tibetan monastery collections and museums: traditional ... · tibetan monasteries are known as...

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Tibetan Monastery Collections and Museums: Traditional Practices and Contemporary Issues International Workshop, 8–10 November 2018, SOAS University of London Tibetan monasteries are known as repositories of a wide range of ancient objects. Originally a considerable part of these collections was an integral part of the furnishing of the monastery and its temples, and thus accessi- ble to the visitor. Today, many monasteries have added museum spaces to their premises. While the original impetus for such spaces appears to be rooted in an attempt to accommodate the needs of tourists, the aims and contents of these vary greatly. These spaces are an expression of a modern transformation, the impact of which on the collections is the main focus of this workshop. The workshop is part of an AHRC-funded research project–‘Tibetan Buddhist Monastery Collections Today’—which directly collaborates with monasteries in Ladakh and Mustang to document, assess and support the management of their collections. Representatives of these institutions will participate in the workshop. Admission free but registration required: https://www.soas.ac.uk/art/events/ Teaching Buddha; Kashmir; 8th century; Copper alloy and paint; H 61 cm, W 36 cm, D 21 cm; Hemis Monastery Museum.

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Page 1: Tibetan Monastery Collections and Museums: Traditional ... · Tibetan monasteries are known as repositories of a wide range of ancient objects. Originally a considerable part of these

Tibetan Monastery Collections and Museums: Traditional Practices and Contemporary IssuesInternational Workshop, 8–10 November 2018, SOAS University of London

Tibetan monasteries are known as repositories of a wide range of ancient objects. Originally a considerable part of these collections was an integral part of the furnishing of the monastery and its temples, and thus accessi-ble to the visitor. Today, many monasteries have added museum spaces to their premises. While the original impetus for such spaces appears to be rooted in an attempt to accommodate the needs of tourists, the aims and contents of these vary greatly. These spaces are an expression of a modern transformation, the impact of which on the collections is the main focus of this workshop.

The workshop is part of an AHRC-funded research project–‘Tibetan Buddhist Monastery Collections Today’—which directly collaborates with monasteries in Ladakh and Mustang to document, assess and support the management of their collections. Representatives of these institutions will participate in the workshop.

Admission free but registration required:

https://www.soas.ac.uk/art/events/

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Page 2: Tibetan Monastery Collections and Museums: Traditional ... · Tibetan monasteries are known as repositories of a wide range of ancient objects. Originally a considerable part of these

ProgrammeVenue: Wolfson Lecture Theatre, Senate House

Thursday 8th November 2018

14:00–14:30 Welcome and Introduction

14:30–17:30 Panel 1: Monastery Collections TodayDiscussant: Christian Luczanits, David L. Snellgrove Senior Lecturer in Tibetan and Buddhist Art, School of Oriental and African Studies, University of London

14:30–15:30

Nawang Othsal, Chakdzod (Treasurer) of Hemis Monastery

Managing a Monastery Collection

Monique Filsnoël, School of Oriental and Afri-can Studies, University of London

The Collection of Ogyen Choling

15.30–16:00 Tea break

16:00–17:30

Phuntsok Wangchuk, The University of Hong Kong

Exploring Ladakh’s Buddhist Canonical Texts: An Analysis

Agnieszka Helman-Ważny,

Challenges in preservation of the Mardzong manuscripts collection in Chöde monas-tery in Lo Mönthang, Upper Mustang, Nepal

Discussion

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Friday 9th November 2018

9.30–12.30 Panel 2: Monastery and MuseumDiscussant: Louise Tythacott; Pratapaditya Pal Senior Lecturer in Curating and Museology of Asian Art, School of Oriental and African Studies, University of London

9.30–10.30

Tenzin Sangpo, Khenpo (abbot) of Kag Chode Thupten Samphel Ling

A Museum in the Monastery

Jigmat Chonjor, Museum in Charge, Hemis Monastery,

Hemis Museum: Its Development and Prospects

10.30–11.00 Tea break

11.00–12.30

Tsunma Nawang Jinpa, Independent Scholar

At Hemis and Chemde in Ladakh: Are Museums or Exhibition Temples? Could the Difference Matter?

Nelly Rieuf, Conservator

The Development of Matho Monastery Museum

Discussion

12.30–14:00 Lunch Buffet

14.00-17.30 Panel 3: Collection recordsDiscussant: Christian Luczanits, David L. Snellgrove Senior Lecturer in Tibetan and Buddhist Art, School of Oriental and African Studies, University of London

14.00–15.00

Tsering Tharchin, Construction and Account-ant in Charge of Chemrey Monastery

Traditional Monastery Collection Records

Tsering Tashi, Mustang Sakya Buddhist Association

Vision for Collection Records

15.00-15.30 Tea break

15.30-17.00

Nawang Rinchen, YDA Ladakh

Vision for Heritage Records

Chiara Bellini, School of Oriental and Afri-can Studies, University of London

Project Records

Discussion

Saturday 10th November 2018

9.30-13.00 Panel 4: Curating CollectionsDiscussant: Clare Harris, Professor of Visual Anthropology, University of Oxford

9.30–11.00

Khenpo Tsewang Rigzin, Abbot of Namg-yal Monastery, Mustang

Traditional Curating of a Monastery Collection

Naomi Collick, Curator, Chiddingstone Castle

The display of Tibetan Buddhist objects at Chid-dingstone Castle, a historic home

Karolina Lisowski, M.A., Institute for the Science of Religion, University of Bern, Switzerland

Curating Tibetan Buddhist Objects in Western Museums – A Case Study of the “Tibet Museum – Buddhist Art” in Gruyères, Switzerland

11.00–11.30 Tea break

11.30–12.30

Ziyi Shao; School of Oriental and Afri-can Studies, University of London

The role and challenge of National Museum of Bhutan: national identity, collection management and tourism

Louise Tythacott, School of Oriental and Afri-can Studies, University of London

Curating Collections at Chemrey Monastery, Ladakh

Discussion