week three - digital mediascape
TRANSCRIPT
The Digital MediascapeWeek Three
Production: Pirates, Images and Music
• Key concepts• Image making
• Historical context• Application to Pirates
• Film music and technology• Historical context• Application to Pirates
A post-medium condition
Capture
Capture Post-production
Capture Post-production
Mastering
Capture Post-production
Mastering Projection
Lev Manovich
1. Live action is displaced
1. Live action is displaced
2. Loss of indexical relationship
1. Live action is displaced
2. Loss of indexical relationship
3. A new painterly realism
1. Live action is displaced
2. Loss of indexical relationship
3. A new painterly realism
4. Editing and SFX collapse
digital film = live action material + painting + image processing +
compositing + 2-D computer animation + 3-D computer
animation
Culture+
CreationDigital cinema
Culture+
Reception
Does new technology lead to new films?
The image
The academy ratio
Widescreens
Jan Brueghel‘The Arrival of the Animals into Noah’s Ark’ (1613)
Film music
‘Silent’ films and early music
Erich Wolfgang Korngold(1897 - 1957)
Max Steiner(1888 - 1971)
The Adventures of Robin Hood (Michael Curtiz 1938)
The Sea Hawk (Michael Curtiz 1940)
Bernard Herrmann(1911 - 1975)
Vertigo (Alfred Hitchcock 1958)
The Devil and Daniel Webster (William Dieterle 1941)
The Day the Earth Stood Still (Robert Wise 1951)
Bonnie and Clyde(Arthur Penn 1967)
2001: A Space Odyssey(Stanley Kubrick 1968)
Bonnie and Clyde(Arthur Penn 1967)
2001: A Space Odyssey(Stanley Kubrick 1968)
John Williams
(Irvin Kershner1980)
John Williams
(Irvin Kershner1980)
Hans Zimmer
Klaus Badelt
Klaus Badelt
Gladiator (Zimmer) and Pirates (Badelt)
Gladiator (Zimmer) and Pirates (Badelt)
James Horner
James Horner
ADDITIONAL MUSIC
Klaus Badelt Lorne Balfe
Tom Gire Nick Glennie-Smith
Henry Jackman Trevor Morris John Sponsler
Geoff Zanelli Bruce Fowler
Does new technology lead to new films?