drew hastings portfolio

DREW HASTINGS

contents

A collection of professional, independent,

and academic projects.

built

4 Academic Building at UCSF Mission Bay

12 Sukkah PDX

26 Parking Structure at UCSF Mission Bay

36 Intuit Headquarters

40 Leanastol

45 White Hill Middle School

unbuilt

52 Mission Rock

58 Richmond Salvation Army

66 Seitengeist Haus

72 Portland Music Confluence

contact

n Drew Hastings

p 503.502.7953

e [email protected]

a 0841 SW Gaines St. #602

Portland, OR 97239

UCSF ACADEMIC OFFICE BUILDINGyear 2012

place San Francisco, CA

collaboration WRNS Studio

This new 266,000 gsf, 7-storey academic office building will house UCSF physicians, faculty, and students in an interdisciplinary, flexible and light-filled environment inspired by trends in office design for high tech.

The massing and basic organization of the building are consistent with the campus design guidelines, calling for simple volumes, consistent building heights and a base, body, and parapet tripartite organization. Within this organization a mesh is graphically evident in the facades and internal organization of the building. The building skin is comprised of GFRC panels, vision glass, and metal spandrel panels to create a window box unit. The variability in the mesh is based on orientation and is realized through changing the amount of solid GFRC and vision glass within the unit.

There are four mesh unit types composed of smooth white sticks and grooved, sandblasted shutters, which grow or shrink depending on unit type. The units work with a 10 wide module and are assembled into 30 wide panel and delivered to the site.

I worked on the exterior skin design team from initial concept and design development through construction documentation. I produced all exterior renderings for the winning proposal; worked with the structural engineer and interior design team on the development of the exterior skin; and contributed to the coordination of GFRC and curtain wall shop drawings.

LEVEL 10

LEVEL 212-3

LEVEL 324-6

LEVEL 436-9

LEVEL 549-0

LEVEL 661-3

LEVELE 773-6

ROOF85-0

HIGH PH ROOF100-0

LOW PH ROOF87-7

12-5

2

-7

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-3

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-3

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-3

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1 2 3 4 5 6 7 8 91.5

LEVEL 10

LEVEL 212-3

LEVEL 324-6

LEVEL 436-9

LEVEL 549-0

LEVEL 661-3

LEVELE 773-6

ROOF85-0

HIGH PH ROOF100-0

LOW PH ROOF87-7

12-5

2

-7

11-6

12

-3

12-3

12

-3

12-3

12

-3

12-3

1 2 3 4 5 6 7 8 91.5

South Elevation Partial South Elevation / Section

ABCDEFGH

LEVEL 10

LEVEL 212-3

LEVEL 324-6

LEVEL 436-9

LEVEL 549-0

LEVEL 661-3

LEVEL 773-6

ROOF85-0

HIGH PH ROOF100-0

LOW PH ROOF87-7

12-3

12

-3

12-3

12

-3

12-3

12

-3

11-6

1

-7

12-5

ABCDEFGH

LEVEL 10

LEVEL 212-3

LEVEL 324-6

LEVEL 436-9

LEVEL 549-0

LEVEL 661-3

LEVEL 773-6

ROOF85-0

HIGH PH ROOF100-0

LOW PH ROOF87-7

12-3

12

-3

12-3

12

-3

12-3

12

-3

11-6

1

-7

12-5

Partial East Elevation / Section East Elevation

Y DH

Y DH

Y DH

Y DH

Y DH

G

FH

FH

FH

EEEEE

U

AD

FH

s

FH

A

E

EEEEE

CAMPUS LANE

16TH STREET

4TH

STRE

ET

3RD

STRE

ET

FDC

BEYER HALL

3RD STREET GARAGE

HOSPITAL

1'-1"

5'-3"

1'-0"2'-0"

8"

10'-0"

10'-0"

10'-0"

VISION GLASS (GL-1)

GLASS-FIBER REINFORCEDCONCRETE (GFRC) PANELSRECESSED TEXTURE

GLASS-FIBER REINFORCEDCONCRETE (GFRC) PANELSSMOOTH

SPANDREL PANEL (AL-1)

CONCRETE SLAB, S.S.D.

2'-4"

4'-0"

1'-0"2'-0"

8" 10'-0"

VISION GLASS (GL-1)


GLASS-FIBER REINFORCEDCONCRETE (GFRC) PANELSRECESSED TEXTURED


8"2'-0"

2'-0"3'-0"

2'-4"

10'-0"

10'-0"

10'-0"

VISION GLASS (GL-1)

GLASS-FIBER REINFORCEDCONCRETE (GFRC) PANELS



12'-0"

12'-0"

6'-4"

3'-8"2'-0"

2'-0"3'-8"

8"

12'-0"

VISION GLASS (GL-1)




LICE

NSED ARCHITECT

STATE OF CALIF

OR

NIA

- -

REN.

54S A N FRAN CI S C OCALIFORNIA 9 41 074 15 . 4 8 9. 2 2 2 4 TEL4 15 .35 8.91 0 0 FAXWWW W. RNSSTUDIO. OC M

01 SECOND STREETTH LF ORO STE., 402

SHEET NO:

SHEET TITLE:

DATEISSUES

PROJECT NO.:

DATE:

SCALE:

All drawings and written material appearing herein constitute original and unpublished work of theArchitect/Engineer and may not be duplicated, used or disclosed without consent of Architect/Engineer.

If this drawing is not 30"x42", then the drawing has been revised from its original size.Noted scales must be adjusted. This line should be equal to one inch

KEYPLAN

REVISION LIST# DATE

PACKAGE 1: EXTERIOR CLADDING ANDSTRUCTURE100% CONSTRUCTION DOCUMENTS

02/01/2013

UCSF CAAN NO.: 2281

SAM EDWARDSNUNES

C-22114

11 30

13

1/31

/201

38:

02:0

7PM

12000.00

PANEL TYPES

A-800

02/01/2013

UCSF BLOCK 25A550 16TH STREET, MISSION BAY CAMPUSSAN FRANCISCO, CACONTRACT NO. DB0016 | PROJECT NO. M1623

A 3D VIEW - TYPE A PANELS (NORTH ORIENTATION) B 3D VIEW - TYPE B PANELS (SOUTH ORIENTATION)

C 3D VIEW - TYPE C PANELS (WEST ORIENTATION) D 3D VIEW - TYPE D PANELS (SOUTH & EAST ORIENTATION)

1'-1"

5'-3"

1'-0"2'-0"

8"

10'-0"

10'-0"

10'-0"

VISION GLASS (GL-1)




CONCRETE SLAB, S.S.D.

2'-4"

4'-0"

1'-0"2'-0"

8" 10'-0"

VISION GLASS (GL-1)


GLASS-FIBER REINFORCEDCONCRETE (GFRC) PANELSRECESSED TEXTURED


8"2'-0"

2'-0"3'-0"

2'-4"

10'-0"

10'-0"

10'-0"

VISION GLASS (GL-1)




12'-0"

12'-0"

6'-4"

3'-8"2'-0"

2'-0"3'-8"

8"

12'-0"

VISION GLASS (GL-1)




LICE

NSED ARCHITECT

STATE OF CALIF

OR

NIA

- -

REN.

54S A N FRAN CI S C OCALIFORNIA 9 41 074 15 . 4 8 9. 2 2 2 4 TEL4 15 .35 8.91 0 0 FAXWWW W. RNSSTUDIO. OC M

01 SECOND STREETTH LF ORO STE., 402

SHEET NO:

SHEET TITLE:

DATEISSUES

PROJECT NO.:

DATE:

SCALE:

All drawings and written material appearing herein constitute original and unpublished work of theArchitect/Engineer and may not be duplicated, used or disclosed without consent of Architect/Engineer.

If this drawing is not 30"x42", then the drawing has been revised from its original size.Noted scales must be adjusted. This line should be equal to one inch

KEYPLAN

REVISION LIST# DATE

PACKAGE 1: EXTERIOR CLADDING ANDSTRUCTURE100% CONSTRUCTION DOCUMENTS

02/01/2013

UCSF CAAN NO.: 2281

SAM EDWARDSNUNES

C-22114

11 30

13

1/31

/201

38:

02:0

7PM

12000.00

PANEL TYPES

A-800

02/01/2013

UCSF BLOCK 25A550 16TH STREET, MISSION BAY CAMPUSSAN FRANCISCO, CACONTRACT NO. DB0016 | PROJECT NO. M1623

A 3D VIEW - TYPE A PANELS (NORTH ORIENTATION) B 3D VIEW - TYPE B PANELS (SOUTH ORIENTATION)

C 3D VIEW - TYPE C PANELS (WEST ORIENTATION) D 3D VIEW - TYPE D PANELS (SOUTH & EAST ORIENTATION)

Panel Type A Panel Type B Panel Type C Panel Type D

views from arcade and entry lobby

Pedestrain pathways on the groundplane lead people from the buildings interior to the courtyard and the campus beyond. Serving as the hub for faculty and staff the building provides visibilty for visitors and direct connection to the larger campus nodes.

SUKKAH PDXyear 2012

place Portland OR

collaboration Erin Hastings

The Jewish holiday of Sukkot celebrates the fall harvest and commemorates Jews who wandered through the desert during their exile from Egypt by erecting temporary shelters for one week. This temporary shelter, known as a sukkah, is used for eating, singing, praying, and meeting. The Oregon Jewish Museum hosted a design competition to re-imagine the sukkah and my design was selected by the jury consisting of OJM, PNCA, and OCAC to be built for the sukkot exhibition.

The story of the sukkah is a story of juxtaposition between tradition and temporariness two things that by their very nature seem contradictory. In conceiving of the design, I looked to these concepts of tradition and temporariness, these two competing yet compelling forces. The form of the sukkah is motivated by tradition; the whale or Leviathan, which tradition says can be used as the sukkahs walls. The Talmud teaches that when the messiah comes and the Jews return to Jerusalem, that a Leviathan should be killed and its skin should be used to make a Sukkah. (Bava Basra 74b, 75a). The materials are motivated by temporariness: they are light, low tech, simple, and natural. These materials are modern, yet natural, creating new tradition, while celebrating and remembering the homelessness of the Israelites who fled Egypt.

proposal

rooted | lightness

The story of the sukkah is a story of juxtaposition between tradition and temporariness two things that by their very nature seem contradictory. The sukkah commemorates the period when the Israelites were wandering the desert living in temporary dwellings after their exodus from Egypt. Its origin is biblical in nature, but its form is fleeting, as any one sukkah lasts only one week. Thus, the sukkah symbolizes the historical homelessness and transience of the Jewish people, while at the same time remaining deeply rooted in history and ritual. In conceiving of our design, we looked to tradition and temporariness, these two competing yet compelling forces. The form of our sukkah is motivated by tradition; the whale or Leviathan, which tradition says can be used as the sukkahs walls. The Talmud teaches that when the messiah comes and the Jews return to Jerusalem, that a Leviathan should be killed and its skin should be used to make a Sukkah. (Bava Basra 74b, 75a). The materials are motivated by temporariness: they are light, low tech, simple, and natural. These materials are modern, yet natural, creating new tradition, while celebrating and remembering the homelessness of the Israelites who fled Egypt.

13-0

15-0

construction

UCSF MEDICAL CENTER PARKING GARAGEyear 2012



The UCSF Medical Center parking structure is a 10-story, 623 stall, 223,600 sf parking garage adjacent to the new UCSF Medical Center at Mission Bay.

The upper levels of the structure are shrouded with a custom champagne anodized aluminum louver system. The vertical louvers change orientation from panel to panel, creating a quilted pattern through play with light and shadow. The varied spacing and orientation facilitate natural ventilation and control light spill from the garage at night in order to reduce the visual impact on neighbors. The louvers are also shaped to bounce daylight into the structure. Vertical fins define two-story view apertures and modulate between the pedestrian scale and the garages large volume.

The standalone structure is highly visible from all directions and reacts through the kinetic perception of the viewer as they moving around it. Depending on the time of day and the viewers relative position to the garage the louvered skin can either reflect, block, or diffuse light to dynamically shift its reading.

I worked closely with lead designer to produce competition renderings, digital working model of garage chassis and louver screen system, assisted on technical drawings for design development, construction documentation, and contributed to CA punch list.

*2013 Citation Award Winner, AIA San Francisco.

INTUIT HEADQUARTERSyear 2012

place Mountain View, CA

collaboration WRNS Studio, Clive Wilkinson Architects

The physical model was part of the proposal for a new headquarters campus for Intuit. Acrylic sheets were laser-etched and grouted with acrylic paint to convey the diagram of the base building massing, environmental considerations, as well as building program.

LAENASTOLyear 2009

place Copenhagen, Denmark

collaboration Kunstakademiets Arkitektskole

Laeanastol, meaning easy chair in english, is the final product of a summer studying Scandinavian furniture design in Copenhagen, Denmark. I worked with Danish and Swedish furniture designers and studied fabrication techniques to create this hand-made prototype made from bent steel tubing and fabric strapping. The design is inspired by the work of Danish furniture designer Poul Kjaerholm, in which the seat is often visually lifted from the base.

WHITE HILL MIDDLE SCHOOLyear 2012

place Fairfax, CA


The new master plan for the existing campus includes the addition of two new classroom buildings. The new buildings have been sited and organized around a central outdoor gathering space that extends the existing courtyard to the north. The natural environment will serve an educational role: storm water will be safely and visibly channeled into the campus interior between the new classroom buildings and water will flow through planters and run along teaching patios, providing opportunities for outdoor teaching and integrating principles of conservation into the lives of students.

EXHAUSTING CO2-HEAVY AIRTHROUGH ROOF

SOLAR HARVESTING THROUGHPHOTOVOLTAIC PANELS

RAIN WATER HARVESTINGFROM ROOF

EXHAUSTING CO2-HEAVY AIRTHROUGH CEILING PLENUM

EXHAUSTING CO2-HEAVY AIRTHROUGH CEILING PLENUM

RAIN WATER ROUTED TO FLOW-THROUGH PLANTERS

EXHAUSTING CO2-HEAVY AIR

CANOPY FOR RAIN AND SUNPROTECTION

OPERABLE WINDOWSTO SUPPLY FRESH AIR

HYDRONIC RADIANT FLOORSFOR HEATING/COOLING

CEILING FANS TO CIRCULATE AIR

OPERABLE WINDOWSOPERABLE WINDOWS

TEMPERED FRESH AIR SUPPLY

MISSION ROCKyear 2012



The San Francisco Giants plan to develop 27 acres of land in the Mission Bay neighborhood adjacent to AT&T Park. The future Mission Rock district will be a waterfront development mixing residential, office, and retail uses into eleven total blocks. The Giants invited four firms to participate in a charrette and assigned two blocks to each firm with the goal to discover the feasibility and imagine the architectural and urban potential of the prospect.

0Exposition Street

Bosque Street

Mission Rock Street

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Third

Stre

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Pier 48 Pier 48

AT&AT&A T Park

China Basin ParkChina Basin ParkChina Basin ParkChina Basin ParkChina Basin ParkChina Basin ParkChina Basin ParkChina Basin ParkChina Basin ParkChina Basin ParkChina Basin ParkChina Basin ParkChina Basin ParkChina Basin ParkChina Basin ParkChina Basin ParkChina Basin ParkChina Basin ParkChina Basin ParkChina Basin ParkChina Basin ParkChina Basin ParkChina Basin ParkChina Basin ParkChina Basin ParkChina Basin ParkChina Basin ParkChina Basin ParkChina Basin ParkChina Basin ParkChina Basin ParkChina Basin ParkChina Basin ParkChina Basin ParkChina Basin ParkChina Basin ParkChina Basin ParkChina Basin ParkChina Basin ParkChina Basin ParkChina Basin ParkChina Basin ParkChina Basin ParkChina Basin ParkChina Basin ParkChina Basin ParkChina Basin ParkChina Basin ParkChina Basin ParkChina Basin Park

ChannelChannelChannelChannelChannelChannelChannelChannelChannelChannelChannelChannelChannelChannelChannelChannelChannelChannelChannelChannelChannelChannelChannelChannel Plaza

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Pier 50Pier 50Bosque StreetBosque StreetBosque StreetBosque StreetBosque StreetBosque StreetBosque StreetBosque StreetBosque StreetBosque StreetBosque StreetBosque StreetBosque StreetBosque StreetBosque StreetBosque StreetBosque Street

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Exposition StreetExposition Street

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Exposition StreetExposition StreetExposition StreetExposition StreetExposition StreetExposition StreetExposition StreetExposition StreetExposition StreetExposition StreetExposition StreetExposition StreetExposition StreetExposition StreetExposition StreetExposition StreetExposition StreetExposition Street

China Basin ParkChina Basin ParkChina Basin ParkChina Basin ParkChina Basin ParkChina Basin ParkChina Basin ParkChina Basin ParkChina Basin ParkChina Basin ParkChina Basin ParkChina Basin ParkChina Basin ParkChina Basin ParkChina Basin ParkChina Basin ParkChina Basin ParkChina Basin ParkChina Basin ParkChina Basin ParkChina Basin ParkChina Basin ParkChina Basin ParkChina Basin Park

PROJECT #: 1/16" = 1'-0"

MISSION ROCK - LOT 337 - BLOCKS C + E

LONG SECTION -

LEVEL 10"

LEVEL 10"

LEVEL 216'-0"

LEVEL 216'-0"

LEVEL 330'-0"

LEVEL 330'-0"

LEVEL 444'-0"

LEVEL 444'-0"

LEVEL 558'-0"

LEVEL 558'-0"

LEVEL 672'-0"

LEVEL 672'-0"

LEVEL 786'-0"

LEVEL 786'-0"

LEVEL 8114'-0"

LEVEL 8114'-0"

LEVEL 9128'-0"

LEVEL 10142'-0"

LEVEL 11156'-0"

LEVEL P1-10'-0"

ROOF184'-0"

LEVEL 12170'-0"

1/16" = 1'-0"

MISSION ROCK - LOT 337 - BLOCKS C + ELONGITUDINAL SECTION

9/20/2012

1

2

MISSION ROCK - LOT 337 - BLOCKS C + E 09/20/12FLOOR PLAN - LEVEL 5 SCALE: 1/16" = 1'-0"

6

A

B

C

D

54321 7 9

P

Q

R

S

T

10 11 12 13 14 15

U

8

OFFICE26,909 SF

OFFICE21,064 SF

MISSION ROCK - LOT 337 - BLOCKS C + E 09/20/12SITE PLAN / FLOOR PLAN - LEVEL 1 SCALE: 1/16" = 1'-0"

6

A

B

C

D

54321 7 9

P

Q

R

S

T

10 11 12 13 14 15

U

8

1'-1

0"

RETAIL3,685 SF

RETAIL3,112 SF

RETAIL4,367 SF

RETAIL4,885 SF

RETAIL11,677 SF

BOSQUELA

S R

AM

BLA

S

THIR

D S

TRE

ET

VAR

A

BLOCK C

1st FLOOR 20,929 SF RETAIL2nd FLOOR 3,550 SF RETAIL 20,960 SF OFFICE3rd FLOOR 36,032 SF OFFICE4th FLOOR 28,344 SF OFFICE5th FLOOR 26,909 SF OFFICE6th FLOOR 26,916 SF OFFICE7th FLOOR 29,220 SF OFFICE8th FLOOR 15,193 SF OFFICE9th FLOOR 17,699 SF OFFICE10th FLOOR 16,215 SF OFFICE11th FLOOR 16,215 SF OFFICE12th FLOOR 16,206 SF OFFICE TOTAL 274,388 SF

BLOCK E

1st FLOOR 6,797 SF RETAIL 9,215 SF OFFICE2nd FLOOR 23,965 SF OFFICE3rd FLOOR 23,986 SF OFFICE4th FLOOR 22,928 SF OFFICE5th FLOOR 21,064 SF OFFICE6th FLOOR 23,499 SF OFFICE7th FLOOR 9,193 SF OFFICE8th FLOOR 2,813 SF OFFICE TOTAL 143,460 SF

SALVATION ARMY ADULT REHAB CENTERyear 2011

place Richmond, CA


A proposal to the Salvation Army for a new Adult Rehabilitation Center that would be situated on the southern marsh edge of San Pablo Bay near San Francisco. The facility would provide re-entry housing and counceling for men and women, allowing them to works in the warehouse and retail services that Salvation Army provides.

The building is situated on the site to take advantage of the bayside setting while forming courtyards, playfields, and gardens. The diagram of the building organizes the program into separate wings which acts as a winding gradient from the more private services to the more public ones.

Public

Private

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NN N

N N

healing retail

working

warehouse

warehousesupport

supporthousing

housingg

g

c c

l

l

d

d

salt marsh

urban

Public

Private

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NN N

N N

healing retail

working

warehouse

warehousesupport

supporthousing

housingg

g

c c

l

l

d

d

salt marsh

urban

EDUCATION / COUNCILINGHOUSINGDAY ROOMSSPECIAL PROGRAMRETAILWAREHOUSEADMINISTRATION OFFICESSERVICE

DAY ROOMDAY ROOMDAY ROOMDAY ROOM

EDUCATION / COUNCILINGEDUCATION / COUNCILINGHOUSINGHOUSINGDAY ROOMSDAY ROOMSSPECIAL PROGRAMSPECIAL PROGRAMSPECIAL PROGRAMSPECIAL PROGRAMSPECIAL PROGRAMSPECIAL PROGRAMRETAILRETAILRETAILRETAILRETAILRETAILWAREHOUSEWAREHOUSEWAREHOUSEWAREHOUSEWAREHOUSEWAREHOUSEADMINISTRATION OFFICESADMINISTRATION OFFICESADMINISTRATION OFFICESADMINISTRATION OFFICESADMINISTRATION OFFICESADMINISTRATION OFFICESSERVICESERVICESERVICESERVICESERVICESERVICE

RETAIL

STORE

AUTOMOTIVE RETAIL STORE WAREHOUSE

ENTRANCE

DINING

BOWLING ALLEY

BOWLING ALLEY

HOUSINGHOUSINGHOUSINGHOUSING

ADMIN OFFICESADMIN OFFICESADMIN OFFICESADMIN OFFICESADMIN OFFICESADMIN OFFICESADMIN OFFICESADMIN OFFICESADMIN OFFICESADMIN OFFICESADMIN OFFICESADMIN OFFICESADMIN OFFICESADMIN OFFICESADMIN OFFICESADMIN OFFICESADMIN OFFICESADMIN OFFICESADMIN OFFICESADMIN OFFICESADMIN OFFICESADMIN OFFICESADMIN OFFICESDAY ROOM

ADMIN OFFICESDAY ROOM

ADMIN OFFICESADMIN OFFICESADMIN OFFICESADMIN OFFICESADMIN OFFICESADMIN OFFICESADMIN OFFICESADMIN OFFICESADMIN OFFICESADMIN OFFICESADMIN OFFICESADMIN OFFICESADMIN OFFICESADMIN OFFICESADMIN OFFICESADMIN OFFICESADMIN OFFICESADMIN OFFICESADMIN OFFICESADMIN OFFICESADMIN OFFICESADMIN OFFICESADMIN OFFICESADMIN OFFICESADMIN OFFICESADMIN OFFICESADMIN OFFICESADMIN OFFICESADMIN OFFICESADMIN OFFICESADMIN OFFICESADMIN OFFICESADMIN OFFICESADMIN OFFICESADMIN OFFICESADMIN OFFICESADMIN OFFICESADMIN OFFICESADMIN OFFICESADMIN OFFICESADMIN OFFICESADMIN OFFICESADMIN OFFICESADMIN OFFICESADMIN OFFICESADMIN OFFICESADMIN OFFICESADMIN OFFICESADMIN OFFICESADMIN OFFICESADMIN OFFICESADMIN OFFICESADMIN OFFICESADMIN OFFICESADMIN OFFICESADMIN OFFICESADMIN OFFICESADMIN OFFICESADMIN OFFICESADMIN OFFICESADMIN OFFICESADMIN OFFICESADMIN OFFICESADMIN OFFICESADMIN OFFICESADMIN OFFICESADMIN OFFICESADMIN OFFICESADMIN OFFICESADMIN OFFICESADMIN OFFICESADMIN OFFICESADMIN OFFICESADMIN OFFICESADMIN OFFICESADMIN OFFICESADMIN OFFICESADMIN OFFICESADMIN OFFICESADMIN OFFICESADMIN OFFICESADMIN OFFICESADMIN OFFICESADMIN OFFICESADMIN OFFICESADMIN OFFICESADMIN OFFICESADMIN OFFICESADMIN OFFICESADMIN OFFICESADMIN OFFICESADMIN OFFICESADMIN OFFICESADMIN OFFICESADMIN OFFICESADMIN OFFICESADMIN OFFICESADMIN OFFICESADMIN OFFICESADMIN OFFICESADMIN OFFICESADMIN OFFICESADMIN OFFICESADMIN OFFICESADMIN OFFICESADMIN OFFICESADMIN OFFICESADMIN OFFICESADMIN OFFICESADMIN OFFICESADMIN OFFICESADMIN OFFICESADMIN OFFICESADMIN OFFICESADMIN OFFICESADMIN OFFICESADMIN OFFICESADMIN OFFICESADMIN OFFICESADMIN OFFICESADMIN OFFICESDAY ROOM

ADMIN OFFICESDAY ROOM

ADMIN OFFICESADMIN OFFICES

CHAPEL

DAY ROOMLIBRARYLIBRARYLIBRARYLIBRARYLIBRARY

EDUCATION / COUNCILING

MENS BEDSMENS BEDSMENS BEDS

GYMGYMGYMDAY ROOM

WOMENS BEDSWOMENS BEDSWOMENS BEDSWOMENS BEDSWOMENS BEDSWOMENS BEDSWOMENS BEDSWOMENS BEDSWOMENS BEDSWOMENS BEDSWOMENS BEDSWOMENS BEDS

DAY ROOMDAY ROOM

WOMENS BEDSWOMENS BEDSWOMENS BEDSWOMENS BEDS

healing

retail

Public

Private

Zoning

working

N

Sport

Library

Chapel

Dining

Special program

counciling

+

education

N

Service AccessN

Landscape

Salt Marsh

urban

N

Residential ClustersDay rooms (1st floor)

Bedrooms (2nd + 3rd floors)

N

Internal Circulation

1st Floor Circulation

2nd Floor Circulation

Exterior Circulation

N

Green Roofs

Courtyards

Green Roofs

N

Courtyard Views

Ground Floor

2nd + 3rd Floors

N

BREE

ZEWA

Y

MECH

MECH

CLINIC

STR

STR

WC

WC

BREE

ZEW

AY / E

XPAN

SION

LOBBY

RETA

IL ST

AGIN

G AR

EA

STOR

LAUNDRY

SERV

ICE / T

RASH

/ REC

YCLIN

G AR

EA

123456789

10111213

CLASSROOM (950 sq. ft.)COUNCILING ROOM (200 sq. ft.)INDIVIDUAL COUNCILING ROOM (110 sq. ft.)DAY ROOM (2,700 sq. ft.)GYMNASIUM (6,000 sq. ft.)CHAPEL (12,000 sq. ft.)RETAIL (23,000 sq. ft.)AUTO RETAIL (3,000 sq. ft.)BOWLING ALLEY (3,000 sq. ft.)ADMINISTRATION OFFICE LOBBYDINING HALL (9,900 sq. ft.)KITCHEN (5,900 sq. ft.)WAREHOUSE (193,000 sq. ft.)

4

4

49

10

11

8

6

EXPA

NSION

5

11

1

3 27

1312

EDUCATION / COUNCILINGHOUSING CORESSPECIAL PROGRAMDAY ROOMSRETAILWAREHOUSEADMINISTRATION CORESSERVICE

0

20

50

100

500

N

123456

GYMNASIUM (6,000 sq. ft.)WOMENS HOUSING (8,400 sq. ft. per floor)CHAPEL (12,000 sq. ft.)MENS HOUSING (24,000 sq. ft. per floor)LIBRARY (3,800 sq. ft.)ADMINISTRATIVE OFFICES (20,200 sq. ft. per floor)

EDUCATION / COUNCILING CORESHOUSINGSPECIAL PROGRAMADMINISTRATIONSERVICE

1

2

4

5

6

3

0

20

50

100

500

N

SEITENGEIST HAUSyear 2009

place Stoglio, Switzerland

collaboration Esther Hagenlacher, Prof., Univ. of Oregon

A private residence for a bookmaker and an author, this studio project is an adaptive re-use of a stall (barn) in a small mountain town in Switzerland. The German word Setiengeist means in the spirit of the page which is the working metaphor for the spirit of the design. Borrowing from Swiss graphic design the layout of the program elements follows a strict grid, lending to clear organization of living spaces.

The materiality of the house is a dialogue between new and old techniques in masonry construction using locally harvested Gneiss stone. The original stall walls are the vernacular rubble masonry using hand-hewn methods, where the new Gneiss walls are the same material but are instead machine-hewn to create a juxtaposition between new and old tectonic expressions.

*Project chosen to be archived by the University of Oregon for NCAARB accreditation review.

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OBERGESCHOSS

PORTLAND MUSIC CONFLUENCEyear 2010

place The Rose Quarter, Portland, OR

collaboration Allied Works, Prof., Univ. of Oregon

The Portland Music Confluence is a music innovation center situated between the Willamette River and the entertainment district of the Rose Quarter. The centers educational and professional mission converges with its context to create a civic landscape that addresses the cultural and physical forces acting on it.

This project finds relevance and definition by examining its urban contextland use, infrastructure, landscape, and populationthrough the medium of sound. The context of a place can be understood by listening to the sounds within that place, in other words, its soundscape. The soundscape of this site has changed its tune over the last 50 years from what was once the vibrant Lower Albina neighborhood emitting the music from jazz clubs and sounds of local inhabitants, into what is now a monumental entertainment and commercial district broadcasting the brazen din of advertisements, speeding automobiles, and train whistles.

The Portland Music Confluence seeks to reclaim the soundscape of the Rose Quarter by reuniting the culture of Portlands music scene with its best venueThe Willamette River. The Portland Music Confluence will not only infuse its soundscape with harmonious melodies of outdoor performance space, natural vegetation, and extension of the Springwater Corridor but it will also provide educational programs, recording and rehearsal space, exploration and discovery galleries, and a springboard for local artists to gain exposure on a larger stage.

The building massing is composed of two long bars that curve to converge with the bank of the river. The bars are separated to create a valley through which a stream flows eventually arriving at the Willamette. In an effort to unearth the layers of buried culture of this place, the project seeks a tectonic reading of exposed stratification. Much like the eroded basalt walls of the Columbia Gorge which reveal the many floods that have shaped it.

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RECLAIMING THE SOUNDSCAPE | THE PORTLAND MUSIC CONFLUENCE | DREW HASTINGS | AWA | B.ARCH | 2010aladdin theater

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THE CONFLUENCE: SKETCHES, AERIAL VIEW, WATERFRONT VIEW

The above images won 1st place in the DS Extrusion Competition hosted by the Designated Sketcher (thedesignatedsketcher.com). The collage of hand sketches on the left came from explorations during my terminal studio project and were the progenetor for the rendered sketches on the right, created over a year later. The renderings show a different project from the original terminal studio project despite both coming from the same sketches. The new project sought to rekindle the essence of the original sketches that was somewhat lost in the terminal project.

drew hastings portfolio

Documents