fringe 2013: festival preview

FESTIVAL PREVIEWSEPTEMBER 19-28, 2013

I N T E R V I E W

I N T R O D U C T I O N

W H A T N O T T O M I S S

MARC MARON

HEADLINERS

CRITIC PICKS

FRINGE

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RETURN OF THE FRINGE

1CITY NEWSPAPER'S PREVIEW OF THE 2013 ROCHESTER FRINGE FESTIVAL

INTRODUCTION | B Y E R I C R E Z S N Y A K

B A N D A L O O P • D AV E B A R R Y • M A R C M A R O N • S P I E G E L T E N T

A year ago Rochester still didn’t really know what to expect from a Fringe festival. But after five days of dancing on buildings, light shows, A-list comedians, improvisational puppets, gospel choirs, geriactors, drag queens, kids shows, physical theater, and dozens of other acts, the people got it. More than 32,000 people turned out for the festival’s inaugural year, way outpacing organizers’ expectations. In response, the 2013 First Niagara Rochester Fringe Festival has expanded to 10 days, taking place September 19-28. That’s double the time to take in all the dance, visual art, music, comedy, theater, and family shows being offered up in 28 venues in downtown Rochester.

The Rochester Fringe Festival is put on by a nonprofit corporation kickstarted by some of the area’s key cultural institutions, including Geva Theatre Center, the George Eastman House, Garth Fagan Dance, and Eastman School of Music, among others. What makes Fringe different from other arts festivals is that participating venues curate their own shows. Acts applied in spring 2013 and the various theaters, galleries, cafes, etc. picked the shows that best fit their venues. Tickets for Fringe shows vary per venue, typically ranging between $6 and $16 with dozens of events totally free of charge. (The headlining acts in Kodak Hall and the Spiegeltent have higher ticket prices; see details below.) Tickets are available online at

rochesterfringe com, or in person at each venue starting one hour before show time. Fringe Fanatic Passes, which grant admission to all Fringe shows (except performances at Kodak Hall and the Spiegeltent), cost $190 and can be purchased online or at the box Spiegeltent Box Office (located at 460 E. Main St. September 14-28). For a full schedule of the festival, a list of venues, maps, and other information, see the official Fringe Festival guide included in this issue or visit rochesterfringe.com. City Newspaper will offer extensive coverage of the 2013 Fringe Festival. Look for daily blogs during the run of the festival, with photos, reviews, and our critics’ picks for best of the fest, and make sure to pick up the Fringe Review in print in the September 25 issue.

2 0 1 3 F R I N G E F E S T I V A L HEADLINERSGood dance performances are often mesmerizing. When they’re done in slow motion on the side of skyscrapers,

bridges, and billboards? Then they’re epic. That’s what makes San Francisco-based BANDALOOP one of the most captivating dance acts in the world. The performances are so unique, they almost seem like they couldn’t be real. But they are real, and they’re spectacular. BANDALOOP made a big splash as one of the headliners of last year’s Rochester Fringe Festival, drawing more than 10,000 spectators to its performances. This year it will again take the stage (well, the side of a building) at HSBC Plaza (100 Chestnut St.) on Friday, September 20, at 8 p.m., and Saturday, September 21, at 4 p.m. The best vantage place for spectators is Manhattan Square Park. Watching BANDALOOP is free, though food and drink will be for sale in the park. On Friday night free entertainment will be available 5-9 p.m. as part of Friday on the Fringe. — BY TREVOR LEWIS

Dave Barry has written more than 30 books, and at one point his newspaper

column appeared in more than 500 papers nationwide. He won the 1988 Pulitzer Prize for commentary (which he misplaced for several years), and his newest book, “Insane

City,” has drawn rave reviews from critics and readers alike. On Friday, September 27, Rochester will get a chance to get the inside scoop from

the man the New York Times declared the funniest man in America. Barry takes the stage at 8 p.m. at the Kodak Hall at Eastman Theatre

(60 Gibbs St.), and tickets cost $20-$65. — BY TREVOR LEWIS

BANDALOOP DAVE BARRY

MARC MARONSee interview on page 22

SPIEGELTENTSee sidebar on page 28

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Comedian Marc Maron has sometimes had trouble fitting in over the course of his two-decade career. He’s had problems with drugs and alcohol, two failed marriages, and a radio show that got cancelled. But for a Fringe festival, Maron may be the perfect fit. A few years ago, with no prospects on traditional media and few comedy gigs on his calendar, he started a podcast. All he needed was a Mac computer with GarageBand and a recording studio --- his Los Angeles garage. He called it, appropriately enough, “WTF” (“What The Fuck”) and, from the outer margins of the media world, he built it into a successful business. In the meantime his bookings increased, he landed a sitcom (“Maron,” which will return for a second season on the Independent Film Channel next year), and he recently published a memoir, “Attempting Normal.” “WTF” has a simple format: 10 or 15 minutes of Maron’s monologue, which could be about a near-death experience or about going to the bathroom, and 45 minutes to an hour of conversation with his featured guest. Over the course of more than 400 podcasts he’s interviewed almost every comedian on the face of the earth

and a host of filmmakers, actors, writers, and rock stars. The conversations go deep. Carlos Mencia defends himself against accusations of joke-stealing. Robin Williams explores a bout with alcoholism. Louis C.K. and Maron get into an emotional exchange about their past relationships and C.K.’s failed marriage that brings C.K. to tears. A biography on Maron’s website quotes a fan who told him: “You’re like an Iggy Pop Woody Allen.” That about nails it. He’s cerebral and philosophical but in a raw, primal-scream kind of way. His book and podcast can make you literally laugh out loud or make you wonder about the paths you’ve chosen in life. Maron and I crossed paths in the late 1970’s when, as a teenager, he attended Lighthouse Art and Music Camp in Pennsylvania. I was teaching art and he was studying guitar with my brother, Steve. He remembers it well. “That had a profound effect on me the two years I went there,” said Maron. “It was a mind-blowing place for kids that were into the art thing. I don’t even know if a camp like that could exist now. Jesus, they let us smoke there. It was crazy.”

When I reached Maron by phone we talked about how he got into comedy and some of the comedians he admired. But we mostly spoke about the psychological stresses of comedy and why it’s so important to him. The following is an edited version of our conversation.

CITY: What was your childhood like?Marc Maron: My parents were very young when they had me and they were

both from New Jersey. What was that old joke I had? They belonged to the first generation of Jews to move as far away from their parents as possible for reasons other than fleeing a country. Somehow or another we ended up in New Mexico. We were dramatically displaced East Coast Jews growing up in Northern New Mexico. They were both fundamentally selfish people but I think they meant well.

INTERVIEW | B Y R O N N E T S K Y

PERFORMING AS PART OF THE FIRST NIAGARA ROCH-

ESTER FRINGE FESTIVAL • SATURDAY, SEPTEMBER 21

KODAK HALL AT EASTMAN THEATRE, 60 GIBBS ST.

8 P.M. | $20-$55 | ROCHESTERFRINGE.COMMARC

MARO

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Comedian Marc Maron, one of the headliners of the 2013 Rochester Fringe Festival, aver-ages nearly 3 million downloads per month for his podcast, “WTF.” On it he has interviewed comedy legends as wide-ranging as Mel Brooks and Louis C.K. PHOTO BY LEIGH RIGHTON


Did any particular comedians inspire you when you were young?I remember being profoundly affected by stand-ups on television, primarily watching people on “The Merv Griffin Show” or “The Mike Douglas Show” after school. I remember seeing Don Rickles, Buddy Hackett, Jay Leno even, early on. The first season of “Saturday Night Live” was mind blowing to me. I thought that was the best thing in the world. I was 13 or 14 years old. The first comedy show I went to, I believe, was George Carlin when I was in fourth or fifth grade. That was pretty monumental. And also seeing Richard Pryor’s “Live In Concert” movie when I was in high school was a pretty life-changing experience.

You’ve called Pryor the greatest comedian of them all. Why?Because he put his heart on the line. You felt like when he was doing comedy he was all in it and there was a lot of emotional risk there.

Some of the most legendary comedians — Pryor, Lenny Bruce, Freddie Prinze — had a pretty rough time. What is it about comedy that attracts so many troubled people?It was pointed out to me that there are plenty of plumbers with drug problems. I think because celebrities are celebrities, the ones that go off the rails draw a lot of attention because people want to connect that trouble to that disposition. But I’m not sure in terms of proportions or percentages that there are not just as many drug addicts and alcoholics in other professions. So I think that struggle is organic to an individual. I don’t know if it’s related to the business I’m in, but I think that creative people are overly sensitive and it’s a lot to shoulder sometimes. I don’t think people do it for relief; there’s an alcoholic or drug-addicted disposition.

But comics are there on the stage alone. There’s not even a guitar between them and the audience. Do you see that as a vulnerable position or a powerful one?It’s different for everybody. After a certain point the ability to get on stage, for most comics, is just part of the job. Eventually you lose that fear of taking the stage. Once that goes away you’re freed up to do whatever you are going to do. But being up there, that struggle to create new material, or finding the courage to explore different things -- that’s pretty rough stuff. The struggle that goes on when you don’t do new stuff, or you don’t take chances, or the self-criticism you put yourself through --- all of that stuff is part of it. But the idea of being on stage, or getting on stage, after a certain point --- and it took

me a long time --- the fear goes away. And then you have the freedom that wasn’t there before, because you’re no longer pretending not to be afraid. So what are you going to do up there? That becomes the real battle. I think it’s different for all comics. Some comics offer a lot of themselves, some settle on the part of them that’s evolved into the performer they are. They’re professional about it. But the ones that really take emotional risks up there are rare, and they do seem a bit troubled.

You would put yourself in that category, wouldn’t you?Yes. I’m not going to compare myself with anybody, but I do know from my own experience that getting up there, I want a relationship with the audience that will enable me to push myself. So I do have emotional expectations. It’s not spoken and only I can feel it, but I don’t want to be at odds with an audience. I want to connect, and it’s not just about getting laughs. It’s beyond the job.

On a recent podcast with Douglas Rushkoff, who writes about the dangers of the digital world, you coined the phrase, “Big data is watching you.” But that’s kind of ironic because I can’t think of a person who has willingly exposed more about his life than you have.The inner life goes on beyond the time I spend doing monologues at the beginnings of those podcasts, or the hour or two I spend on stage. I still wake up with me and there’s some sort of private ongoing ebb and flow of emotion, fears, and everything else. It’s still framed in a certain way. If you really look at the living my life and thinking my thoughts versus the time spent where I’m publicly talking about them, there’s still a lot of privacy there in my head.

On your podcast, you seem to inspire other comedians, like Louis C.K., Robin Williams, and Carlos Mencia, to reveal a great deal of pretty heavy personal stuff. I don’t like the pathology framework, the idea of therapy. I just think they’re heartfelt conversations. I think the reason they happen is I feel very close to people fairly quickly based on very little emotional evidence. I have an ability to become fairly deeply codependent with somebody I’ve made assumptions of in terms of who they are. Also, I have an emotional need that persists to connect with somebody in a real way, to really feel like I’m in an authentic exchange. I think that that, coupled with talking to peers, and also having learned to be a more empathetic listener, is how those elements of the conversations evolve.

CONTINUES ON PAGE 29


“The 24-Hour Plays” I have to admit, this sounds like my worst nightmare: being forced to conceive, write, memorize, and perform six short plays in 24 hours. (It took me longer than that to write this paragraph.) However, I do know there are stouter souls than I out there, and I look forward to seeing them grapple with this theatrical challenge. It does sound like “theater at its most raw and immediate,” as it

is advertised — and it might be theater at its most fun, too. (Monday, September 23, 8 p.m., Writers & Books, $10) “The Goldberg Variations” Not to be confused with the play “33 Variations”; those variations are Beethoven’s. The background for this performance piece by John Borek and Rebecca Solomon is J.S. Bach’s great set of keyboard variations. Bach’s music, along with actors and dancers, is enlisted to tell an unsettling story: the collision (often disastrous) between German and Jewish cultures over three centuries. (Sunday, September 22, 9 p.m., MuCCC, $8) “Macbeth: Fair is Foul and Foul is Fair” Along with all its other good work, Webster’s CDS Monarch sponsors the Monarch Players, an acting troupe of performers with and without disabilities. The group is not afraid to tackle the biggies: the Players’ presentation of Shakespeare’s “Hamlet” was a sell-out at last

year’s Fringe Festival, and it will be back this year, retelling another Shakespeare tragedy — the “Scottish Play” — through spoken word, dance, and music. (Saturday, September 28, 2 p.m., Blackfriars Theatre, $11) “New Eyes” It got rave reviews in Los Angeles, has toured America to equal acclaim, and now Israeli-American actress Yafit Josephson’s “New Eyes” will play the Rochester Fringe Festival, and later the JCC CenterStage. Josephson’s script ranges from hilarious to dead serious as she illustrates how her mandatory service in the Israeli army led to an acting career in the United States — one specializing in villains and terrorists. Based on clips, she gives a funny and moving one-woman performance, playing 18 characters from five different countries. (Saturday, September 28, 8 p.m., TheatreRocs Stage at Xerox Auditorium, $16)

“The Old Maid and The Thief” Gian Carlo Menotti’s one-act opera, a whimsical variation on the old farmer’s daughter and traveling salesman story, is not performed much anymore, though it was a staple of school and small companies for decades. Rochester Lyric Opera and RAPA offer the chance to catch an American classic with some very fresh young talent – area high-school teenagers, directed by local actor made good Kevin Green. (Saturday, September 21, 10 p.m. & Monday, September 23, 7 p.m., RAPA’s East End Theatre, $10) PUSH Physical Theatre presents PUSH Plus PUSH is not dance, not pantomime, but it is definitely theater, and a very pure form of theater and a surprisingly profound experience.

I guess the group’s term “physical storytelling” sums it up as well as any other description. PUSH Physical Theatre creates a sensation wherever it appears, and it is back again after great success at last year’s Fringe Festival. This year’s program of three shows includes the Rochester premiere of “Red Ball” (featuring PUSH + iPads), and a previous favorite, “Job,” which matches PUSH with a giant, spinning, steel wheel. (Saturday, September 21, 4 p.m. & Saturday, September 28, 7 and 10 p.m., Kilbourn Hall, Eastman School of Music, $15)

“The Beauty of Rochester” This exhibit of watercolors by Ellina Chetverikova celebrates the lovely landscapes and unique architecture of our home. The intention is to remind residents to take in what might have become visual white noise, and to share the love with visitors to the city. Preview Chetverikova’s work at ellinachetverikova.blogspot.com. View the show for free during the following hours: Thursday, September 19, 5-10

p.m.; Friday, September 20, 5-11 p.m.; Saturday, September 21, noon-10 p.m.; Sunday, September 22, 1-8 p.m.; Monday, September 23-Thursday, September 26, 5-10 p.m.; Friday, September 27, 5-11

3CITY NEWSPAPER'S PREVIEW OF THE 2013 ROCHESTER FRINGE FESTIVAL

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p.m.; and Saturday, September 28, 12:30-11 p.m. (Little Theatre Cafe, Free) “Communication” What you’re wearing can tell others about your style, personality, and mood, but designer Emma Scholl’s costumes deliberately focus on what is not easily conveyed. Stop in at Java’s Cafe (16 Gibbs St.) during your Fringe Fest travels and take in “Communication,” a collection of Scholl’s playful, wearable art that combines clean lines of fabric with household materials. Each of the five pieces is inspired by the unsuccessful, often non-verbal, and unrevealed interactions of life. Preview the artist’s work at emmascholl.com. (Free viewings Monday-Friday, 6:30 a.m.-midnight and Saturday-Sunday, 7 a.m.-midnight.) “Crocodile” Set in suburban upstate New York, “Crocodile” begins as a typical enough story, with 17-year-old Ernest, an awkward high-school senior who, while navigating the painful path to adulthood, falls hard for the new girl in town. Truly getting to know someone happens in stages, and soon enough, our hero learns that his new girlfriend, Sasha, has more complexities than she initially owns. Presented by Brain Crane, the screening is free to attend, and recommended for ages 17 and older. (Friday, September 20, 9 p.m., Little Theatre 1, Free) “Emerging Artists” This show features new visual-art works by recent RIT alumni that was selected by Class of 2013 alumni Joseph Tarantelli and Ho Moon. View the work for free while stopping for a bite during the following hours: Thursday, September 19, 5-10 p.m.; Friday, September 20, 5-11 p.m.; Saturday, September 21, noon-10 p.m.; Sunday, September 22, 1-8 p.m.; Monday, September 23-Thursday, September 26, 5-10 p.m.; Friday, September 27, 5-11 p.m.; and Saturday, September 28, 12:30-11 p.m. (Little Theatre Cafe, Free) Mounafanyi Percussion and Dance Ensemble is Rochester’s own PanAfrican performance group, blending talented musicians and movers from Africa and the African diaspora, including Guinea, Ghana, Democratic Republic of the Congo, the Ivory Coast, and the United States. Artistic director Kerfala “Fana” Bangoura was a long-time member of Guinea’s prestigious performance groups Les Ballets Africains and Les Percussions des Guinée, and was

formerly based in Portland, Oregon, before relocating to Rochester in 2011. (Sunday, September 22, 5 p.m., MuCCC, $10) “Sun Boxes” When

Rochester Contemporary’s “State of the City: Street-ish” exhibition opened in August, one of the artists included in the show was represented only with a video to introduce his work, and a few of his silent “Sun Boxes” as props and a hint of what was to come. During Fringe Fest, 20 speakers, each operating independently and powered by the sun via solar panels, will be set up in the small park adjacent to Rochester Contemporary (137 East Ave.). Created by Arkansas-based artist, Craig Colorusso, these “Sun Boxes” will emit ambient waves of B-flat notes, creating a solar-powered sonic landscape. The work will be activated

Thursday-Saturday, September 26-28, noon-8 p.m. Passersby and park visitors can enjoy the installation for free.

Everybody Dancing If you don’t like to just watch, Thomas Warfield’s “Everybody Dancing: The Interactivity of Creativity and Innovation” is an audience-participatory (optional) presentation and performance that examines the effect of everyday movement communication, gesture, and dance on our lives and relationships. In addition to Warfield, RIT assistant professor in NTID’s Cultural

and Creative Studies Department, members of the RIT/NTID Dance Company will take part. Company members run the gamut from deaf to hearing-impaired to hearing. The workshop/performance is a project of PeaceArt International Inc., a non-profit outreach organization Warfield started in 1990 to use the creative process and the arts to build community and foster world peace. (Saturday, September 28, 3:30 p.m., Little Theatre 1, Free) Futurpointe Dance “PsychoPomp & Pageantry” Futurpointe dancers train in

“reggae ballet.” This movement vocabulary has roots in Caribbean Modern techniques and urban popular world cultures, is distinctive in its lilting dance style, and expresses varied cultural concepts and themes. The show combines interactive

projection art and short theatrical vignettes into four acts choreographed by Guy Thorne, N’Jelle Gage, and Heather Roffe. Look to be transported as the choreographers act as artistic guides of the expressed ritual and customs in a non-narrative format. And psychopomp? Those are traditionally angels, deities, Valkyries, or other creatures that help transport the spirit of the deceased to the next world. (Saturday, September 21, 9 p.m. & Sunday, September 22, 1:30 and 9:30 p.m., Geva Theatre Nextstage, $16) “The Goldilocks Score and Other Dances” Red Dirt Dance is a contemporary company formed by Karl Rogers. Originally from Oklahoma, Rogers is now an assistant professor of dance at Brockport. He has danced with the highly regarded contemporary group David Dorfman Dance; now Rogers choreographs and dances for his own company. During Fringe it will be presenting “The Goldilocks Score” in a split bill of works by Rogers and Paul Matteson. Rogers’ world premiere “We Too Cling” imagines a conversation between two 20th century artists, the playwright Tennessee Williams and the pop-art painter David Hockney. Matteson, also a Dorfman

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dancer, gives us “Take it OVER,” his newest work. The production is recommended for mature audiences only. (Thursday, September 19, 6 p.m. & Friday, September 20, 6 p.m., Geva Theatre Nextstage, $16) Mariah Maloney Dance Mariah Maloney brings a wealth of rich experience to the Rochester dance scene. For almost 10 years she was a principal dancer with the Trisha Brown Dance Company, a company at the forefront of the postmodern dance movement. Her company, Mariah Maloney Dance, performed at the prestigious Jacob’s Pillow Dance Festival last summer. Maloney’s new piece, “LIGHT,” was partially inspired by a sparkler dance her father performed for her as a young child, when they were living in an Alaskan cabin with no electricity. Her dancers wear LED costumes, so we should be in for some stunning visuals. Not to mention movement. (Thursday, September 19, 8 p.m. & Sunday, September 22, 6:30 p.m., TheatreROCS Stage at Xerox Auditorium, $12) “Merged: A Dance Concert” You can also catch the sensual choreography of the ambitious Heather Roffe in this collaboration with Heather Roffe Dance and James Hansen Assemblage Dance. Hansen performed with both modern and ballet companies for 15 years before forming his own widely touring company. His choreography has been produced by such prestigious dance festivals as Jacob’s Pillow. Hansen will present his newest piece, “Stag Line,” which uses a sound design he created from 1960’s sitcom dialogue, Frank Sinatra, Shirley Bassey, and more. Roffe premieres a piece that deals with the personal and social perspectives of fear. (Wednesday, September 25, 6 p.m. & Friday, September 27, 5:30 p.m. & Saturday, September 28, noon, Geva Theatre Nextstage, $16) “Transient Being” When I learned that Alaina Olivieri, a Rochesterian performing artist and elegant dancer, was performing a piece in which she interacts with liquid paint, I knew I needed to recommend it. The work was created at the artistic direction of Eran David P. Hanlon in collaboration with Olivieri, and by visual artist Joseph Tarantelli, with the assistance of Asuka Hiraoka. Hanlon choreographed Olivieri’s movement to relate to the projected video, his documentary “FALL WINTER SPRING,” which shows the creation of the painting which shares the same name. Hanlon describes “Transient Being” as a metaphor for the inextricable simultaneity of creation and destruction. (Saturday, September 28, 6 p.m., Gallery r, Free; recommended for ages 17+)



“The 39 Steps” Before the advent of the TV, the boob tube, the one-eye babysitter, folks would gather around the radio for broadcast entertainment. Local theater group Screen Plays tackles Hitchcock’s 1935 spy thriller “The 39 Steps” with vintage equipment and foley stage to give the audience a rare, behind-the-scenes look at radio in its golden era. Note that Geva Theatre Center will be doing a satirical take on the play as part

of its 2013-14 season. (Saturday, September 21, 2 p.m., George Eastman House Curtis Theatre, Free) Dead Metaphor Cabaret Ask yourself, which came first: The lyric or the poem, or the lyrical poem? Here to shed a folksy, artsy, bluesy, cabaret (we’re seeing this word a lot in this Fringe Fest, aren’t we?) light on the conundrum are Curt and Nani Nehring Bliss. The duo’s original exploration may not make the difference any clearer, but in this debate, everyone is right. (Thursday, September 26, 8 p.m. & Saturday, September 28, 4 p.m., Writers & Books, $8) Hiroya Tsukamoto A Japanese ex-pat living in Gotham, Hiroya Tsukamoto has bopped with his group at joints all over, from his native land to the States, including the prestigious Blue Note in NYC. Tsukamoto is an innovative guitarist who fuses folk, jazz, and world music. But hey, ain’t it all world music? Get a listen at hiroyatsukamoto.com. (Thursday, September 26, 8 p.m., Bernunzio Uptown Music, $9) Low Standards Here’s a fo’ sho’ show that may need a shoe horn. The Fairport-based Low Standards has actually raised its standards and plugged itself into a performance cocktail of comedy, cabaret, and a splash of va-va-voom a la Big Apple Burlesque bombshell, Candy Janes. I’m gonna go twice. Check reverbnation.com/lowstandardsfairportny for more info. (Wednesday, September 25, 9 p.m. & Friday, September 27, 11 p.m., RAPA’s East End Theatre, $8.) SpeakFathom: A Language-Musical Cabaret Without getting too creepy, SpeakFathom skirts a sort of eerie cabaret netherworld couched in the flexibility of language and its sound as music, as opposed to mere dialogue. Performed by F’loom, Speakfathom is described it as a tour of the underbelly of psycholinguistic reality. Uh-huh. To help get your head around that, check out floom.com. (Saturday, September 21, 6 p.m. & Sunday, September 22, 5 p.m., Writers & Books, $11)

U.S. Oh! Show The brazen beauties who bump ‘n’ grind in Deadly Dames Burlesque are sure to put the tease in striptease and the tits in titillating. Ooo la got-damn-la! Dig it

way down as gals like B.B. Blues, Big Bertha Boleyn, Eva Scarafore, Onyx Blaze, and Sybil Disobedience peal and squeal for the audiences’ joyous appeal. This show’s theme is centered around our troops, with a USO-style nod to patriotic cabaret. Come on down and wave the flag. Or better yet, you can salute. (Friday, September 27, 10 p.m., MuCCC, $10)

“All Your Questions Answered” The vague description for this show -- “an evening of short, silly, subversive, satirical plays, and charming musical numbers” -- makes it sound innocuous enough. But when that material is springing from the mind of Greg Kotis (a two-time Tony Award-winner for the acerbic musical “Urinetown”), it promises to be anything but. I’m not entirely sure what to expect, and

truthfully, that makes it all the more exciting. (Thursday, September 19, 9 p.m.; Saturday, September 21, 7 p.m.; Sunday, September 22, 7:30 p.m.; Saturday, September 28, 3 & 8:30 p.m.; Geva Theatre Nextstage, $16) Cirque du Fringe I love a good spectacle, so naturally I’m excited about Cirque du

Fringe. There’s no more immediate way to get back in touch with your childlike sense of wonder than a circus aerial and acrobatics show. But when you meld that to the more adult entertainments of cabaret and burlesque, it’s bound to make for an unforgettable experience. The show will deliver a lineup of 11 national acts, showing off their skills and performing an array of breathtaking feats. Held in the already glitzy Magic Crystal Spiegeltent, there will be no shortage of good old-fashioned razzle dazzle on display. It’s an evening that promises to be magical, astounding, and a little bit naughty. (Thursday, September 19-Saturday, September 28, 8 p.m., except Friday, September 20, 9 p.m. Family-friendly matinees held both Saturdays of the fest and Sunday, September 22, at 2 p.m., Spiegeltent, $31 or $180 for VIP booth) Dupre on Krol The Rochester International Jazz Festival may be over, but that doesn’t mean you have to suffer through the symptoms of withdrawal. There are plenty of great live jazz performances lined up for Fringe, including Dupre On Krol. Featuring Eastman School of Music students Jacob Dupre (piano), Jeffrey Krol (drums), and Matthew Krol (bass), the jazz trio will class up your night with their unique take on some classic tunes from the great American songbook. (Saturday, September 21, 8:30 p.m., Java’s Café; Friday, September 27, 5:15 p.m., Gibbs Street Main Stage, Free) “Nosferatu Bemshi!” One of the wackier-sounding shows on the Fringe schedule, “Nosferatu Bemshi!” combines a screening of the silent 1922 vampire film “Nosferatu,” about the amorous intentions of fiendish bloodsucker Count Orlok, with an accompanying live alternate voice-over from performers David Esposito and G. E. Schwartz featuring poetry, flash fiction, and a “soundscape” of some sort. The show is sure to be one of the more unusual experiences Fringe has to offer. (Friday, September 27, 10 p.m., Writers & Books, $6) “Wing-Man” Gifted physical comedian and professional clown (literally, he was a popular member of the Big Apple Circus)

Mark Gindick brings his quirky one-man show “Wing-Man” to the Rochester Fringe. In the tradition of Charlie Chaplin and the Marx Brothers, the production is a silent comedy about big ideas as Gindick examines topics ranging from social media to love in the modern age, all without uttering a single word. (Thursday, September 26, 9:30 p.m.; Friday, September 27, 7 p.m.; Saturday, September 28, 1:30 & 7 p.m., Geva Theatre Nextstage, $16) “Zero Gravity, Zero Hope: An Alien Horror Show” I’ve found that improv shows always seem to have a much higher success rate when they’re focused around a specific theme, and this has a great one: extraterrestrial suspense films à la “Alien,” “Pitch Black,” or “The Thing.” Beginning with the familiar premise of a spaceship crew attempting to survive their encounter with a bloodthirsty extraterrestrial being, this show, from Geva Comedy Improv, is sure to take off (no pun intended) in some wild and wacky directions. (Friday, September 20, 10:30 p.m.; Saturday, September 21, 10:30 p.m.; Friday, September 27, 10:30 p.m.; Saturday, September 28, 10:30 p.m., Geva Theater Nextstage, $16)

CRITIC PICKSCONTINUED FROM PAGE 27

A new addition to this year’s Fringe Festival, the Magic Crystal Spiegeltent is an antique-style Belgian “magic mirror tent” that will be set up at the corner of East Main Street and Gibbs Street. But it’s not a house of mirrors. This is a performance venue, and the Magic Crystal will be holding a variety of events for all ages throughout this year’s festival.

Cirque du Fringe, a Cirque du Soleil-type show created exclusively for Rochester, will have performances Thursday, September 19, through Saturday, September 28; tickets cost $31. The other big draw, Silent Disco, is a dance event where you listen to the music through headphones instead of over speakers. The Disco will take place Saturday, September 21, Friday, September 27, and Saturday, September 28, 10 p.m.-midnight; tickets cost $5-$7.

If that wasn’t enough, the Spiegelgarden, an outdoor beer and wine lounge adjacent to the Spiegeltent, opens Thursday, September 19, and it will hold several events of its own. The Pedestrian Drive-In, a moviegoing experience similar to the Silent Disco, will shows three classic movies. On Sunday, September 22, catch “Willy Wonka and the Chocolate Factory” (the good version, starring Gene Wilder); on Tuesday, September 24, see “The Big Lebowski”; and on Thursday, September 26, it’s “The Breakfast Club.” All films start at 7:30 p.m.

Then on Wednesday, September 25, at 7:30 p.m. put your arts and culture knowledge to the test with TriviaCity: An Arts & Culture Quiz put on by the fine folks at City Newspaper. This free event will include questions based on the arts, pop culture, and Rochester, and prizes will be awarded to the top teams.

For information on all of the Spiegeltent events check rochesterfringe.com.— BY TREVOR LEWIS —

THE MAGIC CRYSTAL

ADAM

LUBIT

OW

FRAN

K DE B

LASE


Is there any separation between life and art for comedians?Yes, some people are very separated. I just find that comedians and artists in general, whether they’re songwriters, musicians, comedians -- not necessarily actors, but certainly the people that decide their own destiny in terms of their creativity -- they do a lot of thinking about a lot of things because that’s their job. They run the world through their perceptions in order to express themselves. So there are very few things that they can’t speak to.

On a recent show you said: “There’s a price to pay using your life for your art.” Yes, there is. There are other people involved in your life and you are sharing your perception and theirs might be different. You have a conflict as to what really happened. What is a betrayal emotionally? What is your life and what is their privacy? These are discussions and negotiations you have with yourself and with those people.

As a result of what you wrote in your book, you said on a recent podcast that

your father is not talking to you. He started e-mailing me last week. I knew eventually the repercussions would not be as bad as he thought they would be.

You recently interviewed two of the most revered comedians alive, Carl Reiner and Mel Brooks. Was there anything particularly interesting to you about them?It’s pretty astounding. Whatever my slice of show business is, I am in show business and I have a weird sensitivity to both sides of show business. I often find when I’m doing a “WTF” live and I’m sitting next to somebody who’s talking, and there’s a huge audience there, I am just looking at this guy talking and I hear an audience laughing uproariously. There’s a magic to it, but I’m sitting there and there’s a constant sort of awareness of: that’s just a guy talking next to me, and look what all these hundreds of people are reacting to. So when I interview people that are amazing geniuses and therefore have had long careers, I find that it’s overwhelming initially. But when you sit down with them you realize it’s just a guy, a guy who’s done some amazing things, but we’re just people here. It’s always an amazing thing to me, the difference between the work and the

person. But it was definitely an honor to interview those guys.

In your talk with Brooks, you discussed the Jewish tradition in comedy. Do you personally connect with that?Of course, those are my role models. The culture of being Jewish, of being American Jewish specifically, and we’re also subject to these stereotypes that you kind of grow up with. There’s a certain reality to the American Jewish experience, to the artists and heroes who we have, to the weird idiosyncrasies that we all share. So it feels very ingrained in me. I don’t know if I got it from my family or from Woody Allen movies or Mel Brooks movies. It’s hard to

know where it comes from but there’s an understanding of it.

Brooks was impressed with you and suggested a late-night talk show. Is that a goal?I’d certainly like to try it. I like talking to people and I’d like to see if it could work.

The only comedian to walk off your podcast was Gallagher, who got upset when you brought up homophobic remarks he made. Is anything off limits for comics? I wasn’t telling him not to do something, I was just questioning the integrity of his intention. It’s a personal decision; everybody has to figure out their own limits. There’s nothing off limits in general, and that’s probably best for everyone in terms of freedom of speech and to keep creativity and activism alive.

In your book you wrote: “Comedy saved my life but also destroyed it.” What did you mean by that?Comedy gave me my voice, but it also provided me with a lifelong struggle to honor that voice.

One last thing: you take in feral cats. Is there some identification there?I just like that you’ve got to earn their love, and even that seems tenuous. I like the excitement of that kind of relationship.

MARC MARONCONTINUED FROM PAGE 23

Comedy gave me my voice, but it

also provided me with a lifelong

struggle to honor that voice.


all handson deck

all handson deck

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R O C H E S T E RB E S T O F

R O C H E S T E RB E S T O F

CITYNEWSPAPER’S

2013

F I N A L B A L L O TTHOUSANDS of Rochesterians cast their votes in our online Primary Ballot. The Final 4 in

each of the 113 categories that make up Best of Rochester 2013

are listed to the right.

PLEASE NOTE: City Newspaper had no say in the selection of

the Final 4; these were determined solely by the people, places, and

things that received the most votes in our Primary Ballot.

TAKE THE SURVEY ONLINE AT:ROCHESTERCITYNEWSPAPER.COM

in the October 30 issueof City Newspaper!

or circle your favorites on the ballot to the right, write your name and address on the line below it, and

mail the page to: Best of Rochester 2013

c/o City Newspaper, 250 N. Goodman St., Rochester, NY 14607

winnersrevealed

FOOD & DRINKBest Pizza Mark’s Pizzeria | Pizza Stop | Pontillo's | Salvatore's

Best Gourmet Burger Brick ‘n’ Motor | Frog Pond | Gate House | Good Luck | Tap & Table

Best Barbecue The Beale | Dinosaur | Good Smoke | Sticky Lips

Best Wings Distillery | Dinosaur | Jeremiah’s | Pontillo’s

Best Fish Fry Bill Gray’s | Captain Jim’s | Davies Sea Food | Old Toad

Best “Plate” Dogtown | Empire Hots | Mark’s Texas Hots | Nick Tahou’s

Best Breakfast Frog Pond | Highland Park Diner | James Brown’s Place | Jines

Best Bagel Bagel Land | Balsam Bagels | Brownstein’s Deli & Bakery | Soho Bagel Cafe

Best Cookies Classy Cookie & Deli | Gruttadauria Bakery | Leo’s Bakery & Deli | Orange Glory | Savoia Pastry Shoppe

Best Ice Cream/Frozen Custard/Frozen Yogurt Abbott’s Frozen Custard | Hedonist Artisan Ice Cream | Lugia’s | Pittsford Farms Diary

Best Food Truck Brick-N-Motor | Le Petit Poutine | Lettuce B. Frank | Marty’s Meats

Best Asian Restaurant Chen Garden | Flavors of Asia | The King & I | Mamasan’s

Best Mexican Restaurant John’s Tex-Mex | La Casa | Monte Alban | Salena’s

Best Italian Restaurant Guido’s Pasta Villa | Mario’s | Ristorante Lucano | Rocco

Best Indian Restaurant Amaya Bar and Grill | India House | Tandoor of India | Thali of India

Best Mediterranean Restaurant Aladdin’s | Olives Greek Taverna | Sinbad’s | Voula’s Greek Sweets

Best Sushi Banzai | California Rollin’ | Plum House | Shiki

Best Vegetarian/Vegan Restaurant Aladdin’s | Natural Oasis | Owl House | Voula’s Greek Sweets

Best Gluten-Free Options Ellie’s Gluten-Free Bakery | Harry G’s | Natural Oasis | Owl House

Best Restaurant for Delivery Chen Garden | Mark’s Pizzeria | Salvatore’s | Sol Burrito

Best Buffet China Buffet (Jefferson Road) | Espada | Mario’s | Thali of India

Best Specialty Food Shop Hedonist Artisan Chocolate | Little Bleu Cheese Shop | Lori’s Natural Foods | Mise en Place

Best Coffee Shop Boulder Coffee Co. | Java’s | Joe Bean Coffee | Starry Nites

Best Barista Krystyna Buckhout (Dark Horse) | Tony Colon (Fuego) | Meredith Feary (Starry Nites) | Frankie Katsampas (Java’s)

Best Outdoor Dining Jines | Pelican’s Nest | Pomodoro | Tap & Table

Best Cheap Eats Aladdin’s | Dogtown | Harry G’s | John’s Tex Mex

Best Upscale Eatery 2Vine | Black & Blue | Good Luck | Lento

Best New Restaurant Avvino | La Casa | The Revelry | TRATA

GOODS & SERVICESNew Retail Store Bartertown Collectibles | Dichotomy Rochester | Hot Rod Bettie’s | Little Bleu Cheese Shop

Best Jewelry Store Blueground | Cornell’s | Mann’s | The Source

Best Local Car Dealership Dorschel | Hoselton | Van Bortel | Vision

Best Auto Repair Shop East Avenue Auto | Nu-Look Collision | Schrader’s Garage | Vesa’s Automative

Best Bike Shop Full Moon Vista | Park Ave Bike Shop | Towners Bike Shop | Towpath Bike

Best Fitness Trainer John H. (Downtown Fitness) | Jeff Rice (Flower City Crossfit) | Kerry S. (Roc the Barre) | Rob Saeva (Downtown Fitness) | Charlene Teague (IronWorx Gym)

Best Yoga Instructor Abby Kraai | Francois Raoult (Open Sky Yoga) | Tom Somerville (Downtown Fitness) | Carly Weis (Breathe Yoga)

Best Massage Therapist Michele Cunningham (Healing Haven) | Colin Coffey (Renewing Massage) | Danielle Cowley (Shear Ego) | Victoria Duel (Sue’s Finishing Touch)

Best Wellness Practitioner Healing Haven | Natural Alternatives | Roc City Wellness | Rochester Community Acupuncture

Best Spa Massage Envy | Scott Miller | Shear Ego | Spa at the Del Monte

Best Salon Fusion | The Men’s Room | Scott Miller | World Hair

Best Stylist/Barber Andrea Bonawitz (Fusion) | Heather DeMars (Gel Salon) | Philip Monacelli (Salon 113) | Jason Ripple (Rock Paper Scissors)

Best Florist Arena’s | Kittelberger Florist | Rockcastle Florist | Stacy K Floral

Best Garden Store Bristol’s Garden Center | Garden Factory | Gro-Moore Farms | Van Putte Gardens

Best Clothing Store A Step Apart | Dado Boutique | Hot Rod Betties | Peppermint | Thread

Best Thrift/Secondhand Store Far Out Vintage | Lu’s Back Door | Panache Vintage | Utter Clutter

Best Record/Music Store House of Guitars | Lakeshore Records | NeedleDrop Records | Record Archive

Best Musical Instrument Store Bernunzio Uptown Music | Echo-Tone | House of Guitars | Sound Source

Best Tattoo Parlor Love Hate Tattoo | Physical Graffiti | Steadfast Tattoo | White Tiger

Best Tattoo Artist Adrien Moses Clark (Love Hate) | Jet Diprojetto (Love Hate) | Adam Francey (White Tiger) | Gooch (Physical Graffiti)

Best Local Coffee Roaster Boulder | Finger Lakes | Java’s | Joe Bean

Best Regional Winery 3 Brothers | Bully Hill | Casa Larga | Dr. Konstantin Frank

Best Regional Brewery Genesee Brewery | ROC Brewing Co. | Rohrbach’s | Three Heads

Best Farmers Market Brighton Farmers Market | Fairport Farmers Market | Rochester Public Market | South Wedge Farmers Market

Best Bakery Baker Street | Flour City Bread | Leo’s | Savoia

Best Candy/Chocolate Shop Chocolate & Vines | Encore Chocolates | Hedonist Artisan Chocolate | Stever’s

Best Caterer Dinosaur BBQ | Madeline’s | Manicotti’s Catering Company | Orange Glory

Best Pet-Related Business Bark Ave Dog | Lollypop Farm | Park Ave Pets | Pet Saver

LOCAL COLORBest Local Politician Lisa Jacques | Tom Richards | Joe Robach | Louise Slaughter

Best Local Philanthropist George Eastman | Tom Golisano | Matt MD Piccone | Danny Wegman

Best Local Activist Group Gay Alliance of the Genesee Valley | Metro Justice | PAWS | Pitty Love Rochester

Best Local Historical Site George Eastman House | High Falls | Mt. Hope Cemetery | Susan B. Anthony House

Best Local Eyesore Downtown Rochester | Irondequoit Mall | Kodak Park | Midtown

Best Local Library Brighton | Central | Greece | Pittsford

Best Place to Take an Out-of-Towner George Eastman House | High Falls | National Museum of Play | Wegmans

Best Neighborhood Neighborhood of the Arts | North Winton Village | Park Ave | South Wedge

Best Local Park Cobbs Hill | Ellison | Highland | Mendon Ponds

Best Local Golf Course Durand Eastman | Oak Hill | Ravenwood | Shadow Lake

Best Local Sports Team Amerks | Knighthawks | Red Wings | Rhinos

Best Recreational Sports League GRADA Ultimate Frisbee | Hot Shots Volleyball | Kickball League of Rochester | Roc City Roller Derby

Best Local Radio Personality Bob Lonsberry | Jeremy Newman | Scott Spezzano | Brother Wease

Best Local TV Personality Don Alhart | Rachel Barnhart | Doug Emblidge | Scott Hetsko

Best Local Website 13wham.com | rochestercitynewspaper.com | rochestersubway.com | rocwiki.org

Best Local Twitter Feed @KevinRicotta | @rachbarnhart | @runthedive | @Suzie_B_Anthony

Best Local Podcast 2nd Prints Podcast | Airwreck Radio | Rochester Insomniac | Rocpodcasts.com | Stuart Bedasso Show

Best Local News Story of 2013 Obama’s Visit | PGA Championship | “Spider-Man 2” filming | Wall\Therapy

Best Local News Story Ignored in 2013 Benny Warr Assault | Knighthawks Championships | Monroe County Corruption | Police Brutality

ARTS & ENTERTAINMENTBest Local Band Bogs Visionary Orchestra | Cherry Bomb | Sirens & Sailors | Something Else

Best Solo Musician Johnny Bauer | Hieronymus Bogs | Mikaela Davis | Ted Nicolosi

Best Classical Musician/Group Angelicus String Quartet | Rochester Philharmonic Orchestra | Sound ExChange Orchestra | Ying Quartet

Best Local Album of 2013 “Annica” by Moho Collective | “Highways” by LastNote | “Level” by Violet Mary | “Overstay Their Welcome” by The Isotopes

Best Concert (Arena/Large Venue) Avett Brothers @ CMAC | David Byrne & St. Vincent @ XRIJF | Fun. @ CMAC | Lumineers @ CMAC | Trombone Shorty @ XRIJF

Best Concert (Club/Small Venue) JD McPherson @ Abilene | Jon Spencer Blues Explosion @ Bug Jar | Mac DeMarco @ Bug Jar | Ra Ra Riot @ Water Street | Sirens & Sailor @ Water Street

Best Live Music Venue Abilene Bar & Lounge | Bug Jar | CMAC | Water Street Music Hall

Best Club DJ DJ Darkwave | DJ Flex | DJ Kalifornia | DJ Naps

Best Local Author Charles Benoit | Frank De Blase | Linda Sue Park | JoLynne Valerie

Best Local Theatrical Production of 2013 (Non-Musical) “August: Osage County,” JCC Centerstage | “A Midsummer Night’s Dream,” Geva Theatre Center | “Steel Magnolias,” Blackfriars | “The Whipping Man,” Geva Theater Center

Best Local Musical Theater Production of 2013 “The Book of Mormon,” Rochester Broadway Theatre League | “Legally Blonde,” JCC Centerstage | “Next to Normal,” Geva Theatre Center | “Rent,” Blackfriars

Best Local Theater Company Blackfriars | Downstairs Cabaret Theater | Geva Theatre Center | JCC Centerstage

Best Comedian Vinnie Paulino | Sky Sands | Marianne Sierk | Ralph Tetta

Best Comedy Show The Comedy Club | Geva Comedy Improv | Goo House | Nuts and Bolts Comedy Improv

Best Dance Studio DK Dance | Pittsford Dance Studio | Rhythm Society | Tango Cafe

Best Local Dance Company FuturPointe Dance | Garth Fagan Dance | One Dance Co. | Rochester City Ballet

Best Local Artist Albert Paley | Cordell Cordaro | Sarah Rutherford | St. Monci

Best Local Art Exhibition of 2013 “6x6x2013,” Rochester Contemporary | “Boys vs. Girls,” 1975 Gallery & The Yards | “The Gender Show,” George Eastman House | Wall/Therapy

Best Local Art Gallery 1975 Gallery | ArtisanWorks | Memorial Art Gallery | Rochester Contemporary Arts Center

Best Photographer Dan Dangler | John Schlia | Tammy Swales | Gerry Szymanski

Best Mural “Sleeping Bears” by ROA | Thievin’ Stephen @ Tap & Mallet | Faith 47 @ Mill Street | “Frog & Crane” by Mr. Prvt

Best Family-Friendly Attraction National Museum of Play | Rochester Museum & Center | Seabreeze Amusement Park | Seneca Park Zoo

Best Movie Theater Cinema | Dryden Theater | The Little | Pittsford Cinema

Best Local Festival Corn Hill Arts Festival | Lilac Festival | Park Ave Summer Art Festival | Xerox Rochester International Jazz Festival

Best Special Event First Niagara Rochester Fringe Festival | Food Truck Rodeo | PGA Championship | Rochester Real Beer Week

Best Local Drag Performer Kasha Davis | Aggy Dune | Darienne Lake | Samantha Vega

NIGHTLIFEBest New Bar Daily Refresher | The Revelry | TRATA | Veritas Wine Bar | Wall Street

Best Bar for Beer MacGregor’s | Old Toad | Tap & Mallet | Victoire

Best Bar for Wine Chocolate & Vines | Flight | Solera | Veritas

Best Bar for Craft Cocktails Cheshire | Daily Refresher | Good Luck | The Revelry

Best Sports Bar Acme Bar & Pizza | The Distillery | Jeremiah’s | Sports Page

Best Dance Club One | Tilt | Vertex | Vinyl

Best Juke Box Abilene | Lux Lounge | Marge’s Lakeside Inn | Skylark Lounge

Best Bar for Karaoke 140 Alex | Colony | Scotland Yard | Temple

Best Place to take a Date Chocolates & Vines | Good Luck | The Little | TRATA

Best Place to Meet Singles Lux Lounge | Murphy’s Law | Taylor’s Nightclub | Wegmans

Best Cheap Night Out Acme Bar & Pizza | Cinema | Lux Lounge | Marshall Street Bar & Grill

Best Sexy Bartender Don Bush (Marshall Street) | Emily Horsington (Good Luck) | Phil Stratigis (Tap and Table) | Caitlin Trabert (Bug Jar)

One ballot per person, please. No ballot stuffing. No photocopied ballots. Suspect ballots will be discounted.

NAME ADDRESS

VOTE ONLINE AT ROCHESTERCITYNEWSPAPER.COM

BALLOTS DUEby FRIDAY, OCTOBER 18

at 5PM sharp!

fringe 2013: festival preview

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