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THE FOOL ON ia aan DOCK OF THE BAY EXPLOSION IN MY SOUL CAN'T FIND THE TIME TARA’S THEME From the motion picture “Gone aay ale Aleem

THE GROOVIN’ STRINGS AND THINGS is an exciting introduction to a completely new contemporary sound: the meeting of hard rock ...and soft strings. It’s a colorful, breezy combination of violins, wood- winds, flutes, etc., and a with-it-right-now rhythm section. Lush fore- ground, swinging background. For dancing, partying...and the grooviest leisure-time listening.

Conceived by Cub Records’ label manager, Irv Stimler, and A&R producers ‘“‘Beau’’ Ray Fleming and Lockie Edwards, Jr., THE GROOVIN’ STRINGS & THINGS presents a sparkling variety of mod- ern moods and bags. From the hard funk rendition of You (Marvin Gaye’s hit brilliantly performed here by Jerome Richardson)...to the hauntingly beautiful Beatles’ tune, Foo! On The Hill (featuring leader- Faecal a elem Ol al Me Md ed Came CAL OAM Liem cL eee elec evergreens as Tara’s Theme from the film classic, “Gone With The Wind” ...and Paul Simon’s Sounds of Silence from this year’s hit movie, “The Graduate.” And such pop standards as The Rolling Stones’ She’s A Rainbow... Walk Away Renee (twice a hit by The Four Tops and The Left Banke)...plus an R&B favorite, Dock Of The Bay, PR UME mem Crt Ls * THE GROOVIN’ STRINGS AND THINGS: rock with strings attached. A great new groove. A hipper groove. Perhaps even The Ultimate Groove. ee

‘Dig and discover.

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From the motion picture “The Graduate”

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From the motion picture ‘Gone With The Wind”

Personnel Tenor & Soprano Sax, Flute—Jerome Richardson; Baritone Sax, Flute— Babe Clark; Flute, English Horn, Recorder-George Morge; French Horn—Bob Northern; Trumpet, Fluegelhorn—Eugene ‘“‘Snooky” Young, Harold “Money” Johnson; Violins-Winston Collymore, Noel DaCosta, Lou Stone, Peter Dimitriades, Jesse Tryon, Gene Orloff, Richard Elios; Violas-Murray Sandry, Selwart Clarke, Dick Dickler, Al Brown; Cellos— Kermit Moore, Maurice Brow, Sid Edward; Piano, Harpsichord-Horace Ott; Organ-Ernie Hayes; Bass-Edward Gregory; Drums—Jimmy John- son, Earl Williams; Guitar-Ralph Casale, David Spinoza, Eric Gale; Percussion—Gordon “Specs” Powell, Fred King.

All compositions BMI except (*) ASCAP

Produced by ‘‘Beau” Ray Fleming and Lockie Edwards, Jr. for Calculated Productions, Inc.

Arranged & Conducted by Horace Ott

Production Supervisor: Irv Stimler Recording Engineers: Peter Weiss, Bill McMeekan

Remixing Engineers: Tony May, Sandy Lehmann-Haupt Director of Engineering: Val Valentin

Art Direction: Dick Smith Cover Photo: Joel Brodsky

This record has been engineered and manufactured in accordance with standards developed by the: Record Industry Assogiation of America, Inc., FE] Lea organization dedicated to the betterment of recorded music and literature.

A product of MGM Records, a division of Metro-Goldwyn-Mayer Inc.

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