0809ANNUALREPORT

TRONTHEATRE

INTRODUCTION FROM THE CHAIR

ABOUT THE TRON / MISSION STATEMENT

A MESSAGE FROM THE ARTISTIC DIRECTOR

TRON THEATRE COMPANY PRODUCTIONS

TRON THEATRE IN ASSOCIATION

VISITING COMPANIES

EDUCATION AND OUTREACH

BUSINESS DEVELOPMENT

SPONSORS

FINANCIAL INFORMATION

STAFF

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CONTENTS

2008/9 was an extremely busy year forthe Tron notably with the appointmentof our new Artistic Director, AndyArnold. The Tron Theatre Companyproduced, co-produced and worked inassociation to provide a diverseprogramme of premieres, new writingand modern classics. The building wasused to full capacity with activityscheduled in all viable spaces includingthe Front Foyer and Victorian Bar.Supported by a strong, highly skilledadministration, the organisation fulfilledits commitment to provide innovativeand challenging works for its audiencesand financially delivered a surplusenabling the organisation to meet itsreserves policy.

I am pleased to offer thanks to ourfunders the Scottish Arts Council,Glasgow City Council, my fellowdirectors, corporate partners anddonors for their support andengagement during the year.Particularly, I would thank all Tron stafffor their expertise and dedication tomaximising the Tron’s potential in anever-changing cultural climate.

Julie K AustinChairTron Theatre

INTRODUCTIONFROM THE CHAIR

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ABOUT THE TRON MISSION STATEMENTSITUATED IN THE HEART OF THE MERCHANT CITY,the Tron Theatre has been one of Glasgow’s Culturallandmarks for over 30 years and presents a diverse rangeof contemporary drama, performance, music and comedy.

It is home to the Tron Theatre Company which aims topresent the people of Glasgow and the West of Scotlandwith outstanding professional productions of the finestnew writing, with an emphasis on world, UK and Scottishpremieres. Currently under the leadership of AndyArnold, it has nurtured the careers of several acclaimedScottish dramatists such as David Greig, Douglas Maxwelland Zinnie Harris and can count Alan Cumming, CraigFerguson, Peter Mullan, Peter Capaldi, Elaine C Smith andSiobhan Redmond as former members.

The Tron is also an established receiving theatre on thesmall-middle scale, as well as a major venue for many ofGlasgow's festivals including Celtic Connections, GlasgowInternational Jazz Festival, Magner’s Glasgow InternationalComedy Festival, the Merchant City Festival and Glasgay!

The Tron Theatre produces andpresents outstanding contemporarytheatrical work that entertains,inspires and empowers in order toculturally enhance the lives of thepeople of Glasgow, the West ofScotland and beyond irrespective of age, background or ability.

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FROM THE ARTISTIC DIRECTOR

At the beginning of April 2008, I took up my post asArtistic Director at The Tron and to date it’s been anextremely enjoyable experience. I was delighted to finda team of people here who have a great loyalty to thistheatre and a commitment to making things work.

Andy Arnold

Artistic Director and Chief Executive

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THE THEATRE HAD JUST GONE THROUGH TWOyears of change with two leaders of the theatre comingand then going after a short period so there was theneed for some sense of stability and consolidationcoupled with a clear focus as to what we should beachieving artistically. It was important to me that the Tronshould set out its stall with the Glasgow and Scottishtheatre environment with clarity and a sense of vision and purpose.

I arrived here with a commitment to increase the range and output of our own Tron Theatre Companyproductions, to address the needs of the Glasgow theatregoing community by providing an exciting and diverseprogramme, and to turn the building into a thriving andenergetic theatrical powerhouse and key resource for the arts in Scotland. In my view, Glasgow has the besttheatre audiences in the UK coupled with the bestcollection of theatre artists and those two factors provide us with a wonderful opportunity.

We immediately started rehearsals for what was to bethe first of my Tron Theatre productions, Michael Healey’samazing play, The Drawer Boy. During the same first weekswe addressed the issue of maximising space within thebuilding. The box office was moved back into the frontfoyer area and its previous location converted into aspace called ‘The Education Suite’ and given over for

rehearsals, workshops, and classes. This move freed upour studio space, the Changing House, to be moreregularly used for performances, particularly from visitingcompanies. Programming of occasional events – cabaret,music, and theatre – started to be developed in theVictorian Bar to complement the productions running inthe other two performance spaces.

Within this report are images and details of what wehave produced during the 2008 / 09 season. It is still earlydays but we have set about the task very quickly and theresults are already there to see... an increased number ofin-house shows, a significantly increased number ofperformances throughout the building, and anacknowledgement in Glasgow and across Scotland thatthings are happening at the Tron with an energy anddynamism that this wonderful theatre is well capable ofand which people in Glasgow deserve.

Any theatre is only as good as the people who work in itand none of what we do at the Tron would be half asgood without the hard work, energy and commitment ofthe Tron staff. I give thanks to them all. I would also liketo thank the Board of Directors who are very supportiveof what we are doing and I also give thanks to all thoseorganisations and individuals who contribute financially tothe work of the Tron – principally of course Glasgow CityCouncil, and Scottish Arts Council.

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TRON THEATRE COMPANYOn his arrival in April 2008, Andy Arnold announced a commitment to boost thenumber of Tron Theatre Company productions throughout the year. As good ashis word, the Tron staged 6 productions throughout the year whereas there hadonly been 3 Tron Company productions in 07/08 and 2 in the 06/07 season.

8 - 24 MAY 2008 SCOTTISH PREMIERE

THE DRAWER BOY By MICHAEL HEALEYDirected by ANDY ARNOLDDesigned by HAZEL BLUE Cast: BRIAN PETTIFER, BENNY YOUNG, and BRIAN FERGUSON

This Scottish premiere of this little-known but award winningCanadian play wowed audiences and was subsequentlynominated for two CATS awards. Impeccably performed,humorous and touching it continued the Tron’s longassociation with Canadian theatre.

“Arnold has made a cracking start to his tenure with thistender tale of magic, loss and a life regained.” THE HERALD

“Beautifully-cast staging of the play …” THE SCOTSMAN

“Beautifully written and directed, it was probably my favouriteplay of the year.” VIEW FROM THE STALLS

“A tight and affecting premiere and a fine beginning to[Arnold’s] tenure at the Tron” SUNDAY HERALD

“Exquisitely acted…promises more powerful stories to comeunder Arnold’s regime.” THE GUARDIAN

26 SEPTEMBER – 11 OCTOBER 2008 WORLD PREMIERE

SIX ACTS OF LOVEBy IOANNA ANDERSONDirected by ANDY ARNOLDDesigned by FRANCIS GALLOPCast: UNA MCLEAN, BARBARA WILSHERE, CLARA ONYEMERE, DES BRAIDEN,BENNY YOUNG.

This world premiere of a new play by Scots-born, Dublinbased playwright Ioanna Anderson featured a strong cast,and was anchored by a central performance from Scottishtheatre legend Una McLean that embraced the comic andtragic with equal aplomb.

“Shot through with warmth and irresistible wit…this is, in everysense, a class act.” Robert Dawson Scott - THE TIMES

“Beautifully executed… Six Acts of Love has every chance ofbecoming a summer-season staple” Mark Fisher - THE GUARDIAN

“Witty and cleverly observed” SUNDAY HERALD

24 OCTOBER - SAT 8 NOVEMBER 2008TENNESSEE WILLIAMS DOUBLE BILL:

A PERFECT ANALYSIS GIVEN BY A PARROTT

SUDDENLY LAST SUMMER28 OCTOBER – 8 NOVEMBER 2008

LIKE THE RAIN: HELLO FROM BERTHA THIS PROPERTY IS CONDEMNED TALK TO ME LIKE THE RAIN AND LET ME LISTENBy TENNESSEE WILLIAMSDirected by ANDY ARNOLDSuddenly Last Summer designed by JESSICA BRETTLE Like the Rain designed by KIRSTY McCABECast: CLARE YUILLE, MORAG STARK, ROSS STENHOUSE, MUIREANN KELLY, ANITA VETTESSE, JOHNNY AUSTIN, JILL RIDDIFORD

In November 2008 the Tron produced a special TennesseeWilliams season as a contribution to the 2008 Glasgay!Festival. Suddenly Last Summer was performed in the mainhouse and the same company of actors demonstrated theirversatility by also performing the Scottish premiere of threeshort Tennessee Williams plays on the same night, under theumbrella title Like The Rain.

“During his 17 years as director of the Arches, Arnold displayeda superb understanding of the atmospherics of William’s dramas,and he does so again with this production.” SUNDAY HERALD

“Arnold finds exactly the right dreamy jazz-blues tone for Like The Rain” THE SCOTSMANANNUAL

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29 NOVEMBER 2008 – 4 JANUARY 2009

MOTHER BRUCEBy GORDON DOUGALL and FLETCHER MATHERS

Directed by GORDON DOUGALL

Designed by KENNY MILLER

Cast: GEORGE DRENNAN, MARK PRENDERGAST, KATRINA BRYAN, STUART PORTER,

NATALIE TOYNE, STEVEN STRUTHERS, JENNIFER BATES.

In December and early January the company staged itsannual pantomime, Mother Bruce, written by our redoubtableteam of Gordon Dougall and Fletcher Mathers. Thisproduction, as in previous years, had the distinctive style of aTron Panto and was extremely well received by the public –adults and children alike.

“Enough adventure, singalongs, jokes and mayhem to keep adultsand children with smiles bigger than the Clyde” DAILY RECORD

“A jewel in the tarnished pantosphere.” THE GUARDIAN

“Inspired craziness” THE HERALD

“Wonderfully silly stuff” DAILY TELEGRAPH

6 - 28 FEBRUARY 2009 UK PREMIERE

DEFENDER OF THE FAITH By STUART CAROLAN

Directed by ANDY ARNOLD

Designed by JESSICA BRETTLE

Cast: LEWIS HOWDEN, MARTIN McCORMICK, MARTIN McCARDIE,

LAURIE VENTRY, TAM DEAN BURN, CALUM MUNRO, JAN PLAZALSKI

Finally, in February 2009, the company staged the UK premiereof an award-winning Irish play, Defender of the Faith, by StuartCarolan. This was a dark and intense thriller set during theTroubles and featured a strong acting company includingLewis Howden, Laurie Ventry, and Martin McCormick. Theplay was the winner of the George Devine Award for bestnew play and we took the decision to run the productionfor a week longer than usual. The ticket sales certainlyjustified the decision.

“Arnold pares back the direction so that the scenes unfold withoften brutal realism…the acting is excellent” THE LIST

“An intense meditation on violence’s corrupting influence” THE STAGE

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SLICKWritten and directed by CANDICE EDMUNDS and JAMIE HARRISON

The Tron co-production with Vox Motus, Slick by JamieHarrison and Candice Edmunds, was rehearsed and producedat the Tron and went on to enjoy a sell-out run at theTraverse Theatre for the Edinburgh Festival Fringe, winning aFringe First award. It then returned for a successful run inthe Tron’s main auditorium in September 2008.

“The sheer inventiveness… takes the breath away” METRO

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TRON CO-PRODUCTIONS

TRON IN ASSOCIATION

THE WASP FACTORYBy IAIN BANKSAdapted by MALCOLM SUTHERLANDDirected by ED ROBSON

The Wasp Factory by Iain Banks, adapted by MalcolmSutherland, opened in Glasgow at The Tron and played topacked houses. This production was in association withCumbernauld Theatre and succeeded in attracting a largenumber of young theatre-goers.

“Inventive and good looking... the production matches theimagination of the novel” THE GUARDIAN

YEAR OF THE HORSEConceived and Performed by TAM DEAN BURNImages and Text by HARRY HORSEMusic by KEITH McIVOR

In February 2009, Tron Theatre also co-produced Year ofthe Horse with Burnt Goods – a new work about thepolitical cartoonist Harry Horse which was devised andperformed by Tam Dean Burn and which ran concurrentlywith Defender of the Faith.

“One of the most powerful Scottish theatre pieces of the year”THE SCOTSMAN

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VISITING COMPANIES

THEATREStellar Quines: The Unconquered Opera Circus: Differences in Demolition GAPPAD (Polish Theatre Company): As You Always DoMartin O’Connor’s RealityBenchtours: The First To GoMull Theatre Company: Swindle and DeathScottish Youth Theatre: Oh! What A Lovely WarSan Quentin Drama Workshop: Krapp’s Last Tape V.AMP Productions: FleetoSpartan: The Emotional Life of Furniture Benchtours: The LessonReeling and Writhing: Hannah and HarveyRetrograde: The Tobacco Merchant’s LawyerMetis Arts: Four Men and a Poker Game Stellar Quines: Baby Baby Twelve Stars: Do I Mean Anything to You or Am I Just Passing By?Ransom Theatre: The Gentlemen’s Tea-Drinking SocietyTirso Theatre Co: Frida: Viva La VidaDiane Torr’s Donald Does Dusty

VICTORIAN BAR EVENTS INCLUDED:The Manifesto Politikal Kabaret with Tam Dean BurnLicence PendingTBC: To Be Confirmed Cabaret NightThe Quiz Show

FESTIVALSIn 2008/2009 we also supported the following festivals:Celtic ConnectionsMagners Glasgow International Comedy FestivalScottish Refugee WeekScottish Youth Theatre Summer FestivalScottish Mental Health Arts and Film FestivalMerchant City FestivalInspiration FestivalGlasgay!

MUSICThe Tron has continued to programme music throughAcoustic Affair and Fallen Angels Club Promotions. Jazz hasbeen programmed monthly on a Sunday in the Vic Bar.Acoustic music sessions also took place on a monthly basis inassociation with Stow College under the heading, Stow Sessions.

The Tron continued to welcome andsupport a diverse range of emerging,local, national and internationaltheatre companies throughout 08/09.These included:

PROFESSIONAL DEVELOPMENTTron Labs continued to take place in the Changing Houseand in other spaces in the building, giving theatreprofessionals (actors/directors/choreographers) theopportunity to develop work that will ultimately be seen onthe Tron Theatre main stage. Tron Lab projects during theyear included Vox Motus, David Leddy, Random Accomplice,and Reeling and Writhing.

The Tron has also been developing a number of new writinginitiatives. This year has also seen a rehearsed readingprogramme with Stellar Quines called Rehearsal Rooms.

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THE PAST YEAR HAS SEEN THE DEVELOPMENT ANDsuccessful growth of both existing and new Tron projectsand initiatives. Through our extended programmeparticipants from the age of 3 and up are able to developskills, engage through the arts and have fun. Throughout2008-2009 Tron Education and Outreach delivered 339workshops and worked with 5322 participants.

CLASS PROGRAMME

Our class programme of weekly workshops continued toprovide opportunities for all ages to try something new orbuild on existing skills through workshops and performanceprojects.

For our young Tron participants, Tall Tales continued toentertain 3-5 year olds plus their parent/carer with itsinteractive storytelling sessions. Our weekly Skillshopsclasses catered for 5-7s, 8-12s and 13-19 year-olds. Skillshopmembers attended various productions and post-showdiscussions throughout the year including The Wasp Factory,Baby Baby, Fleeto, Slick, Hannah and Harvey and Mother Bruce.

During January and February 2009 senior skillshopsrehearsed Multiplex by Christopher William Hill. This multi-media performance played 2 nights on the Tron’s main stage.The supporting outreach workshops took place withKingspark Secondary and Airdrie Youth Theatre with bothpre and post-show workshops.

Write Tron, our adult writers group, continued to run at fullcapacity. 2008/09 saw Write Tron participants involved in awriters’ surgery and also gave them the chance to workwith visiting tutors as part of the Creative Writing weekendwhich we ran in April 2008. Peter Arnott, Stephen Barnesand Mandy Sinclair all delivered specialist workshops andMartin O’Connor hosted an Open Mic event in the Vic Bar.

Our adult performance group Tron Studio, devised andperformed their first production called The Tenement whichplayed for 3 sell-out nights in the Tron Changing House. Theadult group also participated in a film short project wherethey learned the process of screen writing, performance forcamera and directing for film.

Our range of adult workshops was expanded with theintroduction of NL Studio, our adult inclusive group run inassociation with North Lanarkshire Council. This groupmeet offsite in Bellshill. The group devised a new productionaround the theme of communication. Wait till I tell you thiswas performed in Airdrie Town Hall on Sunday 1st June.

The Tron continued to build its programme of supportingwork for its in-house productions with outreachprogrammes happening across the city for Six Acts of Love,Suddenly Last Summer, Mother Bruce and Multiplex. Theoutreach programme gave us the opportunity to work withprimary and secondary schools, FE colleges, Universitystudents and residents of the Aberlour Centre.

EDUCATIONAND OUTREACHTron Education and Outreach continuesto provide a wide variety of qualityopportunities and experiences withinthe arts, promoting communitydevelopment by encouragingparticipation from all regardless ofage, ability or background.

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Other highlights from the year included Little Rudi ourChristmas show for 3-6 years olds. Our young audienceswere entertained through the festive period discovering thestory of how Rudolph came to have his red nose. Therewere 43 performances seen by a total audience of 1360.

“Wonderful performance the children really enjoyed it,performers were fab. Excellent that the children can beinvolved in the performance. Even the quiet ones took part.Excellent. Can’t wait till next year.”BUCHANAN NURSERY

The Tron once again ran Arts in the City, a multi-mediaprogramme of work for looked after and accommodatedyoung people. Workshops in animation, drama, dance andvisual art took place. The senior group worked for anextended period to write and rehearse a new play BurstBubbles based on their experiences of growing up in thecare system. The Tron delivered 43 workshops and workedwith 189 participants.

This is the best thing we’ve ever done with Arts in the City, so thanks.WORKSHOP PARTICIPANT

Other one-off events included: workshops with RiddrieResource Centre as part of On Your Radar a festival of artsevents for adults with learning difficulties. Workshops atFirpark School and Abronhill Primary as part of NorthLanarkshire’s Youth Arts Festival. An inter-generationalprogramme of animation and Tall Tale sessions withparticipants and their children based at Aberlour House.Tron building tours and outreach workshops for BrightonUniversity, Carnwadric Primary School, Cartvale SecondarySchool, Coatbridge College, Common Purpose, GirlsBrigade, Maryhill Youth Theatre , Riddrie Resource Centre,Strathclyde University, Stow College and WhitecrooksCommunity Centre.

Senior Skillshop members in Multiplex

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WE WERE DELIGHTED THAT BOTH STV AND ROYALMail Group came back on board for a fifth year of sponsorshipof the Tron’s panto – Mother Bruce. STV returned as MediaPartner providing a television advertising campaign andRoyal Mail continued to provide the schools activity packsassociated with the panto to take workshops out toclassrooms in advance of the production.

Belhaven Brewery Limited have enhanced their support byjoining us as a Corporate Partner in addition to theircommitment to annually sponosring the season brochuresfor a fourth year and we are delighted that we have developeda new relationship with Inver House Distillers and theirbrand AnCnoc.

BUSINESS DEVELOPMENTAgainst the backdrop of a difficulteconomic climate the Tron has managedto maintain relationships with all of itsexisting Corporate supporters during2008/2009 and indeed attracted anumber of new partnerships duringthe year in question.

AnCnoc are now the official ticket sponsor for the Tron andwill also be sponsoring all opening night receptions for TronTheatre Company Productions. This is complemented by anew sponsorship relationship with Oddbins who will besupporting Exhibition launches in the Long Gallery.

Other new Corporate Partners include Danwood Scotlandwho have committed to the Tron for the next three years;Reid Printers, Alba Facilities,Walton and Parkinson and wehave also managed to secure in-kind support fromWag Designand Fraser Suites.

During 2008/2009 we also managed to encourage a numberof our original patrons, who had not renewed theirmembership in the previous year, to rejoin the scheme. It isour intention to relaunch the scheme in April 2009 and thispositive response has provided us with a really solid basis fromwhich to do that.

In the current financial climate it is becoming more andmore difficult for arts organisations to secure large-scale cashsponsorships. With this in mind it is our intention over thenext three years to focus our attention on ways of increasingalternative income streams including individual support andall recent research in this area supports this move. To thatend we have recently launched a donations campaign aimedat attracting a £1 donation from all ticket buyers and this willbe monitored throughout the next twelve months. Initialresponse to this campaign has been encouraging.

Support from Charitable Trusts and Foundations continuedto grow and has helped to support a wide range ofEducation and Outreach activities throughout the year,enabling us to reach as wide a range of people as possible.

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CHARITABLE SUPPORTERS:

The Paul Hamlyn TrustThe Saints and Sinners Club of ScotlandThe Inchrye TrustThe Jennie S Gordon Memorial FoundationThe Gordon Fraser Charitable TrustThe Hugh Fraser FoundationElaine & Joe Gerber TrustThe Merchants House of GlasgowBBC Children in NeedSylvia Aiken Charitable TrustThe W.M Mann Foundation

SPONSORSWe would like to thank all our business partners,donors and patrons for their ongoing support.

PATRONS:

Jean ReidAlan & Kirsty ClementsStewart & Frankie CoulterJean & Robin DodsRoberta DoyleRobert LoveNorman McCandlishAlan McDonaldHelen McLarenLionel MostAngela & Euan PetrieIan WatsonColin McCredieLesley InglisJohn & Agnese KeeperEleanor KennedyEleanor RutherfordAngela DonoghuePaul DunlopPeter LawsonHelen MillarWilliam ScottLesley Cowan

CORPORATE SUPPORTERS:

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FINANCE AND PERFORMANCE

6 Tron Theatre Company productions

2 co-productions with Burnt Goods, Year of the Horseand Vox Motus’ Slick

1 in association with Cumbernauld Theatre, The Wasp Factory

Over 170 performances by visiting companies across the Main Theatre, Changing House and the Victorian Bar

54 Education and Outreach performances

This in-house and visiting programme of work was key tothe artistic and financial success of 2008/09. A busyprogramme led to a busy building which in turn increasedfootfall to the Catering operation. All these elementscombined with strong management and financial controlresulted in the organisation achieving a surplus at the end ofthe year.

On the previous year’s results there were increases in BoxOffice income of 14.7%, Donations and Sponsorships of11.5% and Catering income of 15.3%. These increasesreinforce the impact of a busy and a quality artisticprogramme – more people support The Tron.

The main purpose of the Tron Theatreis to produce and present theatre forthe people of Glasgow and the Westof Scotland. In the financial year2008/09 the Tron Theatre producedand presented:

GRANTSSCOTTISH ARTS COUNCIL 42.2%GLASGOW CITY COUNCIL 12.1%

OTHER GRANTS 0.8%

OTHERBOX OFFICE 14.7%

DONATIONS & SPONSORSHIP 1.9%CATERING 24.1%

OTHER EARNED 4.2%

INCOME% OF TOTAL INCOME

EXPENDITURECOST OF GENERATING INCOME

DONATIONS & SPONSORSHIP 1.9%CATERING 23.7%

CHARITABLE ACTIVITIESTHEATRE PERFORMANCES 54.2%

PRESS & MARKETING & OTHER COSTS 5.9%ADMINISTRATION & OVERHEADS 14.3%

* Source of figures 2008/09 audited accounts for Tron Theatre LtdANNUALREPORT2008/2009

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STAFF

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STAFF

Artistic Director Andy ArnoldGeneral Manager Anne McCluskey

Assistant to the Artistic Director and General Manager Kirsty Shea

Finance Manager Kate BellProduction Manager Jo MassonTechnical Manager Malcolm Rogan

Company Stage Manager David Sneddon (from Oct 08) Technician Mark HughesTechnician Steven Bain (from June 08)

Press and Marketing Manager Kirsty Miller (until Sept 08)Acting Press and Marketing Manager Douglas Martin (from Sept 08)

Press and Marketing Officer Roseanne Sturgeon (from Sept 08)Education and Outreach Manager Lisa KeenanBusiness Development Manager Eleanor Harris (until July 08)

Dearbhla Murphy (from Sept 08)Box Office Manager Chris Amos

Front of House Manager Peter ScreenProperty Supervisor Billy Humes

Bars and Catering Manager Sally Dorrian

BOARD

Peter Lawson (Chair until Nov 08)Julie Austin (Chair from Nov 08)Alisdair BarronLouise BeattieStewart Coulter (Company Secretary from Nov 08) Margaret-Anne Docherty Robert LoveBrian McLarenDes McNultyPaul Murray

With special thanks to all our box-officestaff, front of house, cleaning, bar andkitchen staff and chefs.

www.tron.co.ukTRON THEATRE 63 TRONGATE GLASGOW G1 5HB TRON THEATRE LTD IS A SCOTTISH REGISTERED CHARITY, NO: SCO12081

Design and Production: Wag Design