwe feel comfortable and dignified to stay inside thisshelter temporarily?
ALTR
UISM
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Materials and design tips - required materials were,but not limited to, 1/2" plywood and blue tarpauline.Designs that were requested to avoid consisted oftent-like structures, and tipi dwellings. Designs were,instead, requested to appear architecturally designed
TENT CITIES
CLOTHES HAMPERSHELTER
PORTABILITY IS GOODBUT LIMITS DIGNITY
AN ARC FLAT A shelter should be simple to assemble,fabricate, repair, and accomodate. In it's simplest form,our shelter is comprised of 2 modular components - thewood slat that assembles to make the arc, and the arcbeam that either fits into the flooring/footing system, or isdriven into the ground. Still, the shelter can becustomized through sliding the wood slat module to allowsunlight, fresh air for any given wind direction, or use asa canopy to sit outside blocking a light sprinkle or sun.Lastly, the dwelling is designed to lay flat anddisassemble with minimal hardware
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SECTION THROUGH FOOTINGS
TIPI SHELTER<cnet.news.com><treehugger.com>
<treehugger.com> <gliving.com>
DETAIL D
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ARC RIB DETAIL FOOTING DETAIL
ARC DIAMETER - 6'0"LENGTH OF SHELTER - 6'-9"
4"
1/2" WOOD SCREW PLYWOOD SLAT (36)
1- 1/2" WOOD SCREW
2"
2"1"
2"1"
2" 2"1-1/2" 1-1/2"1"
1/2" WOOD DOWEL
CANVAS BED
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A NA
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EACH FLAT CAN BE ATTACHED UP TO3 WIDE BY AN INFINITE NUMBER IN LENGTH
Professional altruism is the notion of doing somethingto help others without a direct benefit to oneself.In architecture, specifically design of a shelter; thedwelling should be able to accommodate anycontext, and most inhabitants without homes. Still itshould look architectural instead of the simplest formfor the least amount of money (tent). Our goal forevery design decision was based on dignity. Wouldwe feel comfortable and dignified to stay inside thisshelter temporarily?
ALTR
UISM
RESEAR
CH
CO
NC
EPT
Materials and design tips - required materials were,but not limited to, 1/2" plywood and blue tarpauline.Designs that were requested to avoid consisted oftent-like structures, and tipi dwellings. Designs were,instead, requested to appear architecturally designed
TENT CITIES
CLOTHES HAMPERSHELTER
PORTABILITY IS GOODBUT LIMITS DIGNITY
AN ARC FLAT A shelter should be simple to assemble,fabricate, repair, and accomodate. In it's simplest form,our shelter is comprised of 2 modular components - thewood slat that assembles to make the arc, and the arcbeam that either fits into the flooring/footing system, or isdriven into the ground. Still, the shelter can becustomized through sliding the wood slat module to allowsunlight, fresh air for any given wind direction, or use asa canopy to sit outside blocking a light sprinkle or sun.Lastly, the dwelling is designed to lay flat anddisassemble with minimal hardware
F L A T
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AM AR
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KYLE FOU
NTAIN
WESSEL
STUDY MODELS
ONSTRUCTION CHRONOLOGY
EXPLODED AXONOMETRIC
PHASE I PHASE II PHASE III
SECTION THROUGH FOOTINGS
TIPI SHELTER<cnet.news.com><treehugger.com>
<treehugger.com> <gliving.com>
DETAIL D
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S
ARC RIB DETAIL FOOTING DETAIL
ARC DIAMETER - 6'0"LENGTH OF SHELTER - 6'-9"
4"
1/2" WOOD SCREW PLYWOOD SLAT (36)
1- 1/2" WOOD SCREW
2"
2"1"
2"1"
2" 2"1-1/2" 1-1/2"1"
1/2" WOOD DOWEL
CANVAS BED
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From the beginning, this arc design was inspired by self customization of the structure to allow fenestrations, and patterns for wind and sunlight to enter. Still, the openings can be closed during a light rain, and for privacy. Aside from hand sketching, computer modelling and drafting, we provided a series of concept models as well as a mock up of the most complex issue, how the footing, cot, and arc all connect. A “T” shaped pin slides through the cot structure and into the adjustable footing to support the thrust of the arc.
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1 The first phase of construction was to fabricate the modular slats that would comprise the arc and will allow for customizable fenestrations 2 Second phase was to cut out structural ribs and assemble the arc 3 The third phase was to cut and assemble the floor joists and height adjustable footings that were designed to keep the inhabitants off of the ground away from moisture. The footings were designed to accommodate a complex topography 4 Fourth phase was to assemble and install the cot beds.
kyle fountain [email protected] (217)369-9547
F A M I LYF R I E N D S
E M P L O Y E R S40
50’75’
100’150’
300’
Interstate Route
Secondary RoadsPrimary Roads
Water Taxi RouteExisting Metro-LinkProposed Metro-LinkExisting Rail St. Louis Bus RouteUpper East St. Louis
Bus Route
Phase 1
Phase 2Phase 3
Phase 4
Phase 5
RN: 103007
DIALOGIC BRIDGES: THE FUSION OF HORIZONS- PAST, PRESENT, AND FUTURE
COMPETITIONRailroad
Metro Link
Roads
Buildings
1917 Mass Railway Transit
1917 Railway Hub
1957 Mass Industrilazation
1990 Structural Barriers
RN: 103007
r e f l e c t i o n o f p r i o r e c o l o g i c a l s u c c e s s a n d f a i l u r e
Cahokia Mounds -Largest Archaeological site of Mississippian culture Toronado kills 255,
3 billion (1997 USD) damage to buildings. Riots form after African
American migration 244 buildings destroyed.
East St Louis isnamed all american city, highest population recorded to date. New mayor raises
taxes, forces businesses to sprawl, or move across the river to St Louis.
Riots become a regular occurance,racial tensions grow.
Middle class citizens leave as jobs are scarce, sewers become backed
goes on strike, police cars stop functioning.
A once diverse racial city quickly marginalizes. Also, more and more buildings are abandoned, infrastructure is designed solely to direct tourists away from East St Louis.
700 AD 1820 1877 1896 1917 1958 1960 1968 1970 1979Fabric of districts - historic, entertainment, market, retail, housing, and mall will help integrate St Louis’ downtown with East St Louis’ downtown
Currently, East St Louis is
main barriers affecting it’s economy - the freeway and the Mississippi River. Now, population is 30,000, 100% African American, and very uninviting for visitors.
2010
Phase I - Descend freeway and railway below grade to eliminate a physical barrier. Provide exits into new city rather than abundance of roads leading away from the area. To alleviate a new elevated city, provide large green spaces on north and south sides
Phase II - Move geyser and develop green corridors that will be the grid and foundation for districts that mirrors St Louis’ downtown abundant green park system.
Phase III - Develop mixed use skyscrapers and a venue to attract more visitors, businesses, and residents to the area.
Phase IV - Continue developing new urban fabric connecting to the old downtown and current housing.
Phase V - Construct a new transit hub that will support local and statewide, public transportation. Also, travel to and from St Louis will be eased through construction of bicycle/pedestrian bridges as well as redevelopment of current bridges.
2020 2040 2060 2080 21001990
south sides of town will become a balance of recreation green spaces that will prevent unused, impervious space.
d i a g r a m s f o r a n e w b a l a n c e d u r b a n l a n d s c a p e
Illinoistown (East St Louis) established. Vast increase in industrialization, coal mining - post war.
East St Louis area natives Miles Davis and Tina Turner entertain war veterans while attracting tourists.
Background images, Cahokia Mound image taken from GoogleEarth PanaramioHistorical passages paraphrased from Encyclopedia Britannica, <www.illinoistowneaststlouis.org>
e c h r o n o l o g y o f e c o n o m i c p r o g r e s s f o r e a s t s t l o u i s p h a s e p l a n t o r e c o n s t r u c t a t h r i v i n g c i t y
Cahokia was once a very prosperous city that was home to over a hundred mounds built to ascend above the
Americans knew over a millennia -
able elevations would result in poor living conditions and would simply become desolate.
Today, East St Louis has what appears to be green space in their
wasted spaces of empty parking lots, roads, and buildings have been evacuated and, although weeds grow
it carries chemicals off of the impermeable surfaces and into the river.
Grid System - mirroring downtown St Louis and projected from East St Louis, grid joins at a seam where major structures, streets, and green space become the axis for a merging city.
Railroads on strike, springs
N
kyle fountain [email protected] (217)369-9547
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