bertini - 24 studies for piano

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Mu 786.5 Bertini. c.l.Twenty-Four Studies for thes??:Fiano. Op. 32. ^

-BNG A.

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MY

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4/48


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SCHIRMER'S LIBRARYOF MUSICAL CLASSICS

Vol. 138

BERTINIOp. 32

Twenty-Four StudiesFor the Piano

75 cents

->->-t>-^v>^t>^i> wvvw^;a BCM IRMCR. INC.


6/48

Digitized by the Internet Archive

in 2008 with funding from

IVIicrosoft Corporation

http://www.archive.org/details/artoffingerdexte06czer


7/48

SCHIRMER'S LIBRARYOF MUSICAL CLASSICS

Vol. 138

H . B E R T I N IOp. 32

Twenty- Four Studies

For the Piano

A Sequel to Op. 29

Preparatory to the Celebrated Studies of

J. B. CRAMER

Revised, Fingered and Edited by

MAX VOGRICH and G. BUONAMICI

jjflPtRTY Of m Of wG. SCHIRMER, INC.

New YorkPrintad In ll U. S. K.

m


8/48

2

Etude XXV.Revibtd and fingered by

MAX VOGKUII H. IJERTIM, Op. 32

Allt*i:r'tti>

Piano

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10/48

/Revised and finjêred y>y

MAX YOGRICH

Etude XXVI.

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11/48

Fingering and Phrasing byG.BUONAMICI

Andante fJ:b9)

Etude XXVII,

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12/48

6

Revised and finjrert'd by

MA\ VUGKIlH.

Etude XXVIII.

Mouvemente de Valse* i 5

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14/48

Revised and finj^ered by.\fA.\ Vug RICH.

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Etude XXIX,

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16/48

10

Revised and fin^t^red byMAX VUGRICH.

Alle^'^ru.

E t u(l e XXX,

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17/48

11

Revised and fingered byMAX VOOKICH.

Allegro.

Etude XXXI.:i .4

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18/48

12

Etude XXXIIRevised and fingered by

MAX YOGKICH

All-j;rett(t 'spi'ssiv().

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19/48

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20/48

14

Fingering^ Phrasing. Annotations by

G. BUo.yiMICI

Etude XXXm.

26r

Andante iozit)If^nti'sstmo e ben tenuto

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21/48

15

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22/48

16

Etude XXXIV.Revised and finijered by

MAX VOGRICH.

Allef,^n'ttn

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23/48

17

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24/48

18

Revised and finpend >vMAX VOGRICH. v: 1 11 d r XXXV.

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25/48

Revised and fingered by

MAX VOGRICH.rm m w cmy m Ntw yokk 19

Etude XXXVI.Andantr.leg (i to con espvessiune.

m 45 t U^~f %UTF i 2 18 24 2P : ; , t> ~n- 331 33:hk

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1042* Copyright, rs.9S,hv a. Srhinner.


26/48

20

Revised and fing:ered byMAX YOOKUU

Etude XXXVII

Alh'g^ro modt-rato.

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dim.

r^^^

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27/48

Revised and fing^ered byMAX YOGRICH.

Andante.

Etude XXXVIII.21

j

|;.^'i'") to'p';i 1 :i ^ 4 i 3 \

' ^ j 'r^ ''-^*i''^''^T^m

1 a 5 4 1 a aS


28/48

22Fingering and Phrasing; by

G. B I OS. i MIC IEtude XXXIX,

Alli'^^ro miderati> ^orll)(

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iot

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29/48

Fing^ering", Phrasing:, Annotations byG. BUONAMICI

Allegretto (-zsi)

23

Etude XL.

It will be Useful to accentuate this study in the following maniicr also:

*"**'* Copyright, ISS4, by G. Schirnni.


30/48

4

ReTised and fingered bvMax yog rich

Etude XLI

A lifter"semjjre Icô to >? ~ f.'^M-^

1

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^^^ iâ^ i^^ ^^Mt ^î^


31/48

26

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32/48

S6

Fingering, Phratintc. Annotation^ by Ktudo XLIIG. BL'OSlMICJ

Andantf (j = Ks) s a

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llrrr.tiHi, it Ih rivomniriiilnl to (l(Nib|p the fij;iir


33/48

87

Revised and fingered byMAX VOGRICH.

Allegretto.

Etude XLIII.

^ 4

^m43

^ ^ cre.sr.-* # r^ w

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# I^TiT /

I ^y= t=^ Ti =^

^-=

10484 Copyright,ls92,by G. Schirmer.


34/48

98

RcTised and fingerid bvMax vug rich.

Allff,Mt'ltu

Etude XLIV.

\ 7 I :. -. \ ; \ :.I ' ~ ' 1111 1111

i :, A :i

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31 r

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35/48

S9

Fingering and Phrasing byG. BUONAMICI

Allegretto (. = iiti'^

Etude XLV.

104S4 Copyright, 1SH4, by G. Schirmer.


36/48

30

Finpering^, Phrasinp, Annotations by fT f n H V T \' TG. UUOSAMItl

' I^ I U U t .VL. \ 1

Andantf rJ.= 76)

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37/48

r> 431

JLi 4 S 4 3 3 5 4 5 4 ,,

/ '^ / / / / /

^^^mcresc.

i ; ^ y?^

104'.i4


38/48

32

Fingering^. Phrasing', Annotations by

G. Lu.\ I MIC I

Etiidt' XLVII

Allf^rrttO r vs

JpJ^ ^r ij^:^ V*'# ^b jg-0.

mV"

^=^3t3M# # v #

t: ^/"

^"# *

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7-

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g.ii ;:T-r-j-

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cresc.

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^

Tiikr riirr to hold only thr thumb, not thr wrruiid fiiifTrr al-n, ao oih' would oftrii bf tcmiitrd to do.

Tr.iimpoHP .kl-ii .i half-trp lower

IO Ci>/'\richt.is>i.f>v r,. Sch^rtnrr.


39/48

3

i # I 0^ m^t=E *?*:

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40/48

84

Revised and fingt-red byMAX YUuHICH.

Etude XLVIII,

All'i,rn'tt(.

i" - # f*

f legato.fil': '^f ^^r. | fi,.,.r.,.ri!>f .r. a^

>!' n t ^ 7 , , r ^^

^^^^^^ ^a 3 -^

(

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fc

^M ^^^1 t '^1 Copyright, ts.vs,by G. Schirmrr.


41/48

Hi

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42/48

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ScHiRMER's Libraryof Musical Classics

PIANO SOLO COLLECTIONSSERIES TWO

The Library Volume Number U given In bracket!: |33|

CHOPIN. F.KRIEPHEIM EDITION

Etude!33| 1 50

JOSEFFY EDITIONOp. !I. Concerto No. 1. Em. .'-/"laiMSwre 113501 1.25Op 21 (x>ncerto No. J. Fm. .'-/'uiio 5cof* |I3S1| 1.25Album. 32 Kvonic I umpo(iont |391 2.00Ballade* 1311 100

(kjncert Plecea (38! ISO

Imprumpiut ;i03)mpoltion |36| 1.00

N'occurnet 1301

Prelude* 34

Rondo* lltU!Scheril; Fantaay, FmWallM* 127)

321

1.25

1.00

1.00

I 50

1 (XI

MIKfl.I EDITKtNOp 11 C:oncerto No. I. Em 11558). 125,. :i Concerto No. 2, Fm |I5S7| 1.25Ballade* '1552!

(xincert PiecM [15461Etude* HM!.Impromptu* i| ^nMazurka* IMK

Mi*cellaneance* from "Henry Vlll" |I535|

(.ODARI). B.Ill Selected PIp< r* hk I 12131: Rk. II |2U|.

.75

I (Kl

GRIEG. F.Op 3 Poetic Tonc-Piclur (l!.'Op. 101 Albumleave* lor the Vuunft 1309)..

Op. 140 Album for the Yountt- 2(1 Meiodiou* Piece* )325|

HABERBIER. E.Op 5.V .W Etude-Po**ie (KutharHl) 11911

n.\NDEL, G. F..\lbum. 22 Favorite Piece* (Buonamici) (431

12 Fji*y Piece* (Rukm) )381)

.75

.75

.75

.50

.75

.75

.75

.75

.75

75

.75

.75

1.00

.75

.50

.75

1.00

1.00

..50

H.WDN, J.20 Sonata* ( K Ire Lebert ) lik I |295h Bk II 1296| ea. 1 25

HELLER. S.Of>. 82. Flower-. Fruit- and Thorn-Plecea. 18 Charac-

l


43/48


44/48

-s^>.-^^^:>-v>-v!^t>^^t-v^^- -^- 24. 25 Melodic Studies (Oeslerle) 1139) 0Op. 25. 15 Studies in Style and Eipresalon (Oeitn-lr)

II4II .75

Op. 30. MStudies on the SInalna Touch (Octrrle) |140| .75Op. 31. IS Studies In Style (I >r..) (1374) . ..75

Amy Sthirnur Ijiiitary volumt may bt ohtninrd inPn/ft Suhlni In Ckii

CONCONE. G. ContinuedOp. 37. 24BrilliantPrvludesinalltheMaJorandMinor

Key*. For Sin:.!! 1 1.inds (Ocstcrle) [220] 60

Op 41. 15 Studies In Expression (von DocnhofT) 11030). . .7530 Selected Studies (Ostcric) US) 1.25

CRAMER, J. B.84 .Studies. Bk. I |142): Bk. II [143); Bk. Ill 1144):

Hk IV 11451 e- -SO50 .Selected Studle* (Billow). Complete |827) 1.50

Th.' s.imc. Bk. I 182fi]: Bk. II 1829]: Bk. Ill (8301;Bk. IV 1831) ea. .60

Thc&ame. *p. Complete 1 1 1 78] 1.50

CROI.SEZ. A.Op. 100. 25 .Melodious Etude* (Deis) (1438) 75

CZERNY, C.Op. 139. 100 ProftreasWe Studies without Octave*

(Vogrich) 1 15.1] 1.00

Op. 261. 125 Exercises in Passage-Playing. ElementaryStudic* (Huon.wnici) |37S) 1.00

Op. 299. The School of Velocity. 40 Studies (Vogrich).Complete 1161) 1.25

The vime. Bk. I (162]; Bk. II |163): Bk. Ill 1164):Bk. IV (1651 ca. .50

Op. 335. School of I^ftnto and Staccato. 50 Studies.Sequel to Op. 229 (Hii.m.imici) |150) 1.25

Op. 337. 40 Daily Exercises (Buonamici) (149) LOO

Op. 365. School of t)ie Virtuoso. Studies in Bravura andStyle (Buon.imici) I-ivi]- A 1.75

Op. 453. 110 Easy and Progre**ive Exerci*ee (Buona-mici) 1741] 1.25

Op. 553. 6 Octave-Studle* In Progrotsire Difficulty(Schultze) 1402] 50

Op. 599. Practical Method for Beginner* (Buona-mici) (146) 75

Op 636. Preliminary School of Finger Deiterity(Buon.imiii) (US' .

.

75

Op. 718. 24 Studies for the Left Hand (Schar r.lvrrg) (60) .60Op 740. The Art of Finftt-r Dexterity. 50 Studies in

Hrilli.int Stvir (Vogrich). CompliMc |I54). . . '. .00The wme. Bk. I (ISSt; Bk. II (156); Bk. Ill |I571;Bk. IV II.SR); Bk. V 1159); Bk. VI (160) ea. .50

Op 755. Perfection in Style. 25 Finishing Studies(Herrog) 1I15K] 1.50

Op 802 Practical Finger Eierciae* (Rolle). Coa-plcielI92] 1.25

The Mmr. Bk. I 119.1] 60Op. 821. 160 Elftht-Mrasure Exercises (Bunn.>n)ici) (147) 1.00Op. 823 The Little Pianist. 73 Kicrciics, beginning

iih the Firnt Kudimeni*. Complete |S4| 1.00The same. Bk. I 155]; Bk. II (56) ea. .60

Op. 840. 30 New Studies In Technics. Preparatory toOp 299 (Huon.imici |272) 1.00

.S.I -r, . , An Anlhol-nfy (Orstr '^ '" ! '' rr1 ..wrr Middle Or.. !l

'''5|: Hk. Ill; Up|>er " . , tilfd on rrquesl.

Fife ll'i/'in>(/ Snliif

mG. SCHIRMER, INCA I0O7 NEW YORK

VV^vy^v^>-VW^:;..VV-^Vy^-.f^^/^-> f.^-^-^-^-^-.^-.f^-.j-^^-4


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bertini - 24 studies for piano

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