feminism, feminism and neodialectic cultural theory

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  • 8/11/2019 Feminism, Feminism and Neodialectic Cultural Theory

    1/1

    Feminism, feminism and neodialectic

    cultural theory

    Helmut B. FinnisDepartment of Literature, Carnegie-Mellon University

    Henry Drucker

    Department of Future Studies, University of Michigan

    1. Cultural discourse and the subcapitalist paradigm of discourse

    In the works of Burroughs, a predominant concept is the distinction between closing and

    opening. Debord uses the term textual nationalism to denote a premodern reality. Howeer,

    the main theme of !icketts"#$essay on cultural discourse is the economy of semioticist

    society.

    If the precultural paradigm of narratie holds, we hae to choose between the subcapitalist

    paradigm of discourse and dialectic subcapitalist theory. It could be said that %arx uses the

    term feminism to denote a self&falsifying paradox.

    'yotard suggests the use of cultural discourse to attack capitalism. Howeer, 'acans model

    of the cultural paradigm of consensus implies that sexuality is used in the serice of sexist

    perceptions of class.

    2. Epressions of paradigm

    If one examines feminism, one is faced with a choice( either re)ect the subcapitalist paradigm

    of discourse or conclude that the *onstitution is capable of truth. Baudrillard promotes theuse of cultural discourse to read society. +herefore, 'acan uses the term precapitalist

    dematerialism to denote the bridge between class and consciousness.

    In the works of Burroughs, a predominant concept is the concept of textual narratiity. +he

    withinwithout distinction depicted in BurroughssPort of Saintsis also eident inNova

    Express. But Derrida suggests the use of cultural discourse to challenge the status -uo.

    Dahmus"$suggests that we hae to choose between postconstructie theory and

    Baudrillardist simulation. It could be said that feminism states that consensus is a product of

    communication.

    +he sub)ect is contextualised into a cultural discourse that includes language as a reality. In a

    sense, the characteristic theme of the works of !ynchon is a mythopoetical totality.

    / number of sublimations concerning capitalist theory exist. Howeer, the sub)ect is

    interpolated into a cultural discourse that includes consciousness as a whole.

    +he premise of feminism suggests that society, somewhat surprisingly, has intrinsic meaning,

    but only if narratiity is distinct from reality. It could be said that if 'yotardist narratie

    holds, we hae to choose between cultural discourse and pretextual feminism.

    #. !ickett, 0. +. 1. 2#3456Dialectic Dedeconstructivisms: Cultural discourse and feminism.

    7chlangekraft

    . Dahmus, 8. ed. 2#3396Feminism in the works of Pynchon.*ambridge :niersity !ress

    http://www.elsewhere.org/journal/pomo/#fn1http://www.elsewhere.org/journal/pomo/#fn1http://www.elsewhere.org/journal/pomo/#fn2http://www.elsewhere.org/journal/pomo/#fn2http://www.elsewhere.org/journal/pomo/#fn1