andrew smith gallery’s farewell exhibit in santa fe · lozoya, elliott mcdowell, duane...

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P R E S S R E L E A S E F 0 R I M M E D I A T E R E L E A S E July 14, 2018 VITTORIO SELLA SEVERE REALITY ANDREW SMITH GALLERY’S FAREWELL EXHIBIT IN SANTA FE e Western Himalaya and the Karakoram Expedition to K2,1909, sponsored by the Duke of the Abruzzi, Luigi Amedeo di Savoia Photographs by Vittorio Sella Exhibit Dates: Friday, July 27, 2018 –September 1, 2018 “I can see fixed on paper the vision of a lost instant, I recognize scenes I had not been able to admire on the spot. And, in such details, I sometimes find the elements of beauty. The toil and accidents of a climb often blind our eyes to the beauty of the highest regions. Our mind cannot retain a true notion of the views we admired. We know we felt up there the strongest emotions, we remember but dimly the truth of the sites which fascinated our senses. Photography helps to choose, to detail, and to idealize such elements as can form a beautiful alpine scene.” ~From the essay “Picturing the Sublime: The Photographs of Vittorio Sella” by Wendy M. Watson in Summit: Vittorio Sella Mountaineer and Photographer The Years 1879- 1909

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Page 1: ANDREW SMITH GALLERY’S FAREWELL EXHIBIT IN SANTA FE · Lozoya, Elliott McDowell, Duane Monczewski, Lisa Law, Phil Borges, James Balog, Delilah Montoya, Barbara Van Cleve, and David

P R E S S R E L E A S E F 0 R I M M E D I A T E R E L E A S E July 14, 2018

VITTORIOSELLA

SEVEREREALITYANDREWSMITHGALLERY’SFAREWELLEXHIBIT

INSANTAFEe

WesternHimalayaandtheKarakoramExpedition

toK2,1909,sponsoredbytheDukeoftheAbruzzi,LuigiAmedeodiSavoia

PhotographsbyVittorioSella

ExhibitDates:Friday,July27,2018–September1,2018

“Icanseefixedonpaperthevisionofalostinstant,IrecognizescenesIhadnotbeen

abletoadmireonthespot.And,insuchdetails,Isometimesfindtheelementsof

beauty.Thetoilandaccidentsofaclimboftenblindoureyestothebeautyofthe

highestregions.Ourmindcannotretainatruenotionoftheviewsweadmired.We

knowwefeltuptherethestrongestemotions,werememberbutdimlythetruthofthe

siteswhichfascinatedoursenses.Photographyhelpstochoose,todetail,andto

idealizesuchelementsascanformabeautifulalpinescene.”

~Fromtheessay“PicturingtheSublime:ThePhotographsofVittorioSella”byWendy

M.WatsoninSummit:VittorioSellaMountaineerandPhotographerTheYears1879-

1909

Page 2: ANDREW SMITH GALLERY’S FAREWELL EXHIBIT IN SANTA FE · Lozoya, Elliott McDowell, Duane Monczewski, Lisa Law, Phil Borges, James Balog, Delilah Montoya, Barbara Van Cleve, and David

“Geologicalevolutionisproceedingwithsuchobviousplainnessthatthetravelerfeels

as though he were beholding a country in a state of formation and witnessing the

modeling of the earth’s crust. The slowwork of the waters hollows out gorges and

hewstheirwalls intonewshapes,almostunderone’seyes,withsuchactivityandon

suchascalethatnothingelsewherecanbecomparedwithit....”

~Karakoram&WesternHimalaya1909byFilippiDeFilippo,(1912)

AFarewellExhibitinSantaFe

AndrewSmithGallery,upstairsat122GrantAve.,SantaFe,NM87501,

bringstoaclose33yearsofbeingSantaFe’smostdistinguishedfineart

photographygallery,withanexhibitofphotographsbyVittorioSella

(1859-1943),therenownedItalianmountaineeringphotographer.The

photographsonexhibitarefromSella’slegendary1909trektothe

KarakoramintheHimalayas,ajourneyofunthinkablecomplexity,

enduranceandartisticfortitude.Theyareverylikelythefinest

documentsofamountainrangeevermadebythegreatest

mountaineeringphotographerinthehistoryofphotography.Drawing

onfortyyearsofexperienceasamountainclimber,technicianand

artist,SellacapturedK2anditsretinueofmassivepeaks,alongthe

BaltoroGlacier,fromallsidesandinallmoods.Hisgroundbreaking

worksofartfromtheAlps,theCaucasus,Africa,Alaska,andthe

HimalayasinfluencedVictorianaesthetics,andfurtheredscientific

studiesinthefieldsofanthropology,cartography,meteorologyand

botany.AsphotographicworksofarttheywerehighlyadmiredbyAnsel

Adams.TheexhibitopensonJuly27,2018andrunsthroughSeptember

1,2018.

Page 3: ANDREW SMITH GALLERY’S FAREWELL EXHIBIT IN SANTA FE · Lozoya, Elliott McDowell, Duane Monczewski, Lisa Law, Phil Borges, James Balog, Delilah Montoya, Barbara Van Cleve, and David

HK.2001–K2-28,250feet.KarakoramHimalayasatsunrise.K2asseenfromthe

eastfromtherocksaboveCampVI

“TheappearanceofK2isquitechanged;ithasbecomeamountainofice...Thewall,

ataverysteepangleofinclination,isliveicefor7,000feetup,andcrownedwith

séracs.Itisabsolutelyinaccessible.”FDFp.258

Page 4: ANDREW SMITH GALLERY’S FAREWELL EXHIBIT IN SANTA FE · Lozoya, Elliott McDowell, Duane Monczewski, Lisa Law, Phil Borges, James Balog, Delilah Montoya, Barbara Van Cleve, and David

The42printKarakoramcollectionispartofamuchlargecollectionof

600VittorioSella'sthatareownedbytheAppalachianMountainClub,

ofBoston,America’soldestenvironmentalorganization,whose

founderswerecolleaguesandfriendsofSellainthe1880s.Itisthe

mostimportantcollectionofSella’sworkoutsideofItaly.

HK.291-Srinagar,capitalofKashmir.MohammedanTemple

“DuringthelongperiodofMohammedandomination,thecapitalcitywasknownas

Kashmir,butwhenitfellintothepoweroftheSikhsitresumeditsancientHinduname

ofSrinagar.Ithasapopulationofabout130,000andstandsalmostinthecentreofthe

plainataheightof5,303feet,uponthebanksoftheJhelum,whichflowsthroughitin

asweepingcurve.”FDFp.34

Page 5: ANDREW SMITH GALLERY’S FAREWELL EXHIBIT IN SANTA FE · Lozoya, Elliott McDowell, Duane Monczewski, Lisa Law, Phil Borges, James Balog, Delilah Montoya, Barbara Van Cleve, and David

ThisfinalexhibitinSantaFeisinkeepingwithAndrewSmithGallery’s

decadeslongtraditionofbeingtheleadinginternationalsourcefor

importantgeologicalandtopographicalcollectionsofthehighestartistic

calibermadeinthe19thand20thcenturybyluminarieslikeCarleton

Watkins,TimothyO’Sullivan,AlexanderGardner,WilliamHenryJackson

andAnselAdams.AndrewSmithGallery’scontributiontotheartsof

SantaFecannotbeunderestimated.ThegallerybroughttoSantaFe

themostcomprehensivecollectionofAnselAdamsphotographsever

amassed.ItexhibitedworkbysuchlegendaryartistsasAnnieLeibovitz,

YousufKarsh,HenriCartier-Bresson,DuaneMichals,FlorGarduño,

ArnoldNewman,ElliottErwitt,JudyChicago,ChristopherBurkett,

HermanLeonard,JerryUelsmann,ShellyNiro,O.WinstonLink,Shelia

Metzner,BillWittliff,RayMetzker,LeeFriedlander,BaronWolman,and

PaulCaponigro,manyofwhomattendedopeningsoftheirwork.It

exhibitedworld-renownedphotographers,manyofwhommadeNew

MexicoandtheSouthwesttheirhomelikeLauraGilpin,EliotPorter,

BeaumontNewhall,VanDerenCoke,AnneNoggle,WalterChappell,

WilliamChristenberry,PatrickNagatani,JackSpencer,TomBarrow,

BettyHahn,JoanMyers,DannyLyon,ZigJackson,AnneNoggle,Joel-

PeterWitkin,JodyForster,RolfKoppel,AlanRoss,JulyChicago,Victor

Masayesva,ZigJackson,HulleahTsinhnahjinnie,MiguelGandert,Oscar

Lozoya,ElliottMcDowell,DuaneMonczewski,LisaLaw,PhilBorges,

JamesBalog,DelilahMontoya,BarbaraVanCleve,andDavidMichael

Kennedy.Fornearlyhalfacenturythegalleryhasbrokeredimportant

collections,soldhundredsofthousandsoffineartphotographsto

individualsandcollectors,andbeenaninvaluableeducationalresource

Page 6: ANDREW SMITH GALLERY’S FAREWELL EXHIBIT IN SANTA FE · Lozoya, Elliott McDowell, Duane Monczewski, Lisa Law, Phil Borges, James Balog, Delilah Montoya, Barbara Van Cleve, and David

forvisitors,artists,teachers,students,andartlovers.TheGallerywill

berelocatingtoTucson,Arizonainthefall/winter.

HK.13–DrasValleybelowKarah.Apricotsinblossominanoasis.

TheDrasriverwasfollowedbythepartyonitswaytotheKarakorammountains.It

emptiesintotheupperIndusandhassomesettlementsalongitscourse.P.78

VittoriaSella's1909ExpeditiontotheKarakoram

WhenVittorioSelladiedatageeighty-fourin1943,hehadmadeone

lastattempttoclimbtheMatterhornin1935attheageofseventy-six;

anendeavorthatfailedonlybecauseoneofhisguidessufferedan

injury.Bythen,thepioneerofalpinephotographyhadclimbedand

photographedthehighestpeaksintheEuropeanAlps,theCaucasus

Page 7: ANDREW SMITH GALLERY’S FAREWELL EXHIBIT IN SANTA FE · Lozoya, Elliott McDowell, Duane Monczewski, Lisa Law, Phil Borges, James Balog, Delilah Montoya, Barbara Van Cleve, and David

(Russia/Georgia),Mt.SaintElias(AlaskaYukonBorder),theHimalayas

Sikkim,theAfricanRwenzori(Uganda),andtheHimalayan

Karakoram.Ina1946articlefortheSierraClubBulletinAnselAdams

wrote,“...withSella’ssensitiveinsightandresponsethemagnificence

ofmountainsisdistilledintoahighorderofexpression.”“The

contemporaryphotographerwoulddowelltostudySella’scraft.”

HK.1000–TheIndusValleyBelowParkutta.AcultivatedalluvialbelowTarkuttap.

101

Page 8: ANDREW SMITH GALLERY’S FAREWELL EXHIBIT IN SANTA FE · Lozoya, Elliott McDowell, Duane Monczewski, Lisa Law, Phil Borges, James Balog, Delilah Montoya, Barbara Van Cleve, and David

VittorioSellawasbornin1859intoawealthy,politicallyinfluential

familyinthePiedmonttownofBiella,Italy.Asaboyhisclassicalstudies

includedGreekandLatinalongwithpaintinglessons,inwhichhe

excelled.Hewasintroducedtotherecentlyinventedartofphotography

byhisfather,atextilemillownernamedVenanzioGiuseppeSellaand

hisuncle,QuintinoSella,afamousItalianministeroffinance,bothof

whomwereenthusiastsofthenewart.In1856,Venanziopublisheda

treatiseonphotographythatwastranslatedintoGermanandFrench

andwasincludedinRoret'sEncyclopedic.QuintinoSellanotonly

foundedthestillactiveItalianAlpineClub,butalsotookhisyoung

nephewhikingthroughtheAlpsashetaughthimtolovethemountains.

HK.18–IndusValley,atconfluencewiththeDros.P.113

Page 9: ANDREW SMITH GALLERY’S FAREWELL EXHIBIT IN SANTA FE · Lozoya, Elliott McDowell, Duane Monczewski, Lisa Law, Phil Borges, James Balog, Delilah Montoya, Barbara Van Cleve, and David

SellalivedduringtheGoldenAgeofEuropeanmountainexploration

whenmanypeakswerebeingscaledforthefirsttime.Priortohisera,

mountainsweremostlyregardedasdangerousobstaclestobecrossed,

hauntedbyevilspirits.Theearly19thcenturysawadramaticshiftin

people’sperceptionofmountains,heraldedbytheRomanticpoetswho

laudedthemas“palacesofnature”thatembodiedtheeternal.“To

WordsworthandothersoftheRomanticera,alpinepinnaclesbecame

symbolsoftheheightstowhichtheimaginationofmancouldaspire,

towardtheunattainablegoalsofunderstandinginfinity,eternity,and

thevastnessofGod.Itwasnoaccidentthatthebeginningsof

mountaineeringasasportcoincidedwiththerecognitionthat

mountainswere,infact,beautiful.Andthedevelopmentofphotography

coincidedwiththatverymomentinthehistoryofnaturalphilosophy

whichhasbeencalledthe“eraofmoralizedmountaineering.”This

usheredinasuddeninterestinlandscapeandnaturalscenery,along

withpoetry,painting,photography,andtheartoftravelaspeople

soughtouttheheightenedemotionsbroughtaboutbyafullexperience

ofNature.

Sellahelpedrunthefamilytextile,wineandbankingbusinessesand

wouldtakehistimeoffexploringtheAlpsorothermountainranges.

Althoughsmallinstature(only5foot6inches,todayhewouldbe

consideredaneliteathlete)Sellapossessedtremendousstrengthand

endurance.Hecarriedheavy,large-formatcamerasandglassplates,

scaledtreacherousslopes,workedinchallengingweatherconditions,

andenduredstorageconditionsthatsometimesruinedhisnegatives.He

madephotographswithbothstereoscopicandhandheldKodak

Page 10: ANDREW SMITH GALLERY’S FAREWELL EXHIBIT IN SANTA FE · Lozoya, Elliott McDowell, Duane Monczewski, Lisa Law, Phil Borges, James Balog, Delilah Montoya, Barbara Van Cleve, and David

cameras,afterwardenlarginghisprintsbyvariousmeans.Hismasterful

compositionsofsublimepeakscapturedcrispdetailsandthevastarray

oftonalrangesenhancedbyhigh-altitudelightandshadow.Hismost

celebratedworksarelarge,multi-platepanoramas.

HK.1007–HimalayanpeaksinKashmir,fromnearSildi.ShigarValleyfromNest

Dilfi

“Shigarvalleyrunsfromnorth-westtosouth-eastforabout25miles,maintaininga

widthofaboutthreemilesandwithadropofsome350feet.Thesandhasobliterated

nearlyeverytraceofglacialaction.Onlyinshelteredcornersandontheleesideof

lateralspursaretobefoundmoraineremnants,whichbearwitnesstothepast

occupationofthevalleyuptoagreatheightbyagiganticglacier...”FDFp.139

Page 11: ANDREW SMITH GALLERY’S FAREWELL EXHIBIT IN SANTA FE · Lozoya, Elliott McDowell, Duane Monczewski, Lisa Law, Phil Borges, James Balog, Delilah Montoya, Barbara Van Cleve, and David

ThepublicwasenthralledbythepicturesSellabroughtbackfromhis

daringexpeditions.Accordingtoonereviewer,hisannualexhibitof

mountainphotographsattheAlpineClubinLondonwas

“inconvenientlycrowded.”SellasoldhisprintstopeoplefromItaly,

France,GermanyandEngland,andwasrepresentedbyaLondondealer

namedSpooner.Hisphotographssatisfiedagrowingpublichungerto

knowmoreaboutdistantplacesontheearththatfewwouldeversee

first-hand,whileprovidingasatisfyingblendofartistic,scientific,

intellectual,andevenspiritualelements.Sella’sprimarygoalwasto

providetheempiricalevidenceofwhatheandhispartyhadseenon

theirexpeditions,andtoconveyrealityasitwasperceivedbythe

humaneye.Hisapproachwasgovernedbyrigoroustechnicaland

aestheticstandardsthathecalled“larealtàsevere–severereality.

1909ExpeditiontotheKarakoram

In1909,asSellawasapproachinghisfiftiethbirthday,heandhislong

timeclimbingfriendtheDukeoftheAbruzzi,LuigiAmedeodi

Savoia,embarkedontheirmostambitiousjourneyyet,toclimbK2in

theWesternHimalayaKarakoramrange,andtosatisfytheDuke’s

primaryintentiontosetanewhigh-altituderecordforamantohave

climbedto.InTibetan,thenameKarakorammean“blackgravel,”and

toreachitmeantcrossingthevastmountainousregionbetween

KashmirandChineseTurkestan,acomplexsystemofranges,immense

tablelands,intricatevalleysandmightyrivers.TheDukewantedto

Page 12: ANDREW SMITH GALLERY’S FAREWELL EXHIBIT IN SANTA FE · Lozoya, Elliott McDowell, Duane Monczewski, Lisa Law, Phil Borges, James Balog, Delilah Montoya, Barbara Van Cleve, and David

determinehowhighhumanbeingscouldclimbandsurvive,aquestion

thatcouldonlybesolvedbydirectexperience.Theexpedition

ultimatelyspentovertwomonthsontheKarakoramglaciersand

returnedwithatroveofscientificdatathatincludedalargenumberof

photographs,atopographicalsurveyofaportionofthehighglacier

basins,newaltimetricmeasurementsandmeteorologicaldata,new

glaciologicalandgeologicalobservations,aswellastheexperienceof

longdurationatlowatmosphericpressurebybothEuropeansand

natives.

HK.74-Mt.PajuifromBaltoroGlaciertakenbytelephotographfromlowerBaltoro

Glacier“TothewestofthesewesawPaijuPeak,apileoftriangularrockpyramids

Page 13: ANDREW SMITH GALLERY’S FAREWELL EXHIBIT IN SANTA FE · Lozoya, Elliott McDowell, Duane Monczewski, Lisa Law, Phil Borges, James Balog, Delilah Montoya, Barbara Van Cleve, and David

risingoneaboveanother,clearlyoutlinedbytheiriceridgesandliftingupa

symmetricalpointedsummitcompletelycoveredwithsnow.FDFp.181

SellahadalreadyaccompaniedtheDukeonexpeditionstoAlaskaand

Uganda,andonceagaintheDukewantednoonebutSellaonthe

Karakoramexpedition,knowingthathisphotographicrecordwouldbe

unsurpassed.SevenItalianguidesandporterswerechosenfrom

Courmayeur,inthevalleyofAosta,Italy.SellabroughtwithhimErminio

Botta,whoactedasassistantphotographer,guideandporter,andwas

familiarwithcamplifeandforeignmountaineering.

HK.84–PaijuPeakandthelowerBaltorotakenfromRdokassBaltoroGlacierand

PaijumountainsfromRdokass“ThecalculationsbasedonthesedatesgiveRdokass

analtitudeof13,205feet.Itthusbecameastationofreferenceforthecalculationof

theDuke’sobservationsinthehighmountainsduringthisperiod.Wehadnowreached

morethan13,000feetabovesealevel,withoutexperiencinganysymptomofsuffering

fromaltitude.Weallsleptsoundly,andourappetiteswereexcellent.Someofus,

Page 14: ANDREW SMITH GALLERY’S FAREWELL EXHIBIT IN SANTA FE · Lozoya, Elliott McDowell, Duane Monczewski, Lisa Law, Phil Borges, James Balog, Delilah Montoya, Barbara Van Cleve, and David

however,notedevenattheearlyperiodthatwhenwestoopeddowntotieourshoesor

windourputtees,forinstance,wewouldbecaughtbyaslightsenseofoppressionon

standingupagain,andobligedtotakefourorfivedeepbreaths.“FDFp.194

TheDukehadalltheirequipmenttransportedfromEurope–camp

materials,personaleffectsandsuppliesfortheglacierregionslike

ropes,ice-axes,crampons,nailsandcobbler’stools,aswellas

meteorologicalinstrumentsandfragileFortinmercurybarometersthat

wereaperpetualsourceofanxiety.TheDukewantedtousePaganini’s

photogrammetricsystem(awayofmakingmeasurementsfrom

photographs)forthetopographicalwork,soaphotogrammetriccamera

withastockofplateswasaddedtoSella’sequipment.Medicalsupplies

werealsoincludedtoministertotheneedsofthenativeswhoseldom

sawaEuropeandoctor.Onlytwogunswerebrought,onchanceof

gettingsomespecimensofzoologicalinterest.

Page 15: ANDREW SMITH GALLERY’S FAREWELL EXHIBIT IN SANTA FE · Lozoya, Elliott McDowell, Duane Monczewski, Lisa Law, Phil Borges, James Balog, Delilah Montoya, Barbara Van Cleve, and David

HK.1003–Abruzzi’sCampatTolti

AsitwouldtaketwomonthstogetfromEuropetotheKarakoram,

wheretheDukewantedtobebyearlyJune,theteamdepartedfrom

MarseillesonMarch26,1909,sailingviaSicily,theSuezCanal,theRed

Sea,andtheIndianOceantoBombay.Theythentraveledtwodaysby

railroadtothenorthofthePunjabwheretheyandtheirluggagewere

depositedinRawalPindionApril11th.Fromtheretheexpeditionand

equipmentweretransportedbyhorse-drawncartsfor200milesto

Srinagaronacarriageroad(finished20yearsearlier)thatwentfrom

RawalPindi(1,700ft.)totheKashmirplateau(5,200ft.).Aftersome

wellearnedrestinKashmir,thepartyheadedfortheKarakoramon

April24th.

Page 16: ANDREW SMITH GALLERY’S FAREWELL EXHIBIT IN SANTA FE · Lozoya, Elliott McDowell, Duane Monczewski, Lisa Law, Phil Borges, James Balog, Delilah Montoya, Barbara Van Cleve, and David

HK.78–SouthernwallofK2fromSouthwest-p.230

InEuropetheDukehadarrangedforallthebaggagetobedividedinto

packagesoftherightweightfor250bearers(whomtheycalledcoolies)

and95ponies.Alltold,262loadsofabout50lbs.eachhadtobe

transportedintothehighmountains.Thecoolieswerepaidthe

“extraordinary”wagesofawholerupeeaday(ratherthan4to6annals

aday–withoutfood),afeedeterminedbytheKashmirgovernmentto

compensatethemforcrossingtheZojiLainwinterorspring,whenthe

dangerofavalanchesandfatigueofwalkingthroughthedeepsnowwas

muchworsethaninthesummer.(Anannalbeingequalto1/16rupee,

thecoolieswerebeingpaidfourtimesmorethanusual).

Page 17: ANDREW SMITH GALLERY’S FAREWELL EXHIBIT IN SANTA FE · Lozoya, Elliott McDowell, Duane Monczewski, Lisa Law, Phil Borges, James Balog, Delilah Montoya, Barbara Van Cleve, and David

HK.270–PaijuMt.fromMashurbrum

Theexpeditionengagedfreshcooliesandponiesateverystageofthe

journey,sincethebearerscouldnotleavetheirvillagefieldsformore

thantwoorthreedays.ThankstotheDuke’smeticulousorganization,

theyreachedSkarduin11dayshavingtraveledthrough225milesof

extraordinarilyharshterrain.Scatteredthroughoutthisforbidding

landscapeweresmallvillageswheretheyobtainedfreshcooliesand

ponies.

Page 18: ANDREW SMITH GALLERY’S FAREWELL EXHIBIT IN SANTA FE · Lozoya, Elliott McDowell, Duane Monczewski, Lisa Law, Phil Borges, James Balog, Delilah Montoya, Barbara Van Cleve, and David

HK.35–GameofPolofromIndusValley–PoloatParkutta“Atfouro’clockinthe

afternoonagameofpolowasorganizedinhonoroftheDuke.Twelveplayerstook

part...Theoriginofthegameiscertainlyremote.Itseemstohavebeencommonat

thecourtoftheMogols.ThenthetraditionwaslostinIndia,andonlykeptupat

Manipur...TheEnglishofCalcuttalearnedthegameinManipur,andwereso

attractedbyitsfineandmanlyqualitiesthattheymadeittheirownandhavediffused

itthroughouttheworld.”FDFp.122

Thetrip’schronicler,FilippiDeFillippo,describedtheregionas“...one

vastlabyrinthofhigh,barren,desolatemountainchains,ofcliffssplit

andshatteredineverydirection,usuallyprecipitous;overhanging

valleysfullofrocksandstones,pebblesandsand;detritusofallshapes

andsizeshurleddowninavalanchesandmingledwithvast

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accumulationsofalluvialdeposits...”“Tracesofavalanchesare

everywherevisible,signsofancientorrecentcataclysms...”

HK.UNK-EmptyBasinofGlacialLakeIcePyramidsinBack–p.210“Theice

pyramidspoisedonthemarginoftheselittlelakesaredazzlinglyreflectedinthe

translucentwater...”FDFp.211

Sellaphotographedeverystageoftheirjourney,generallyleavingcamp

beforebreakfastwithhisassistantBottaandthecoolieswhocarriedthe

photographicandcinematographicapparatus,sothathecould

photographthescenery,orcatchtheexpeditiononthemarchat

picturesqueplacesontheroad.Often,helingeredbehindtophotograph

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someespeciallybeautifullandscapefeature,orhewanderedaroundthe

outskirtsofthecampsearchingforsubjectstophotograph.

HK.91–Masherbrum,fromtheBaltoro

“ItseemedasifthewholesouthernchainoftheBaltorohadnootherofficethanto

formabaseforthemarvelousMasherbrum,whichtoweredupinitsmidst,showinga

littledimlythroughthemist.”FDFp.212

TheyreachedtheheartoftheKarakoramonlysixweeksafterleaving

Italy,ajourneythatincluded350milesonfoot.Morethan150coolies

hadcarriedtheirequipmentandsuppliestothefootofK2:ice-axes,

mountaineeringrope,crampons,show-shoesandironspikesforthe

rocks,topographicalinstruments,photogrammetriccameraandplates,

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compasses,meteorologicalinstruments,mercurybarometers,aneroids,

hypsometers,thermometers.TheluggageincludedallofSella’s

photographicequipment,exceptthecinematograph,whichremainedin

Rdokass.

HK.198-GasherbrumIV“Infrontofus,apparentlyquitecloseathand,the

transversalchainoftheGasherbrumseemstoshutinthevalley.Itisafileofpeaksand

snowcrests,stretchingonbothsidesoftheprecipitousrockwallofGasherbrumitself,

allridgesandicegullies,andnearly10,500feet.FDFp.213

K2

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HK.1005–K2,Mt.Godwin-AustinGlacierfromsouth

“Oneverysidetheeyemeetsaspreadingvistaofwidevalleysfilledwithalmostlevel

glaciers,whichgoupatagentleslopeamongtheloftychains.TheGodwinAustinis

composedofparallelstripesofblackandwhite,formedbythealternationofbareice

andmorainedetritus.ItrunsnorthwardforsixmilestothebaseofK2,whichrise,a

pyramidofrock,12,000feethighfrombasetosummit,betweentworidgesthat

outlinethemselvestowestandeastagainstthesky.”FDFp.221

AstheyobservedK2fromitsbasetoitssummit,themountainexerted

suchastrongfascinationonthemthatFilippodescribed:“the

compellingandirresistibleambitiontowardacloseracquaintanceand

moreintimateknowledgeofthelonelygiant,whichsofewmenbefore

ushadeverbeheld....allthelandscapearoundK2hastherichest

varietyofdesign,thegreatestmajestyofformandaninfinitediversity

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ofplaneandperspective.Thescaleisfartoovastforonetoreceivean

impressionofthewholeatonce.Theeyecanonlytakeinsingleportions

...thewallappearedtogrowlesssteep,but,ontheotherhand,the

obstaclesbecamemoreevident–theliveiceofthegullies,dominated

byoverhangingséracs;thegleamofverglasontherocks;thesheer

precipicesshowingeverywhereonthefaceofthewall.”

HK163–StaircasePeakandendofN.E.RidgeofK2andtheopeningoftheStaircase

Basinp.263

Withtheguidesandmostoftheluggage,theDukewentuptheGodwin

AustenglaciertothefootofK2tolookforasuitablespotforabase

camp,fromwherehewouldconductoperationsonalltheslopesofthe

mountain.Thefirstdayhemadeacursoryexaminationoftwo-thirdsof

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thecircumferenceofthemountain,butcouldnotfindaneasy,obvious,

saferoutetothesummit.Havingsetupbasecampat16,493ft.,they

determinedwhichofthestrongestandyoungestcoolieswould

accompanythemintothehighestmountains.Thesemenweregiven

substantialtunics,trousers,blankets,puttees,heavywoolsocks,nailed

boots,snowspectacles,sheepskinsleepingbags,andthreetentsperten

men.

HK.SC.1010–TheDukeleavingBaseCamp“OnthemorningofMay30thallwas

ready.Theweatherhadnotchangedandthemountainslookedsinister.Webadeadieu

toourleaderwithgoodwishes,whichdidnotsucceedindisguisingfromourselvesthe

insecuritywefeltastotheoutcomeofhisboldundertaking.Thesimplefactisthat

thesearenotmountainslikeothermountains,andonecannotlookatthemwithout

disquietandforeboding.TheDukewasaccompaniedbythethreeguides,thefour

portersandthecoolies,carryingtheirowntentsandsupplyofchupattis.Hecrossed

thefrontoftheglacierthatcomesdownfromthesouthernwallofK2,andwentupthe

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GodwinAustentothefootofthesouthernridge,some500feethigherthanthebase

camp...Hekeptclosetotherightsideoftheridge,andreachedashelteredsunny

nook(18,245feethigh)atthebaseofarockytooth,wheretheguidesdepositedthe

equipment.”FDFp.235

TheyweresituatedatahugeglacialcrossroadsofGodwinAusten

Glacier,surroundedbyBroadPeak(26,414ft.),K2(28,251ft.),the

GoldenThrone(23,990ft.),BridePeak(25,148ft),andMitrePeak

(19,718ft.).K2roselikeapyramidofrock12,000feethighfromthe

baseoftheglaciertothesummit.Theimpressionmadebythe

extraordinarylandscape,wroteFilippo,“wassostrong,somoving,that

nowordscanconveyittothereader.Itwaslikenootherexperience,it

provokednorecollectionsorcomparisons.Soinconceivablyvastarethe

structurallinesofthelandscape,thattheideacomesintoone’smindof

beingintheworkshopofnature,andofstandingbeforetheprimeval

chaosandcosmosofaworldasyetunvisitedbythephenomenonof

life.”

HK.185–SouthWallofBaltoroGlacier

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AfterassessingvariouspossibleroutesupK2,theDukedecidedtotry

itssouthernridge,whichhadcertainadvantages.Itwassteeperand

longerthanthenorthwesterncrest,buthewouldnothavetoclimban

ice-walltoreachthecol(thelowestpointofaridgeorsaddlebetween

twopeaks.)Furthermore,theslopefacedsouthandgotfullsunfrom

earlyinthemorning,extremelyimportantinascentsabove24,000ft.,

whereintensecoldcanbeaseriousdangertotheclimber.

230(1)MitrePeakandMustaghTower.TelephotographicSella’stelephotoswere

madewithalongfocal-lengthlenstoencompassallthatcouldbeseenfromalofty

vantagepoint,andtogatherinthephysicalfactsofagreatrange,aswellasto

portraythevisualspectacle.Thiswastakenfromthebaseoftheircampatthe

GoldenThrone“This mountain, of course, is the Mustagh Tower. It is about 24,000 feet high,and stands isolated from other peaks on a somewhat narrow base marked by sharp ridges. It appears, and is, a true monolith, a rocky mass of a single formation, without traces of breaks or divisional planes – no other, of any comparable size, is known to exist in the world.” FDF p. 299

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Althoughtheyhadpaireddowntheirtents,sleepingbags,foodfora

week,cookingapparatus,andparaffin,theirsuppliesstillhadsomuch

weightthattheDukedeterminedtogoupalone,withalltheresources

oftheexpeditionsetupinadvancebythecoolieswhowouldpitch

campsashighaspossiblebeforecomingbackdown.TheDukewould

thenattempttoreachthehighestpossiblepointatadash,andifhis

powersfailedhewouldreturn,leavingthetentsontheridge,and

handingovertheundertakingtoanotherteammember,whowould

havetheadvantageoffreshstrengthandtheequipmentbeingalready

onthespot.

HK.233–GlacialTorrentonUpperBaltoro(enlargement)attheConfluenceofthe

Vigne,p.292-293

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Butastheysoonlearned,theterrainwastootreacherousforthecamps

tobesetup,andat20,000ft.theguideswereforcedtoreturntocamp

withthesupplies.Alldescribehavingincredibleopticalillusionsinthe

thinairandvastdistances.Slabsofrockthatlookedlikegentleinclines

turnedouttobenearlyperpendicular,anditwasimpossibletoestimate

thegradeofslopesorthedistancesbetweenpointsoftheascent.

HK.133–WesternwallofK2fromSavoiaGlacier“Nowbegantheattackonthewall.

..Fromthecamp,towhichwehadreturnedafterourwork,wewatchedwiththe

telescopetheslowascentoftheclimbingparty.”FDFp.248

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Filippowrote:“Wehadnostandardsofcomparison,andtheglaciers

andvalleysaresowelladjustedintheirproportionstothesurrounding

mountainsthatitwashardtorealizetheabsolutesizeofanyobject.All

thiswasrevealedtousgradually,bydintofdailycontemplationand

detailedobservation,mostofallbyrepeatedfailuresinestimating

heightsanddistances.Thusithappenedthatouramazement,insteadof

diminishingwithfamiliarity,grewgreatereveryday,andthis

extraordinaryregionnevermadeamoreprofoundimpressionuponus

thanonthedaywhenwebadeitfarewell.”

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HK.2003–K2.BroadPeak

Sellaworkedconstantly,thoughtheweatherwasacontinualchallenge.

Sometimeshespentwholedayspatientlywaitingonaledgeabove

camp,crouchedbesidehisequipment,hopingforabreakintheclouds.

Thecoldpenetratingwindpiercedhisthickwoolens;histeethchattered

ashestampedhisfeetandslappedhishandstogether,waitingforthe

skytoclearintemperatureshoveringaround20degrees.Theforced

inactivitymadehissufferingacute,andwhenthestormsworsenedhe

retreatedintohistenttoprepareasimplemealandwaitformorningas

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thesavagewindsblewfinegrainsoficethrougheverycrannyofthe

tent.

HK152BroadPeakfromCampVI.“ThiswasCampVIofourmap,18,602feetabove

sealevel.“FDF-p.256

WhiletheDukewasexploringK2’sglaciersandsurroundingrangeson

thesouth,westandeast,Sellaandhisteam,despitethemistsandfogs

thatrepeatedlycoveredthepeaksandwalls,succeededingettingviews

ofthevalleysandmountainsaboutK2andmakinganetworkof

photogrammetricpanoramasandanglesreadonthetacheometer.Sella

madeaseriesofspectacularpanoramasoftheBaltoroglacierand

surroundingpeaks,capturing25milesoftheglacier’s36milesfromthe

footoftheGasherbrumdowntoapointclosetothesnout.

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HK.152–BroadPeakfromCampVI–GroupofmountainsbetweenGasherbrumand

HiddenPeak.P.254-255

ForweekstheDukecircumambulatedK2,tryingvariousroutestothe

summit,butafterextensiveexaminationandhoursofcontemplationin

searchforthesecretofthemountain,hewasforcedtoconcludethatK2

couldnotbeclimbed.Heightwasnotsomuchafactor,aswerethe

obstaclespeculiartomountainclimbingandfamiliartomountaineers

suchasthetreacherousgradeandfrequentstorms.Finally,hedecided

toabandonthestruggle,knowingthathehaddoneeverythingwithin

hispowertosucceed.Nonetheless,beforeleavingthatregiontheDuke

madehistorybyreachinganelevationofaround20,510feetonthe

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SouthEastSpur,(nowknownastheAbruzziSpurorAbruzziRidge),

thathassincebecomepartofthestandardclimbingroute,thoughthe

Dukehadtoabandonitbecauseofitssteepnessanddifficulty.TodayK2

iscalledtheSavageMountainbecauseoftheextremedifficultyof

ascent,andthefactthatithasthesecond-highestfatalityrate,with

Annapurnabeingthehighest.Todatetherehavebeenaround300

successfulsummitsand77fatalitiesonK2.

Their work around K2 was finished, but the Duke had no intention of ending

the campaign. Nor did he give up the hope of climbing another peak in the

region and reaching a higher altitude than any yet attained, thus satisfying

the chief purpose of his expedition. As they left K2, the team was

encouraged that the season was not yet far advanced, that their native guides

had done splendidly on the high slopes, and that aside from a slight

reduction of strength and powers of resistance, no one was really the worse

for their life above 16,500 ft.

TheDuketurnedhisattentiontoBridePeak,oneofthehighChogolisa

peaks,wherehesetanaltitudeworldrecordbyclimbingto24,600ft.

Indeed,hewaswithin490ft.ofthesummitwhenastormforcedhimto

retreat.

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PointReachedbyH.R.H·24,600ft.)

“Sella’s photography was accomplished using orthochromatic plates which are

sensitive toall colorsof light except thoseof the red regionsof the specter. Skies

were rendered light gray, and foliage medium gray; atmospheric space was well

recorded,andas therewaslittlered in thegeneralsubjectmatter, “panchromatic”

materialswouldhaveofferedslightadvantage.Colorfilterswereundoubtedlyused

toreducethevaluesoftheskyandtobringsnowandcloudsintovigorousrelief.”

~AnselAdams

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HK.2–BroadPeakatSunset

“WehadstilltoexploretheupperbasinoftheGodwinAustenandtheeasternslopesof

K2–aworkwhichoccupiedthenextfifteendaysofthecampaign.Accordingtothe

surveymadebytheexpedition,theGodwinAustenfromtheConcordiatoWindyGapis

twelveandahalfmileslong...Fromthispointontheglacierrunsnorth-east,ina

deepgorgebetweenK2andBroadPeak.”FDFp.254

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HK.179-184–PanoramafromridgeforminganglebetweentheBaltoroandGodwin-

AustinGlaciers.17,332feet.

“Sellahadprofitedbythetwoexceptionalfinedaystomakehighlysuccessful

photographicexcursions.Onthe26thheclimbedtherockycornerbetweenBaltoroand

theGodwinAusten,reachingashoulder17,239feethighontheblackandbroken

schist’sfromwhichrisesthemarblepeak.ThencehetookpanoramaC.Thenextdayhe

crossedtheglaciertothefootofthegreatwesternridgeoftheGasherbrums,and

madeadifficultwayuptherocksandicygulliestoaledge17,917feethigh,justabout

oppositetohispositionofthedaybefore.HerehetookpanoramaD.Thesetwo

panoramasareallthatcouldbedesiredinthewayofshowingthewholeamphitheatre

anditssurroundingmountainchains.Sellaalsocollectedandphotographedsome

Alpineplantsgrowinginshelteredplacesontheheightsuptonearly18,000ft.”FDFp.

287

HK.109-113–PanoramafromnorthernspurofGasherbrum:2005:BridePeak

(pointreachedbyH.R.H.);2006:VigneGlacier;2007:MitrePeak,Gasherbrum,

Baltoro;2009:K2,Godwin-Austenglacier–variantof109-110-righttwopanelsto

theVigneGlacieranditstributariesoftheleftbank.“Therewasalighteningofthe

atmosphereinthewest,andwecouldtellthatwehadreachedthelevelofthemouth

oftheVigneglacier.Alittlefartheron,wheretheendofitsright-handspurabutson

thevalley,wemadeourcamp...”FDFp.293

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HK.230(2)“MitrePeakandMustaghTowerfromCampX1.Telephotographic”

Titleonback:KarakoramMountains,HimalayanpeaksinCashmere

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HK.174–“BridePeakandGodwin-AustenGlacierfromCampIII

“OnJune25thSellaleftusatthebasecampandwentdowntothemouthoftheGodwin

Austen,takingwithhimBottaandfifteenloadedcoolies.Hesentbackthelatter

directly,andonthedayfollowingthemadethejourneydownandbackasecondtime,

amarchofnearlyninehours.Werewardedthisextraworkandtheirdocilityin

performingitbysomepresentsofbiscuits,alittleteaandsugar,chocolateorbutter,

allofwhichwehadgraduallypersuadedthemtoaccept.Wewereastonishedtohave

someofthemaskforsoapandwashthemselves,nearlynudeforthepurpose,intheicy

rivuletbetweenthecampandthemoraine.”FDFp.284

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HK.1008-1009–2-partpanoramaMitrePeak&MuztaghTower,Himalayas,

KarakoramMts.

HK.206-207–2partPanoramaoftheKarakoramHimalayasfromBaltoroGlacier

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HK.1006–TowersontherightsideofBaltoroglacier.

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HK.1004–BridePeakfromGodwin-AustinGlacierneartheConcordiap.223

HK.145-147–K2andStaircasePeakfromWindyGap(3partpanoramaof

enlargements)

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HK.253–WestSpurofGasherbrum,fromUpperBaltoroGlacier(inourgallerylist

identifiedasHK.210)

“TothenorthoftheGasherbrum,onthecontinuationofthesamerange,thegreat

roundeddomesofBroadPeakriseabovethelastspursoftherightwalloftheBaltoro,

whichstillprojectinfrontofus.”FDFp.213

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HK.132-BroadPeak–WesternwalloftheBroadPeakfromthetopoftheTerminal

CascadeoftheSavoiap.245

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HK.266–RopeBridgeonPunmahRiver

“Thebridgewasinfaircondition,thoughratherlongandswaying.Aftercrossingit,we

stoppedfornearlyanhourtoenjoythesightofthepassageofthecaravan,Jemadars

andchuprassisshouteddeafeningorders,andthemengotfromonebanktotheother,

movingwithgreatcautionbutnotawkwardly.Aftertheloadswereover,thelittle

flockhadtobetransported,eachgoatridingontheshouldersofacoolie,carriedina

shortofsling.”FDFp.330

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HK.2002–MountBaltoro.GlacierLakeintheLowerBaltoro–p.188-189

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HK.2004–GoldenThrone

Sellareceivednumerousprizesandhonorarydiplomasfrom

internationalexpositions,geographicalsocieties,andalpineclubs

aroundtheworld.AfterwinningaGrandGoldMedalatthe1893

GeographicalCongressinTurin,morethanfourhundredofhisprints

weresenttoBostonwheretheywereshowninanexhibitionsponsored

bytheAppalachianMountainClub(AMC)andtheBostonArtClub.The

collectionwasthenexhibitedinBridgeport,Connecticutandviewedby

overtwentythousandpeople.in1922,acquirednearlyathousandof

hisphotographs.

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HK.1001–FirstCamponBaltoroGlacierbetweenLeligoandRhobutse

Sella’sarchivesarehousedintheFondazioneSella,Biella,Italy.In2010,

thePanopticonGalleryofBostonheldasoloexhibitionofhisworktitled

“HeightsofObservation:ThePhotographsofVittorioSella.”

Retrospectiveswereheldin2008attheEstorickCollectionofModern

ItalianArt,London,UK,underthetitle“FrozeninTime:TheMountain

PhotographyofVittorioSella”,andin2006attheGalleriaCivicad’Arte

ModernaeContemporanea,Turin,Italy.In1999,amajortraveling

retrospectivewasorganizedattheMountHolyokeCollegeArtMuseum,

SouthHadley,MA,accompaniedbythepublicationSummit:Vittorio

Sella,MountaineerandPhotographer,theYears1879-1909,releasedin

associationwiththeApertureFoundation,NewYork.Yetanother

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collectionofhisworkishousedintheGeorgianMuseumofPhotography

intheCaucasus.

SellaPass(namedbytheDukeinhonorofthephotographer)islocated

wheretheGodwinAustenglacierflowssouthwardintoawidevalley.

TheSellaPassintheSouthTyrol,ItalywasalsonamedforVittorioSella.

HK.1002–MustaghTower,MitrePeaketc.atsunsetfromCampXIIoverBaltoro

Peaks–p.302-303

FormoreinformationpleasecallAndrewSmithGalleryat(505)984-

1234.Visitusonlineathttp://www.andrewsmithgallery.com.Oure-

[email protected].

LizKay

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NotesinitalicsarefromKarakoramandWesternHimalaya1909:anaccountofthe

expeditionofH.R.H.PrinceLuigiAmedeoofSavoy,DukeoftheAbruzzibyFilippode

Filippi.NewYork:E.P.Dutton&Co.,1912

References:

Summit:VittorioSella:MountaineerandPhotographerTheYears1879-1909,Preface

byAnselAdams.EssaysbyDavidBrower,GregChild,PaulKallmes,WendyM.

Watson.Aperture(1999)

KarakoramandWesternHimalaya1909:anaccountoftheexpeditionofH.R.H.Prince

LuigiAmedeoofSavoy,DukeoftheAbruzzibyFilippodeFilippi.NewYork:E.P.

Dutton&Co.,1912