The 2010 Academy Awards: High Profiling Twenty Years of

Militarized Satanism-Driven Enslaving & Torturous Human Experimentation and Imprisoning Chinada Incorrigibles

The principal question in light of how much the Chinada High Command boasted about institutionalizing Satanism in the two months leading up to the Oscars was how would Hollywood react. Film production studio executives, directors, producers, stars and

promoters began contributing to diplomacy in 2006 and did more and more as the years went by. So after observing the repeated branding of the Winter Games as the Evil-ympics, the question was what would they do to continue advancing democracy, rule of law and human rights north of the 49th Parallel and around the world.

Exactly one week after the Satan-ization of Dogville’s closing ceremony,

March 7th, and some seven weeks subsequent to the first evidence the

Winter Games were planned by the operators of the triangle of power and

wealth to be a platform of devil cult worship, Hollywood formally weighed in

on the matter. With a pool of uber-creativity unmatched anywhere in the

world, there was much anticipation as to how producers and the heaviest of

heavyweights who contributed to designing the premier award show of the

season for the film industry would respond.

There was no delay in articulating their trepidations and intentions. As the

show began at 5:30 p.m. (PT) the coalition’s in-theatre and at-home

audience immediate observed what was going to be the major geo-theme of

the 3½ hour broadcast. On each side of the state was a giant prop

representing the number of years the Oscars had aired: 82. Lexiconically

the digits combined totaled 20 – two decades of enslaving and torturous

human experimentation with a military and now confirmed Satanic

motivation seeking to employ stealth cognition technologies to achieve

global prominence.

What to do with all the Chinada complicit was also articulated. From

beginning to end, as has been the case with all the award shows since early

2008, the prison certainty solution was embedded in the stage design and

elsewhere.

Well before the broadcast the coalition made its intentions known to the

always-monitoring malfeasant. The red carpet, this time a two-hour event,

was replete with instances of partners employing the gesturing constituent

of the lexicon to both interview questions and the content of answers to

generate communiqués.

As was the case in years past there were two sources of interviews. ABC,

the principal broadcasting host. mobilized its contingent of commentators.

And the Thomson family’s CTV got the license to exclusively air the event

and award show in Canada. The already proven Chinada complicit co-hosts

Ben Mulroney and Tanya Kim were in attendance; and they used their

strategic positions to again try and demonstrate the ideology they've been

protecting and perpetuating will succeed where the Soviet Union’s

imperialism failed.

When ABC began its broadcast of the red carpet, the first interview was

instantly geo-politicized. The interviewee, Zac Efron, who’s previous geo-

contributions were in the Photographic Diplomacy category, answers the

question put to him and as he does so articulates the coalition’s sentiments

for the Canadian lawyer and agrees with what should happen to the Chinada

complicit – engaging in coercive diplomacy by employing the ‘gun to the

temple’ Richie-Santelli Maneuver:

Question: Why do you think producers love to have you on stage? Zac: [R-S M.] Well, I’m good friends with [X].

When the interview’s over and he begins to walk away from the ACB

interviewer and towards the next one, CTV’s Ben Mulroney. The interview

went like this:

Zac: It was a very inspiring year to be in film and such creative* people doing such amazing things [protracted R-S M.] with Avatar and The Hurt Locker, Inglorious

Bastards. It’s an amazing year for film and I’m glad to be a part of it.

Not only does he repeat the coercive diplomacy, his publicist [at the

asterisk] immediately behind him visually assaults Mulroney and CTV

producers – tag-teaming them with lexiconic gestures of her own.

Mariah Carey and her husband Nick Cannon were the next celebrities to

employ the lexicon. The former cuts into her husband’s answer to articulate

how, from all the evidence of hostility, non-cooperation and disinterest, the

Fiefdom treatise audience in Canada just don’t get it – don’t appreciate how

tenaciously resolved the coalition is to procure regime change, prosecuting

the malfeasant and for the Chinada loyal seize assets and effect employment

terminations, appointment revocations and permanent blacklisting.

Question: What about a project with the two of you together?

Nick: That would be amazing. I would think it would have to be a comedy though; ‘cause it would have to be…

Mariah: …people don’t understand it [Branson, Powell, Z-J, B-C,

Diaz M.s]…

When Sigorney Weaver begins her interview with CTV, movie mogul Tyler

Perry, who’s standing immediately behind her, executes an Erin Maneuver.

To the interviewer’s observation “You worked so hard on the film – it was a

labor of love”, she employs a Diaz Maneuver to underscore how much time,

effort and resources have gone into diplomacy so far and that what she and

others did to advance the coalition agenda is a “labor of love” because they

all cherish the lifestyle that comes with democracy and free market

capitalism and which is in jeopardy in the event the Chinada High Command

is successful in spreading its foul ideology around the world.

Miley Cyrus’ interview confirmed how committed coalition teenagers are to

coalition interests and objectives because they are the ones who will inherit

the responsibility of dealing with rogue regimes like China and Canada.

CTV: Was [doing a Sex and the City movie cameo] a highlight for you?

Miley: That’s my favorite show [q-Britney M.] So that’s why –

you know it’s a favorite dream of mine [Mariah M.].

She too describes her affections for the Canadian lawyer and, additionally,

empathizes over him losing over twenty years of personal experiences

involving relationships. She employs a red flagging quasi-Britney Maneuver

– running her fingers across the top of her dress followed by a Mariah

Maneuver because together they represent intimacy and pregnancy and thus

the isolation-deprivation (love, marriage, family) theme.

Miley's mom also jams CTV's interviewer, producers and the rest of the

Chinada malfeasant:

Sarah Jessica Parker and her husband Matthew Broderick also got

interviewed by CTV. SJP’s an early coalition partner, with ‘Sex and the City’

being one of the first American television series to contributor to diplomacy

in 2004 along with ‘The West Wing’, ‘Law & Order’ and ‘The Apprentice’. The

question was about a recently deceased film writer, and thus the issue of

dying was foremost in her geo-mind. The Execution Maneuver to her

husband’s “He had a laugh were no sound came out” was apropos because

when you’re dead you no longer can make any noises; nor can you advance

an agenda that’s inimical to modern western society.

The ABC and CTV interview of George Clooney were both geo-politicized.

During the first the superstar took the lead. During the latter his girlfriend

did.

Question: Is your heart still [with Haiti]? George: Yea you know I didn’t start out as a Haiti expert.

[protracted Pacino M.] I started out as a telethon expert. But I know how to raise a lot of money quickly.

He was both referring to the coalition’s brain trust and what's documented in

The Coalition Heavily Geo-Politicizes the Haiti Telethon to Underscore its

Commitment to Fixing Canada’s Dysfunctionalities and Challenging China’s

Imperialism and During Canada’s Version of the Haiti Telethon CBC, Asper’s

Global TV and Thomson’s CTV Embed the Satanic Symbol to Enthusiastically

Corroborate the Evil-ypmics Promo.

Jennifer Lopez found a way to turn her interview with CTV to coalition

advantage. The previous week she’d been the host of ‘Saturday Night Live’

and was involved in three geo-politicized comedy sketches. Here, she's

obviously referring to what the Chinada threat represents.

CTV: How are you balancing it all [music, film, family]?

Jennifer: I don’t know. I have a [Eva M.] pain in my neck right now.

Helen Mirren and Christopher Plummer were interviewed together, the latter

combining two quantum ratifiers to create a Sorkin China identifier to remind

everyone who’s half to blame for the Canadian lawyer’s twenty years of

living in now confirmed to be an intended hell on Earth:

Question: Can you tell me how you made [working in the film] so

much fun? Christopher: Well, we’re over 14 and you can still have fun over 14;

and with this lady there’s no such thing but fun.

Sandra Bullock employed the Beckinsale-Clinton Maneuver - one of several

throughout the evening.

Robert Downey Jr. and his wife contributed each in their own way. She

chose the prison certainty pattern for her red carpet appearance. He

employed the lexicon when interviewed by ABC: “This has been sadly for us

[protracted Brooke M.] a year for us where we’ve been busier than usual” –

referring to the trepidation and melancholy triggered by Satanic bragging

confessions.

The actor’s wife was one of several who chose a geo-politically designed

outfit for the red carpet.

Others include actress Zoe Saldana who starred in ‘Avatar’ and Nicole Richie.

One of the areas where photographers were positioned to snap pictures of

attendees was geo-politicized. Producers arranged a row of yellow flowers

along the edge of the red carpet = China.

The first use of the lexicon beyond the stage design was during the

acceptance speech for Best Supporting Actor. Producers arranged the

female trophy hostess that would be appearing with Penelope Cruz to wear

yellow so it could be combined with the full red gown worn by movie star

when the recipient from the Nazi film ‘Inglorious Bastards’ took the stage.

This drew a parallel between the German and Chinada High Commands and

high profiled the ‘Nazi’ constituent of Canadian governance.

During the presentation of an award by Miley Cyrus and Amanda Seyfried,

the latter stated the following, ending it with a Mariah Maneuver: “Let’s just

look at how these songs were used, whether sung by real people, animated

people or [M.M.] animated real people – stressing the kind of personal life

the Canadian lawyer will have once geographically emancipated and in

possession of his wealth; contrasting it with the sedentary lifestyle and

experience void he was forced to endure as part of the human

experimentation and predatory nepotism-patronage exclusion regimes.

Cameron Diaz was also a presenter. She executed her namesake gesture

when taking the stage:

Throughout the show producers occasionally turned cameras towards the

audience to give the at-home crowd close-ups of Hollywood’s elite. One was

geo-politicized – Kate Winslet executed a Beckinsale-Clinton Maneuver

before the movie preview of one of the ten Best Film nominees, ‘A Serious

Man’. That was repeated, the second time involving one of the Cohen

brothers, who executed a Brooke Maneuver. The purpose was to underscore

how much the coalition is not taking the Chinada threat lightly and is

preparing to address it head-on so as to make it Democracy 2, Imperialistic

Totalitarianism 0.

Sarah Jessica and fashion designer cum movie producer Tom Ford presented

together. He read the script and she geo-politicized it with an Execution

Maneuver:

It is the costumer’s attention to the detail that gives us the window into who that character is; and by doing so becomes a critical part

[E.M.] of the storytelling.

This drew attention to the central role the Canadian lawyer is playing in the

coalition; in this context referring to the diary constituent of The Last

Democratic Fiefdom. Without it there would be no twenty-year history of

what took place that lead to the creation of stealth cognition technologies;

there would be no proof of the lengths triangle of power and wealth

operators went in preventing upward mobility for those not of their ilk to

protect the trans-generational consolidation of political authority and

accountability mechanisms that maintain it and Chinese joint hegemony;

and there would be no record of the multitudinous steps taken to advance

the coalition agenda and documentation of the status quo backlash which

sought through threats against one's life, intimidation of all kinds, hypno-

torture in its many forms and other strategies to halt what was being done

to return Canada to the people.

The only other time in 3½ hours other than during the commencement of

the Oscars producers placed the two large ‘82’ props on stage was between

the end of the Best Lead Actor presentation and the beginning of the Best

Lead Actress categories. They added it as the show went to commercial and

they were still on the set when the program returned.

The purpose was to once again service the Canadian lawyer’s supra-celebrity

status as someone who survived a two-decade Article 7 violation, helped to

bring the malfeasant to justice and completely reform an entire country’s

public and private sectors and administration of justice. More importantly,

choosing this particular award category reminded everyone opposed to

regime change he is the constitutionally and internationally legitimate

interim “Best Lead”-er of the country as the Chief Executive of the

Custodian-in-Council.

During the speech Oprah gave about one of the female nominees the

coalition partner complimented the Canadian. Employing protracted Blair

Maneuvers she described him using the following adjective:

You skipped school to audition for a movie called ‘Precious’. […] When we look at you we see a true American Cinderella on the threshold of a brilliant new career. And ‘Precious’ is but the first of many adjectives coming your way. And they are all great.

While that was the end of the geo-politicized portion of the Academy

Awards, that wasn’t the last of it in terms of advancing coalition interests

and objectives. At one of the many after parties Oscar attendees and other

entertainment celebrities appeared in the geo-spotlight. Katy Perry showed

up wearing another geo inspired gown.

And the following day Oprah held her annual Oscar Party in the same theatre

as the award show. For the live one-hour broadcast she articulated the

China prison certainty communiqué.