teaching myth_lesson plan

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    TEACHING

    OF LITERATURE

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    MYTH

    - are certain products of the

    imagination of a people hichta!e the form of stories"

    - is a stor# a$out gods% other

    supernatural $eings% or heroes ofalong past time"

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    TYPES OF MYTH

    1.Pure Myth or True Myth ofMyth Proper

    -.e&plains natural phenomena of theorigin of things% and the# descri$eho indi'iduals should $eha'etoards the gods

    2. Saga or Legend

    ( contains a seed of historical fact

    and enlarge

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    3. Folk-Tale or Fary-Tale

    - are told for pleasure andamusement

    - contains supernatural characterssuch as ghosts% el'es% darfs% ordemons% and the# often include

    elements of magic *e&" spells%potions and o$,ects+

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    !"E#T THEMES OF MYTH

    1.$reaton

    -.the relation of human $eings to the

    natural orld and -uestions of lifeand death

    -.The creator deit# $rings into $eingthe sun% moon% and stars% seas andmountains and so on

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    2. god% and godde%%e%

    - people $elie'ed in ideal $eings leadingthem

    - relations of poer and leadership

    3. Hero& Fgure%- semi(di'ine $eings

    - the# ha'e superhuman poers throughdi'ine parentage. or ha'e ac-uireddi'init# through their deeds as men and

    omen on earth% ith the help of deit#

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    '. Mon%ter% and (e)on%

    - $eings that a heroic /gureconfronts and o'ercome

    *. #n)al%

    ( featured as ild creatures(

    predator# $easts or the elusi'e pre#of hunters. or as helpful $eingstamed $# humans or as possessing

    poers

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    +. The ,nderorld

    - prompt tales of gloom and terror ofthe un!non

    . /ourney%0 ue%t% and tral%

    - $ring m#thological /gures into a

    num$er ofsituations here the# can pro'e

    their strength

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    . The #fterlfe

    - some form of e&istence after death

    - some spea! of paradise here the

    pains of life on earth are left $ehind- death comes ,udgment% a rigoroustrial is conducted% and torture

    aaits those ho fail the trial

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    MYTHOLO!ES OF THE 4O"L(

    0"1esopotamian 1#tholog#

    2" Canaanite 1#tholog#

    3" Eg#ptian 1#tholog#

    4" Gree! 1#tholog#

    5" Roman 1#tholog#6" Celtic 1#tholog#

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    7" Norse 1#tholog#

    8" 1e&ican and 9outhAmerican 1#thologies

    :" ;ersian 1#tholog#0

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    $hara&ter%

    fro) Mythology

    a+>ragons

    $+Unicorn

    c+Troll

    d+=inni

    e+H#draf+ Chimera

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    g+ Centaur

    h+ Fenrir

    i+ Oni

    ,+ Nagas!+ Guie or ?uei

    l+ ?appa

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    POSS5LE

    #$T6TES 7MYTH

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    1. #"TS

    a8 Sket&hng

    9tudents can use their !noledge ofthe m#ths as a foundation for ritingcharacter s!etches"

    E&" @hat ere Hera% ;an% Athena andthe other gods and goddesses reall#

    li!e

    9tudents ill $e a$le to disclose to

    the orld the truth a$out these

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    98 #rt Mu%eu) 6%tng

    9ee the sculpture% potter#% ,eelr#

    and coins of ancient Greece" Recordthe m#ths that inspired them" >ras!etches of some of #our fa'orite

    items"

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    &8 Ma%k Makng

    @hen students are aare of the mas!s

    the actors in gree! pla#s ear% studentsare as!ed to choose a character in a m#thand ma!e a mas! for that indi'idual"

    Using large paper% students create theshape of the mas! *ma!ing holes fore#es% nose and mouth+ and decorateaccording to the character the# chose"

    E&ampleB Arachnes mas! has spiderearings on ith ords li!e Dtoo proud%DDhaught#%D Ds!illful ea'er%D etc"

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    d+ 1odel a /gure out of cla# of oneof the heroes or gods from them#ths"

    e+ Create a panel mural depictingone of the students fa'orite m#ths"

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    2. E%%ay 4rtng

    9tudents can also use the m#ths as a

    $asis for riting opinion essa#s"a+ 9hould mortals $e alloed on 1t"Ol#mpus This nota$le topic as ne'er

    settled in Ancient Greece" It is up to #ourstudents to resol'e the issue $#de'eloping persuasi'e argumentati'eessa#s"

    $+ @h# *or h# not+ ere the La$ors ofHercules sucient to a$sol'e him of thecrime of !illing his children If #ou erethe ,udge% hat punishment ould #ou

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    c+ After reading the stor# of ?ing

    1idas% hat do #ou thin! is moreimportant (( ealth or isdom

    d+ D@ho is #our hero"""and h#D

    @hat are some of the traits thatma!e this person a hero to #ou Arethese heroic traits parallel in some

    a# to the traits of the ancientheroes #ou ha'e learned a$out fromthe Gree! m#ths

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    e+ In order to help studentsunderstand the Od#sse# more full#%after reading the epic e atch DThe@iard of OD" The students composea comparisoncontrast essa#"

    There are man# similarities $eteenthe or!sB the Lotus(Eatersthe /eldof poppies% ;oseidonthe @ic!ed@itch of the @est% AthenaGlenda the

    good itch% Od#sseuss

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    3. Letter 4rtng

    Listed $elo are a series of assignmentsthat gi'e students practice in riting

    application letters% order letters% re-uestletters and friendl# lettersB

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    a+ Tell students that their fa'orite

    m#thological character has ,ustretired" Jeus% the father of the gods%is no accepting applications for areplacement" As! #our students torite letters of application and a$rief resume or $iographical s!etch"

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    $+ 9tudents% in the role of their

    fa'orite hero or heroine% ill $eleading an e&pedition on adangerous ,ourne# *e"g"% =ason

    -uesting after the Golden Fleece%;erseus see!ing 1edusas head orTheseus attempting to defeat the

    1inotaur+" Kefore the# can go%students must order the necessar#supplies" Letters can $e addressed

    to Heroic >iscount 9upplies% 744

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    c+ E'er# aspiring hero or heroine

    needs to recei'e the properinstruction and training"Fortunatel#% there are a fe

    openings in the most distinguisheduni'ersit# in ancient Greece" Inorder for #our students to secure a

    space% the# should rite for anapplication% a catalog and /nancialaid information" Re-uests can $e

    sent toB Uni'ersit# of the 1uses%

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    d+ As the $est friend of am#thological character% students

    rite a letter oering support%encouragement or guidance"

    E&ampleB

    9tudents might rite to the folloingcharactersB Orpheus after failing to$ring $ac! Eur#dice from Hades*s#mpath# and ad'ice+% ;ol#phemusafter $eing tric!ed $# Od#sseus*compassion and concern+% Ariadne

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    '. Mytholog&al (&tonary

    9tudents might record ords in a

    note$oo! or compile"E&ampleB

    As! them hat it means to ha'e anDAchilles heelD" As the# do theirresearch% the#ll /nd that Achilles asa Gree! hero hose mother ru$$edhim ith am$rosia and put him in a/re *or dipped him in the ri'er 9t#&+hen he as a $a$# so his $od#could not $e ierced $ ea ons"

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    9ince he as held $# the heelduring the process% his heel as notprotected" ;aris found this out and

    shot Achilles in the heel ith anarro" From this% let pupils speculateon the meaning of the modern(da#

    e&pression and then let them chec!their de/nition ith dictionaries"

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    *. "ole playng

    This oers #our students an opportunit# to

    interpret the Gree! m#ths" As! #our classto $rainstorm a list of characters and theircorresponding ad'entures" Kegin ith a

    dramatic incident such as Od#sseus $eingheld capti'e $# ;ol#phemus the C#clopsand let #our students $uild in as muchaction and dialogue as the# ish" 1edea

    reacting to $eing a$andoned $# =asonafter aiding him in his -uest oers the$asis for an interesting monologue"

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    Mour students ma# ant to re/ne

    their role(pla#ing $# tr#ing man#'ersions% discussing them andtaping the $est" The# can com$ine

    their episodes into a dramaticcollage or present one(act pla#scomplete ith props and costumes

    $ased on speci/c episodes"

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    +. Story rtng

    This is /fteen(minute acti'it#% group

    three students ho colla$orate on astor#" Gi'en /'e minutes each%students ta!e turns riting" The /rst

    student might $egin% DA !ing onceturned his daughter into a goldenstatue"D 9uppl#ing details to de'elopthe stor#% the second student uses the/'e minutes to rite the $od#% and thelast person ends the stor#" If eachstudent $egins a stor# during the /rst

    /'e minutes% all three ha'e the chance

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    . #d:ert%e)ent%

    The# need to go through magaines%phone $oo!s% etc" and pic! out adsthat relate to m#tholog#"

    E&ampleB Ni!e for the goddess Ni!e"After the# /nd dierent t#pes ofad'ertisements% then the# are to /nda compan# hose logo comes fromm#tholog# and research that

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    The# need to /nd out all the# cana$out the compan#% h# the compan#

    chose their name% e"g" Apollo Heating%or ho the# came to choose their logo%e"g" ;egasus for 1o$il" After the# ha'e

    found man# ad'ertisements and acompan#% then the# do a presentationhere the# share their /ndings as ell

    as their !noledge of m#tholog#" Thisalso satis/es the famous -uestion%@hen ill e need to use this in real

    life

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    . $o))er&al%

    >i'ide the class into groups of 4(6 andeach group dras the name of a godor goddess out of a $o&" The group isthen responsi$le for ma!ing a 'ideocommercial for that godgoddess"E&amples include Athenas 9mart ;ills%>emeter Cereal% Aphrodite 1a!e(up"All students participate in thecommercial $# ma!ing a stor#$oard%ma!ing props and acting"

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    ;. 5ngo

    Our $ingo cards ha'e names andareas of poer mi&ed around" Theclues ha'e names% areas of poer%

    actions% s#m$ols% etc" 9tudents thenco'er up their cards ith pieces ofpaper hen the clues are gi'en"

    9tudents en,o# learning theinformation% and it is a re-uestedacti'it# long after the stud# of

    Gree! m#tholog# is o'er"

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    1

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    11. 5oard !a)e%

    The# or! together and plan% then

    ma!e their on m#tholog# $oardgame% complete ith educationalpurpose% directions for pla#ing% and a

    demonstration of !noledge a$outm#ths% etc" There ha'e $een some'er# sophisticated $oard games

    in'ented $# students" Enough time isalloed after the games arecompleted to ha'e student groups

    trade games and pla# another

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    12. $o))er&al%

    The group is then responsi$le forma!ing a 'ideo commercial for thatgodgoddess"

    E&amples include Athenas 9mart ;ills%>emeter Cereal% Aphrodite 1a!e(up" All

    students participate in the commercial$# ma!ing a stor#$oard% ma!ing propsand acting"

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    13. $reaton Myth

    Compare characters of the lo'em#ths to other literar# characters"

    E&ampleB the m#th of ;#ramus andThis$e is closel# related in theme to

    Romeo and =uliet"

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    1'. Fr%t Per%on

    Retell a m#th in /rst person point of'ie% assuming the identit# of ahero li!e ;rometheus or Theseus"

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    1*. Talk Sho =t

    9tudents seem to !no andappreciate the entertainment 'alueof da#time tal! and court shos ontele'ision" K# using that format%students can put on a s!it a$outsome of the minor ad'entures hichta!e place in Gree! m#th"

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    E&ampleB

    After reading the stor# of >aedalus%

    students can use their imaginations asto hich characters should $einter'ieed on the tal! sho and hich

    contro'ersies should $e addressed";erhaps >aedalus ould $e confronted$# his son Icarus $ecause Hadesena$led him to 'isit his father on thesho" Or there is a confrontation$eteen >aedalus and 1inos" Or>aedalus meets the Da&D salesman andaccuses him of causin his sons death"

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    THAN? MOU

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    . O5/E$T6ES>At the end of the lesson, the students shall have:

    a. interpreted the symbols of flowers that tell something inrelationship;

    b. explained the lines from Kahlil Gibran in onnetion to the

    theme of the myth;

    . disovered the origin of !index and "a# $rees throughomprehension of the story;

    d% arrived at the meanings of words through ontextual lues;

    and

    e% expressed values related to the main theme.

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    . S,5/E$T M#TTE">

    A story &myth%, '(auis and )hilemon*

    by "vid

    +eferenes:

    olonialela.weebly.om...gra/unit0t

    extstruturegenre.dox; and

    http:www.talesbeyondbelief.ommyth-storiesbauis-and-philemon.htm

    . P"O$E(,"E>

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    . P"O$E(,"E>

    A. Motivation/Opening

    1) UNFREEZING ACTIVITY (3 in!te") 1

    $he students will hoose one from the

    different olors of a rose presented to them&red, pin#, yellow, white, orange and

    purple%. $hen, the teaher will give the

    interpretation of eah olor. $he olors ofthe flower mean something in relationship.

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    #) IMAGE FORMATION (3 in!te")

    1 2n small groups, the students will

    form 3 photos and arrange theirproper order. &photos of a ouple from

    hildhood till they die%

    3) TE$T INTER%RETATION (&

    in!te") 1 $he students will explainthe lines from Kahlil Gibran.

    and thin# not you an diret the ourse of love

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    and thin# not you an diret the ourse of love,

    4or love, if it finds you worthy, direts your

    ourse

    5ou were born together, and together you

    6hall be forevermore

    Yo! "'a e toget'e* +'en t'e +'ite

    ,ing" o- eat' "atte* 0o!* a0".

    A0 0o! "'a e toget'e* even in t'e

    2ient eo*0 o- Go

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    . 2tateent o- t'e 4e""on

    7e will read a myth today and seehow the story desribes a love that is

    true.

    8otive 9uestion:

    As you read the story, disover howthe !index and "a# $rees grew.

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    C. Fi*"t Reaing (a!i" an %'ieon)

    !ong ago in a land alled )hrygia, a

    pious old ouple lived in a tiny ottage

    among gently rolling hills. (auis and)hilemon lived a heerful and ontent life

    despite their poverty. $heir marriage was

    sound, and their love for eah otherremained as strong as it had been on their

    wedding day.

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    "ne day upiter, #ing of the gods,traveled to arth to test the

    )hrygians.

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    At eah home, the )hrygians

    heartlessly turned the gods away.

    4inally, the gods ame to the ottage of(auis and )hilemon, where the ouple

    welomed the strangers warmly. After

    arranging a plae for their guests to rest,the ouple prepared a meal. (auis and

    )hilemon brought out their finest dishes

    and arefully set the table, payingattention to even the most minute

    details. As the meal began, )hilemon

    poured the wine.

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    $o his surprise, he saw that the

    bottle refilled itself. 4rightened, he

    and (auis apologi=ed for being poor

    hosts, but upiter stopped them. >7e

    aused the wine to be replenished,>he said, >for we are gods. 7e ame

    to )hrygia to test the #indness of its

    iti=ens. 5ou and (auis alone havepassed. $he rest will be punished as

    they deserve.>

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    (auis and )hilemon followed the gods

    up a nearby hill. ?pon reahing the top,

    they were sho#ed to see that a la#estood where their neighbors@ houses had

    been. $he ouple wept, but when they

    loo#ed loser, they saw that their ownottage had been transformed into a

    temple with a roof of glimmering gold.

    >7orthy ouple,> said upiter, >we than#you for your generosity. ame what it is

    you desire and it shall be yours.>

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    $he ouple spo#e privately for a

    moment and then delared their

    united wish with finality. )hilemon

    said, >7e wish to be guardians ofthis temple and to serve you for the

    rest of our days. Also, we wish

    never to be separated, even indeath.>

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    2n the years that followed, (auis and

    )hilemon ared for the temple and served

    the gods faithfully. "ne day, (auisnotied leaves sprouting from )hilemon@s

    hair. )hilemon turned to (auis and saw

    her wrin#led s#in turning to bar#. +eali=ingthat their end was drawing near, they bid

    eah other farewell. At that moment,

    )hilemon was transformed into a sturdy

    oa# and (auis turned into a graeful

    linden.

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    $he ouple@s wish was fulfilled, forthe two trees grew from a single

    trun#. 4or enturies, people have

    marveled at the intertwined trees, asymbol of the devoted ouple that

    passed the test of the gods.

    (. 4ord Sear&h

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    (. 4ord Sear&h

    Give the meaning of eah phrase or word as used in ontext.

    B% !ong ago in a land alled )hrygia, a pious old ouple lived in

    a tiny ottage among gently rolling hills.

    a% ative % typial

    b% elegant d% honorable

    C% >7e aused the wine to be replenished,> he said, >for we are

    gods...*

    a% exhaust % filled up

    b% empty d% restore

    /% $he ouple spo#e privately for a

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    /% e oup e spo e p a e y o a

    moment and then delared their united

    wish with finality.

    a% fore % onern

    b% emphasis d% ompleteness

    0% "ne day, (auis notied leaves

    sprouting from )hilemon@s hair.

    a% dying % growing

    b% shrin#ing d% starting

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    D. At that moment, )hilemon was transformed

    into a sturdy oa# and (auis turned into agraeful linden.

    a% tree with heart-shaped leaves

    b% tree with oval-shaped leaves

    % tree with triangular leaves

    d% tree with spear-shaped leaves

    F 5i"!""ion

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    F. 5i"!""ion

    Cop*e'en"ion C'e67B. $he last paragraph reveals whih part of the mythE

    a% moral of the story

    b% a reation in nature

    % ertain flaws of a god

    d% onseFuenes of bad behavior

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    C. $he bottle refilling itself shows

    .

    a% a gods mista#e

    b% the gods supernatural powers

    % explain a mystery in the universe

    d% desribe the lesson learned

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    /. $he reation of the la#e and temple

    best . a% shows the onseFuenes of goodbad

    behavior

    b% explains a mystery of the universe

    % reveals )hrygians power d% shows 8erurys anger

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    0. $he myth is told in hronologial order so that

    it an .

    a% persuade the reader to be generous

    b% explain how all la#es were formed

    % desribe the haraters fully d% retell a story learly

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    D. 7hen upiter told the ouple they 'passed the test of the

    gods* he was referring to their .a% sound marriage

    b% sorrow on the hill

    % #indness to the strangers

    d% patiene during the transformation

    %*oe""ing 8!e"tion"7

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    %*oe""ing 8!e"tion"7

    B. 7hat ma#es the ouple ontented in life despite of povertyE

    C. 7hat may be the reasons why people did not welome thestrangersE

    /. 7ill you do the sameE 7hyE 7hy notE

    0.

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    3. 7hat is the only wish of the oupleE

    . 7ill you as# the sameE

    I. 7ill you onsider first how your wifehusband treats youE

    J. 7ere the ouple afraid of deathE

    B. 7hat symboli=es their #indness and true love for eah

    otherE

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    F. Va!ing

    7hat #ept the ouple together till the endE

    IV. A22IGNMENT

    Lreate your own myth story with your preferred topi.

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    )repared by:

    F4OREN2 C. GENOVE2