T h e V O I C E O F T h e h U M A N S P I R I T

Bucharest National Opera

Opera Philadelphia’s 41st Season is a vivid representation of the contemporary, the classic, and the modern—a journey through three well-established works and two strikingly new American productions at once grand and intimate, innovative and familiar. A season that grabs your soul and never quite lets go thanks to elite voices, unforgettable staging, and the tender, human thread that connects it all. A season as we’ve seen it in both our memories and our wish lists and now, we share with you.

The East Coast Premiere of the highly anticipated Cold Mountain will have you pining with Inman and sobbing with Ada thanks to Philadelphia’s own Jennifer Higdon’s debut operatic adaptation of the National Book Award-winning novel. Tainted love turns pure in a midcentury rendition of Verdi’s cherished La traviata, summoned by Lisette Oropesa’s haunting yet thoroughly modern Violetta and Alek Shrader’s Alfredo in their company and role debuts. Rising stars and Curtis Institute of Music graduates Sarah Shafer and Christopher Tiesi give the color and shape of the 1940s to Donizetti’s The Elixir of Love. And in a stunning debut, the World Premiere of ANDY: A Popera explores the intersection of opera with devised theatre and Warholian art, questioning the very separation of art and audience . All singular productions, yet all bettering one another for the exquisite company they keep. Perhaps our entire 41st Season could be themed as the Curtis Opera Theatre production of Capriccio makes clear: between the song, the word, and the drama itself, what woos the heart most is the way we make them all entirely our own.

Join us in the breadth and color of a life lived in opera.

C o r r a d o r o va r i sJ a C k M u l r o n e y M u s i C d i r e C t o r

d av i d B . d e va nG e n e r a l d i r e C t o r & P r e s i d e n t

“Lisette

OrOpesa

Lights up

the stage.”— The New Yorker

“even if he didn’t

sing, he cOuLd win

aLL hearts.” —The Times of LoNdoN On christOpher tiesi

“i have never seen

an Opera singer

perfOrm with as

much cOmmitment

and vividness as

Jay hunter mOrris.” —The housToN ChroNiCLe

aLek shrader’s

“singing is

distinguished by

a simuLtaneOus

Lyricism and

verve.”—opera News

sarah shafer

“is a singer

tO watch.” — opera News

nathan gunn

“cOmmands

an Operatic

baritOne whOse

mighty heft and

richness cOnfer

an Outsize

authOrity On

everything he

tOuches.” —The New York Times

isabeL LeOnard

is “beguiLing.” —The New York Times

aLek shrader’s

“singing is

distinguished by

a simuLtaneOus

Lyricism and

verve.”—opera News

sarah shafer

“is a singer

tO watch.” — opera News

“ a d y n a m i c p L a c e t O e X p e r i e n c e

O p e r a i n t h e 2 1 s t c e n t u ry. ” —opera Now

“AMONg The U.S. OPeRA

cOMPANIeS AT The FOReFRONT OF

deMONSTRATINg hOw TO evOlve.” —NoNprofiT QuarTerLY

“OPeRA PhIlAdelPhIA cONTINUeS

ITS INNOvATIve wAYS.” —wQXr

“A TASTe OF whAT gRANd OPeRA

MAY hAve BeeN l IKe

dURINg veRdI‘S T IMe.” —opera maGaZiNe

“OPeRA PhIlAdelPhIA

IS PUShINg FURTheR INTO The wORld

OF POPUlAR cUlTURe IN ITS SeARch

FOR UNUSUAl SUBJecTS.” —The New York Times

© Ken howard | The Santa Fe Opera

L a t r av i ata O c T O B e R 2 – 1 1 , 2 0 1 5

c O L d m O u n ta i n F e B R U A RY 5 – 1 4 , 2 0 1 6

c a p r i c c i O M A R c h 2 – 6 , 2 0 1 6

t h e e L i X i r O f L O v e A P R I l 2 9 – M AY 8 , 2 0 1 6

a n d y: a p O p e r a S e P T e M B e R 2 0 1 5

“ t h i n g s a r e L O O k i n g u p,

O p e r at i c a L Ly s p e a k i n g , i n

t h e c i t y O f b r O t h e r Ly L O v e .”

—opera News

2015 INTeRNATIONAl OPeRA AwARd NOMINee

in verdi’s classic work, Parisian courtesan violetta

surrenders her last hope of personal happiness for

the sake of her lover alfredo’s reputation. though she

is a “fallen woman,” verdi’s empathetic and vivid score

maintains her dignity and the audience’s compassion.

daring production choices encourage modernity and

tradition to collide via a golden-hued Baroque stage

and a midcentury fashion sensibility. this bold setting

creates a unique canvas upon which to experience

an unforgettable La traviata.

O c T O B e R2 , 4 M , 7 , 9 , 1 1 M , 2 0 1 5A c A d e M Y O F M U S I c

I N T e R N AT I O N A l TA l e N T I N A T O P - c l A S S T R AV I ATA

soprano Lisette Oropesa, hailed as “irresistible” and “magnetic” by

The New York Times, makes her opera Philadelphia and role debut as

violetta, the woman who risks everything for the man of her dreams, alfredo

(tenor alek shrader in his opera Philadelphia and role debut). standing in

the way of their happiness are society’s mores, espoused by alfredo’s father,

Giorgio (baritone stephen powell).

this lush new production is directed by paul curran, an outstanding

artist who has collaborated with great opera companies all over the world.

Jack Mulroney Music director corrado rovaris conducts the opera

Philadelphia orchestra.

L a t r av i ata

S h O R T- l I v e d l O v e

Violetta Valéry / Lisette Oropesa*

Alfredo Germont / Alek Shrader*

Giorgio Germont / Stephen Powell

Conductor / Corrado Rovaris

Director / Paul Curran*

Set & Costume Design / Gary McCann*

Lighting Design / Paul Hackenmueller*

*Opera Philadelphia Debut

Music by giuseppe verdi / libretto by Francesco Maria PiaveProduction from Bucharest National Opera

OPeRA AT The AcAdeMY | PeRFORMed IN ITAlIAN wITh eNglISh SUPeRTITleSThe Academy of Music is par t of the Kimmel center for the Performing Arts

Fatigued by the horrors of the Civil War, deserter

W.P. inman foots the arduous terrain of north Carolina

toward home and the salve of his love, ada Monroe,

herself transformed by his absence. once a southern

lady of privilege, ada adapts to years of profound

deprivation thanks to a resourceful new friend, ruby.

inman’s odyssey home is plagued by not only the Home

Guard’s marshals, but a more gruesome possibility: has

the war’s violence withered his human capacity to love?

and further, what truly makes a man a human?

Music by Jennifer higdon / libretto by gene Scheer co-commission and co-production with The Santa Fe Opera and Minnesota Opera

OPeRA AT The AcAdeMY | PeRFORMed IN eNglISh wITh eNglISh SUPeRTITleSThe Academy of Music is par t of the Kimmel center for the Performing Arts

h O M e T O w N h e R O I c S

opera Philadelphia takes particular pride in this assemblage of firsts: the first

opera written by Philadelphia-based composer Jennifer higdon, winner of

the 2010 Pulitzer Prize in Music, and the piece’s east Coast Premiere. the opera

is based on the national Book award-winning novel by Charles Frazier, and

features a libretto by gene scheer (Moby-Dick; An American Tragedy). opera

Philadelphia’s own american repertoire Council director nathan gunn sings

inman, and is regarded as one of the most exciting and in-demand baritones

today. Mezzo-soprano isabel Leonard, who will sing the role of ada, is a 2014

Grammy award winner and recipient of the 2013 richard tucker award. tenor

Jay hunter morris, who creates the role of the villainous teague, has been

in the international spotlight for his portrayal of siegfried in the Metropolitan opera’s production of Wagner’s ring Cycle.

c O L d m O u n ta i n

A l O v e T O M O v e M O U N TA I N S

e a s t

c O a s t

p r e m i e r e

W.P. Inman / Nathan Gunn

Ada Monroe / Isabel Leonard*

Teague / Jay Hunter Morris

Stobrod / Kevin Burdette

Veasey / Paul Groves*

Conductor / Corrado Rovaris

Director / Leonard Foglia

Set Design / Robert Brill*

Costume Design / David C. Woolard

Lighting Design / Brian Nason

Projection Design / Elaine McCarthy*

*Opera Philadelphia Debut

F e B R U A R Y5 , 7 M , 1 0 , 1 2 , 1 4 M , 2 0 1 6A c A d e M Y O F M U S I c

this production of strauss’s beloved allegory Capriccio

stages one of life’s classic conundrums: is music or

poetry the lifeblood of humanity? the young, widowed

Countess Madeleine is torn between two suitors, the

poet olivier and the composer Flamand, both of whom

vie for her hand with their considerable, yet entwined,

skills. While olivier’s words stir the heart and mind,

Flamand’s notes and strings make them soar…or is it

the other way around? a plan unfolds: an opera within

the opera that will woo Madeleine to answer this

artistic conundrum once and for all.

e X P e R I e N c e T h e F U T U R e O F O P e R A

Guarantee your seats to what Opera News hailed as “must-see events for

serious operagoers” with sold-out shows two years running. the annual

co-production from Curtis opera theatre, opera Philadelphia, and the

kimmel Center for the Performing arts speaks to our forward-looking approach

to opera, with dynamic stagings of adventurous repertoire. the series will

mark its ninth season with this progressive production of Capriccio, the final

opera by great German composer richard strauss.

c a p r i c c i O

T h e h e A R T ’ S T h e T h I N g

Music by Richard Strauss / libretto by clemens Krauss and the composer

New Production Produced by the curtis Insti tute of Music and presented in association with Opera Philadelphia and the Kimmel center for the Performing Arts.The Aurora Series is underwritten by the wyncote Foundation.This production is funded, in part, through support from the william Penn Foundation.

AURORA SeRIeS | PeRFORMed IN geRMAN wITh eNglISh SUPeRTITleSThe Perelman Theater is par t of the Kimmel center for the Performing Arts

Director / Chas Rader-Shieber

Curtis Opera Theatre

Artistic Director / Mikael Eliasen

M A R c h2 , 4 , 6 M , 2 0 1 6P e R e l M A N T h e AT e R

Curtis Opera Theatre with the Curtis Symphony Orchestra

c O m pa n y

p r e m i e r e

a truly magic brew, or just a bottle of snake oil?

The Elixir of Love (L’elisir d’amore), set in the 1940s

italian countryside in this charming production from

the santa Fe opera, is a delight for all lovers of

19th-century italian bel canto. Poor, oil-soaked auto

mechanic nemorino is in love with the wealthy adina,

but she only has eyes for the striking sergeant Belcore.

enter pinstriped dr. dulcamara, a quack who woos

nemorino with a promise: drink the elixir and adina

will fall in love with nemorino within a day. But, does

this strange tincture really work?

Music by gaetano donizetti / libretto by Felice Romani Production from The Santa Fe Opera

OPeRA AT The AcAdeMY | PeRFORMed IN ITAlIAN wITh eNglISh SUPeRTITleSThe Academy of Music is par t of the Kimmel center for the Performing Arts

A c A S T T O d e l I g h T A N d A M U S e

a high-caliber troupe of opera Philadelphia favorites leads this colorful

production, with soprano sarah shafer (nuria in 2014’s Ainadamar)

as adina and tenor christopher tiesi (various roles in 2013’s Powder

Her Face) as the lovesick nemorino. Baritone craig verm, who

impressed as schaunard in 2012’s La bohème, is sergeant Belcore,

with bass kevin burdette, who received rave reviews for his hilarious

dr. Bartolo in 2014’s The Barber of Seville, as the huckster dulcamara.

stephen Lawless directs, with corrado rovaris conducting the

opera Philadelphia orchestra.

Adina / Sarah Shafer

Nemorino / Christopher Tiesi

Sergeant Belcore / Craig Verm

Dr. Dulcamara / Kevin Burdette

Conductor / Corrado Rovaris

Director / Stephen Lawless*

Set & Costume Design /

Ashley Martin-Davis*

*Opera Philadelphia Debut

A P R I l 2 9,M AY 1 M , 4 , 6 , 8 M , 2 0 1 6A c A d e M Y O F M U S I c

t h e e L i X i r O f L O v e

T h e P O T e N T P O T I O N T O d R I v e d e v O T I O N

O P e R A P h I l A d e l P h I A & T h e B e A R d e d l A d I e S

a musical mélange inspired by the life, fame, and

philosophy of andy Warhol—ANDY: A Popera is, like

its eponymous hero, a fabulous collision of the high

and low, the commercial and the artistic, the traditional

and the innovative. it is a work that explodes onto the

stage–and sparks out into the audience, presenting

singing soup cans, Marilyns, and a randy banana

on stage with contemporary versions of Warhol

superstars valerie solanas, Candy darling, and edie

sedgwick. it’s an artistic collision exploring what

Warhol has become today. What happens when a

man becomes a brand?

A M A S h U P O F c A B A R e T A N d O P e R A

ANDY: A Popera explores the contemporary phenomenon that is Warhol.

it constitutes a radical new collaboration both in form and process, hailed

as “strange, smart and entertaining” by The Philadelphia Inquirer, “brave

and intriguing” by Philadelphia City Paper, and named “Best of Philly”

by Philadelphia Magazine!

w O r L d

p r e m i e r e

Music by dan visconti with original songs by heath Allen / Text by John Jarboe with Sean lally and ensemble

co-production with The Bearded ladies cabaret. The development of ANDY: A Popera has been generously supported by a grant from the John S. and James l. Knight Foundation.

OPeRA IN The cITY | PeRFORMed IN eNglISh

c O m i n g i n s e p t e m b e r 2 0 1 5 : P e R F O R M A N c e d AT e S A N d T I c K e T I N F O R M AT I O N T O B e A N N O U N c e d S h O R T l Y.

Andrei / TBA

Julia Warhola / TBA

Edie / Kristen Bailey*

Candy / Scott McPheeters*

Valerie / Kate Raines*

Joe / Sean Lally*

Music Director / Heath Allen*

Director / John Jarboe*

Dramaturg / Sally Ollove*

Costume Design / Rebecca Kanach*

Sound Design / Daniel Perelstein

Set Design / Oona Curley*

Lighting Design / Mike Inwood*

Video Design / Jorge Cousineau*

*Opera Philadelphia Debut

a n d y: a p O p e r a

O P e R A T h AT P O P S

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1

2 se l eCt ser i es PaCkaGes t h e m o s t f l e x i b i l i t y

Choose three or more operas and create a custom package that fits your tastes and schedule.

A Select Series package gives you the most flexibility while still offering the lowest subscription rate. Select at least three operas of your choice from any days of the week or venue. Plus, you can order a variable number of tickets for each performance and try different seating areas. Enjoy the full complement of subscriber benefits including the ability to exchange tickets to an alternate performance date.

T W O WAY S

Photo by Michael Branscom

T O S U B S c R I B e

Please contact Subscriber & Member Services at 215.732.8400 if you are interested in discounted pricing available for obstructed view or no-supertitle seating.

zOne seating area sunday weekday

B Parquet Box/Balcony Box $645 $645

1 Parquet Premium $462 $4202 Parquet $420 $381

3Parquet Balance/Center Parquet Circle/ Center Balcony Circle/Balcony loge/ Premium Family Circle

$318 $309

4 side Parquet Circle/side Balcony Circle/ Front Family Circle

$288 $261

5 Proscenium Box/Family Circle/ side Balcony Circle/Premium amphitheatre

$201 $201

6 Center amphitheatre $99 $99 7 side Family Circle/side amphitheatre $45 $45

O p e r a a t t h e a c a d e m y s e r i e sA c A d e M Y O F M U S I c | Part of the kimmel Center for the Performing arts

series friday 18:00 p.m.

sunday 12:30 p.m.

wednesday7:30 p.m.

friday 28:00 p.m.

sunday 22:30 p.m.

Traviata 10/2/15 10/4/15 10/7/15 10/9/15 10/11/15

Cold Mountain 2/5/16 2/7/16 2/10/16 2/12/16 2/14/16Elixir 4/29/16 5/1/16 5/4/16 5/6/16 5/8/16

F i x e d s e at Pa C k a G e s1 b e s ts e at i n g

a u r O r a s e r i e sc h A M B e R O P e R A AT T h e P e R e l M A N T h e AT e R | Part of the kimmel Center for the Performing arts

zOne seating area price

1 Plaza Box/Plaza Floor $130.50

2 Plaza Floor/Plaza tier/First Balcony $94.50

3 Plaza Floor/Plaza tier/First Balcony Box/second Balcony $67.50

4 First Balcony Box/second Balcony $49.50

series wednesday 7:30 p.m.

friday8:00 p.m.

sunday2:30 p.m.

Capriccio 3/2/16 3/4/16 3/6/16

B U Y S e A S O N T I c K e T S T O A l l F O U R P R O d U c T I O N S A N d g e T A N e X c l U S I v e B e N e F I T:

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* Offer includes one $50 bonus voucher per season subscription seat that can be redeemed for a $50 savings on the single ticket price. Some restrictions may apply.

O p e r a i n t h e c i t y

c O m i n g s O O n

2015–2016 traviata cOLd mOuntain capricciO eLiXir

day time academy academy pereLman academy

Friday 8:00 p.m. 10/2/15 2/5/16 4/29/16

sunday 2:30 p.m. 10/4/15 2/7/16 5/1/16

Wednesday 7:30 p.m. 10/7/15 2/10/16 3/2/16 5/4/16

Friday 8:00 p.m. 10/9/15 2/12/16 3/4/16 5/6/16

sunday 2:30 p.m. 10/11/15 2/14/16 3/6/16 5/8/16

Please contact Subscriber & Member Services at 215.732.8400 if you are interested in discounted pricing available for obstructed view or no-supertitle seating.

Seating for Select Series packages is prioritized after Fixed Seat packages are seated. Select Series seating locations are not guaranteed to be renewed from season to season. Subscription seating priority is based on current donor level, number of years as a donor, number of years subscribed and order of date received. casting, program, schedule, and pricing subject to change without notice. deposited checks or charges do not guarantee seating availability.

s e l e C t s e r i e s Pa C k a G e s2

zOne seating area sunday weekday

B Parquet Box/Balcony Box $215 $215

1 Parquet Premium $154 $1402 Parquet $140 $127

3Parquet Balance/Center Parquet Circle/ Center Balcony Circle/Balcony loge/ Premium Family Circle

$106 $103

4 side Parquet Circle/side Balcony Circle/Front Family Circle $96 $87

5 Proscenium Box/Family Circle/ side Balcony Circle/Premium amphitheatre $67 $67

6 Center amphitheatre $33 $33 7 side Family Circle/side amphitheatre $15 $15

a c a d e m y O f m u s i c p e r - t i c k e t p r i c e s

zOne seating area price

1 Plaza Box/Plaza Floor $130.50

2 Plaza Floor/Plaza tier/First Balcony $94.50 3 Plaza Floor/Plaza tier/First Balcony Box $67.50 4 First Balcony Box/second Balcony $49.50

p e r e L m a n t h e a t e r p e r - t i c k e t p r i c e s

chOOse three Or mOre Operas

s e at i n G C H a r t s O P e R A P h I l A . O R g / S e AT I N g

s u b s c r i b e O n L i n e a t O p e r a p h i L a . O r g / s u b s c r i b e

c A l l 2 1 5 . 7 3 2 . 8 4 0 0v I S I T S U B S c R I B e R & M e M B e R S e R v I c e S 1420 locust street, suite 210, Philadelphia, Monday–Friday, 9:30 a.m.–4:30 p.m.

academy Of music | part of the kimmel center for the performing arts

pereLman theater | part of the kimmel center for the performing arts

PA R Q U e T

BOXBOX

stagePros.Box

ada seating

B A l c O N Y c I R c l e

BOXBOX

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ada seating

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loGe loGe

A M P h I T h e AT R e

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stage

4th Floor

FA M I lY c I R c l e

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stage

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O p e n i n gn i g h tg a L alaunch opera Philadelphia’s 41st season in style at a black-tie opening night Gala. Celebrate the season-opening performance of this opulent production of verdi’s La traviata with a party like no other.

f r i d ay, O c t O b e r 2 , 2 0 1 5

Opera Philadelphia’s 40th Anniversary gala on the Avenue of the Arts. Photo by dominic M. Mercier.

O p e n i n gn i g h tg a L a

i n f O r m at i O n at

O p e r a p h i L a . O r g / g a L a

O r 2 1 5 . 7 3 2 . 8 4 0 0 .

*opening night Gala tickets do not include performance tickets to La traviata, which must be purchased separately. if your current series does not include tickets to the oct. 2 performance and you would like to attend the opening night Gala, please indicate so on your renewal form and we would be happy to exchange your performance tickets.

r e s e rv e y O u r t i c k e t s

n O w f O r t h i s s p e c ta c u L a r

e v e n t a n d t h e s ta r t

O f O p e r a p h i L a d e L p h i a’ s

2 0 1 5 - 2 0 1 6 s e a s O n .

t h i s s p e c ta c u L a r

s e a s O n k i c k O f f

f e at u r e s

• Cocktail reception

• elegant dinner

• opening night Performance of La traviata in the academy of Music*

• Champagne intermission reception

• after Party with dessert, dancing, and the cast of La traviata

Enhance your operatic experience with valuable membership benefits,

while supporting the exhilarating productions of the 2015-2016 Season.

And don’t forget—members receive priority when requesting subscription

seating changes and upgrades. For a complete list of benefits, visit

operaphila.org/membership.

Fr iends of the Opera ($25–$1,999)

Friends receive advance access to special ticket offers, recognition in

the performance program, and invitations to behind-the-scenes events

like the General director’s Backstage tour and final dress rehearsals.

Patron Program ($2,000+)

Patrons enjoy the ultimate viP experience at the opera, including

champagne intermission receptions and a viP coat check at

performances, concierge ticketing services, and invitations to

exclusive events with artists.

When you join the Opera Philadelphia donor family as a Friend or Patron, you’ll ensure many more years of operatic excellence in Philadelphia, both onstage and in our community. Thank you for your support!

b e c O m e a m e m b e r t O d ay

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J O i n t O d ay !

v I S I T O P e R A P h I l A . O R g / d O N AT e

O R c A l l 2 1 5 . 7 3 2 . 8 4 0 0

The official registration and financial information of Opera Philadelphia may be obtained from the Pennsylvania department of Stateby calling toll-free, within Pennsylvania, 800.732.0999. Information filed with the Attorney general concerning this charitable solicitationand the percentage of contributions received by the charity during the last reporting period that were dedicated to the charitable purposemay be obtained from the Attorney general of the State of New Jersey by calling 973.504.6215 and is available on the internet atwww.state.nj.us/lps/ca/charfrm.htm. Information filed with New York may be obtained by contacting the Office of the Attorney general,department of law, charities Bureau, 120 Broadway, New York, NY 10271. Registration does not imply endorsement.

oPera PHiladelPHia tHanks tHe karMa aGenCy For tHeir PartnersHiP.

Photo by Michael Branscom

a C a d e M y H o u s e

1 4 2 0 l o C u s t s t r e e t

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s u b s c r i b e n O w f O r t h e b e s t s e at s a n d b e n e f i t s

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2 1 5 . 7 3 2 . 8 4 0 0