hpm1screens

23
MECM90015 History and Philosophy of Media 2012 1. Problems of Periodisation: screen geometries so know thou, I am the origin of this entire world and also its destruction; beyond me there is noth- ing higher, to me this All is linked as a chaplet of pearls on a thread . . . whatever natures are genu- ine, are shining or dark, they are from me, I am not i them, they are in me . . . even the divine illu- sion, Maya, is my illusion, hard to transcend, but those who follow me go beyond illusion Bhaghavad Gita 7.iv, cited in Hegel’s Aesthetics (v.1, II, 1,A,1), 367

Upload: sean-cubitt

Post on 18-Jan-2015

275 views

Category:

Education


0 download

DESCRIPTION

History and Philosophy of Media 2012 Seminar 1

TRANSCRIPT

Page 1: Hpm1screens

MECM90015 History and Philosophy of Media 2012

1. Problems of Periodisation: screen geometries

so know thou, I am the origin of this entire world and also its destruction; beyond me there is noth-ing higher, to me this All is linked as a chaplet of pearls on a thread . . . whatever natures are genu-ine, are shining or dark, they are from me, I am not i them, they are in me . . . even the divine illu-sion, Maya, is my illusion, hard to transcend, but those who follow me go beyond illusionBhaghavad Gita 7.iv, cited in Hegel’s Aesthetics (v.1, II, 1,A,1), 367

Page 2: Hpm1screens
Page 3: Hpm1screens

‘Since nothing falls under the concept “not identical with itself ”, I define nought as follows: 0 is the number which belongs to the concept “not identical with itself ”’ Frege, Gottlob (1974), The Foundations of Arithmetic, trans J.L. Austin, Blackwell, Oxford.: 87)

Now “why a thing is itself ” is a mean-ingless inquiry, for – to give meaning to the question ‘why’ – the fact or the existence of the thing must already be evident – e.g., that the moon is eclipsed – but the fact that a thing is itself is the single reason and the single cause to be given in answer to all such questions as why the man is man, or the musician musical, unless one were to answer, ‘because each thing is inseparable from itself, and its being one just meant this.’ This, however, is common to all things and is a short and easy way with the question.Aristotle, Metap[hysics, VII, 17: http://en.wikisource.org/wiki/Metaphysics/Book_VII#Part_17

A = A

A ≠ A

Page 4: Hpm1screens

0,1,2...0, (0+1), (0+2), (0+3) . . . (0+n){}=0, {{}}=1, {1}=2, {2}=3 . . . {n}=n+1

Page 5: Hpm1screens

Richard Parkes Bonington (1802-1828) Tour du gros horloge, Évreux Lithograph, 331mm x 245mm(detail of clockface above)

Page 6: Hpm1screens

William Henry Fox Talbot, Latticed Window at Lacock Abbey, 1835

Page 7: Hpm1screens

Stephen H. Horgan, Steinway Hall, New York Daily Graphic, December 2, 1873: first prited halftone photograph.

Page 8: Hpm1screens

Bell Labs Wirephoto, first commercial transmission, New York 1935

Page 9: Hpm1screens

The Quatermass Experiment, BBC TV, 1953, dir Rudolph Cartier, scr Nigel Kneale

Page 10: Hpm1screens

Cathode Ray Tube

Trinitron Mask

Page 11: Hpm1screens

LCD sub-pixel

Page 12: Hpm1screens

Plasma Screen Pixel Array

Page 13: Hpm1screens
Page 14: Hpm1screens
Page 15: Hpm1screens

Ritratto di Frà Luca Bartolomeo de Pacioli (1495), “inventor” of double-entry bookkeeping c. 1494

Page 16: Hpm1screens
Page 17: Hpm1screens

NCR Class 2000 Bookkeeping and Distributing Machine 193 7

Page 18: Hpm1screens
Page 19: Hpm1screens

The Domesday Book, 1086

Shannon Filing Cabinet, Schlicht & Field Co., Rochester, NY, 1886 ad

Page 20: Hpm1screens
Page 21: Hpm1screens
Page 22: Hpm1screens
Page 23: Hpm1screens

Principles of contemporary media 1:

Enumeration