wicked wizard full script

8/20/2019 Wicked Wizard Full Script

http://slidepdf.com/reader/full/wicked-wizard-full-script 1/71

Wicked Act 1:[Scene 1]

[LIGHT CUE #____: House Lights to ½]

[LIGHT CUE #____: House Lights to ]

[LIGHT CUE #____: Lights U! SL]

[S"U$ CUE #____: A%%AT"%S& 'ics on]

NARRATOR 1: (enters UL and Xs DL) Why does wickedness happen? That's a good question; one thamany peope !ind con!usi!ying" A#e peope $o#n wicked% o# do they ha&e wickedness th#ust upon them?

A!te# a% pha$a% ou# g#een eading ady% had a chidhood; (he had a !athe#% who )ust happened to $e tgo&e#no# o! *unchkinand" (he had a mothe#% as so many do"""

[LIGHT CUE #____: Lights U! S%]

NARRATOR +: (enters UR and Xs DR) And ike a !amiies% they had thei# sec#ets" And o! cou#se% !#omthe moment she was $o#n she was""we""di!!e#ent, And peope knew it""e&en on he# !i#st day o! schoo-

{NARRATORS exit the way they came]

[S"U$ CUE #____: A%%AT"%S& 'ics o((]

[S"U$ CUE #____: SCH""L )ELL]

[LIGHT CUE #____: Lights U!: SHI*]

[STUDENTS enter SR and SL EL!"A#A and NESSAROSE enter U$ and Xs $S EL!"A#A ye%%s as &e'&%e stare at her]

/0A2A: What?, What a#e you ooking at? Oh% do 3 ha&e something in my teeth? Okay% et's get thiso&e# with" (t' UN$"*NS USR and USL) No% 3'm not seasick" 4es% 3'&e aways $een g#een" No% 3 didn

chew g#ass as a chid"

N((ARO(: pha$a,

/0A2A: Oh% this is my younge# siste#% Nessa#ose(S&ins her in the whee%chair) As you can see% she pe#!ecty no#ma coo#"

N((ARO(: pha$a% stop making a spectace o! you#se!, (+hee%s away and DL$) 5athe# is onysending you he#e !o# one #eason"""

/0A2A: 4es% 3 know% (st'&s chair with her ,''t) to ook a!te# you"

[NESSAROSE %''-s at her new .ewe%ed sh'es/ whi%e EL!"A#A %''-s c'n,0sed '1er s'me &a&erw'r-]

N((ARO(: 6As $e!its the !utu#e go&e#no# o! *unchkinand"6 pha$a% can you $eie&e 5athe# ga&eme these shoes?

/0A2A: We% what coud he ha&e gotten me? 3 cash with e&e#ything,

NARRATOR +: 3t was pha$a's !i#st day in schoo% and she was quite wo##ied a$out whe#e she woud $staying"

/0A2A: (c'ntin0es t' ,0m2%e '1er her &a&erw'r-/ %''-in3 c'n,0sed and distra03ht) 3 -n'w !athe#



made a##angements !o# me, Why did you get a #oom and 3 didn't? 7o you think he sti $ames me !o# tway you came out when *othe# had you? 7oes he e&en o&e me?

N((ARO(: O! cou#se he ca#es a$out you, e sent you he#e to (hi8% didn't he?

/0A2A: Ony to take ca#e o! you, 5athe# is $usy #unning a o! *unchkinand, (si3hs) We% at easttr0sts me"[Three UN$"*N TOTS enter USL/ str033%in3 t' &0%% 4L*NDA and her s0itcases DSL/ whi%e she sits 't'& and %''-s 3%am'r'0s/ wa1in3 t' ,e%%'w st0dents and ,annin3 herse%, #O5 ,'%%'ws in awe]

/0A2A: 9cuse me, 9cuuuse me, 3 think the#e's $een a mistake with my pape#wo#k, 3 don't ha&e #oom, (t' STUDENTS USR) Whe#e is the p#incipa?

NARRATOR 1 (as !rinci&a%6s 7'ice)8 3m #ight he#e" Now pha$a% it ooks ike you# !athe# did n't mak#oom a##angements"

/0A2A: (%''-in3 sad) 3 thought so" e didn't !o#get my siste#% Nessa"

[4L*NDA/ sti%% smi%in3 and wa1in3 t' ,e%%'w st0dents/ is '2%i1i'0s t' what is ha&&enin3]

NARRATOR 1 (as !rinci&a%6s 7'ice)8 No matte#" 3' ask someone i! they a#e wiing to do#m with you"4ou, 4es% you, The $onde one,

/3N7A: Who% me? (%''-in3 s0r&rised) What? What?

NARRATOR 1 (as !rinci&a%6s 7'ice)8 4es% you, What's you# name?

/3N7A: (re3ains c'm&'s0re and smi%es) 3'm ainda" 3t's my !i#st day he#e,

NARRATOR 1 (as !rinci&a%6s 7'ice)8 inda<<

/3N7A: (interr0&tin3) it's A<inda"

NARRATOR 1 (as !rinci&a%6s 7'ice)8 Okay% inda" Thank you !o# $eing so nice to you# !eow stude3'm su#e you two wi make wonde#!u #oommates" Now% o!! to you# #ooms,

/0A2A and /3N7A: WAT?,

NARRATOR 1 (as !rinci&a%6s 7'ice)8 3 said% o!! to you# #ooms,

[One TOT st'& r0ns 'nsta3e and 2e3ins t' whee% NESSAROSE ',,sta3e EL!"A#A reacts str'n3%y]

/0A2A: (an3ry) 3 N7 to $e with my siste#, ('0tstretches her arms) 4ou wi not take me away !#oNessa,,

[LIGHT CUE #____: +,icke- .nd ),.ck Light]

[S"U$ CUE #____: /0.gic Sound] 2 0-3 Woo

[Sta3e %i3hts ,%ic-er/ and STUDENTS ,ree9e in &%ace and sha-e 0nc'ntr'%%a2%y as i, e%ectr'c0tedEL!"A#A m'1es t' NESSAs chair/ &0shes the TOT away/ and &0%%s chair 2ac- t' DR$ Thin3s ret0rn2ac- t' n'rma%/ as EL!"A#A %''-s scared and 30i%ty at what she .0st did]

NARRATOR 1 (as !rinci&a%6s 7'ice)8 (S0r&rised) Wow, 7id you )ust"""? 3 ha&e ne&e# seen a student dthat without any !o#ma t#aining, 7id you e&e# conside# a ca#ee# in so#ce#y?



/0A2A: Why"""me? No, osh"""

NARRATOR 1 (as !rinci&a%6s 7'ice)8 3! you keep this up% you' $e meeting the Wi8a#d soon, 3'm going tmy o!!ice to put in a good wo#d a$out you, e' $e imp#essed, Now% a o! you% O:: TO ;OUR ROOS

[A%% characters exit sta3e8 STUDENTS/ TOTS = NESSA U$/ #O5 &0%% cart and 4L*NDA UL EL!"A#Aremains/ center sta3e/ ,acin3 a0dience]

[Scene 4]

[LIGHT CUE # _____ : Lights ,o5e- US .nd $S3 Light on CS .-e. on,6]

[S"U$ CUE #____: EL7HA)A&s 'ic on]

/0A2A: =sings>737 TAT RA//4 @(T A00N?A 3 ABT@A//4 @N7R(TOO7?T3( W3R7 C@3RD 3' TR37 TO (@R0R(( OR 373( A TA/NT TAT BO@/7/0 * *T T W3EAR7

35 3 *AD OO7(O 3'// *AD OO7"WN 3 *T T W3EAR7%ONB 3 0RO *4 WORT%

AN7 TN 3 *T T W3EAR7%WAT 3' WA3T7 5OR (3NB(3NB 23RT,

AN7 W3T A// 3( W3EAR7 W3(7O*24 *4 /OOD( WON'T 2 2/3N777O 4O@ T3ND T W3EAR7 3( 7@*2?OR /3D *@NBD3N( (O (*A//<*3N77? NO,

'// (A4 TO * 63 ( WO 4O@ TR@/4 AR% A 3R/ ON WO* 3 BAN R/46 AN7 TAT'( OW W'// 23N%T W3EAR7 AN7 3ONB 3'* W3T T W3EAR7%*4 WO/ /35 W3// BAN%'B@E ONB 4O@'R W3T T W3EAR7NO ON T3ND( 4O@'R (TRANNO 5ATR 3( NOT 0RO@7 O5 4O@%NO (3(TR ABT( A(A*7%

AN7 A// O5 OE A( TO /O 4O@

WN 24 T W3EAR7 4O@'R ABB/A3*7 AN7 T3( 35T OR T3( B@R(TAT 3 A 3N(37*A42 AT /A(T 3'// DNOW W4WN W AR AN7 3N AN7%T W3EAR7 AN7 3

AN7 ON 7A4 '// (A4 TO *% 6/0A2A% A 3R/ WO 3( (O (@0R3OR%(O@/7N'T A 3R/ WO'( (O OO7 3N(37A A *ATB3N FTR3OR?

AN7 (3NB 5O/D( R TO AN A2(@R7 7R



(* 53FAT7 ON 4O@R R7R3(WO@/7 3T 2 A/R3T 24 4O@35 3 7<RN<354 4O@?6

AN7 O5 BO@R( TAT'( NOT 3*0ORTANT TO *6A/R3T, W4 NOT?6 3'// R0/4O% WAT A 0A3R W'// 2T W3EAR7 AN7 34(% WAT A 0A3R W'// 2T W3EAR7 AN7"""

@N/3*3T7% *4 5@T@R 3( @N/3*3T7 AN7 3' @(T A7 A 3(3ON A/*O(T /3D A 0RO0B43 DNOW 3T (O@N7( TR@/4 BRAE4

AN7 TR@% T 3(3ON'( AE42@T 3 (WAR (O* 7A4 TR'// 2

A B/2RAT3ON TRO@O@T OETAT'( A// TO 7O W3T *,

AN7 3'// (TAN7 TR W3T T W3EAR75/3N T3N( 3' NR 5/T

AN7 TO@ 3'7 NR (OW 3T3'7 2 (O A004 3 BO@/7 */T,

AN7 (O 3T W3// 2 5OR T R(T O5 *4 /35 AN7 3'// WANT NOT3N /( 'T3// 3 73/7 3N (@B 3 (T*,WN 0O0/ ( * T4 W3// (BRA*5OR A/5 O5 OE'( 5AOR3T TA*:T W3EAR7"""

AN7 3 <<<<

[EL!"A#A Xs DR]

[LIGHT CUE # _____ : ),.ckout]

[Scene 8]

[LIGHT CUE # _____ : Lights u! SL .nd S%]

[S"U$ CUE #____: GALI$A&s 'ic on]

[4L*NDA enters UL/ Xs DL]

A/3N7A: 7ea#est% 7a#ingest *omsy and 0opsice"""

/0A2A: *y dea# !athe#"""

2OT: TR'( 2N (O* BON5@(3ON OR ROO*3N R AT (3E

/0A2A: 2@T% O5 BO@R(% 3'// BAR 5OR N((A"""

A/3N7A: 2@T% O5 BO@R(% 3'// R3( A2O 3T"""

2OT: 5OR 3 DNOW TAT'( OW 4O@'7 WANT * TO R(0ON74es- TR'( 2N (O* BON5@(3ON 5OR 4O@ ( *4 ROO*AT 3(-

A/3N7A: @N@(@A//4% AN7 FB7/3N/4 0B@/3AR AN7 A/TOTR C@3T



3*0O((32/ TO 7(BR32"""

/0A2A: 2onde"

A/3N7A: WAT 3( T3( 5/3N% (O (@77N AN7 NW?

/0A2A: 3 5/T T *O*NT 3 /A37 4( ON 4O@,

A/3N7A: *4 0@/( 3( R@(3N"""

/0A2A: *4 A7 3( R/3N"""

A/3N7A: *4 5AB 3( 5/@(3N"""

2OT:WAT 3( T3( 5/3N?5R37 A( A 5/A*%7O( 3T A A NA*?4("""/OAT3N,@NA7@/TRAT7 /OAT3N,

A/3N7A: 5OR 4O@R 5AB

/0A2A: 4O@R O3B

A/3N7A: 4O@R B/OT3N

2OT:/T'( @(T (A4"""3 /OAT 3T A//,R4 /3TT/ TRA3T OWR (*A//

*AD( *4 R4 5/( 23N TO BRAW/W3T (3*0/% @TTR /OAT3NTR'( A (TRAN F3/ART3ON3N (@B TOTA/ 7T(TAT3ON3T'( (O 0@R% (O (TRON,TO@% 3 7O A7*3T 3T BA* ON 5A(T%(T3// 3 7O 2/3 TAT 3T BAN /A(T,

AN7 3 W3// 2 /OAT3N% /OAT3N 4O@*4 WO/ /35 /ON,

[LIGHT CUE # _____ : LIGHTS U7: U7STAGE]

(T@7NT(: W (AR 4O@R /OAT3N% @NA/7@/TRAT7 /OAT3N"""

2OT: WAT 3( T3( 5/3N (O (@77N AN7 NW?

(T@7NT(: 5OR R 5AB% R O3B% R B/OT3N"""

2OT: 3 5/T T *O*NT 3 /A37 4( ON 4O@"""

(T@7NT(: /T'( @(T (A4"""

2OT: *4 0@/( 3( R@(3N% *4 A7 3( R/3N"""



(T@7NT(: W /OAT 3T A//,

2OT: O WAT 3( T3( 5/3N?

(T@7NT(: : R4 /3TT/ TRA3T OWR (*A//"""

2OT: 7O( 3T A A NA*?

(T@7NT(: : *AD( O@R R4 5/( 23N TO BRAW/"""

2OT: 4("""

A: A,,,

(T@7NT(: : """"""""""""/OAT3N,

2OT: /OAT3N,

(T@7NT(: : """""""""""""""""""""""""""""""""""""""""""""""" /OAT3N,

2OT: TR'( A (TRAN F3/ARAT3ON

(T@7NT(: : """"""""""""""""""""""""""""""""""""""" /OAT3N,

2OT: 3N (@B TOTA/ 7T(TAT3ON

(T@7NT(: : """"""""""""""""""""""""""""""""""""""" (O (TRON,

2OT: 3T'( (O 0@R% 3T'( (O (TRON,,,TO@ 3 7O A7*3T 3T BA* ON 5A(T%

(T3// 3 7O 2/3 TAT 3T BAN /A(T%

(T@7NT(: : """"""""""""""""" /OAT3N

2OT: AN7 3 W3// 2 /OAT3N% 5OR<5ORR

(T@7NT(: : /OAT3N""""""""""""""""""" /OAT3N""""""" /OAT3N 4O@,

2OT: /OAT3N% TR@/4% 70/4 /OAT3N 4O@,

(T@7NT(: : """""""""""""""""""""""""""" /OAT3N% @NA7@/TRAT7 /OAT3N,,,

2OT: *4 WO/ /35 /ON,,,,

/0A2A: 2oo,

A/3N7A: Ahh, (She r0ns away SL)

/0A2A: ahahaha,

[S"U$ CUE #____: EL7HA)A .nd GALI$A 'ics o((]



[EL!"A#A exits SR]

[Scene 9]

[#O5 meets 4L*NDA SL/ c%'ses in 'n her as he s&ea-s 4L*NDA 2ac-s away STUDENTS m'1e USLand USR :*;ERO enters 0nn'ticed]

2OC: @h% miss ainda% 3 know 3'm )ust a munchkin% (ste&) $ut munchkins ha&e !eeings too% (ste&) and

3'&e $een t#ying to te you mine% (ste&) !o# you" (ste&) 2ut sometimes it seems ike you don't e&en know3'm the#e"

A/3N7A: That's not t#ue% 2iq" (She 2ac-s 0& t' $S)

2OC: (ste&) 3t's 2oq"

A/3N7A: (She t0rns and sees :*;ERO) 2iq% do you know who that is? That's 5iye#o Tiggua#% tha Win0#ince whose #eputation is so scandaacious,

[#O5 %''-s dis30sted :*;ERO wa%-s t'ward them 4AL*NDA swishes her hair :*;ERO/ n'ticin3 her

stran3e 2eha1i'r/ d'es the same]

A/3N7A: (T' :*;ERO) We#e you ooking !o# something-(stri-in3 a &'se) o# s'me'ne?

534RO: @hhh yea""" histo#y""" cass? 3 don't know""" somewhe#e?

2OC: (Ste&s in 2etween them/ &'ints ',, ri3ht) isto#y $uiding is way o&e# the#e my !#iend"""

A/3N7A: (&ee-in3 ar'0nd #O5) That cass )ust ended,

[STUDENTS exit SR and SL]

534RO: Oh, 0e#!ect timing, (&ee-in3 ar'0nd #O5) (o% uh% what does one do !o# !un a#ound he#e?

A/3N7A: Nothing #eay""" (stri-in3 an'ther &'se) unti now"""

2OC: (2%'c-in3 her ,r'm 1iew) We'&e $een studying,

534RO: (&0ts his hand 'n #O5s sh'0%der) We% 3 see that once again the #esponsi$iity to co##upt my!eow students !as to me" (!0ts arm ar'0nd his sh'0%der and steers him SL) 5o#tunatey% 3'm up !o# thetask" (s&ins 2ac- t' 4L*NDA %ea1in3 #O5 2ehind) (o, What's the most swanki!ied pace in town?

A/3N7A: That woud $e the O8dust 2a#oom,

534RO: (ounds pe#!ect,

[#O5 r0ns 2ac- and m'1es in 2etween them/ sh'1in3 :*;ERO 2ac- a 2it]

2OC: *iss ainda? 3 hope you' sa&e at east one dance !o# me" (ste&) 3' $e waiting #ight the#e% (ste&#ight $y you# side- (ste&) waiting- (ste&) a night"

[NESSAROSE enters DSR 'n the ,%''r]

A/3N7A: Oh% how &e#y kind% 2iq"



2OC: (ste&) 2oq"""

A/3N7A: =Tu#ns and sees N((A> 2ut% do you know what woud $e e&en kinde#?=she steps a#ound to (R o! him and taks in his ea#>(ee that t#agicay $eauti!u gi#?The one in the chai#?3t seems so un!ai#%we shoud go on a sp#ee and not she"ee% 3 know someone woud $e my he#o% i! that someone we#e to go and in&ite he#,

[#O5 %''-s 2ac-and ,'rth 2etween them/ thin-s hard]

[S"U$ CUE #____: )e,, /ding]

2OC: We% may$e 3 coud in&ite he#,

A/3N7A: O% 2iq% RA//4? 4ou woud do that !o# me?

2OC: 3 woud do anything !o# you% *iss ainda" (St0m2%es d'wn the DSL stairs t' NESSAROSE) 9cuse me% *iss Nessa#ose? The#e's something 3'd ike to ask you (&ant'mimes a c'n1ersati'n)

534RO: (T' 4AL*NDA) 4ou'#e good"

A/3N7A: 3 don't know what you mean" (stri-in3 a &'se) 2ut 3 do happen to $e !#ee tonight% so"""

534RO: (he Xs t' $S) (o% 3' $e picking you up a#ound eight?

A/3N7A: A!te# a"""Now that we'&e met one anothe#%

2OT: 3ts cea# we dese#&e each othe#,

A/3N7A: (',,ers her hand) 4ou'#e pe#!ect,

534RO: (ta-es her hand/ -isses it) 4ou'#e pe#!ect,

2OT: (o we#e pe#!ect togethe#,,

[:*;ERO and 4AL*NDA t0rn 0&sta3e and exit thr'03h the US$ d''rs #O5 exits USL EL!"A#A enteUSR and Xs DSL She s&ea-s t' NESSAROSE]

[LIGHT CUE # _____ : C-oss(.de: Lights di' U7STAGE;Lights u! $"WSTAGE]

/0A2A: (3est0res t'wards :*;ERO and 4AL*NDA) 3t's a$su#d, This siy% #ich $oy appea#s ande&e#yone's o!! to wo#ship him and some cutish socia gathe#ing,

N((ARO(: &en me, 3'm going, 3sn't it wonde#!u? 2oq was too shy to ask me at !i#st% $ut once ainencou#aged him"""

/0A2A: ainda?, (Xs $R t'ward her)

N((ARO(: (Xs $L t'ward her) 7on't you da#e say anothe# wo#d against he#, 3'm a$out to ha&e the !happy night o! my i!e% a thanks to ainda, 0ease% pha$a% t#y to unde#stand"

/0A2A: (t0rnin3 away) 3 do"""



[EL!"A#A cr'sses DSR NESSA whee%s ',,sta3e USL]

[LIGHT CUE # _____ : C-oss(.de: Lights u! U7STAGE;Lights di' $"WSTAGE]

[4AL*NDA enters thr'03h U$ d''rs/ Xs $S carryin3 a &air ', hat2'xes]

A/3N7A: Now 3 must accesso#i8e myse! !o# 5iye#o"

[She &0%%s a ,ew items '0t ', the 2'xes/ tries the 'n/ 20t d'esn6t %i-e them Then she &0%%s the witch>s ha'0t ', 'ne ', her hat 2'xes]

A/3N7A: *y g#anny is aways gi&ing me the most hideodeous hats" 3'd gi&e it away% $ut 3 don't hateanyone that much" (She %''-s '1er at EL!"A#A Thin-s) O# do 3?

[EL!"A#A m'1es 'nsta3e/ Xs $S t' 4AL*NDA]

/0A2A: ainda% isten% Nessa and 3 we#e taking a$out you )ust now"""

A/3N7A: And 3 was )ust thinking a$out you, ("'%ds 0& the "at)3 thought you might want to wea# this h

to the pa#ty tonight, 3ts #eay uh""" sha#p,7ont you think?4'know $ack is this yea#s pink,4ou dese#&e each othe#%This hat and you%4ou#e $oth so-sma#t,4ou dese#&e each othe#% so he#e, ("ands her the "at)Oout o! the goodness o! my hea#t,

[4AL*NDA c0rtsies and r0ns ',, SR EL!"A#A %a03hs at the "at She exits SL]

[LIGHT CUE # _____ : C-oss(.de: "<dust ).,,-oo' Lights]

[The STUDENTS enter thr'03h U$ d''rs/ ta-e &%aces and dance #O5 whee%s NESSAROSE in thr'03d''rs and DSR/ where they aw-ward%y h'%d hands Then :*;ERO and 4AL*NDA enter thr0 d''rs and

XDSL STUDENTS 3as&/ ta%- am'n3st themse%1es and wa1e at the ?&'&0%ar -ids@]

N((ARO(: What's in the punch?

2OC: /emons% and meons% and pea#s,

N((ARO(: Oh my,

2OC: /isten Nessa"""

N((ARO(: 4es?

[S"U$ CUE #____: A%%AT"% 1 'ic on]

NARRATOR 1: 2oq didnt ha&e the ne#&e to te Nessa that the #ea #eason he in&ited he# to the dance w$ecause inda had asked him to" e made up a ie and tod Nessa that it was $ecause he thought shewas $eauti!u" The dance went on and e&e#yone en)oyed thei# time at the O8 7ust 2a#oom" 2ut%someone was missing"



[S"U$ CUE #____: A%%AT"% 1 'ic o((]

[EL!"A#A wa%-s in/ wearin3 the "at The STUDENTS 3as& and ma-e c'mments a2'0t the way she isdressed/ then start %a03hin3]

534RO: Who in O8 is this?

A/3N7A: *y #oommate""" pease% don't """ sta#e,

534RO: ow can you hep it?

[EL!"A#A ta-es ',, the "at/ n'ticin3 the c'mments She waits/ then &0ts it 2ac- 'n and 2e3ins t' dancShe is a%'ne There is n' m0sic]

534RO: We 3' say this% she doesn't gi&e a twig a$out what anyone ese thinks"

A/3N7A: (ashamed) O! cou#se she does% she )ust p#etends not to""" 3 !ee aw!u"""

534RO: Why? 3t's not ike it's you# !aut"

A/3N7A: 9cuse me""" (She wa%-s '1er t' EL!"A#A and c%ears her thr'at "> *ay 3 cut in?

[4AL*NDA 2e3ins dancin3 .0st as h'rri2%y The STUDENTS n'w acce&t it/ and 2e3in t' dance a3ain asthe m0sic &%ays]

[LIGHT CUE # _____ : "nst.ge Lights (.de to ; %e.- ,ights st.6 u!= si,houetting d.nce-s (o- . >it]

[LIGHT CUE # _____ : %e.- ,ights (.de to ]

[C"STU0E CUE# ____: EL7HA)A gets nightgo5n]

[Scene ?]

[SET CUE#____: 7,.ce t.>,e $% .nd ch.i- $L]

[LIGHT CUE # _____ : Lights u! onst.ge]

[4AL*NDA is standin3 and EL!"A#A sittin3 in the chair]

A/3N7A: Oh ook% it's tomo##ow, phie""" do you mind i! 3 ca you phie?

/0A2A: We% it's a itte pe#ky"

A/3N7A: And you can ca me""" ainda" (o%phie% now that we'#e !#iends% 3'&e decided to make you mnew p#o)ect,

/0A2A: 4ou #eay don't ha&e to do that"

A/3N7A: 3 know% that's what makes me so nice,

[S"U$ CUE #____: EL7HA)A .nd GALI$A 'ics on]



A/3N7A: =sings>WNR 3 ( (O*ON /(( 5ORT@NAT TAN 3

AN7 /T'( 5AB 3T""" WO 3(N'T /(( 5ORT@NAT TAN 3?*4 TN7R ART TN7( TO (TART TO 2/7

AN7 WN (O*ON N7( A *ADOR3 (3*0/4 A TO TADOR3 DNOW 3 DNOW FABT/4 WAT T4 N7

AN7 N 3N 4O@R BA("""TO@ 3T'( T TO@(T BA( 3' 4T TO 5AB,

7ON'T WORR4, 3'* 7TR*3N7 TO (@BB75O//OW *4 /A7

AN7 4( 3N774O@-W3//-2"""

0O0@/AR,4O@'R ONNA 2 0O0@/AR3'// TAB T 0RO0R 0/O4(WN 4O@ TA/D TO 2O4(/3TT/ WA4( TO 5/3RT AN7 5/O@NB =(C@A/(>3'// (OW 4O@ WAT (O( TO WAR

OW TO 53F 4O@R A3RR4T3N TAT RA//4 BO@NT( TO 2 0O0@/AR3 DNOW A2O@T 0O0@/AR

AN7 W3T AN A((3(T 5RO* *TO 2 WO 4O@'// 23N(TA7 O5 7RAR4 WO 4O@ WR"""W// AR"""TR'( NOT3N TAT BAN (TO0 4O@5RO* 2BO*3N 0O0@/R"""/AR,/A /A /A /AW'R ONNA *AD 4O@ 0O0@/AR,WN 3 ( 70R((3N BRAT@R(

W3T @N0R0O((((3N 5AT@R(%3 R*3N7 T* ON T3R OWN 2A/5TO T3ND O5B/2RAT7 A7( O5 (TATOR (0B3A//4 RAT BO**@N3BATOR(737 T4 A 2RA3N( OR DNOW/7?7ON'T *AD * /A@,T4 WR 0O0@/AR0/A(% 3T'( A// A2O@T 0O0@/AR3T'( NOT A2O@T A0T3T@73T'( T WA4 4O@'R 3W7

(O 3T'( R4 (RW7 TO 2R4 R4 0O0@/AR/3D *,

/0A2A: This is ne&e# going to wo#k,

A/3N7A: Oh phie% you mustn't think that way anymo#e, 4ou# whoe i!e is going to change""" and a$ecause o! me" Okay% stand""" 3 wi tu#n you# !#ock into a $eauti!u $a gown, (tand up""" (She &ic-s 0& wand and wa1es it) 2a gown,,, (N'thin3 ha&&ens/ s' she re&eats) 2a gown,,, (Sti%% n'thin3 ha&&ensShe ta&s her wand) 3s this thing on?

/0A2A: 7o you want me to t#y?



A/3N7A: No% 3'&e got it, (She &0ts the wand d'wn) Oh% )ust wea# the !#ock""" it's p#etty, Now% 3' show how to !ip you# hai#: 5ip !ip" O# you coud use you# hand" (She dem'nstratesEL!"A#A mirr'rs her aw-ward%y) O#% you can use you# whoe $ody" (SB0ea%s) Now% !o# the !inishing touch(Ta-es ,%'wer '0t 'her hair/ &0ts it int' EL!"A#A@S) Why% *iss pha$a% ook at you% (&ic-s 0& mirr'r/ sh'ws EL!"A#A hre,%ecti'n) you'#e $eauti!u"

/0A2A: (A,ter %''-in3 in the mirr'r) 3""" 3 ha&e to go"

[S"U$ CUE #____: EL7HA)A 'ic o((]

[She r0ns ',, SL]

A/3N7A: 4ou'#e Wecome, (She admires herse%, in the mirr'r)=sings>

AN7 TO@ 4O@ 0ROT(T4O@R 73(3NTR(T%3 DNOW B/AN7(T3N/4"""4O@'R ONNA R3N AN7 2AR 3T4O@R NW 5O@N7 0O0@/AR3T4, =(C@A/(>

/A /A /A /A4O@'// 2 0O0@/AR,@(T NOT C@3T A( 0O0@/AR

A( *,,,


[S"U$ CUE #____: GALI$A 'ic o((]

[SET CUE#____: St-ike t.>,e .nd ch.i-]

[Scene @]

[LIGHT CUE # _____ : %e.- Lights U!]

[:*;ERO/ EL!"A#A/ 4AL*NDA/ STUDENTS and +*CARD as si%h'0ettes &ant'mime t' narrati'n]

[S"U$ CUE #____: A%%AT"%S& 'ics u!]

NARRATOR +: The ne9t day% a scientist &isited thei# cass and $#ought with him a caged ion cu$" ein)ectsed the cu$ with a se#um which was supposed to p#e&ent the ion !#om e&e# speaking" @pset $y th

idea o! any anima osing the powe# o! speech% pha$a accidentay cast a spe which caused a thestudents and p#o!esso#s to sta#t mo&ing uncont#oa$y" pha$a and 5iye#o g#a$$ed the cage and #an tothe meadows whe#e they set the ion cu$ !#ee"

[LIGHT CUE # _____ : C-oss(.de: %e.- Lights do5n ; St.ge Lights u!]

[:*;ERO and EL!"A#A enter SR EL!"A#A wa1es at ?c02 %ea1in3@ :*;ERO admires her]

NARRATOR 1: Now seeing a so!te# side o! pha$a% 5iye#o $egan to !a in o&e with he#" 2ut% pha$adidnt notice" (he )ust thought that his awkwa#d sience meant he wasnt inte#ested in he#" pha$a andainda $ecame the &e#y $est o! !#iends and% as time passed% pha$a was o!!e#ed the #a#e chance to



meet the !anta$uous Wi8a#d o! O8" e# siste# and he# schoo !#iends a gathe#ed to see he# o!! on thet#ain to the me#ad Bity"

[S"U$ CUE #____: A%%AT"%S& 'ics o((]

[S"U$ CUE # _____ : T-.in Whist,e]

BON7@BTOR: A a$oa#d,

[OC*ANS crisscr'ss sta3e 4AL*NDA and EL!"A#A enter thr0 U$ d''rs/ arm in arm #O5 whee%sNESSAROSE 'nsta3e 2ehind them They a%% XD$]

A/3N7A: Remem$e#% eye contact" And don't !o#get to te him how wonde#!u he is% Wi8a#ds o&e that, And $e you#se!""" we""" within #eason"

N((ARO(: pha$a% 3'm so p#oud o! you and 3 know !athe# woud $e too" We'#e a p#oud% a#en't we?

/0A2A: =knees down to tak to he#> 4ou' $e a#ight% won't you?

A/3N7A: (he' $e !ine, 2iq wi take ca#e o! he#% #ight?

2OC: """3t's 2oq""" 3""" 3 can't do this anymo#e"

["e exits thr0 U$ d''rs]

N((ARO(: 2oq"""

A/3N7A: Nessa% may$e he's )ust not the #ight one""" !o# you"

N((ARO(: No% it's me that's not #ight" (she 2ac-s 0&) pha$a% )ust go% 3' $e !ine" (whee%s herse%, U

/0A2A: Nessa% wait,

A/3N7A: /et he# go" (he' ha&e to manage without you" We a wi"

pha$a: 0ease% you' $a#ey e&en notice 3'm gone" 2esides% you ha&e 5iye#o" (%''-s ar'0nd) Whe#e ishe% anyway? Not that 3 e9pected him to say good$ye to me" We $a#ey know each othe#"

A/3N7A: 3 don't know him eithe#" e's distant% and moodi!ied% and he's $een thin-in3 % which #eaywo###ies me"

[:*;ERO enters SR 4'es 0& ste&s Xs t' R$]

A/3N7A: Oh% the#e he is, ('n ti&t'es/ wa1es) 5iye#o% o&e# he#e dea#est,

534RO: ("e "ands EL!"A#A :%'wers) pha$a% 3'm happy !o# you"

A/3N7A: (&0%%in3 her away ,r'm him) 4es% we a#e $oth so happy"""

534RO: @h% isten% 3'&e $een thinking"""

/0A2A: 4es% 3'&e hea#d"

534RO: A$out that /ion cu$ and""" e&e#ything" 3 think a$out that day a ot"



/0A2A: Reay? (o do 3"

A/3N7A: (ste&&in3 in2etween them) *e too, 3t makes one want to""" uh""" take a stand" (o 3'&e $eenthinking o!""" uh""" changing my name"

534RO: 4ou# name?

A/3N7A: We% yes, (ince peope ha&e thei# own way o! p#onouncing my name% in soida#ity and to

e9p#ess my out#age% 3 wi hence!o#wa#d $e known no onge# as ainda% $ut as simpy% inda"

534RO: Oh we% that's &e#y admi#a$e o! you""" inda" pha$a% =t#ies to hug he#% $ut /3N7A is in theway% so he wa&es> good uck"

["e r0ns ',, d'wn SR ste&s and USR]

[LIGHT CUE # _____ : C-oss(.de: U!st.ge Lights do5n ; $o5nst.ge Lights u!]

/3N7A: The#e% see?

/0A2A: ainda"""

/3N7A: 3t's inda now" (0&set/ she cr'sses t' DSL/ sits 'n ste&s) (tupid idea% 3 don't e&en know whamade me say it" (she 2e3ins t' cry)

/0A2A: 3t doesn't matte# what you# name is% e&e#yone o&es you,

[EL!"A#A hands her a han-y 4L*NDA 2%'ws her n'se in it %'0d%y/ hands it 2ac- t'ward EL!"A#ADis30sted/ EL!"A#A &0shes it 2ac- t' her/ &ant'mimin3 ?-ee& it@]

/3N7A: (S'22in3) 3 don't ca#e, 3 want him" 3 don't e&en think he's pe#!ect anymo#e and 3 sti want him"

This must $e what othe# peope !ee ike" ow do they $ea# it?(They h03)

[OC*ANS enter USL and USR in dar-]

[Scene ]

/0A2A: Bome with me"

/3N7A: Whe#e?

/0A2A: To the me#ad Bity"

/3N7A: Reay? (&0%%s EL!"A#A $S)

[LIGHT CUE # _____ : /E'e-.,d Cit6 ,ights]

[S"U$ CUE #____: EL7HA)A .nd GALI$A 'ics on]

OE3AN(: ON (ORT 7A4% 3N T *RA/7 B3T4"""

/3N7A: 3'&e aways wanted to see the me#ad Bity,



OE3AN(: =sing>ON (ORT 7A4% 3N T *RA/7 B3T4,ON (ORT 7A4% 3N T *RA/7 B3T4ON (ORT 7A4% 5@// O5 (O *@B TO 7OR WA4 TAT 4O@ /OOD AT T B3T4TR'( (O*T3N FC@3(3T4O@'// WANT TO 3(3T25OR T 7A4'( TRO@

/0A2A: TR AR 2@373N( TA// A( C@OFWOO7 TR(

/3N7A: 7R(( (A/ON(,

/0A2A: AN7 /32RAR3(

/3N7A: 0aaces,

/0A2A: *useums,

2OT: A @N7R7 (TRON

TR AR WON7R( /3D 3' NR (N,

/3N7A: 3t's a g#and,

/0A2A: And it's a g#een,

2OT: 3 T3ND W' 5O@N7 T 0/AB WR W 2/ON 3 WANNA 2 3N T3( O3 0O//O3

/0A2A: (O 3'// 2 2ABD 5OR OO7 (O*7A4

/3N7A: TO *AD *4 /35 AN7 *AD *4 WA4

2OT: 2@T 5OR TO7A4 W'// WAN7R AN7 NO4,

OE3AN(: ON (ORT 7A43N T *RA/7 B3T4ON (ORT 7A4TO A A /35T3* O5 5@NON (ORT 7A4"""

2OT: AN7 W'R WARN3N T B3T4

NOW TAT W'R 3N R 4O@'// DNOW W' 2N R 25OR W AR 7ON,

/3N7A: A the huste and $uste, 3t's a so -O8mopoitan, phie""" phie?

/0A2A: 3 want to #emem$e# this moment% aways" No$ody's pointing% no$ody's sta#ing% !o# the !i#st ti3'm somewhe#e that 3 $eong"

/3N7A: 4ou ook positi&ey% eme#ad"

A//: ON (ORT 7A4 3N T *RA/7 B3T4



ON (ORT 7A4 TO A A /35T3* O5 5@N WAT A WA4 TO 2 (3N T B3T4,

/3N7A and /0A2A: WR (O *AN4 ROA* TO""" W'// BA// 3T O*% TOO AN7 TN% @(T /3D NOW% W BAN (A4% 6W'R @(T TWO 5R3N7(%6

/0A2A: TWO OO7 5R3N7("""

/3N7A: TWO 2(T 5R3N7("""

A//: (AR3N ON WON7R5@/ ON (ORT"""

OE3AN O553B3A/: The Wi8a#d wi see you now,

A//: 7A4,,,

[LIGHT CUE # _____ : A,, ,ights do5n= eBce!t CS ,ights on GLI$A .nd EL7HA)A]

[S"U$ CUE #____: EL7HA)A .nd GALI$A 'ics o((]

[OE3AN( e9it / and RG

[Scene ]

[LIGHT CUE # _____ : %e.- ,ights u! (u,,; si,houetting WI*A%$]

[S"U$ CUE # _____ : WI*A%$&S D"ICE E++ECT]

[+*CARD6S 1'ice 2''ms]

W3EAR7: 3 am O8% the g#eat and te##i$e, Who a#e you and why do you seek me?

/3N7A: (ay something,

/0A2A: @h""" pha$a Th#opp you# te##i$eness,

W3EAR7: (S&ea-s n'rma%%y) Oh? 3s that you pha$a? 3 didn't #eai8e,

[S"U$ CUE # _____ : WI*A%$&S D"ICE E++ECT 'ic o((]

[+*CARD wa%-s 0& ram&/ ma-in3 shad'w 3et sma%%er and sma%%er 0nti% he enters thr0 U$ d''rs$"*STER; ,'%%'ws him/ carryin3 a 2i3 #''-/ and Xs t' UR]

[LIGHT CUE # _____ : %e.- ,ights (.de to 1;4]

W3EAR7: 3 hope 3 didn't sta#te you% it's so ha#d to make out peopes' !aces a the way $ack the#e" (Xs D(o% et's see""" which witch is which? pha$a, (3ra2s her hands)

[4L*NDA m'1es ar'0nd t' his 'ther side Ta&s him 'n the sh'0%der]



W3EAR7: And you must $e"

/3N7A: inda" The a is sient"

W3EAR7: (i3n'rin3 her/ t0rns 2ac- t' EL!"A#A) 3m not quite what you e9pected% hmmm? 3 ha&e to puon a show to gi&e the peope what they want" 3 ha#dy e&e# et peope meet the #ea me% $ut this $eing aspecia occasion-

/0A2A: 3'm so happy to meet you"

W3EAR7: We% that's good" 'Bause that's what 3 o&e $est: making peope happy,

/0A2A: 3'm he#e""" we'#e he#e to ae#t you that something $ad is happening"""

W3EAR7: 0ease% 3'm the Wi8a#d o! O8" 3 a#eady know why you'&e come"

/0A2A H /3N7A: Oooo"

W3EAR7: And 3 ha&e e&e#y intention o! g#anting you# #equest" O! cou#se% you must p#o&e you#se!"""

/3N7A: 0#o&e you#se!% p#o&e you#se!"

/0A2A: 2ut how?

W3EAR7: Oh% 3 don't know"(ome so#t o! gestu#e*osty !o# show(omething to test you# adeptness-3 know, The $ook,

["e c%a&s his hand t' s0mm'n $"*STER;/ wh' h'&s '1er t' him/ carryin3 the #''-]

B3(TR4: 7a $ook, 7a $ook, 7a $ook,

/3N7A: The $ook?

/0A2A: What do you want me to do?

W3EAR7: We% this is my monkey se#&ant% Bhiste#y" Bhiste#y% this is pha$a-

/0A2A: (-nee%in3 d'wn) eo Bhiste#y

B3(TR4: eo pa<$a" 4ou so p#etty g#eeeen"

[EL!"A#A %a03hs/ '21i'0s%y de%i3hted with $"*STER;]

W3EAR7: e ooks so ongingy at the $i#ds e&e#y mo#ning"""" 3 was thinking% pe#haps% a e&itation spe

/3N7A: (N'ticin3 the #''- *n the +*CARD6S hands) 3s that-(in awe) the #imme#ie?

W3EAR7: =0#oudy> 4es% the ancient $ook o! spes and enchantments

/3N7A: (+his&ers) Ban 3 touch it?



W3EAR7: (imic-in3 her) No, ("e hands it t' EL!"A#A)

/0A2A: ('&enin3 2''-) What !unny w#iting"""

W3EAR7: We it's a ost anguage" The ost anguage o! spes" 3t's kind o! a #ecipe $ook !o# change" 7o$e discou#aged i! you can't deciphe#ate it% dea#ie"

/0A2A: AN% TAT4% AN TAT4 W3EAR7: Oh% Bhiste#y% what an

AN""" e9pe#ience you a#e a$out to ha&e,

/0A2A: A *A4 A TA4 AT@* W3EAR7: (ince once 3 had my own day in the sky

/0A2A: A *A4 A TA TA4 *A4 W3EAR7: 3 know e&e#yone dese#&es a chance to T@ ( (A4 TA,

[LIGHT CUE # _____ : Lights +,icke-]

[S"U$ CUE # _____ : /0.gic Sound] 2 0-3 Woo

[$"*STER; screams = 2e3ins t' twitch]

/0A2A: What happened? 3s something w#ong?

W3EAR7: No% )ust a t#ansition"

/0A2A: No, (top, 4ou'#e hu#ting him,

W3EAR7: (he's actuay done it,

[$"*STER; &ee%s ',, his 1est/ re1ea%in3 win3s and 2e3ins r0nnin3 ar'0nd the sta3e] /0A2A: NO, Cuick% how do 3 #e&e#se it?

W3EAR7: 4ou can't,

/0A2A: What?,

W3EAR7: 4ou can't, (pes a#e i##e&e#si$e, 3 knew you had the powe#% a,

/0A2A: 4ou panned a this? W3EAR7: We% you $ene!it too, 4ou $ene!it% too" And this is ony the $eginning, /ook"

["e ta-es '0t a F'ystic- de1ice and '&erates it]

[S"U$ CUE # _____ : C"07UTE% "ISES]

[LIGHT CUE # _____ : %e.- ,ights u! (u,, ; si,houetting 0"EFS]

[+e see the ONE;S/ n'w with win3s/ in shad'ws ,'r a sec'nd/ then they enter USR and USL/ and%ea& a2'0t/ c'n,0sed They ta0nt and tease 4AL*NDA/ wh' r0shes t' the +*CARDS side ,'r &r'tecti'n"e sha-es her ',, The ONE;S then r0n d'wn int' the cr'wd and tease them a 2it]



[LIGHT CUE # _____ : %e.- ,ights (.de to 1;4]

W3EAR7: (Xs D$) Won't they make pe#!ect spies?

/0A2A: (pies?,

W3EAR7: 4ou'#e #ight% that's a ha#sh wo#d""" how a$out scouts? That's what they' $e #eay" They' !ya#ound O8, Repo#ting any su$&e#si&e anima acti&ity"

/0A2A: 4ou can't #ead this $ook at a, Ban you? That's why you need enemies% and cages% and spie4ou ha&e no #ea powe#"

W3EAR7: 9acty-

["e c%a&s/ and wa1es ONE;S ',, They exit USR and USL]

W3EAR7: -that's why 3 need you" 7on't you see? The wo#d is you# oyste#% now, 4ou ha&e somany"""oppo#tunities" 4ou $oth do"

/3N7A: Thank you% you# O8ness"

/0A2A: NO,

[She r0ns ',, SL]

/3N7A: phie, 3 am so so##y% you# Wi8a#dship" 3' !etch he# $ack, phie wait,

[She r0ns a,ter her SL]

W3EAR7: We must get he# $ack" (he knows too much"

[S"U$ CUE # _____ : WI*A%$S D"ICE E++ECT 'ic on]

[LIGHT CUE # _____ : %e.- ,ights u! ; si,houetting WI*A%$]

["e Xs U$/ &0%%in3 a de1ice ,r'm his c'at "e hides 2ehind d''rs/ creatin3 shad'w and 2e3ins s&ea-ina3ain/ with a &'wer,0% 1'ice]

W3EAR7: ua#ds% gua#ds,

[@AR7( 1H+ ente# (RG

@AR7(: 4es you# O8ness,

W3EAR7: The#e is a !ugiti&e oose in the paace, (&'intin3 OSL) 5ind he#% captu#e he#% and $#ing he# to m

@AR7(: 4es you# O8ness,

[S"U$ CUE # _____ : WI*A%$&s 'ic o((]




[Scene ]

[S"U$ CUE # _____ : A%%AT"% 1 'ic on]

NARRATOR 1: The Wi8a#d sent his gua#ds a!te# pha$a" 2oth pha$a and inda #an togethe# and!ound a hiding pace in the attic o! the $uiding" Whie hiding !#om the gua#ds inda con!#onted he# !#ien

[S"U$ CUE # _____ : A%%AT"% 1 'ic o((]

[LIGHT CUE # _____ : %e.- ,ights u! ; si,houetting EL7HA)A .nd GLI$A]

[EL!"A#A and 4L*NDA enter thr0 U$ d''rs]

[LIGHT CUE # _____ : St.ge ,ights u! to /Attic setting]

/3N7A: phie% wait, Whe#e a#e you going?

/0A2A: Oh no, The#e a#e no mo#e stai#s, This might $e the attic"""

/3N7A: pha$a% isten to me"""

/0A2A: 3 ha&e to $a##icade the doo#,

[She &ic-s 0& a 2r''m and 2races it a3ainst the d''r U$]

/3N7A: pha$a% why coudn't you ha&e stayed cam !o# once instead o! !ying o!! the hande?(sin3s/ Xs DR)3 O0 4O@'R A0043 O0 4O@'R A004 NOW3 O0 4O@'R A004 OW 4O@' @RT 4O@R BA@( 5ORR3 O0 4O@ T3ND 4O@'R B/R

/0A2A: (sin3s/ Xs DL)3 O0 4O@'R A004, 3 O0 4O@'R A004 TOO3 O0 4O@'R 0RO@7 OW 4O@ WO@/7 RO/ 3N (@2*3((3ONTO 57 4O@R OWN A*23T3ON

2OT: (sin3/ ,ace t' ,ace)(O TO@ 3 BAN'T 3*A3N OW3 O0 4O@'R A004R3T NOW"""

[S"U$ CUE # _____ : A%%AT"% 1 'ic on]

[S"U$ CUE # _____ : EWS +LASH S"U$ E++ECT]

NARRATOR +: Biti8ens o! O8% the#e is an enemy that must $e !ound and captu#ed, 2eie&e nothing shesays" (he's e&i" Responsi$e !o# the mutiation o! ou# poo#% innocent monkeys, e# g#een skin is $ut anoutwa#d mani!estation o! he# twisted natu#e, This disto#tion""" this #epusion""" this""" Wicked Witch,

[S"U$ CUE # _____ : A%%AT"% 1 'ic o((]

/3N7A: 7on't $e a!#aid"""



/0A2A: 3'm not""" it's the Wi8a#d who shoud $e a!#aid""" o! me,

/3N7A: phie% )ust say you'#e so##y $e!o#e it's too ate"(sin3s)4O@ BAN (T3// 2 W3T T W3EAR7WAT 4O@' WORD7 AN7 WA3T7 5OR4O@ BAN A A// 4O@ R WANT7"""

/0A2A: 3 know"""(sin3s/ Xs D$)2@T 3 7ON'T WANT 3TNO% 3 BAN'T WANT 3T

AN4*OR"""(O*T3N A( BAN7 W3T3N *(O*T3N 3( NOT T (A*3'* TRO@ W3T 0/A43N 24 T R@/(O5 (O*ON /('( A*,TOO /AT 5OR (BON7 @((3NTOO /AT TO O 2ABD TO (/0

3T'( T3* TO TR@(T *4 3N(T3NBT(B/O( *4 4(""" AN7 /A03T'( T3* TO TR4 7543N RA3T43 T3ND 3'// TR4 7543N RA3T4

AN7 4O@ BAN'T 0@// * 7OWN

/3N7A: (sin3s)BAN'T 3 *AD 4O@ @N7R(TAN74O@'R A3N 7/@(3ON( O5 RAN7@R?

/0A2A: (sin3s)3'* TRO@ ABB0T3N /3*3T('B@E (O*ON (A4( T4'R (O(O* T3N( 3 BANNOT BAN%2@T 'T3/ 3 TR4 3'// NR DNOW,TOO /ON 3' 2N A5RA37 O5/O(3N /O 3 @(( 3'7 /O(TW// 35 TAT'( /O%3T BO*( AT *@B TOO 3 A BO(T,3'7 (OONR 2 7543N RA3T4

D3(( * OO724 3'* 7543N RA3T4 AN7 4O@ BAN'T 0@// * 7OWN,

[The 4UARDS are in si%h'0ette 2ehind U$ d''rs They ?&'0nd@ 'n the %'c-ed d''r]

@AR7 1: Open this doo#% in the name o! his sup#eme O8ness,

/0A2A: Ah *ay Ah Tay Ah Tum 7itum"""

/3N7A: (As EL!"A#A c'ntin0es chantin3) What a#e you doing?, (top it, That's what sta#ted a this inthe !i#st pace""" that hideous e&itation spe, (TO0,,,



[EL!"A#A st'&s chantin3]

/3N7A: We""" Whe#e a#e you# wings? *ay$e you'#e not as powe#!u as you think you a#e"""

[EL!"A#A r0ns and 3ra2s the 2r''m]

/0A2A: 3 p#omise% inda""" 3 can do it,

[The 4UARDS 2an3 'n the %'c-ed d''r 'nce a3ain]

/0A2A: Cuick, et on,

/3N7A: What?

/0A2A: Bome with me""" think o! what we coud do""" togethe#" We% a#e you coming?

/3N7A: phie% you'#e t#em$ing""" he#e% put this a#ound you"""

[She dra&es a 2%ac- ca&e ar'0nd her] (sin3s)

3 O0 4O@'R A004NOW TAT 4O@'R BOO(3N T3(

/0A2A: 4ou too"(sin3s)

3 O0 3T 2R3N( 4O@ 2/3((

2OT: (sin3)3 RA//4 O0 4O@ T 3T

AN7 4O@ 7ON'T /3 TO RRT 3T3 O0 4O@'R A004 3N T N7,

3 O0 4O@'R A004"""*4 5R3N7"""

[EL!"A#A r0ns ',, The 4UARDS 2rea- d'wn the d''r]

@AR7: The#e she is, 7on't et he# get away,

[They 3ra2 h'%d ', 4L*NDA]

/3N7A: What in O8?, /et go o! me, 7o you hea# me? /et go,

[E++ECT CUE # _____ : +"G 0ACHIE: U7 CETE%]

[LIGHT CUE # _____ : +LIGHT 7%ESET]

/0A2A: 3t's not he#" (he has nothing to do with it" 3'm the one you want" 3t's me" ahahahaha" 3t's me@p he#e, 3t's me,

[She rises 0& center sta3e h'%din3 her 2r''m]

/0A2A: (sin3s)(O 35 4O@ BAR TO 53N7 *%/OOD TO T W(TRN (D4



A( (O*ON TO/7 * /AT/4%R4ON 7(R( T BANB TO 5/4,

AN7 35 3'* 5/43N (O/O% AT /A(T 3'* 5/43N 5R,TO TO( WO RO@N7 *%TAD A *((A 2ABD 5RO* *,T// T* OW 3 A* 7543N RA3T4,,,3'* 5/43N 3 7543N RA3T4,,,

AN7 (OON 3'// *ATB T* 3N RNOWN

AN7 NO2O743N A// O5 OE"""NO W3EAR7 TAT TR 3( OR WA(3( R ONNA 2R3N* 7OWN,,,

OE3AN(: /OOD AT R% ('( W3BD7 T R,,,

/0A2A: 2R3N * 7OWN,,,,

OE3AN(: NO ON *O@RN( T W3BD7, (O W' OT TO 2R3N R"""

/0A2A: A,,,,,

OE3AN(: 7OWN,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,

[LIGHT CUE # _____ : )LAC"UT]

[Scene 1]

[LIGHT CUE # _____ : LIGHTS U7 $"W CETE% +,oo-]

OE3AN 1: &e#y day the te##o# g#ows and a o! O8 is on ae#t"That's the way with the wicked I(p#eading !ea# whe#e&e# she goes% seeking out new &ictims she can hu#t,

OE3AN +: /ike some te##i$e g#een $i88a#d th#oughout the and she !ies%de!aming ou# poo# wi8a#d with he# caumnies and ies" (he ies,

OE3AN 1: (a&e us !#om the wicked% shied us so we won't $e he9ed"

OE3AN( 1 H +: 3 @( WARN3N" WR W3// ( (TR3D NFT?


NARRATOR 1: A o! O8 thanked goodness !o# inda% and he# handsome swain% the new captain o! thgua#d% 5iye#o" e sti had !eeings !o# pha$a and was not com!o#ta$e with peope caing he# the WickWitch" e !ound it !#ust#ating% and so he $ecame Baptain o! the ua#d so that he coud !ind he#"

NARRATOR +: 5iye#o had his mind set on !inding pha$a% whie e&e#yone ese in O8 was $usycee$#ating 5iye#o and inda's engagement" The Wi8a#ds o!!icias set out to et a o! O8 know the sto#yindas $#a&e#ism, And this is how they tod the sto#y"""

[S"U$ CUE #____: A%%AT"%S& 'ics o((]



OE3AN 1: =sings>T 7A4 /3N7A WA( 53R(T (@**ON7TO AN A@73NB W3T OE%

AN7 A/TO@ WO@/7 NOT T// 4O@ W4 3N3T3A//4WN 4O@ 2OW7 25OR 3( TRON 7BR7 4O@'7 NB 2 DNOWN

A( /3N7A T OO7-O553B3A//4,

OE3AN +: =sings>TN W3T A A/O@( (C@T W3BD7 W3TB 2@R(T 5RO* BONBA/*NTWR ( A7 2N /@RD3N(@RR0T3T3A//4,

OE3AN 1: 3 AR ( A( AN FTRA 4 TAT A/WA4( R*A3N( AWAD,

OE3AN +: 3 AR T ( BAN (7 R (D3N A( A(3/4 A( A (NAD,

OE3AN J: 3 AR (O* R2/ AN3*A/( AR 33N R 5OO7 AN7 (/TR,

OE3AN K: 3 AR R (O@/ 3( (O @NB/AN% 0@R WATR BAN */T R,

534RO: What? (r0nnin3 'n sta3e in an3er)

OE3AN( 1<K: */T R, 0/A( (O*2O74 O AN7 */T R,

534RO: 7o you hea# that?, Wate# wi met he#? 0eope a#e so empty<headed they' $eie&e anything,

/3N7A: (t' the OC*ANS) 9cuse me )ust a tick<tock,

[4L*NDA &0%%s :*;ERO t' the side t' ta%-]

534RO: 3 can't )ust stand he#e g#inning% p#etending to go aong with a o! this,

/3N7A: 7o you think 3 ike to hea# them say those aw!u things a$out he#? 3 hate it,

534RO: Then what a#e we doing he#e? /et's go" /et's get out o! he#e,

/3N7A: We can't ea&e now; not when peope a#e ooking to us to #aise thei# spi#its"

534RO: ;'0 can't ea&e $ecause you can't #esist this" (!'ints t' the OC*ANS wh' are 3'ssi&in3 and

whis&erin3) And that is the t#uth" (!'intin3 t' 4L*NDA)

/3N7A: *ay$e 3 can't" 3s that so w#ong? Who coud?

534RO: 4ou know who coud" Who has"

/3N7A: 5iye#o% 3 miss he# too% $ut we can't )ust stop i&ing" No one has sea#ched ha#de# !o# he# than yo2ut don't you see? (he doesn't want to $e !ound" We ha&e to !ace it"

534RO: 4ou'#e #ight" 3'm so##y% you'#e #ight" And i! it's going to make you happy% o! cou#se 3' ma##y you

/3N7A: 2ut it' make you happy too% #ight?



534RO: (Sarcastica%%y) 4ou know me"""3'm aways happy" (R0ns ',, sta3e)

/3N7A: 5iye#o, (Says %'0d%y s' that the OC*ANS 'n sta3e thin- she as-ed him t' %ea1e) Thanks pentdea#est, e's gone to !etch me a #e!#eshment" e's so thought!u that way,

[LIGHT CUE #____: )LAC"UT]

[Scene 11]

[LIGHT CUE #____: LIGHTS U7]

[At the 3'1ern'r>s h'0se in 0nch-in%and EL!"A#A hidin3 in the c%'set]

2OC: (C'm2i,ied) Wi the#e $e anything ese% *adame?

N((ARO(: 3'&e asked you to ca to ca me Nessa#ose% #emem$e#?

2OC: 4es% *adame" ("e exits with his head d'wn/ in shame)

N((ARO(: (Sad%y) 2oq"""

/0A2A: (,r'm inside the c%'set) We% it seems the $eauti!u ony get mo#e $eauti!u% (NESSAROSEscreams) whie the g#een )ust get g#eene#"

[EL!"A#A exits the c%'set whi%e NESSAROSE %''-s scared and c'n,0sed]

/0A2A: 3'm so##y" 7id 3 sca#e you? 3 seem to ha&e that e!!ect on peope" 3t's good to see you"

N((ARO(: What a#e you doing he#e?

/0A2A: We% the#e's no pace ike home" (#eat) 3 ne&e# thought 3'd myse! say this $ut 3 need !athe#'shep" 3 need him to stand with me"

N((ARO(: That's impossi$e"

/0A2A: No% no it's not" Not i! you ask him" 4ou know he' isten to you"

N((ARO(: ("er head d'wn) 5athe# is dead"

/0A2A: What?

N((ARO(: (An3ry and sad) e's dead" 3'm the go&e#no#"""We% what did you e9pect? A!te# he ea#newhat you'd done% how you'd disg#aced us% he died-o! shame" m$a##assed to death"

/0A2A: (An3ry and t0rned away ,r'm NESSAROSE) ood% 3'm gad" 3t's $ette# that way"

N((ARO(: That's a wicked thing to say"

/0A2A: (T0rns 2ac- and ta%-s direct%y at NESSAROSE) No% it's t#ue" (excited) 2ecause now it's )ust 4ou can hep me and togethe# we can"""

N((ARO(: ($0ttin3 her ',, ) pha$a% (@T @0, (!'intin3) 5i#st o! a% 3 can't ha#$o# a !ugiti&e% 3'm aun<eected o!!icia, And why shoud 3 hep you? 4ou !y a#ound O8% t#ying to #escue animas you'&e ne&e#



e&en met% and not once ha&e you e&e# thought to use you# powe#s to #escue me,

/0A2A: Nessa% the#e isn't a spe !o# e&e#ything, The powe# is myste#ious" 3t's not ike codding up apai# o! (A th'03ht &'&s int' her head) Wait (&0%%s the 4rimmerie ,r'm her 2a3 and starts ,%i&&in3 thr'0

&a3es)

N((ARO(: What a#e you doing? (EL!"A#A starts chantin3) [Sim0%tane'0s%y]

[S"U$ CUE #____: 0AGIC S"U$ 2 0-3 Woo]

/0A2A: *ea ka nam ah"""""ah tay tea ya"""" N((ARO(: What is that? Ah,

/0A2A: (ay ya tee ya""""mea ka nam e#a""""" N((ARO(: *y (hoes, 3t !ees ike""""

/0A2A: Tay ya Tay ya sah"""dema ay""" N((ARO(: ike they'#e on !i#e,

N((ARO(: What ha&e you done to my shoes?

[NESSAROSE %i,ts 0& her dress t' re1ea% that her sh'es ha1e t0rned red NESSAROSE stands 0&/ 20t,a%%s EL!"A#A tries t' he%& her 0&]

N((ARO(: (She &0%%s away ,r'm EL!"A#A) No% don't hep me (NESSAROSE stands 'n her 'wn)

/0A2A: (+ith ha&&iness) Oh% Nessa% at ast"""

N((ARO(: (She>s ha&&y as we%%) 2oq, 2oq, Bome quicky,

/0A2A: ($'n,0sed) 2oq?

N((ARO(: 2oq, Bome he#e at once,

[NESSAROSE 3ets 2ac- in her chair and hides 2ehind the c%'set]

/0A2A: (:ri3htened) No, Nessa% isten no$ody can know 3'm he#e,

[#e,'re EL!"A#A has a chance t' hide/ #O5 enters]

2OC: (C'm2i,ied) 4es% what is it% *adame?

/0A2A: 2oq"""

2OC: (!'intin3 at EL!"A#A) What a#e y'0 doing he#e? 4ou stay $ack,

/0A2A: 2oq% it's )ust me% 3'm not going to hu#t you,

2OC: No, 4ou'#e ying, That's a you e&e# do, 4ou and you# siste#, (he's as wicked as you a#e,

/0A2A: What a#e you taking a$out?

2OC: 3'm taking a$out my i!e I the itte that's e!t o! it" 3'm not !#ee to ea&e *unchkinand% none o! us a(!'ints at NESSAROSE in an3er) &e# since she took powe#% she's $een st#ipping the *unchkins o! ou#ights"""and we didn't ha&e that many to $egin with, And do you know why?



[NESSAROSE re1ea%s herse%, in the chair]

N((ARO(: To keep you he#e% with me" 2ut none o! that matte#s anymo#e" /ook"

[NESSAROSE stands 0&]

2OC: (t' EL!"A#A) 4ou did this !o# he#?

N((ARO(: (L'1in3%y) 5o# $oth o! us,

2OC: Nessa% this changes e&e#ything"

N((ARO(: 3 know"

2OC: /isten Nessa"""

N((ARO(: What?

2OC: @h Nessa% su#ey now 3' matte# ess to you and you won't mind me ea&ing he#e tonight"""

N((ARO(: ($'n,0sed) /ea&ing?

2OC: 4es"""That $a that's $eing staged announcing inda is engaged"

N((ARO(: inda?

2OC: 4es Nessa% that's #ight, 3'&e got to go appea to he#% e9p#ess the way 3 !ee !o# he#" Oh% Nessa% 3 osmy hea#t to inda !#om the moment 3 !i#st say he#" 4ou know that"

N((ARO(: /ost you# hea#t? We% we' see a$out that"""

/0A2A: (#0ttin3 in) Nessa% et him go"""

N((ARO(: (An3ry) 7id you think 3'd et you ea&e me he#e !at?

2OC: (#ac-in3 away) 7on't come any cose#,

N((ARO(: 4ou'#e going to ose you# hea#t to me% 3 te you, 3! 3 ha&e to"""3 ha&e to" (4ra2s the4rimmerie ,r'm EL!"A#A) *agic spe you,

[S"U$ CUE #____: 0AGIC S"U$ 2 0-3 Woo]

[Sim0%tane'0s%y]

N((ARO(: Ah"""Tum"""Tah"""Tae /0A2A: Nessa% (top,

N((ARO(: Ah"""Tum"""Tah"""Tae 2OC: What is she doing?,

N((ARO(: Ah"""Tum"""Tah"""Tae /0A2A: No% Nessa% you'#e p#onouncingthe wo#ds a w#ong,

N((ARO(: Ah"""Tum"""Tah"""Tae /0A2A: Nessa,



[#O5 3ra2s his chest in &ain]

N((ARO(: 2oq, What is it?

2OC: (4as&s) *y hea#t !ees ike it's"""sh#inking"

N((ARO(: (:ri3htened) pha$a% do something,

/0A2A: 3 can't, 4ou can't #e&e#se a spe once it's $een cast,

N((ARO(: (o what do we do?

[#O5 ,a%%s 0nc'nsci'0s int' NESSAROSE6S chair/ EL!"A#A &0shes the chair 2ehind the c%'set]

N((ARO(: pha$a% do something, This is a you# !aut, 3! you hadn't showed me that ho##endi$e$ook"

/0A2A: 3 ha&e to !ind anothe# spe"""it's the ony thing that might wo#k" (EL!"A#A 3'es 2ehind thec%'set/ 2e3ins chantin3)

[S"U$ CUE #____: 0AGIC S"U$ 2 0-3 Woo]

N((ARO(: (!%eadin3) (a&e him% pease, ust sa&e him% my poo# 2oq% my sweet% my $#a&e 2oq" 7oea&e me 'ti my so##y i!e has ceased"""

[EL!"A#A whee%s the chair '0t with #O5 in it/ n't ,acin3 the a0dience]

N((ARO(: We"""what a$out his hea#t?

/0A2A: 3t's a #ight" e won't need one now" 3 ha&e to go" 3 ha&e $usiness to attend to in the me#aBity" Nessa% 3 ha&e done e&e#ything 3 coud !o# you $ut it has ne&e# $een enough and it ne&e# wi $e

( EL!"A#A exits)

N((ARO(: (Scared) pha$a? Wait, pha$a,

[#O5 wa-es 0&/ h'%din3 his head in &ain NESSAROSE is ,acin3 away ,r'm him]

2OC: Whe#e am 3? What happened?

N((ARO(: Nothing% 2oq% you )ust !e aseep"""and(she t0rns t' ,ace him #O5 sits 0& and re1ea%she is made ', tin NESSAROSE screams)

2OC: ($'n,0sed) What is it% what's w#ong?

[#O5 %''-s at himse%, and screams 0nc'ntr'%%a2%y]

N((ARO(: No% it wasn't me it was he#, 3 t#ied to stop he#" [#O5 r0ns ',, sta3e]

N((ARO(: 2oq% pease isten, 3t was pha$a, 2oq, 3t was pha$a,




[Scene 14]

[S"U$ CUE #____: A%%AT"% 1&s 'ic on]

NARRATOR 1: pha$a #etu#ned to the me#ad Bity to con!#ont the Wi8a#d" (he tod the Wi8a#d howupset she was and how at one time she t#usted the LWonde#!u. Wi8a#d o! O8" O! cou#se% no$ody $eie&the Wi8a#d mo#e than pha$a"

[S"U$ CUE #____: A%%AT"% 1&s 'ic o((]

[ The +*CARD is 'n sta3e a%'ne E%&ha2a .'ins him]

/0A2A: The#e you a#e, 3'm setting those monkeys !#ee, And don't t#y to inte#!e#e% o# ca the gua#ds"""

W3EAR7: 3'm not caing anyone" The t#uth is 3'm gad to see you again" 3t gets p#etty oney a#ound he#e And 3 know you must get oney too"

/0A2A: 4ou don't know the !i#st thing a$out me"

W3EAR7: =ci#cing $ehind he#% and sweet taking he#> Oh% $ut 3 do" 3 do know you" 3 can't e9pain it e9act4ou know what 3 mean? pha$a% you'&e $een so st#ong th#ough a o! this% a#en't you ti#ed o! $eing thest#ong one? Woudn't you ike someone to take ca#e o! you? 0ease% hep me sta#t again"

/0A2A: 7on't you think 3 wish 3 coud? That 3 coud go $ack to the time when 3 $eie&ed you #eay wewonde#!u? The Wonde#!u Wi8a#d o! O8? No$ody $eie&ed in you mo#e than 3 did"

W3EAR7: Oh% my dea# chid"""(sin3s)3 NR A(D7 5OR T3( OR 0/ANN7 3T 3N A7ANB3 WA( *R/4 2/OWN R 24 T W3N7( O5 BANB

3 NR (AW *4(/5 A( A (O/O*ON OR (OBRAT(3 DNW WO 3 WA(% ON O5 4O@R 73* A 7OEN *73OBRAT(TN (@77N/4 3'* R% R(0BT7% WOR(307 N@(T 2BA@( T 5O/D( 3N OE N77 (O*ON TO 2/3 3N7O( 3T (@R0R3( 4O@ 3 OT OOD7 AN7 A// TOO (OONWAT BAN 3 (A4? 3 OT BARR37 AWA4

AN7 NOT @(T 24 2A//OON"""WON7R5@/T4 BA//7 * WON7R5@/(O 3 (A37% WON7R5@/% 35 4O@ 3N(3(T3 W3// 2 WON7R5@/

AN7 T4 (A37 WON7R5@/2/3 * 3T'( AR7 TO R(3(T'B@E 3T 5/( WON7R5@/T4 T3ND 3'* WON7R5@/4 /OOD WO'( WON7R5@/T3( BORN<57 3BD,WO (A37 3T *3T 2 DNTO 2@3/7 A TOWN O5 RN

AN7 A WON7R5@/ ROA7 O5 4//OW 2R3BD,

(ee% 3 ne&e# had a !amiy o! my own since 3 was aways t#a&eing% and 3 guess 3 )ust wanted to gi&e theciti8ens o! O8 e&e#ything"



/0A2A: (o you ied to them?

W3EAR7: Ony &e#$ay" 2esides% they we#e the ies they wanted to hea#" pha$a% whe#e 3 come !#om w$eie&e a so#ts o! things that a#en't t#ue""" we ca it histo#y,

=sings> A *AN'( BA//7 A TRA3TOROR /32RATOR

A R3B *AN'( A T35

OR 03/ANTRO03(T3( ON A BR@(A7ROR R@T/(( 3NA7R3T'( A// 3N T /A2/ W3B 3( A2/ TO 0R(3(TTR AR 0RB3O@( 5W AT A(W3T *ORA/ A*23@3T3((O W ABT A( TO@ T4 7ON'T F3(T"""T4 BA// * WON7R5@/(O 3 A*3N5ABT% 3T'( (O *@B WO 3 A* 3T'( 0ART O5 *4 NA*,

AN7 W3T *4 /0 4O@ BAN 2 T (A*"""

AT /ON% /ON /A(T RB3 4O@R 7@/ON OR7@/0A2A% T *O(T B/2RAT7

AR T RA23/3TAT7TR'// (@B A WOO07 7OO,

A B/2RAT3ON TRO@O@T OE%TAT'( A// TO 7O W3T 4O@,WON7R5@/% T4'// BA// 4O@ WON7R5@/,

/0A2A: TAT 7O( (O@N7 WON7R5@/,

W3EAR7: TR@(T * 3T'( 5@N,,,

2OT: WN 4O@ AR WON7R5@/%3T WO@/7 2 WON7R5@/,WON7R5@/% WON7R5@/

W3EAR7: ON% TWO AN7"""

=They 7ance">

/0A2A: 3'// ABB0T 4O@R 0RO0O(3T3ON

W3EAR7: Wonde#!u

/0A2A: ON ON BON73T3ON

W3EAR7: 4es?

/0A2A: 4ou set those *onkeys !#ee"

W3EAR7: 7one"

[["e 0ses his De1ice]



[S"U$ CUE # _____ : C"07UTE% "ISES]

[ONE;S r0n ar'0nd the theatre and then exit]

/0A2A: o, 5y, 4ou'#e 5#ee, 5y, Bhiste#y% Bhiste#y% you'#e !#ee% isn't it wonde#!u?, o% !y, (Shema-es her way t' an'ther G'n-eyG c'1ered 2y a sheet) (ay something

W3EAR7: No, No, 0ease,

/0A2A:(t' $"*STER;) A#e you a#ight? 7on't $e a!#aid"

B3(TR4: ee, ee,

/0A2A: Ban't you speak?

B3(TR4: ee, ee,

/0A2A: No, 3t can't $e,

W3EAR7: pha$a% we )ust coudn't keep etting the animas speak out"""

/0A2A8 (An3ri%y t' the +*CARD) No""" We ha&e nothing in common" 3 am nothing ike you and 3 ne&ewi $e" 3 wi !ight you unti the day 3 die,,,

[The +*CARD &0%%s '0t his De1ice and r0ns 2ehind screen]

[S"U$ CUE #____: WI*A%$ D"ICE E++ECT setting]

W3EAR7: ua#ds% gua#ds,,,

[:*;ERO r0ns in with his men $"*STER; r0ns ',, SR]

@AR7(: at,

534RO: =to the +*CARD> A#e you a#ight% you# O8ness?

/0A2A: (s0r&rised) 5iye#o,

534RO8 (s0r&rised) 3 don't $eie&e it"""

/0A2A8 (re%ea1ed) Oh % 5iye#o% thank od" 3 thought you we#e"""

534RO: (ience witch,,,

@AR7 1: The#e's a oat on the am% si#"

534RO: Ne&e# mind a that" 5etch me some""" some wate#"

@AR7 +: Wate#% si#?

534RO: 4ou hea#d me% as much as you can ca##y"

@AR7(: 4es% si#, (They march ',,)



/0A2A: 5iye#o"""

534RO: 3 said sience,

W3EAR7: ("e r0ns '0t 'nsta3e) No, No,

534RO: (T' +*CARD) 7on't make a sound% you# O8ness% uness you want a you# guests to know thet#uth a$out the Wonde#!u Wi8a#d o! O8 (t' EL!"A#A) pha$a% get out o! he#e"

/0A2A: 5iye#o% you !#ightened me" 3 thought% 3 though you might ha&e changed"

534RO: (%'1in3%y) 3 ha&e""" changed"

[4L*NDA enters/ c'n,0sed/ d'esn>t n'tice EL!"A#A ri3ht away]

/3N7A: What's going on""" phie? Oh% thank O8 you'#e ai&e, Ony you shoudn't ha&e come" 3! anyondisco&e#ates you """

534RO: (Stern) inda% you'd $ette# go"

/3N7A: (Sti%% c'n,0sed) 5iye#o% what a#e you"""

534RO: (Stern) 0ease% )ust go $ack to the $a"

/3N7A: (!%eadin3 t' the +*CARD) 4ou# O8ness% he means no dis#espectation" 0ease unde#stand, 4osee% we a went to schoo togethe#"""

534RO: pha$a, =pus he# with him to 7(R steps> Bome on

/3N7A: =Butting them o!!> 5iye#o% ha&e you mispaced you# mind? What a#e you doing?

534RO: 3'm going with he#"

/3N7A: What? What a#e you saying? 4ou mean a this time""" the two o! you""" $ehind my $ack"""

/0A2A: No% inda it wasn't ike that,

534RO: Actuay% it was"""$ut it wasn't"""pha$a% et's go""" et's go,

[:*;ERO 3ra2s EL!"A#A and they r0n ',,]

/3N7A: (Sarcastica%%y) 5ine% go, 4ou dese#&e each othe#"""

[The +*CARD h'%ds a sma%% 2'tt%e with a 3reen %iB0id]

W3EAR7: (O,,erin3 the 2'tt%e t' 4L*NDA) e#e% ha&e a swig o! this% it dus the pain"

/3N7A: No% thank you"

7OOR*AN: (%a03hin3) Oh% is it t#ue? 4ou# $et#othed has taken he# into custody?

W3EAR7: Ou# new captain o! the gua#d had othe# pans"



7OOR*AN: 4ou mean she hasn't $een captu#ed?

W3EAR7: Cuite the cont#a#y" And conside#ing how we she euded us ast time"""

7OOR*AN: We% we' )ust !ush he# out and !o#ce he# to show he#se!"

W3EAR7: 2ut how?

/3N7A: (A%m'st a whis&er/ t' herse%,) e# siste#

7OOR*AN: What? What did she say?

/3N7A: @se he# siste#" (p#ead a #umo#" *ake he# think he# siste# is in t#ou$e and she wi !y to he#side""" and you' ha&e he#"

W3EAR7: 9acty so"

/3N7A: (t' +*CARD) Now% i! you# O8ness wi e9cuse me 3 ha&e a sight headache% 3 think 3' ie down

[4L*NDA wa%-s '0t]

7OOR*AN: 4es% we"""a #umo# won't do it" pha$a's too sma#t !o# that"

W3EAR7: 5a# too sma#t"

7OOR*AN: 0e#haps you coud a##ange !o# a change in the weathe#"""

[S"U$ CUE #____: Thunde-c,.!]

[LIGHT CUE #____: Lightning (,.sh]

[S"U$ CUE #____: 0AGIC S"U$ 2 0-3 Woo]


[Scene 18]

[LIGHT CUE #____: LIGHTS U7J +"%EST 7%ESET]

[S"U$ CUE #____: +"%EST S"U$S]

[EL!"A#A and :*;ERO center sta3e/ hands c%as&ed t'3ether]

/0A2A: 3 )ust wish"""

534RO: What?

/0A2A: 3 wish 3 coud $e $eauti!u""" !o# you"

534RO: pha$a"""

/0A2A: 7on't te me that 3 am% you don't need to ie to me"



534RO: 3t's not ying, 3t's""" uh""" it's ooking at things anothe# way" (omeday% you and inda wi make and we' a"""

/0A2A: (hh, /isten""" 7o you hea# that?

[S"U$ CUE #____: W"0A&S SH%IE]

/0A2A: 3t sounds ike some$ody in pain"

534RO: 3t's )ust the wind"

[S"U$ CUE #____: W"0A&S SH%IE]

/0A2A: Nessa, *y siste#'s in dange#,

534RO: What? ow do you know?

/0A2A: 3 don't know% 3 )ust do""" (4as&s)

534RO: pha$a what's w#ong% what is it?

/0A2A: This, 7on't you see it?

[As they s&ea-/ the ONE;S &ant'mime a twister with a sma%% h'0se carried a%',t]

534RO: What do you mean? What do you see?

/0A2A: 3t doesn't make any sense""" 3t's a house $ut it's""" it's !ying th#ough the sky? 3 ha&e to go toNessa,

534RO: 3' come with you,

/0A2A: No% you mustn't% it's too dange#ous,

534RO: /isten to me% isten, *y !amiy has a caste in Diamo Do" Now% no one is e&e# the#e e9cept !o# sent#ies who watch o&e# it" We'&e ne&e# i&ed the#e"

/0A2A: Whe#e do you i&e?

534RO: 3n the othe# caste""" 3t's the pe#!ect hiding pace; tunnes% sec#et passageways" 4ou' $e sa!ethe#e"

/0A2A: We wi see each othe# again% won't we?

534RO: pha$a% we a#e going to $e togethe# aways" 4ou can see houses !ying th#ough the sky% can'you see thatH

[S"U$ CUE #____: TWISTE%]

[They em2race and exit se&arate%y As they %ea1e/ the ONE;S c'ntin0e t' &ant'mime the twister withe sma%% h'0se carried a%',t 0nti% it crashes t' the 3r'0nd]




CU%TAI J E$ ACT 1



7OROT4: Who% me? Why% 3'm not a witch at a" 3'm 7o#othy ae !#om Dansas"

/3N7A: Oh, We"""" (%''-s at TOTO)is that the Witch?

7OROT4: Who% Toto? Toto's my dog"

/3N7A: We% 3'm a itte mudded" The *unchkins caed me $ecause a new witch has )ust d#opped ahouse on the Wicked Witch o! the ast" And the#e's the house% and he#e you a#e% and that (3est0res at

the ,eet 0nder the ,armh'0se) is a that's e!t o! the Wicked Witch o! the ast" And so what the *unchkiwant to know is < a#e you a good witch% o# a $ad witch?

7OROT4: Oh% $ut 3'&e a#eady tod you% 3'm not a witch at a << witches a#e od and ugy"

*@NBD3N(: =ad i$> gigge% hee<hee% etc

7OROT4: What was that?

/3N7A: The *unchkins" They'#e aughing $ecause * am a witch" 3'm inda% the Witch o! the No#th"

7OROT4: 4ou a#e, Oh% 3 $eg you# pa#don, 2ut 3'&e ne&e# hea#d o! a $eauti!u witch $e!o#e"

/3N7A: Ony Wicked witches a#e ugy" The *unchkins a#e happy $ecause you ha&e !#eed them !#om Wicked Witch o! the ast"

7OROT4: Oh" 2ut% << what a#e *unchkins?

/3N7A: The itte peope who i&e in this and << it's *unchkinand% and you a#e thei# nationa he#o% mydea#" (ca%%in3 '0t t' the hidden UN$"*NS) 3t's a #ight << you may a come out and thank he#" 3t's a#ight now < you may a come out"

/3N7A (sin3s)Bome out% come out% whe#e&e# you a#e And meet the young ady who !e !#om a sta#"(he !e !#om the sky% she !e &e#y !a#"

And Dansas she says is the name o! the sta#"

*@NBD3N( (sin3)Dansas she says is the name o! the sta#"

/3N7A (sin3s)(he $#ings you good news" O# ha&en't you hea#d?

When she !e out o! Dansas% a mi#ace occu##ed"/et the )oyous news $e sp#eadThe Wicked Od Witch at ast is dead,

*@NBD3N( (sin3)7ing 7ong, The Witch is dead"Which od Witch?The Wicked Witch,7ing 7ong, The Wicked Witch is dead"Wake up% you seepy head"Ru$ you# eyeset out o! $ed"



Wake up% the Wicked Witch is dead,(he's gone whe#e the o$ins go2eow"""2eow"""2eow4o << ho% et's open up and sing

And #ing the $es out"7ing 7ong, The me##y<oh,(ing it high(ing it ow/et them know

The Wicked Witch is dead,

[T"REE TOTS m'1e 'nsta3e/ dance and sin3]

TR TOT( (sin3)We #ep#esent the /ua$y /eague% the /ua$y /eague% The /ua$y /eague

And in the name o! the /ua$y /eagueWe wish to wecome you to *unchkinand"

[T"REE TOU4" *DS m'1e 'nsta3e/ dance and sin3]

TR TO@ D37( (sin3)We #ep#esent the /oypop uid% the /oypop uid% The /oypop uid

And in the name o! the /oypop uid

[T"REE TOU4" *DS hand L'%%y&'& t' DOROT";/ then m'1e 2ac- t' 'ther UN$"*NS]

TR TO@ D37( (sin3)We wish to wecome you to *unchkinand"

*@NBD3N( (sin3)We wecome you to *unchkinandT#a a a a a aT#a a a t#a a aT#a a a a a a a

[LIGHT CUE #____: LIGHTS +LASH]

[E++ECT CUE #____: +"G 0ACHIE: St.ge Le(t]

[S"U$ CUE #____: EK7L"SI" S"U$]

[The +*$ED +*T$" ', the +est (EL!"A#A) a&&ears As she m'1es t' ,arm h'0se/ UN$"*NSscream and c'wer She %''-s at +itch ', the East>s ,eet &r'tr0din3 ,r'm 0nder the ,arm h'0se]

7OROT4: (h'%ds TOTO/ ,ri3htened/ whis&ers t' 4L*NDA) 3 thought you said she was dead"

/3N7A: That was he# siste# << the Wicked Witch o! the ast" This is the Wicked Witch o! the West" Ashe's wo#se than the othe# one e&e# was"

[The +*T$" t0rns away ,r'm the ,arm h'0se and r'ars at 4L*NDA and DOROT";]

/0A2A: Who kied my siste#? Who kied the Witch o! the ast? Was it you? Answe# me,



/3N7A: /ea&e he# aone,

/0A2A: 4ou stay out o! this, 3'm he#e !o# &engeance, (o it was you% was it? 4ou kied he# didn't you

7OROT4: No << No, 3t was an accident, 3 didn't mean to ki any$ody, Reay 3 didn't,

[4L*NDA n'ds at the UN$"*NS/ wh' r0n and stea% the s%i&&ers ',, the ++OTE6s ,eet]

/0A2A: 7idn't mean it% eh? Accident% eh? We% my itte p#etty% 3 can cause accidents% too<< and this is how 3 do it,

/3N7A: A#en't you !o#getting the #u$y sippe#s?

/0A2A: The sippe#s << yes"""""the sippe#s,

[She t0rns t' &0%% the s%i&&ers ',, her sister6s ,eet #0t the UN$"*NS are a%ready &0ttin3 them 'nDOROT";6s ,eet]

/0A2A: They'#e gone, The #u$y sippe#s, What ha&e you done with them? i&e them $ack to me% o

3' <<<

/3N7A: 3t's too ate, The#e they a#e% (she &'ints t' 7OROT4( ,eet) and the#e they' stay,

7OROT4: (reacts as she %''-s d'wn J 3as&s then %''-s 0& at /3N7A ) Oh,

/0A2A: i&e me $ack my sippe#s, 3'm the ony one that knows how to use them" They'#e o! no useyou, i&e them $ack to me, i&e them $ack,

/3N7A: Deep tight inside o! them << thei# magic must $e &e#y powe#!u% o# she woudn't wantthem so $ady,

/0A2A: 4ou stay out o! this% a<inda% o# 3' !i9 you as we,

/3N7A: (%a03hs) Oh% #u$$ish, 4ou ha&e no powe# he#e" 2e gone% $e!o#e some$ody d#ops a house onyou% too"

/0A2A: e#y we << 3' $ide my time << and as !o# you% my !ine ady% it's t#ue% 3 can't attend to you he#and now as 3'd ike% $ut )ust t#y to stay out o! my way )ust t#y, 3' get you% my p#etty% and you# itte dog% t(%a03hs)

[The +*$ED +*T$" 2ac-s away ,r'm DOROT"; and 4L*NDA She %a03hs menacin3%y the

UN$"*NS h03 the 3r'0nd with ,ear]


[E++ECT CUE #____: +"G 0ACHIE: St.ge Le(t]

[S"U$ CUE #____: EK7L"SI" S"U$]

[The +*$ED +*T$" disa&&ears in a c%'0d ', ,'3]

/3N7A: 3t's a #ight" 4ou can get up << she's gone"



[The UN$"*NS rise/ start t' m'1e t'ward 4L*NDA and DOROT";]

/3N7A: 3t's a #ight" 4ou can a get up" 0ooh, << what a sme o! suphu#, 3'm a!#aid you'&e made #atha $ad enemy o! the Wicked Witch o! the West" The soone# you get out o! O8 atogethe#% the sa!e# you'seep% my dea#"

7OROT4: Oh% 3'd gi&e anything to get out o! O8 atogethe# << $ut which is the way $ack to Dansas?(%''-s at ,armh'0se) 3 can't go the way 3 came"

/3N7A: No << that's t#ue" The ony pe#son who might know woud $e the g#eat and wonde#!u Wi8a#d oO8 himse!,

7OROT4: The Wi8a#d o! O8? 3s he good o# is he wicked?

/3N7A: Oh% &e#y good% $ut &e#y myste#ious" e i&es in the me#ad Bity% and that's a ong )ou#ney !#he#e" 7id you $#ing you# $#oomstick with you?

7OROT4: No% 3'm a!#aid 3 didn't"

/3N7A: We% then% you' ha&e to wak" The *unchkins wi see you sa!ey to the $o#de# o!

*unchkinand" And #emem$e#% ne&e# et those #u$y sippe#s o!! you# !eet !o# a moment% o# you wi $e athe me#cy o! the Wicked Witch o! the West"

7OROT4: 2ut% how do 3 sta#t !o# me#ad Bity?

/3N7A: 3t's aways $est to sta#t at the $eginning << and a you do is !oow the 4eow 2#ick Road"

7OROT4: 2ut << what happens i! 3 <<<

/3N7A: ust !oow the 4eow 2#ick Road"

7OROT4: 5oow the 4eow 2#ick Road? 5oow the 4eow 2#ick Road?

1(T *@NBD3N: 5oow the 4eow 2#ick Road"

+N7 *@NBD3N: 5oow the 4eow 2#ick Road"

JR7 *@NBD3N: 5oow the 4eow 2#ick Road"

KT *@NBD3N: 5oow the 4eow 2#ick Road"

A// *@NBD3N( =sing>

5oow the 4eow 2#ick Road"5oow the 4eow 2#ick Road"5oow% !oow% !oow% !oow%5oow the 4eow 2#ick Road"

(DOROT"; and the UN$"*NS dance d'wn the r'ad as they sin3)

5oow the 4eow 2#ick5oow the 4eow 2#ick5oow the 4eow 2#ick Road"

4ou'#e o!! to see the Wi8a#d



The Wonde#!u Wi8a#d o! O84ou' !ind he is a whi8 o! a Wi83! e&e# a Wi8 the#e was"3! e&e# oh e&e# a Wi8 the#e wasThe Wi8a#d o! O83s one $ecause2ecause% $ecause% $ecause% $ecause% $ecause"""2ecause o! the wonde#!u things he does""""

4ou'#e o!! to see the Wi8a#dThe Wonde#!u Wi8a#d o! O8,

[DOROT"; dances ar'0nd 2ehind the sta3e as the s'n3 ends The 0nch-ins scatter as 4L*NDAwatches them %ea1e]

[SCEE 4]

/3N7A: That's #ight% you )ust take that one #oad% the whoe time" (+a1es ',,sta3e) Oh% 3 hope they doget ost" 3'm so $ad at gi&ing di#ections" (She sees the h'0se/ &ic-s 0& ,%'wers and %ays them in ,r'nt ',

h'0se) Oh% Nessa"

[EL!"A#A rea&&ears]

/0A2A: What a touching dispay o! g#ie!"

/3N7A: 3 don't think we ha&e anything !u#the# to say to one anothe#"

/0A2A: 3 wanted something to #emem$e# he# $y% and a that is e!t we#e those shoes% and now thatw#etched itte !a#m gi# has waked o!! with them" (o 3'd app#eciate some time% aone% to say good$ye tomy siste#"

[4L*NDA 2ac-s away as EL!"A#A wa%-s t'ward the h'0se]

/0A2A: Nessa% pease% pease% pease !o#gi&e me"""

/3N7A: phie""" you mustn't $ame you#se!" 3t's d#ead!u% it is% to ha&e a house !a on you% $ut accidewi happen"

/0A2A: 4ou ca this an accident?

/3N7A: 4es, We% may$e not an accident"""

/0A2A: We% what do you ca it?

/3N7A: We""" a #egime change" Baused $y a $i8a##e and une9pected twiste# o! !ate"

/0A2A: 4ou think cycones )ust appea# out o! the $ue?

/3N7A: 3 don't know% 3 ne&e# #eay"""

/0A2A: No% o! cou#se you ne&e#, 4ou'#e too $usy teing e&e#yone how wonde#!u e&e#ything is,

/3N7A: 3'm a pu$ic !igu#e% now" 0eope e9pect me to"""



/0A2A: /ie?

/3N7A: 2e encou#aging, And what e9acty ha&e you $een doing $esides #iding a#ound on that !ithy% othing?

/0A2A: We% we can't a come and go $y $u$$e" Who's in&ention was that% the Wi8a#d's? O! cou#see&en i! it wasn't 3'm su#e he'd sti take c#edit !o# it"

/3N7A: 4es% we% a ot o! us a#e taking things that don't $eong to us% a#en't we?

/0A2A: Now wait )ust a cock tick, 3 know it may $e di!!icut !o# that $iss!u% $onde $#ain o! you#s tocomp#ehend that someone ike 5iye#o coud actuay choose someone ike me, 2ut it's happened""" it's#ea" And you can wa&e that #idicuous wand a you want% you can't change it,e ne&e# $eonged to you% he doesn't o&e you% and he ne&e# did, e o&es me,

[4L*NDA S%a&s "er]

[S"U$ CUE #____: SLA7]

/0A2A: ($ac-%es) 5ee $ette# now?

/3N7A: 4es% 3 do"

[She s%a&s 4L*NDA]

[S"U$ CUE #____: SLA7]

/0A2A: ood% so do 3"

[They 2'th &0%% 2ac- int' a ,i3htin3 stance 4L*NDA then twir%s her wand s-i%%,0%%y and EL!"A#A arms

herse%, with her 2r''m They circ%e/ char3e and c%ash wea&'ns twice On the third &ass/ they dr'& theirGwea&'nsG and 2eat each 'ther sense%ess%y]

@AR7: at, 3n the name o! the Wi8a#d,

[The 4UARDS r0n in They 3ra2 EL!"A#A]

/0A2A: (top, /et me go, /et me go% 3 amost had he#,

@AR7: (o##y it took us so ong to get he#e% *iss"

/0A2A: 3 can't $eie&e you woud sink this ow, To use my siste#'s death as a t#ap to captu#e me?,

/3N7A: 3 ne&e# meant !o# this to happen, phie,

[:*;ERO enters carryin3 a ri,%e]

534RO: /et the g#een gi# go,

/3N7A: 5iye#o% how in O8?

534RO: 3 said et he# go, ("e aims at 4L*NDA) O# e9pain to a O8 how the Wi8a#d's gua#ds watchedwhie inda the ood was sain"



/3N7A: 5iye#o"""

534RO: 3 said% et he# go"

[The 4UARDS re%ease her]

534RO: pha$a% go% now"

/0A2A: No% not without you"

/3N7A: 5iye#o% pease"

534RO: ush, Now, o,

[EL!"A#A hesitates]

/3N7A: 7o it,

[EL!"A#A r0ns ',,]

@AR7: (ei8e him,

/3N7A: Wait% what?, What a#e you doing? (top it, 3n the name o! goodness% stop, 7on't you see? ewasn't going to ha#m me% he )ust""" he )ust""" he o&es he#"

534RO: inda% 3'm so so##y,

@AR7: Take him up to that !ied the#e, 0ut him up on one o! those poes unti he tes us whe#e the witcwent"

[They dra3 :*;ERO ',,sta3e]

/3N7A: No% don't hu#t him, 0ease% don't hu#t him, 5iye#o,,,,

/0A2A: 5iye#o,,,,

=sings>/DA NA*N NA*N AT@* AT@* /DA NA*N/DA NA*N NA*N AT@* AT@* /DA NA*N/T 3( 5/( NOT 2 TORN /T 3( 2/OO7 /A NO (TA3N%W3// T4 2AT 3*% /T 3* 5/ NO 0A3N"""

/T 3( 2ON( NR 2RAD AN7 OWR T4 TR4 TO 7(TRO4 3*%/T 3* NR 73% /T 3* NR 73,/DA NA*N NA*N AT@* AT@* /DA NA*N/DA NA*N NA*N AT@* AT@* /DA""" /DA

A, WAT OO7 3( T3( BANT3N?3 7ON'T N DNOW WAT 3'* RA73N3 7ON'T N DNOW WAT TR3BD 3 O@T TO TR4,534RO WR AR 4O@?, A/RA74 7A7 OR 2/73N?ON *OR 73(A(TR 3 BAN A77 TO *4 NRO@( (@00/4,NO OO7 77 O( @N0@N3(7NO ABT O5 BAR3T4 O( @NR(NT7NO OO7 77 O( @N0@N3(7



TAT'( *4 NW BR7*4 ROA7 O5 OO7 3NTNT3ON(/7 WR (@B ROA7( A/WA4( /A7NO OO7 77O( @N0@N3(7,N((A"""7OBTOR 73//A*ON7"""534RO"""534RO,,,

ON C@(T3ON A@NT( AN7 @RT(TOO *@B% TOO *@B TO *NT3ONWA( 3 RA//4 (D3N OO7OR @(T (D3N ATTNT3ON?3( TAT A// OO7 77( AR WN /OOD7 AT W3T AN 3B BO/7 4?35 TAT'( A// OO7 77( AR*A42 TAT'( T RA(ON W4NO OO7 77 O( @N0@N3(7

A// /05@/ @R( (O@/7 2 B3RB@*NT7NO OO7 77 O( @N0@N3(7(@R% 3 *ANT W//% W// /OOD AT WAT W// *ANT 737,

A/R3T% NO@% (O 2 3T,(O 2 3T TN"""/T A// O5 OE 2 AR73'* W3BD7 TRO@ AN7 TRO@(3NB 3 BO@/7 NOT (@BB7534RO (A3N 4O@3 0RO*3( NO OO7 77 W3// 3 ATT*0T TO 7O AA3NR AA3N,NO OO7 7A7% W3// 3 7O AA3N,,,,,,,,

[LIGHT CUE #____: +LIGHT 7%ESET]

[E++ECT CUE #____: +"G 0ACHIE: u! cente- ]


[SCEE 8]

[S"U$ CUE #____: A%%AT"% 1&S 'ic on]

NARRATOR 1: (o 7o#othy was o!! to the me#ad Bity to meet the awesome% ama8ing% astounding

Wi8a#d o! O8 with pha$a hot on he# hees in pu#suit o! the #u$y sippe#s" 3t was a ong wak% and the#ewe#e many sights to see aong the way" One o! those happened to $e a sca#ec#ow aone in a &astco#n!ied" "ey/ he %''-s aw,0%%y ,ami%iar

[S"U$ CUE #____: A%%AT"% 1&S 'ic o((]

7OROT4: 5oow the 4eow 2#ick Road? 5oow the 4eow""""? (!099%ed/ she %''-s a2'0t) Now whway do we go?

[The (BARBROW 'n &'%e in the c'rn,ie%d at ri3ht]

(BARBROW: = &'ints t' ri3ht) That way is a &e#y nice way"



7OROT4: (whir%s a2'0t) Who said that?

[S"U$ CUE #____: $"G )A% ]

7OROT4: 7on't $e siy% Toto" (ca#ec#ows don't tak"

(BARBROW: (&'ints t' %e,t with his 'ther arm) 3t's peasant down that way% too"

7OROT4: (t' TOTO) That's !unny" Wasn't he pointing the othe# way?

(BARBROW: O! cou#se% peope do"""" (cr'sses his arms and &'ints in 2'th directi'ns)go $oth ways

7OROT4: 4ou did say something% didn't you?

[The (BARBROW sha-es his head/ then n'ds]

7OROT4: A#e you doing that on pu#pose% o# can't you make up you# mind?

(BARBROW: That's the t#ou$e" 3 can't make up my mind" 3 ha&en't got a $#ain << ony st#aw"

7OROT4: ow can you tak i! you ha&en't got a $#ain?

(BARBROW: 3 don't know" 2ut some peope without $#ains do an aw!u ot o! taking% don't they?

7OROT4: 3 guess they do"

(BARBROW: We" ow do you do?

7OROT4: e#y we% thank you" ow do you do?

(BARBROW: Oh% 3'm not !eeing at a we" 4ou see% it's &e#y tedious $eing stuck up he#e a day onwith a poe up you# $ack"

7OROT4: Oh% dea# << that must $e te##i$y uncom!o#ta$e" Ban't you get down?

(BARBROW: 7own? No% you see% 3'm << We% << 3'm I (3est0res t' &'%e 2ehind him)

7OROT4: Oh% we% he#e << et me hep you"

(BARBROW: Oh% that's &e#y kind o! you << &e#y kind" 3! you' )ust $end the nai down in the $ack% ma3' sip o!! and"""

7OROT4: Oh""""

[ 7OROT4 t0rns the nai% and the (BARBROW ,a%%s t' the 3r'0nd]

7OROT4: 4es"

(BARBROW: Ohhhh I

7OROT4: Ohh,

(BARBROW: Whhhooops, (Straw ,%ies '0t ', him as he t0m2%es 'n the ,%''r) a<ha << the#e goes so



o! me again,

7OROT4: Oh << does it hu#t you?

(BARBROW: Oh% no << 3 )ust keep picking it up and putting it $ack in again"

7OROT4: Ohhh I

(BARBROW: *y% it's good to $e !#ee,

[ 7OROT4 screams as the (BARBROW whir%s a2'0t and ,a%%s t' the 3r'0nd a3ain]

7OROT4: Oh, Oh, Ohhh,

(BARBROW: 7id 3 sca#e you?

7OROT4: No% No << 3 << 3 )ust thought you hu#t you#se!"

(BARBROW: 2ut 3 didn't sca#e you?

7OROT4: No << o! cou#se not"

(BARBROW: 3 didn't think so" (t' DOROT";) 2oo, (n' reacti'n) Oh% as a sca#ec#ow% 3'm a !aiu#e%$ecause 3 ha&en't got a $#ain"

7OROT4: We% what woud you do with a $#ain i! you had one?

[S$ARE$RO+ st0m2%es t' his ,eet DOROT"; rises/ m'1es t' him h'%ds him 0& as he starts t' ,a%%]

(BARBROW: 7o? Why% i! 3 had a $#ain% 3 coud <<

(sin3s)3 coud whie away the hou#s%Bon!e##in' with the !owe#s%Bonsutin' with the #ain"

And my head 3'd $e sc#atchin'Whie my thoughts we#e $usy hatchin'3! 3 ony had a $#ain"3'd un#a&e e&e#y #idde5o# any indi&id'e3n t#ou$e o# in pain"

[ 7OROT4 h'%ds the (BARBROW as she sin3s]

7OROT4: (sin3s)With the thoughts you' $e thinkin'4ou coud $e anothe# /incon3! you ony had a $#ain"

[DOROT"; c'ntin0es h'%din3 the S$ARE$RO+ as he sin3s he .0m&s/ whir%s a2'0t/%'sin3 straw here and there/ as he c'ntin0es t' sin3]

(BARBROW (sin3s)Oh% 3 coud te you why



The ocean's nea# the sho#e3 coud think o! things 3 ne&e# thunk $e!o#e%

And then 3'd sit << and think some mo#e"

3 woud not $e )ust a nu!!in'*y head a !u o! stu!!in'*y hea#t a !u o! pain"3 woud dance and $e me##y"""/i!e woud $e a ding<a<de##y

3! 3 ony had a $#ain,

osh% it woud $e aw!u peasin'To #eason out the #eason5o# things 3 can't e9pain"Then pe#haps 3' dese#&e you%

And $e e&en wo#thy e#& you3! 3 ony had a $#ain"

[S$ARE$RO+ ends 0& in a hea& 'n the r'ad DOROT"; r0shes t' him she &ic-s 0& s'me ', hisstraw -nee%s 2y him and s&ea-s as she he%&s him &0t 2ac- s'me ', the straw]

7OROT4: Wonde#!u, Why% i! ou# (ca#ec#ow $ack in Dansas coud do that% the c#ows'd $e sca#ed topieces,

(BARBROW: They woud?

7OROT4: *m<hmm"

(BARBROW: Whe#e's Dansas?

7OROT4: That's whe#e 3 i&e" And 3 want to get $ack the#e so $ady 3'm going a the way to me#ad

Bity to get the Wi8a#d o! O8 to hep me"

(BARBROW: 4ou'#e going to see a Wi8a#d?

7OROT4: *m<hmm"

(BARBROW: 7o you think i! 3 went with you% this Wi8a#d woud gi&e me some $#ains?

7OROT4: 3 coudn't say" 2ut e&en i! he didn't% you'd $e no wo#se o!! than you a#e now"

(BARBROW: 4es << that's t#ue"

7OROT4: 2ut may$e you'd $ette# not" 3'&e got a witch mad at me% and you might get into t#ou$e"

(BARBROW: Witch? mmph, 3'm not a!#aid o! a witch, 3&e met penty o! them" 3'm not a!#aid o!anything <<< e9cept a ighted match"

7OROT4: 3 don't $ame you !o# that"

(BARBROW: 2ut 3'd !ace a whoe $o9 !u o! them !o# the chance o! getting some $#ains" Won't youtake me with you?

7OROT4: Why% o! cou#se 3 wi,



[DOROT"; and the S$ARE$RO+ rise ,r'm the r'ad the S$ARE$RO+ .0m&s0& ye%%s DOROT"; h'%ds him 0&]

(BARBROW: oo#ay, We'#e o!! to see a Wi8a#d,

7OROT4: Oh << we << you'#e not sta#ting out &e#y we"

(BARBROW: Oh% 3' t#y, Reay% 3 wi"

7OROT4: To O8?

(BARBROW: To O8,

2OT (sin3)We'#e o!! to see the Wi8a#dThe Wonde#!u Wi8a#d o! O8,

(DOROT"; and S$ARE$RO+ head ',, d'wn the r'ad/ and ar'0nd 2ehind the sta3e)

[SCEE 9]

[S"U$ CUE #____: A%%AT"% 4&S 'ic on]

NARRATOR +: (o% togethe# with thei# new !#iend% 7o#othy and Toto continued down the 4eow 2#ickRoad to the me#ad Bity to meet the magnanimous% muni!icent% mi#acuous Wi8a#d o! O8" 3t was sti a&e#y ong wak% and the#e we#e sti many mo#e sights to see aong the way" They came upon one o! tho

)ust outside an a$andoned appe o#cha#d-

[S"U$ CUE #____: A%%AT"% 4&S 'ic o((]

[ 7OROT4 and (BARBROW c'me s-i&&in3 ar'0nd the sta3e 'n the ;#R]

7OROT4: Why% ook, 3t's a man, A man made out o! tin,

(BARBROW: What?

7OROT4: 4es" Oh << ook I

[ (BARBROW and 7OROT4 examine the T3N *AN he tries t' s&ea-]

T3N *AN: Oi can"""""Oi can""""

7OROT4: 7id you say something?

T3N *AN: Oi can""""

(BARBROW: Oi can whatH

7OROT4: Oi can? Oh << oh% he#e it is, (&ic-s 0& 'i% can) Whe#e do you want to $e oied !i#st?

T3N *AN: *y mouth << my mouth,



(BARBROW: e said his mouth"

7OROT4: e#e << he#e I (she 'i%s him a2'0t the m'0th)

(BARBROW: The othe# side""""

7OROT4: 4es <<< the#e"

[The T3N *AN tries t' m'1e m'0th sB0ea-s '0t a ,ew s'0nds6

T3N *AN: *m"""""mm"""mm"""m"""m"""my% my% my% my goodness << 3 can tak again, Oh << oi my a#ms%pease I oi my e$ows"

[ 7OROT4 starts t' &0%% the axe arm ', the T3N *AN d'wn (BARBROW 'i%s him]

[S"U$ CUE #____: SUEA ]

7OROT4: Oh"""

[ 7OROT4 %'wers the ri3ht arm ', the T3N *AN s' that it han3s nat0ra%%y]

T3N *AN: Oh I

7OROT4: Oh% did that hu#t?

T3N *AN: No << it !ees wonde#!u" 3'&e hed that a9e up !o# ages" Oh <<<

7OROT4: Oh% goodness, ow did you e&e# get ike this?

[As (BARBROW 20sies himse%, with the 'i% can the T3N *AN 2e3ins his st'ry]

T3N *AN: Oh << we% 3 was chopping that t#ee << minding my own $usiness << when suddeny it sta#ted #ain% and #ight in the midde o! a chop% 3"""3 #usted soid" And 3'&e $een that way e&e# since"

7OROT4: We% you'#e pe#!ect now"

T3N *AN: *y"""my neck" *y"""my neck" 0e#!ect? Oh << $ang on my chest i! you think 3'm pe#!ect" oahead << $ang on it,

[She d'es]

[S"U$ CUE #____: )AG .nd ECH"]

7OROT4: Oh <<,

(BARBROW: 2eauti!u, What an echo,

T3N *AN: 3t's empty" A witch took away my hea#t"

7OROT4 AN7 (BARBROW: No hea#t?

T3N *AN: No hea#t"

7OROT4: Oh I



T3N *AN: A hoow" Oh <<

[ T3N *AN ,a%%s 2ac- as (BARBROW and 7OROT4 enter t' he%& him heh'%ds them ',, 2e3ins t' sin3]

T3N *AN (sin3s)When a man's an empty kette%e shoud $e on his mette"

And yet 3'm to#n apa#t"ust $ecause 3'm p#esumin'That 3 coud $e kind<a human%3! 3 ony had a hea#t"

3'd $e tende# << 3'd $e gente And aw!u sentimentaRega#ding /o&e and A#t3'd $e !#iends with spa##ows""" And the $oy who shoots the a##ows3! 3 ony had a hea#t"

0ictu#e me""""a $acony""""A$o&e a &oice sings ow"

7OROT4 (in Sn'w +hite6s 1'ice)Whe#e!o#e a#t thou% Romeo?

T3N *AN (sin3s)3 hea# a $eat""""how sweet,

ust to #egiste# emotion

eaousy << 7e&otion << And #eay !ee the pa#t%3 coud stay young and chippe#%

And 3'd ock it with a 8ippe#%3! 3 ony had a hea#t""",

[ T3N *AN swin3s his axe/ (BARBROW tries t' 3et '0t ', the way and ,a%%s '1er 7OROT4 3ra2s T3N *ANs hand ]

7OROT4: Oh% a#e you a #ight?

T3N *AN: 3'm a!#aid 3'm a itte #usty yet"

7OROT4: Oh% dea# << That was wonde#!u, 4ou know << we we#e )ust wonde#ing why you coudn't coto me#ad Bity with us to ask the Wi8a#d o! O8 !o# a hea#t"

T3N *AN: me#ad Bity? Why% that's a ong and dange#ous )ou#ney" And it might #ain on the way"

(BARBROW: 2ut you'&e )ust $een saying how much you want a hea#t"

7OROT4: And 3' keep the oi<can handy"

T3N *AN: We% suppose the Wi8a#d woudn't get me one when we got the#e?



7OROT4: Oh% $ut he wi, e must, We'&e come such a ong way a#eady"

[LIGHT CUE #____: )AC LIGHT S7ECIAL on] T3N *AN: Ohh << what's that? Oh I

/0A2A =o!!stage> 4ou ca that ong?

[The +*T$" and ONE;S a&&ear as shad'ws 'n 2ac-dr'&]

/0A2A: Why% you'&e )ust $egun, 5o#gotten a$out me% eh? We% 3 ha&en't !o#gotten a$out you, epithe itte ady aong% a#e you% my !ine gentemen? We% stay away !#om he#, =points at the (BARBROWO# 3' stu!! a matt#ess with you, And you,

[T*N AN &'ints t' the trem2%in3 S$ARE$RO+ then &'ints t' himse%,]

/0A2A: 3' use you !o# a $ee<hi&e, =aughs> And as !o# you% my itte 7o#othy% 3 wish you uck wthe Wi8a#d o! O8" And a happy )ou#ney $ack to Dansas,

[The +*T$" t0rns and wa%-s away]

[LIGHT CUE #____: )AC LIGHT S7ECIAL o((]

(BARBROW: 3'm not a!#aid o! he#" 3' see you get sa!ey to the Wi8a#d now% whethe# 3 get a $#ain o# (tu!! a matt#ess with me, ah,

T3N *AN: 3' see you #each the Wi8a#d% whethe# 3 get a hea#t o! not" 2ee<hi&e << $ah, /et he# t#y andmake a $ee<hi&e out o! me,

7OROT4: 3ts )ust that the Witch is so wicked" 3 don't think you two ought to come with me $ecause

you' get into t#ou$e"

(BARBROW: Oh% you don't think we'#e going to et you !ace he# aone% do you?

T3N *AN: No% si#,

(BARBROW: No% si#,

7OROT4: Oh% you'#e the $est !#iends any$ody e&e# had,

(BARBROW: To O8?

T3N *AN: To O8,

[The T"REE %'c- arms as they dance d'wn the 2ric- r'ad and ar'0nd 2ehind the sta3e]

T TR (sin3)We'#e o!! to see the Wi8a#dThe Wonde#!u Wi8a#d o! O8,



[SCEE ?]

[S"U$ CUE #____: A%%AT"% 1&S 'ic on]

NARRATOR: (o% togethe# with thei# new !#iend% 7o#othy% Toto and the (ca#ec#ow continued down the4eow 2#ick Road to the me#ad Bity to meet the wonde#mous% spendi!e#ous% magicaicious Wi8a#d o!O8" 3t was sti a &e#y% &e#y ong wak% and the#e we#e sti many% many mo#e sights to see aong the way"2ut !i#st they had to t#a&e th#ough a deep% da#k% and c#eepy !o#est-"

[S"U$ CUE #____: A%%AT"% 1&S 'ic o((]

[S"U$ CUE #____: +"%EST S"U$S]

[DOROT";/ S$ARE$RO+ and T*N AN cree& ner1'0s%y d'wn the ;#R]

7OROT4: 3 don't ike this !o#est, 3t's << it's deep% da#k and c#eepy,

(BARBROW: O! cou#se% 3 don't know% $ut 3 think it' get da#ke# $e!o#e it gets ighte#"

7OROT4: 7o << do you suppose we' meet any wid animas?

T3N *AN: We might"

7OROT4: Oh I

(BARBROW: Animas that << that eat st#aw?

T3N *AN: (ome << $ut mosty ions% and tige#s% and $ea#s"

7OROT4: /ions?

(BARBROW: And tige#s?

T3N *AN: And $ea#s"

7OROT4: Oh% my,

A// TR: /ions and tige#s and $ea#s,

7OROT4: Oh% my,

[L*ON snea-s 0& 2ehind them and ,'%%'ws]


7OROT4: Oh% my,


7OROT4: Oh% my,


[L*ON %ea&s 'nt' the r'ad in ,r'nt ', them]



7OROT4: Oh% my, What so#t o! an anima is that?

T3N *AN: 3t<it<it<it < it's a huge one,

(BARBROW: 7<d<d<don't $e !#<!#<!#ightened" 3 < 3' <3' p#otect you"

/3ON: 0ut 'em up, 0ut 'em up, Which one o! you !i#st? 3' !ight you $oth togethe# i! you want, 3' !ight ywith one paw tied $ehind my $ack" 3' !ight you standing on one !oot" 3' !ight you with my eyes cosed"

T*N AN) Oh <<puing an a9e on me% eh? (t' S$ARE$RO+) (neaking up on me% eh? (snar%s)

T3N *AN: e#e << he#e" o 'way and et us aone,

/3ON: Oh% sca#ed% huh? A!#aid% huh? ow ong can you stay !#esh in that can? (%a03hs) Bome on << getand !ight% you shi&e#ing )unk ya#d, (t0rns t' S$ARE$RO+) 0ut you# hands up% you op<sided $ag o! ha

(BARBROW: Now that's getting pe#sona% /ion"

T3N *AN: 4es << get up and teach him a esson"

(BARBROW: We << what's << w#ong with you teaching him?

T3N *AN: We << we <<% 3 ha#dy know him"

[S"U$ CUE #____: $"G )A%]

/3ON: (t' TOTO) We% 3' get you% anyway% 0ee<Wee" (starts ,'r T't')

7OROT4: (s%a&s his hand) (hame on you,

/3ON: (2ac-s away J cryin3) What << what did you do that !o#? 3 didn't $ite him"

7OROT4: No% $ut you t#ied to" 3t's $ad enough picking on a st#aw man% $ut when you go a#ound pickon poo# itte dogs I

/3ON: We% you didn't ha&e to go and hit me% did you? 3s my nose $eeding?

7OROT4: We% o! cou#se not" *y goodness% what a !uss you'#e making" We% natu#ay% when you ga#ound picking on things weake# than you a#e << Why% you'#e nothing $ut a g#eat $ig cowa#d,

/3ON: 4ou'#e #ight << 3 am a cowa#d" 3 ha&en't any cou#age at a" 3 e&en sca#e myse!" /ook at the ci#ceunde# my eyes" 3 ha&en't sept in weeks"

T3N *AN: Why don't you t#y counting sheep?

/3ON: That doesn't do any good << 3'm a!#aid o! 'em"

(BARBROW: Oh% that's too $ad" 7on't you think the Wi8a#d coud hep him% too?

7OROT4: 3 don't see why not" Why don't you come aong with us? We'#e on ou# way to see the Wi8now (&'ints at Tin an) To get him a hea#t"

T3N *AN: (&'ints at Scarecr'w) And him a $#ain"



7OROT4: 3'm su#e he coud gi&e you some cou#age"

/3ON: Woudn't you $e ashamed to $e seen in the company o! a cowa#dy ion? 3 woud"

7OROT4: No% o! cou#se not"

/3ON: ee% that's << that's aw!uy nice o! you" *y i!e has $een simpy un$ea#a$e"

7OROT4: Oh?

/3ON (sin3s)4eh% it's sad% $eie&e me% *issyWhen you'#e $o#n to $e a sissy%Without the &im and &e#&e"2ut 3 coud show my p#owess <<2e a ion not a mou<ess <<3! 3 ony had the ne#&e

3'm a!#aid the#e's no denyin'3'm )ust a dande<ion <<

A !ate 3 don't dese#&e"3'd $e $#a&e as a $i88a#d <<

T3N *AN (sin3s)3'd $e gente as a i8a#d <<

(BARBROW (sin3s)3'd $e ce&e# as a gi88a#d <<

7OROT4 (sin3s)3! the Wi8a#d is a Wi8a#d who wi se#&e"

(BARBROW (sin3s)Then 3'm su#e to get a $#ain <<

T3N *AN (sin3s) A hea#t <<

7OROT4 (sin3s) A home <<

/3ON (sin3s)

The ne#&e"

[ALL :OUR sin3 as they dance ,'rward a%'n3 ;#R]

A// (sin3)Oh% we'#e o!! to see the Wi8a#dThe Wonde#!u Wi8a#d o! O8"We hea# he is a whi8 o! a Wi83! e&e# a Wi8 the#e was"""" 3! e&e#% oh e&e#% a Wi8 the#e wasThe Wi8a#d o! O8 is one $ecause2ecause% $ecause% $ecause% $ecause% $ecause



2ecause o! the wonde#!u things he does,We'#e o!! to see the Wi8a#dThe Wonde#!u Wi8a#d o! O8,

[The :OUR dance ar'0nd 2ehind the sta3e The +*T$" enters ,r'm the 'ther side/ with her :L;*N4ONE;S ,'%%'win3 c%'se%y]

/0A2A: A<hah, (%a03hs) (o, 4ou won't take wa#ning% eh? A the wo#se !o# you% then" 3' take ca#e o

you now instead o! ate#, ah, When 3 ha&e those #u$y sippe#s% my powe# wi $e the g#eatest in O8,Bome my $eauties% the#es wickedness to $e done (%a03hs)

[+*T$" and ONE;S exit]


[SCEE @]

[LIGHT CUE #____: LIGHTS U7: E0E%AL$ CITF 7%ESET]

[S"U$ CUE #____: A%%AT"% 4&S 'ic on]

NARRATOR: The $#a&e $and o! t#a&ee#s continued on !o# many mies% na##owy a&oiding the WickedWitchs g#asp at e&e#y tu#n% unti !inay the shining towe#s o! the me#ad Bity we#e in sight"

[S"U$ CUE #____: A%%AT"% 4&S 'ic o((]

[The :OUR emer3e ,r'm 2ehind the sta3e/ and see the Emera%d $ity]

7OROT4: /ook << me#ad Bity is cose# and p#ettie# than e&e#,

O3B( (sin3)4ou'#e out o! the woods4ou'#e out o! the da#k4ou'#e out o! the night(tep into the sun(tep into the ightDeep st#aight ahead !o#""""The most go#ious pace <<O! the ea#th o# the skyod onto you# $#eathod onto you# hea#t

od onto you# hope <<*a#ch up to the gate And $id it open <<< open <<< open"

[ALL :OUR a&&r'ach 3ate J DOROT"; &0shes d''r2e%%]

[S"U$ CUE #____: $""%)ELL]

[D''rman &'&s head thr0 %itt%e wind'w in d''r]

7OOR*AN: Who #ang that $e?



A// 5O@R: We did"

7OOR*AN: Ban't you #ead?

(BARBROW: Read what?

7OOR*AN: The notice,

A// 5O@R: What notice?

7OOR*AN: 3t's on the doo# << as pain as the nose on my !ace, 3t (%''-s at em&ty d''r) Oh <<

[D''rman disa&&ears reenters han3s si3n 'n d''r then exits c%'sin3 wind'w]

A// 5O@R: (readin3 si3n)62e out o! o#de#" 0ease knock"6

[DOROT"; -n'c-s 'n d''r]

[S"U$ CUE #____: TH%EE "CS]

7OOR*AN: We% that's mo#e ike it" Now% state you# $usiness,

A// 5O@R: We want to see the Wi8a#d"

7OOR*AN: Ooooh, The Wi8a#d? 2ut no$ody can see the #eat O8, No$ody's e&e# seen the #eat O&en 3'&e ne&e# seen him,

7OROT4: Oh% pease, 0ease si#" 3'&e got to see the Wi8a#d, The ood Witch o! the No#th sent me,

7OOR*AN: 0#o&e it"

(BARBROW: (he's wea#ing the #u$y sippe#s she ga&e he#"

7OOR*AN: (o she is, We% $ust my $uttons, Why didn't you say that in the !i#st pace? That's a ho#so! a di!!e#ent coo#, Bome on in,

[The 4ate '&ens/ and the :OUR enter They are s0rr'0nded 2y OC*ANS ?''h@ and ?aah@ at their &resence])

7OOR*AN (sin3s)a << ha << ha <<o << ho << ho <<

And a coupe o! t#a << a << as"That's how we augh the day away3n the *e##y Od /and o! O8"

[The :OUR wa%- thr0 street ', O9 OC*ANS 3ather ar'0nd wa1e]

OE3AN M1 (sin3s)2u88 << $u88 << $u88 <<Bhi#p << Bhi#p << Bhi#p <<

And a coupe o! a I di < das <<That's how the c#ickets c#ick a day3n the *e##y Od /and o! O8,



OE3AN M+ (sin3s)We get up at twe&e""""

And sta#t to wo#k at oneTake an hou# !o# unch""""

OE3AN MJ (sin3s)""And then at two we'#e doneoy good !un,

A// OE3AN( (sin3)a << ha << ha <<o << ho << ho <<

And a coupe o! t#a << a << as"That's how we augh the day away3n the *e##y Od /and o! O8,

A// (sin3)a << ha << ha <<o << ho << ho <<

a << ha << ha << ha <<That's how we augh the day awayWith a ho << ho << hoa << ha << ha3n the *e##y Od /and o! -""

[LIGHT CUE #____: )LAC "UT]

[S"U$ CUE #____: THU$E% S"U$]

[E++ECT CUE #____: )LAC LIGHT on]

[ /0A2A6s maniaca% %a03hter is heard]

/3ON: Who's he#? Who's he#?

7OROT4: 3t's the Witch, (he's !oowed us he#e,

T3N *AN: Ban't that woman take no !o# an answe#?

[ONE;S enter carryin3 LETTER S*4NS *n the dar-/ the LETTERS %i3ht 0&]

7OROT4: Oh I

A// 5O@R: (<u<#<#<e<n<d<e<#< 7o#othy o# die, W" W" W"

[E++ECT CUE #____: )LAC LIGHT o((]


[The OC*ANS %''- ar'0nd hem/ c'n,0sed]

OE3AN M1: 7o#othy? Who's 7o#othy?



OE3AN M+: The Wi8a#d wi e9pain it,

OE3AN MJ: To the Wi8a#d,

OE3AN MK: To the Wi8a#d,

7OROT4: 7ea#% whate&e# sha we do?

(BARBROW: We% we'd $ette# hu##y i! we'#e going to see the Wi8a#d,

@AR7: e#e << he#e << he#e << wait a minute, Wait a minute, (top < stop < stop, 3t's a #ight,

&e#ything is a #ight, The #eat and 0owe#!u O8 has matte#s we in hand < 3 hope << (o you can a gohome" The#e's nothing to wo##y a$out" o on home,

7OROT4: 3! you pease% si#" We want to see the Wi8a#d #ight away << a !ou# o! us"

@AR7: O#de#s a#e << no$ody can see the #eat O8, Not no$ody << not no how,

7OROT4: Oh% $ut we must,

@AR7: O#de#s a#e < not no$ody, Not no how,

7OROT4: Oh% $ut << $ut pease" 3t's &e#y impo#tant"

@AR7: Not no$ody, Not no how, Now% pa#don me" We'&e gotta change the gua#ds"

["e t0rns his 2ac-/ ta-es ',, his ,a-e m'0stache/ then t0rns 2ac- ar'0nd a3ain]

@AR7: (in a di,,erent 1'ice) Now < what do you want?

A// 5O@R: We want to see the Wi8a#d"

@AR7: Not no$ody, Not no how,

T3N *AN: That's what the othe# man said"

(BARBROW: 2ut she's 7o#othy,

@AR7: The Witch's 7o#othy? We << that makes a di!!e#ence" ust wait he#e << 3' announce you atonce"

[4UARD exits]

(BARBROW: 7id you hea# that? e' announce us at once, 3'&e as good as got my $#ain,

T3N *AN: 3 can a#eady hea# my hea#t $eating,

7OROT4: 3' $e home in time !o# suppe#,

/3ON: 3n anothe# hou#% 3' $e Ding o! the 5o#est" /ong /i&e the Ding,

[4UARD enters])



@AR7: o on home, The Wi8a#d says go away,

A// 5O@R: o away?

7OROT4: (sad%y)Oh I

(BARBROW8 (sad%y) /ooks ike we came a ong way !o# nothing"

7OROT4: (2e3innin3 t' cry) Oh << and 3 was so happy, 3 thought 3 was on my way home,

T3N *AN: (startin3 t' s'2) 7on't c#y% 7o#othy, We'#e going to get you to the Wi8a#d"

(BARBROW: (2ri3htenin3) We ce#tainy a#e, (c'n,0sed) ow? ow a#e we?

/3ON: Woud"""woud it do any good i! 3 #oa#ed?

(BARBROW: Who at?

/3ON: (sad%y) 3 don't know

@AR7: (s'22in3) Oh% oh << pease don't c#y any mo#e" 3' get you into the Wi8a#d somehow" Bome o

/3ON: Wait a minute% !eahs" 3 was )ust thinkin'" 3 #eay don't want to see the Wi8a#d this much" 3 $ettwait !o# you outside"

(BARBROW: What's the matte#?

T3N *AN: Oh% he's )ust asca#ed again"

7OROT4: 7on't you know the Wi8a#d's going to gi&e you some cou#age?

/3ON: (ashamed) 3'd $e too sca#ed to ask him !o# it"

A//: Bmon,

[SCEE ]

[They ti&t'e their way int' the thr'ne r''m]

[S"U$ CUE #____: WI*A%$ D"ICE E++ECT]

[E++ECT CUE #____: +"G 0ACHIE: U7 CETE%]

[LIGHT CUE #____: WI*A%$ %""0 7%ESET]

[A h03e O3B 2''ms '0t]

OE'( O3B: 3 am the #eat Wi8a#d o! O8" Bome !o#wa#d,

/3ON: Te me when it's o&e#, Oh, 3 want to go home,




OE'( O3B: 3 am O8% the #eat and 0owe#!u, Who a#e you? +h' are y'0H

[The :'0r react with ,ear the 'thers sh'1e 7OROT4 ,'rward J she c'mes ,'rward]

7OROT4: 3! << 3! you pease% 3 < 3 am 7o#othy% (%''-s 2ac- at the 'thers) the sma and meek" We'&ecome to ask you <<

OE'( O3B: (ience,


7OROT4: Ohhh << iminy B#ickets,

OE'( O3B: The #eat and 0owe#!u O8 knows why you ha&e come" (tep !o#wa#d"""Tin *an,

[ T3N *AN sha-es/ c'mes w'22%in3 ,'rward]

T3N *AN: Ohhhh << it's me,

OE'( O3B: 4ou da#e to come to me !o# a hea#t% do you? 4ou cinking% canking% catte#ing coection o

caiginous )unk,

T3N *AN: Ohhhh << yes"""yes% si# << 4<4es% you# ono#" 4ou see% a whie $ack% we we#e waking down t4eow 2#ick Road% and I

OE'( O3B: Cuiet,


T3N *AN: Ohhhhhh,

[The T*N AN r0ns 2ac- t' the 'thers]

OE'( O3B: And you% (ca#ec#ow"

[The S$ARE$RO+ a%m'st c'%%a&ses then m'1es ,'rward and -nee%s]

OE'( O3B: 4ou ha&e the e!!#onte#y to ask !o# a $#ain? 4ou $iowing $ae o! $o&ine !odde#,

(BARBROW: (trem2%in3) 4<4es << 4es% 4ou# ono# << 3 mean% 4ou# 9ceency << 3 << 3 mean << 4ou#Wi8a#d#y,

OE'( O3B: nough,


[S$ARE$RO+ rises/ r0ns 2ac- t' 'thers]

OE'( O3B: @gh << And you"""/ion,

[The L*ON 3r'ans with ,ear as he c'mes s%'w%y ,'rward "e tries t' s&ea- ,aints and ,a%%s t' the ,%''r D'r'thy and the 'thers r0n ,'rward t' him]

7OROT4: Oh << Oh << Oh,"(t0rns and s&ea-s as she %''-s t'ward the 7O*$E) 4ou ought to $e asham



o! you#se! << !#ightening him ike that% when he came to you !o# hep,

OE'( O3B: (ience, Whippe#snappe#, The $ene!icent O8 has e&e#y intention o! g#anting you# #eques

/3ON: (c'min3 t') What's that? What'd he say?

[DOROT"; he%&s the L*ON t' his ,eet the :OUR ', them %isten as OC s&ea-s]

OE'( O3B: 2ut !i#st% you must p#o&e you#se&es wo#thy $y pe#!o#ming a &e#y sma task" 2#ing me th

$#oomstick o! the Witch o! the West"

T3N *AN: 2<2<2<2<2<2ut i! we do that% we' ha&e to ki he# to get it,

OE'( O3B: 2#ing me he# $#oomstick% and 3' g#ant you# #equests"

[The L*ON starts t' s&ea-]

OE'( O3B: Now% go,

[They a%% r0n ,r'm the r''m/ exce&t the L*ON]

/3ON: 2ut << $ut what i! she kis us !i#st?

OE'( O3B: 3"""said% <o,


[The L*ON .0m&s with ,ri3ht They a%% r0n ,r'm the r''m]


[SCEE ]

[LIGHT CUE #____: S7"TLIGHT: STAGE LE+T]


NARRATOR: And so% ou# !ea#ess !ou#some !ound themse&es $ack on the #oad again" This time%un$eie&a$y enough% #unning t'ward the Wicked Witch" B#a8y% huh? 2ut i! they we#e e&e# to ha&e thei#hea#ts desi#e% they woud !i#st ha&e to !ace thei# wo#st nightma#e"

[As the NARRATOR c'ntin0es/ a sin3%e S!OTL*4"T c'mes 0& in the dar-ness O0r "EROES are

&ant'mimin3 wa%-in3 in &%ace]

(o $ack down the 4eow 2#ick Road they went% taking a sha#p e!t at the deep% da#k and c#eepy !o#est%then e&entuay ea&ing the path competey" *eanwhie% &i pha$a had pans a he# own" od on !othis is gonna get spooky-

[S"U$ CUE #____: A%%AT"%S& 'ics o((]


[+itches $ast%e R''m She is sh'0tin3 'rders at her :L;*N4 ONE;S]



/0A2A (%a03hs) Take you# a#my to the aunted 5o#est% and $#ing me that gi# and he# dog, 7o whayou ike with the othe#s% $ut 3 want he# ai&e and unha#med, They' gi&e you no t#ou$e% 3 p#omise you thTake specia ca#e o! those #u$y sippe#s" 3 want those most o! a" Now% go, 2#ing me that gi# and he#sippe#s, o, o, o,

[The :L;*N4 ONE;S scam&er ',,]


[OUR "EROES sti%% wa%-in3 in &%ace/ as n'w r'ad si3ns m'1e &ast them8 They read ?"AUNTED:OREST@/ ?+*T$"6S $ASTLE K *LE@/ ?*>D TURN #A$ *: * +ERE ;OU<@]

/3ON: 63'd tu#n $ack i! 3 we#e you"6 =g#ows>

[LIGHT CUE #____: )AC LIGHTS: %E$]

[The :L;*N4 ONE;S attac- DOROT"; and 3r'0& r0n ar'0nd/ tryin3 t' a1'id their 3ras& They 3rDOROT"; and dra3 her ',, The 'thers try t' sa1e her/ 20t are st'&&ed 2y the ONE;S]

T3N *AN: (swin3in3 axe at the m'n-eys) o away now,

[ONE;S attac- the S$ARE$RO+]

(BARBROW: ep, ep,

[L*ON r0ns t' the center ', a 3r'0& ', m'n-eys he d'02%es his ,ists J 3r'w%s]

/3ON: Why% 3' I =ONE; hits him '1er the head with axe) 5ou, 5ou,

[The ONE;S tear S$ARE$RO+ a&art J thr'win3 straw e1erywhere S$ARE$RO+ ye%%s]

(BARBROW: ep, ep, ep, ep, ep,

[ONE;S exit]

/3ON: =#unning to (BARBROW> They su#e knocked the stu!!ings out o! you% didn't they?

(BARBROW: 7on't stand the#e taking, ep me, We'&e got to !ind 7o#othy,

T3N *AN: Oh% poo# 7o#othy" We&e got to get he# away !#om that wicked witch,"


[SCEE ]

[LIGHT CUE #____: S7"TLIGHT: STAGE %IGHT]

[+itches $ast%e R''m +*T$" %''-s at TOTO in 2as-et DOROT"; in chair cryin3]

/0A2A: What a nice itte dog, And you% my dea#" What an une9pected peasu#e, 3t's so kind o! you&isit me in my oneiness"

7OROT4: What a#e you going to do with my dog? i&e him $ack to me,



/0A2A: A in good time% my itte p#etty I a in good time"

7OROT4: Oh% pease gi&e me $ack my dog,

/0A2A: Be#tainy << ce#tainy << when you gi&e me those sippe#s"

7OROT4: 2ut the ood Witch o! the No#th tod me not to"

/0A2A: e#y we, (t' ONE;S) Th#ow that $asket in the #i&e# and d#own him,

[DOROT"; cries/ then ste&s 0& 'n ste&]

7OROT4: No, No << no, e#e << you can ha&e you# od sippe#s << $ut gi&e me $ack Toto"

/0A2A: =%''-s d'wn at s%i&&ers) That's a good itte gi#" 3 knew you'd see #eason"

[+*T$" reaches t'wards s%i&&ers]

[S"U$ CUE #____: S7A%IG S"U$]

[+*T$" .0m&s 2ac- and %''-s at her hands]

/0A2A: =in pain> Ahh, Ah,

7OROT4: 3'm so##y" 3 didn't do it, Ban 3 sti ha&e my dog?

/0A2A: No, 5oo% that 3 am, 3 shoud ha&e #emem$e#ed << those sippe#s wi ne&e# come o!!% as onas you'#e -ai&e"

7OROT4: What a#e you gonna do?

/0A2A: What do you thing 3'm going to do? 2ut that's not what's wo##ying me << it's how to do it"These things must $e done deicatey"""o# you hu#t the spe" 4ou'&e $een mo#e t#ou$e to me thanyou'#e wo#th% one way o# anothe# $ut it' soon $e o&e# now,

[+*T$" &ic-s 0& h03e h'0r3%ass t0rns it '1er]

/0A2A: 7o you see that? That's how much onge# you'&e got to $e ai&e, And it isn't ong% my p#ett3t isn't ong, 3 can't wait !o#e&e# to get those shoes,

[+*T$" exits]


[The T"REE &eerin3 '1er the ed3e ', the sta3e]

/3ON: What's that? What's that?

(BARBROW: That's the caste o! the Wicked Witch, 7o#othy's in that aw!u pace,

T3N *AN: Oh% 3 hate to think o! he# in the#e" We'&e got to get he# out" (cries)

(BARBROW: 7on't c#y now" We ha&en't got the oi<can with us and you'&e $een squeaking enough



it is" 3'&e got a pan how to get in the#e"

/3ON: 5ine" e's got a pan

(BARBROW: And you'#e going to ead us"

/3ON: 4eah" *e?

(BARBROW: 4es% you"

/3ON: 3 << 3 << 3 << 3 << gotta get he# outta the#e?

(BARBROW: That's #ight"

/3ON: A #ight% 3' go in the#e !o# 7o#othy << Wicked Witch o# no Wicked Witch I gua#ds o# no gua#ds << tea# 'em apa#t" (3r'w%s) 3 may not come out ai&e% $ut 3'm going in the#e" The#e's ony one thing 3 wyou !eows to do"

(BARBROW AN7 T3N *AN: What's that?

/3ON: Tak me out o! it"

[#LA$OUT]

[SCEE 1]


[The +itch st'rms 'n/ ,r0strated]

/0A2A: Oh% !o# O8's sake% stop c#ying,,, 3 can't isten to it anymo#e, Oh% you want to see you# p#eciouDansas again?, Then get those shoes o!! you# !eet,,, /itte $#at""" takes a dead woman's shoes; must ha$een #aised in a $a#n, (She Sees 4L*NDA) o away"

/3N7A: They'#e coming !o# you"

/0A2A: o away,

/3N7A: /et the itte gi# go% and that poo# itte dog""" 7odo" 3 know you don't want to hea# this% $utsomeone has to say it""" 4ou a#e out o! cont#o, 3 mean% come on, They'#e )ust shoes% et it go, pha$a% can't go on ike this"

/0A2A: 3 can do anything 3 want" 3 am the Wicked Witch o! the West, =A *OND4 2#ings he# a ette# At ast, What took you so ong? (She reads it) What's this? Why a#e you $othe#ing me with this? (Shereads 'n)

/3N7A: What is it? What's w#ong? 3t's 5iye#o% isn't it? 3s he"""

/0A2A: We'&e seen his !ace !o# the ast time"

/3N7A: Oh no,

/0A2A: 4ou'#e #ight""" 3t's time 3 su##ende#" ($arries a 20c-et)



/3N7A: phie"""" phie% what is it?

/0A2A: 4ou can't $e !ound he#e, 4ou must go" (Re,ers t' a c'rner)

/3N7A: No"

/0A2A: 4ou must ea&e"

/3N7A: No, phie% 3' te them e&e#ything"

/0A2A: No, They' ony tu#n against you"

/3N7A: 3 don't ca#e,

/0A2A: 3 do, 0#omise me% p#omise me% you won't t#y to cea# my name""" p#omise"

/3N7A: A#ight""" 3 p#omise" 2ut 3 don't unde#stand"

/0A2A: =sings>

3'* /3*3T7@(T /OOD AT *% 3'* /3*3T7 AN7 @(T /OOD AT 4O@% 4O@ BAN 7O A// 3 BO@/7N'T 7O% /3N7A

/0A2A: e#e" o on" Take this" ("ands her the 4rimmerie)

/3N7A: phie""" you know 3 can't #ead that""" phie"""

/0A2A: We then% you' ha&e to ea#n=sings>NOW 3T'( @0 TO 4O@

5OR 2OT O5 @(NOW 3T'( @0 TO 4O@

/0A2A: 4ou'#e the ony !#iend 3'&e e&e# had"

/3N7A: And 3'&e had so many !#iends""" $ut ony one that matte#ed"

=sings>3' AR7 3T (A37TAT 0O0/ BO* 3NTO O@R /3( 5OR A RA(ON2R3N3N (O*T3N W *@(T /ARN

AN7 W AR /7 TO TO(WO /0 @( *O(T TO ROW35 W /T T*

AN7 W /0 T* 3N RT@RNW//% 3 7ON'T DNOW 35 3 2/3 TAT'( TR@2@T 3 DNOW 3'* WO 3 A* TO7A42BA@( 3 DNW 4O@/3D A BO**3T 0@//7 5RO* OR23T%

A( 3T 0A((( A (@N/3D A (TRA* TAT *T( A 2O@/7RA/5 WA4 TRO@ T WOO7WO BAN (A4 35 3' 2N BAN7 5OR T 2TTR?



2@T% 2BA@( 3 DNW 4O@"""3 A 2N BAN75OR OO7"""

/0A2A: 3T W// *A4 2%TAT W W3// NR *T AA3N3N T3( /35T3*(O /T * (A4 25OR W 0ART(O *@B O5 *

3( *A7 O5 WAT 3 /ARN7 5RO* 4O@4O@'// 2 W3T */3D A AN70R3NT ON *4 ART"""

AN7 NOW WATR WA4 O@R (TOR3( N73 DNOW 4O@ A R<WR3TTN *3N24 23N *4 5R3N7"""/3D A (30 2/OWN 5RO* 3T'( *OOR3N24 A W3N7 O55 T (A/3D A (A 7RO0 24 A (D4 23R73N A 73(TANT WOO7WO BAN (A4 35 3' 2N BAN7 5OR T 2TTR?

2@T 2BA@( 3 DNW 4O@

/3N7A: 2BA@( 3 DNW 4O@

2OT: 3 A 2N BAN7"""5OR OO7"""

/0A2A: AN7 @(T TO B/AR T A3R3 A(D 5OR3N(( 5OR T T3N( 3' 7ON4O@ 2/A* * 5OR"

/3N7A: 2@T TN 3 @((% W DNOW TR'( 2/A* TO (AR

2OT: AN7 NON O5 3T (*( TO *ATTR AN4*OR,

/3N7A: /3D A BO*T 0@//7 5RO* OR23T A( 3T 0A((( A (@N"""

/0A2A: /3D A (30 2/OWN 5RO* 3T( *OOR3N 24 A W3N7 O55 T (A

/3N7A: /3D A (TRA* TAT *T( A 2O@/7R

/0A2A: /3D A (7 7RO007 24 A 23R7

/3N7A: A/5WA4 TRO@ T WOO7

/0A2A: 3N T WOO7

/3N7A: WO BAN (A4 35 3' 2N BAN7 5OR T 2TTR?

/3N7A: 3 7O 2/3 3 A 2N BAN7 5OR T 2TTR"

/3N7A: AN7% 2BA@( 3 DNW 4O@

/0A2A: 2BA@( 3 DNW 4O@



2OT: 2BA@( 3 DNW 4O@3 A 2N BAN75OR OO7"""

/0A2A: 4ou ha&e to hide" No one can know you we#e he#e" ide you#se!,


[SCEE 11]

[LIGHT CUE #____: S7"TLIGHT: STAGE %IGHT]

(+itch6s $ast%e R''m DOROT"; is ,ear,0%%y watchin3 the h'0r3%ass)

7OROT4: Oh Toto, 3m so !#ightened" 3s this the end? Wi we e&e# see Dansas again?

(O,,sta3e a n'ise is heard Then the S$ARE$RO+6s 1'ice)

(BARBROW: Wait, We'd $ette# make su#e" 7o#othy% a#e you in the#e?

/3ON: 3t's us,

7OROT4: 4es% it's me, (he's ocked me in, Oh% 3 knew you'd get he#e in time,

/3ON: /isten% !eows" 3t's he#" We gotta get he# out, Open the doo#, Open the doo#, Open the doo#,

T3N *AN: (top pushing,

/3ON: Open the doo#, Open the doo#, Open the doo#,

(BARBROW: (top pushing,

/3ON: Open the doo#, Open the doo#, Open the doo#,

T3N *AN AN7 (BARBROW: =shouting> STO! !US"*N4<

/3ON: Oh < 3 was ony t#ying to hep"

7OROT4: Oh% hu##y << pease hu##y, The hou# gass is amost empty,

T3N *AN: (tand $ack,

[The T"REE 20rst thr'03h and t0m2%e int' the r''m]

7OROT4: Oh my,

/3ON: 7id they hu#tcha?

7OROT4: /ion << 3 knew you'd come,

T3N *AN: 7o#othy,



7OROT4: 3 knew you woud,

(BARBROW: u##y << we'&e got no time to ose,

[They start t' %ea1e S0dden%y/ the +*T$" a&&ears with her ONE;S They s0rr'0nd them]]

7OROT4: Oh,

/0A2A: oing so soon? 3 woudn't hea# o! it" Why% my itte pa#ty's )ust $eginning, (%a03hs)

[LIGHT CUE #____: LIGHTS U7 "STAGE]

/0A2A: Thought you'd $e p#etty !o9y% didn't you? We% 3'm going to sta#t in on you #ight he#e < onea!te# the othe#, And the ast to go wi see the !i#st th#ee go $e!o#e he#, And you# mangy itte dog% too,

[The +*T$" hands her 2r''m t' $histery/ wh' 3i1es her a t'rch]

/0A2A: ow a$out a itte !i#e% (ca#ec#ow?

[She t'0ches the S$ARE$RO+ 'n the arm "e screams in ,ear]

(BARBROW: No << No << No << No,

7OROT4: Ohh, O, O,

(BARBROW: ep, 3'm $u#ning, 3'm $u#ning, 3'm $u#ning, ep, ep, ep,

[DOROT"; &ic-s 0& a 20c-et thr'ws water at S$ARE$RO+ s'me ', it hits the +*T$")

[E++ECT CUE #____: +"G 0ACHIE: U7 CETE%]

/0A2A: Ohhh << you cu#sed $#at, /ook what you'&e done, 3'm meting, *eting, Oh << what a wo#dwhat a wo#d,

(The :OUR watch the +*T$" as she screams and sin-s t' the ,%''r J ,'3 c'mes 0& and '2sc0res their1isi'n)

/0A2A: Who woud ha&e thought a good itte gi# ike you coud dest#oy my $eauti!u wickedness,?Ohhh, /ook out, /ook out, 3'm going" Ohhhh, Ohhhhhh""""

[The +*T$" ?me%ts@ in a c%'0d ', ?,'3@/ and a,ter the ,'3 c%ears 'n%y her c%'a- and hat remain 'n the ,%' ALL %''- d'wn ama9ed]

/A7R: (he's""""she's""""dead, 4ou'&e kied he#,

7OROT4: 3 << 3 didn't mean to ki he#""""#eay 3 didn't, 3t's"""it's )ust that he was on !i#e,

[The ONE;S -nee% as they hai% DOROT";]

/A7R: ai to 7o#othy, The Wicked Witch is dead,

*OND4(: ai, ai to 7o#othy << The Wicked Witch is dead,

7OROT4: 4ou mean% you'#e"""you'#e a happy a$out it?



/A7R: e#y happy < now she won't $e a$e to hit us with that $#oom anymo#e,

7OROT4: The $#oom, *ay we ha&e it?

/A7R: 0ease, And take it with you,

7OROT4: Oh << thank you so much, Now we can go $ack to the Wi8a#d and te him the Wicked Witcis dead,

/A7R: The Wicked Witch is dead,

A//=sing>

7ing 7ong, The Wicked Witch is dead"Which od Witch?The Wicked Witch,7ing 7ong, The Wicked Witch is dead"Wake up% you seepy head"Ru$ you# eyes

et out o! $ed"Wake up% the Wicked Witch is dead,(he's gone whe#e the o$ins go2eow"""2eow"""2eow4o << ho% et's open up and sing

And #ing the $es out"7ing 7ong, The me##y<oh,(ing it high(ing it ow/et them knowThe Wicked Witch is dead,

[SCEE 14]

NARRATOR: With $#oomstick in hand% 7o#othy and he# !#iends #etu#ned to the Wi8a#d% who kept hisp#omise and ga&e them a thei# hea#ts desi#e" The (ca#ec#ow got his $#ain% the Tin *an his hea#t% and /ion his cou#age" And 7o#othy !inay !ound he# way $ack to Dansas"

7OROT4s O3B: The#es no pace ike home" The#es no pace ike home" The#es no pace ike hom

NARRATOR: The co##upt Wi8a#d was sent packing% 2ut the#e was sti one mo#e thing that the (ca#ec#o

desi#ed% mo#e than anything ese in the wo#d"

[The (BARBROW =534RO> waks on stage" e $ends down H knocks on the !oo#"G

534RO: 3t wo#ked,

[EL!"A#A c%im2s 0& ,r'm 0nder the staBe]

/0A2A: 5iye#o, 3 thought you'd ne&e# get he#e"

[She t'0ches his straw ,ace]



534RO: o ahead% touch% 3 don't mind" Ah% you did the $est you coud" 4ou sa&ed my i!e"

/0A2A: 4ou'#e sti $eauti!u"

534RO: 4ou don't ha&e to ie to me"

/0A2A: 3t's not ying""" its ooking at things anothe# way"

OE3AN(: NO ON *O@RN( T W3BD7

NOW AT /A(T ('( 7A7 AN7 ON,NOW AT /A(T TR'( O4 TRO@O@T T /AN7,

/3N7A: 5eow O8ians% !#iends% we ha&e $een th#ough a !#ightening time" The#e wi $e othe# times andothe# things that !#ighten us" 2ut i! you et me% 3'd ike to t#y to hep" 3'd ike to t#y to $e""" inda the ood

OE3AN(: OO7 NW(,,

534RO: 3t's time to go"

/0A2A: We can ne&e# come $ack to O8% can we?

534RO: No"

/0A2A: 3 ony wish"""

534RO: What?

/0A2A: inda coud know that we'#e ai&e"

534RO: (he can't know% not i! we want to $e sa!e" No one can e&e# know"

OE3AN(: OO7 NW("""

534RO: Bome"""

/3N7A: WO BAN (A4 35 3' 2N BAN7 5OR T 2TTR? 2@T"""

/0A2A H /3N7A: 2BA@( 3 DNW 4O@"""

/3N7A: 2BA@( 3 DNW 4O@"""

/0A2A H /3N7A: 3 A 2N BAN7"""

[:*;ERO and EL!"A#A Lea1e]

/3N7A: 5OR OO7"

OE3AN(: NO ON *O@RN( T W3BD7, W3BD7""" W3BD7,,,

[LIGHT CUE #____: LIGHTS "UT]

[LIGHT CUE #____: )AC LIGHTS: G%EE]



[CURTAIN]

wicked wizard full script

Documents