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    Ultimate Yoga 2012

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    I

    School of Out-of-Body TravelA Practical Guideoo!

    Michael Raduga

    www.obe4u.com

    Translated byPeter Orange

    Buy hard co"y of thi# e-oo! o$www.obe4u.com

    This book is free via internet, so feel free to distribute it!Send it to all your friends!

    Post it on your sites and blogs!

    Semi$ar# i$ %alifor$ia&http://school.obe4u.com/

    Proposals regarding translating and publishing this book and other

    works of M. Raduga may be sent to [email protected]

    2

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    Table of Contents:

    Part 1..............................................................................................5

    ntering the Phase !tate.................................................................5

    "hapter 1 # $eneral %ackground..............................................5

    "hapter 2 # &ndirect Techni'ues.............................................1(

    "hapter ) # *irect Techni'ues................................................5+

    "hapter + # %ecoming "onscious ,hile *reaming...............-"hapter 5 # /on0autonomous Methods...................................(

    Part &&............................................................................................1

    Managing the Out0of0%ody perience.......................................1

    "hapter - 0 *eepening.............................................................1

    "hapter ( 0 Maintaining........................................................12

    "hapter 3 0 Primary skills......................................................11+

    "hapter 0 Translocation and 4inding Obects.....................1)2

    "hapter 1 0 6pplication.......................................................1+5

    Part &&&........................................................................................1-5

    6uiliary &nformation................................................................1-5

    "hapter 11 # 7seful Tips.......................................................1-5

    "hapter 12 # Practitioners8 periences...............................1(2

    "hapter 1) 0 Putting a 4ace on the Phenomenon..................1(

    "hapter 1+ # 4inal Test.........................................................2+

    6ppendi....................................................................................21+

    )

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    'O()*O(+

    This guidebook is the result of ten

    years of etremely acti9e personal practiceand study of the out0of0body

    phenomenon:the phase;< coupled with

    ha9ing successfully taught it to thousands

    of people. & know all of the obstacles and

    problems that are usually run into when

    getting to know this phenomenon< and

    ha9e tried to protect future practitioners

    from them in this book.This guidebook was not created for

    those who prefer light< empty reading. &t is for those who would

    like to learn something. &t contains no speculations or stories< only

    dry< hard facts and techni'ues in combination with a completely

    pragmatic approach and clear procedures for action. They ha9e all

    been successfully 9erified by a 9ast number of practitioners that

    often had no prior eperience. &n order to achie9e the same resulte what has taken

    place once they return to wakefulness. Many do not assign any

    significance to the occurrence of a phase en9ironment that is not

    fully formed because shallow phases don8t lea9e the same oltingimpression as deep states. lusi9e as the phase may seem< this is

    an etremely common phenomenon< accessible to anyone willing

    to consciously learn and apply the correct methods of achie9ing

    and maintaining the phase.

    *Y ).T)( T) PAS)

    !uch a 'uestion can only arise from not fullyunderstanding the properties of the phenomenon and its nature.

    ,hen one suddenly understands at a certain moment that he is

    ust as real as he normally is< and is standing somewhere that is

    not in the physical world with his same hands and body< and can

    touch e9erything around him and discern fine details< such much

    emotion stirs up inside him that no 'uestions arise at all. This is

    the #ost a#aing eperience that a person can attain

    The initial phase encounter is always olting and

    sometimes frightening. *epending on the indi9idual< fear

    eperienced during initial encounters with the phase occurs in

    about one0third of all cases. 9en 9eteran practitioners encounter

    fear< which speaks to the profound nature of the phase state.

    ,ith time< as rapture ebbs and emotions wane< thoughts

    turn from the fact of the phenomenon itself towards how to

    somehow use it. 6nd here< a fantastically di9erse field of practicalapplication opens up before the practitioner. These applications #

    which this book communicates # are not to be associated with the

    many unpro9en and dubious methods often described in sundry

    esoteric literature. The information presented herein is 9erifiableens of these 9aluableapplications in great detail.

    ,ith basic skills mastered< remember that practicing the

    phase is worthwhile and effecti9e only when the results are

    consistent. &f a practitioner enters the phase only once a monthes straining the brain. This is

    known as straining the brain. &f nothing happens< try another

    techni'ue. &f 9ibrations occur during this eercise< try to mo9e the

    9ibrations around the body and amplify them by continuing to

    strain the brain. The stronger the 9ibrations< the higher the

    probability that a separation techni'ue may be applied.

    !pontaneous separation may occur. ,hile straining the brain< a

    practitioner may eperience the sounds necessary for transitioning

    to a listening in techni'ue.

    The 9ibrations that arise from straining the brain are 9ery

    striking. &f there is any doubt as to whether the 9ibrations

    happened< then most likely a practitioner did not eperience them.

    The 9ibrations may be described as an intense< painless electrical

    current mo9ing through or gripping the body. 6t times< thesensation of a total numbing of the body is eperienced.

    Trai$i$g

    To practice straining the brain< lie down< eyes closed< and

    attempt to strain the brain. *o not think about the fact that

    actually s'uee>ing the brain is impossible. The imagined straining

    should be spasmodic< rhythmic. Practitioners may strain the entire

    brain or specific parts of it. *uring the process< a sensation ofpressure or e9en real strain arises in the brain. ,ith 5E of

    practitioners< this strain usually occurs within the first few

    minutes of eercise. This techni'ue should be committed to

    2+

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    memory when training so that it may be instantly recalled and

    practiced upon awakening from sleep.

    Practitioners often make the mistake of unintentionally

    straining their facial and neck muscles instead of straining theinterior of their heads. This error should be a9oided at all costsed techni'ues< a practitioner learnsand retains the techni'ues in an intimate< personal way< which

    positi9ely affects how techni'ues are used during critical

    moments.

    &t is worth noting that the final selection of techni'ues

    should be 9aried. 4or eample< choosing both straining the brain

    and straining the body without using muscles is pointless because

    they are practically one and the same. More often than not< they

    will both either work or not work. This is why techni'ues shouldin9ol9e 9arious types of sensory perception? 9isual< audioed. The difficulty in achie9ing results with

    direct techni'ues is not a problem of inaccessibility< but the

    natural psychological characteristics of the indi9idual. /ote9eryone is able to clearly understand the specific nuances

    in9ol9ed< which is why some will continually make mistakes.

    Many practitioners stri9e to master direct techni'ues right

    away because they appear to be the most con9eniented< in0depth eperience. $enerally< these arepeople who ha9e spent a great amount of time and effort

    mastering trance and meditati9e states. Relaation in these cases

    should take no more than 1 to ) minutes and no longer as because

    when a practitioner is epert at relaation it is sufficient to ust

    think about it< and it occurs.

    6ll 'uality relaation techni'ues may well ser9e as direct

    techni'ues< if a free0floating state of mind occurs while they are

    eercised. 6fter gaining the necessary eperience with trance andmeditation< a practitioner of these mental arts may proceed to

    mastering the phase.

    5

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    6A(IATIO.S O' USI.G

    +I()%T T)%.IU)S

    Techni'ues used to gain direct entrance to the phase areeactly the same as those used during indirect attempts. The only

    difference is in the method of implementation. The techni'ues are

    described in detail in "hapter 2. =owe9er< since direct techni'ues

    mostly re'uire passi9ity< not all techni'ues work e'ually well for

    both direct and indirect entries into the phase. 4or eample< acti9e

    techni'ues like straining the brain cannot be used to gain a

    smooth entrance into the phase.

    *irect techni'ues differ from indirect techni'ues in theirimplementation because of the slow< halting production of results

    that occurs from the beginning of a direct attempt through the end

    of it. &f upon awakening something happens to work< then this can

    practically always lead to entrance into the phase. 4or eampleation that it is< Aust a

    dreamB;< then the phase is eperienced from that momentforward.

    %eginners often confuse the notion of becoming conscious

    while dreaming with induced dreaming. 6n induced dream is the

    dream of a specific topic< pro9oked on demand@ this does not

    presuppose consciousness. Moreo9er< not all practitioners clearly

    understand what it means to be fully conscious while dreaming.

    "onsciousness while dreaming is always present to some etenting the hemispheres of the brain;< or tra9elled toward

    the detection and use of indirect indicators :cueing technologies;.

    %U)I.G T)%.OOGI)S

    Of all non0autonomous assistance methods< cueing

    technologies yield the best results. The operating principle behind

    cueing technologies is 'uite simple? a de9ice detects rapid eye

    mo9ement :RM; and sends signals to a sleeping practitionered stores or through online merchandisers.

    RM0detecting technologies work by 9irtue of special night mask

    e'uipped with a motion sensor that detects the fre'uency of

    specific eye mo9ements that occur during RM sleep. ,hen the

    eye mo9ements reach RM 'uality< the de9ice sends discreet

    signals to the practitioner through light< sound< 9ibrations< or a

    combination of these. &n turn< the practitioner must discern the

    signal and react to it while sleeping with the goal of phase entry

    through dream consciousness.

    The effecti9eness of RM0detecting de9ices is more

    plausible in theory than in practice. The mind 'uickly de9elops a

    tolerance for these types of eternal stimuli and stops reacting

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    signaling. 69ailable models include? *ream!talker< *reamMaker

    :/o9a*reamer;< RM0*reamer< 6stral "atapult< among many

    others. !ince the use of these de9ices does not guarantee

    increased success in practice< in9esting money in the technologyis not recommended. &f a practitioner is curious about cueing

    technologies< similar de9ices may be constructed at home using a

    special computer program and a run0of0the0mill optical mouse.

    *esigns for a homegrown setup are easily located on the &nternet.

    6nother do0it0yourself way of eperimenting with cueing

    is through the use of a computer< a music player< or e9en the

    alarm clock function on a mobile phone. The practitioner sa9es

    short sounds or phrases< played as an alarm e9ery 15 to )minutes while sleeping. These sounds will signal the practitioner

    to wake up and attempt indirect techni'ues.

    &f the practitioner decides to use cueing technologye the two hemispheres of the brain. =emi0

    !ync was de9eloped by Robert Monroe< an 6merican esotericismepert researcher. The idea behind =emi0!ync is that out0of0body

    sensations may be induced by achie9ing synchroni>ation of the

    brain8s two hemispheres. =owe9er< this type of approach yields a

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    parado for the lack of scientific :or pseudo0scientific; e9idence

    that hemispheric synchroni>ation influences sensory perception.

    6ctually< it is the cerebral corte and constituents that are

    primarily responsible for sensory perception. 6t the beginning ofthe 2th century< it became clear that the key roles in sensory

    processes are played by 9arying le9els of inhibition and acti9ity in

    the cerebral corte< and almost not elsewhere.

    The key to sol9ing the problem of technologically induced

    phase entrance rests in the inhibition processes of the cerebral

    corte. !ynchroni>ation de9ices ha9e no effect on the operation of

    the cerebral corte. The idea of using sounds of 9arious

    fre'uencies to induce a specific le9el of electrical acti9ity in thebrain is< so far< considered impossible. Thus< the sounds and

    noises used to assist separation from the body cannot directly

    affect the process< but merely ser9e as cueing signals. !uch a

    system works only after ha9ing been used for a long time< if it

    works at all. Moreo9er< it might only work once or twice.

    /e9ertheless< synchroni>ation systems are able to help

    practitioners reach a free floating state of consciousness since the

    systems pre9ent sleep or induce wakefulness< pro9iding fertile

    ground for direct phase entry. =owe9er< the systems ha9e nothing

    at all to do with synchroni>ing the two hemispheres of the brain.

    The idea of inducing 9arious phase states through sound

    has gained wide attention. Many other programs and technologies

    ha9e appeared as a result< including< for eample< the %rain ,a9e

    $enerator :%,$;< which allows the practitioner to independently

    eperiment with a wide array of sounds and fre'uencies and9arious methods of transmission. The effect is the same? cueing

    during sleep or the maintenance of a transitional state. Thus< there

    is no noticeable difference between using machines and listening

    to similar sounds or musical compositions.

    &nasmuch as the de9ices described abo9e ha9e not

    deli9ered notable result< the search for new technologies

    continues unhindered. The number of ideas to eert nonin9asi9e

    influence o9er the brain and its constituent parts is increasing. 4oreample< there is a theory that phase eperiences may be induced

    by electromagnetically stimulating the left angular gyrus.

    =owe9er< this< like all other non0autonomous methods< is strictly

    3)

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    based on theory. 6t present< consistent< focused< unassisted

    practice is the simplest and only guaranteed means to achie9ing

    phase entrance.

    YP.OSIS A.+ SUGG)STIO.

    =ypnosis is a little0studied method of entering the phase.

    The idea is that a hypnotist is able to cause a person to enter the

    phase through suggestion or affirmation. There is no doubt that

    hypnosis is an interesting concept< especially for persons who

    easily yield to power of suggestion< but such indi9iduals account

    for only 1E of the population.*ue to specific characteristics of human perception< the

    chances are nil that hypnosis is a likely conduit to phase entrance.

    !o< it seems unlikely that hypnotic techni'ues will become well0

    known< or that a top0notch hypnotist would< through suggestioned to ensure that they are based on real desires

    and not on paradoical notions< which are common to dreams.

    Periodic A$aly#i# of A:are$e##Periodically asking the 'uestion< A6m & dreamingJB while

    in the phase helps appraise situations and the 'uality of the

    actions being performed at any moment. &f e9erything meets the

    standards of full phase awareness< actions may be continued.

    6sked on a regular basis< this 'uestion becomes habiting it. Recogni>ing the risk of falling asleep must be a

    primary focus.

    $etting pulled into e9ents occurring in the phase instead ofobser9ing and controlling them from the outside.

    4orgetting that techni'ues for AmaintainingB must always be

    used to remain in as deep a phase as possible< and not ust for

    maintaining any odd state.

    !topping the use of techni'ues for AmaintainingB during

    contact with li9ing obects< when the techni'ues must be used

    constantly."ounting without the desire to count as high as possible.

    Performing imagined rotation instead of real rotation.

    Passi9eness and calmness instead of constant acti9ity.

    cessi9e thinking and internal dialogue when these should

    be kept to an absolute minimum.

    )4)(%IS)S 'O( %APT)( D

    ue#tio$#

    1. ,hat is a foulJ

    2. ,hat is the minimum duration of the phaseJ

    ). ,hat do phase maintenance :AmaintainingB; techni'ues

    counteract besides fouls and falling asleepJ

    +. ,hy might a practitioner think that the phase has ended when

    it actually is still in progressJ5. !hould AmaintainingB techni'ues always be usedJ

    -. ,hat primary techni'ues work against the occurrence of

    foulsJ

    (. =ow can a practitioner hook onto the phaseJ

    3. ,hile in the phase< what do thoughts about the body lead toJ

    . ,hat 'uestion should be asked in the phase in order to reduce

    the probability of falling asleepJ

    1. ,hat happens to an obect during hyper0concentrationJ

    11. =ow else< apart from hyper0concentration< might a

    practitioner effecti9ely recogni>e a false foulJ

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    12. ,hile in the phase< is it permitted to look into the distance for

    a long timeJ

    1). ,hat is &* and how does the degree of it affect the duration

    of a phase eperienceJ1+. ,hat should a practitioner always do after an inad9ertent

    return into the bodyJ

    Ta#!#

    1. *uring the net few phases< dedicate yourself to the single

    goal of maintaining as long as possible< using as many

    maintaining techni'ues as you can.2. 4igure out which techni'ues ha9e pro9en the most

    effecti9e and comfortable for you< so that you may use these

    later.

    ). &ncrease the duration of your a9erage phase to at least )

    minutes :e9aluated obecti9ely;.

    11)

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    %ha"ter E - Primary #!ill#

    T) )SS).%) O' P(I/A(Y S3IS

    ,hen dealing with a fully0reali>ed phase< re'uisite

    knowledge is not limited to entry techni'ues< deepening and

    maintenance of the state< translocation< or finding and interacting

    with obects. &n order to feel comfortable< a practitioner has to

    master or at least acclimate himself with a whole series of

    techni'ues to correctly react in any number of situations. 4or

    eample< a practitioner needs to know how to create 9ision< if it is

    absent. 6ctions including passage through a wall or taking flight

    in a deep phase do not happen easily< although these actions may

    be assumed natural occurrences< since the phase eists apart fromthe physical world. &n addition to techni'ues that allow interaction

    with the physical setting and surroundings of the phase< methods

    must learned and applied to counteract fear if it forces a

    practitioner to consciously and consistently lea9e the phase.

    6 practitioner does not ha9e to know all the primary skills

    by heart< but it is necessary to pay close attention to some of

    them? emergency return< creation of 9ision< translocation through

    obects< contact with animate obects< and< for many< skillsdedicated to fighting fear will also pro9e etremely rele9ant.

    The final choice of methods that re'uire added focus on

    the part of the practitioner must be made on the basis of personal

    eperiences and problems faced while in the phase< since different

    practitioners often ha9e completely different types of problems.

    +IS%)(.I.G T) PAS)

    Problems with phase identification during entry often arise

    at the initial stages of studying the phase. 6 practitioner simply

    cannot understand whether or not he or she is already in the

    11+

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    phase. This uncertainty can manifest while lying down or while

    practicing in other postures.

    &f a practitioner is simply lying down< physically

    percei9ing his own body< and doing nothing< then it is indeeddifficult to determine whether or not he is present in the phase. &t

    is sufficient to note that there might be no signs of a phase state.

    On the contrary< there may be a host of signs and unusual

    sensations< but they by no means necessarily indicate the onset of

    the phase.

    The problem of the uncertainty of a phase state is always

    sol9ed through actions. &f the practitioner is lying down< then

    standard separation techni'ues may produce indication of phaseachie9ement 0 in the maority of cases # since such techni'ues

    may often be incorrectly performed.

    &t is possible to perform techni'ues that are only

    achie9able in the phase state. &f a practitioner stands up and does

    not recogni>e his surroundings< then it can be assumed that the

    practitioner is standing up in the phase. =owe9er< often based on

    the obser9ation that Ae9erything is as in realityB< a practitioner

    may stand up and note that e9erything is in fact Aas in realityB

    simply because the practitioner is still in ArealityB. &n answer to

    this dilemma< the phenomenon of hyper0concentration has been

    pre9iously mentioned in relation to maintaining phase. %y using

    hyper0concentration< it is always possible to ascertain whether the

    practitioner is in the phase. =owe9er< as a rule< hyper0

    concentration is rarely necessary. Most often< the following signs

    indicate that separation has occurred in the phase? unusualsensations in the body during mo9ement< etreme tightness

    during mo9ement< a strong physical urge to lie back downes< it may not be restored 0 and a return to the

    wakeful state will occur.

    Tra$#locatio$ :ith %lo#ed )ye#This is one of the easiest techni'ues. To use this

    techni'ue< the practitioner simply needs to shut the eyes and ha9e

    an intense desire that< when the eyes are net opened< the re'uired

    1)-

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    location will be reached. &n order to considerably increase the

    effecti9eness of this techni'ue< it would be useful to imagine< at

    the moment you close your eyes< that you ha9e already reached

    the desired location. Translocation must occur then< and it has tohappen without the flight sensations that occur during

    teleportation with closed eyes. Translocation must occur right

    then< and it has to happen without the flight that occurs in

    teleportation with closed eyes< which must be a9oided.

    Tra$#locatio$ y %o$ce$tratio$ o$ a (emote OHect

    To perform this techni'ue< the practitioner should peer

    from a distance at a minor detail of the desired location. Thegreater an intention to see an obect8s detail< the 'uicker the

    arri9al at the obect8s location.

    6 drawback to this techni'ue is that this type of

    translocation is possible only for places that are already 9isibleing the desire to

    contact a close relati9e and echange information is a treasure.

    :ith ac9uaintances/"ircumstances often pre9ent seeing

    people who are important. This is an opportunity to reali>e adesire and finally meet that certain person again.

    1+(

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    :ith the dead/ Regardless of the nature of the phase

    phenomenon< nothing else yields the possibility to see< talk toed in the

    phase. !ome dream of a 9isit to Das Fegas< some to dri9e a

    4errari< some 9isit Outer !pace< others would like to bathe in a

    pile of money< and some desire seual eperiences. 6ll of thesemay finally be eperienced in the phase.

    Alter$ative to the 6irtual *orld

    &n the phase< young men may participate in game battles

    as if the battles are real. 6 practitioner can 9isit unusual worlds

    and places while enoying completely realistic sensations< feel a

    weapon in his hands< and e9en the smell of gunpowder. &f desireding an idea< then a preliminarily look at the end

    result of a design may be seen in the phase. 6 painter can

    eamine a painting in ad9ance@ a sculptor may see a completed

    sculpture< and an architect will be able to wander through a house

    that is still in the early stages of design. 6ny creati9e work can be

    simulated in the phase.

    . source of inspiration and fantasy/The phase practice

    imparts ideas and desires that positi9ely affect creati9e endea9ors.

    4urthermore< the reali>ation of desires and tra9els through

    unusual spaces e9oke great emotions< which pro9ide ecellentinspiration.

    APPI%ATIO.S BAS)+ O. %O.TA%T

    *IT T) SUB%O.S%IOUS /I.+

    6ssume that the phase state is ust an eceptionally

    unusual state of brain and that perception within it is no more than

    an unusually realistic play of its functions. 6ssume that apractitioner in the phase decides to tra9el to a forest. To do so< the

    translocation with closed eyes techni'ue is used< and< as a result< a

    forest appears.

    ,hat happens if the 9ision contains 9ery detailed

    knowledge of forests< what forests consist of< and where forests

    originateJ The brain creates a hyper0realistic space superior to

    that of e9eryday reality< consisting of millions of blades of grassing resources while in the phase. &t only remains to learn

    eactly how to achie9e mastery.

    &t is possible that the phase space is go9erned by the

    subconscious mind. This means that the practitioner is able to

    contact the subconscious while in the phase state. *uring

    e9eryday life< the subconscious mind sends information based on

    calculations determined by enormous capabilities. =owe9ere when researching se9eral suchbooks and comparing described e9ents and theories. The

    information is more often than not contradictory and based on

    opinions that ha9e ne9er been 9erified by anyone< including the

    authors. The result is a mass of speculation that has no bearing on

    reality< nearly always accompanied by a false certainty about the

    subect matter. =owe9er< unlike the real world< the phase is not a

    place where one can belie9e one8s eyes or feelings. The phases8

    appearance and 'ualities depend 9ery much on the personeperiencing it.

    4or eample< if a practitioner belie9es upon entering the

    phase the body will be lying nearby on the bed< then it will always

    be there. &f a practitioner belie9es that the percei9ed body should

    always be tethered to the physical body< then in the practitioner

    will always see and e9en feel a tether in the phase. This is a

    simple case of epectations becoming reality. !imilarly< someone

    who has entered the phase by accident and thinks that the time of

    death has arri9ed may see angels and a tunnel with a light at the

    end. &f someone is etremely religious< there may be a perception

    that something holy< e9en $od< has appeared. &f entry to the phase

    is construed as a result of being abducted by aliens< then that is

    eactly what will happen.

    This would all be 'uite funny if it were not actually

    encountered. ,hen it occurs< the only thing left to do is tobelie9e. To belie9e< to tell others about it< and write books about

    it...

    There are authors who impart no illusions< but it is often

    difficult for a no9ice to separate the truth from illusion or open

    fabrication< which is why a skeptical approach to the contents of

    any book is warranted. The only truth con9eyed in any book is

    that which has been 9erified by personal eperience. The rest

    should simply be noted and possibly taken into consideration.&n conclusion< books should be studied to disco9er

    techni'ue0related information that allows a practitioner to enter

    1-(

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    the phase and control the eperience. This is the only point of

    intersection among all beliefs and theories.

    P(A%TI%) ).6I(O./).T

    !ince techni'ues used to enter the phase are associated

    with a specific type of mental operation< it is necessary to create

    comfortable conditions so that eternal distracters are kept to a

    minimum. 6 room should neither be too cold or too hot< nor too

    bright. Performing techni'ues at a comfortable temperature in a

    darkened room or while wearing a sleeping mask are ways to

    promote unhindered practice.&nterfering noises are often also maor distracters and

    isolation from such noises is necessary to successful practice. &t is

    often sufficient to turn off the phone and close doors and

    windows. &f this does not help< or if it is etremely loud outside

    the window< one can use standard earmuffs.

    &t is also helpful to gi9e ad9ance notice to people so that

    they are not alarmed. &t is also preferable that no one is in the bed

    with the practitioner. Most often< domestic animals interfere with

    the performance of techni'ues< which is why they should be fed

    beforehand and kept out of the room where direct or indirect

    techni'ues are practiced.

    TA3I.G *IT I3)-/I.+)+ P)OP)

    $reat benefit is deri9ed by discussing personaleperiences with other practitioners. This leads to an echange of

    information< new knowledge< and mutual help concerning certain

    problems and issues.

    The greatest effect comes through communication in

    person< and not solely through mail< forums< and blogs. Meeting

    face0to0face with like0minded people promotes camaraderie and a

    useful knowledgebase to consider during indi9idual practice.

    *ue to the fact that knowledge of the phenomenon isunderde9eloped< difficulties may arise in finding someone to talk

    to. This can be sol9ed by personally sharing phase eperiences

    with friends and family members< regardless of whether they are

    1-3

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    fellow practitioners. &t is e9en better to pass on training literatureing other people8s eperiences

    in this section< the reader should remember that these eperiencesare based on personal beliefs about the phenomenon< which is

    why occult terminology and notions may be encountered.

    =owe9er< such aspects of the descriptions are not important.

    4ocus should be gi9en to techni'ue0related actions described in

    the accounts. The reader should also take into account that some

    nuances :like eperiential realism; are not always clear in the tet

    and that it is not always possible to determine why certain e9ents

    occurred in the phase eperiences described here.6ll of the following descriptions belong to real people

    who either related the accounts orally< wrote them down during

    classes at the !chool of Out0of0%ody Tra9el< submitted them 9ia

    email< or posted them on the forum at www.obe4u.com. Though the

    total number of recorded< 9erifiable phase descriptions eceeds

    one thousand< only se9eral cases that are illustrati9e and useful

    for de9eloping analysis ha9e been selected. Primarily< these are

    descriptions of the practitioners8 initial phase eperiences< which

    are most rele9ant to new practitioners.

    The large number of mistakes made by almost e9ery

    practitioner< regardless of their le9el of eperience< should not be

    taken too seriously while reading the comments. 6ctually< it is a

    rare occasion that the phase is eperienced without any techni'ue0

    related errors. 9erybody makes mistakes.

    periments are listed in ascending order of 'uality andnumber of properly performed actions. 6ccounts ha9e been

    published with the permission of the authors.

    A.AYSIS O' S))%T)+

    P(A%TITIO.)(SJ )4P)(I).%)S

    .o< 1

    Bori# Pro$ya!i$%o"y:riter< 3iev; U!rai$e

    + $o%e up in the &correct* state) + i##ediately felt

    vi"rations, and "efore + had ti#e to ti#e to thin% a"out anything,

    1()

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    + $as %noc%ed out of #y "ody "y a strong %ic%) + started falling) +

    had no vision, the floor $as gone) i%e a nose-diving airplane, +

    $as in a free-fall) + %ept dropping faster and faster) + started to

    feel that + $as losing control) The only thing + could do $asincrease the speed $ith $hich + fell, all of the $ays that occurred

    to #e to try #aintain the phase that + atte#pted at that #o#ent

    only lo$ered #y degree of a$areness) Touching did not do

    anything for #e, as + $as 6ust an une#"odied spirit in a co#plete

    vacuu#) Gision $as also #issing) + started to panic due to the

    i##inent foul) But the acceleration of the fall did not help either,

    and + $as flying and $aiting for the #o#ent $hen + $ould "e

    thro$n out into the drea# $orld) .nd + dropped li%e this until +fell asleep)

    ue#tio$#& *id %oris describe a direct or indirect

    techni'ueJ ,hat could he ha9e done if no spontaneous separation

    had occurredJ =ow could %oris ha9e more correctly used

    deepening techni'uesJ ,hy wasnCt %oris thrown into a phase

    episodeJ ,hy did he fall asleepJ

    A$#:er# a$d %omme$t#& 6n indirect techni'ue was

    employed. &f spontaneous separation had not occurred< %oris

    could ha9e tried to separate on his own. &f an attempt to separate

    had failed< it would be necessary to implement indirect techni'ues

    by intensifying the 9ibrations< and then try once again to separate.

    &n order to deepen and< meanwhile< reach a destination while

    falling< %oris should ha9e applied translocation techni'ues andhe$ova

    )$gi$eer< Shchel!ovo; (u##ia

    :hen + $as a"out 1L or 1I years old, + read so#e esoteric

    articles on astral pro6ection) They see#ed 9uite interesting to #e,

    "ut no #ore than a curiosity N + did not particularly "elieve in

    such things)

    One evening, + $ent to "ed as usual) + $o%e up in the

    #iddle of the night, "ut $as una"le to #ove #y "ody and there$as a loud noise in #y head) 5aving "een re#inded of those

    articles, + si#ply tried to levitate and + #anaged to do so, as if

    through #y forehead so#eho$) The sensation of flying $as very

    1(3

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    realistic, to #y great surprise) The first thought that occurred to

    #e $as, :o$, these astral guys $eren3t lying* + hovered a"ove

    #y "ody for so#e ti#e in the dar%) + thought of vision, and it

    started to appear) + then fle$ to$ards the $indo$, and uponturning around in to face #y "ody, + sa$ it in its proper place) +

    decided to fly "ac% to it and touch it) :hen + finally po%ed it, it

    suc%ed #y "ac% into it, causing a 9uite strange sensation)ue#tio$#&,hat type of techni'ue did /atalya useJ ,hat

    would she ha9e needed to do if her attempt at le9itating had been

    unsuccessfulJ ,hy was the phase short0li9edJ ,hat should she

    ha9e done upon returning to her bodyJ ,hy did she use the term

    AastralBJ ,ere the articles about astral proection of anysignificant helpJ

    A$#:er# a$d %omme$t#&7pon awakening in a state of a

    sleep paralysis< /atalya stumbled upon the idea of employing

    indirect techni'ues. !he managed to separate immediately< but if

    she8d encountered problems in doing so< she could ha9e started

    the techni'ue of listening in to the AnoiseB in her head. The phase

    was short0li9ed due to a lack of acti9ity and failure to perform

    deepening and AmaintainingB techni'ues. 6fter returning to her

    body< she should ha9e tried to immediately separate.

    /atalya holds esoteric 9iews on the nature of the phase

    phenomenon< which is why she uses such terminology for it.

    =owe9er< the articles helped her to perform the right actions at

    the right moment.

    .o CAle?a$der 'urme$!ov

    Stude$t< Sai$t Peter#urg; (u##ia

    + $o%e up at early in the night after so#e difficulties $ith

    falling asleep) Blurred i#ages started to float "efore #y eyes and

    + realied that + could enter the phase) + started to discard

    unnecessary i#ages, and after getting ahold of one of the#, +

    e#erged in so#e %ind of a yello$ corridor) The level of general

    realness and a$areness of the eperience $as a"out I< to !ation was used immediately

    before entering the phase instead of obser9ing images< which is

    used more often. Oleg deliberately conured the obser9ed images

    instead of searching for them in front of himself< which is where

    the difference between the techni'ues lies. =owe9er< he did not

    perform deepening upon entering the phase. 6dditionally< he had

    no clear plan of action to ensure that the phase would beproducti9e !tarting to translocate by umping through windows

    should only be done by those with a certain amount of eperience

    since beginners sometimes percei9e reality to be the phase< or the

    phase to be reality.

    The reason for the reflection on the nature of the

    phenomenon was due to terminological confusion< which is 'uite

    widespread. &f a practitioner is aware but does not feel the body as

    in the physical world< then it can be assumed that the phase hasbeen entered. This is why there was no reason to in'uire about

    this among animate obects.

    13(

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    *eliberately returning to the body was a big mistake.

    There was no reason to throw away an opportunity to tra9el and

    use the phase. %eginners are not often afforded such an

    opportunity. The reason for the return to the body in this case ismost likely found in the absence of a plan of action and lack of

    clear understanding of how the phase might be used for practical

    aims.

    .o< 11

    Ale?a$der ele!ov

    %om"uter Programmer< Sai$t Peter#urg; (u##ia

    + tried all night to use the .stral ?atapult that cues you$hen you3re drea#ing, "ut + gave up on the idea after several

    unsuccessful a$a%enings and si#ply fell asleep) :hen +#

    drea#ing + usually #ove "y ta%ing great leaps, #uch further than

    a %angaroo, a"out 1-= yards) This happens regularly in #y

    drea#s, and + usually i##ediately realie that +# in a drea#)

    8uring one of the leaps, + realied $hile air"orne that + $as

    drea#ing and also realied that + $as a"le to land in a s#all

    dirty pond) .s epected, + landed right in the pond and $ent deep

    under the $ater) .nd at that very #o#ent, + found #yself in the

    stencil, $ith #y hands and head half stuc% in it)

    + got a little nervous that this atte#pt $ould also "e

    unsuccessful, and so + i##ediately tried to separate fro# #y

    "ody) + $as una"le to get #y head or hands out, and for the first

    ti#e + tried to turn around round #y ais and #anaged to get out)

    Then + either slipped do$n or fell fro# the "ed, "ut + did not feelany pain) + cra$led for 1-2 #eters and then felt that + could go

    "ac%) + started to touch the rug and so#e other thing, though +

    don3t %no$ eactly $hat it $as as it $as dar%, and, lo and

    "ehold/ $ithin 2-= seconds + pro"a"ly felt $hat s#all %ittens

    feel $hen their eyes open for the first ti#e) 7verything $as foggy

    and "lurry at first, "ut then a picture started to appear, the roo#

    filled $ith light, and colors "eca#e "right and vivid) + tried very

    hard to restrain #y ecite#ent, and, to #y surprise, $as a"le to)+ $al%ed around #y apart#ent thin%ing a"out $hat +

    should do) Realiing that + did not have that #uch ti#e, + decided

    to tal% to an elderly #an $ho $ould ans$er #y 9uestions) +

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    decided that there $ould "e an o#niscient elderly #an "ehind the

    apart#ents front door, $hich + $as a"out to open) .nd there he

    $as, half-"ald, a"out K years old, in a grey coat $aiting for #e)

    + as%ed hi# the 9uestion, &:hat should + do to get into the phase#ore oftenH* But he started to tell #e a"out ho$ he $as raped as

    a child) .nd to "e #ore precise, this $as already not an elderly

    #an, "ut an elderly $o#an) + $as not very interested in hearing

    her story, thus + tried to #ove a$ay fro# her, suggesting that $e

    could tal% later) But the elderly $o#an $as persistent, and + did

    not $ant to offend her, "ecause + thought that this $as an unusual

    drea# $ith its o$n set of rules, and na#ely that once you have

    as%ed an old $o#an a 9uestion, you are supposed to "ecourteous and listen to the entire ans$er)

    + $ent $ith her to the %itchen of #y apart#ent) The

    telephone suddenly rang) + got scared that the telephone $as

    ringing in #y apart#ent and $ould $a%e #e up, $hich is $hy +

    i##ediately started to loo% at #y hand in order to #aintain) But

    the sensations $ere 9uite sta"le, and + stopped doing that) Then,

    #e and this lady $anted to coo% so#ething in #y %itchen) She

    said that + could heat a frying pan $ithout gas) But + instead

    decided to try the techni9ue of putting the hands together and

    "lo$ing on the#, and returned "ac% into #y "ody)ue#tio$#& ,hich type of the entry into the phase did

    6leander describeJ ,as the cueing program of any helpJ ,hich

    type of anchor was the leapingJ ,hy was the onset of

    consciousness immediately followed by a transition into the

    stencil< i.e.< the real body< though not completelyJ ,hichseparation techni'ue helped him to get out of his body againJ

    ,hich techni'ue was used for deepeningJ ,hich techni'ue for

    materiali>ing an obect was used correctlyJ ,hat should the

    procedure for obtaining information ha9e been started withJ ,hat

    importance does a polite attitude towards elderly women in the

    phase ha9eJ ,hy was the return to body possibleJ ,hat did

    6leander either forget to do or forget to record right after the

    foulJA$#:er# a$d %omme$t#&6leander described an entry

    into the phase through dream consciousness. %y and large< the

    onset of consciousness was facilitated by prior work with the

    13

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    cueing program< which< though it failed to yield resultsing

    the two hemispheres of the brain.

    =is first book

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    Robert Monroe passed away in 15.

    PAT(I%IA GA('I)+

    Patricia $arfield was born in 1)+ in the

    7nited !tates. 4rom the age of 1+< she kept an

    uninterrupted daily dream ournal that would

    allow her and all of humanity great insight into

    dreams phenomena associated with the phase.

    !he was one of the founders of The

    6ssociation for the !tudy of *reams. *r.

    $arfield holds a Ph.*. in clinical psychology.!he is the author of a great number of books< with the

    1(+ best0seller ?reative 8rea#ing being the most widely

    lauded. &t was one of the first pieces of literature to approach the

    phase state in a practical and non0specialist way< and recei9ed

    worldwide interest and appreciation. The book contains good

    practical guidelines and also describes the dreaming practices of

    9arious cultures.

    SY6A. /U+OO.

    !yl9an Muldoon was born in the

    7nited !tates in 1). =e is considered to be

    the 6merican pioneer in the study of the

    phase< although he used the esoteric term

    astral. =e inad9ertently woke up in the phaseat the age of 12< where he saw a cord

    connecting his percei9ed body to his real

    body. Muldoon first thought that he was dying

    during the eperience< although he e9entually

    concluded that this was an instance of Aastral proectionB. =e had

    repeated eperience with the phenomenon< but Muldoon was still

    unable to become an ad9anced practitioner due to a lack of full

    control o9er the practice.6fter coordinating efforts with =ereward "arrington< the

    famous 6merican in9estigator of the unknown< the two published

    the sensational< ointly authored book The ro6ection of the .stral

    2

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    Bodyin 12. The authors published two other books? The ?ase

    for .stral ro6ection :1)-; and The heno#ena of .stral

    ro6ection :151;.

    *espite a large ser9ing of esotericism< Muldoon8s bookser of irrational esoteric terms and

    theories< which subse'uently became 'uite widespread.

    !yl9an Muldoon passed away in 1(1.

    %A()S )A+B)AT)(

    "harles Deadbeater was born in

    ngland in 13+( :135+ according to some

    sources;. 6fter dropping out of Oford due to

    hard times< Deadbeater became an ordained

    priest< but then became 'uite acti9e in the

    occult. This led to his becoming a member ofthe Theosophical !ociety in 133). Deadbeater

    became one of its most famous participants.

    The combination of a bright minded a$d immoili>ed< Thi# ha""e$#

    2

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    i$ a room :ith a #i$gle e?it& a door that ha# #tarted to clo#eing

    and spreading knowledge of the phenomenon< anyone who is

    interested is in9ited to take part in a global eperiment of thetechni'ue8s effecti9eness. &n addition to testing it< a researcher

    may propose the techni'ue to interested persons or post it on the

    &nternet to increase the number of practitioners. Please submit the

    results of your eperiments with the techni'ue to the e0mail

    address? [email protected]

    =ere it is?

    T) %) PO.) T)%.IU)

    21-

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    The practice of this phase entry techni'ue is to imagine

    the sensation that something is resting in the hand< desirably upon

    awakening without any physical mo9ement. &t is best to imagine a

    cell phone is in the hand because the modern person is 'uiteaccustomed to this sensation< although any other obect will do. &t

    is necessary to acti9ely and attenti9ely focus on the sensations in

    the palm of the hand. Most likely< the physical sensation of a

    phone lying in the hand will 'uickly arise. The sensation will

    become increasingly palpable. &f a sensation does not arise within

    1 seconds< the techni'ue not going to work and it is time to

    switch to another one.

    ,hen the sensation of a phone in the hand occurs< focuse9ery bit of attention on it. &t should be noted that this will not be

    an imagined sensation< but a real one. This should be understood

    from the 9ery beginning< and results should be epected. Once the

    sensation is stable< start feeling the mobile phone with the fingers.

    Physical sensations should be eperienced. The physical body< of

    course< must not mo9e or strain. &f this does not work< only focus

    attention on the sensation of the phone lying in the hand and try to

    feel the phone with the fingers later. &f feeling the phone with the

    fingers is successful< acti9ely roll the phone around the handes

    consciousness outside the normal range of physical perception.

    $direct tech$i5ue## entry into the phase within fi9e minutes of

    awakening from sleep of any duration 0 pro9ided there has been

    minimal physical mo9ement.+irect tech$i5ue## entry into the phase without any prior sleepation that

    often occurs when falling asleep< awakening< and entering or

    eiting the phase.Ste$cil# the real physical body that is no longer percei9ed while

    in the phase.

    +ee"e$i$g the "ha#e# methods for making the phase as realistic

    as possible by stabili>ing the surrounding space./ai$tai$i$g the "ha#e# methods for maintaining the phase state

    by pre9enting a lapse into sleep< a return to reality< or an imagined

    return to reality.

    ()/# rapid eye mo9ement sleep :RM phase;@ a sleep phasethat is characteri>ed by increased brain acti9ity that is

    accompanied by rapid eye mo9ement and dreaming.

    21

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    'oul # an inad9ertent termination of the phase through a

    spontaneous return to e9eryday reality.%ycle# of i$direct tech$i5ue# 00 the easiest way to enter the

    phase< employed by rapidly alternating certain techni'ues uponawakening from sleep until one of them works.

    22

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    UTI/AT) YOGA

    T) T)%.OOGY O'

    T) 2012

    T(A.S'O(/ATIO.

    :%uy on www.obe+u.com;

    The lines of this book will close out the life you ha9e led

    thus far. ou ha9e in front of you a gap0closing< cutting0edge and

    conscious0awareness raising technology that will allow you to

    complete your transformation into the new era. &ts moderni>edons and is the

    most promising personal de9elopment technology in eistence. &

    say this for the simple reason there is nothing more useful andpro9ocati9e out there. This is the long0awaited net step in human

    e9olutionary de9elopment. The eplosi9e propagation of this

    practice will also be the trigger for the 212 transformation.

    Michael Raduga

    Founder of the School of Out-of-Body Travel

    Table of "ontents?

    %ha"ter 1

    !uperpowers Made 6ccessible

    %ha"ter 2

    ntering the Out0of0%ody !tate

    %ha"ter @

    Managing the Out0of0%ody perience

    221

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    %ha"ter

    Practical 6pplications

    %ha"ter =

    The periences of %eginners

    S%OO O' OUT-O'-BO+Y-T(A6) II

    P)(SO.A )4P)(I).%)S

    Thi# oo! i# the free#ta$di$g #u""leme$t to The School of

    Out-of-Body Travel I A Practical GuidebooIt i# i$te$ded to

    give a fir#t-ha$d demo$#tratio$ of the out-of-ody e?"erie$ce

    i$ "ractice; :hile ri$gi$g atte$tio$ to correct actio$# a$d

    mi#ta!e# made :he$ out-of-ody