the high renaissance 16 th century italy catholic church is the dominant religious power growing...

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The High Renaissance 16 th century Italy •Catholic Church is the dominant religious power •Growing discontent with the Church primarily in the North •Beginning of Martin Luther’s Reformation of the Church •Holy Office of the Inquisition-church court that dealt with heretics-as a reaction to the Reformation efforts •Society of Jesus-Jesuit religious order expands missionary work all over the world

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Page 1: The High Renaissance 16 th century Italy Catholic Church is the dominant religious power Growing discontent with the Church primarily in the North Beginning

The High Renaissance16th century Italy

•Catholic Church is the dominant religious power•Growing discontent with the Church primarily in the North•Beginning of Martin Luther’s Reformation of the Church•Holy Office of the Inquisition-church court that dealt with heretics-as a reaction to the Reformation efforts•Society of Jesus-Jesuit religious order expands missionary work all over the world

Page 2: The High Renaissance 16 th century Italy Catholic Church is the dominant religious power Growing discontent with the Church primarily in the North Beginning

Leonardoda

Vinci

1452-1519

Page 3: The High Renaissance 16 th century Italy Catholic Church is the dominant religious power Growing discontent with the Church primarily in the North Beginning

Leonardo da Vinci, Study for an Assault Chariot with Scythes, 1485

Page 4: The High Renaissance 16 th century Italy Catholic Church is the dominant religious power Growing discontent with the Church primarily in the North Beginning

Leonardo da Vinci, Study for an

Automobile, 1478

•Worked in Milan under Duke Ludovico Sforza

Page 5: The High Renaissance 16 th century Italy Catholic Church is the dominant religious power Growing discontent with the Church primarily in the North Beginning

Leonardo da Vinci, Vitruvian Man,

c. 1490

Page 6: The High Renaissance 16 th century Italy Catholic Church is the dominant religious power Growing discontent with the Church primarily in the North Beginning

Leonardo da Vinci, Anatomical Studies,

1509-14

Page 7: The High Renaissance 16 th century Italy Catholic Church is the dominant religious power Growing discontent with the Church primarily in the North Beginning

Leonardo da Vinci, The Virgin of the

Rocks, Milan, 1483-86

sfumato

Page 8: The High Renaissance 16 th century Italy Catholic Church is the dominant religious power Growing discontent with the Church primarily in the North Beginning

Leonardo da Vinci, The Last Supper, Santa Maria della Grazie, Milan, 1495-98

Page 9: The High Renaissance 16 th century Italy Catholic Church is the dominant religious power Growing discontent with the Church primarily in the North Beginning

Leonardo da Vinci, Lady with an Ermine,

Milan, 1483-90

•Cecilia Gallerani

Page 10: The High Renaissance 16 th century Italy Catholic Church is the dominant religious power Growing discontent with the Church primarily in the North Beginning

Leonardo da Vinci, Virgin and Saint

Anne with the Christ Child and the Young

Saint John the Baptist,

Milan, 1483-90

•Cartoon•Cartone

Page 11: The High Renaissance 16 th century Italy Catholic Church is the dominant religious power Growing discontent with the Church primarily in the North Beginning

Leonardo da Vinci, Mona Lisa, Florence,

1503-05

Lisa Gherardini del Giocondo

Page 12: The High Renaissance 16 th century Italy Catholic Church is the dominant religious power Growing discontent with the Church primarily in the North Beginning
Page 13: The High Renaissance 16 th century Italy Catholic Church is the dominant religious power Growing discontent with the Church primarily in the North Beginning

Monument to Lysicrates,

Classical Greek, 4th century ad

Page 14: The High Renaissance 16 th century Italy Catholic Church is the dominant religious power Growing discontent with the Church primarily in the North Beginning

Raffaello Santi

1483-1520

Page 15: The High Renaissance 16 th century Italy Catholic Church is the dominant religious power Growing discontent with the Church primarily in the North Beginning

Paper/Squidoo/BlogI. Intro

A. Artist title date location

II. DescriptionA. Visual Elements/Principles of

Design

Historical context

A. why it was made, who commissioned it, etc.

Comparison

Conclusion

Page 16: The High Renaissance 16 th century Italy Catholic Church is the dominant religious power Growing discontent with the Church primarily in the North Beginning

Raphael Santi, Madonna of the

Meadows, Florence, 1505

Page 17: The High Renaissance 16 th century Italy Catholic Church is the dominant religious power Growing discontent with the Church primarily in the North Beginning
Page 18: The High Renaissance 16 th century Italy Catholic Church is the dominant religious power Growing discontent with the Church primarily in the North Beginning
Page 19: The High Renaissance 16 th century Italy Catholic Church is the dominant religious power Growing discontent with the Church primarily in the North Beginning

Raphael, School of Athens, The Vatican, Rome, 1509-11

Page 20: The High Renaissance 16 th century Italy Catholic Church is the dominant religious power Growing discontent with the Church primarily in the North Beginning

Raphael, Galatea,

Villa Farnesina, Rome, 1511

Page 21: The High Renaissance 16 th century Italy Catholic Church is the dominant religious power Growing discontent with the Church primarily in the North Beginning

Michelangelo Buonarroti

1475-1564

Page 22: The High Renaissance 16 th century Italy Catholic Church is the dominant religious power Growing discontent with the Church primarily in the North Beginning

Michelangelo, Pieta, Rome,

1500

Page 23: The High Renaissance 16 th century Italy Catholic Church is the dominant religious power Growing discontent with the Church primarily in the North Beginning

Michelangelo, David,

Florence, 1501-04

Savonarola

Page 24: The High Renaissance 16 th century Italy Catholic Church is the dominant religious power Growing discontent with the Church primarily in the North Beginning
Page 25: The High Renaissance 16 th century Italy Catholic Church is the dominant religious power Growing discontent with the Church primarily in the North Beginning

Michelangelo, Interior of the

Sistine Chapel, The Vatican,

Rome

Ceiling:1508-12

The Last Judgment: 1536-41

Page 26: The High Renaissance 16 th century Italy Catholic Church is the dominant religious power Growing discontent with the Church primarily in the North Beginning

Michelangelo, Study for the Interior of the

Sistine Chapel, The Libyan

Sibyl,1511

Page 27: The High Renaissance 16 th century Italy Catholic Church is the dominant religious power Growing discontent with the Church primarily in the North Beginning

Michelangelo, Sistine Chapel Ceiling, The Vatican, Rome,1508-12

Page 28: The High Renaissance 16 th century Italy Catholic Church is the dominant religious power Growing discontent with the Church primarily in the North Beginning

Michelangelo, Sistine Chapel,

The Libyan Sibyl,

1508-12

•Teribilita•Figura Serpentinata

Page 29: The High Renaissance 16 th century Italy Catholic Church is the dominant religious power Growing discontent with the Church primarily in the North Beginning

Michelangelo, Sistine Chapel,

Ignudo,1509

Page 30: The High Renaissance 16 th century Italy Catholic Church is the dominant religious power Growing discontent with the Church primarily in the North Beginning

Michelangelo, The Creation of Adam, 1508-12

Page 31: The High Renaissance 16 th century Italy Catholic Church is the dominant religious power Growing discontent with the Church primarily in the North Beginning

Michelangelo, Moses, Rome,

1513-16

•Pope Julius II

Page 32: The High Renaissance 16 th century Italy Catholic Church is the dominant religious power Growing discontent with the Church primarily in the North Beginning

Michelangelo, The Last

Judgment: 1536-41

Page 33: The High Renaissance 16 th century Italy Catholic Church is the dominant religious power Growing discontent with the Church primarily in the North Beginning

Sofonisba Anguissola, Portrait of the Artist with her Sisters, Cremona, 1555

Page 34: The High Renaissance 16 th century Italy Catholic Church is the dominant religious power Growing discontent with the Church primarily in the North Beginning

Michelangelo, Pieta Rodanini, Rome, 1552-

1564

Page 35: The High Renaissance 16 th century Italy Catholic Church is the dominant religious power Growing discontent with the Church primarily in the North Beginning

Bramante, The Tempietto,

Rome, 1502

Page 36: The High Renaissance 16 th century Italy Catholic Church is the dominant religious power Growing discontent with the Church primarily in the North Beginning

Temple of Hercules, Rome, 142 AD

Page 37: The High Renaissance 16 th century Italy Catholic Church is the dominant religious power Growing discontent with the Church primarily in the North Beginning
Page 38: The High Renaissance 16 th century Italy Catholic Church is the dominant religious power Growing discontent with the Church primarily in the North Beginning

Old St. Peter’s Basilica, Rome, ca. 330

Page 39: The High Renaissance 16 th century Italy Catholic Church is the dominant religious power Growing discontent with the Church primarily in the North Beginning

Michelangelo, Design for St. Peter’s, Rome, 1547

Page 40: The High Renaissance 16 th century Italy Catholic Church is the dominant religious power Growing discontent with the Church primarily in the North Beginning

Bramante, Plan for St. Peter’s, 1506

Page 41: The High Renaissance 16 th century Italy Catholic Church is the dominant religious power Growing discontent with the Church primarily in the North Beginning

Bramante, Plan for reconstruction of

St. Peter’s Basilica, Rome, 1506

Michelangelo, Plan for reconstruction of St. Peter’s Basilica,

Rome, 1546

Page 42: The High Renaissance 16 th century Italy Catholic Church is the dominant religious power Growing discontent with the Church primarily in the North Beginning

Michelangelo, Design for St. Peter’s, Rome, 1547

Page 43: The High Renaissance 16 th century Italy Catholic Church is the dominant religious power Growing discontent with the Church primarily in the North Beginning

Carlo Maderno, Plan for reconstruction of St. Peter’s Basilica,

Rome, 1605

Michelangelo’s plan of 1546

Page 44: The High Renaissance 16 th century Italy Catholic Church is the dominant religious power Growing discontent with the Church primarily in the North Beginning

Michelangelo, St. Peter’s Dome and Façade, 1546-64

Carlo Maderno, 1606-12, Facade

Giacomo della Porta, 1590

Page 45: The High Renaissance 16 th century Italy Catholic Church is the dominant religious power Growing discontent with the Church primarily in the North Beginning

New St. Peter’s, Rome

Page 46: The High Renaissance 16 th century Italy Catholic Church is the dominant religious power Growing discontent with the Church primarily in the North Beginning

Giacomo della Porta, Il Gesù,

Rome, 1575-84 •Designed to reflect the significance of the Jesuit order•Combination of old and new elements•More curvilinear forms and ornament•Becomes standard type of church design for the Jesuits throughout the world

Page 47: The High Renaissance 16 th century Italy Catholic Church is the dominant religious power Growing discontent with the Church primarily in the North Beginning

Giovanni Bellini, San Zaccaria

Altarpiece, Venice, 1505

•Water and quality of light in Venice attracted many artists•Oil paint introduced to Venice by Antonello da Messina•Interest in light and perspective•Harmony between the colors

Page 48: The High Renaissance 16 th century Italy Catholic Church is the dominant religious power Growing discontent with the Church primarily in the North Beginning

Parmigianino, Madonna with the

Long Neck, Florence, 1534-40

•mannerism

Page 49: The High Renaissance 16 th century Italy Catholic Church is the dominant religious power Growing discontent with the Church primarily in the North Beginning

Bronzino, Allegory with

Cupid and Venus,

Florence, 1540s

Page 50: The High Renaissance 16 th century Italy Catholic Church is the dominant religious power Growing discontent with the Church primarily in the North Beginning

Giovanni da Bologna,

Rape of the Sabine

Women, Florence, 1581-83

Page 51: The High Renaissance 16 th century Italy Catholic Church is the dominant religious power Growing discontent with the Church primarily in the North Beginning

Palladio, San Giorgio Maggiore, Venice, 1565

Page 52: The High Renaissance 16 th century Italy Catholic Church is the dominant religious power Growing discontent with the Church primarily in the North Beginning

Palladio, San Giorgio Maggiore, Venice, 1565

Page 53: The High Renaissance 16 th century Italy Catholic Church is the dominant religious power Growing discontent with the Church primarily in the North Beginning

Palladio, Villa Rotonda, Vicenza, 1560s

Page 54: The High Renaissance 16 th century Italy Catholic Church is the dominant religious power Growing discontent with the Church primarily in the North Beginning

Pantheon, Rome, 118 AD

Page 55: The High Renaissance 16 th century Italy Catholic Church is the dominant religious power Growing discontent with the Church primarily in the North Beginning

Titian, Pastoral Symphony, Venice, 1510

Page 56: The High Renaissance 16 th century Italy Catholic Church is the dominant religious power Growing discontent with the Church primarily in the North Beginning

Titian, Venus of Urbino, Venice, 1538