photo history-late 20th

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History Of Photography Late 20th Century

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Page 1: Photo History-Late 20th

History Of PhotographyLate 20th Century

Page 2: Photo History-Late 20th

Gary Winogrand• Garry Winogrand (1928-1984) was

a photographer, born in New York City.

• He was a proponent and practitioner of street photography.

• Influenced by Walker Evans and Robert Frank.

• Winogrand died in 1984, leaving behind nearly 300,000 unedited and in many cases undeveloped images.

Page 3: Photo History-Late 20th

Jerry Uelsmann

• Jerry Uelsmann, master of the photo montage and pioneer of photo manipulation in the darkroom.

• Uelsmann has been exploring, and pushing, the boundaries of photographic medium for over 40 years.

• Experiments with complex multiple prints, negative imagery and other techniques to convey his personal vision.

Page 4: Photo History-Late 20th

Richard Avedon

• His portraits are easily distinguished by their minimalist style, where the person is looking squarely in the camera, posed in front of a sheer white background.

• He is also distinguished by his large prints, sometimes measuring over three feet in height.

• His large-format portrait work of drifters, miners, cowboys and others from the western United States became a best-selling book and traveling exhibit entitled In the American West.

Page 5: Photo History-Late 20th

David Hockney• Primarily a painter, Hockney also

worked with photography, or more precisely - photocollaging/ montaging.

• Using varying numbers (~5-150) of small polaroid snaps or photolab-prints of a single subject Hockney arranged a patchwork to make a composite image that he called a “joiner”.

• Because these photos are taken from different perspectives and at slightly different times, the result is work which has an affinity with Cubism.

Page 6: Photo History-Late 20th

Diane Arbus

• Photographs depicting outsiders, such as tranvestites, dwarves, giants, prostitutes, and ordinary citizens in poses and settings conveying a disturbing uncanniness.

• Nicole Kidman stars as Arbus in a movie called Fur: An Imaginary Portrait of Diane Arbus. This film will be released on 10 November 2006.

Page 7: Photo History-Late 20th

Lucas Samaras

• Lucas Samaras was already known as a sculptor, painter, and performance artist when he began experimenting with photography.

• Used himself as a subject.

• In 1970’s Samaras discovered that the wet dyes of Polaroid prints were highly malleable, allowing him to create what he calls "Photo-Transformations”.

Page 8: Photo History-Late 20th

Annie Leibovitz

• Leibovitz is a noted American portrait photographer; her style is marked by a close collaboration between the photographer and the subject.

• In 1975, Leibovitz served as a concert-tour photographer for the The Rolling Stones.

• Since 1983, Leibovitz has worked as a featured portrait photographer for Vanity Fair.

• In 1991, Leibovitz mounted an exhibit at the National Portrait Gallery.

Page 9: Photo History-Late 20th

Sandy Skoglund

• Sandy Skoglund (born 11 September 1946) is an American photographer and installation artist.

• Skoglund creates surrealist images by building elaborate sets, furnishing them with carefully selected colored objects, a process of which takes her months to complete.

• Finally, she photographs the set, complete with actors.

• The works are characterized by bright, contrasting colors or a monochromatic color scheme.

Page 10: Photo History-Late 20th

Robert Mapplethorpe

• Robert Mapplethorpe was an American photographer, famous for his large-scale, highly-stylized black & white portraits, photos of flowers and male nudes.

• The frank, erotic nature of some of the work of his middle period triggered a more general controversy about the public funding of artworks.

Page 11: Photo History-Late 20th

Sebastião Salgado

• Brazilian economist- turned documentary photographer.

• Salgado works on long term, self assigned projects many of which have been published as books.

• His projects often focus on the underprivileged and the working class around the world.

Page 12: Photo History-Late 20th

Cindy Sherman

• Sherman works in series, typically photographing herself in a range of costumes.

• For example, Sherman appeared as B-movie and European art film actresses in her landmark series, the Complete Untitled Film Stills, (1977-1980).

• Sherman's recent series, dated 2003, features her as clowns.

• Although Sherman does not consider her work feminist, many of her photo-series, like the 1981 "Centerfolds," call attention to the stereotyping of women in films, television and magazines.

Page 13: Photo History-Late 20th

Richard Misrach

• Contemporary landscape photographer concerned with man’s impact on and destruction of the land.

• Richard Misrach has spent most of his career photographing the American desert, revealing it in images that have been described as haunting, potent, and alarming.

Page 14: Photo History-Late 20th

James Nachtwey

• James Nachtwey (1948 - ) is one of the most influential photojournalists and war photographers of the late 20th century.

• Has traveled the world covering wars and conflicts, getting injured in the process.

• His photographs of the World Trade center after the 911 bombings are simply amazing.

Page 15: Photo History-Late 20th

David LaChapelle

• Uses a distinctive mix of journalistic and surrealistic techniques.

• Advertising/ Fashion photographer who won the 1997 International Center of Photography's Infinity Award.

• Won 1996 VH1 Fashion Award for Photographer of the Year.

Page 16: Photo History-Late 20th

Jeff Wall• His themes are primarily social

and political, including urban violence and alienation, racism, poverty, and gender and class conflict.

• Wall distinguishes between unstaged "documentary" pictures, and "cinematographic" pictures, produced using a combination of actors, sets, and special effects.

• His signature works are large, light-boxed transparencies

Page 17: Photo History-Late 20th

Thomas Demand

• Photographs can seem convincingly real or strangely artificial. The work of German photographer Thomas Demand achieves a disquieting balance between the two.

• Born in 1964, Demand began as a sculptor and took up photography to record his paper constructions. In 1993 began making constructions for the sole purpose of photographing them.

• Demand begins with a preexisting image taken from the media, usually of a political event, which he translates into a life-size model made of colored paper and cardboard.

• Once they have been photographed, the models are destroyed.