welcome | cnmat - aaron einbond · 2019. 12. 16. · bass clarinet: tk double-tongue. colored...

AARON EINBOND

WHAT THE BLIND SEE

for bass clarinet, viola, harp, piano, percussion, and electronics

WHAT THE BLIND SEE for bass clarinet, viola, harp, piano, percussion, and electronics

AARON EINBOND

2008-09

Commissioned by IRCAM / Centre Pompidou

for the Festival Agora and Ensemble L’Instant Donné

duration ca. 18 minutes

Instrumentation

Viola (scordatura C ! B flat)

Bass clarinet in B flat, notated at fingered pitch.

Harp (with triangle beater, plastic plectrum, knitting needle, and contrabass bow)

Piano (with plastic plectrum, wooden snare drum stick, knitting needle, and plastic fishing line)

Perussion (1 player):

Vibraphone (motor with adjustable velocity)

Marimba (5 octaves)

6 Crotales (F#6, C#7, D#7, E7, A7, B7)

Tam tam (large symphonic)

Bass drum (large symphonic) mallets: very hard Vibraphone mallets, superball mallets with wooden handles, brass glockenspiel mallets,

wire brushes, wooden bundles, pine cone, and contrabass bow.

Notes

µ , B 1/4-tone above, below. Accidentals hold for the entire measure.

Gradual change between playing techniques.

Black diamond noteheads indicate a quarter-note value. Hollow diamond noteheads.are used to indicate all

other values.

Gracenotes before the beat and on the beat to be played as fast as possible.

Deceleration, beginning as fast as possible.

Clef used for un-pitched playing techniques, indicating the relative register on the instrument.

Viola:

Scordatura, written at the sounding pitch.

m.s.p. molto sul ponticello (directly on the bridge).

s.p. sul ponticello (near the bridge).

s.t. sul tasto (near the tailpiece).

m.s.t. molto sul tasto (directly on the tailpiece ).

c.l.b., c.l.t. col legno battuto, tratto (wood of the bow without hair).

1/2 c.l.b. 1/2 col legno battuto (wood of the bow with some hair).

Dampen the string with several fingers to produce white noise without pitch.

Exaggerated bow pressure to produce a distored sound with some of the indicated pitch remaining.

Play between the bridge and the tailpiece.

Strike the table of the instrument with the fingers near the indicated position:

Natural harmonic at the indicated pitch, two octaves above the G-clef.

With the string dampened, ricochet c.l.b. while moving the bow toward (or away from) the bridge to

produce a glissando up (or down).

With the string dampened, slide the hand in the indicated direction to produce a glissando of filtered noise.

Bass clarinet:

tk Double-tongue.

Colored breath with some pitch.

Breath or articulation alone to produce white noise with no pitch.

Key noise ad lib. following the approximate register indicated.

Tongue slap combined with colored breath.

Tongue as fast as possible for the duration indicated by the large note.

Explore the partials of a multiphonic following the indicated contour.

x

Bass clarinet fingerings:

Harp:

The C1 and F3 strings are retuned to the indicated pitches. The score is written at the

sounding pitch.

The indicated strings are muted with a cloth woven between the strings.

The indicated strings are muted with a piece of paper woven between the strings.

Xylophonic sound: play while pressing on the string with the other hand near the table.

Dampened: play while pressing with the other hand in the middle of the string.

Draw a plectrum along the string lightly and quickly.

Play the strings between the nuts and tuning pegs.

On the tuning pegs, glissando while applying pressure.

Strike the table or back of the instrument with the palm, fingers, or fingernails.

Draw the palm lightly along the table to produce a sustained white noise without pitch.

Piano:

Prepare the three indicated strings with plastic fishing line, rosined and threaded around the strings.

Play on the keyboard while muting the string near the nut to produce some pitch.

Play on the keyboard while muting the string in the center to produce almost no pitch.

Play on the keyboard while touching the string lightly in the center to produce a harmonic-rich sound.

Draw a plectrum along the string lightly and quickly toward the keyboard.

Draw the plectrum along the string with pressure to produce the indicated rhythm against the coils.

Play on the strings between the nuts and tuning pegs.

On the sides of the tuning pegs, glissando while applying pressure

Play on the metal harp.

Draw a mallet along the harp to produce a sustained white noise.

Tremolo with a mallet on the harp, moving toward or away from the keyboard to produce a glissando.

Percussion:

“Dead stroke”: strike while leaving the mallet in contact with the instrument to dampen the sound.

Play on the resonant tubes of the Vibraphone or Marimba in the approximate register indicated.

Vibraphone and Marimba: draw the mallet along the key or resonant tube to produce a sustained sound.

With superball add pressure to produce a distorted sound with some of the indicated pitch remaining.

Tam tam and Bass drum: draw the hand or mallet in a curve along the surface of the instrument to produce

a sustained sound accentuating the friction with the skin or metal. With superball add pressure to produce a

sustained pitch.

Draw the superball lightly over the instrument to produce a fine staccato at the indicated pitch.

Technical Specifications

WHAT THE BLIND SEE

Aaron Einbond

Cursus 2 in Music Composition and Technologies, IRCAM, Paris.

Premiere 13 June 2009, Ensemble L’Instant Donné, CentQuatre, Festival Agora, Paris.

Aaron Einbond and Eric Daubresse, technical realization.

Equipment - 2 Apple MacBooks Intel 2 GHz, 4GB RAM, Max/MSP 4.6.3 with FTM 2.3.7

- 2 audio interfaces (RME Fireface 800, 400, or similar)

- 2 MIDI pedals and interface

- 8-channel output, plus additional speakers to amplify the ensemble

- microphones as necessary to amplify and treat the five musicians (see attached diagram of microphones

used for the premiere) - Approximate speaker placement: Stage

2

1 3

8 Audience 4

7 5

6

Microphones are chosen to give as close an amplification of the quiet sounds of the ensemble as

possible. Contact microphones may be used on certain instruments: Schertler contact microphones on

the surface of the bass drum and metal interior of the piano, Accusound contact microphones on the

surface of the tam tam and table of the piano, and DPA microphones clipped on the tailpiece of the viola

and interior of the harp. These are complemented with aerial microphones (see attached diagram).

The electronic events are triggered by the violist and bass clarinetist with the pedals, or from the

computer by an assistant. The two pedal sources are not differentiated in the patch.

The electronic patch provided requires the computer program Max/MSP 4.6.3 and the signal processing

package FTM 2.3.7. The audio input to the patch may be lightly compressed.

I gratefully acknowledge Ensemble L’Instant Donné for their samples and collaboration. I thank Diemo

Schwarz for the CataRT concatenative synthesis package, and Diemo Schwarz and Jean Bresson for

their research contributions. I thank Eric Daubresse, Yan Maresz, Mikhail Malt, Emmanuel Jourdan,

Jean Lochard, and Alexis Baskind for their guidance and Max/MSP objects and externals.

Microphone and Speaker Placement

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Viola

Pédale 1

Bass Clarinetin Bb

Pédale 2

Crotales,Tam-Tam,

Bass Drum

Harpe

Piano

Percussion

Vibraphone,Marimba

Lointain, q »60 , e»120

®6.

Ø

fingers on the wood

yO

.c.l.b.6.

y.O

J6.

6

œ1 concatenative Vla.

∑

∑

∑

®6.yO

. 6. 6.JyO.

6

∑

∑

∑

‰ ®yO. y.O

6.y.6.

O

6

∑

∑

∑

®yO

..∏

6.yO

.6.

JyO.6

œ2 add Hp. samples

7

6.fingers sur la table

∏.6.

œ

muted with clothsempre

Eb Fb G# AnDn Cb Bb

œb jœ

∑

∑

∑

∑

≈ . . yO.yO

. 6. 6.yO

.5

∑

‰6

≈

6. 6. 6.

œ

∑

∑

∑

∑

WHAT THE BLIND SEE AARON EINBOND2009

Transposed score

for viola, bass clarinet, harp, piano, percussion, and electronics

to Ensemble Instant Donné for the Festival Agora

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44

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47

47

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82

82

82

44

44

44

Vla.

B.Cl.in Bb

Hp.

Pno.

Vib.

T.T.B.D.

FF F

Vibraphonewire brushes

11

Ù6.

πyOO

.. y... y..O

. 6. ‰

œadd Vib. samples, filter B.D.3

7

≈

6.π

œ

6. 6.

‰

∑

6

® 6π

resonant tubes

6 6˝drawn

6> ‰

11

∑

∑

∑

∑

∑

∑

∑

12

∑Bass Drum muted with cloth sempre

®6.yO

. yO

. yO

. y. y. y. y+pizz.

6

∑

7

≈ .

6.

.œb

6. 6.

≈

6.

œ

® . 6˝

6 6 .6

.œ˝ord.drawn

œ

˝

∏wire brush drawn slowly over the surface

13

∑

∑

∑

∑

∑

∑

14

w

∑

∑

∑

∑

∑

∑

15

w

∑

∑

∑

∑

∑

∑

16

jœ+.sub. stop on the surface

‰ Œ Ó

Ù y.c.l.b.

yO. yO. yO. yO. y. y. y. y

gliss.(bow)... . . . .

5

∑

6

.œb

6.nailssur la table

6.

œ ®

6

fingers

6 6 6

œb œ œ œ

∑7

‰ 6 6˝ 6

6 6 6 gliss.

17

∑

∑

∑

∑

∑

∑

∑

18

∑

® y.π

yO. yO. yO. y. y. y. y. y. y-c.l.t.6

œ4 filter Vla.

7

≈ œb

πœ œb

6.finger

5

®œ

®π

.6 6

œb+5

œ .œ+

19

∑

Y

∑

∑

∑

∑

∑

20

∑

Y

∑

∑

∑

∑

∑

21

Ówire brushes

B.D.

Œ œ˝

2

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43

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44

44

Vla.

B.Cl.in Bb

Hp.

Pno.

Vib.

T.T.B.D.

F

FF

22 Y gliss.(hand)

p∑

∑

∑

∑

∑

22

w

A2

A2

A2

y

o® . yO

.π

c.l.b.

yO

. 6.yO

. yO

.6

œ5 concatenative Vla., Hp., Vib.

∑

∑

∑

∑

23

jœ>p‰

πscrape

œ˝

œ˝

œ˝

∑

∑

∑

∑

∑

∑

24

∑

y. y. y. y+pizz.

y y.c.l.b.

y. y.7

5

∑

6

® œb œ>JyO gliss.

triangle beater between nuts and tuning pegs

∑

∑

25

∑

∑

∑

∑

∑

∑

∑

26

∑

≈ . . yO

. yO

6.yO

. yO

. y. y. y. y+pizz.

yy.

c.l.b.

y. y.6

7

5

∑

6

≈ . œb œb6

y

>

triangle beater on tuning pegs

y y

œ œm œ7

y

>

y y

œ œb Ù œb œb œ œ

‰ 6wooden bundles

π6 6

6

® 66 6

œ+

66

œ+

6

27

∑bundle

Jy gliss.(bow)

. . . .‰ Œ Œ ë

∑

6

≈ . œb œb∏

‰ Œ Œ

∑

œ+

6gliss.

œ

˝

π.œ

28

˙

YFc.l.t.

oI

œB resonance6

Œ Ó

∑

∑

∑

∑

29

w

πT

flaut.s.p.

∑

∑

∑

∑

∑

30

jœ ‰o

Œ Ó ë

YFc.l.t.

∑

∑

∑

∑

∑

31

wæCrotale

Ømuted on cloth

3

ë

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ë

84

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43

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82

82

82

44

44

44

Vla.

B.Cl.in Bb

Hp.

Pno.

Vib.

Crot.

F F32 y Œ

oÓ B

œconcatenative resonance7

Œ Ó

∑

Œ .Y∏

gliss., accel.

tuning pegs

∑

∑

32

Jœ ‰∏

œ œ Œ Œ œ œ œ ÓØ3

A3

A3

A3

≈ . . y.c.l.b.

πy. y. yO. yO. yO. y. y. y

+pizz.

yy.

c.l.b.

y. y.6

7 5

∑ &

jœb>P‰ Œ

Jy> ‰ Œ ?

∑

∑

33

∑ ã

.˙b+o>

poco

IVpizz.

.˙bsound file: reversed resonance, F# resonance8

∑

‰πla#

œbo

œmoœo Œ œ

oœo ‰ Œ

∏jœm

∑

∑

34

.˙˝

Bass Drumwire brush rotated while pressed against the surface,

∑

∑

∑

∑ ã

∑

∑

35

.˙

≈ . . yO.c.l.b.

yO

. 6. 6.yO

.5

∑

6

‰Fn An

® œn6

œb

6. 6.

œ

6.

œb

∑

∑

36

œ>change speed to produce accents

∑

∑

∑

∑

∑

∑

37

w

Ù y. yO. yO. yO. yO. y. y. y. y. y. y-F

c.l.t.

5

∑

6

® œb

.yObetween nut andtuning peg

œ3

œb

y

>

tuning pegs

.œ>

6wire brushes

6 6 .6

.œ˝handle

6˝

38

∑

Y

∑

∑

∑

∑

∑

39

∑

yë

œtreatment to Hp.9

≈ ÙyO

between nuts and tuning pegs


yOÙ œ œb œb

6.

∑6

‰ 6

wire brushes

6>7

6 6 ≈ .

40

∑

Tflaut.s.p.

∑

∑

∑

∑

∑

41

∑ ë

4

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43

84

84

84

Vla.

B.Cl.in Bb

Hp.

Pno.

Vib.

Crot.

F42 T

p gliss.(hand)

∑

∑6

.yObetween nuts and tuning pegs

6.nailssur la table

6.yO

6

®6

fingers

6 6 6

y

∏tuning pegs

y y Œ Ó

∑

∑

42

œ œ œ

∏

Crot.

very hard vibraphone mallets

Œ Ó ã

C# Bn

YF Óo

B

∑

∑

∑

∑

∑

43

Œ .˙˝

drawn handle

o

B.D.

A4

A4

A4

Crot.

® y.

c.l.b.

πy. y. y. y. y. y. y. y. y-

Fc.l.t.

6

œC# resonance10

7

≈ œbπ œ œb

6.

fingers sur la table

5

® œm o

œp

.6

wooden handles

π6

œb+5

œ

.œm+very hard vibraphone mallets

44

ë

.Y

∑

∑

∑

∑

∑

45

∑

Tm

p

flaut.

I

s.p.

ë

∑

∑

∑

∑

∑

46

Œ .˙mæØ

T

π∑

œbo

œmo

∑Db

∑

∑

∑

47

œm>π

Œ Ó

t jT .Tgl.

∑

Œ.˙n o

∑

∑

∑

48

∑ ã

YF

Ó œfilter B.D., concatenative B resonance11

Œ

∑

∑

∑

∑

49

Ó ˙˝

B.D.

orub with hand,

o.Y

∑

∑yOyOyOÓ .


∑

∑

50

˙ œ>change speed to produce accents

Dn Cb Bb

∑ B

∑

∑yOyOÓ .

jy Œπ

snare drum stick on tuning pegs

y> y> y3

∑

∑

∑

51

œ >

5

B

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ã

ã

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84

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43

43

43

44

44

44

82

82

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44

44

44

43

43

43

82

82

82

44

44

44

82

82

82

Vla.

B.Cl.in Bb

Hp.

Pno.

Vib.

T.T.B.D.

FFA5

A5

A5

52

Ù y.arco

πyO

. yO

. yO

. yO

. y. y. y. y+>

pizz.

. .y yO

. yO

. 6.yO

. yO

.5

6

∑ ?

6

.œb

6.nailssur la table

6.

œ ®

6fingers

6 6 6

œb œ œ œ

6

® œb œ>6

Œ JyO gliss.


?

Jy

"f "‰ Œ

∑

7

œ>"f "

6

Vib.

π

wooden handles

6˝ 6

6 6 6 j6˝6

6 6 .6 gliss.

52

œ

.˙b+>

pizz.

p.˙b

sound file: reversed resonance, F# resonance12

∑

œb œm .˙bopla#

∑

∑

∑

∑

53

∑

TII

∏∑

∑

∑

∑

∑

∑

∑

54

∑

T

πc.l.t.

∑

∑

∑

∑

∑ ã

∑

∑

55

∑ ë

t gliss.(bow)

c.l.b.. . . . . . .

∑

∑

∑7

6.on the harp

π.y

snare drum stick on tuning pegs

y y3

y

yObetween nuts and tuning pegs

∑

∑

56

‰ œm

Crot.

bowed

o

ord.

3

∑

∑

∑

∑

∑

∑

∑

∑

57

w

∑

∑

∑

∑ ã

∑

∑

∑

∑

58

jœflp‰ Œ Œ

≈y.π

y. y+pizz.

y y.c.l.b.

y. y.7 5

œ13 concatenative B resonance

7

≈Bn

œb

πœ œb

6.


5

® œn+

7

≈ y

6.

y y ‰

∑

∑

∑

59

∑

YF

-III

c.l.t.

∑

∑

∑

∑

∑

∑

∑

60

∑

6

B

&

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ã

ã

ã

&

ã

82

82

82

42

42

42

45

45

45

43

43

43

45

45

45

44

44

44

43

43

43

Vla.

B.Cl.in Bb

Hp.

Pno.

Vib.

F F


on the harp

61

ts.p.

flaut.

∑

≈ ÙyO


6.yO

Ù œ œb œb

6.≈ . y

yO

Ù 6˝

6

yO

∑

61

6

‰ 6

πwooden handles

6>7

6 6 ≈ .

T

∑

∑

∑

∑ &

∑

∑

62

∑

JTf‰ ∑

∑

∑

∑

® . .œ>F

p

°

œ œ œ œ œ œ œ ∑+

∏∑

Jœ

°

˝brass glockenspiel mallet

‰π

∑

63

∑

A6

A6

A6

Ùy.c.l.b.

πyO

. yO

. yO

. yO

. y. y. y. T-arcoflaut.

sub.oT

5

œ14 concatenative Vla., Hp., Vib.

∑

7‰ ®

6. 6.

6

œb

œ. 6.

y

triangle beater on the tuning pegs

y y Œ Ó Œ

∑

∑

∑

64

7

‰* 6˝

wooden handles

6˝

6> 6˝

6> Œ Ó Œ

TflF

y.πy. y

+pizz.

y y.

c.l.b.

y. y. T-

arco

flaut.

sub.o

7 5

∑

6

‰Fn An

œ œm œ

6. 6.

œb œ Œ Œ

?

∑

∑

∑

65

∑ ?

. .TflF

yO

.

π

c.l.b.

yO

. 6.yO

. yO

. ˙b>+

poco

pizz.

Ó6

Œ œ15 concatenative F# resonance

Œ Ó

∑

ŒF# A#Bb

Ó˙bo∏

˙mo3

∑

∑

∑

66

Œ wb

Mba.

obowed

TIIarcoflaut.

∑

∑

˙boπ

Ó

∑

∑

∑

67

jœ"f "

‰ Œ Ó

t JTf

‰ Ó

∑

Œ Jœm

pπ

œ œ œ

‰ Ó

∑

∑ ã

Œ .^˝on the harpπ

∑

68

∑

7

B

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ã

ã

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ã

43

43

43

45

45

45

43

43

43

45

45

45

43

43

43

Vla.

B.Cl.in Bb

Hp.

Pno.

Vib.

T.T.B.D.

FF

◊

69

Ù6.

π

c.l.b.

yO

. yO

. yO

. 6.yO. y. y. T-

arcoflaut.

sub.oT

5

œ16 concatenative Pno.

Œ Œ

∑

∑

6

6"f "

® 6π

6

6

y y

yO

yO

Œ Œ

∑

∑

69

∑

Fn An

. .Tflf

y.π

c.l.b.

y. yO. y. y. y. y. y. y

>

+pizz.

yy.

c.l.b.

y. y. .T-

arco

flaut.

sub.o

6

7 5

∑

∑

∑ ã

‰6

≈ . y y6

y y

6

˝

. .6

y> Ó .

∑

∑ ã

70

∑

rall.

rall.

rall.

Vib.

Tf

6.

π

6.yO

.c.l.b.6. .y

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71

∑

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∑

.˙µsound file: reversed resonance F+17

œµŒ Œ

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72

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74

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43

42

42

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76

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78

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.Yæsound file: rotating keyclicks; delays19

∑

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œ20 sound file: rotating keyclicks, delays

Œ Œ

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knitting needle set vibrating between nut and tuning peg

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85

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o∑

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86

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44

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44

43

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Ysound file: rotating keyclicks, high B resonance22

∑

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j6 ‰ Œ

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Ysound file: rotating keyclicks; B.Cl. delays24

∑

Œ E# Fn

œœm Jœµ

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bowedmotor on slow

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96

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98

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t jT .T

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∑

∑

99

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πy

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∑

tn ∑o

∑

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∑ ã

∑

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100

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opalms drawn sur la table

^

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∑

∑

∑

∑

101

Ó . ˙˝T.T.

oheavy brush

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o∑

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102

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o

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t

3

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Ysound file: rotating keyclicks26

∑

∑

j6 ‰ .y>tuning pegs

p

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∑

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motor off

.6

wooden handle

6

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∑

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12

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44

44

43

43

43

84

84

84

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p

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II

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B4

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7

T T. T- jTœ

27 sound file, high E resonance

Œ

∑

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® . 6Í

6 6 .6

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106

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jT T .T<3

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breath only

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107

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108

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wire brushes

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j6 ‰o

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∑

109

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∑

∑

∑

∑

∑

110

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∑

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∑

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∑

∑

111

∑

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∑

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7

T Tb T T

œ28 Pno. and B.Cl. to concatenation

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wooden stick on tuning pegs

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between nuts andtuning pegs

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?

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j6 ‰ 6 j6 ‰F

5 5

112

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44

44

43

43

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84

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45

45

45

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44

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84

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◊

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B5

B5

113 jT Tgl.

∑

TM.Sπ

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concatenative staccato

29

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πJœœæ> œœ . .. .œœæ> ‰

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114

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116

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y T‹flß.ym y

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30 Pno. and B.Cl. to concatenation

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117

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118

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∑

119

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31 multiphonic resonance

∑

∑

‰jœb>

‰jœ> Y˝

πplectrum drawn along the string

∑

∑

∑

∑

120

∑

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∑

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πœ-

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∑

jy>

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∑

∑

121

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poco rall.

poco rall.

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3

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122

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84

84

84

83

83

83

45

45

45

83

83

83

Vla.

B.Cl.in Bb

Hp.

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Vib.

F

C1

C1

C1

a tempo e»120

a tempo e»120

a tempo e»120

min fan solb

123 YF

π∑

.

.œœ

M

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œsound file: rain resynthesis

32

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6.doigts sur la table

π .6.

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5

6.

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6. 6.

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∑

123

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wooden bundles

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6 6 6 6. 6

Y

∑

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∑

≈

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6. 6. y

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jyO> ‰ ‰ JyO

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124

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6 yfl6. y

6

y 6. 6. 6.

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125

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∑

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126

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≈ . 6æ6

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127

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6 63≈ 6˝

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∑

∑

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∑

128

∑

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83

83

83

45

45

45

44

44

44

45

45

45

43

43

43

Vla.

B.Cl.in Bb

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T.T.B.D.

F

C2

C2

C2

129 . .y.π

y.O

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y. y. ® 6.5

œsound file33

‰

6- j^ ^. ^. ^. ^.

∑

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7

≈ . 6æ6

® y 6. ‰

6

® y y 3

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6 63≈ 6˝

129

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∑

∑

∑

∑

∑

∑

∑

130

∑

∑

œfade out, filter B.D.34

Œ Ó

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∑

∑

∑

∑

∑

∑

∑

131

w˝B.D.

pinecones pressed against the surface

π

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bow scraped slowly against back of instrument

p∑

∑

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∑

∑

∑

∑

∑

∑

132

w

Y"f " y

∑

≈.T‹SπT T ∑

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∑

∑

∑

∑

∑

∑

∑

133

wæpinecones crushed in front of the aerial microphone

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Y y

∑7

‰ ® Tµ Tn æ>Sp

7

T T T T ∑

∑

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∑

∑

∑

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134

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jy.‰ Œ Œ

∑

≈ . .T‹>Sπ T

T T. Tm ægliss.

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œ36 cresc.

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∑

∑

‰ JyOplectrum


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135

∑

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C3

C3

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‰6

® y> ym y

πTµ Tn T

6

yfl"f " y. y. y.

Ù . .yb>jy

Œ

œlive spatialization37

Œ Œ

∑

Œ7

®.6

æ>

finger roll on the back of the instrument

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Œ

JyO>"ß "

‰ Œ Œ

∑

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superball mallets

jœm˝rub with hand

œ

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wooden handles

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superball

pŒ

136

∑

16

B

&

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44

44

44

45

45

45

43

43

43

Vla.

B.Cl.in Bb

Hp.

Pno.

Mba.

T.T.B.D.

FF

◊

Ÿ~~~~

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Ÿ~~~~~

√Ÿ~~~~~~~~~~F

1373≈ yævertical tremolo

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137

∑

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vertical tremolo

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6

y y+pizz.

π‰ Œ‰ ≈ . . y+

pizz.

∑

≈ .Tn ætk

πjT.

P‰ Œ‰ ym

>ym>

‰∑

∑

‰7

‰6. 6

æ> .6æ 6æ>F

6æ ‰ Œ

∑

‰ 7≈y°

plectrum

π.y˝ 6

.y y>

Py>y

π.y

∑

‰ j6˝

p

wooden handle5

®6>P

superball

‰ Œ

138

∑

Ó œµ

m.s.t.

π.œn - œ. ® jœµ . .œn

m.s.p.

ßœµ}

∑

Œ ® . .œM

∏˙

œ38 multiphonic resonance

Œ Ó

∑

∑ ?

∑

Y

Ó ‰ .œærub with wooden handle

π "ß "gliss.

jœ

∑

139

∑ &

≈Tm¯

p

c.l.b.

T T. T

7

T T. T- T T T .T-3

T T- T T T. T-

π

c.l.t.

œconcatenative staccato C# resonance

39

Œ Ó..

˙˙

PJœœ ‰

o∑

Jœm>

P‰ Œ Ó

.˙BFb / Fn

œµ} JœB ‰

∑

jy>

Fz‰ Œ Ó

∑

∑

140

Ó Œ œmæwooden handles

∏

Crot.

T

∑

∑

∑

∑

∑

Ó Œ ˙m

π°

œ}3

∑

∑ &

∑

141

œæ6

.œ œm

pœ

7

œ .œ5

œ œ œ œ Œ

Tarco

t

∑

‰Ø

jœB .

‰jœ.

Œjœ.

Œ˙

p

œn} jœ

∑

∑

∑ ã

Jœm˘ord.

p‰ ∑

∑

Ó . Œ ˙bæπ

wooden handle

3

∑

142

∑ ã

17

B

&

&

ã

ã?

&

ã

ã

43

43

43

84

84

84

43

43

43

45

45

45

84

84

84

43

43

43

Vla.

B.Cl.in Bb

Hp.

Pno.

Mba.

T.T.B.D.

◊

FC4

C4

C4

143 JT

ß

7

≈ y+pizz.

Py

arcom.s.p.

∏Y

∑3≈ Tæπ

7

.TflPy>"f "

y y yÙ .Tµ æ

>F T.

‰ Œ

œ40 live spatialization

Œ Œ

∑

‰ Ù .6æ

π


6æ 6æ>Ffingers on the back

j6æ ‰ Œ

∑6

‰ ®yb>

p

senza °y y y

‰F

Œ Œ

Jœ.Sπ

‰ 7‰ .œæfingers

‰ Œ ?

6

≈ . 6

wooden handles

6 6 66 6 ≈ Ù .6˝superball

PŒ Œ

143

∑

jy.π® .yæ

c.l.t.

vertical tremolo yæF

y. Œ

∑7

≈πT. T. T. T.

Tm>æ 7

T..TMfl

ßy>

. .TM>Sπ

t

∑

∑

∑

∑

≈ . .yb

˝

fl

P‰ Œ Œ

7

‰ œæπ6

superball

7≈ .

6>

P

6 6

œæ jœæ ‰ Œ

144

∑

∑

∑6

.TmM

flßym

"f "y ym ym .y y .y

7

≈ Tn æ>

F T.‰

∑

∑5

®6

æπ

fingers on the back

j6.F

7≈ .6

æ ‰

∑

∑

® . œ

˝superball

π œ jœPŒ

∑

145

Œ œ˝π

T.T.

superball

P

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

146

.˙

Ó.Tm

o∑

Tm∏

œ

œ41 cross-synthesis

∑

∑

∑

∑

∑

∑ &

∑

147

Jœ ‰ ∑

T

∑˙

˙P

∑

∑

∑ ?

∑

Y>°˝

pplectrum

≈ œ˝wire brushes

Vib. motor off

π≈ Ù œ˝œ˝Œ

∑

148

∑

18

B

&

&

?

ã

?

&

ã

43

43

43

84

84

84

Vla.

B.Cl.in Bb

Hp.

Pno.

Vib.

Fpoco rall.

poco rall.

poco rall.

p

149

® . .yæ∏

IV Yæ gliss.(hand)

p∑

˙˙

M

∏

œœ ≈ .

keyclicks withclosed embouchure

jym ym"f "

∑

∑ ã

.˙B>P

∑

jyfl*‰ Œ Œ t

≈ œm œ œm œ œ œ

6

œ

p

œ œ

6

ã

149

‰ ≈ . 67

6 6 6 6 .6>p

C5

C5

C5

a tempo

a tempo

a tempo

Ybπ

m.s.p.

œsound file: rain resynthesis42

Œ7

® jym ym jy yjy .y ‰

5

® jy y

5

‰ jy y

∑

‰5

≈ .y>

π

knitting needle on right side tuning pegsjy® . y y jy ≈ y jy

∑

∑

y˝plectrum

π

° sempre

jy>

pŒ3

150

7

≈π 6˝

.6 Ù . .6≈

6®

6‰6

Y

∑

‰ jym ym jym ym ≈ jy3

y jy y jy y

6

® jy y ‰

∑

Ù .yp

jy ® y jy≈ . y jy ® y jy y Jy

∑

∑

≈ Ù .yb˝

7

y .y˝

y

® .6˝

‰ ≈ 6˝

151

7

6

6˝

6

yŒo

∑

≈ jym ym Ù jy y ≈ jym ym Œ

∑y> y jy

Ù y y jyÙ y jy y jy ‰

6

® y y

∑

∑7.y> yb>

(rhythm against individual coils)

y .y>5

y y> y>3

y y>7

® .6˝

Œ jœ˝

152

Œ 3≈6 6

‰

19

B

&

ã

?

ã

t

ã

ã

82

82

82

84

84

84

Vla.

B.Cl.in Bb

Hp.

Pno.

Vib.

153

∑

∑

≈ Ù jym .ym Ù jyn y jym .ym jy3

yjy y ‰

∑

Jy>

® y jy y jy

7

‰ y jy y Jy

∑

∑

y˝

(drawn)7

y> ®yb>

(rhythm)

3

y y>7

≈

6

6˝

6

® . 6˝

6

˝5

6 6˝ ‰

153

Œ ‰5

‰6

YF

o

I

m.s.p.

∑7≈ . jym ym Ù jy y

jyn .y jyb y7

‰ ® jym ym ‰

∑.y> y jy

® .y jy ® . y y

3

‰ y jy

∑

∑

y˝ 7

y> .yb˝ jy˝

®

.6

˝

6

˝

6˝

7

6 .6˝

.6˝

6˝ 6

6 6˝

6

.6˝

154

Tmflaut.

s.p.

∑

‰ 7‰ jyb .y3≈ jyµ ym jy y

3‰ jym y

∑

7

® y y> jy

7

≈ . y y> jy‰

6

® y .y> jy

∑

∑

jy y> . .yb˝ 5

y y˝ jy

6˝

6˝

6

6

® .6˝ 7‰ .6

˝3≈ 6˝

155

Fn Gn

T

∑

jy5

.ym jyn ym jym ym ® Tbæ> Tnæ

>ç

∑

® .y7

.y> y>

∑ ã

∑

y

7

® 6˝

6

‰

156

20

B

&

ã

ã

ã

t

ã

ã

84

84

84

Vla.

B.Cl.in Bb

Hp.

Pno.

Vib.

FF

C6

C6

C6

157

3

JTç

y> gliss.(bow)

c.l.b.

f

. . . . . . .y. y.

p

y.y.

‰

œsoundfile, live spatialization43

Œ

∑

∑

&

6

y>

ç®

6æ>nails sur la table

f.6æ 6æ>

fingers

6 6.

6.

œ œn .œn

6

6.fingers on the back

6. 6. 6. 6. 6.

p

∑

jy>*

ç‰ ‰ jyb

p

senza °∑ &

157

‰ 5®6>

ßhandle

6

>6

>6

>6> j6>

f‰ wire brushes

Œ ‰ yF

∏

m.s.p.

3

Œ œconcatenative Eb resonance44

Ùym y T

Mflç

‰ Œ

∑

∑

Œ ‰ Ù . .6.∏

finger sur la table

∑5

y>

ßy> j Jy

π‰

‰ ® œb

senza °p

wire brushes

œb œ œn œn

3

œ˝

°

π6

‰

158

Y

∑

∑

∑

∑

∑

∑

∑

∑

159

∑

Tbbflaut.s.p.

∑˙˙B

bM

o∑

∑

5

≈ .yπknitting needle on the tuning pegsjy ≈ y jy ® .y y> Jy

6

∑

Œ ≈ybfl

π7

® .y˝

∑

160

‰ ‰ . 6

pj6

5

.6˝

6

ß7

5

..Tœ

Sp

yæ gliss.(hand)

Jæ5

yyb>

pizz.

Fy y y ‰


Œœœ

.TM˘

ß

‰ 6≈ yb

"f "y T.

tk

SπT.

jT. T. T. T.7 ∑

‰7

‰ ..œœæknitting needle between muted strings

pJœœæ Jœ.

πJy>

ß‰ Œ

∑

jy>ß

® .yb˝

>

fy

≈ . . œm>

°

"f "Jœ ‰

3

œm œ œ˝

161

∑

ŒjTœbb

> Tœbb

π

arco

Œ œ46 Eb, multiphonic resonance

jT. T. T. T.‰ Œ

∑

∑

∑

∑

jyπ

‰ Œ

6

œ .œ œ œ˝

πJœ Œl

motor on fast

162

‰7

® .6 Œ

T

∑

ŒœœB

bM

o∑

∑

∑

∑

∑

∑

163

∑

21

B

&

&

ã

ã

t

&

ã

ã

43

43

43

84

84

84

43

43

43

84

84

84

43

43

43

Vla.

B.Cl.in Bb

Hp.

Pno.

Vib.

T.T.B.D.

Ÿ~~~~~~~~~~~~~~~~~~~~~~

F164 T

∑˙˙

∑

∑

∑ ?

∑

∑

˙bæsenza °

wire brushes

∑

164

∑

Tœ

ß‰ œ

+π

pizz.

œ+

œ+

œ+

5:3

œ47 concatenative resonance

Œœœ

Sπ. .Tn

.T. T. T. t. T. T. T.

∑

∑

œ œ˜ œ ˙˜>PF# / Fn

œµ}

∑

∑

Jœ°

‰ Œ

∑

165

∑

∏

motor off

Œ Œ

∑6

≈ .T. T< T T. T.

7

T T. T- T T T..

œœ

m

-P∑

∑

Jœ˜ ‰ Œ Œ

∑7

≈ . y˝

>

π

° y .y>5

y y> y>3

y y> y˝

∑

∑

166

Œ Œ ® . .œ˝superball rebondissant

B.D.

π

C7

C7

C7

∑

∑..

˙˙

∑

∑

∑ ã

∑

jy>P

‰ Œ Œ

∑

∑

167

.æ

‰ ≈ . .yb æ

vertical tremolo

π

c.l.t.

yæ∑

.tπ

JTb


Œ

Œ6

≈ ..œœm ætriangle beater

π

6æfinger roll on the back of the instrument

j6æ

∑

Œ5

®yb

πjy

‰7

‰ œb .

°

main

π œ. œ. œæP

6

œœæ œæ

Œ 3‰ 6˝

superball

‰

168

jœ>F‰ Œ

yæ jy.P‰ Œ

∑

T7.T y y ym>"f "

7≈ .TM

.pŒ

∑

∑

Œ ≈ Ù .6æ

>

P

sur la table

j6æ

Œ

∑

jy*fl

p‰ Œ Œ

jœ.

‰ Œ Œ

∑

169

∑

f

Œ ® .yæ

arco

πJyæ

gliss.(hand)

∑

Œ 5≈ jTm . .T.tk

π

6® jT. T. TflSpT. T. T.

∑

Œ Ù . .. .œœæπ

Jœœægliss. jœœ

∑

Œ ‰ yO>pjy yO>

jy

∑

Œ ‰7

‰ .œæ

>

handle rubbed

"f "‰ ≈

.6

superball

π6

Œ ã

170

∑ ë

22

B

&

&

ã

ã

t

&

ã

ë

43

43

43

84

84

84

Vla.

B.Cl.in Bb

Hp.

Pno.

Vib.

Crot.

FF F

171 Y

"f "Œ

∑

.T. T. T. T.

∑

∑

∑

6

yO

>f

yO

ytuning pegs.y y.

π‰

∑5

œæœm .+

π‰ Œ Œ

∑

171

≈ .œmCrot.wooden handle

pŒ Œ

Œ 6‰ yO.c.l.b.

π ybO.J6æ

fingers

∑

jT-π

≈ jym ym Œ

œsound file49

Œ

∑

Œ ≈ . .Eb

yp

tuning pegsy . .y>f

‰7

‰ ® yO

πyO

y> jy .yO

>slow gliss. between nuts and tuning pegs

fJyO

∑

∑

≈ . 6.wooden handle

π≈ . 6.

5

œm

˝

>

.6f

‰ ?

172

jyOflc.l.b.

y. y. y. y. y. ® y>pizz.

Py y yII gliss.

(bow)

arco

y 6æ

6 yæc.l.t. rapid circular bow

Jyæ

∑

Œ6

Tb .π

y"f "

ym ym ymÙ ym y y y

∑

5

≈ . œ œb œœ œ œm œ œ

.6.fingers on the back

Œ6 6 6æ> 6æ> 6æ

≈

YO

∑

Œ ‰7

œb .fingers

Mba.

π

superballs .œæwooden handle

œ>

173

∑

fingerssuperball

Jyæ .y 6æ. ..∏

Œ

∑5

® y ym ym y

6

® Tæ>SπTæ j

T.Ù yb> .y>

∑

Œ ‰ ≈ .jy y

π œ jœm

∑

∑. .yO

πy

˝

.y‰ .ybˇ

6

œb œæ œæ?

œbsuperball

œn œb æ œ œæ

.œbæ œœæ

ã

174

∑

poco rall.

poco rall.

poco rall.

f

∑

∑˙˙

m

∏œ

50 concatenative resonance

Œ

∑6

6.nails sur la table

6. 6. 6. 6. 6. Ù . .6ænails of both hands

6æ

∑

jyf

‰6

® .yp

y˝ jy

Jyfl.œÍ

œ œ œ œb œb œb œ

6>

‰7

≈ œæ œæ . .œ œ œ œ œb œb œb œ

6>f

175

∑

23

B

&

&

ã

ã

t

?

ã

Vla.

B.Cl.in Bb

Hp.

Pno.

Mba.

F F

a tempo

a tempo

a tempo

C8

C8

C8

176

≈ y

pizz.

pyb

7

.y y y yy .y Ù .y

π≈ ‰

∑

Jœœ

˘

P≈ .

ym>"f "

jy>

7

‰ . yb y y

œsound file: glacier resynthesis51

Œ

∑

Ó

∑

jyfl

f‰ Œ

Œ ≈ Ù œπ

superballs

œ œ6

œb œœb

œn˝

176

∑

∑

∑6

®TM

.π yb"f " yn T

M.π

‰ ®TM. Tb M.

≈TM.

∑

‰Fn

œn

πœ œb œ

6>

nails sur la table

œœ œ œ

6>

6>

7

‰yO

>between nuts and tuning pegsin the low register

triangle beater

jy

œœ œ œ

jyO>

jy

∑

Ó

œb .œæ˝bouncing staccato

7

œ .œb æ7

.œæ œb æ 7

œæ œ œA æ

177

∑

Œ ‰ 3

y

pizz.

πy

∑

Œ 7‰.TM.

7

‰ ®TmM.

∑

6

® œb œ œ œ œ ‰

≈ .6æ

nails

.6æ .6æ

palm

œœ œ œ œb

5≈ .6æ

>

f

∑

‰ 7® .y˝plectrum

π

senza °jy˝ jyfl

ß

3

œæ œb æ œæ œ .œæ . .œæ œ œ œ œ œb œb œb œ

178

7

‰ .6

6>f

3‰ y ‰ . .y y ‰

∑6

®Tb MSπ

T

M

.T∑

6

‰ ® œpœ œb œ‰ ® . œ

pœ œ œ œb ≈

7

≈ .6>

palmf

6> 6>∑

≈y

p

y>

f5

yy

˝

y>

.œæp œ œ œ œ œb œb jœm˝friction

179

∑

24

B

&

&

ã

ã

t

?

ã

Vla.

B.Cl.in Bb

Hp.

Pno.

Mba.

F

P

1805‰ y ‰ ≈ . y

5

y y

∑˙˙

∑

‰ ≈ Ù .œb œ œ œ

6

®6>

Í

6>

.œœ œ œb

®6æ

>

nails sur la table

6æ

>

f

6æ

œ

pœ œ œ œb

∑

j Jy ®y

˝

y>j

jœf

jœn æp

7

.œæ œ œ œ œ œb œb œb œæ jœæ

180

Œ . 7‰ .y∏

∑..

œœ jy>

jyb>

"f "∑

‰ œœ œb œ

3

≈ .6>

palm

6.®

6>

f

6>®

7

‰ .j6. 6>

∑

j 7

y .yp

7

y .y˝ jy

6

œ œb æ œæ jœæ7

.œæ œæ3

œæœ œ œ œ œb œb œb˝

181

∑

Œ ttπ

flaut.III

IV

arco

∑

jTM.p

‰ jym ym .Tm M.

≈TM.

∑

3

≈ œ

pœ œ œb

7

‰ ® œœ œ œ ≈ . . œœ œ œ œ ‰

∑

jy˝

y>

f5

yy

p

jœ7

œÍ œb æ œæ

7

œ œ œ ..œœA æ jœœæ

182

∑

PTT

∑

ŒTmM.

.Tm M. ‰

∑

7

≈ . œ

p

œ œ œ œb .œœ œb œ

‰ Ù6>

f

.6>‰ ®

.6fl

nailsf

6 6. 6. 6.

∑

y> y˝

7

y y˝

y jy>

ß3‰ yb

p

jœœæ7

.œb æ œæ œ

. .6>

f≈

œb æp

183

25

B

&

&

ã

ã

t

?

ã

43

43

43

83

83

83

84

84

84

Vla.

B.Cl.in Bb

Hp.

Pno.

Mba.

F184

TT

∑

‰5

‰TmM

.Œ

∑

Œ Ù œœ œ œb

6. 6. 6.

3

6

æ

>f

œ

pœ œ œ œ

∑

jy7

y> .y˝

y> .y˝

7

.y> y˝

6

œ œb œ œ œ7

œ œæ œæ7

.œæ œæ7

œæ œ œ œ œ œb œb œb .œæ

184

∑

jTTπ

‰ Œ Œ

∑

≈TmM.

Œ Œ

∑

Ù . .œœ œ œ œb œ jœœ œ œ Œπ

‰6

® .6æ

6>

f

∑

3

y> y˝ jy>

ßŒ

œæ œ .œb˝ jœ œ

˝

Í

185

∑

C9

C9

C9

∑

∑7

‰ ym"f " y

Tm æ>ß

7

T.T-

π 7

T T Tb T Tm

œspatialized granulation52

‰

‰6æ>

fingers on the back

f6. 6.

..œœætriangle beater

p6. 6

æ>ß

∑

‰ ‰ ® .y>

fy> .y

ß

.œ

186

∑

gliss.

‰ ® 6.p

6. 6. 6. 6. Ù y.

c.l.b.

yb . y. y.πT>

III

T>

II

∑

T y ym yn y yb"f "

Tn .π

T. T. T‹M

> jT

∑

œœæ

6

6æ 6.

6.

œœæ

∑

jy y . .y>slow gliss.

p j

∑

187

. .6>

ƒ6> ‰

p‰

∑

∑

T

œ53

Œ

Jœœ.π

‰ Œ

∑

∑

˙˝

188

∑

26

B

&

&

ã

ã

t

?

ã

Vla.

B.Cl.in Bb

Hp.

Pno.

Mba.

F#

189 TIarco

∑˙˙

P∑

∑

Œ j6>nails sur la table

f6 6

>6

>6

> ≈ .6æ

>

fingers

∑

Jyπ

7

‰ ® yn˝

fjy y y

˝

œf

.œ œsuperball

pœm œ

3

œ œ

189

∑

t

P 6

‰yb

.Oy

.Oy

.OyO

.

π

c.l.b.

jy.O yO

. 6. .6.

∑

Jœœ

πym y yb

"f ".y

Tb‹

flßy y y y y y ym yb .y

6

≈ y y .y jy y

œspatialized amplification54

Œ

7

6

œ œ œm œb œ œ

6æ

pjœ œ

6æ 6æ 6æ> 6æ>7

6æ 6

jœ œ

6æ∑

jy 3

y

py

Fjy .y y> ym

πjy

œ

œm

æ

fingers

5

œ

.œmæ5

œæ œ.

6

superball

Ù

. .6n

π

190

‰6

®6. 6. 6.π yb

O

c.l.b.

yO

6æ 6y y yO

6

6. 6. 6. 6. 6æ>

P∑

jym ym ym y .tk

. . yb y T‹flp®

.y∑

Œ

j6æ5

6æ

.œ

π

∑

∑

5

≈œ˝rubbed with hand

"f "

œm˝ Jœ3

œ

6.superball

.... . . .

‰∏

191

rall.

rall.

rall.

Ù ybO

yO

6. 6. 6. 6. 6.yO

.c.l.b.

y.O y.O 3

Tm T T T T T

∑

T‹fl Tb ‹.3≈Tn ‹.π

Œ

∑œœm æ

triangle beater

Œ

Œ5

® ytuning pegs

slow gliss.

py y‰( )

∑

∑

∑ &

192

∑ ã

27

B

&

&

ã

ã

t

&

ã

Vla.

B.Cl.in Bb

Hp.

Pno.

Vib.

F

◊

√ √ √

C10

C10

C10

a tempo

a tempo

a tempo

1936

T T .Tπ

Œ Ù .T∏

T

∑6

≈ . ym

keyclicks: fingerings ad lib.

"f "yn y

7

TmflM

ßym y ym ym y Ù TMflß

y ym y y yb

7

® x xx x xm

œsound file: snow resynthesis55

Œ

7

‰ ® jœb œbp

œœ œ œm œ œ

7

‰ œ œ> œ œ .œ

π≈

œmuted with paper sempre

p

œm

Ó

Ó ?

Œ ‰ jœb˝

193

‰ ≈6

˝superballVib.

p

3‰6˝ ‰

° sempre

nails

∑

∑

6

® Tn-

pT JT Tb T

6

ym"f "

ym ym yy T- JT

∑

Jœ

≈

6 6 6 6 6>palm

ß

6

œ

pœ œ œm œb

œ œ

6æ j6æ

jyO>ß‰ 5≈ .

ym>

pplectrum

y

˝

> . .y

yO

>

3

‰ œn ˝

194

® .

.œb˝

6≈

6

œn˝

≈ 6˝

.6˝

7

7

7‰ ® yæ gliss.(hand)

arco

πIVyæ 3

yb y. y. y. y.∑

6

Tym

ym y y y

6

yn ym ym yn ymT- JT Tb T .TbflMß

Tb Mflß

∑

6

® œm œ

.œœ œb œ œ

œ .œ>7

œ .œ œ œ

7

‰ ® œ œb7

∑

jyO

7

.yO

yb

π

°y

195

6

‰ ®6

6

6˝

œb˝

6.‰

6

®œ˝

6>ß

28

B

&

&

ã

ã

?

&

ã

Vla.

B.Cl.in Bb

Hp.

Pno.

Vib.

F F

√

196

Œ ≈ . 6

π6

7

® .yc.l.t.

gliss.(bow)

∑

ym ym ym y.T- T yb> 6

yn ym ym y y6

y yn y y y ym

∑œ jœm œ jœb œ Ù œ jœ

.6æ

Ù

6æ 6æ

œ7

.œœ œm œ

. .y>

ßy

p

.y

196

6

6. 6. 6. .6

Jœ˝p

6. . .6

slow gliss.

πj

Jy Jy ≈ . .yb .

c.l.b.

y. y. gliss.(bow)

. .. .

∑

Tb Mflßym ym

y T.πjT

tk

. T. T. T. Ù TMflß ym y ym6

ym TMfly y y

∑7

®œ œ œb œ

® œm .œ œ œ

6

≈ .œ œ

6

œœ œm œ œb

∑

Jy> jy ‰ Œ

∑

1976

6

œ˝

.6˝6

≈ .œ˝

6.

œ˝

6˝ .6

œ˝

Jy.. .. .

‰ Ù . .yæs.p.arco

gliss.(hand)

Jyæ

∑6

ymym .Tb MflSp

T- JT œb œ6

Tm . y"f "

y ymy

6

TbM

flßym

yn ym ym TnflM

ß∑

6

.œjœ œm jœ œ ≈ œ œ

6æ

nails

œm

j6æfinger roll on the back of the instrument

∑

6

® ymπ

senza °y y Jy

≈ . . œ˝

198

6®

œ˝

≈ 6˝

>wooden handles

j6

ord.

6

Jy6

≈ . j6. 6. 6. 7‰ ® yO.c.l.b.

yO.7

® 6.y.O

‰

∑6

®y yb yb

6

yb y TflM

ßyb y

6

y yy

ymy

yn

7

ym yn TbflM

ßy y

ym

∑6

‰ œ>

6.‰ 6‰6

palm sur la table

6 6>

Spœm œ œ œ

∑

jyb>

pizz.

° sempre

‰6

®y y>

˝

jy

6

œ+wooden handles

®

6

˝ord.

199

≈ . 6˝

6

slow gliss.

29

B

&

&

ã

ã

?

&

ã

ë

Vla.

B.Cl.in Bb

Hp.

Pno.

Vib.

Crot.

√√

200 6

≈ . y. .yævertical tremoloc.l.t.

yæ .y 6.

∑6

≈ TbflM

ß yym y

6

®TbflM

ß.T.π

tk

T. T. T.

6

.T. T. T. T. TnflM

ßxm xm

6

xnx x

xm x

∑

®œ œb

œm œ Ù œm .œb Ù œ .œœ œ œ œb

7

≈ œ œ>

∑

∑

Y

‰ ®œ. œ

˝superball

6

®

6

˝‰7

≈ . œ˝

wooden handle

6.≈ 6

˝

>wooden handle

200

∑

J6. yæord.

gliss.(bow)

arco .yy. y. y. jy. y. y

æ

c.l.b.vertical tremolo

∑6

® Tb-π

T6

T TflM

ßy ym ym Tfl

M

ß

6

≈y y y

y7

ym y ym y yn

∑7

®œ œ œb œœ œ œ œm

Œ7

œb œm

œœ œ œ‰

∑

6

yfl

ß y>Of .y>Ojy>O

.y>tuning pegs jy y>p

jy

Œ

201

≈ . . œmCrot.

wooden handles

πÙ œm ≈

œ˝superball

Jyæ6

6. 6. 6. .6.7

yO

c.l.b..y.y.

® 6. 6. ‰

∑6

®y ym ym Tm-

6

T T TnflM

ß® ym

y Ta

π TTn

7

T T Tn TmTm Tn

∑

œb œ .œ5

≈ .œ œm œ œ œ œ

‰6

® œ œ>

∑

∑

∑6

® œn˝

œm

˝ 6

œ

6

œm>

wooden handle

7

‰œa

˝

superball

6.wooden handle

≈6

superball

202

∑

30

B

&

&

ã

ã

?

&

ã

Vla.

B.Cl.in Bb

Hp.

Pno.

Vib.

F F F

√ √

203

≈ . .ybO

.

c.l.b.

6

‰ 6. 6.Jy

. . . . .≈ 6. 6.

∑6

y ym ym ym TaflMß

7

ym y y y ym6

ym yn y y y yn

6

y yn TmflM

ßym

y

∑7

‰œ œ

7≈

.6æ

palm

.6>

Spœm .œb

œb œ . .œœ œ œ œm

∑

‰5

®yb>

p.y˝

> y

≈ Ù œm .superball

œ˝

7

‰ .œ˝ . .œ

6wooden handle

π

6

6

® œ˝

superball

203

7

® .6æπ 6

6. y.O

.y.O ‰ Jy. .. . .

∑6

≈TflM

çym y y

6

y ym Tm-π

3

T T.tk

T. T. T.

6

T. T. T. T.® Tbfl

M

ß∑

6

≈ .œm

π

œ≈ . .

jœ œÙ

jœ .œjœ œm œ jœ .œ

P

œ

π∑

∑

Y

6

≈ .œ˝

6

˝‰6

≈œ

˝ .œ˝

‰œm

˝3

204

yc.l.t.

7

y 6. 6. 6. 6. ® .y.c.l.b.

. ... .

∑

®ym ym

yb y7

® y ym ym yb yn

7

y yT-

πJT Tb T

∑

‰7

‰ ®œ jœm

6

®œ œ

.6æ>

fingers

7

‰6æ 6æ

∑

6

.y>

ßybfl yfl .y

p

3

‰ œm ˝6

® œm˝

.6

˝

205

® .6> 6>

≈ .6

31

B

&

&

ã

ã

?

&

ã

ã

43

43

43

Vla.

B.Cl.in Bb

Hp.

Pno.

Vib.

T.T.B.D.

F

√ √ √

206

yb æarco

gliss.(hand)

y y. gliss.(bow)

c.l.b.. . .® .y.

. . .

∑

Tm . TbflM

ß ym ym ym6

y yy y ym

6

® Tm .π

T. .T-6

T Ta T T Tby

∑

7

®œ œm œ

7

œ œ

œb œ jœm5

≈ .œm œœœ œ

‰

∑

∑

.y .y>

fym>

‰ ≈ Ù .œ

+

>

wooden handle

3

‰ œ˝superball

‰

≈6˝3

206

∑

≈ .ybæarco

gliss.(hand)

yæ Jy.

∑6

y yy ym ym y t t ym y ym ym y

∑

7

‰ ® œ œ ‰7

≈ .œm

π

œ≈ ‰

∑

‰ JyOplectrum between nuts and tuning pegs

JyO ‰

jym>˝ ‰ Œ

® .œb ˝wooden handle

œ˝œ˝

7

® .œm

˝

Œ

∑

207

∑

‰ ® .yc.l.b.

5

yyb . y.

‰

œ56 sound file: snow field recording

Œ5

®TM.π

6

y yym yb ‰ ≈

y .y∑

∑

∑

∑

≈ .yb˝

>

πy

®6

superball

œ˝

≈ .6 6

7≈ .6˝

.6 6. 6. 6. j6.6 6. 6. 6.

208

∑

® .ypizz.

y y .yb æarco

m.s.p.

∑

® ..ym y y

≈ ym y ymy

7

yymy

jTmπ

∑

∑

Œ 3≈ 6.πfinger sur la table

‰

∑

Y

∑

Œ ≈6

π6

j6˝

.6 6. 6. 6. 6.

209

∑

20 sec.

20 sec.

20 sec.

Yb

≤ ≥Uπ

∑U ,until breath runs out

∑

∑U

∑

∑

jx>∑U

f

∑U

∑

210

∑U5 sec.

wU

o

B.D.

wire brush drawn

32

B

&

&

ã

ã

?

&

ã

ã

43

43

43

84

84

84

43

43

43

45

45

45

84

84

84

Vla.

B.Cl.in Bb

Hp.

Pno.

Vib.

T.T.B.D.

FD1

D1

D1

a tempo e»120

a tempo e»120

a tempo e»120

211

.Y

∑

TMß"f "

ym> y>ym>

‰ .TM

ß"f "y> y> y>

‰ .TM

ß"f "y> y> y>

‰ .

œconcatentative keyclicks57

Œ Œ

∑

∑

∑

∑

∑

∑

211

.˙π o

Y

∑

.tM

Sπ.T. T. T.

‰

∑

∑

∑

∑

∑

∑

∑

212

˙

.Y

∑

®. .T

M

flSπT. T. T. T. T. T. T.

∑

∑

∑

∑

∑

∑

∑

213

∑

Y y

∑

®. .T

M

flSπT. T. T. T. T. T. T. T-

ord.

œ œb œ

∑

∑

∑

∑

∑

∑

∑

214

∑

yŒo∑

6

®TM

flSπT. T. T. T. T. T. T. T T. T. T. T. T.

5

T. T. T. T-œ

add concatentative Pno.58

Œ

∑

∑

‰ JyOplectrum between nuts and tuning pegs

πjyO Œ

∑ t

∑

∑

215

∑

on the strings

∑

∑

. .T

jœb

T.6

T. T. T. T. tM

>SπŒ œconcatenative multiphonics59

∑

∑

3

≈ yO

yO

5

‰

yb

p

senza °y y ‰

∑

∑

216

∑

∑

∑

T

∑

∑

∑

∑

∑

∑

∑

217

∑

ß

∑

∑

T

jœ

œ

m

>

∑

∑

∑

∑

Yb

π

∑ ?

∑ ã

218

∑

33

B

&

&

ã

ã

t

?

ã

43

43

43

84

84

84

Vla.

B.Cl.in Bb

Hp.

Pno.

Mba.

F

219

∑

∑

® jTbT. T. T. T T. T. T. T T. T. T. T-

6

T®T T T-

œ60 concatenative B.Cl., Pno., Mba.

Œ

∑

∑

∑

jœbflF

Sp

°œ œ.

œ. œ.

œ. œ.

œ.

‰OπŒ

∑

219

≈ . .Mba.

superball

6˝

πj6 ≈ 6

˝

j6

∑

∑

. .T T. T .T- .T7

T T. T. T.5

T T. T. T.∑

∑

∑

∑

‰ ®œ.

Œ7

∑

220

∑

∑

∑

t. œœb œ

T

oflSπ

harmonics

T.oT.o

5

T.o

T.o

T.o

T.o

∑

∑

∑

∑

‰ ≈œn .

‰ ‰œ.

3

∑

221

Œ ‰7

® .6>p

∑

∑

6

.T.o

T.o

T.o

T.o

T.o

T.o

T.o

T .T.o

T.o

5

T T.o

T.o

∑

∑

∑ ?

∑

‰ ‰ ®œb .

Œ6

7

≈ .œb˝

π .œ

222

∑

∑

∑

jœb> Tœ

61 concatenative multiphonics

Œ

∑

‰7

‰ .œb>

pŒ

≈ .

*

6æwooden stick rubbed on the harp

π.6æ gliss.

∑

œ

fingers

.œb jœ7

‰ ®œ

7

‰ ®œP

223

∑

∑

∑

T J

œ

œ

m>

ß

‰

∑

∑

Œ5

®œb>

‰ Œ

æ"F "

Œ

∑

Œ 3‰ œ˝

superball

π .œ

224

∑

34

B

&

&

?

ãt

?

ã

ã

84

84

84

Vla.

B.Cl.in Bb

Hp.

Pno.

Mba.

T.T.B.D.

F

FF

FnCb

D2

D2

D2

225

∑

∑

® œB˘

Sp

œ. œ. œ œµ˘

œ-7

œTflSπ

T-jT


Œ

∑

‰ Ù . .œµFπ

≈œb

7

.œ œ

∑

jœbflF

Sp

°œ œ.

œ. œ.

œ. œ.

œ.

‰Oπ Œ

‰ ® . œm ˝

πœ Œ

j6>

ß f‰ Œ

225

∑

Œ ‰7

® .yb+pizz.

π∑

jT T .T. .T-

7

T TM

â T6

T T. T. T.∑

∑ ã

Œ .3

≈ œµF

‰

*

JyOjyO Œ

∑

∑

∑

226

∑


7

.yb+y+

y . .y+ ≈ .y gliss.

(bow)

p

c.l.b.

∑

6

T T T< T T- tŒ œ

63 concatenative multiphonics

‰7

‰ ® œb œµœb œ

3

œ

6æ

∑7‰ .yb jy ≈

yjy

7

≈ œ˝œ ‰6

® œm ˝œ ‰

∑

227

∑

. . . .

Ó

∑˙

˙

m

f ∑

∑

∑

∑

∑

∑

∑

228

∑

∑

∑

Tœ>œ œ œ

T.

SπT-

T T T.oT.o

6

.T.o

T.oT.oT.o

T.oT.oT<o


Œ

7

‰ œ

6æÙ œ œ ≈ ‰

6

® œb œ

∑yO

>Sπ

. .ybjy

6

®y y

jy

® . œb˝

πœ .œ

∑

229

∑

‰ yOF

π

c.l.b.

y. y. y. y-c.l.t.

y3

∑

T .T.o

T<o

5

T T.oT.o

œœ œµ

t-πfŒ œ65 cross-synthesis

∑

∑

^æ gliss.

π∑

jœf

‰ Œ

∑

230

Œ œT.T.

wooden handles

∏

muted sempre

y tflaut.s.p.

∑

T

∑

∑

∑

æP∑

∑

∑

231

˙

35

B

&

ã

?

ã

t

?

ãã

43

43

43

84

84

84

Vla.

B.Cl.in Bb

Hp.

Pno.

Mba.

T.T.B.D.

F232 Œ t

oT

∑˙

˙

m

f ∑

∑

∑

∑

∑

∑

∑

232

JœP‰ Œ

TT

∑˙

∑

∑

∑

∑

∑

∑

∑

233

∑

π

jTII

JTIII

f‰ Œ Œ

∑

®. .œm

Ø

˙ jœ˜

∑

∑

∑

∑

∑

∑

∑

234

∑

D3

D3

D3

triangle beater between the strings

‰ 7‰ .yb .

c.l.b.

πy. y.

3≈y. y. y.

‰

∑6

≈ .TnflSπ

T. T T. T-7

T T. T-jT

œ66 concatenative tutti

Œ

‰ Ù . .œµπ

œ œ œ œ œ

œb>

7

.œ œ

∑

jœbflF

Sp

°œ œ.

œ. œ.

œ. œ.

œ.

‰Oπ Œ

≈ . .π

6

˝

.6

œm˝

œ

≈ 6˝

j6

235

∑

Jy gliss.(bow)

I . . . .‰ ‰ 7® .yb . y. y.

∑

jT

® œµœ œ œµ

.T>

Sπ

7

T T- T7

T T. T.∑

Œ ‰6

≈

œµ

œ œ œ

‰

*

JyOwooden stick between nuts and tuning pegsjyO Œ

∑

∑

j6 ‰ Œ

236

∑

7

.yb+pizz.

y+

y . .y+ Œ

∑

jT-

œBœn

TflSπT. T- T T T. T.

6

.T. T. T.∑

Jœ ‰ Œ &

‰7

‰ ® œb œµœb œ

3

œ6æ


Œ3

≈ y>O

y>O

5

y>O

yb>

p∑

7

≈ œn ˝œ ‰6

® œm ˝œ

Œ ‰7

œ

.6>p

237

∑

‰ ® . Tpizz.II T Œ

∑

T. T. T. T. T .T. T<5

T T. T.jT-

∑

7

œ œ œ ≈ .

‰7

≈ œ œb œµœb .œ

‰

∑

y y ‰ Œ

7≈ .œb˝

π .œb

∑ ã

238

∑ ë

36

B

&

&?

ã

t

?

ã

ë

43

43

43

84

84

84

Vla.

B.Cl.in Bb

Hp.

Pno.

Mba.

T.T.B.D.

F239

Œ 3≈yb

c.l.b.

. y. y.‰

∑

Tœ

67

Œ

∑

‰7

‰ .œb>

pŒ

≈ . 6æwooden stick rubbed on the harp

π.6æ gliss.

∑

jœf‰ Œ

∑

239

Œ ‰ Jœmæwooden handles

π

Crot.

Œ Œ ..

œœb

m˘

p

s.p.arco

œœ> œœ

. œœ.

œœb. œœ

. œœn.

ß6

∑

T . .t

œ

œ

m˘

∑

∑ ã

Œ5

®œb>

‰ Œ

æP

Œ

∑

Œ 3‰ œ˝

superball

π .œ

240

œæ Œ

D4

D4

D4

Sp

Täf

IIIflaut.

∑

≈ œ œœ

T

>

SπT T

Mfl T-

7

T T. T-jT

œ68

Œ

6

® yO

> yO ‰ Ù yO

π

jy

.6æ


y>triangle beater

œ œb

yO

>

œb

Sp‰ Œ

Œ ≈ . 6æπ

J6æ gliss.

7

7‰ .ybp

jy ‰

jœf‰ Œ

∑

241

‰ . œmæ Jœæ ‰

t6

® yæ gliss.(hand)IV

π

m.s.p.

æ Jæ

∑

jT

® œ œ œmœœ

.T>

Sπ

3

T TM

> T T T. T-∑

∑

7

≈6.

œb> Œ

7

® .œb>6æ

P∑

Œ ‰ 7≈ . œæπ∑

242

‰5

≈ .œmæ Jœæ ‰ ã

.y.Py.π

c.l.b.

y. y. ‰ Œ

∑

6

T®

œ œm

T

>

SπT T- T T T. T.

6

.T. T. T.∑

Œ6

ytriangle beatery ® œœæ Jœœæ gliss.

&

7

‰ œ>

6æÙ œ œ ≈ ‰

6

® œb œ>

∑yO

>Sπ

. .ybjy

6

®y y

jy

.œ œb˝

œ .œ

∑

243

∑

37

B

&

&

?

ã

t

?

ã

ã

43

43

43

44

44

44

43

43

43

84

84

84

Vla.

B.Cl.in Bb

Hp.

Pno.

Vib.

T.T.B.D.

◊

244

œœb .p

s.p.arco

œœo. œ

œo. œ

œm o œ

œo..œœb .

œœ

m o œœo

œœb . œœ. JTäII

ß f

flaut.

5

∑

T.pT. T< T T<

5

T œ.

œ

œ

m

flSfπjT

œconcatenative multiphonics

69

Œ

‰F# 7

≈ . œ œ œ œ6

œ .œ œœæ>f 3

≈ œœm æπ

œœæ

∑ ã

Œ6

‰ ®y>Owooden stick between nuts and tuning pegs

fjyO

∑

jœf

‰ ≈ . . œæπjœ

∑

244

∑

T

∑

T

∑7

≈ .

6æ

.œ JœœæP

Œ

?

yO . .yOjyO

πŒ

∑

∑

∑

245

∑

.T

∑

T

∑

∑

Œ ŒYb˝

plectrumπ3

∑

∑

∑

∑

246

® . .œæT.T.

∏

knitting needle on the edge

æ gliss.

P

T

π∑

J

œ

œ

m>

f

‰ Œ

œconcatenation continues

70

Œ

∑

jy>

f‰ Œ Ó

^æ gliss.

"f " æp∑

∑

∑

247

Jœ∏

‰ Œ Ó

t jT

>

I .TII

∑

∑

∑

∑

∑ ã

∑

∑

∑

∑

248

∑

D5

D5

D5

.T

∑

®. .T

∏ . T. T. T. T.

®T.π

T. T. T T. T<7

T T. T.® .Tµ æ>

ßœ71

Œ Œ

ŒFn

® œ

π

ord. .œ œn6

œ œ œ œb

6

æ

>fingers

6

6nails

6

œ œ

f6>palm

6 6> 6>

‰

∑

Œ ≈ . y

senza °

plectrum

π7.y ym y

yb

˝

y y>

f‰

Œ Œ 7≈ .œm æfingers

πjœæ

Œ ‰ 5‰6>

fsuperball

Œ

249

∑

.Tm

∏

I

∑

.Tπ ∑

∑

∑

∑

∑

.æ∑

250

∑

t JT .T yO

.c.l.b.

π

y. y. y.

∑

tjT

‰

∑

∑

∑

∑

∑

jœ∏‰ ‰

7

‰ .œn æ

handle rubbed

π∑

251

∑

38

B

&

&

ã

ã

t

?

ã

43

43

43

84

84

84

43

43

43

84

84

84

Vla.

B.Cl.in Bb

Hp.

Pno.

Mba.

FF

252

Œ5

®y. y. y.π

JT∏

arco

flaut.s.p.

ë

∑

œb œm œ. Tµ>P

Tn T .T<π

7

T jTµ> Tn T6

T jTB Tn . T. T. œm >œ œ œ œ j

TnâSπœ72

Œ

‰C#

6

œ œm> œŒf

®6.palm

p

6. .6.‰ j

6æ>fingers ‰

∑

Ùyπ

jyy

˝

y7

.y yb> .y˝

Fjy jy>

.œæ"f " œæ

fingers

π .œæ

252

‰ 3‰6

˝wooden handle

ßŒ

.T

∑

.T T. T. T. T.

∑

∑

∑

∑

∑

æP

jœ ‰

253

∑

.Tπ

∑

œm>œœ œb

Tn .ß π

jœµ Tn . T- T T T. T.6

.T. Tµ Tn . jTæ>ß

t

∑

Œ ® .œœ œ œb œ ≈ .œœ œ œ

6æ>nails

Œf

‰ 7‰ ®6æ

πŒ Œ

∑

‰ ≈ Ùyπ

jyy

˝

jy .yb˝

F

∑

254

‰7

≈ . 6˝wooden handle

p≈ . . 6>F

‰ Œ

jT> T

∑

®œ œb œm

Tm˘

SπT. T. T jœµ> .T. T- t

∑

® . œ œ .œœ œ œb

7

≈ . œœ œ œ œ

f6æ>6æ>

œ

p≈

® .6æp

‰

∑

y®

yb

π3

y y˝

y

F

∑

255

‰ ≈ 6F

6> Œ

Y gliss.(bow)

y

"f "B

∑

®œm>

œ.

T.SπT.T-

T5

T T. T. T- T .TflM

SπT- T

∑

∑

Œ Ù . .6>palm

p

.6> 6æfingers

6

® 6æ>

F6æ ‰

∑

jy ‰ ≈ . .ybflsenza °

π® . y y jy

y˝

>

Fπ

°∑

256

Œ3

≈ 6˝π

wooden handle

Ù .6˝

6>

F

superball

Œ

39

B

&

&

ã

ã

t

?

ã

ã

84

84

84

44

44

44

45

45

45

44

44

44

45

45

45

43

43

43

Vla.

B.Cl.in Bb

Hp.

Pno.

Vib.

T.T.B.D.

F F257

Jy ‰ Œ

∑

T T. T. T. T.

œ

œ

m

>œ

cross-synthesis

73

Œ

∑

∑

∑

Y˝

Œ ‰ Ù . .œ

˝superball

π∑

257

∑

® œœb .

s.p.

π

œœm . œœ. œœ. œœm.

œœn . œœ

. œœ. œœ œœ. œœ

. œœ. œœ

. œœ.

œœb

n . œœm. œœ. TäI

f

6

5

∑

®T.

πT. T. T T. T. T. T T. T. T. T-

5

T

œ

œ

m-

f∑

∑

Œ ‰ ‰ œbbowed

o5

>

∑

jy>

ß‰ Œ

7

œ œ˝

œ .œ

∑

258

∑

Të

∑w

w

∑

∑

w

∑

∑

jœf‰ Œ Ó

∑

259

∑

jT- T

π

t

∑w

π

œ

œVla., Hp. resonance

74

∑

∑

wπ œ

∑

∑

∑

∑

260

∑

o

jT- T

∑Tm

∑

∑

w

∑

∑

∑

∑

261

∑

T

∑

∑

∑

∑

w

∑

∑

∑

∑

262

∑

jT Tgl.

∑

∑

∑

∑

jœb ‰ Œ Ó

∑

∑

∑

∑

263

∑

œ jT .T

∑

∑

∑

∑

∑

∑

∑

∑

∑

264

∑

jTm T t

∑

∑

∑

∑

∑

∑

∑

∑

∑

265

Ó .˙˝o

T.T.

wire brush drawn along edge

D7

D7

D7

Y y

∑

®. .T

M

.SπT. T. T. T. T. T. T. T-

œm œmœ œn .

œconcatenation

75

∑

∑

∑ ã

∑

∑

∑

∑

266

w œ

40

ë

&

&

ã

ã

t

?

ã

ã

43

43

43

84

84

84

43

43

43

84

84

84

44

44

44

Vla.

B.Cl.in Bb

Hp.

Pno.

Mba.

T.T.B.D.

F267

6

y y yc.l.b.

p

y.

y.

y.

‰ ‰7

‰ ® T.c.l.b.

II

pŒB

∑6

≈ . Tm .Sπ

T. T T. T.7

Tœn

>œ Tm .

SπT- jT t

∑

≈ . 6ænails

p6.

fingers

œ

6.

œ œ

≈ Ù

jœ œ

6. j6æ>

nails

fŒ

∑7

≈ .yb

π

.y y y y>f

y

˝

jy Œ

∑

Œ ‰ ≈6˝

>wooden handles

ßŒ

267

Jœ>P‰ Œ Œ

Œ5

≈ . Tm .IÙ .yb

F

.T.

∑

jT T .Tm>æf

7

≈TnM

>SπT

7

T jTb T. T.∑

‰ ≈ . . œbp œ

6æ>f

6æ 6æ

∑

‰ 3‰yb

pjy

5≈ . y>

f

‰5

‰ œ+

p 7

≈ œ+ ‰ ‰

∑

268

∑

® . .. .TTarco

III

II TT

∑

.T-œ

76

cross-synthesis

Œ Œ

∑

∑

∑

Jy ‰ Œ Œ

∑

∑

269

∑

JTT

f

≥œœb

m>

Sp

s.p. œœn. œœ

.œœb

m> œœn ..œœ> œœ

. œœ. œœ

...

œœ

œœ> œœ

.

6

∑

J

œ

œ

m

f

œm

>

œ

TnflSpT. T. T T T. T.

6

.T. T. T.∑

∑

∑

∑

∑

∑

∑

270

˙˝T.T.

owooden handle drawn along edge

œœm.

œœb. œœ

. œœä œœ ..œœb

> œœnä œœ

jœœb>

œœn˘ œœ J

œ≥

ç5

∑

T. T. T. T< T .T. T<

5

Tœm œm

T. T. J

œ

œ

m>

ç∑

∑

∑

∑

∑

∑

∑

271

˙

w

∑w

w

∑

∑

∑

∑

∑

∑

∑

272

w

wnon vib.

π

flaut.

∑

J

œ

œπ

‰ Œ Ó

œ77

fade outcross-synthesis

Œ Ó

∑

∑

∑

∑

∑

∑

273

JœF‰ Œ Ó

41

B

&

&

ã

ã

t

?

ã

ã

45

45

45

84

84

84

43

43

43

Vla.

B.Cl.in Bb

Hp.

Pno.

Vib.

T.T.B.D.

F274œ

.TIII

∑

∑

∑

∑

∑

∑

∑

∑ &

∑

274

∑

TII

t

∑

‰ . .œm

∏

w

∑

∑

∑

∑

∑

∑ ‰ œ˝superball

°π

Vib.

∑

275

∑

D8

D8

D8

JT∏

‰ Œ

∑

≈ jœµ> Tm

πT T. T-

7

T œm>œ

œT. T- jT

œ78 concatenative tutti

Œ

∑

∑

∑

∑

Jœ ‰ ≈ œ˝ ‰3

∑

276

∑

Œ ‰ ≈ .yb

Fpizz.

π∑

jT ®œ œm

œ. .Tm

˘

ß

3

T TâMSπ

T T T. T-∑

‰dob

Ù .œ

πœb ?

6

6æfingers

6. 6æ y

triangle beater on tuning pegs

7

y>

f.6æ

œ œb

∑

‰ ® .ybfl

p7® jy y

yfl

F‰

≈ .œm˝ ‰ 7≈ œæ>fingers

Mba.

Fœæ?

∑ ã

277

∑

f

JTmI

‰ 3≈yb .

c.l.b.

y. y.‰

∑6

T T Tm æM>ß

TæT-

πt

Œ œ79 resonance, cross-synthesis

≈ . œb>p‰ Œ &

‰ ≈ .6.

j6æ>

f‰

‰7

≈ .ybp y

O

jy

Œf

jœæπ

7.œ

6>superball

Œ

6 6

>6

>6>

6>

6>

278

∑

∑

∑

T

∑

∑

∑

∑

∑ >

∑ &

∑

279

∑

42

B

&

&

ã

ã

>

&

ã

43

43

43

42

42

42

44

44

44

45

45

45

44

44

44

45

45

45

44

44

44

Vla.

B.Cl.in Bb

Hp.

Pno.

Vib.

T.T.B.D.

poco allarg.

poco allarg.

poco allarg.

280

œœb>

Í

arcos.p.

œœ

œœnœœb> œœn

..œœb œœ> œ

œo œ

œm o ..œ

œo>

œœo>

œœb . œœ> œ

œo> œœo> œ

œm o> œ

œo..œœb

>œœ

m> œœ œœb

>œœ. ,

ç

jœœœ>

6 5

&

∑œ

œSp

T-

T T T. T.6

.T. T. T. T. T. T- T

œ

œ

m

>5

œ

œ

œ

œ

> œ

œ

,>

∑

∑

∑

∑

.˙bplastic fishing line

o

∑

280

∑

a tempo

a tempo

a tempo

˙mä

ƒ

≥

∑˙

˙

mä

ç ƒ ∑

∑

∑

∑

˙

∑

281

˙obowed

T.T. unmuted

.˙t

flaut.s.p.

πë

∑.

.

˙

˙

œ

πœ80 fade out cross synthesis

Œ Ó

∑

∑

∑

jœP

‰ Œ Ó

∑

282

w

T

∑w

∑

∑

∑ >

∑

∑

∑

283

wp

D9

D9

D9

jT Tgl.

œ81 concatenative Vla. and Hp. resonance

Œ ÓT

∑

∑

wb>bowed

∏∑

∑

∑

284

Jœ ‰ Œ Ó

œ jT .T

∑t

Œ Ó

∑

∑

w

∑

∑

∑

285

∑

jTm T tgliss.

∑

∑

∑

∑

wπ

œ

∑

∑

∑

286

∑

T

∑

∑

∑

∑

w

∑

∑

∑

287

∑

T

∑

∑

∑

∑

w

∑

∑

∑

288

∑

jT T t

∑

∑

∑

∑

w œ

∑

∑

∑

289

∑

43

ë

&

&

>

ã

>

&

ã

44

44

44

84

84

84

43

43

43

44

44

44

43

43

43

84

84

84

Vla.

B.Cl.in Bb

Hp.

Pno.

Vib.

T.T.B.D.

F290 Tm

∑

∑

∑

∑

w

∑

∑

∑

290

∑

T

∑

∑

∑

∑

w

∑

∑

∑

291

∑

E1

E1

E1

Yc.l.t.

∏∑

T∏œ

delay breath, rotation

82

Œ Ó

∑

jœ ‰ Œ Ó

∑

∑

∑

292

∑

YB

∑

T

∑

∑

∑ ã

∑

∑ ?

∑

293

∑


Jy .y y

π

c.l.b.

.y.y.

≈ . . yO

.y.y. ‰

∑

.π^. ^. ^.

œ83

Œ

≈ Ù ..œœb æ>triangle beater between the strings

πJœœæ> œœ ..œœæ> ≈

j6æ...

∑

‰ ≈ . . yæ>plectrum on the stringsp

yæπjy

∑

294

∑

.^π

arcotailpiece

∑

.T. T. T. T.∑

3‰œµ

F

.ord.

Jœœb æ ‰ ≈ œœæ Œ3

∑

‰ ≈ . . 6æwooden stick rubbed on the harp

π^æ

∑

∑

295

∑

^

∑

Tœ

concatenative multiphonic resonance

84

Œ Ó

∑

∑

J6 ‰ Œ Ó

∑

∑

296

∑

6Œ Ó

∑

T

∑

∑

∑

∑

∑

∑

297

Œ .˙bowed

omuted with hand

∑

∑

T

∑

∑

∑

∑

∑ >

∑

298

w

∑

∑œ

œ

mä

P

(G#)

.T.πT. T. T.

œ85

concatenative staccato

Œ Ó

∑

∑

∑

Œ .˙bfishing line

o°∑

299

word.

∑

∑

t. T. T. T.

≈T- T T. T-

7

T T. œ- œ

∑

∑

∑ >

∑

.˙

∑

300

JœP‰ Œ Œ

44

B

&

&

>

ã

>

&

ã

84

84

84

44

44

44

45

45

45

43

43

43

45

45

45

43

43

43

Vla.

B.Cl.in Bb

Hp.

Pno.

Vib.

T.T.B.D.

F301

≈ . . œœb .p

arcos.p.

œœ.œœ. œœn

. œœ. œœ

.œœ. œœ. œœn

- œœœœb- œ

œ- œœn

-

ƒ6

7

5

ë

œ86

cross-synthesis

Œ

jœ œ

œ

œ

m

-7

œ

œ

œ

œ

- œ

œ5

.

.

œ

œ

œ

œn

m - œ

œ

-3

∑

∑

˙bbowed

o

∑

˙

∑

301

∑

E2

E2

E2

T-

π ∑.

.

˙

˙

mä

ƒ

Œ

œ87 high resonance

Œ Ó

∑

w

∑

jœF

‰ Œ Ó

∑

302

∑

œ jT- .T

∑

∑

∑

∑

wP

∑ ë

∑

∑

303

∑

jTm - T

∑

∑

∑

∑

jœπ

‰ Œ Ó

wnfishing line

o∑

∑

304

∑

t .Y

∑

∑

∑

∑

∑

w

∑

∑

305

∑

Y Œ B

∑

∑

∑

∑

∑

w

"f "œ

∑

∑

306

∑

^

tailpiece

π

arco

6

∑

Tπ t

∑

∑

∑ ã

œ

p∑

∑ ã

∑

307

∑

6‰

7

® .yæ

Im.s.p.

æ gliss.(hand)

∑

.T. T. T. T.œ

88 concatenative staccato

Œ Œ

‰réb 3

≈ œœbb æπ

triangle beater7

‰ ®

6æfingers sur la table

3

6æ

œœæ‰ ≈ .œµ

Ford.

œ

beater

6

∑

≈ . . yO

wooden stick between nuts and tuning pegs

πJyO

jy ‰ JyOjy

Œ

Œ Œ ® .œm˝superball

Vib.

°πJœ

308

∑

E3

E3

E3

y ∑

∑

T- t

œ89 stop concatenation

∑

∑

∑

∑

∑ >

∑

309

∑

∑

∑

T T. T. T. T. t.t T. T. T.

∑

∑

∑

∑

wbπ

plastic fishing line

°œ

∑

310

∑

45

B

&

&

ã

ë

>

&

ã

43

43

43

44

44

44

45

45

45

43

43

43

45

45

45

44

44

44

Vla.

B.Cl.in Bb

Hp.

Pno.

Vib.

T.T.B.D.

311

≈ œœb>

ç

œœm>œœ>

ƒ

al tallone œœ œœ œœ Tn .III

π

flaut.

T. T. T. œœb>f

œœm˘ ®T.p

s.p.

T. T. T .T. T. T T. T.5

ë

œ90 cross-synthesis

Œ Œ

≈œ

œ

mä

ç

œ

œ

œ

œ T.T. 6

.T. T. T.6

.T. T. T-7

T .T-5

T T. T.∑

∑

∑ >

∑

.˙f

∑

311

.˙p

T.T.

bowed

T

πœ

91 high resonance

Œ Ó

T-π ∑

∑

wbπbowed

∑

jœp

‰ Œ Ó

∑

312

wf

T

∑

tŒ Ó

∑

∑

wP∑

∑

∑

313

œπ

Œ Ó ë

Y y

o∑

∑

∑

∑

jœ ‰ ∑

∑

∑

∑

314

w

obowed

Crot.

œ

E4

E4

.Tπ

T T. T. T.œ

92

concatenative resonance∑

∑

∑

∑

∑

∑

315

Jœ>π

‰ ∑ ã

≈ œm >œm œ.

Tn-Sπ.T jT. T. T.

œm œœ œn

T. .T. T.

œ

œ

m

>

œ

œ

.

.

œ

œ

m> œ

œ

œ

œ

> œ

œ

>6

7 5∑

∑

∑

∑

∑

.˙

Vib.

bowed

π°

316

∑

w

w

m ä

ç

œ

œœ

93

∑

∑

wbπ œp∑

∑

jœ ‰ ∑

317

∑

.˙

π

t

∑

∑

jœ ‰ Œ Ó

wn

π∑

∑

318

∑

46

&

ë

>

&

ã

43

43

84

84

43

43

45

45

84

84

43

43

48

48

B.Cl.in Bb

Pno.

Crot.

T.T.B.D.

319

tŒ Ó

∑

w

"F "∑

∑

319

∑

.T-π

T. T. T. T.


Œ Œ

Jœ ‰ Œ Œ

∑ ?

∑

320

.˙π

jT>M

Sπœm œm œ. ® jœ

.œ. ≈jœ

T T

œ

œ

m

<

œ

œ<f

3

7

∑

∑

œmπfishing line, bowed in rhythm

° sempre

œ œ> œ œ> œ>3 7

∑ ë

321

Jœß‰ Œ

Jœ>M

Sπ

œœm

œn

œ.

œ.

‰ jœflM

Sπœ

œ œm œ. ‰ ®jœ œ.

T. T. ≈ T<∏

≈3

∑

∑

Jœm>f

‰ Œ Œ

.˙

oCrot.

322

∑

∑

∑

∑

∑ >

Jœπ

‰ Ó

323

∑

E5

E5

.T.π

T. .T.

5

T.œœ œ

œ œb œ .œœ-

poco f

œB - œ-


Œ

∑

˙bπ

∑

324

∑

. . .T-π

œ

œ

m

-7

œ

œ

.

.

œ

œ

-

3

œ

œ

œ

œ

mä

ƒ

œ

œ T.π

.T.

jTM

flSπ

œœ œµ .

∑

∑

. . .œb> œ> œ .œ> œ œ>jœ jœ>ƒ

7 3

∑

325

∑

47

&

ë

ã

48

48

43

43

410

410

84 411 82B.Cl.in Bb

Crot.

T.T.B.D.

326

∑

∑

∑

326

∑

‰

πT. T. T. T. T.

6

Tœ. œ- œ

.œ. .œ.œµ - œ .œm - œ

œ

ä

ƒ 5

.

.

œ

œjT Tµ

p

Tn Tµ Tn Tµ .∏œ

96 shorter concatenative resonance

Œ Œ

∑

327

.˙˝

∏

B.D.

superball

∑

∑

∑

328

jœp‰ Œ ∑ ∑

ÙT.

πT. .T. T.

6

œµ œB œœM

˘

ß

œ

œ

m>

ƒ

œ

œjT TB .

π

T. T.6

œ

œ

m>

Ï

œ

œ

> ˘ œ˜˘

SfZœ97 fade out concatenative resonance

Œ

∑

∑T.tk

πT.

T.

T.

T.

œ

œ

mä

Ï 7

œ

œT

π

Tµ Tn .

∏∑

48

welcome | cnmat - aaron einbond · 2019. 12. 16. · bass clarinet: tk double-tongue. colored...

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