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Netsuke and SagemonoIncluding The Kolodotschko Collection of Netsuke V9 June 2017 CologneLempertz Auction 1092

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Preview

CologneFriday 2 June 2017, 2 pm – 5.30 pmSaturday 3 June, 10 am – 4 pmMonday 5 June, 11 am – 3 pmTuesday 6 June, 10 am – 5.30 pm Wednesday 7 June, 10 am – 8 pmThursday 8 June, 10 am – 3 pm

Sale

CologneFriday 9 June 2017 6 pm Netsuke and Sagemono Including The Kolodotschko Collection V

lot 500–625 The Kolodotschko Collection V

lot 626–656 Netsuke from a Private collection, Baden-Württemberg

lot 657–677 Netsuke from the Collection Reinhold Schulze

lot 678–719 Netsuke & Sagemono From Various Owners

The auction will be streamed live at www.lempertz.com

Please note that objects containing protected materials, such as ivory, require a CITES licence for export outside of EU contract countries. We would like to inform you that such licenses are usually not granted.

TO MEET AND REUNITE

Today I go. When I return,We shall sing other songs.

Where we place hope so greatly,Is the parting, yes a celebration

Johann Wolfgang von Goethe

It is a privilege of the art world to be able to celebrate a farewell, in anticipation of a reunion. Kunsthaus Lempertz has rejoiced in the return of unusual pieces for nearly 200 years. For just as long, while we rejoice with the collector during the auction, the passing on of those pieces is also difficult. One collector’s parting from his beloved works of art is thus the joy of the new owner. In the upcoming Kolodotschko Collection Part V, you will find some pieces which are testimony to that past. Acquired in our house, that collector now bids a farewell, and we in turn extol the return of these works in this catalogue. A selection of 125 pieces from the Kolodotschko collection open the catalogue. This is followed by a Southern German private collection, brought together in the 1970s, and succeeded by the 21-lot collection of Reinhold Schulze, a former cultural attaché to the German embassy in Japan. Further netsuke from inland and overseas, as well as a selection of inrô and sagemono from various properties round up the catalogue. However this catalogue is not only dedicated to the delight of the reunion with art, but also the joy of the reunion for the collectors themselves. Cologne, alongside Paris and London, has been chosen for the second time since 1982 to host the yearly Netsuke Convention – an international conference and important event for the yearly assembly of experts, collectors and lovers of Japanese belt adornments. We hope you will take a moment’s delight in studying this catalogue. All the more, we hope to be able to welcome you again at Lempertz during the convention – a suitable occasion to bid farewell to our works of art into the hands of new collectors.

7

THE KOLODOTSCHKO COLLECTION OF NETSUKE V

LOT 500–625

lot 515 (detail)

8

500An ivory netsuke of a laughing Hotei. 18th century

The pot-bellied god reclines on his left side holding a flywhisk, the head is propped up on his left hand. Height 2.6 cm; length 6.1 cm

€ 500 – 700

501An ivory netsuke of a Hotei. Around 1800

Seated holding a clam in his lap, the flesh visible between the two valves, the god wearing a loose robe, which has slipped from his shoulder, and raising his hand to his head in a gesture of surprise. Height 4.2 cm

€ 400 – 600

500

501

502

502A very large black wood netsuke of Kinko Sennin. 18th/19th century

Climbing over a huge carp, a scroll in one hand and grabbing his long beard with the other hand. Tiny traces of red and black lacquer. Height 5.7 cm; length 8.7 cm

€ 700 – 900


9

503A fine and rare ivory netsuke of a laughing sennin with a porcupine. Late 18th century

Standing upright, a mugworth and straw coat around his shoulders, with a large porcupine on his back. Height 7.9 cm

Provenance

Old collector’s paper label with the number A 155

€ 1.500 – 2.000

10

505A large ivory netsuke of a bearded Gama Sennin. 18th century

Standing with head held to the side, a small toad on his shoulder, the left hand pointing downward. Height 9.5 cm

Provenance

Hans Seleger, Zürich

Christie’s, Paris, 8.6.2010, lot 42

€ 1.200 – 1.500

504An ivory netsuke of Hotei and a karako. Mid-18th century

Hotei stands lifting his robe, while a karako on his shoulder playfully covers Hotei’s right eye with his hand. Height 8.8 cm

€ 500 – 700

504 505


11

506

507

506An ivory netsuke of a coiled dragon. 18th century

Of flat round shape, with two short horns and open mouth with visible tongue, clutching a small tama with one claw, the himotôshi running beneath a cloud swirl. Width 4.7 cm

Provenance

Cornelius V. S. Roosevelt (1915–1991), Washington, D.C., acquired in Taiwan in 1952 (sold at Sotheby’s New York, 2.6.1992, lot 74)

Lempertz, Cologne, 11./12.12. 2009, lot 918

€ 1.500 – 1.800

507An ivory netsuke of a dragon. 18th century

Of flat shape, the dragon coils itself around a chariot wheel, which rides on foaming waves. Height 4.4 cm

€ 1.000 – 1.200

12

508An ivory netsuke of a dragon. Late 18th century

The long piece of ivory of triangular cross-section is carved in openwork with a dragon clutching a tama amidst swirling clouds. Heigt 2.1 cm; length 6.3 cm

€ 600 – 700

509A large Kyoto school ivory netsuke of a shishi. Late 18th century

Recumbent with mouth wide open and a large loose ball inside, scratching its bushy mane with its hind paw. Height 2.5 cm; length 4.8 cm

Provenance

Private collection Southern Germany (sold at Lempertz, Cologne, 12./13.6.2009, lot 720)

€ 700 – 900

508

509


510A ivory netsuke of a shishi no tamago. Late 18th century

A shishi is about to step out from an eggshell, the mouth wide open with a loose ball inside, of triangular cross-section. The eye pupils of black horn. Height 2.7 cm; length 4.6 cm

€ 800 – 1.200

510

13

511A fine Kyoto school ivory netsuke of a shishi and young. Late 18th century

Recumbent with mouth wide open and a loose ball inside, with bushy mane and tale, the vivacious young shishi climbing over the parent’s back. The eye pupils of the large animal of light brown horn. Height 2.8 cm; length 5.6 cm

€ 1.400 – 1.600

14

512A Kyoto school ivory netsuke of a fukura suzume, by Genkô. Late 18th century

A large stylized sparrow is shown with tail feathers erect, wings spread out, and large feet. The eyes of brown horn. Signed Genkô in an oval reserve. Height 2.9 cm; width 5 cm

Provenance

Christie’s South Kensington, London, 15.5.2008, lot 16

€ 700 – 900

513An ivory netsuke of a monkey and a catfish, by Hidemasa. Early 19th century

Wearing a sleeveless jacket with a bamboo leaf pattern and seated next to a namazu, the earthquake fish, the monkey holds down the fish’s head with a double gourd; a further sign of having the namazu under control is the rope tied around the fish’s head. The eye pupils of monkey and fish of horn in three different colours. Signed Hidemasa. This netsuke is a highly unusual inter- pretation of this popular 18th-century subject and furthermore of interest for being signed Hidemasa.Height 2.5 cm; width 4.5 cm

€ 700 – 900

514An ivory seal netsuke of a shishi on a high stand. 18th/19th century

The shishi sits atop a tall Chinese- style stand on four curved legs, to the base of the plinth the characters reading “fuku” (good luck) and “ei” (eternity). Height 6.1 cm

€ 300 – 500

512

513 514


15

515A fine boxwood netsuke of Shôki with an oni. 19th century

Standing with a drawn sword, the scabbard at the back, his head almost hidden by the large hat on which three oni crouch in a tight group, peeking down through the holes of Shôki’s tattered hat. Height 6.8 cm

Provenance

Bonhams, London, 10.11.2011, lot 61

€ 1.500 – 1.800

16

516A large marine ivory netsuke of Shôki with two oni. 19th century

An unusual representation of Shôki without his usual hat and bare-footed, holding a short sword and a tiny fidgeting oni in his hands as a much larger oni stands on Shôki’s shoulders looking down at the disgruntled looking demon queller. Height 10.9 cm

€ 1.500 – 2.000

517An ivory netsuke of a bearded Chinnan Sennin. 19th century

Standing in balance on both feet, the head turned to the right, the sennin holds an alms bowl, from which emerges a dragon, which winds around the sennin’s shoulders and rests its head on the sennin’s raised hand. Height 7.4 cm

€ 700 – 900

517516


1717

518A fine ivory netsuke of Chinnan Sennin. 19th century

Standing in balance on both feet, the sennin is encoiled by a large dragon, which emerges from a small alms bowl held up by the sennin, the robes engraved with a cloud pattern. The eye pupils of black horn, the dragon with red eyes. Height 7.9 cm

Provenance

Private collection, Northern Germany, acquired in 1987 in Northern Germany

€ 1.500 – 2.000

18

519An Osaka school stained ivory netsuke of Kôshohei, by Anraku. Mid-19th century

Seated on a rock, turning a rock into a goat by the touch of his staff. Signed Anraku. Height 4.3 cm

Provenance

Michael and Rebecca Hauter

Lempertz, Cologne, 11./12.12.2009, lot 853

€ 1.200 – 1.500

520A small boxwood netsuke of Fukurokuju and two karako, by Kashun. Early 19th century

A karako sits on Fukurokuju’s large cranium holding a rope with a scroll hanging from it while another karako pulls the rope. Signed Kashun in an oval reserve. Height 3 cm

Literature

Possibly the same piece as the one illustrated in MCI, p. 313

€ 400 – 600

521An ivory netsuke of Hotei and a karako. Early 19th century

Hotei stands holding up the puppet of a manzai dancer while in front of him a karako with a drum reaches for the puppet. Inscribed Hidemasa in an irregular reserve. Height 4.1 cm

€ 600 – 700

519

520

521


19

523An elaborate Osaka school slightly stained ivory netsuke of Kinko Sennin. Around 1850/1870

Wearing patterned robes, Kinko rides a jumping carp, holding onto the fish’s head, the carp surrounded by swirling waves. The eye pupils of the fish of black horn. Height 4.7 cm

Provenance

Bonhams, New York, 25.3.2010

€ 800 – 1.000

522A very large boxwood netsuke of Shôki with an oni. Early 19th century

Kneeling with a short drawn sword and scabbard at his back, crouching over a hat with a crouching oni beneath. Height 4.1 cm; length 5.5 cm

€ 1.000 – 1.200

522

523

20

524An ivory netsuke of a laughing Hotei, by Masakazu. Around 1800

The bare-chested god stands kicking a football (kemari) that has landed on his protruding pot-belly, the stippled robe loosely worn and slipping from his shoulder. Signed Masakazu in an oval reserve. Height 4.4 cm

€ 1.200 – 1.500

525An Osaka school ivory netsuke of a laughing Hotei and a karakô, by Masakazu. Early 19th century

Hotei stands grabbing the feet of a karako sitting on his shoulders, while the boy holds onto Hotei’s head for balance and looks upwards, the garments finely engraved with Hidemasa-type scrolls, Hotei’s loosely worn robe revealing his large pot-belly. The hair tufts of dark brown horn. Signed Masakazu. Height 6.3 cm

Provenance


€ 1.500 – 1.800

524 525


21

526A boxwood netsuke of Fukurokuju. Late 18th/19th century

Standing with hands hidden in the sleeves of his robe, the large head bent forward under the weight of the furoshiki hanging from his cranium, the bundle tied together with a rope, in addition he wears a hachimaki around his head as a sign of a labourer. Inscribed Garaku in an oval reserve. Height 4.4 cm

€ 1.200 – 1.800

22

528An ivory netsuke of Hotei on a fugu. First half 19th century

The god tries to climb over a huge blowfish (fugu), the eye pupils of the fish of black horn. Height 2.9 cm; length 4.7 cm

Provenance


€ 400 – 600

527An ivory netsuke of Ebisu. Early 19th century

Climbing on a huge blow fish (fugu), wearing trousers (kukuri hakama) and a garment with long sleeves bound together with a tasuki band tied into a large bow at the back, the fugu’s tail fin turned to the left. Pupils of the fish of brown horn. Height 2.8 cm

Provenance

Walter Samuel, 2nd Viscount Bearsted (1882–1948), Warwickshire, Great Britain (sold at Christie’s, London, 15.12.1987, lot 115)

€ 700 – 900

531A boxwood netsuke of Ebisu preparing a sea bream, by Shôzan. Early 19th century

Seated on a round zabuton in front of a butcher block and preparing a tai for the New Year’s meal, wearing a garment with long sleeves bound together with a tasuki band tied into a large bow at the back, the konôshi with pine sapling in engraving, as an indicati-on of the New Year’s season. The eye pupil of the fish of brown horn. Signed Shôzan. Height 3.5 cm

€ 600 – 800

529An ivory netsuke of a long-haired Sôjôbô. 19th century

Looking grimly and standing with head turned left and holding a feather fan and a scroll. Height 5 cm

Provenance

Dr Karl M. Schwarz (1926–2007), Vienna (sold at Christie’s, Amsterdam, 20/21.5.2008, lot 453 (part)

Literature

Karl M. Schwarz, Netsuke Subjects, Wien/Köln/Weimar 1992, no. 85

€ 600 – 800

532An egg-shaped ivory netsuke of a tengu no tamagu. Around 1800

A karasu tengu with closed eyes and claws firmly pres-sed together inside an egg, the shell with numerous cracks and tiny markings. Height 4.1 cm

Provenance


€ 700 – 900


530An ivory netsuke of tengu no tamago. 19th century

A karasu tengu steps out from an egg by holding on to the edge of the shell, one foot on the ground, the tip of the wing giving stability to the netsuke. The eye pupils of black horn. Inscribed Garaku. Height 3.5 cm

Provenance


€ 600 – 800

528

529

527

531

532

530

24

533A wood netsuke of tengu no tamago, by Masaki. First half 19th century

The grim-looking karasu tengu hatches from an egg, pulling out one wing with his hand while the other arm rests on the egg shell. Signed Masaki (Shôboku) tô in a sunken oval reserve. Height 3.2 cm

€ 600 – 800

535An ivory netsuke of tengu no tamago, by Kiyofusa. Second half 19th century

With a tiny cap on its head, the tengu’s feet visible in the opening at the base of the egg shell. The cap and the eye pupils of black glass. Signed Kiyofusa. Height 3.1 cm; width 3.6 cm

Provenance

Bonhams, London, 10.11.2011, lot 50

€ 800 – 1.200

533 535


534A boxwood netsuke of a drunk tanuki. 19th century

The tanuki sits on an emptied sake bottle, happily drumming his protruding belly, while placing one hind foot on his bushy tail. The eye pupils of black horn. Height 3.9 cm

€ 500 – 600

536A very fine ivory netsuke of a tanuki. 19th century

With a large lotus leaf on his head supported by his raised tail, a double gourd hanging from its wrist and a small lotus leaf in its left paw. The eyes of brown horn. Height 5.3 cm

€ 1.200 – 1.500

536534

25

538An ivory netsuke of the fox-priest Hyakuzôsu. Early 19th century

Standing upright dressed in priest robes, the head turned to the right and covered by a hood, the paws placed on the bamboo cane in front of him. Height 7 cm

Provenance


€ 900 – 1.200

537A stag antler netsuke of the fox-priest Hyakuzôsu. 19th century

Standing upright, dressed in priest robes, the head covered by a hood, the paws placed on a staff in front of him. The top and bottom closed with antler. Good patina. Height 6.3 cm

Provenance


€ 400 – 600

538537

26

539An ivory netsuke of Kiyohime. First half 19th century

Kiyohime, tearing her hair and with a striker in her hand, has changed into a furious Hannya sitting astride the bell of Dôjôji temple, her snake body coiled around the bell’s wall. Height 4.7 cm

€ 800 – 1.200

539 540

540An amusing walrus tusk netsuke of a bearded attendant of Ryûjin. 19th century

Standing with a large octopus on his head and holding the jewel which regulates the tide. Width 6.9 cm

€ 600 – 800


2727

541A very fine Kyoto school Mitsuharu-style ivory netsuke of a shishi with a ball. Late 18th century

A shishi sits on his tail with a ball between his paws, the large head turned backwards, the wide-open mouth with a large loose ball inside, and a bushy mane. The eye pupils of black horn (one missing). Height 3.8 cm

€ 1.600 – 2.000

28

544A boxwood netsuke of I no hayata killing the nue. 19th century

The Japanese warrior subdues the nue by sitting on its tiger body and is about to plunge a sword into the monkey’s open mouth. Inscribed Minko. Height 3.8 cm

Provenance

Joseph Seo, New YorkBarry Davies (1948–2005), LondonChristie’s South Kensington, London, 9.11.2011, lot 140

Literatur

Barry Davies Oriental Art, Selected Netsuke, London 2002 (in-house brochure), no. N11168

€ 500 – 700

542An ivory netsuke of Kiyohime. 19th century

Kiyohime, tearing her hair, has changed into a furious Hannya with the body of a snake, a striker in her three-clawed hand. Height 2.6 cm

€ 300 – 500

543An ivory netsuke of a fisher girl with a jewel. Early 19th century

Swimming amidst waves with a jewel and a knife in her hands, and pursued by a large dragon. The netsuke illustrates an episode from the ballad drama Taishokan (as kojôruri known as Muge hôju), in which a fisher girl retrieves the jewel from Ryûjin, the Dragon King of the Sea, in order to return it to Fujiwara no Kamatari, its rightful owner. Because she is consequently chased by Ryûjin’s helpers, she cuts open her breast to hide the jewel inside her bosom and defends herself courageously against a pursuing dragon.Width 4.2 cm

€ 600 – 800

542

543

544


29

546A fine ivory netsuke of a shishi with a coral ball. 19th century

The shishi sits on a flat oval base, the left paw placed on a ball of bright red coral, the wide mouth with sharp teeth and a visible tongue barely open, the long hairs of the tail arranged in decorative swirls. The eye pupils of black horn. Inscribed Hidari Issan on a brown inlaid tablet. Height 3.2 cm

€ 1.000 – 1.400

545An amusing and unusual ivory netsuke of two shishi with a ball, by Hidemasa. Early 19th century

A large ball with a cloud pattern in openwork and a loose ball inside is lifted on the back of one shishi and on all four paws of the other shishi lying on its back, on a flat irregular base. The eye pupils of brown horn. Signed Hidemasa with kaô. Height 3.2 cm

€ 800 – 1.000

545

546

30

548An unusual ivory netsuke of an incense burner. Mid-19th century

The barrel-shaped kôrô on three short feet and with two large handles in shape of shishis, decorated to the outside with two peony flowers, the domed lid with perforation. Height 3.7 cm

€ 800 – 1.200

547An unusual large ivory netsuke of a dragon. 19th century

The mighty beast winds around a very large tama, large flames emanating from its joints. The eye pupils of brown horn. Inscribed Yoshimasa in a rectangular reserve. Height 3.5 cm; width 5.3 cm

€ 1.400 – 1.600

548

547


549A marine ivory netsuke of a hornless dragon fish. 19th century

With a large open mouth and thick whiskers, the tail fin folded back. The eye pupils of black horn. Inscribed Masatsugu. Length 6.2 cm

€ 500 – 800

550An unusual large marine ivory netsuke of a dragon aside Mount Fuji. 19th century

The tip of a large tusk bears the shape of Mount Fuji and is carved with a slender dragon rising from enormous cloud swirls. The eye pupil of gold. Height 4.5 cm

€ 300 – 400

549

550

31

552A good Tanba school boxwood netsuke of a dragon in a mikan, by Toyoshima. Mid-19th century

Visible in the three large openings of a mandarin, the large head with open mouth and shaggy beard, a long leaf with veins in ukibori hanging from the stalk. The eye of horn. Signed Toyoshima in an oval cartouche. Height 2.9 cm; width 4.1 cm

Provenance

Barry Davies (1948–2005), London Christie’s, London, 9.11.2011, lot 175

Literature

Barry Davies Oriental Art, Selected Netsuke, London 2002 (in-house netsuke brochure), N11220

€ 700 – 1.000

551A wood netsuke of a dragon. Mid-19th century

Coiled with a loose ball inside the hollow formed by the dragon’s body, and a loose ball in his mouth. The eye pupils inlaid. Signed with a logo resembling a dragon or a seahorse. Height 2.9 cm

Provenance

Hanns Jatzlau (1926–?), Steinkrug bei Hannover (offered at Lempertz, Cologne, 8./9.12.2006, lot 611, sold at Lempertz, Cologne, 10./11.6.2008 lot 1196)

€ 1.000 – 1.200

551

552

32


553An Osaka school ivory netsuke of a Fushimi figurine of Hotei. Mid-19th century

With a Chinese-style stiff fan and his bag. These clay figurines (tsuchi ningyo) were a regional souvenir of the Fushimi Inari Shrine and a popular subject of Osaka netsuke carvers since Mitsuhiro. Height 4.4 cm

€ 300 – 500

553

555An Edo school boxwood netsuke of a shishmai drummer, by Masayuki. Second half 19th century

With a huge shishi mask, beating a drum with two strikers. One cord hole lined with green-stained bone. Signed Hôjusai Masayuki with kaô. Height 3.4 cm

€ 600 – 800

554An Edo school wood netsuke of a god of good luck, by Masayoshi. Second half 19th century

Holding Daikoku’s hammer, siting inside Hotei’s furos-hiki tied together above his head. Signed Masayoshi. Height 3.6 cm

Provenance

Christie’s, Amsterdam, 28.9.2000

€ 600 – 800

556An Edo school boxwood netsuke of Hotei and a karako playing sugoroku. Mid-19th century

A bag opens to reveal Hotei and a karako seated at a sugoroku board. The game tokens of bone and black horn, the karako’s hair tufts of black horn, the cord hole lined with ivory. Height 3.1 cm

€ 600 – 800

555

554 556

33

557A boxwood netsuke of a dancing oni. Early 19th century

Standing on one leg and holding an Okame mask upside down in front on his face, wearing a fundoshi and a tiger skin apron. Height 7.2 cm

€ 600 – 800

557

558

559

558A boxwood netsuke of an oni in a portable heater, by Masayuki. Mid-19th century

Fleeing from the ritual bean throwing (oni harai) at the spring equinox (setsubun), the muscular oni hides in an anka, his arm reaching out from one hole of the box, his face visible from the wood grain. Height 2.4 cm; length 3.7 cm

€ 600 – 700

559A wood netsuke of an oni at setsubun, by Jugyoku. Second half 19th century

Crouching and pulling a large hat over his back in order to protect himself from the bean shower, the beans and the fangs at the corners of his mouth of bone. Signed Jugyoku. Height 3.4 cm

Provenance

June Helen Schuerch (1930–2009), Santa Barbara, CA

€ 700 – 900

34

561An ivory netsuke of the monkey Songoku, by Masatsugu. 19th century

The protagonist of the Chinese novel “Saiyuki” stands with his magic-wand on a large cloud. The eye pupils of black horn. Signed Masatsugu in an oval reserve. Height 4.7 cm

Provenance

Dr Karl M. Schwarz (1926–2007), Vienna (sold at Christie’s, Amsterdam, 20/21.5.2008, lot 453 (part)

Literature

Karl M. Schwarz, Netsuke Subjects, Wien/Köln/ Weimar 1992, no. 113

€ 600 – 800

560An amusing ivory netsuke of Fukurokuju on horseback. First half 19th century

Seated with an open scroll on a horse, standing on a flat irregular base, the head turned upwards with a furoshiki tied around his cranium. Height 4.5 cm

€ 500 – 800

560 561


35

562An ivory netsuke of a roof tile. 19th century

The ridge tile is decorated to the front with an oni mask. Width 5 cm

€ 500 – 600

563An Edo school ivory netsuke of a flying tennin, by Tomochika. Second half 19th century

Holding a lotus bud with both hands, its body surrounded by a billowing shawl, the garment incised with fine scrolls. Signed Tomochika in an irregular reserve. Length 4.7 cm

Provenance

Private collection, Austria (sold at Christie’s, Paris, 10.6.2009, lot 28)

€ 700 – 900

564An unusual ivory netsuke of a vajra. 19th century

A five-pronged vajra (gokô-sho), four prongs elaborately carved, the central section enclosed by lotus petals and drilled with a small channel for the cord. Length 8 cm

€ 600 – 800

562

563

564

36

566A Nagoya school cherry wood netsuke of a sleeping shôjô, by Masajo. Mid-19th century

Seated, the head propped on its right hand, the robe with a hanabishi pattern in fine line engraving, the trousers with a large shokkô pattern. Signed Masajo in a rectangular reserve. Height 3.6 cm

€ 1.500 – 2.000

565A Nagoya school ryûsa manjû-type wood netsuke of the twelve zodiac animals, by Masahiro. Mid-19th century

The oval shape is carved in open-work on the top with a tiger surrounded by a dragon, a hare, a goat, a horse and a monkey, the sides display an ox, cockerel, puppy, a rat on the horse’s back, a running boar (the monkey sitting on its back) and a winding snake at the bottom. A few eye pupils of horn. Signed Masahiro in a raised reserve. Height 2.1 cm; width 3.9 cm

€ 900 – 1.200

565

566


37

568A Nagoya school cherry wood netsuke of a sleeping shôjô, by Masakazu. Mid-19th century

Seated, the large elongated head propped on its right hand, the robe with a hanabishi pattern in fine line engraving, the trousers with a wave pattern of seigaiha-type. Signed Masakazu in a rectangular reserve. Height 3.6 cm

€ 1.000 – 1.200

567

568

567A large Nagoya school black wood netsuke of a sleeping shôjô, by Motohiro. Mid-19th century

Lying asleep with head resting on the right hand, the knees drawn up to its body, the robe with fine engraving, the hakama with cloud patterns in relief, the long hair falling over its back. Signed Motohiro in a rounded reserve. Height 3.1 cm; length 5.3 cm

Provenance

Sotheby’s, London, 1963

Edward A. Wrangham O.B.E. (1928–2009), Northumberland, Great Britain (sold at Bonhams, London, 1.5.2011, lot 75)

€ 1.500 – 1.800

38


569A Nagoya school cherry wood netsuke of a sleeping shôjô, by Tadatoshi. Mid-19th century

Lying asleep with head resting on its right hand, the knees drawn up to its body, the robe with finely incised hanabishi, the hakama with wave patterns in relief, the long hair falling over its back. Si-gned Tadatoshi in ukibori in a rectangular reserve. Height 2.9 cm; length 4.4 cm

Provenance

Victor Topper (?–2009), TorontoFrancois Storno, Geneve (sold at Christie’s, London, 16.5.2007, lot 308)

Literature

Bernhard Hurtig, Masterpieces of Netsuke Art, Tokyo/New York 1973, no. 704Francois Storno, Le Netské Errant, Geneva 2005, fig. 36

€ 2.000 – 2.500

39

570

571

572

570A wood netsuke of a shishimai mask, by Kizan. 19th century

The square face with bushy eye-brows and baring both rows of teeth with fangs, the mask cloth partly covering the left side of the mane which is tucked into the hollow of the mask on the reverse with an Okina mask lying on top, the narrow beard forming himotôshi. The eye pupils of black wood. Signed Kizan. Height 4.3 cm

€ 400 – 600

571A polychromed wood mask of an oni or Raiden. Second half 19th century

With pointed horns and hair curls in two layers, bushy eyebrows, a short broad nose and lips firmly pressed together revealing an upper row of teeth and fangs. Height 4.4 cm

€ 400 – 600

572A large wood mask of an oni, by Shûzan. Mid-19th century

Of square shape, with thick horns and the hair parted in the middle, bulging eyes, a broad nose and lips firmly pressed together with two visible fangs. Signed Shûzan. Height 5.4 cm

€ 400 – 500

40

573A Kyoto school ivory netsuke of a shishimai mask. Late 18th/early 19th century

The square-shaped head with bulging golden eyes and a flat nose is covered with hair tufts and locks, the lower jaw opens downward to reveal a curved tongue and rows of teeth. Height 3.1 cm; length 4.1 cm

€ 1.000 – 1.300

574A large wood mask of an oni. Mid-19th century

Of square shape, with hairs falling into the face, bulging eyes, a broad nose, and lips firmly pressed to-gether with two visible fangs. Height 5.7 cm

€ 400 – 600

573

574


41

575

576

577

576A tagayasan wood two-part manjû of a Hannya mask, by Kyokuzan. Second half 19th century

On the grained wood surface lies a wrapping cloth rendered in lacquer with a small Hannya mask of iron with details in shakudô and gold on top. Signed on the reverse in maki-e Kyokuzan. Diameter 4.4 cm

Provenance

Private collection, Australia, purchased in Sidney in the 1950s-1960s (sold at Bonhams, London, 11.11.2010, Lot 141 [part])

€ 400 – 600

577A wood and maki-e lacquer two-part manjû with a monk by a tea grinder, by Shôryûsai. Around 1800

The monk, who by his appearance might also be a Hotei, has fallen asleep in front of a tea grinder with the handle still tight in his hand. On the reverse a natsume, teaspoon and a pine sapling. Inlays of a lead-coloured material and small details of aogai. Signed to the inside Shôryûsai. Diameter 3.9 cm

€ 350 – 450

575A boxwood netsuke of a group of six masks. Mid-19th century

Carved to one side with three masks, Okame, Ikkaku Sennin and Usobuki, the other side with Oni, Saru (monkey) and Okina. Width 4.1 cm

€ 400 – 600

42

578An interesting large ivory manjû of Fukurokuju and three karako, by Masanobu. Late 19th century

Carved in deep sunken relief with Fukurokuju holding a large Chinese-type fan and watching two karako playing sugoroku, one of them holding the dice shaker. Signed Masanobu. Diameter 4.7 cm

€ 900 – 1.200

579An ivory square manjû of Daikoku, by Kôgetsusai Naomasa. Second half 19th century

Carved in sunken relief with Daikoku holding an offering table (sanbô) with a sacred sake bottle (omiki tokkuri) with a decoration symbolising fire (mikiguchi), he has taken the other bottle of the pair and drinks the sake from it, on the reverse a mikiguchi, folded paper and mochi? At the sides, to conceal the tooth’s vein, Daikoku’s hammer and his rice bale of inlaid, green-stained ivory. Signed Kôgetsusai. Width 4.1 cm

€ 500 – 700

582A large walrus tusk ryûsa manjû of a kanko no niwadori. Mid-19th century

Carved in openwork with ivy foliage, clusters of pine needles and a pole, upon which rests a drum surmoun-ted by a rooster of silver, on the reverse a stone wall, fence, bamboo leaves and a pine branch. Diameter 4.6 cm

Provenance


€ 350 – 450

583A stag antler two-part ryûsa manjû of a mokugyo. Mid-19th century

Carved with a mokugyo in the shape of an amaryû, the face and tail forming the handle and possibly a roof tile decorated with a sixteen-petalled chrysanthe-mum, on the reverse a stylised flower. Diameter 4.3 cm

€ 250 – 350

580An ivory netsuke of a mokugyo. Second half 19th century

With handles in the shape of dragons holding a tama in their mouths, the body carved with dragon scales and a stylised lotus in a lobed reserve. Signed with a three-character signature of which only the sai is visible, the other characters rubbed down. Width 3.9 cm

€ 450 – 550

581A lightly stained walrus tusk ryûsa manjû of a fabulous beast. Second half 19th century

Carved in openwork, the long-tailed mythical beast grabs the stalk of a flower amidst foliage and scrolls, its dragon-like head turned back and ribs visible along the back, with clouds on the reverse. Diameter 4.4 cm

€ 600 – 800


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578

579 582

583580

581

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584

584An ivory two-part manjû of Benkei, by Koju. Mid-19th century

Carved in deep sunken relief, Benkei stands holding prayer beads at the prow of a boat breaking waves in a storm. Signed Koju with kaô. This manjû shows a key scene in the life of the legendary warrior monk Benkei, loyal henchman to Minamoto no Yoshitsune (1159–1189). Fleeing to exile through the Shimonoseki straits, site of Yoshitsune‘s na-val victory over the Taira clan at the battle of Dannoura, Benkei‘s boat is caught in a storm brought about by the vengeful drowned Taira warriors. Benkei takes out his priest‘s rosary, with which he is able to calm the storm.Diameter 5 cm

Provenance

Christie’s South Kensington, London, 19.7.2007, lot 13 (part)

€ 600 – 800

585An Edo school ivory netsuke of a kappa on a lotus leaf, by Gyokuyôsai. Around 1850/1870

The kappa crawls over a lotus leaf and looks through a hole in search of a cucumber on the underside with a rolled up lotus leaf whose stem forms the himotôshi. Signed Gyokuyôsai. Width 4.6 cm

€ 500 – 600585

586A marine ivory netsuke of three shôjô in a boat, by Seizan. Second half 19th century

One shôjô with a sake cup, one pulling a rope and one at the bow, the towboat loaded with two large sake barrels and a sake storage jar. At the bow an inlaid mother-of-pearl tablet probably to hide a flaw in the material. Signed Seizan. Height 2.1 cm; length 5.3 cm

€ 400 – 500

586


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587An ivory netsuke of Shôki with two oni, by Shunkôsai. Late 19th century

Kneeling with sword at his back, Shôki has caught two oni, grabbing one of them by its arm while holding down the oni in front of him with his hand. A rare illustration of Shôki successful in his job as demon-queller. Signed Shunkôsai. Height 3.8 cm

€ 600 – 800

588A stained ivory netsuke of a bearded Bashikô Sennin, by Yukifuta. Late 19th century

Seated on a rock and holding a feather fan, as carried by Confucian sages, with a dragon emerging from the rock and winding around him, the sennin supports the dragon’s jaw after having given it a medical cure. Signed Yukifuta (Shiji). Height 4.3 cm

€ 300 – 400

589A polychromed boxwood netsuke of a shôjô, by Shûzan. Second half 19th century

Standing in Chinese-style robes wearing a large sake cup as if it were a hat and holding a folding fan. The robes with a flower pattern on a black ground with scrolls in gold. Signed Shûzan. Height 2.1 cm; length 5.3 cm

€ 400 – 500

587

588

589

46

591An Osaka school stained ivory netsuke of a three-clawed dragon. Second half 19th century

Emerging from a hora on a cloud swirl, the head with two horns and a firmly closed mouth. The eye pupils of black glass. Width 4.2 cm

€ 1.000 – 1.200

591

590An ivory netsuke of a giant. Mid-19th century

A long-legged giant with curly hair lies full length in a boat and is about to stuff his pipe, while a monkey tries to climb his back and a small man in hakama squats behind his legs. Inscribed Tomochika.

The scene probably refers to the Japanese traveller Wasobyôe who on his extended journeys meets upon the giant Kochi. Height 3.1 cm; length 8.6 cm

€ 600 – 800

590

592

592A boxwood netsuke of a cat on an uchiwa. First half 19th century

The piebald cat sleeps blissfully with crossed forepaws on a stiff fan, the handle turned sidewise for easy handling. Height 2 cm; width 5 cm

€ 700 – 800


47

593

593A boxwood netsuke of a cat and a namazu. Late 19th century

The cat wearing a kimono sits next to a catfi-sh (namazu), resting its arm on the namazu’s head and holding on to one of his long barbels. The eye pupils of the catfish of black glass. Inscribed Toyokazu.

The subject of a cat (neko) as a geisha sitting on a dead cat-fish has been illustrated by Kawanabe Kyosai in his book “Kyosai donga” (1881) and in one of his sketch albums. It has been interpreted as an allusion to a geisha (in Japanese also called neko) who has ruined a high official. Here she is shown controlling the namazu/high official.Height 2.6 cm

€ 800 – 1.000

595A wood netsuke of a monkey with a rooster. 19th century

The seated monkey, wearing a sleeveless jacket with a very large hanabishi pattern, cuddles a rooster. Height 3.4 cm

€ 500 – 800

594A fine boxwood netsuke of a monkey with a mikan, by Masatami. Second half 19th century

The seated monkey wearing a sleeveless jacket with a very large flower pattern is represented peeling a citrus fruit (mikan). The eyes of light and dark horn. Signed Masatami in an oval cartouche reserved from the fur. Height 3.7 cm

€ 900 – 1.200 594

595

48

596A boxwood netsuke of a sly fox as a priest. Late 19th century

Seated in meditation, the paws covered by his robe, and the shawl (kesa) held in place at the shoulder by a bone ring. The eyes of bone and black horn, the cord holes lined with black wood. Inscribed Anraku on an inlaid bone tablet. Height 3.4 cm

Provenance

Lempertz, Cologne, 7.12.2007, lot 437

€ 400 – 500

597An ivory netsuke of a monkey with a hobbyhorse. First half 19th century

The monkey stands dancing on one leg, wearing a sleeveless jacket with a scroll pattern, and holding a hob-byhorse with both hands.

The motif alludes to the harugoma, a New Year‘s dance performed on the streets on January 14 using a hobbyhorse as a prop. The monkey possibly belongs to a sarumawashi, who trained his monkey to perform the harugoma.Height 4.8 cm

€ 500 – 800

598An ivory netsuke of five monkeys and an octopus. Second half 19th century

Five monkeys clamber around an upright standing octopus whose tentacles encircle various arms and legs of the monkeys. The eye pupils of the octopus inlaid black. Height 6.8 cm

€ 350 – 450

596

597 598


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599A Tsu school boxwood netsuke of two rats on Daikoku’s bag, by Masanao. Mid-19th century

One rat crouches nibbling on Daikoku’s bag, which is closed with a large tied knot, the other rat tries to crawl inside. Signed Masanao. Height 3 cm; width 4.2 cm

€ 500 – 700

601A fine Edo school boxwood netsuke of a rat on a rice bale, by Ryûkei. Mid-19th century

The rat sits with forepaws held together on a carefully tied rice bale, carved to the inside with Daikoku and a rat. Signed Ryûkei in a raised oval reserve. Height 3.4 cm; width 4.6 cm

€ 600 – 700

600A large ivory netsuke of a rat atop of takaramono. Early 19th century

A large rat crouches on top of a group of takaramono (Daikoku’s hammer, the hat of invisibility [kakure kasa], key [kagi], chôji and two jewels [tama] arranged on a kakure mino). The eyes of coral. Height 2.7 cm; length 5.3 cm

€ 600 – 800

602An ivory netsuke of two rats, by Masatami. Late 19th century

A large and a small rat are shown crouching on a stiff Chinese-style fan with a tasselled cord attached to the handle. The eye pupils inlaid in black. Signed Masatami. Height 1.9 cm; width 3.8 cm

Provenance

His Royal Highness The Prince Henry, Duke of Gloucester, KG., KT., KP. (1900–1974) (sold at Christie’s, London, 12./13.7.2006, lot 603)

€ 500 – 700

599 601

600 602

50

603An unusual spherical ivory netsuke with New Year’s emblems and takaramono. Late 18th/early 19th century

Carved in shallow relief with pine sapling, bamboo leaves, pine needles, cherry blossom branch and flying crane, the other side with kakure mino, kakure gasa and Daikoku’s hammer, all on a basket-work ground. Height 3.6 cm

€ 600 – 800

605An ivory netsuke of takaramono. Mid-19th century

Daikoku’s hammer and a partly opened scroll with coins and a chôji lying on top of the takarabukuro, with a tachibana emblem, tama, kagi and shippô arranged around the sides of the bag, and a Chinese-type fan below. Small details inlayed green. Height 2.8 cm

€ 500 – 600

603 605

604An ivory netsuke of the Sanjin of longevity. 19th century

The three paragons of longevity, Miura no Osuke with a fan, Urashima Tarô with minogame and box and Tôbô- saku with a peach branch, are shown seated in a large sake cup. Inscribed Yoshitomo in a rectangular reserve. Height 3 cm

Provenance


€ 400 – 500

604 606

606An ivory netsuke of a minogame inside a chrysanthemum. Second half 19th century

The flower opens to reveal a small minogame supporting a rock with three jewels on its back, alluding to Mount Hôrai. The outside embellished with chrysanthemum sprays and butterflies in Shibayama-type inlays inclu-ding metals. Height 2.3 cm

€ 300 – 400


51

607An Edo school ivory shunga netsuke of Daikoku, by Tomochika. Mid-19th century

Wearing festive robes and boots, Daikoku tries to pull a huge fork- tipped radish (futamata daikon) over his phallic cap, while a rat runs up the vegetable. Signed Tomochika in an irregular reserve. Height 3.1 cm

€ 1.000 – 1.500

52


609An Edo school ivory netsuke of a karako playing with Fukurokuju. Second 19th century

Fukurokuju kneels bent forward, his hands resting on the tip of his long beard, while a boy sits on his back and holds a piece of cloth around the god’s high cranium as if it were a horse’s rein. Height 3.8 cm

€ 600 – 800

608A partly stained ivory netsuke of Ebisu, by Rôhaku. Late 19th century

Standing in a dancing posture on one leg and lifting a huge blow fish (fugu) above his head, the god’s face showing his exertion. The eye pupils of the fish of brown and black horn, the eboshi and hair stained black. Signed Rôhaku in an irregular reserve. Height 5 cm

€ 500 – 700

610An ivory netsuke of a laughing Fukusuke. 19th century

Standing in kamishimo with a shouldered broom, from which hangs a bucket, in his left hand a closed fan, and a sword at hit hip. Height 4.2 cm

Provenance

Lempertz, Cologne, 7.12.2007, lot 350

€ 400 – 600

609

610

608

53

611An ivory netsuke of a demon and an oni. Late 19th century

Seemingly human and standing with a hachimaki around his head, recognisable as a demon only by his fangs and claws, he piggybacks a small weeping oni in the manner Japanese women carry their babies. Height 5.1 cm

Provenance

Private collection, Rhineland (sold at Lempertz, Cologne, 11./12. 12. 2009, lot 829)

€ 400 – 500

612An ivory netsuke of Jurôjin. Late 19th century

Seated with legs crossed on a reclining stag, holding a Chinese- type fan and a gnarled staff, the robe and cloth covering his high cranium decorated with finely incised patterns and scrolls. Height 6.4 cm

€ 500 – 800

611 612

613An ivory netsuke of a nine-tailed fox (kyubi kitsune). 20th century

The nine-tailed fox running swiftly holds (possibly) a sheath of rice in its mouth, suggesting he is the messenger of the Inari, the god of rice. Length 7.5 cm

Literature

Compare a similar netsuke illus-trated in: Matthew Welch and Sharel Chapell, Netsuke, Minneapolis 1999, cat. no. 78

€ 400 – 500613

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616A boxwood netsuke of a kappa. 19th century

Sitting next to a wilted lotus leaf on an oval base and pointing to a frog sitting underneath and visible through a hole in the leaf, at the back a lotus bud and stems. Height 2.4 cm

€ 350 – 450

616


614A Shibayama ivory netsuke of Fukurokuju. Late 19th century

Standing with hands hidden in the sleeves of his robe embellished with takaramono such as tama, chôji, fundô and shippô in mother-of-pearl, coral and metals. Signed Shibayama on an inlaid mother- of-pearl tablet. Height 4.3 cm

€ 400 – 600

615An ivory okimono-type netsuke of a bugaku dancer, by Mitsumasa. Around 1900

The dancer is shown in dramatic pose stamping his foot, wearing a Ranryôô mask surmounted by a dragon and holding a staff with a tasselled cord. Signed Mitsumasa. Height 5.7 cm

Provenance

Collection Murat, acquired in the 1930s in Japan (according to the former seller)

€ 400 – 500

614 615

55

617A fine ivory netsuke of a muscular oni, by Tomomasa. Second half 19th century

Standing bent over a large bell with a loose ball inside and polishing its surface with a baren, long curls falling over his back, the tiger skin apron with fine line engravings, and a tabako-ire with netsuke hanging from his belt. The eye pupils of black glass. Signed Tomomasa in a reserve. Height 3.8 cm

€ 900 – 1.200

617

618

618An ivory netsuke of a laughing Hotei. Second half 19th century

Seated in his bag, the loosely worn robe revealing his hairy chest and pot-belly, the bag covered with takaramono (hammer, tama, key, chôji, scroll, mino and fundô) of various materials in Shibayama-style inlay. Together with an ojime inlaid in the same manner with takaramono. Height 3.8 cm

€ 600 – 800

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619

619A wood netsuke of a baku, by Shigejo. Early 21st century

The eater of bad dreams stands on large paws turning its head and raising its trunk. The eyes of amber? Signed in an oval reserve Shigejo. Tomobako, inscribed on the lid “kichimu” (good dream) and signed and sealed Shigejo.

Itô Shigejo is a female netsuke carver. In May 2015 she was represented in an exhibition at the Seishô Netsuke-kan in Kyoto mainly with carvings of cats. Height 5.5 cm

€ 400 – 600

620

621

620Three ivory ojime. Second half 19th century

a) A boy climbing over a drum, b) with the figure of Kannon Bosatsu standing on the back of a huge dragon, and c) with two sumô wrest-lers and an onlooker, signed. (3) Height 1.8 to 1.9 cm

Provenance


€ 200 – 300

621Five ivory ojime. Second half 19th century

a) A seated monkey with peach, b) with six masks, c) with a monk?, d) in openwork with a tatewaku pat-tern, and e) with a snarling tiger. (5) Height 1.6 to 1.9 cm

Provenance


€ 200 – 300

57

622A Tokyo school ivory netsuke of a laughing Hotei, by Yasuaki (Hômei). Around 1900

Seated bare-footed, his loosely worn robe revealing his left shoulder, hairy chest and full belly, the green-stained robe decorated with tama in silver and copper inlay, the jui sceptre stuck into the belt of wood. Signed Yasuaki (Hômei) in seal script on a seal-type red tablet. Height 3.4 cm

€ 800 – 1.000

623An ivory okimono-type netsuke of Fukusuke. Late 19th century

Kneeling with a large shouldered bundle and holding a rope tied to a bucket, at his feet the branch with auspicious coins and a paper slip with the characters “shôgatsu” (New Year) from the tori no ichi market. Height 3.5 cm

Provenance

Barry Davies (1948–2005), London (according to the seller)

€ 500 – 700

622

623

624

624An ivory okimono-type netsuke of Hotei, by Nanryû. Ca. 1960–70

With hands raised behind his back, the robe revealing his bare chest and pot-belly is painted brown. Signed Nanryû in a rectangular reserve.

Kurata Nanryû was born 1935 in Saitama Prefecture. His designs are taken from a wide range of Japanese folklore and legends.Height 4.8 cm

Provenance

Sotheby’s, London, 21.3.2001, lot 101 (no ill.)

€ 400 – 600

58


625A boxwood netsuke of a kappa inside a cucumber, by Hideyuki. 20th century

A kappa is trapped within a long cucumber looking out from an opening at the top, the feet visible through two holes in the lower part, suggesting extraordinarily long legs; the water sprite holds on to a vine, while a thin scrolling vine is inlaid in silver wire, the bumps of the prickly skin inlaid with gold, silver, bone, stone, and horn. Signed Hideyuki on a golden inlaid tablet and with engraved kaô. Together with the original wooden box, the inscription on the lid reading Ashinaga kappa, and signed Hideyuki on the inside of the lid with kaô and a stamp of the same kaô.

Sakurai Hideyuki was born 1941 in Tokyo. He worked in ivory and wood, which he embellished with various inlays.Length 14 cm

€ 800 – 1.000

59

NETSUKE FROM APRIVATE COLLECTION,

BADEN-WÜRTTEMBERGLOT 626–656

60

626 A stag antler netsuke of Kan’u. 19th century

Standing with legs wide apart and head turned to the left, holding his halberd with a large blade. Height 9.2 cm

Provenance

Collection Raymond Bushell (1910–1998), Tokyo (sold at Christie’s, New York, 23.4.1991, lot 217)Private collection, USA

Literature

Illustrated in: Barry Davies 1995, no. 103

€ 800 – 1.000

627 An ivory netsuke of a kakemono of Shôki, by Shûraku. 19th century

The hanging scroll is partly unrolled from which emerges the painted Shôki coming to life, his sword piercing the mounting, the tip visible on the reverse with an oni fleeing. The knobs of the kakemono of black horn. Signed Shûraku horu kore in an irregular reserve. Height 6 cm

€ 1.200 – 1.500

627626

PRIVATE COLLECTION, BADEN-WÜRTTEMBERG

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629 An ivory netsuke of South Sea islander. 18th century

Kneeling in a straw skirt, the head turned to the left, holding a ball with a colourless glass sphere inside. The eye pupils of black horn, one replaced. Height 5 cm

Provenance

Collection Edward Wrangham O.B.E. (1928–2009), Northumber-land, England (sold at Bonhams, London 8.5.2016, lot 59)

€ 1.800 – 2.000

629

628

628 A fine ivory netsuke of a smiling Gama Sennin, by Yoshitomo. Late 18th/early 19th century

Seated leaning to the left with a large three-legged toad climbing over his shoulder, the robe finely incised with a seigai-ha pattern and a leaf coat on his back. The eyes of the toad of black horn. Signed Yoshitomo in a rectangular reserve. Height 4.6 cm

Provenance

Offermann & Schmitz, Wuppertal, sold 1996.

€ 2.000 – 2.500

62

630 A boxwood netsuke of Hotei, by Ryûgyoku. 19th century

Seated with legs tucked under, the loosely worn robe revealing shoulders and a huge pot-belly, the god of good luck holds an uchiwa in his right hand. The wood stained in different tones for effect, the eyes of light and dark horn. Height 3.6 cm

€ 800 – 1.000

631 An ivory netsuke of an oni on a demon’s arm, by Masakazu

The oni crouches on top of the huge arm of the Ibaraki demon which according to legend has been severed by Watanabe no Tsuna at the Rashomon gate. Signed Masakazu in an irregular reserve. Length 4 cm

Literature

Illustrated in: Frieder Aichele and Gerd Nagel, Netsuke, München 1975, p. 51 and 129

€ 800 – 1.000

633 A large ivory netsuke of an oni and a hungry ghost, by Hakuunsai. 19th century

Both seated and arm wrestling on a folded lotus leaf, the gaki showing his exertion by sticking out his tongue, the oni grasping the lotus stalk for leverage. The eye pupils of the oni of black glass. Signed Hakuunsai. Width 6.4 cm

Provenance

Hans-Martin Schmitz, Wuppertal, 2000

€ 1.500 – 2.000

634 An ivory netsuke of Okame. Around 1800

Kneeling, the hands hidden in the sleeves and held to her mouth to hide her laughing. Inscribed Yoshinaga. Height 6 cm

€ 1.000 – 1.500


632An Edo school wood netsuke of a kappa on a hamaguri, by Kômin. 19th century

Climbing over a ridged clam which is closing its valves on the kappa’s foot, on his back a tortoise’s carapace, the pimply skin of the legs rendered in ukibori. The eyes with metal-rimmed inlays, the fluid in the depres-sion on top of his head inlaid with a gray material, the umbus of shell, the smaller cord hole lined with green-stained bone. Signed Kômin with kaô.

Old paper label with a collector’s number pasted to the inside of the himotôshi.Width 3.4 cm

€ 1.000 – 1.500

635 A stag antler netsuke of a recumbent ox. 19th century

With head turned to the right and a rope along its back. The eye pupils of black horn. Length 5.5 cm

€ 400 – 600

63

631

632

630 633

634

635

64

636 A large boxwood netsuke of a sarumawashi. Late 18th century

Lying asleep, his head resting on his right hand, his monkey sits behind him on a bundle and reaches into the basket on the monkey trainer’s back. Height 3 cm; length 5.7 cm

€ 800 – 1.000

637 A boxwood netsuke of a tanuki hara tsutsumi. 19th century

Seated in typical pose and drum-ming his extended belly. Inscribed Minko in a cartouche reserved from the fur engraving. Height 3.1 cm

€ 400 – 600

636

637

638

638 An ivory netsuke of a monkey. Early 19th century

Seated with a large peach between his paws, one forepaw held to the mouth in order to taste a morsel of food. Height 2.7 cm

Provenance

Collection Scott Meredith (1923–1993), New York (sold at Barry Davies Oriental Art, London)

Literature

Illustrated in: Barry Davies Oriental Art 1995, no. 25

€ 800 – 1.000


6565

639 A large ivory netsuke of a recumbent goat. 19th century

Lying with legs folded underneath, the head turned to the left, with large ears and hair tresses hanging down from the face. The eye pupils of brown horn. Signed Masayoshi in an oval reserve. Height 2.4 cm; length 4.7 cm

Provenance

Collection Lord Duveen (1869–1939), London Collection Isobel Sharpe Collection M. T. Hindson (1883–1968) Collection Sheila M. Barker Rutherston & Bandini Ltd., London, 2011

Literature

Illustrated in: N. Davey, Netsuke, London 1974, p. 201, no. 610 and Rutherston & Bandini, The Sheila M. Barker collection of Netsuke, London, 2011, no. 40

€ 6.000 – 8.000

66

640 A walrus tusk netsuke of a shishi. 18th century

Of stylised shape, its head raised, the curly mane meeting the erect tail along the back, seated on an oval base. The eyes of brown horn. Height 6.3 cm

Provenance

Albert Randerath, Heinsberg, sold 1997

€ 800 – 1.000

641 A stag antler netsuke of a scaly dragon. 19th century

Standing legless and with a split tail, the large head with a flat snout and big ears. The eye pupils and circular ornament at the crown, mane and beard of horn. Height 8.8 cm

Provenance

Collection Juri Kolodotschko, Munich (sold at Lempertz, Cologne, 14.6.2014, lot 244)

€ 700 – 900641640


642 An ivory netsuke of a rat and young. Early 19th century

The parent animal protectively places its paws onto a small rat nibbling at the parent’s tail. The eyes of brown horn. Height 3.7 cm

€ 800 – 1.000

642

67

643

644

645

646

643 A Kyoto school ivory netsuke of a puppy, by Okatori. Early 19th century

Seated and playing with an abalone shell to which is tied a thin rope. The eye pupils inlaid. Signed Okatori. Height 2.5 cm

Provenance

Harald Hayen, Norderney, 1998

Literature

Illustrated in: Alain Ducros, Netsuke & Sagemono 2, Granges-les-Valence 1987, p. 52, no. 16

€ 2.500 – 3.000

645 A boxwood netsuke of two playing puppies, by Masakatsu. Second half 19th century

The piebald dog climbs over the puppy lying on its back. The eye pupils of horn. Signed Masakatsu in a cartouche reserved from the fur engravings. Height 2.9 cm

€ 1.000 – 1.500

646 An ivory netsuke of a large rat, by Okanobu. Around 1800

Seated and nibbling at the end of its tail, held by the forepaws. The eyes of amber-coloured glass. Signed Okanobu in a rectangular reserve. Height 2.5 cm; length 4 cm

Provenance

Collection Princess Elisabeth von Anhalt and Princess of Hesse (1861–1955) (sold at Zeller, Lindau, 24./25.6.2011, lot 1209)

€ 2.000 – 2.500

644 A boxwood netsuke of two eggplants. Early 19th century

The large fruit placed on a leaf while a smaller fruit and further leaves hang from the stalk. Length 4.4 cm

€ 400 – 600

68

647 An ivory ojime of a coiled rat. Late 19th century

Rolled into a ball. Height 1.8 cm

Provenance

Purchased in Kyoto 1982

€ 300 – 500

647

648

649

649 A wood netsuke of a stylised fukura suzume, by Masatada. 19th century

Of flat shape, the top engraved with tatewaku, seiga- ha and hanabishi patterns. Signed Masatada in a rectangular reserve. Width 4.9 cm

€ 600 – 700

648 A seladon-glazed porcelain netsuke of a duck, by Eiraku. 19th century

Resting, its head turned back as its preens its plumage. Impressed mark: Eiraku. Height 2.8 cm

Provenance

Raymond Bushell (1910–1998), Tokyo (sold at Christie’s, London, 27.10.1987, lot 21) Hans-Martin Schmitz, Wuppertal

Literature

Illustrated in: Raymond Bushell, Netsuke Familiar and Unfamiliar, Tokyo/New York 1975, no. 463 (here described as a sea gull); the stamp illustrated in: Lazarnick 1982, p. 360

€ 300 – 500


696

650 A Nagoya school boxwood netsuke of various New Year’s delicacies, by Tadashige. 19th century

On top of nuts and cooked chestnuts (kachikuri) lie two cooked sardines (tazukuri) and black beans (kuromame), stained black for realism and effect. Signed hôgen Tadashige in ukibori. Length 4.1 cm

Provenance

Collection Mark T. Hindson (1883–1968), (sold at Sotheby’s, London, 1967–1969)John Crichton, London, bought at the above sale Sotheby’s, Miami, 12.1.1987, lot 95 Collection Jacque Carré (1927–2015), Kapellen, Belgium

Literature

Illustrated in: N. Davey, Netsuke, London 1974, no. 581 and Eskenazi 1993, p. 164, no. 219

€ 2.500 – 3.000

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652 Two wood netsuke. 19th century

a) A teapot set into a hibachi, the handle and one cord hole lined with bone. Signed Masakazu in an oval reserve. and b) a teapot of kyûsu type, the cord runs through an eyelet at the inside of the lid. (2) Height a) 4 cm; b) 2.6 cm

€ 700 – 900652


651 A wood netsuke of a tortoise. 19th century

The small animal sits on a large rolled up lotus leaf of elongated shape. Length 7.6 cm

Provenance

Margot Lörcher, Stuttgart, 1973

€ 800 – 1.000

651

71

653 An ivory netsuke of a shimenawa in a winnowing basket. First half 19th century

A small rat emerges from underneath the rope with ferns, paper strips and yuzuri leaves. The eye pupils of brown horn. Width 4.7 cm

Provenance

Harald Hayen, Norderney, 2000

€ 1.000 – 1.500

71

72

654

655

656

656 An Osaka school ivory netsuke of an Okame mask. 18th century

Carved as a wooden model of a mask, the face with chubby cheeks and open mouth, and design of wood grain at the back. Signed Garaku in an irregular reserve. Height 3.8 cm

Provenance

Offerman & Schmitz, Wuppertal, 1997

€ 400 – 600

654 A boxwood netsuke of a nô mask. 19th century

Representing a young woman, pos-sibly Manbi, with small circular eyebrows inlaid in black horn. Inscribed Deme Uman. Height 4.1 cm

Provenance

Albert Brockhaus (1855–1921), Leipzig (sold at Christie‘s, London, 25.11.1980, lot 178)Frieder Aichele, Stuttgart, 1984

€ 400 – 600

655 A fine boxwood netsuke of a skull, by Gyokumin. Second half 19th century

Of large shape with engraved sutures and very large eye sockets. Signed Gyokumin and seal Koku. Height 4 cm

Provenance

Lempertz, Cologne, 6./7.12.2013, lot 871 Hans-Martin Schmitz, Cologne, 2014

€ 1.200 – 1.500


73

NETSUKE FROM THECOLLECTION

REINHOLD SCHULZELOT 657–677

Reinhold Schulze went to Japan in 1937 where he was cultural attaché at the German Embassy in Tokyo from 1940 to 1945. During his sojourn in Japan he travelled the country widely.

74

657 A good ivory netsuke of a Mongolian man with a horse. 18th century

Standing stroking his thin beard and holding the rope of his horse, wearing a hat, a furry cape and heavy boots. The eye pupils of the man of black horn, of the horse of reddish-brown horn. Height 6.3 cm

€ 700 – 900

659 An ivory netsuke of a fierce Shôki. Early 19th century

Standing looking back and holding the rim of his sedge hat, a drawn sword in his right hand, with the sheath stuck into his belt at the back.Height 6.4 cm

€ 600 – 800

659657

COLLECTION REINHOLD SCHULZE

658 A walrus tusk ryûsa manjû of a Chinese sage. 19th century

Carved in openwork with a landscape comprising a thatched hut, bamboo and clouds, and inset with a gilt metal figure, possibly Rihaku, standing beside a huge, gourd-shaped wine bottle. Diameter 4.1 cm

€ 300 – 400

658

75

660 An interesting ivory netsuke of a Chinese woman with a boy. 18th century

Lying on her right side in a loose garment with the left sleeve slipping off her shoulder, she cuddles a boy. Length 7.1 cm

€ 1.000 – 1.300

76

662 A kagamibuta of Sôjôbô. Mid-19th century

The disc of shibuichi displaying a bearded Sôjôbô with a string puppet of a tiny Yoshitsune swing-ing a naginata. The bowl of ivory. Diameter 4.5 cm

€ 300 – 500

663 An Edo school wood netsuke of a manzai dancer, by Hôjitsu. Mid-19th century

Standing stamping his foot, wearing an Okina mask and an eboshi, and holding a bell tree in his right hand, the mask adorned with hair bushels of ivory, the inlaid beard now lost, the kamishimo incised with cranes and pine sapling, emblems of the New Year. Signed Hôjitsu. Height 4.2 cm

€ 600 – 800

661 A wood netsuke of a niô. 19th century

Seated on a straw sandal and holding on to its thong. Signed Keikoku? in an oval reserve. Height 3.1 cm

€ 100 – 150

661

662 663


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664 A large ivory netsuke of an oni and a gaki. Late 18th century

The large oni and the skinny gaki sit arm wrestling on a folded lotus leaf with prominently carved veins and a curved rim. The eye pupils of the oni of black horn. Inscribed Okakoto. Height 2.7 cm; length 5.9 cm

€ 1000 – 1.500

78


665 An ivory shunga netsuke of a peasant with a clam, by Tomotsugu. Mid-19th century

Seated in front of a clam, the valves opening to reveal the flesh, the man licking two of his fingers, a sword stuck into the obi at the back. Signed Tomotsugu in an irregular reserve. Height 3.9 cm

€ 350 – 450

666 A polychromed wood netsuke of a drumming boy. Late 19th century

Seated with feet together, the drum in front of him and drum sticks in both his hands, the bib with a shibori pattern painted red, other details in green, the ivory drum with green-stained nails. Signed on a red lacquer tablet. Height 3 cm

€ 400 – 500

667 A stag antler netsuke of a fabulous beast. Late 19th century

One narrow side carved with a strange-looking head, the mouth open with tongue visible and two pointed horns. Height 6.2 cm

€ 250 – 350

665 666 667

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669 An ivory netsuke of seven monkeys in a boat. 18th century

With a mast and a sail lying across the boat, at the bow two rolled-up straw mats. Length 6.2 cm

€ 400 – 600

668 An unusual ivory netsuke of a dragon and a biwa, by Tomoyuki. Late 19th century

A dragon with a wide-open mouth appears to climb over a biwa, the plectrum placed over the strings and bearing the miniscule signature. The subject alludes to the goddess Benten. Signed Tomoyuki. Width 4.5 cm

€ 600 – 800

668

669

670

670 A boxwood netsuke of a recumbent, long-haired goat. 19th century

Lying in typical attitude with head turned back and with long horns. Height 3.8 cm

€ 800 – 1.200

80

671 A Tsu school wood netsuke of a puppy in a dustpan, by Kokei. Early 19th century

The fat puppy sits snuggly in the wooden pan. Signed Kokei in a cartouche reserved from the wood grain. Height 2.2 cm; width 3.2 cm

€ 300 – 500

672 A wood netsuke of a rat on a winnowing basket. 19th century

Nibbling at the mushrooms that fill the winnowing basket. Length 4.6 cm

€ 250 – 350

675 A light boxwood mask netsuke, by Akimasa (Meishô). Late 19th century

Representing Beshimi with lips firmly pressed together and grim-looking eyes beneath bushy eyebrows. Signed Akimasa (Meishô). Height 3.6 cm

€ 300 – 400

674 A boxwood netsuke of a group of tortoises. 19th century

Seven tortoises form a pyramid on top of the carapace of a large tortoise. The eye pupils of black horn, some missing. Height 3.8 cm

€ 500 – 700

673An ivory netsuke of three spiders. 19th century

Crawling over and under bamboo leaves. Length 6.6 cm

€ 400 – 500

676 A wood netsuke of a mask. 19th century

The laughing face probably belongs to Ebisu, or possibly Daikoku. Inscribed Tenka ichi Deme Uman. Height 4.1 cm

€ 250 – 350


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674

675

676

671

672

673

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677 A stag antler obi-hasami netsuke of a long-legged monkey, by Kokusai. Second half 19th century

The round head looking up and with a large open mouth, the right hand placed over the left fist which can be used as a cord hole, the feet coyly placed over each other. Sealed Koku in a sunken reserve. Together with a carnelian ojime. (2) Height 11.9 cm

Literature

Compare very similar piece in: Sidney L. Moss, Ltd., Kokusai The Genius: and Stag-antler Carving in Japan, Vol. 2, London 2016, no. 199, p. 218–219

€ 4.000 – 6.000

83

NETSUKE & SAGEMONO FROMVARIOUS OWNERS

84

AUS VERSCHIEDENEM BESITZ

678 A unusual kagamibuta with two Chinese figures. Mid-19th century

The disc of shakudô displaying a general drawing a sword and pointing it towards an oil lamp while a sage sits in front of him. The bowl of ivory. Diameter 4.1 cm

€ 300 – 400

678

679 A walrus tusk ryûsa-manjû with a samurai. Second half 19th century

Carved in openwork with clouds, a torii, and on the reverse an old pine tree spreading its branches, a metal menuki of Benkei with a naginata and seven arms fitted into the carving. Diameter 4.1 cm

€ 700 – 900

679

680 A stag antler kagamibuta-type ryûsa manjû. Second half 19th century

Of flat lobed shape, the lid carved in openwork with a shishi holding a reishi, the eyelet of the central kotobuki medallion lost, the bowl carved to the reverse with a pierced flower. Length 4.3 cm

€ 600 – 800

680

681 A large iron netsuke of a stirrup. 19th century

The outside of the stirrup with maple leaves swim-ming on waves in gold and silver nunome, the insides lined with silver. The reverse with a cord attachment and a loose ring of silver.Height 4.4 cm

€ 300 – 400

681

85

682 A tall ivory netsuke of an immortal. 18th/19th century

Standing turned to the right and holding the two ropes fastened to the large gourd resting on his shoulders. Age cracks incorporated into feather patterns, the beard and hairs to hands and arms also later additions. Height 10.3 cm

€ 4.500 – 5.500

86

683 A boxwood netsuke of a laughing ashinaga. 19th century

With short curly hair and standing wearing only a skirt, holding a small drum in one hand and the drum stick in the other. Height 9.3 cm

€ 1.800 – 2.000

684 An ivory netsuke of a bearded foreigner with a child. Early 19th century

Standing with a drum and suppor-ting the Chinese boy climbing over his back and holding a stick. Height 5 cm

€ 600 – 800

685 An ivory netsuke of a bearded Portuguese man. Late 19th century

Commonly identified as Fernando Mendez Pinto, the Portuguese man stands wearing a long coat, holding a telescope in his left hand, the other hand clutching the leash of the kirin behind him. Height 6.5 cm

€ 600 – 800

684 685

683

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687 A kokutan wood netsuke of a curly-haired kuronbôjin, by Genryôsai Minkoku. Mid-19th century

Seated and clutching a thick coral branch, the loin cloth of marine ivory, the eyes of bone. Signed Genryôsai (Minkoku). In order to fit the thick coral into the netsuke, the left arm and the right foot have been carved separately and later attached to the body.Height 3.4 cm

€ 1.000 – 1.200

686 An ivory netsuke of a sleeping sarumawashi. Early 19th century

Resting his head on the propped-up left arm, with a basket and a bundle behind him. Length 4.7 cm

€ 700 – 900

687

686

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689 A polychromed wood netsuke of an attendant of Ryûjin. Late 19th century

Standing with a robe revealing his bare chest and a sword tied around his back, the scabbard in shape of a fish. A late copy after an 18th-cen-tury Shûzan netsuke. Height 9.6 cm

Provenance

Estate of Gunvor Björkman

Literature

Illustrated in: Netsuke, exhibition catalogue, Östasiatiska Museet, Stockholm 1999, fig. p. 75

€ 1.200 – 1.500

688 A boxwood netsuke of a yamabushi inside a hora. 19th century

Wearing a shawl and a small ivory cap on his head, holding a shakujô and blowing a conch, now lost. The eye pupils of glass. Length 5.7 cm

€ 1.000 – 1.200

689688

690 An ivory netsuke of a comic dancer. Early 19th century

Standing turned to the right, hands hidden inside the long wide sleeves of his jacket, the face with puffed cheeks. Height 6.5 cm

€ 1.000 – 1.200

690

89

691 A fine ivory netsuke of a male dog. Late 18th century

Seated with mouth open, securing a ball with its right forepaw between the legs, the fur and tail covered with fine line engraving. The eye pupils of brown horn. Inscribed Okatomo in a rectangular reserve. Height 3.8 cm

€ 3.000 – 5.000

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694 A large boxwood netsuke of a hungry wolf. Early 19th century

With wide-open mouth, seated with tail between the hind legs, placing the right forepaw on a tortoise. The eyes of bone. Inscribed Tomotada.Height 4 cm

€ 1.500 – 2.000

694

692 An amusing black-stained wood netsuke of an octopus. 19th/20th century

Standing on three rolled-up ten-tacles. holding a folding fan and scratching his forehead. Height 8.3 cm

€ 1.500 – 2.000

693 A wood netsuke of a dried salmon. 19th century

A rat, with its head slightly raised, is seated on the severed head of a shiozake.The eye pupils of both animals inlaid in black. Length 4.5 cm

€ 1.600 – 1.700

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693

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695 A fine Nagoya school wood netsuke of a snail, by Tadatoshi. 19th century

Emerging from its shell, the antennae lying flat on the top, the flesh parts rendered by cross-hatching. Signed Tadatoshi in ukibori on a raised rectangular reserve. Diameter 3.5 cm

€ 2.500 – 3.000

696 An ivory netsuke of a quail. Early 19th century

The plump bird steps over two millet cobs forming an oval base, while three long leaves swirl around the cobs, one of them forming the himotôshi. Both eye pupils of black horn. Inscribed Hakuryû. Height 3 cm

€ 1.500 – 2.000

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695

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697 A marine ivory netsuke of two lotus leaves and a lotus pod. Second half 19th century

The three stalks placed side by side form the himotôshi, the leaves are tightly rolled up into a longish shape supporting the single pod. Length 4.7 cm

€ 800 – 1.000

699 An ivory seal netsuke. 19th century

A large and a smaller amaryû chase each other forming a circle, the larger dragon with a reishi in its mouth, on a round base with a central cord hole, the underside with a seal-script-type design. Height 2.3 cm; length 3.9 cm

€ 1.200 – 1.500

697 699

698 A boxwood netsuke of a kyôgen mask, by Masakazu. 19th century

The kyôgen mask of Usobuki-type shows a middle-aged man with a bump to his forehead making a funny face by pursing his lips and blowing to the left. Signed Masakazu. Height 4.3 cm

€ 600 – 800

700 Two maki-e-lacquered wood mask netsuke. 19th century

a) An Inari mask with a moveable jaw. b) A smiling man with large eyes and fangs. Inscribed Deme Uman. Both masks form a set and come with European wooden box. (2) Height a) 4 cm; b) 3.9 cm

Literature

Illustrated in: Lazarnick 1982, p. 353

€ 500 – 600

698 700

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701 An okimono-type ivory netsuke of sansukumi, by Hôkei. Late 19th century

A snake coils around a skull, chasing a fleeing frog with its outstreched tongue, while another frog hides from the snake at the back of the skull. Signed O/Dai and Hôkei/ Hôkyô on an inlaid red lacquer tablet. Height 3.4 cm

€ 2.000 – 2.200

701

702

702 A small ivory model of a skull, by Kôgetsu. Late 19th century

A good model with fine details of the cranium and upper jaw. Signed Kôgetsu. Height 3.7 cm

€ 2.200 – 2.500

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703 A four-case inrô. Around 1800

With a rooster, hen and chick amidst grasses on one side, and a blossoming peach tree and a rising sun on the other side, in gold and silver hiramaki-e, and a little red and black lacquer on a very fine nashiji ground. Signed Kôami Chôkô with kaô. A little rubbed. Height 8.2 cm

Provenance

Private property, Rhineland

€ 800 – 1.000

703 704

704 Two maki-e inrô. Early 19th century

a) A four-case inrô by Shôyôsai Masayasu, displaying two peacocks and large peonies in a landscape with rocks and a waterfall in takamaki-e on a kinji ground, details of gold foil (some missing) and aogai, nashiji to the inside. With an iron ojime with flowers in brass and enamel, and an ivory netsuke of a seated and laughing Hotei, signed Dôshô, and b) a five-case inrô displaying a landscape with a waterfall and a total of seven minogame in takamaki-e and hiramaki-e on a kinji ground. With an ivory ojime. Both with traces of usage. (2) Height a) 8.9 cm; b) 8.7 cm

Provenance

a) Sotheby’s, London, 10.11.2005, lot 1168

€ 600 – 800

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705

705 A three-case inrô. 19th century

One side with a large shell decorated to the inside with a swallow inlaid in shakukô above waves and beneath pine branches entwined by wisteria in gold takamaki-e and hiramaki-e, the clouds with hirame, to the reverse a shell seen from the outside, the compartments each decorated with various textile patterns in hiramaki-e and aogai inlays. Nashiji to the inside. Signed Jôkasai. Height 7.3 cm

€ 1.000 – 1.200

706 A long rectangular four-case inrô, by Kajikawa Bunryûsai. Early 19th century

To one side in takamaki-e and red lacquer an ascending dragon with red flames emanating from his joints, and on the other side five characters in cursive script with two seals, all on a roiro ground. Fundame to the inside. With an oval coral ojime and an ivory netsuke of a dragon in waves. Signed Kajikawa Bunryûsai in maki-e with a kaô in red lacquer. Height 10.9 cm

Provenance

Collection Sanford Christie’s, Paris, 10.6.2009, lot 18

€ 600 – 900

706

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707 708

708 An embroidered leather tobako-ire. Late 19th century

Displaying a dragon amidst clouds, with a very large silver kanamono in shape of a dragon biting into a ken sword, ojime and kusazuri of silvered metal and a kagamibuta, the disc with a dragon in relief and an ivory bowl.

€ 400 – 600

707 A three-case wood inrô, by Tôunsai. Second half 19th century

Of large rounded shape, carved to one side with a shishi, the other side with a peony, both on a hanabishi ground in a lobed reserve and beneath a draped curtain. With an amber ojime and an ivory seal netsuke with a shishi playing with a brocade ball. Height 8.5 cm

Provenance

Collection Harriet Szechenyi (1922–2009), Zürich, (sold at Bonhams, London, 8.11.2011, lot 269)

€ 800 – 1.200

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709 A tobacco set. Late 19th century

Consisting of a leather tabako-ire with a silver kanamono in shape of a dragon and a shishi facing each other, an ojime and kusazuri of silver, a kiseruzutsu of leather and a walrus tusk ryûsa manjû carved with lotus plants in a pond with wooden posts, with a seal reading Koku.

€ 400 – 500

710 Two embroidered leather tabako-ire. Late 19th century

a) Displaying a shishi amidst peonies, the copper kanamono in shape of two sparrows, ojime, and a kagamibuta, the disc of silver with three chidori above waves, the bowl of cherry wood, and b) displaying a large dragon, the kanamono of shibuichi in shape of a running dragon with a tama, ojime and kusazuri of brass, and a kagami-buta, the brass disc with a dragon in relief, the bowl of ivory. (2)

€ 400 – 600

711 An unusual oblong leather case. Late 19th century

Impressed and painted with coins, archaic vessels and seal script characters, with a large silver fitting displaying swallows above a lotus pond in relief and a silver clasp with a swallow, on the reverse with the Latin letters reading Patented. Length 15.3 cm

€ 600 – 700

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712 A bone kiseruzutsu. Late 19th century

Of musô-zutsu type, carved in relief with Benkei carrying the bell of Miidera up to Mount Hiei. Length 21.7 cm

Provenance


Important private collection, Munich

€ 400 – 500

713 A stag antler kiseruzutsu. Second half 19th century

Of otoshi-zutsu type, carved in relief with rakan Handaka Sonja seated with an alms bowl from which rises a rain dragon forming the cord attachment. Length 20.8 cm

Provenance

Sotheby’s, London, 1968 Edward A. Wrangham (1928–2009), paper label no. 893 (sold at Bonhams, London, 10.5.2011, lot 157)


€ 400 – 500

714 A stained stag antler kiseruzutsu. Second half 19th century

Of otoshi-zutsu type, deeply carved with a mother shishi throwing her young down a cliff, at the reverse the courageous young climbing their way up again amidst rocks and peonies. Signed Sôzan in a rectangular reserve. In addition a bamboo pipe with a silvered copper head and mouth piece. (2)Length 19.7 cm

Provenance


€ 350 – 450

715 A stag antler kiseruzutsu. Second half 19th century

Of otoshi-zutsu type, carved with Daikoku and Jurôjin dancing, below the rim a stylised flower. With a fundô-shaped metal ojime. Signed Shuzan.Length 20 cm

€ 400 – 500

716 A lacquer kiseruzutsu. Late 19th century

Of musô-zutsu type. The outside renderd in the manner of russet iron, with Ebisu holding a fishing rod and a large tai inlaid in lacquered and gilded stag antler. The rim lined with gold stamped 18. Length 22.5 cm

Provenance

Collection Joseph (Joe) Kurstin, Miami, FL (sold at Nagel, Stuttgart, 13.11.2007, lot 2534)


€ 450 – 500

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718 A coconut wood tonkotsu with a kiseruzutsu. Late 19th century

The half shell of the coconut dispays a branch with two kaki and a wasp in maki-e, red and black lacquer, the reverse of a flat piece of wood. With a large stone ojime and stag antler kiseruzutsu of otoshi-zutsu type.Length (Kiseruzutsu) 19.2 cm

€ 400 – 600

719 Reference book

Albert Brockhaus, Netsuke. Versuch einer Geschichte der japanischen Schnitzkunst, 2nd edition, Leipzig 1909. Leather binding.

€ 600 – 800 Image online

717 Four pipes (kiseru). Late 19th century

a) Of copper in shape of a bean pod, with a silvered mouth piece and bowl, b) of bamboo with silvered metal mouthpiece and bowl, c) a similar pipe with chrysanthemum and butterfly in relief, and d) of wood in shape of a bamboo cane with copper mouth-piece and bowl, silvered at both ends. (4) Length a) 14.1 cm; b) 20.1 cm; c) 20.1 cm; d) 18.9 cm

€ 400 – 600

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718

Mehrwertsteuer VAT Umsatzsteuer-Identifikationsnummer des Kunsthaus Lempertz KG: DE 279 519 593. VAT No. Amtsgericht Köln HRA 1263.

Export ExportVon der Mehrwertsteuer befreit sind Ausfuhrlieferungen in Drittländer (d.h. außerhalb der EU) und – bei Angabe der Umsatzsteuer-Identifikationsnummer – auch an Unternehmen in anderen EU-Mitgliedsstaaten. Nehmen Auktionsteilnehmer ersteigerte Gegenstände selber in Drittländer mit, wird ihnen die MwSt. erstattet, sobald dem Versteigerer der Ausfuhr- und Abnehmer nachweis vorliegen.

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Ausfuhr innerhalb der EU:Seit 6.8.2016 gilt das neue deutsche Kulturgutschutzgesetz für Exporte auch in ein anderes EU-Land. Bei Kunstwerken, die älter als 75 Jahre sind und folgende Wertgrenzen übersteigen, ist eine Genehmigung des Landeskultusministeriums erforderlich: - Gemälde ab einem Wert von 300.000 Euro - Aquarelle, Gouachen und Pastelle ab 100.000 Euro- Skulpturen ab 100.000 Euro- Antiquitäten ab 100.000 Euro

Die Ausfuhrgenehmigung wird durch Lempertz beim Landeskultusministerium NRW beantragt und wird in der Regel binnen 10 Tagen erteilt.Bei Fragen wenden Sie sich bitte an: [email protected]

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Exports to third (i.e. non-EU) countries will be exempt from VAT, and so will be exports made by companies from other EU member states if they state their VAT-ID no. Persons who have bought an item at auction and export it as personal luggage to any third country will be refunded the VAT as soon as the form certifying the exportation and the exporter’s identity has been returned to the auctioneer. Our staff will be glad to advise you on the export formalities.

Exports to non-EU countries:Export to countries outside the European Community are subject to the restrictions of the European Agreement for the Protection of Cultural Heritage from 1993 and the UNESCO convention from 1970. Art works older than 50 years and exceeding the following values require an export license from the State Ministry of Culture:- paintings worth more than 150,000 euros- watercolours, gouaches and pastel drawings more than 30,000 euros- sculptures more than 50,000 euros- antiques more than 50,000 euros

Export within the EU:As of 6.8.2016, exports within the EU are subject to the German law for the protection of cultural goods. Art works older than 75 years and exceeding the following values require an export license from the State Ministry of Culture:- paintings worth more than 300,000 euros- watercolours, gouaches, and pastels more than 100,000 euros- sculptures more than 100,000 euros,- antiques more than 100,000 eurosLempertz applies for the export licenses from the North-Rhine Westphalian State Ministry of Culture which are usually granted within 10 days.If you have any questions, please feel free to contact: [email protected] marked are made using materials which require a CITES licence for export outside of EU contract territory. We would like to inform you that such licences are usually not granted.

对于出口至第三国（即非欧盟国家）的商品以及在写明增值税识别号情况下对于出口至其他欧盟成员国企业的商品免征增值税。若竞拍者将竞拍获得的物品自行带入第三国，则在拍卖人获得出口及买方证明的情况下可向竞拍者退还增值税。

至欧盟范围外的出口：对于至欧盟范围外的出口须遵守 1993 年的欧洲文化财产保护协议以及 1970 年的联合国教科文组织公约。对于拥有 50 年以上历史并且超出如下价值上限的文化艺术品，须获得州文化部的许可：- 价值超过150,000 欧元的油画- 价值超过 30,000 欧元的水彩画、水粉画和粉蜡笔画- 价值超过 50,000 欧元的雕塑- 价值超过 50,000 欧元的古董

欧盟范围内的出口：德国新版《文化财产保护法》自 2016 年 8 月 6 日起同样适用于至其他欧盟成员国的文化艺术品出口。对于拥有 75 年以上历史并且超出如下价值上限的文化艺术品，须获得州文化部的许可：- 价值超过 300,000 欧元的油画- 价值超过 100,000 欧元的水彩画、水粉画和粉蜡笔画- 价值超过 100,000 欧元的雕塑- 价值超过 100,000 欧元的古董

出口许可由 Lempertz 拍卖行向德国北莱茵—威斯特法伦州文化部提出申请，通常可在 10 日内获得该许可。如有任何不明之处，请发送邮件至[email protected]

根据欧盟第116/2009号条例，出口艺术品的类型及价值将决定，是否需要提供出口许可。基于欧盟第338 /97号条例及物种保护考虑，特种材料物品由欧盟出口时必须额外提供出口许可。只有在严格的条件下，才有可能取得此类许可。受保护的材料包括象牙，犀角，龟壳以及特定种类的珊瑚等。

Signaturen und Marken Signatures and markssind gewissenhaft angegeben. Sie sind eigenhändige Hinzufügungen des Künstlers oder des Herstellers. Bilder ohne Signatur oder Monogramm können nicht sicher zugeschrieben werden. – Provenienz angaben beruhen meist auf Angaben der Einlieferer.Signatures have been conscientiously noted. They are additions by the artists or makers in their own hand. Paintings without signature or monogram cannot be attributed definitely. – Information regarding provenance is mostly supplied by the consigner.

Lageplan und Anfahrtsskizze Location and ContactZu Lempertz finden Sie unter www.lempertz.com, gehen Sie auf Kontakt und dann auf Standorte; Anlieferung: Kronengasse 1;Wir empfehlen das Parkhaus Cäcilienstraße. 33. (unter dem Museum Schnütgen)U-Bahn Station Neumarkt (Linien 1, 3, 4, 7, 9, 16, 18)Directions to Lempertz can be found on www.lempertz.com under locations/contact. We recommend parking at Cäcilienstrasse 33.Delivery: Kronengasse 1Underground station Neumarkt (Lines 1, 3, 4, 7, 9, 16, 18)

Photographie Photography SaŠa Fuis Photographie, Köln Robert Oisin Cusack, Köln

Druck und Bildbearbeitung Print and image editing Kopp Druck und Medienservice, Köln

Versteigerungsbedingungen

1. Die Kunsthaus Lempertz KG (im Nachfolgenden Lempertz) versteigert öffentlich im Sinne des § 383 Abs. 3 Satz 1 BGB als Kommissionär für Rechnung der Einliefe-rer, die unbenannt bleiben. Im Verhältnis zu Abfassungen der Versteigerungsbedin-gungen in anderen Sprachen ist die deutsche Fassung maßgeblich.

2. Lempertz behält sich das Recht vor, Nummern des Kataloges zu vereinen, zu trennen und, wenn ein besonderer Grund vorliegt, außerhalb der Reihenfolge anzu-bieten oder zurückzuziehen.

3. Sämtliche zur Versteigerung gelangenden Objekte können im Rahmen der Vor-besichtigung geprüft und besichtigt werden. Die Katalogangaben und entspre-chende Angaben der Internetpräsentation, die nach bestem Wissen und Gewissen erstellt wurden, werden nicht Bestandteil der vertraglich vereinbarten Beschaffen-heit. Sie beruhen auf dem zum Zeitpunkt der Katalogbearbeitung herrschenden Stand der Wissenschaft. Sie sind keine Garantien im Rechtssinne und dienen aus-schließlich der Information. Gleiches gilt für Zustandsberichte und andere Aus-künfte in mündlicher oder schriftlicher Form. Zertifikate oder Bestätigungen der Künstler, ihrer Nachlässe oder der jeweils maßgeblichen Experten sind nur dann Vertragsgegenstand, wenn sie im Katalogtext ausdrücklich erwähnt werden. Der Erhaltungszustand wird im Katalog nicht durchgängig erwähnt, so dass fehlende Angaben ebenfalls keine Beschaffenheitsvereinbarung begründen. Die Objekte sind gebraucht. Alle Objekte werden in dem Erhaltungszustand veräußert, in dem sie sich bei Erteilung des Zuschlages befinden.

4. Ansprüche wegen Gewährleistung sind ausgeschlossen. Lempertz verpflichtet sich jedoch bei Abweichungen von den Katalogangaben, welche den Wert oder die Taug-lichkeit aufheben oder nicht unerheblich mindern, und welche innerhalb eines Jah-res nach Übergabe in begründeter Weise vorgetragen werden, seine Rechte gegen-über dem Einlieferer gerichtlich geltend zu machen. Maßgeblich ist der Katalogtext in deutscher Sprache. Im Falle einer erfolgreichen Inanspruchnahme des Einlieferers erstattet Lempertz dem Erwerber ausschließlich den gesamten Kaufpreis. Darüber hinaus verpflichtet sich Lempertz für die Dauer von drei Jahren bei erwiesener Un-echtheit zur Rückgabe der Kommission, wenn das Objekt in unverändertem Zu-stand zurückgegeben wird.

5. Ansprüche auf Schadensersatz aufgrund eines Mangels, eines Verlustes oder einer Beschädigung des versteigerten Objektes, gleich aus welchem Rechtsgrund, oder we-gen Abweichungen von Katalogangaben oder anderweitig erteilten Auskünften und wegen Verletzung von Sorgfaltspflichten nach §§ 41 ff. KGSG sind ausgeschlossen, sofern Lempertz nicht vorsätzlich oder grob fahrlässig gehandelt oder vertragswe-sentliche Pflichten verletzt hat; die Haftung für Schäden aus der Verletzung des Lebens, des Körpers oder der Gesundheit bleibt unberührt. Im Übrigen gilt Ziffer 4.

6. Abgabe von Geboten. Gebote in Anwesenheit: Der Bieter erhält gegen Vor lage seines Lichtbildausweises eine Bieternummer. Lempertz behält sich die Zulassung zur Auktion vor. Ist der Bieter Lempertz nicht bekannt, hat die Anmeldung 24 Stun-den vor Beginn der Auktion schriftlich und unter Vorlage einer aktuellen Bankrefe-renz zu erfolgen. Gebote in Abwesenheit: Gebote können auch schriftlich, telefo-nisch oder über das Internet abgegeben werden. Aufträge für Gebote in Abwesenheit müssen Lempertz zur ordnungsgemäßen Bearbeitung 24 Stunden vor der Auktion vorliegen. Das Objekt ist in dem Auftrag mit seiner Losnummer und der Objekt-bezeichnung zu benennen. Bei Unklarheiten gilt die angegebene Losnummer. Der Auftrag ist vom Aufraggeber zu unterzeichnen. Die Bestimmungen über Wider-rufs- und Rückgaberecht bei Fernabsatzverträgen (§ 312b-d BGB) finden keine An-wendung. Telefongebote: Für das Zustandekommen und die Aufrechterhaltung der Verbindung kann nicht eingestanden werden. Mit Abgabe des Auftrages erklärt sich der Bieter damit einverstanden, dass der Bietvorgang aufgezeichnet werden kann. Gebote über das Internet: Sie werden von Lempertz nur angenommen, wenn der Bieter sich zuvor über das Internetportal registriert hat. Die Gebote werden von Lempertz wie schriftlich abgegebene Gebote behandelt.

7. Durchführung der Auktion: Der Zuschlag wird erteilt, wenn nach dreimaligem Aufruf eines Gebotes kein höheres Gebot abgegeben wird. Der Versteigerer kann sich den Zuschlag vorbehalten oder verweigern, wenn ein besonderer Grund vor-liegt. Wenn mehrere Personen zugleich dasselbe Gebot abgeben und nach drei-maligem Aufruf kein höheres Gebot erfolgt, entscheidet das Los. Der Versteigerer kann den erteilten Zuschlag zurücknehmen und die Sache erneut ausbieten, wenn irrtümlich ein rechtzeitig abgegebenes höheres Gebot übersehen und dies vom Bie-ter sofort beanstandet worden ist oder sonst Zweifel über den Zuschlag bestehen.

Schriftliche Gebote werden von Lempertz nur in dem Umfang ausgeschöpft, der erforderlich ist, um ein anderes Gebot zu überbieten. Der Versteigerer kann für den Einlieferer bis zum vereinbarten Limit bieten, ohne dies anzuzeigen und unabhängig davon, ob andere Gebote abgegeben werden. Wenn trotz abgegebenen Gebots kein Zuschlag erteilt worden ist, haftet der Versteigerer dem Bieter nur bei Vorsatz oder grober Fahrlässigkeit.

8. Mit Zuschlag kommt der Vertrag zwischen Versteigerer und Bieter zustande (§ 156 S. 1 BGB). Der Zuschlag verpflichtet zur Abnahme. Sofern ein Zuschlag unter Vorbehalt erteilt wurde, ist der Bieter an sein Gebot bis vier Wochen nach der Auktion gebunden, wenn er nicht unverzüglich nach Erteilung des Zuschlages von dem Vorbehaltszuschlag zurücktritt. Mit der Erteilung des Zuschlages gehen Besitz und Gefahr an der versteigerten Sache unmittelbar auf den Bieter/Ersteigerer über, das Eigentum erst bei vollständigem Zahlungseingang.

9. Auf den Zuschlagspreis wird ein Aufgeld von 24 zuzüglich 19 Umsatzsteuer nur auf das Aufgeld erhoben, auf den über € 400.000 hinausgehenden Betrag reduziert sich das Aufgeld auf 20 (Differenzbesteuerung). Bei differenzbesteuerten Objekten, die mit N gekennzeichnet sind, wird zusätzlich die Einfuhrumsatzsteuer in Höhe von 7 % berechnet. Für Katalogpositionen, die mit R gekennzeichnet sind, wird die gesetzliche Umsatz-steuer von 19 % auf den Zuschlagspreis + Aufgeld berechnet (Regelbesteuerung). Von der Umsatzsteuer befreit sind Ausfuhrlieferungen in Drittländer (d.h. außer-halb der EU) und – bei Angabe der Umsatzsteuer-Identifikationsnummer – auch an Unternehmen in EU-Mitgliedsstaaten. Für Originalkunstwerke, deren Urheber noch leben oder nach dem 31.12.1946 verstorben sind, wird zur Abgeltung des gemäß § 26 UrhG zu entrichtenden Folgerechts eine Gebühr in Höhe von 1,8 auf den Hammerpreis erhoben. Die Gebühr beträgt maximal € 12.500. Nehmen Auk-tionsteilnehmer ersteigerte Objekte selber in Drittländer mit, wird ihnen die Um-satzsteuer erstattet, sobald Lempertz Ausfuhr- und Abnehmernachweis vorliegen. Während oder unmittelbar nach der Auktion ausgestellte Rechnungen bedürfen der Nachprüfung; Irrtum vorbehalten.

10. Persönlich an der Auktion teilnehmende Ersteigerer haben den Endpreis (Zu-schlagspreis zuzüglich Aufgeld + MwSt.) im unmittelbaren Anschluss an die Auk-tion an Lempertz zu zahlen; Die Zahlung auswärtiger Ersteher, die schriftlich ge-boten haben oder vertreten worden sind, gilt unbeschadet sofortiger Fälligkeit bei Eingang binnen 10 Tagen nach Rechnungsdatum noch nicht als verspätet. Überwei-sungen sind in Euro zu tätigen. Der Antrag auf Umschreibung einer Rechnung auf einen anderen Kunden als den Bieter muss unmittelbar im Anschluss an die Auktion abgegeben werden. Lempertz behält sich die Durchführung der Umschreibung vor.

11. Bei Zahlungsverzug werden 1 % Zinsen auf den Bruttopreis pro Monat berech-net. Lempertz kann bei Zahlungsverzug wahlweise Erfüllung des Kaufvertrages oder nach Fristsetzung Schadenersatz statt der Leistung verlangen. Der Schaden-ersatz kann in diesem Falle auch so berechnet werden, dass die Sache nochmals versteigert wird und der säumige Ersteigerer für einen Mindererlös gegenüber der voran gegangenen Versteigerung und für die Kosten der wiederholten Versteigerung einschließlich des Aufgeldes einzustehen hat.

12. Die Ersteigerer sind verpflichtet, ihre Erwerbung sofort nach der Auktion in Empfang zu nehmen. Lempertz haftet für versteigerte Objekte nur für Vorsatz oder grobe Fahrlässigkeit. Ersteigerte Objekte werden erst nach vollständigem Zah-lungseingang ausgeliefert. Eine Versendung erfolgt ausnahmslos auf Kosten und Gefahr des Ersteigerers. Lempertz ist berechtigt, nicht abgeholte Objekte vier Wo-chen nach der Auktion im Namen und auf Rechnung des Ersteigerers bei einem Spediteur einlagern und versichern zu lassen. Bei einer Selbsteinlagerung durch Lempertz werden 1 % p.a. des Zuschlagspreises für Versicherungs- und Lagerkosten berechnet.

13. Erfüllungsort und Gerichtsstand, sofern er vereinbart werden kann, ist Köln. Es gilt deutsches Recht; Das Kulturgutschutzgesetz wird angewandt. Das UN-Über-einkommen über Verträge des internationalen Warenkaufs (CISG) findet keine Anwendung. Sollte eine der Bestimmungen ganz oder teilweise unwirksam sein, so bleibt die Gültigkeit der übrigen davon unberührt.

Henrik Hanstein, öffentlich bestellter und vereidigter Auktionator Takuro Ito, Kilian Jay von Seldeneck, Kunstversteigerer

Conditions of sale

1. The art auction house, Kunsthaus Lempertz KG (henceforth referred to as Lem-pertz), conducts public auctions in terms of § 383 paragraph 3 sentence 1 of the Civil Code as commissioning agent on behalf of the accounts of submitters, who remain anonymous. With regard to its auctioneering terms and conditions drawn up in other languages, the German version remains the official one.

2. The auctioneer reserves the right to divide or combine any catalogue lots or, if it has special reason to do so, to offer any lot for sale in an order different from that given in the catalogue or to withdraw any lot from the sale.

3. All lots put up for sale may be viewed and inspected prior to the auction. The catalogue specifications and related specifications appearing on the internet, which have both been compiled in good conscience, do not form part of the contractually agreed to conditions. These specifications have been derived from the status of the information available at the time of compiling the catalogue. They do not serve as a guarantee in legal terms and their purpose is purely in the information they provide. The same applies to any reports on an item’s condition or any other information, either in oral or written form. Certificates or certifications from artists, their estates or experts relevant to each case only form a contractual part of the agreement if they are specifically mentioned in the catalogue text. The state of the item is generally not mentioned in the catalogue. Likewise missing specifications do not constitute an agreement on quality. All items are used goods.

4. Warranty claims are excluded. In the event of variances from the catalogue de-scriptions, which result in negation or substantial diminution of value or suitabil-ity, and which are reported with due justification within one year after handover, Lempertz nevertheless undertakes to pursue its rights against the seller through the courts; in the event of a successful claim against the seller, Lempertz will reimburse the buyer only the total purchase price paid. Over and above this, Lempertz under-takes to reimburse its commission within a given period of three years after the date of the sale if the object in question proves not to be authentic.

5. Claims for compensation as the result of a fault or defect in the object auctioned or damage to it or its loss, regardless of the legal grounds, or as the result of variances from the catalogue description or statements made elsewhere due to violation of due dilligence according to §§ 41 ff. KGSG are excluded unless Lempertz acted with wilful intent or gross negligence; the liability for bodily injury or damages caused to health or life remains unaffected. In other regards, point 4 applies.

6. Submission of bids. Bids in attendance: The floor bidder receives a bidding num-ber on presentation of a photo ID. Lempertz reserves the right to grant entry to the auction. If the bidder is not known to Lempertz, registration must take place 24 hours before the auction is due to begin in writing on presentation of a current bank reference. Bids in absentia: Bids can also be submitted either in writing, telephon-ically or via the internet. The placing of bids in absentia must reach Lempertz 24 hours before the auction to ensure the proper processing thereof. The item must be mentioned in the bid placed, together with the lot number and item description. In the event of ambiguities, the listed lot number becomes applicable. The placement of a bid must be signed by the applicant. The regulations regarding revocations and the right to return the goods in the case of long distance agreements (§ 312b-d of the Civil Code) do not apply. Telephone bids: Establishing and maintaining a con-nection cannot be vouched for. In submitting a bid placement, the bidder declares that he agrees to the recording of the bidding process. Bids via the internet: They will only be accepted by Lempertz if the bidder registered himself on the internet website beforehand. Lempertz will treat such bids in the same way as bids in writing.

7. Carrying out the auction: The hammer will come down when no higher bids are submitted after three calls for a bid. In extenuating circumstances, the auctioneer reserves the right to bring down the hammer or he can refuse to accept a bid. If several individuals make the same bid at the same time, and after the third call, no higher bid ensues, then the ticket becomes the deciding factor. The auctioneer can retract his acceptance of the bid and auction the item once more if a higher bid that was submitted on time, was erroneously overlooked and immediately queried by the bidder, or if any doubts regarding its acceptance arise. Written bids are only played

to an absolute maximum by Lempertz if this is deemed necessary to outbid another bid. The auctioneer can bid on behalf of the submitter up to the agreed lim-it, without revealing this and irrespective of whether other bids are submitted. Even if bids have been placed and the hammer has not come down, the auctioneer is only liable to the bidder in the event of premeditation or gross negligence.

8. Once a lot has been knocked down, the successful bidder is obliged to buy it. If a bid is accepted conditionally, the bidder is bound by his bid until four weeks after the auction unless he immediately withdraws from the conditionally accepted bid. From the fall of the hammer, possession and risk pass directly to the buyer, while ownership passes to the buyer only after full payment has been received.

9. Up to a hammer price of € 400,000 a premium of 24 calculated on the hammer price plus 19 value added tax (VAT) calculated on the premium only is levied. The premium will be reduced to 20 (plus VAT) on any amount surpassing€ 400,000 (margin scheme). On lots which are characterized by N, an additional 7 % for import tax will be charged. On lots which are characterized by an R, the buyer shall pay the statutory VAT of 19 % on the hammer price and the buyer’s premium (regular scheme). Exports to third (i.e. non-EU) countries will be exempt from VAT, and so will be exports made by companies from other EU member states if they state their VAT identification number. For original works of art, whose authors are either still alive or died after 31.12.1946, a charge of 1.8 on the hammer price will be levied for the droit de suite. The maximum charge is € 12,500. If a buyer exports an object to a third country personally, the VAT will be refunded, as soon as Lempertz receives the export and import papers. All invoices issued on the day of auction or soon after remain under provision.

10. Successful bidders attending the auction in person shall forthwith upon the pur-chase pay to Lempertz the final price (hammer price plus premium and VAT) in Euro. Payments by foreign buyers who have bid in writing or by proxy shall also be due forthwith upon the purchase, but will not be deemed to have been delayed if received within ten days of the invoice date. Bank transfers are to be exclusively in Euros. The request for an alteration of an auction invoice to a person other than the bidder has to be made immediately after the auction. Lempertz however reserves the right to refuse such a request if it is deemed appropriate.

11. In the case of payment default, Lempertz will charge 1% interest on the out-standing amount of the gross price per month.. If the buyer defaults in payment, Lempertz may at its discretion insist on performance of the purchase contract or, after allowing a period of grace, claim damages instead of performance. In the latter case, Lempertz may determine the amount of the damages by putting the lot or lots up for auction again, in which case the defaulting buyer will bear the amount of any reduction in the proceeds compared with the earlier auction, plus the cost of resale, including the premium.

12. Buyers must take charge of their purchases immediately after the auction. Once a lot has been sold, the auctioneer is liable only for wilful intent or gross negligence. Lots will not, however, be surrendered to buyers until full payment has been re-ceived. Without exception, shipment will be at the expense and risk of the buyer. Purchases which are not collected within four weeks after the auction may be stored and insured by Lempertz on behalf of the buyer and at its expense in the premises of a freight agent. If Lempertz stores such items itself, it will charge 1 % of the hammer price for insurance and storage costs.

13. As far as this can be agreed, the place of performance and jurisdiction is Cologne. German law applies; the German law for the protection of cultural goods applies; the provisions of the United Nations Convention on Contracts for the International Sale of Goods (CISG) are not applicable. Should any provision herein be wholly or partially ineffective, this will not affect the validity of the remaining provisions.

Henrik Hanstein, sworn public auctioneer Takuro Ito, Kilian Jay von Seldeneck, auctioneers

Conditions de vente aux encheres

1. Kunsthaus Lempertz KG (appelée Lempertz dans la suite du texte) organise des ventes aux enchères publiques d’après le paragraphe 383, alinéa 3, phrase 1 du code civil allemand en tant que commissionnaire pour le compte de dépositaires, dont les noms ne seront pas cités. Les conditions des ventes aux enchères ont été rédigées dans plusieurs langues, la version allemande étant la version de référence.

2. Le commissaire-priseur se réserve le droit de réunir les numéros du catalogue, de les séparer, et s’il existe une raison particulière, de les offrir ou de les retirer en-dehors de leur ordre.

3. Tous les objets mis à la vente aux enchères peuvent être examinés et contrôlés avant celle-ci. Les indications présentes dans le catalogue ainsi que dans la présen-tation Internet correspondante, établies en conscience et sous réserve d’erreurs ou omissions de notre part, ne constituent pas des éléments des conditions stipulées dans le contrat. Ces indications dépendent des avancées de la science au moment de l’élaboration de ce catalogue. Elles ne constituent en aucun cas des garanties juridiques et sont fournies exclusivement à titre informatif. Il en va de même pour les descriptions de l’état des objets et autres renseignements fournis de façon orale ou par écrit. Les certificats ou déclarations des artistes, de leur succession ou de tout expert compétent ne sont considérés comme des objets du contrat que s’ils sont mentionnés expressément dans le texte du catalogue. L’état de conservation d’un objet n’est pas mentionné dans son ensemble dans le catalogue, de telle sorte que des indications manquantes ne peuvent constituer une caractéristique en tant que telle. Les objets sont d’occasion. Tous les objets étant vendus dans l’état où ils se trouvent au moment de leur adjudication.

4. Revendications pour cause de garantie sont exclus. Dans le cas de dérogations par rapport aux descriptions contenues dans les catalogues susceptibles d’anéantir ou de réduire d’une manière non négligeable la valeur ou la validité d’un objet et qui sont exposées d’une manière fondée en l’espace d’un an suivant la remise de l’objet, Lempertz s’engage toutefois à faire valoir ses droits par voie judiciaire à l’encontre du déposant. Le texte du catalogue en langue allemande fait foi. Dans le cas d’une mise à contribution du déposant couronnée de succès, Lempertz ne remboursera à l’acquéreur que la totalité du prix d’achat payé. En outre, Lempertz s’engage pendant une durée de trois ans au remboursement de la provision en cas d’inauthenticité établie.

5. Toutes prétentions à dommages-intérêts résultant d’un vice, d’une perte ou d’un endommagement de l’objet vendu aux enchères, pour quelque raison juridique que ce soit ou pour cause de dérogations par rapport aux indications contenues dans le catalogue ou de renseignements fournis d’une autre manière tout comme une violation des obligations de dilligence §§ 41 ff. KGSG sont exclues dans la mesure où Lempertz n’ait ni agi avec préméditation ou par négligence grossière ni enfreint à des obligations essentielles du contrat. La responsabilité pour dommages de la violation de la vie, du corps ou de la santé ne sont pas affectées. Pour le reste, l’alinéa 4 est applicable.

6. Placement des enchères. Enchères en présence de l’enchérisseur : l’enchérisseur en salle se voit attribuer un numéro d’enchérisseur sur présentation de sa carte d’identé. Lempertz décide seul d’autoriser ou non l’enchère. Si l’enchérisseur n’est pas encore connu de Lempertz, son inscription doit se faire dans les 24 heures précédant la vente aux enchères, par écrit et sur présentation de ses informations bancaires actu-elles. Enchères en l’absence de l’enchérisseur : des enchères peuvent également être placées par écrit, par téléphone ou par le biais d’Internet. Ces procurations doivent être présentées conformément à la réglementation 24 heures avant la vente aux en-chères. L’objet doit y être nommé, ainsi que son numéro de lot et sa description. En cas d’ambiguïté, seul le numéro de lot indiqué sera pris en compte. Le donneur d’ordre doit signer lui-même la procuration. Les dispositions concernant le droit de rétraction et celui de retour de l’objet dans le cadre de ventes par correspondance (§ 312b-d du code civil allemand) ne s’appliquent pas ici. Enchères par téléphone: l’établissement de la ligne téléphonique ainsi que son maintien ne peuvent être ga-rantis. Lors de la remise de son ordre, l’enchérisseur accepte que le déroulement de l’enchère puisse être enregistré. Placement d’une enchère par le biais d’Internet : ces enchères ne seront prises en compte par Lempertz que si l’enchérisseur s’est au préalable inscrit sur le portail Internet. Ces enchères seront traitées par Lempertz de la même façon que des enchères placées par écrit.

7. Déroulement de la vente aux enchères. L’adjudication a lieu lorsque trois appels sont restés sans réponse après la dernière offre. Le commissaire-priseur peut réserver l’adjudication ou la refuser s’il indique une raison valable. Si plusieurs personnes placent simultanément une enchère identique et que personne d’autre ne place d’enchère plus haute après trois appels successifs, le hasard décidera de la personne qui remportera l’enchère. Le commissaire-priseur peut reprendre l’objet adjugé et le remettre en vente si une enchère supérieure placée à temps lui a échappé par erreur et que l’enchérisseur a fait une réclamation immédiate ou que des doutes existent

au sujet de l’adjudication (§ 2, alinéa 4 du règlement allemand sur les ventes aux enchères). Des enchères écrites ne seront placées par Lempertz que dans la mesure nécessaire pour dépasser une autre enchère. Le commissaire-priseur ne peut enchérir pour le dépositaire que dans la limite convenue, sans afficher cette limite et in-dépendamment du placement ou non d’autres enchères. Si, malgré le placement d’enchères, aucune adjudication n’a lieu, le commissaire-priseur ne pourra être tenu responsable qu’en cas de faute intentionnelle ou de négligence grave.

8. L’adjudication engage l’enchérisseur. Dans la mesure où une adjudication sous réserve a été prononcée, l’enchérisseur est lié à son enchère jusqu’à quatre semaines après la fin de la vente aux enchères ou après réception des informations dans le cas d’enchères par écrit, s’il ne se désiste pas immédiatement après la fin de la vente.

9. Dans le cadre de la vente aux enchères un agio de 24 s’ajout au prix d’adju-dication, ainsi qu’une TVA de 19 calculée sur le agio si ce prix est inférieur à € 400.000; pour tout montant supérieur à € 400.000 la commission sera di-minuée à 20 (régime de la marge bénéficiaire). Dans le cas des objets soumis au régime de la marge bénéficiaire et marqués par N des frais supplémentaires de 7% pour l’importation seront calculés. Pour les position de catalogue caracterisee par R, un agio de 24% est preleve sur le prix d’adjudication ce prix facture net (prix d’adjudication agio) est majore de la T.V.A. legale de 7% pour les tableaux, graphiques originaux, sculptures et pieces de collection, et de 19 % pour les arts decoratifs appliques (imposition reguliere). Sont exemptées de la T.V.A., les livraisons d’exportation dans des pays tiers (en de-hors de l’UE) et – en indiquant le numéro de T.V.A. intracommunautaire – aussi à destination d’entreprises dans d’autres pays membres de l’UE. Si les participants à une vente aux enchères emmènent eux-mêmes les objets achetés aux enchères dans des pays tiers, la T.V.A: leur est remboursée dès que Lempertz se trouve en possession du certificat d’exportation et d’acheteur. Pour des oeuvres originales dont l’auteur est decedé apres le 31.12.1946 ou est encore vivant, conformement a § 26 UrhG concernant l’indemnisation a percevoir sur le droit de suite s’eleve a 1,8 du prix adjuge. L’indemnisation ne dépassera pas un montant maximale de € 12.500. Les factures établies pendant ou directement après la vente aux enchères d’oeuvres d’art doivent faire l’objet d’une vérification, sous réserve d’erreur.

10. Les adjudicataires participant personnellement à la vente aux enchères sont tenus de payer le prix final (prix d’adjudication plus agio + T.V.A.) directement après l’ad-judication à Lempertz. Le paiement par des adjudicateurs externes, qui ont enchéri par écrit ou ont été représentés, est, nonobstant son exigibilité immédiate, considéré comme n’étant pas en retard à sa réception dans les 10 jours suivant la date de la facture. Les virements bancaires se font uniquement en euro. Nous n’acceptons pas les chèques. Dans le cas d’un paiement en liquide s’élevant à un montant égal à €15.000 ou supérieur à cela, Lempertz est obligé par le § 3 de la loi concernant le blanchiment d’argent de faire une copie de la carte d’identité de l’acheteur. Ceci est valable aussi dans le cas où plusieurs factures de l’acheteur s’élèvent à un montant total de € 15.000 ou plus. Tout demande de réécriture d’une facture à un autre nom de client que celui de l’enchérisseur doit se faire directement après la fin de la vente aux enchères. Lempertz effectue la réalisation de cette nouvelle facture.

11. Pour tout retard de paiement, des intérêts à hauteur de 1 % du prix brut seront calculés chaque moin. En cas de retard de paiement, Lempertz peut à son choix exiger l’exécution du contrat d’achat ou, après fixation d’un délai, exiger des dom-mages-intérêts au lieu d’un service fourni. Les dommages-intérêts pourront dans ce cas aussi être calculés de la sorte que la chose soit vendue une nouvelle fois aux enchères et que l’acheteur défaillant réponde du revenu moindre par rapport à la vente aux enchères précédentes et des frais pour une vente aux enchères répétée, y compris l’agio.

12. Les adjudicataires sont obligés de recevoir leur acquisition directement après la vente aux enchères. Le commissaire-priseur n’est responsable des objets vendus qu’en cas de préméditation ou de négligence grossière. Les objets achetés aux enchères ne seront toutefois livrés qu’après réception du paiement intégral. L’expédition a lieu exclusivement aux frais et aux risques de l’adjudicataire. Lempertz a le droit de mett-re des objets non enlevés en entrepôt et de les assurer au nom et pour le compte de l’adjudicataire chez un commissionnaire de transport quatre semaines après la vente aux enchères. En cas de mise en entrepôt par Lempertz même, 1% du prix d’adjudi-cation sera facturé par an pour les frais d’assurance et d’entreposage.

13. Le lieu d’exécution et le domicile de compétence – s’il peut être convenu – est Cologne. Le droit allemand est applicable. La lois pour la protection des biens cul-turels est applicable. Les prescriptions du CISG ne sont pas applicables. Au cas où l’une des clauses serait entièrement ou partiellement inefficace, la validité des dispo-sitions restantes en demeure inaffectée.

Henrik Hanstein, commissaire-priseur désigné et assermenté Takuro Ito, Kilian Jay von Seldeneck, commissaires-priseurs

拍卖条件

1. 伦佩茨艺术品拍卖公司（以下简称伦佩茨）作为行纪人遵照民法第383条第3段第1款的规定，替不公开

身份的委托人举行公开拍卖。用其他语言拟定有关拍卖条件时，应以德文版为准。

2. 拍卖人为自己保留下述权利：统一或分开目录册中物品的号码、在特殊情况下不按顺序抽出（某些物

品）陈列出售或取消（某些物品）的出售。

3. 可在拍卖之前参观并检查所有准备拍卖标的物。目录册和网页的说明均为诚实陈述，然而不提供法律意

义上的保证，仅用作参考资料。这些说明基于目录册制成时间的知识水平。它们不构成合同协定特性

的组成部分。本条文同样适用于所有口头和书面的咨询答复。艺术家，他们的遗产，或是起重要作用专

家的证明或是证书，只有在目录册中明确提及时，才能构成合同的组成部分。目录册通常不述及保养状

态。对此，缺乏说明不足以成为对（物品）特性进行协议的理由。拍卖标的物均为用过物品。所有标的

物均以其在拍定期间的保养状态进行转让。

4. 不包括保證索赔。如果目录册说明与事实出现偏离，致使其价值或合适性丧失，或使价值或合适性产生

并非微不足道的减低，并在转让之后一年内有根据地予以说明，伦佩茨则有义务通过法律途径向交付者

提出其权利要求。目录册以德文版本为准。如对交付者的给予请求获得成功，伦佩茨将向购买者退还所

有已支付价金。此外，伦佩茨承诺在两年内对经证实并且没有改变其状态下退回的赝品退还其佣金。

5. 由于已拍卖物品的瑕疵、遗失或损坏或者由于目录册说明或其它答复偏离事实所提出的损害赔偿，无论

基于何种法律根据，在伦佩茨并非蓄意或严重失职所造成或违反合同重要义务的情况下，伦佩茨一概不

负责任。身体伤害或健康或生命造成的损害赔偿责任仍然不受影响。其余则以第4条为准。

6. 提出报价。出席报价：出席拍卖会的现场出价人经出示带照片的身份证得到一个出价人号码。伦佩茨保

留批准其参与拍卖会的权利。如果出价人在伦佩茨还未注册，则必须在拍卖开始24小时之前出示当前的

银行证明，以书面签署的形式报名登记。缺席报价：可采用书面形式、通过电话或因特网提出报价。必

须在拍卖开始24 小时之前向伦佩茨提交缺席报价委托书，以办理手续。在委托书中，拍卖品以物品编号

和物品标记命名。如有歧义或含混不清，则以物品编号为准。委托书须由委托人签署。在远程销售合同

中有关撤回权和退还权的规定（民法第312b - d条）在此并不适用。电话报价：不能确保电话线路的接通

与信号的保持。出价人提交委托书即表示同意记录出价的经过。在因特网上报价：只有当出价人之前在

互联网门户网站上已经登记过，伦佩茨才能接受因特网上的报价。伦佩茨将此种报价当作书面提交的报

价处理。

7. 拍卖的实施程式：对一个拍卖报价进行三次叫价后，如无人提出更高报价，则拍定。如有特殊原因，拍

卖人有权保留或拒绝拍定。如果几个人同时提出同样报价，而三次叫价后无人提出更高报价，则通过抽

签决定。如果出于错误忽略了某个及时提出的更高报价，而该出价人立即对其提出抗议，或对拍定存在

其它疑问（拍卖程序法VerstVO第2条，第4款），拍卖人可撤回所作拍定，并重新出售。伦佩茨的报价

限定在旨在超过其它报价的范围内。拍卖人可为委托人在商定的价格限制内出价，无需通告，而且与是

否有人提出其它报价无关。如果有人提出报价而没有作出拍定，拍卖人仅在蓄意或严重失职的情况下才

向拍卖出价人承担责任。

8. 拍定者有受领义务。只要拍定是有保留地作出的，如果出价人没有立即退出保留拍定，则在拍卖之后的

四周内受其出价的约束。拍定时，拍卖标的物的占有与风险立即转至拍卖取得人，而在全部收回账款时

拍卖取得人方拥有所有权。

9. 对于成交价不到400.000欧元（含400.000欧元）的拍品，将以此成交价为基础收取24%的升水，并以此升

水额为基础加上19%的增值税；超过 400.000欧元时，以此成交价为基础收取20%的升水（差别税收），

并以此升水额为基础加收19%的增值税。对于用 N 号标出的进行差别税收的拍品，将额外收取7%的进

口环节增值税。标有 R 符号的录项，成交价不到400.000欧元（含400.000欧元）时，将收取24%的升水；

若成交价高于400.000欧元，则对于400.000欧元部分收取24%，超出部分收取20%的升水。以成交价加上

升水作为净价格，在此基础上再收取19%的增值税（规定税收）。对于原作者在1946年12月 31日后去世

的原始作品，根据著作权法第26条，将加上成交价格的1,9%作为补偿费用。此费用最高不超过12.500欧

元。出口至第三国（即欧盟以外的国家）的物品则免征增值税。对其它欧盟成员国提交增值税识别号码

的企业也免征增值税。如果拍卖参与者自行将已拍卖物品带往第三国，一旦向伦佩茨提交出口和用户证

明，则向其退还增值税。对在艺术品拍卖过程中以及结束之后马上开具的帐单应进行检查；有误当查。

10. 亲自参加艺术品拍卖的拍卖取得人在成功拍卖后必须立刻向伦佩茨交付最后合计价金(拍卖价金加上升

水与增值税)。对于通过书面叫价或派代表参加的外地拍卖取得人，尽管帐单送达时立即生效，在送达

之日算起的10天内付款仍不算晚。只能用欧元进行转账。如果要将账单转寄给非出价人的第三者，须要

在拍卖会结束后立即提交申请。

对于支付现金15000欧元或者以上的客户，伦佩茨根据反洗钱法的第三条有权利得到顾客的证件照的复

印件。这一条对于总共支付15000欧元及以上的多张发票的顾客同样有效。

11. 如付款迟延，将对每个已开始的月份加收1％的利息。如发生付款迟延，伦佩茨可因该债务未履行而选

择提出履行买卖合同的要求，或在指定期限之后提出损害赔偿要求。在这种情况下，损害赔偿也可这样

计算：再次拍卖物品，迟延缴纳的购买人承担与上一次拍卖的卖得价金之差价，并承担包括升水在内的

再次拍卖费用。

12. 拍卖取得人有义务在拍卖完成后立即受领其获得物品。拍卖人仅在蓄意或严重失职的情况下方对已出售

标的物负责。然而，拍卖获得的物品仅在款项完全收回之后方可移交。如需发运，其费用与风险则一律

由拍卖取得人承担。伦佩茨有权在拍卖四周之后将未提取的物品以拍卖取得人的名义交一位运输商存放

并为其保险，其费用由拍卖取得人负责。如由伦佩茨自行存放，则收取拍定价金的1％，用作保险费和

存放费等。

13. 如双方协定，(债法）履行地和审判籍为科隆。以德国法律为准则。规定国际货物买卖合同的国际货物

买卖统一法（CISG）的条文不适用。如某个条款全部或部分无效，其余条款的有效性不受其影响。

亨里克·汉施泰因：公开选任和宣誓的拍卖人

Kunsthaus Lempertz KG (Germany) Neumarkt 3 D-50667 Köln T +49.221.925729-0 F +49.221.925729-6

[email protected] www.lempertz.com

Absentee Bid Form auction 1092 Netsuke and Sagemono incl. the Kolodotschko Coll. of Netsuke, 9.6.2017

Aufträge für die Auktion 1092 Netsuke und Sagemono, inkl. the Kolodotschko Coll. of Netsuke, 9.6.2017

Name Name

Address Adresse

Telephone Telefon Fax E-Mail

References and identification may be required for new clients Evtl. Referenzen und Identifikation bei Neukunden

Date Datum Signature Unterschrift

Lot Katalog Nr. Title Titel (Stichwort) Bid price € Gebot bis zu €

The above listed bids will be utilized to the extent necessary to overbid other bids. The bids are binding, the listed catalogue numbers are valid. The commission and value added tax (VAT) are not included. The bidder accepts the conditions of sale. Written bids should be received by at latest the day before the auction.

Die Gebote werden wir nur soweit in Anspruch nehmen, als andere Gebote überboten werden müssen. Die Aufträge sind bindend, es gelten die eingetragenen Katalognummern. Das Aufgeld und die Mehrwert-steuer sind nicht enthalten. Der Auftraggeber erkennt die Versteige-rungsbedingungen an. Schriftliche Gebote sollen einen Tag vor der Auktion vorliegen.

Please be aware of the export regulations and conditions of sale.

Versand

Der Versand der ersteigerten Objekte wird auf Ihre Kosten und Gefahr nach Zahlungseingang vorgenommen.

Sie finden auf der Rechnung einen entsprechenden Hinweis bezüglich Versand und Versicherung.

Eventuell erforderliche Exportgenehmigungen können gern durch Lempertz oder einen Spediteur beantragt werden.

Bei Rückfragen: Linda Kieven Tel [email protected]

Fedex / Post (mit Versicherung) Spedition mit Versicherung ohne Versicherung Abholung persönlich

Versand an:

Telefon / E-Mail

Rechnungsempfänger (wenn abweichend von Versandadresse)

Datum und Unterschrift

Shipment

Kunsthaus Lempertz is prepared to instruct Packers and Shippers on your behalf and at your risk and expense upon receipt of payment.

You will receive instructions on shipping and insurance with your invoice.

Should you require export licenses, Lempertz or the shipper can apply for them for you.

For information: Linda Kieven Tel +49.221.925729-19 [email protected]

Fedex / Post (with insurance) Shippers / Carriers With insurance Without insurance Personal collection

Lots to be packed and shipped to:

Telephone / e-mail

Charges to be forwarded to:

Date and signature

Branches Filialen

Berlin Kilian Jay von SeldeneckMag. Alice Jay von SeldeneckIrmgard Canty M.A.Christine Goerlipp M.A.Melanie JaworskiPoststraße 22D-10178 BerlinT +49.30.27876080F [email protected]

Brüssel Brussels Henri Moretus Plantin de BouchoutRaphaël Sachsenberg M.A. Emilie Jolly M.A.Dr. Hélène Mund (Alte Meister)Lempertz, 1798, SA/NVGrote Hertstraat 6 rue du Grand CerfB-1000 BrusselsT +32.2.5140586F [email protected]

München Munich Emmarentia BahlmannHans-Christian von Wartenberg M.A.St.-Anna-Platz 3D-80538 MünchenT +49.89.98107767F [email protected]

Representatives Repräsentanten

Mailand Milan Carlotta Mascherpa M.A.T [email protected]

London William LabordeT [email protected]

New York Drs. Dieuwke EijerT [email protected]

Zürich Zurich Nicola Gräfin zu StolbergT +41.44.4221911F [email protected]

Paris Laurent MüllerT [email protected]

Kalifornien California Andrea Schaffner-Dittler M.A.T [email protected]

São Paulo Martin WurzmannT +55.11.38165892F +55.11.38144986

Experts Experten

Drs. Erwin van Pruissen T. +49 221 [email protected]

Noemi Stubbe M.A.T. +49 221 [email protected]

Emi Katsaridis M.A.T. +49 221 [email protected]

Anna Chiffers M.A.T. +49 221 [email protected]

Adrian Heindrichs B.A.T +49 221 [email protected]

Asiatische Kunst IAsian Art I9. Juni 2017 KölnLempertz Auktion 1092

Proud partner of the 2017 Cologne Netsuke Convention 6 – 10 June

Netsuke and SagemonoIncluding The Kolodotschko Collection of Netsuke VAuction 9 June 2017 Cologne

including the kolodotschko collection of netsuke v ... · netsuke and sagemono including the...

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