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TIZIANOVecellio TITIAN

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Page 1: Tiziano.Presentation

TIZIANOVecellio

TITIAN

Page 2: Tiziano.Presentation

Introduction.

Facts about Titian.

o Early years.

o Growth.

o Maturity.

o Final years.

Genres of Titian’s works. Examples of the most famous works of the painter.

Conclusion. Role of Titian in Italian art.

Outline:

Page 3: Tiziano.Presentation

Introduction

Tiziano Vecellio (1488–1576), known as Titian, was

the greatest Venetian artist of the 16th century.

the leader of the 16th - century Venetian school of the

Italian Renaissance.

the first painter to have a mainly international

clientele.

Page 4: Tiziano.Presentation

During his long career, Titian

experimented with many different

styles of painting which embody the

development of art during his epoch.

Page 6: Tiziano.Presentation

Facts about Titian

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• Titian was born in Pieve di Cadore, in the Republic ofVenice.

• At the age of 10-12 he was sent to an uncle in Venice,Sebastian Zuccato. This painter was acquainted withBellinis, leading artists. One of them, Giovanni Bellinis,found a group of young painters, among them GiovanniPalma da Serinalta, Lorenzo Lotto, Giorgio daCastelfranco (Giorgione).

• Titian joined Giorgione as an assistant.

Early Years

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Growth

• During the period of his mastery and maturity

(1516-1530), Titian for the first time attempted a

monumental style.

• Titian was now at the height of his fame.

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Maturity

• During the next period (1530-1550), works of Titian were

influenced by ancient culture.

• The artist began his series of reclining Venuses in which is

recognized the effect of the impression produced by his

contact with ancient sculpture.

• Titian had also shown himself as a masterful portrait-

painter.

Page 10: Tiziano.Presentation

Final Years

• During the last twenty-five years of his life (1550-1576) theTitian worked mainly for Philip II as a portrait-painter.

• Titian became more self-critical, an insatiableperfectionist, keeping some pictures in his studio for tenyears, never wearying of returning to them.

• Titian was approximately 90 years old when the plagueraging in Venice took him on 27 August 1576.

Page 11: Tiziano.Presentation

Genres of Titian’s works

Titian contributed to all of the major areas of Renaissance art:

Painting altarpieces.

Portraits.

Mythologies.

Pastoral landscapes with figures.

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Painting altarpieces

Assumption of the

Virgin

Death of Saint Peter Martyr

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Painting altarpieces

• Titian's famous masterpiece is the Assumption of the

Virgin for the high altar of Santa Maria Gloriosa dei

Frari (1516–18).

• The pictorial structure of the Assumption – is uniting

in the same composition two or three scenes

superimposed on different levels, earth and heaven,

the temporal and the infinite.

• Death of Saint Peter Martyr for the Church of SS.

Giovanni e Paolo (1526–30).

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PortraitsEmperor Charles V Emperor Charles V

Pope Paul III

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Portraits

Portrait of a Man Portrait of Filippo Archinto

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• Titian achieved international fame through his portraits,including those of Emperor Charles V and Pope Paul III.

• His earliest portraits (Portrait of a Man) followGiorgione in the melancholy or dreamy mood portrayed.

• In the portrait of Filippo Archinto , the gravity andimportance of this archbishop of Milan is suggested bythe monumentality of his presence and the subduedpalette, while our attention is drawn to the sensitivelyportrayed hands and face.

Portraits

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Titian's portraits are remarkable for the

way in which they seem to express a

psychological dimension while also

suggesting something of the sitter's

status and importance.

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Mythologies

Venus and the Lute Player

Venus and Adonis Bacchus and Ariadne

Venus of Urbino

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Mythologies

• In Bacchus and Ariadne Bacchus is shown leaping

from his chariot, startling the lovely Ariadne. Titian

derived the subject matter from literary descriptions of

classical works of art.

• Venus, the mythological goddess of love, is the

protagonist of a number of works by Titian, the best

known probably being the so-called Venus of Urbino.

This reclining nude is at once idealized and erotic.

Page 20: Tiziano.Presentation

Later in his career, Titian turned to the theme in

paintings for his important patrons, such as

Philip II of Spain. As often happened in his

workshop, variants would then be carried out

for others. This is the case in both Venus and

the Lute Player and Venus and Adonis.

Page 21: Tiziano.Presentation

Pastoral Landscapes with figures

Madonna of the

Rabbit

Feast of the GodsThe Three Ages of

Man

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Role of Titian in Italian Art

Titian is the greatest Venetian artist of the 16th

century, the shaper of the Venetian coloristic

and painterly tradition.

Titian contributed to all of the major areas of

Renaissance art.

Page 23: Tiziano.Presentation

Role of Titian in Italian Art

• Titian is one of the key figures in the history of

Western art.

• His painting methods, particularly in the

application and use of color, influenced not

only on painters of the Italian Renaissance, but

on future generations of Western art.

Page 24: Tiziano.Presentation

References

1. Titian. The Complete Works.

URL: http://www.titian-tizianovecellio.org/

2.Heilbrunn Timeline of Art History / Titian.

URL: http://www.metmuseum.org/toah/hd/tita/hd_tita.htm

3. Titian Art.

URL: http://www.moodbook.com/art/titian.html