the high renaissance 16 th century italy catholic church is the dominant religious power growing...
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The High Renaissance16th century Italy
•Catholic Church is the dominant religious power•Growing discontent with the Church primarily in the North•Beginning of Martin Luther’s Reformation of the Church•Holy Office of the Inquisition-church court that dealt with heretics-as a reaction to the Reformation efforts•Society of Jesus-Jesuit religious order expands missionary work all over the world
Leonardoda
Vinci
1452-1519
Leonardo da Vinci, Study for an Assault Chariot with Scythes, 1485
Leonardo da Vinci, Study for an
Automobile, 1478
•Worked in Milan under Duke Ludovico Sforza
Leonardo da Vinci, Vitruvian Man,
c. 1490
Leonardo da Vinci, Anatomical Studies,
1509-14
Leonardo da Vinci, The Virgin of the
Rocks, Milan, 1483-86
sfumato
Leonardo da Vinci, The Last Supper, Santa Maria della Grazie, Milan, 1495-98
Leonardo da Vinci, Lady with an Ermine,
Milan, 1483-90
•Cecilia Gallerani
Leonardo da Vinci, Virgin and Saint
Anne with the Christ Child and the Young
Saint John the Baptist,
Milan, 1483-90
•Cartoon•Cartone
Leonardo da Vinci, Mona Lisa, Florence,
1503-05
Lisa Gherardini del Giocondo
Monument to Lysicrates,
Classical Greek, 4th century ad
Raffaello Santi
1483-1520
Paper/Squidoo/BlogI. Intro
A. Artist title date location
II. DescriptionA. Visual Elements/Principles of
Design
Historical context
A. why it was made, who commissioned it, etc.
Comparison
Conclusion
Raphael Santi, Madonna of the
Meadows, Florence, 1505
Raphael, School of Athens, The Vatican, Rome, 1509-11
Raphael, Galatea,
Villa Farnesina, Rome, 1511
Michelangelo Buonarroti
1475-1564
Michelangelo, Pieta, Rome,
1500
Michelangelo, David,
Florence, 1501-04
Savonarola
Michelangelo, Interior of the
Sistine Chapel, The Vatican,
Rome
Ceiling:1508-12
The Last Judgment: 1536-41
Michelangelo, Study for the Interior of the
Sistine Chapel, The Libyan
Sibyl,1511
Michelangelo, Sistine Chapel Ceiling, The Vatican, Rome,1508-12
Michelangelo, Sistine Chapel,
The Libyan Sibyl,
1508-12
•Teribilita•Figura Serpentinata
Michelangelo, Sistine Chapel,
Ignudo,1509
Michelangelo, The Creation of Adam, 1508-12
Michelangelo, Moses, Rome,
1513-16
•Pope Julius II
Michelangelo, The Last
Judgment: 1536-41
Sofonisba Anguissola, Portrait of the Artist with her Sisters, Cremona, 1555
Michelangelo, Pieta Rodanini, Rome, 1552-
1564
Bramante, The Tempietto,
Rome, 1502
Temple of Hercules, Rome, 142 AD
Old St. Peter’s Basilica, Rome, ca. 330
Michelangelo, Design for St. Peter’s, Rome, 1547
Bramante, Plan for St. Peter’s, 1506
Bramante, Plan for reconstruction of
St. Peter’s Basilica, Rome, 1506
Michelangelo, Plan for reconstruction of St. Peter’s Basilica,
Rome, 1546
Michelangelo, Design for St. Peter’s, Rome, 1547
Carlo Maderno, Plan for reconstruction of St. Peter’s Basilica,
Rome, 1605
Michelangelo’s plan of 1546
Michelangelo, St. Peter’s Dome and Façade, 1546-64
Carlo Maderno, 1606-12, Facade
Giacomo della Porta, 1590
New St. Peter’s, Rome
Giacomo della Porta, Il Gesù,
Rome, 1575-84 •Designed to reflect the significance of the Jesuit order•Combination of old and new elements•More curvilinear forms and ornament•Becomes standard type of church design for the Jesuits throughout the world
Giovanni Bellini, San Zaccaria
Altarpiece, Venice, 1505
•Water and quality of light in Venice attracted many artists•Oil paint introduced to Venice by Antonello da Messina•Interest in light and perspective•Harmony between the colors
Parmigianino, Madonna with the
Long Neck, Florence, 1534-40
•mannerism
Bronzino, Allegory with
Cupid and Venus,
Florence, 1540s
Giovanni da Bologna,
Rape of the Sabine
Women, Florence, 1581-83
Palladio, San Giorgio Maggiore, Venice, 1565
Palladio, San Giorgio Maggiore, Venice, 1565
Palladio, Villa Rotonda, Vicenza, 1560s
Pantheon, Rome, 118 AD
Titian, Pastoral Symphony, Venice, 1510
Titian, Venus of Urbino, Venice, 1538