Tables and Indexes

Table of technical reference material

The following table lists available scientific reference material relating to paintings discussed in the pre­sent volume. The data themselves are included in the text of our catalogue entries. Other than for the dendrochronological data (listed on pp. 683-685), no effort has been made to give a survey of the individual information. As a specification of scientific data obtained and interpreted by different methods may easily yield misleading results, only the existence and amount of reference material are in­dicated, together with the places where it was examined and is currently kept. As for the X-rays listed, most though not all are in the museum's or owner's records as well as in our files, as originals, copy films or paper prints. X-rays of the whole or virtually whole area of paintings are listed in a differ­ent column from those covering only part of the painting. A question mark indicates that the number of samples taken and cross-sections prepared is un­known to us. The institutes where research was car­ried out are listed as follows: Amsterdam Central Research Laboratory

Cambridge, Mass. Center for Conservation and Technical Studies of the Fogg Art Museum, Harvard University

The Hague Professor Dr. W. Froentjes, as­sisted by Mr. L. Kuiper, former restorer at the Mauritshuis, and Mr. W. Verschuren, chief assistant at the Forensic Science Laboratory of the Ministry of Justice, Rijswijk (cf. De Vries, T6th-Ubbens, Froentjes)

London National Gallery Research La­boratory

Los Angeles Los Angeles County Museum of Art

Munich Doerner-Institut Paris Laboratoire du Musee du

Louvre Stuttgart Institut fUr Technologie der

Malerei

Support Ground and paint Photographic Remarks documents

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A 1 The stoning of S. Stephen, Lyon Paris 1 1 + + ~------

A 2 Balaam, Paris + ~--

A 3 Tobit and Anna, Amsterdam + + --------

A 4 Driving-out of the moneychangers, + Moscow

- ~~--

A 5 Baptism of the eunuch, U trech t + Amsterdam i 19 16 + + + ---

A 6 History painting, Leiden + Am""damJ' 12 + A 7 Musical allegory, Amsterdam + Amsterdam .~.. I 1 +

~--~~

-~---~

A 8 Man in gorget and cap, whereabouts + unknown

-~ ~-

A 9 David bifore Saul, Basle + !

!

Aro The rich man, Berlin + + - ----------

All S. Paul in prison, Stuttgart Munich I + Stuttgart 4 -\ 1- ~---~ ------~~

A 12 Simeon in the Temple, Hamburg + +

TABLE OF TECHNICAL REFERENCE MATERIAL

Support Ground and paint Photographic Remarks documents

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A 13 Old men disputing, Melbourne + + A 14 Self-portrait, Amsterdam + +

Copy I of no. A 14, Kassel + Munich I + A 15 Judas repentant, private collection London I I I I + -~

A 16 Supper at Emmaus,Jacquemart- + Andre, Paris

A 18 The artist in his studio, Boston + + A 19 Self-portrait, Munich + Munich I +

- - - - -

* * A20 Self-portrait, Stewart Gardner + + + taken before the cleaning of Museum, Boston - 1954

A21 Self-portrait, The Hague + The Hague 10 2 + A22 Self-portrait, Japan Munich ? ? + A23 Young man, Cleveland + +

~~-

A24 Samson and Delilah, Berlin + + A25 David playing the harp to Saul, + +

Frankfurt

A26 S. Paul, Nuremberg + ---~--

A28 Jeremiah, Amsterdam + Amsterdam 2 I + A29 Old man in ajur cap, Innsbruck + + A30 Raising oj Lazarus, Los Angeles Los Angeles 4 4 + + + A3 1 Andromeda, The Hague + The Hague 12 2 + + + A32 Old woman, Windsor Castle + A33 Self-portrait, Liverpool + +

-'----

A34 Simeon in the Temple, The Hague + The Hague 13 2 + + + A35 Christ on the Cross, Le Mas +

d'Agenais

A37 Old woman reading, Amsterdam + Amsterdam 2 2 + --r---

A38 Minerva, Berlin + + A39 Abduction oj Proserpina, Berlin + + A4° The artist in oriental costume, Petit + + +* ·detail with signature

Palais, Paris

A4 I Young man, Toledo + A42 Old man in gorget and cap, Chicago + + + +

680

TABLE OF TECHNICAL REFERENCE MATERIAL

Support Ground and paint Photographic Remarks documents

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I

B I Three singers, Cramer Gallery + ---- - -

B 2 The operation, Cramer Gallery + B 3 The spectacles-pedlar, colI. Cevat +

-- -. --- -- -- --- ,--- - -- ---- - - -- -- -- ---- ------,----- .. _-,----"----

B 4 Man in gorget and cap, Malibu + + "of canvas covering back of panel

B 5 Self-portrait, Stockholm The Hague 2 2 -- ---- ---- --- -------

" B 6 Man laughing, The Hague The Hague 5 I + + + " electron emission radiograph

B 7 Old man, The Hague + Munich ? ? The Hague + + I I 2

C I Samson and Delilah, Amsterdam + + C 2 Esther's feast, Raleigh + Amsterdam 4 2 +

----- --- --- -- - - ---- - 1--- - - ~---

C 3 Tobit and Anna, London London 5 4 + + C 4 Tobit, colI. Middendorf + +

- ---- --- -- ------ ------- - - - c--- - - - - -- ---- ---- - ---

C Flight into Egypt, Tours + " "detail with signature 5 + C 6 Rest on the flight into Egypt, formerly + + +

colI. Lennox

C 7 The tribute money, Ottawa + + + + -- -------- -- --- - --- - ---._- ----- --- -- ."-- ----- I--- --I---

C 8 Christ at the column, private + + collection

------------- ------- --- --- --- -- - -- ----------_._- --- -- --- -- - --- -

C 9 Minerva, Denver + ------- ---- --'" ------------------- -----

Cra Nocturnal scene, Tokyo + -- - 1--- ------~ --

C I I Foot operation, private collection + ------------. --- ------------- - 1--- ---- -I~ --------------------

C 12 Travellers resting, The Hague The Hague 16 " of panel on which paper has + 3 + + + been stuck

-- --

C 13 Old men disputing, Cramer Gallery + + -c----c-- c---1---

C 14 Man reading, London + London 3 3 + C 15 Scholar, Braunschweig + Munich I + C 16 Hermit, Paris + + C 17 Christian scholar, Stockholm + +

. "detail with signature ------ -------- ---- -- -- ----- - ---+-- ------

C 18 Man writing by candlelight, colI. + + Bader, Milwaukee

._-- ------ ---- --- --I--- -- --_ .. _----._---

C 19 Old woman reading, Wilton House + +

681

TABLE OF TECHNICAL REFERENCE MATERIAL

Support Ground and paint Photographic Remarks documents

I

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C20 Old man with arms crossed, Boston + + C 21 Man in a turban, Philadelphia + + + C22 Old man, coll. Bader, Milwaukee + C23 Man in plumed cap, private collection + Amsterdam 16 12 + + + C24 Old man, Kassel + Munich 2 ? + C25 Old man, Leipzig + + C26 Old man wearing a cross, Kassel + Munich 4 ? + C28 Old man in gorget and cap, Leningrad +

---------- - - - - -- --- --- --- --- --- ---- ~-

C29 Old man, Cambridge, Mass. + + C30 Old man, Kassel + Munich 3 ? + C32 Man wearing a gold chain, Leiden + + C34 Young man laughing, Amsterdam + Amsterdam 2 2 + C35 Young man, Cambridge, Mass. + + C36 Bust oj Rembrandt, private collection + Cambridge, 4 1 + +

Mass.

C37 Bust oj Rembrandt, private collection + + C38 Young man, New York + + C40 Young man, private collection +

-------------f-- --f------ ----- f--

C41 Old woman, The Hague + The Hague 4 1 + + + - --

Copy 12 of no. C 4 I, Braunschweig + ------- --

C42 Old woman, private collection + C44 Young girl, Helsinki +

Table of dendrochronological data

This survey of the dating of the wood of panels discussed in the present volume is based on den­drochronological examinations carried out by Prof. Dr.]. Bauch and Dr. D. Eckstein, of the Ordinariat fUr Holzbiologie, University of Hamburg, who were later joined by Dr. P. Klein; their findings will be published in:]. Bauch, D. Eckstein, P. Klein and G. Brauner, 'Dendrochronologische Untersuchungen an Holztafeln von Rembrandt-Gemalden', Jahrbuch der Berliner Museen 24 (1982). No. C 36 was examined by Mr.]. M. Fletcher, of the Research Laboratory for Archaeology and the History of Art, Oxford University.

In cases where the presence of sapwood made it possible to pinpoint the boundary between heart­wood and sapwood, an average felling date for the tree has been arrived at; depending on the age of the tree, allowance then needs to be made for 20 ± 5 annual rings of sapwood.

In cases where no sapwood was present, and an unknown number of annual rings of heartwood might have been lost, the last ring of heartwood counted was used to arrive at the earliest possible felling date.

last dated number of conclusion as other date panel was painted annual ring annual to felling da te information of heartwood rings of as as

sapwood earliest stat. inscribed accepted present poss. aver. on picture

A 3 Tobit and Anna, 1602 5 1622 ± 5 because of dense I626 I626 Amsterdam structure after

rather than before 1622

A 5 Baptism oj the eunuch, I598 8 1618±5 because of age of 1626 I626 Utrecht tree after rather

than before I 6 I 8 A 6 History painting, Leiden I596 - 161 I 1626 1626 A 7 Musical allegory, I593 - I608 because of age of I626 1626

Amsterdam tree after rather than before 1613

AlO Rich man, Berlin 1594 - 1609 I627 162 7 AI2 Simeon in the Temple, 1593 4 I613±5 because of age of - 1627/28

Hamburg tree after rather than before 16 I 3; from same tree as nos. A 38 and B 7

A 13 Two old men disputing, ? - ? radial board, not 1628 1628 Melbourne datable (formerly)

A14 Self-portrait, Amsterdam ? - ? - 1628 A14 Copy I, Kassel ? - ? - ? A I9 Self-portrait, Munich 1610 5 1630 ± 5 1629 1629 A21 Self-portrait, The Hague 1595 - I610 probably a few - 1629

rings lost through later reduction in SIze

A24 Samson and Delilah, Berlin 1603 6 1623 ± 5 1628 1629/30

A25 David playing the harp to ? 7 ? - 1629/30 Saul, Frankfurt

A28 Jeremiah, Amsterdam 1609 - 1624 1630 1630 A3 I Andromeda, The Hague I603 - 16I8 some rings lost - 1630/3 1

through later re-duction in size

A34 Simeon in the Temple, The 1589 - 1605 from same tree as 1631 1631 Hague no. A37 and

therefore from same date

A37 Old woman reading, I59° - 1605 from same tree as 1631 163I Amsterdam no. A34

TABLE OF DENDROCHRONOLOGICAL DATA

last dated number of conclusion as other date panel was painted annual ring annual to felling date information of heartwood rings of as as

sapwood earliest stat. inscribed accepted present poss. aver. on picture

A38 Minerva, Berlin 1593 8 161 3 ± 5 because of age of - 1631 tree after rather than before 1613; from same tree as nos. A 12 and B 7

A39 Abduction of Proserpina, ? - ? radial board, not - 1631 Berlin dated

A40 The artist in oriental 1609 - 1629 1631 1631 costume, Peti t Palais

A42 Half-lengthfigure of old 1599 - 161 9 from same tree as 1631 man, Chicago Br. 338

B 7 Old man, The Hague 1569 - 161 3 ± 5 from the same soon after tree as nos. A 12 1630? and A38 and therefore from the same date

C I Samson and Delilah, 1607 - 1622 162 7 Amsterdam

C 7 The tribute money, Ottawa 1610 - 1630 because of age of 1629 not before tree possibly 1631 somewhat after 1630

C 12 Travellers resting, The 1630 ( I ) 1650 ± 5 the painting is on - -

Hague paper stuck on wood

C 14 Man reading, London 1594 - 161 4 - ? C 15 Scholar, Braunschweig 1606 1621 - c. 1630? C 16 Hermit, Paris ? - ? 163(0?) earlY'30s C20 Old man with arms crossed, ? I ? - soon after 163 I

Boston C23 Man in plumed cap, priv. 1601 - 1616 1629 1629?

colI. C24 Old man, Kassel 1601 I 1616 ± 5 1632 early 1630S C25 Old man, Leipzig 1552 - 1567 from middle of - between 1629

trunk, numerous and 1633? rings thus lost

C26 Old man wearing a cross, ? 6 ? radial board not 1630 ? Kassel datable

C29 Old man, Cambridge, ? - ? - ? Mass.

C30 Old man, Kassel 1573 - 1586 - ? C3 2 Man wearing a gold chain, 161 3 - 1628 - ?

Leiden C34 Young man laughing, ? 8 ? - early 1630S

Amsterdam C35 Young man, Cambridge, 161 4 - 1629 the wood 1629 ?

Mass. examined is that of a narrow fram-ing, not of the panel proper

C36 Bust if Rembrandt, 1610 - 1629 1630/40 whereabouts unknown

C37 Bust of Rembrandt, private ? ? colI.

C38 Young man, New York 1593 13 161 3 ± 5 - well after 1630 C4 1 Old woman, The Hague 1596 4 1616 ± 5 - after 1631 C4 1 Copy 12, Braunschweig 1585 - 1600 - after 1631

I

It was found impossible to date the panels of four authentic works (nos. A 13, A 14, A 25, A 39) and of a number of paintings which may safely be con­sidered approximately contemporaneous (such as nos. A I4 copy I, C 16, C 20, C 24, C 34). In a number of cases the panels concerned were radial boards (nos. A 13, A39).

In the case of six panels where datable planks still show some sapwood, and where it is thus possible to estimate the felling date with greater certainty than when an unknown number of rings of heartwood have been lost (nos. A 3, A 5, A 12, A 19, A 24, A 38), the period between the statistically average felling date and the date of painting is, respectively, 4, 8, 14 to 15, - I, 6 to 7 and 18 years. The average of 8t lies well above the normal 5 years! and three cases show a considerable deviation, two (nos. A 12 and A 38) above and one (no. A 19) below the average period.

It should be borne in mind, however, that quite often the considerable age of the tree suggests a greater number of sapwood than the average of 20 and, therefore, a later felling date than is indicated by the statistical average (nos. A 3, A 5, A 12, A 38).

In the case of fifteen authentic or roughly contem­poraneous paintings the datable planks of which do not con tain sapwood (nos. A 6, A 7, A 10, A 2 I, A 28, A3 I , A34, A37, A40, B7, C I, C7, C 15, C23, C 24) research yielded an average period, from ear­liest possible felling date to date of painting, of up­wards of 15 years, the estimated number of years varying between 2 (no. A40) and 26 (no. A34). Where the large panels (no. A 6 and to a lesser degree no. A 34) are concerned this ties up with a tendency - noted in a totally different context2 - to use for these panels planks of wood that had laid in storage longer or been less economically sawn. In general a less economical way of working when sawing the wood - resulting in the loss of an un­known number of annual rings of heartwood - does offer a possible explanation in the case of smaller paintings as well (nos. A 10, A 2 I, A 28, A 37, B 7, C 25). On top of this, however, account has to be taken of the fact that several panels have more or less demonstrably been reduced on the sapwood side (nos. A 2 I, A 3 I, B 7); this naturally leads to the loss of annual rings and - if information derived from other panels from the same tree is lacking - to the felling date being estimated too early. The time elapsing between the hypothetical felling date and the date of painting is, for the panels of paintings we regard as later works or imitations, difficult to estab-

I cr.]. Bauch and D. Eckstein in: Studies in con,lervation 15 (1970), esp. p. 47. 2 cr. data given in D. Eckstein and]. Bauch, 'Dendrochronologische Alters­

bestimmung von Bildtafcln' in: exhibition cat. Var Stefan Lochner. Die KOiner i'.1.aler von 1300 his 1430, Cologne 1974, pp. 21 -2:,.

TABLE OF DENDROCHRONOLOGICAL DATA

lish, since there is usually a great deal of uncertainty about the date of painting. In only one case (no. C 7) has dendrochronology confirmed the dating of a work, already thought to be by a follower for reasons of style, as later than the year inscribed on the picture.

Apart from the da ting of wood, dendrochronolog­ical examination has yielded interesting information on several panels, as having been made of wood that comes from one and the same tree. This may be taken to mean that panels thus connected were manufactured and sold by the same joiner and, more likely than not, purchased by the same painter or, at least, by painters in the same town at about the same time. As far as the panels dealt with in this volume are concerned, this applies to three groups of panels: nos. A 12, A 38 and B 7, nos. A 34 and A 37, and nos. A 42 and Br. 338. In the case of no. A 42 the panel's connexion with that of a portrait from Rembrandt's Amsterdam period points to it having been painted after he had moved to that city during 163 I.

Index of paintings catalogued in volume I

Present owners

AMSTERDAM, Rijksmuseum

ARLES, Musee Reattu BASLE, Offentliche Kunstsammlung Basel -, private collection BELGIUM, private collection BERLIN (West), Staatliche Museen Preussischer Kulturbesitz, Gemaldegalerie BOSTON, Mass., Museum of Fine Arts -, The Isabella Stewart Gardner Museum BRAUNSCHWEIG, Herzog Anton Ulrich­Museum BURGHLEY HOUSE, Northamptonshire, colI. Lady Exeter CAMBRIDGE, Mass., The Fogg Art Museum, Harvard University CHICAGO, 111., The Art Institute of Chicago CLEVELAND, Ohio, The Cleveland Museum of Art COPENHAGEN, Statens ~1useum for Kunst DENVER, Col., The Denver Art Museum DRESDEN, Staatliche Kunstsammlungen Dresden, Gemaldegalerie Alte Meister ENGLAND, private collection ESSEN, colI. H. von Bohlen und Halbach FRANKFURT AM MAIN, Stadelsches Kunstinstitut GLASGOW, Art Gallery GOTHENBURG, colI. Svanstrom THE HAGUE, Cramer Gallery -, Koninklijk Kabinet van Schilderijen, Mauritshuis -, State-owned art collections department HAMBURG, Hamburger Kunsthalle HEIDELBERG, coil. G. K. Korn HELSINKI, Sinebrychoff Art Museum, The Fine Arts Academy of Finland HOUSTON, Texas, The Museum of Fine Arts INDIANAPOLIS, Indiana, Indianapolis Museum of Art, Clowes Collection INNSBRUCK, Tiroler Landesmuseum Ferdinandeum JAPAN, MOA Museum KARLSRUHE, Staatliche Kunsthalle KASSEL, Staatliche Kunstsammlungen Kassel, Schloss Wilhelmshohe LEERDAM, Hofje van Aerden LEIDEN, Stedelijk Museum de Lakenhal LEIPZIG DDR, Museum der bildenden Kiinste LE MAS D' AGENAIS, Lot et Garonne, parish church LENINGRAD, The Hermitage Museum LIVERPOOL, Walker Art Gallery

A3,A7, AI 4, A 28, A 32 copy 2, A 37, B 4 copy I, C I, C 34 A 22 copy 6 Ag, C 16 copy I

C43 A36, C8 A 10, A24, A38, A39

A 18, C 20 A20

CIS, C41 copy 12

B4 copy 2

C2g, C3S, C4I copy 8 A 30 copy I, A42

A23

A2I copy 3, C27, C 29 copy I C9 A34 copy I

A IS, A42 copy I C42 A2S

A 28 copy 3 C 19 copy 2 BI,B2, CI 3 A 2 I, A 3 I, A 34, B6, B7, C 12, C4I A6, A IS copy 2

A 12 C 20 copy I C44

C 31 copy I

A 22 copy I

A29

A22 C 13 copy I A 14 copy I, C 24, C26, C 30 C 3 copy 2 A6, C 32 C2S

A3S

C28 A33

LONDON, The British Museum

-, The National Gallery -, coil. A. S60s ·LOS ANGELES, CaL, Los Angeles County Museum of Art LUDLOW, Downton Castle, colI. D. Lennox (formerly) LYON, Musee des Beaux-Arts MALIBU, Cal., J. Paul Getty Museum MELBOURNE, National Gallery of Victoria MILWAUKEE, Wisc., coil. Dr. A. Bader MONTE CARLO, coil. J. Kronig MOSCOW, Pushkin Museum of Fine Arts MUNICH, Bayerische Staatsgemalde-sammlungen, Alte Pinakothek NEW YORK, N.Y., The Metropolitan Museum of Art -, coil. J. William Middendorf II NUREMBERG, Germanisches N a tionalm useum OTTAWA, The National Gallery of Canada OXFORD, Ashmolean Museum PARIS, Musee Cognacq-Jay -, coil. Dr. E. Hahn -, MuseeJacquemart-Andre -, Musee du Louvre -, Musee du Petit Palais PHILADELPHIA, Penn., John G. Johnson Collection -, The Philadelphia Museum of Art POMMERSFELDEN, coil. Count Schonborn PRAGUE, N arodni Galerie PRIVATE COLLECTION -, Baron Edmond de Rothschild

RALEIGH, N.C., The North Carolina Museum of Art ROME, Galleria Doria ROSSMORE, Lord Rossmore SALISBURY, Wilts., Wilton House, coil. Earl of Pembroke SALZBURG, Salzburger Landessammlungen -Residenzgalerie SCHLEISSHEIM, Staatsgalerie STOCKHOLM, Nationalmuseum ST. PETER PORT, Guernsey, colI. D. H. Cevat STUTTGART, private collection -, Staatsgalerie SWEDEN, private collection SWITZERLAND, private collection TIVERTON, Devonshire, Knightshayes Court, coil. Sir John Heathcoat-Amery TOKYO, Bridgestone Museum of Art TOLEDO, Ohio, The Toledo Museum of Art TOURS, Musee des Beaux-Arts TURIN, Galleria Sabauda USA, private collection

UTRECHT, Rijksmuseum het Catharijne Convent

686

A 12 copies I and 2 C 3, C 14 A34 copy 2 A30

C6

AI B4 A 13

CI8,C22 A21 copy 2 A4 A 19

C38

C4 A 2 I copy I, A 26

C7

C 31 A2 C 2g copy 2 A 16 C 16 A 12 copy 3, A40 C 3 copy I

C 21 A 29 copy 2 A IS copy I C36, C37, C39 C33 C2

C 22 copy 2 C 41 copy 10 C 19

A27

A 29 copy I

BS, C 17 B3

AI2COPY4 A I I C40 C I I A 14 sub copy I

C 10 A4 1

Cs A17 A8 copy I, C 23, C 2S copy I

AS

VIENNE, Isere, Musee d'Archeologie et des Beaux-Arts WHEREABOUTS UNKNOWN

WINDSOR, Windsor Castle, H.M. Queen Elizabeth II ZURICH, Rindermarkt Gallery (1962) -, Prof. Dr. L. Ruzicka

A40 copy 2

A21 copy 4 C 34 copy 2

Previous owners

Listed arc previous owners (under proper names), institutions (under place names) and anonymous sales (under place names in chronological order).

Aalst, C.J. K. van Aalst, N.]. van Aberdeen, Earl of Adda, F. Agnew, C. Agnew & Sons, Th. Ahmanson, Howard F. Alewijn, Jacob Alexander, Robert Alexander, W. C. Algarotti, Count Amsterdam, 10June 1705, no. 30 -, 15 April 1739, no. 88 -,17/ 18 April 1759, no. 103 -, I I June 1764, no. 2 -, 10 June 1767, no. 13 -, IOJune 1767, no. 14 -, 14 August 177I, no. 10 -, 11-13 December 1923, no. 963 -,27 October 1927, no. 48 -,8 November 1927, no. 10 Ancram, Earl of, see Kerr, Sir Robert Andrassy, Count Julius Andre, Edouard Angelis, de Angell-Norris Ansell, Robert Araignon Argyll, Duke of Arkwright, Morton Arundell, Anne Lucy, Lady Arundell, Earl of Asscher & Koetser Asscher, Koetser & Welker Asscher & Welker Attems, Count Auspitz, Stephan von Aved, J. A.J. C. A ynard, Edouard Bachstitz, K. W. Barry, ComteJean du Bass, Edward Becker, H. Beckerath, von Beer, Jules Beets, N. Beit, Alfred Beit, Lady Beit, Sir Alfred Lane Beit, Sir Otto John Bell,John Bentinck-Thyssen Bornemisza, G. W. H. M. Baroness Beraudiere, Cornlesse de La Berens, R. B. Bergh, Sidney J. van den Berlin, 14 March 1905, no. 46 Bernardi, Bartolo Beyer, F.

BI,B2,C4 BI,B2,C4 C 19 copy 1 C33 C40

C I, C 21, C 35 A3° A 28, A42 A 15 C 41 copy II C24 A40

C 18 A3 C 16 copy 2 A28 A42

A25 C 39 copy 1 C 18 copy 2 A 15 copy 1

C37 A 16 C4I A30 copy 1 C4 C 15 C39 C I I

C4 C4 C40

A6 C4 A21 copy 4 C 8, C 3 I copy 2 A 17, C 16, C 27 C8 C 8, C 31 copy 2 A 12 A33 C 13 C 34 copy 3 A30

C35 C7 C7 C7 C7 C3 A3

A36 copy I

C36 C22 C 24 copy I A 13 A 26 copy 1

Beyers, A. M. A40 copy I Cottier & Co C42 Bingham, D. C22 Coymans, B. C4 Birnbaum, D. A 13 Cripps, F. A7 Bode, Catharina Elizabeth A35 Crozat, Fran<;ois C28 Bodeck-Ellgau A26 Crozat, Pierre C28 Boer, P. de A25 copy I, C2, Czernin, Count A27

C 13 Davies, Sir Francis john C 14 Bohler, julius A42, C 29 Davies, Warburton C'4 Bohn, H.G. C25 Dehn, Mrs. von C43 Boissiere, Ch. de B6 Delaborde, Countess Henri B5 Bonde, Count A21 Destouches A 17, A40 Bondy, O. C41 copy 9 Diemen, van C22 Borthwick Norton, Mrs. A33 Donaldson, Sir George C42 Bosch, jhr. van den A3 1 Donovan C 21 Bottenwieser C 13 Douwes, E. C 31 copy I Boughton Knight, A. R. C6 Dubois C 18 Boulton, M. P. W. A42 Dudley, Sir Henry Bate B4 Bout, Adriaan A34 Dubi-Muller, Mrs. A30 Boymans, F.j. O. C41 Dusseldorf, 17 October 19 I 3, no. 19 C41 copy 3 Braamcamp, Gerrit C4 Duffour, Xavier A35 Brandt, Gerard C 15 Duits, Ch. E. A33, C22 Brandt, Mortimer A8 copy I Duits, W. E. C 31 copy I Bredajr., Lucas van C 17 Dutuit, Auguste A40 Bredius, Dr. A. A3 1, B 7, C41 Dutuit, Eugene A40 Brimon, Vicomte de A30 Duval, jean Fran<;ois Andre A30 Brussels, 2 I july 1738, no. 3 I 2 C 19 copy I Epstein, M. AI6 -, 10 March 1927, no. 85 A22 copy 3 Escher, W. C. CII -, 16 December 1929, no. 29 C41 copy 2 Esterhazy, Count C34 -, 16 December 1936, no. 80 C2 Evers Bros. C 39 copy I -, 19 November 1956, no. 28 C34 copy I Eversdijck, M. D. van A 10, C 17 Buckingham, Duke of A20 Favre A 18 Burckhard t-Sarasin C23 Fechenbach, Carl Freiherr von A26 Burlet, Charles A. de C2 Fesch, Cardinal A 12 copy 4 Busch, R. C29 Fitzgerald, Mrs. Derek CI Buytene, Pieter van A3 Frankfurt, I I March 1907, no. 26 A 14 copy 2 Cailleux, P. C3 1 Franssen, C.j. H. C41 Calonne, de A 17 Fraula, Comte de C 19 copy I Carl, Landgrave of Hesse C26 Frederik Hendrik, Prince of Orange A 12, A24, A38, Cate, H. E. ten C37 A39 Catherine II, Empress of Russia C28 Friedrich I, King of Prussia A24, A39 Cavens, Count A22 copy 3 Friedrich Wilhelm I, King of Prussia A24, A38 Ceel, van der B6, C34 Frieson, von C30 Cesar A28 Gardner, Isabella Stewart A20 Cevat, D.H. A 14, C4 Gates, W. A30 copy I Chabot, ].]. M. A6 Gatschina Palace A22 copy 4 Chamberlain, W. B. B4 Gelder, M. van A36 copy 3 Charbonneaux, P. C9 Geldner, Max A9 Charlemont, james, 1st Earl of A 15 Gevigney, de A 17 Charles I, King of England A32, A33 Gheyn III, jacques de A 13, A 17, A32 Chase, William M. A 18 copy I copy I Chaussemiche, Benjamin C5 Giraud, P. C. A4 Choiseul-Praslin, Comte de A36 Goldschmidt, Salomon Benedikt A 14 copy 2 Christ, Tobias C43 Gonzaga, Prince C22 Churston, Lord A 18 Gotha, Herzogliches Museum AI9 Clowes, Dr. G. H. A. A22 copy I Gottschald, julius Otto C25 Coburg, Herzoglich Sachsen-Coburg- A 19 Gotzkowski, johann Ernst A27

Gotha'sche Familienstiftung Goudstikker, J. A2, A3, A9, A25 Coen, jean de C 19 copy I copy 2, C44 Cognacq, Ernest A2 Goudstikker /Miedl A 15 copy 2 Collet A 17 Gray, james CII Colnaghi, P & D A20 Grill, A. C37 Colnaghi, P & D and 0 bach A42 Guiche, Comte de la AI2 Conti, Prince de C 16 Gump, S. and G. A9 copy I Contini, Count A 15 copy 2 Gustav III, King of Sweden C 17 Cook, Sir Francis AIO Habet, Pieter A36, C 16 copy 2 Cosway, Richard C 14 Habich C30

688

Hamilton Harrington, Earl of Harrison, Mrs. Hartogs, Mrs. Heinemann, R. Helflinger, Mrs. Hellberg,lvar Herbst, Dr. Hermann, Ferdinand Herzog, Baron Heugel, Henri Heydt, Karl von der Hoeven, Elias van der Hohenzollern-Hechingen, Furst zu Hoogendijk, D. A. Hope,]ames Hoppe, de Hoschek von Muhlheim, Gustav Ritter Howgate, W. Huck, Wolfgang Hussey, Eyre letswaard, David Isle and Dudley, Lord de l' I veagh, Lord Janssen, August ] ariges, Philippus] oseph de ]eude, Marinus de ]urschewitz Kaempfen, Albert K[ahn] Katz, D.

Katz, N.

Kerr, Sir Robert Keyzer, Louis Kimball, W. W. Kincaid-Lennox, W. M. P. Kinschot, ]ohan Antony van Kleykamp Kleinberger, F.

Klenglin, de Knoedler & Co, M.

Krupp von Bohlen und Halbach Kums, E. Laan, W. F.J. Lamann Lamm, Carl Robert Lanckoronski, Count Langlois Langton Douglas, R. Lareyniere, de La Roque Lasse, Comte de Lawley, Stephen Lebrun,]. B. P.

Lennox, Denis Leopold II, King of the Belgians Lepelletier, General Le Roy de la Faudignere Leroy d'Estiolles Libbey, Edward Drummond Limburger, B.

C 14 C 14 B7 C34 A9 C 16 C40

A 36 copy 5 A2 B 6 eopy I C 34 copy I C 10 B5 A 12 A 13 A 22 copy 3 A29 A2, C44 C 12 C 13 A9 C 14 A33 A 15 A9 A3° A 12 C4 1 copy 5 C 16 A23 A 7, A 9, C 4, C 34, C36, C37 A7, A 15 copy 2, B I, C 36 A3 2

C 19 copy I A42

C6 A37 A 14 sub copy I A2, B6, C9, C32, C 34, C 38, C 44 C 10 A 14 sub copy I, A23,A41 C42

A40 copy I C41 copy 6 C 13 copy 2 C36 A 36 copy 2 B6 A 18, A30, C 7 C 13 A 18, C 12 A 12 A4 1

AI2,AI8,CI6, C 18 C6 C38 A 12 copy 4 C 13 A 16 A4 1

C 3 copy 3

689

INDEX OF PAINTINGS CATALOGUED IN VOLUME I

Liphart, K. E. von Locq uet, Pieter London, 20 March 1899, no. 52 -, 25]uly 1924, no. 127 -,6 May 1927, no. 48 -, 19 December 1933, no. 120 -, 21]une 1950, no. 76 -,23 May 1951, no. 100 -,25 May 1952, no. 148 -,27 May 1959, no. 135 -,29 March 1974, no. S4 -,4 May 1979, no. 106 Loon, ] an van Lopez, Alfonso Louise Ulrika, Queen of Sweden Lubomirska, Princess Cecilia Lubomirski, Prince Lucerne, 30 August 1937, no. 1660 Lugt, F. MackaY,]ames E. Macquoid, Percy Mandl, Ludwig Marck Ezn., J. van der Maris, Simon Marlborough Gallery Marsmayer Matsukata, K. Matsvansky May, Mrs. F. Mayer, M. Mayer, F. X. Mestral de Saint-Saphorin, Armand-

Fran<;ois-Louis de Mettes Meyer, Dr. Gotthelf Mir Mogin-Zorn, F. Mont, F. Montesquiou, Marquis de Morny, Comte de Morton, Earl of Mountain, Sir Edward Moyne, Lord Munnicks van Cleef Murray, C. Fairfax Nardus, L. Nemes, Marczell von Neufville, Pieter Leendert de Neufville-Goutard, Sophie Franziska de Newcombe, F. New York, 16 May 1917, no. 250 Nikolaijevna, Grand Duchess Maria Norris, Mrs. Delara A. Oldenburg, Grand-Ducal Gallery Onnes van Nijenrode, M. Orange, Prince ]ohan Willem Friso Oudry, Alphonse Oulmont, Dr. Oxenden de Dene Pacully Palmer, Eric C. Pama, P. Paris, 4 May 1903, no. 41 ~ Is]une 19 14,no. 24 -,26 November 1974, no. 28 -, Musee Napoleon

A 28 copy I A27 CI9coPY I C 19 copy I A36 copy 6 A36 copy 4 C 36 eopy I C8 A8 copy I

A 14 A8 C6 C 18 A2 C 17 A 27 copy I

A22 copy I C 34 copy 2 BS A 14 C25 C29 B S, C 18 A2 C7 Ag copy I C 10 A 14 copy 2

C 21 C 18 C 18 A 22 eopy 5, A 3 I

C40

A 14 copy 2 A23 A40 copy 3 A22 copy I CII, CI 3 A3 0

A18,C12 B4 A IS B6 C 18 copy I C32

A4 2

A27 A25 C20 A 18 copy I C43 A 30 copy I A37 C39 A32 copy 2 A23 C 22 copy I Ag A 22 copy 2 C 16 copy 2 A 16 A22 copy 2 C 18 copy I

C36 Aq

INDEX OF PAINTINGS CATALOGUED IN VOLUME I

Patino, Antenor Patterson, Alexander Pein, Otto Pembroke, Thomas Earl of Perier Perret Pierpont Morgan,]. Pitcairn, Theodore Preh,]. Preyer, A. Proli, Count Ch. de Rasch, H. Reichenbach Reinhardt, H. Remond Renouard Reus, de Richardson, Frank R. Riddell, Sir] ohn Riddell, Walter Robiano, Comte F. de Robinson, Sir Charles j. Robinson, Sir john Charles Rochard, Fran<,:ois Theodore Rover, Valerius Sagan, Ducal Castle Sagert Saint Victor, Robert de Salavin, L. Salzdahlum, Schloss Samuel, Lord Sanderson, Arthur Sawyer Saxony, Elector of Schaeffer, Hans Schamp d'Aveschoot,j. Schellinger, Cornelia Scheurleer, D. F. Schickler, Baron Arthur de

Schley, Evander B. Schmetz, A. Schmidt van Gelder, P. Scholten, Hendrick Schonborn, Count Sed elm eyer, Ch.

Severance, john L. Sherman, Zoe Oliver Sichterman,]. A. SinebrychofT Slingeland t, Govert van Sommelinck, B. Speelman, E. Steyn, Pieter Stockholm (Bukowski), 8-1 I November

1961, no. 218 Stoop, F. Strantwijk, johannes Lodewijk Stratum, j. H. van Stroganoff, Count Sergei Thysscn-Borncmisza, H. Baron Tindinghorste, Everard George van Tooth Tschager, j.

C36 A 14 C 10 C 19 A25 C44 C38 C 21 A28 copy 1 A 15 copy I, C42 A3 I

A28 A 12 A4 I, A42 A 17 C 16 A37 copy 2 A9 B3 B3 A 16 A 10, C 34 copy I C 19 copy I A23 A35 A 12 Cro C 18 A36 copy I C 15 B4 C42

A20 A37 copy I C2 A40

B6 C44 A 15 copy 1, A40 copy I C38 C 24 copy I A9 A 17 AII,A37 A 16, A 30, C 9, C 21, C 34 copy I, C 4 I copy I, C 42 A23 A 18 A 13 C44 A2I C2 A7, B4 B6 C40

C34 C5 A8 A28 A3, A8 A 12 A20 A29

690

Tschugin Turner, P. M. Vassal de Saint-Hubert Vaudreuil, Comte de Vienna, 28 March 1928, no. 84 Vis, E. Voute, M. P. Warburg, james P. Warburg, Paul M. Ward, Lord Ward, T. Humphry Warneck, E. Wassenaer Obdam, Count of Wassermann, Dr. Max Watson, Denis Elliot Watson, Sir Remy Weber, E.F. Westminster, Duke of Whitting, W. Wildenstein Wilhelm II, Emperor of Germany Wilhelm VIII, Landgrave of Hesse Willem V, Prince of Orange Winkler, Gottfried Winter, Mary A. W ttenbogaert, j oannes Yerkes, Ch. Th. Zetlerwalls, F olke

A3 C 31 A 12 A40

A 22 copy 2 C37 A37 C 29, C 35 C 29, C35 A20 C 21 A22 copy 2, C33 C27 A27 copy 2 C3 C3 A 12 C 13 B4 C9 A24 C 24, C 26 A2I, A34 A30, C 38 A 14 A 13, A 17 A30 copy I A2I

Engravers

Only engravers from before the end of the 18th century mentioned in 6. Graphic Reproductions and in Introduction, Chapter III, The documentary value of early graphic reproductions, are listed.

Bailliu, Pieter de

Bernard, Johann Bernard, Louis Bierweiller, F. C. Bissel, A. Ciartres, see Langlois Cooper, Richard Dethier, Hendrik

Eeckhout, Gerbrand van den Frey, Johannes Pieter de Goujon-Devilliers, Antoine Abraham Hollar, Wenzel Klauber, Ignaz Sebastian Koninck, Salomon Langlois, Fran<,:ois Le Bas Lebrun, Jean-Baptiste Pierre Leeuw, Willem de

Longhi, Giuseppe Martin, David Michailoff, Pavel Nikolaivich Moitte, Fran<,:ois Auguste Monaco, Pietro Noordt, Joan van Picart, Bernard Preisler, Valentin Daniel Rembrandt Savery, Salomon

Schmidt, Georg Friedrich

Schnell, Michael Schroter, Johann Friedrich Stolker, Jan Triere, Philippe Visscher, Claes J ansz.

Vliet, J. G. van

Weisbrod, Carl Wilhelm Worlidge, Thomas

C [7 (fig. 5) and Chapter III, pp. 46-47 (fig. 23) A 22 (fig. 8) A22 A34 C [3

A20 C 25 and Chapter III, pp. 44-45 (fig. 19) C 31 A34 A34 A 15, B6 A30

C 31 A29, B6 A 12 C 18 (fig. 2) A 25 (fig. 5), C::; (fig. 4) and Chap­ter III, pp. 46-5 I (figs. 24-27, 29) C25 C39 A30

A 17 (fig. 4) A 13 (fig. 7) C 31 A22 C24 Chapter III, p. 35 Chapter III, p. 50 (fig. 30) A27 (fig. 3), A28 (fig. 7), A 36 (fig. 4) A29 C 38 (fig. 3) A 12 (fig. 6), A42 AIl Chapter III, p. 38 (fig. 5) A 14 (fig. 3), A 15, A29 (fig. 6), A37 (fig. 7), B6 (fig. 2), C 22 (fig. 3) and Chapter III, pp. 35-46 (figs. I, 3, 6, 7,9, I I, 13-16, 18, 22) A 12 (fig. 5) C39 (fig. 2)

INDEX OF PAINTINGS CATALOGUED IN VOLUME I

Subjects

History paintings

Bible OLD TESTAMENT

Balaam and the ass Samson betrayed by Dclilah David with the head of Goliath before

Saul David playing the harp before Saul Esther's feast Jeremiah lamenting the destruction of

Jerusalem Tobit and Anna Tobit and Anna with the kid Tobit at his son's return

NEW TESTAMENT

Simeon in the Temple An old woman reading, probably the

prophetess Anna (commonly called Rembrandt's mother)

The flight into Egypt The rest on the flight into Egypt The raising of Lazarus The rich man from the parable Christ driving the moneychangers from

the Temple The tribute money Judas, repentant, returning the pieces of

silver Christ at the column Christ on the cross The supper at Emmaus The stoning of S. Stephen The baptism of the eunuch S. Peter in prison S. Paul in prison S. Paul at his writing-desk S. Peter and S. Paul

Mytholof!JI Andromeda Minerva in her study Proserpina, The abduction of -

Unidentified subjects A biblical or historical nocturnal scene

(fragment) A Christian scholar in a vaulted room

('S. Anastasius')

History painting Musical allegory

A2 A 24, C I

A9

C8 A35 A 16 AI A5 A36 A I I

A26 A [3

A3 I

A38, C9 A39

C [0

see under Other scenes ... , Single figures, full-length A6 A7

Scenes other than history paintings and figures other than portraits

Several figures The foot operation The operation crouch) The spectacles-pedlar (Sight) Three singers (Hearing) Travellers resting Two old men disputing

C [I B2 B3 BI C 12 C 13

INDEX OF PAINTINGS CATALOGUED IN VOLUME I

Two old men disputing

Single figuresJull-length and half-length MEN

A Christian scholar in a vaulted room A hermit reading A man reading in a lofty room A man writing by candlelight A scholar reading An old man asleep by the fire, perhaps

typifying Sloth An old man with his arms crossed over

his chest Half-length figure of a man in a turban Half-length figure of an old man in a

gorget and black cap The artist in his studio The artist in oriental costume, with a

poodle at his feet

WOMEN

An old woman reading

see under Bible, New Testament, S. Peter and S. Paul

C 17 C 16 C 14 C 18 C 15 AI7

C 19, see also under Bible, New Testament, The prophetess Anna

Single figures, heads and busts (' tronies'), including informal por­traits if the artist and his relatives MEN

A man in a gorget and a plumed cap An old man in a gorget and cap (com-

monly called Rembrandt's father) Bust of a laughing man (commonly

called a Self-portrait of Rembrandt) Bust of a laughing man in a gorget Bust of a man in a cap (commonly

called Rembrandt's father) Bust of a man in a gorget and cap Bust of a man in a plumed cap Bust of a man looking downwards Bust of a man wearing a gold chain Bust of a young man Bust of a young man (commonly called

a Self-portrait of Rembrandt) Bust of a young man in a plumed cap Bust of a young man laughing Bust of an old man Bust of an old man in a cap (commonly

called Rembrandt's father) Bust of an old man in a fur cap (com-

monly called Rembrandt's father) Bust of an old man looking downwards Bust of an old man wearing a cross Bust of an old man with a bald head Bust of Rembrandt Head of an old man Self-portrai t

Self-portrait in a cap, with the mouth open

The artist in a cap and pleated shirt

B6

A8 C23 C3 I

C32

A23 C 35, C 38, C 39, C40

A4 I

C34 C25 B7

C27 C26 C24 C36, C37 C22 A 14, A 19, A20, A2I, A33 A22

WOMEN

An old woman at prayer Bust of an old woman (commonly called Rembrandt's mother)

CHILDREN

Bust of a young girl

Portraits

Single sitters, identified MEN

Rembrandt

A27 A32, C4I, C42, C43

see under Single figures, heads and busts ... , men

Indexes of comparative material and literary sources

Drawings and etchings by (or attributed to) Rem.brandt

Names of cities refer to the main printroom there.

DRAWINGS

Ben. 6 verso Two figures seated in arm-chairs, Rotterdam 25, 186, 187 (fig. 9), 189

Ben. 7 Old man with a book, seated, Berlin 149, 163, 165 (fig. 6), 167,281

Ben. 8 Judas repentant, formerly Vienna, private collection 23, 185 (fig. 7), 186~190

Ben. 9 recto Group of three priests or doctors in high caps at a table, Amsterdam 22 (fig. 12), 186 (fig. 8), 187, 189, 193,255

Ben. 10 Oriental leaning on a stick, Berlin 335, 495 (fig. 6), 496 Ben. II The supper at Emmaus, Cambridge, Mass. 201 Ben. 15 S. Paul, Paris 167, 270 Ben. 16 Bust of an apostle, Darmstadt 149, 281 Ben. I7 The raising of Lazarus, London 5,25, 300 (fig. 6), 301,

30 5 Ben. I8 S. Jerome kneeling in prayer, Paris 38 Ben. I9 S. Jerome praying, Bremen 149, 28 I Ben. 20 Bearded old man seated in an arm-chair, Paris, colI. A. Delon

149, 263, 28 I, 348, 543 Ben. 21 a (attributed to]. Lievens) A mounted trumpeter, Amster-

dam 135,442,443,516 Ben. 30 recto Standing beggar, Amsterdam 54 Ben. 31 Standing beggar with a leather bag, Amsterdam 54 Ben. 32 Old beggar in a long cloak and high cap, Amsterdam 54 Ben. 37 Seated old man, Washington 149,281 Ben. 38 Seated old man, bowedforwards, Stockholm 149,281,587 Ben. 39 Bust of a bearded old man, Paris 149, 270, 281 Ben. 40 Old man seated in an arm-chair, Haarlem, Teyler Museum

149, 263,281,348,543 Ben. 41 Old man with clasped hands, seated in an arm-chair, Berlin

149, 263,281,348,543,579 Ben. 42 Bearded old man, Washington 149,281 Ben. 44 An old Pole, formerly Lugano, private collection 379 Ben. 45 A Polish officer, standing, Leningrad 379 Ben. 46 Scholar pondering beside his writing table, Paris 537 (fig. 4) Ben. 51 (attributed to J. Lievens) Afoot operation, Florence 442,

5 16,5 1 7 (fig. 5) Ben. 53 Self-portrait, bust, London 2 I I, 2 I 6 Ben. 54 Self-portrait, bust, Amsterdam 216 Ben. 56 Rembrandt'sfather, Oxford 149,270,580 Ben. 76 The centurion of Capernaum kneeling before Christ, Rotter-

dam 25 Ben. 82 Lot drunk, Frankfurt 25, 149, 28 I Ben. 90 Abraham's sacrifice, London 23 Ben. 92 The rape of Ganymede, Dresden 23 Ben. 95 Jacob lamenting at the sight of Joseph's blood-stained coat,

Berlin 87 Ben. 106 A man infetters, lamenting, Munich 87 Ben. 136 Solomon's idolatry, Paris 335 Ben. 317 Young woman in rich oriental costume and head-dress, Berlin

121 Ben. 390 An artist in his studio, Portinscale, coli. F. Springell 21 I

Ben. 430 Self-portrait, bust, Marseilles 172 Ben. 442 Portrait of a lady holding afan, London 23 Ben. 567 The holy family in the carpenter's workshop, Bayonne 23 3en. 58 I The circumcision, Munich 23 3en. 757 Portrait of a lady, with an open book on her knees, Rotter­

dam 23 :en. 872 Tobit asleep, Rotterdam 206 ',en. 969 S. John the Baptist preaching, Paris 23

Ben. 1061 The conspiracy of Claudius Civilis, Munich 22,23 Ben. I 170 Young girl looking out of a window, Dresden 23 Ben. 1175 The anatomy lesson of Dr. Joan Deyman, Amsterdam 23

ETCHINGS

B.4 Self-portrait with a broad nose 648 (fig. 3) B. 7 Self-portrait in a soft hat and embroidered cloak 329 (fig. 6), 379 B.9 Self-portrait, leaning forward, listening 632 B. 10 Self-portraitJrowning 632 B. [3 Selfportrait open mouthed, as ifshouting 56, 343, 425, 632 B. 15 Self-portrait in a cloak with a falling collar 425 B. 17 Self-portrait in a cap and scarf [72, 388 B.24 Self-portrait in afur cap 56, 425 B.25 (not by Rembrandt) Bust of Rembrandt with bushy hair 425 B. 38 Joseph's coat brought to Jacob 379 B·42 The blindness of Tobit 205, 476 B.44 The angel appearing to the shepherds 29 (fig. 20), 30 B. 51 Simeon in the Temple 56, 189, 335 B. 54 The flight into Egypt 48 I B.59 The rest on thejlight into Egypt 481 (fig. 4) B. 62 The holy Jamify 486 B. 66 Christ disputing with the doctors 56, 552 B. 69 Christ driving the mone.ychangers from the Temple 47, 92, 189,

I go (fig. [I)

B·73 The raising of Lazarus 35, 30 J, 302, 303 (fig. 8), 305, 306 B. 77 Ecce homo 30, 35, 200 B.81 The descent from the cross 35,304,379 B. go The good Samaritan 47 B.93 (attributed to]. Lievens) The beheading of S.John the

Baptist 442,444 (fig. 4) B. 95 Peter and John at the gate of the Temple I go, 19 [, 495 B. 10 [ S. Jerome prrqing 379 B. J 04 S. Jerome reading in an Italian landscape 30 B. 105 S. Jerome in a dark chamber 552 B. [34 Old woman seated in a cottage with a string of onions on the wall

562 B. 142 A Polander standing with his stick .'i6 B. 149 S. Paul in meditation 167,270 B.152 The Persian 328 (fig. 5), 329, 379 B. 153 The blindness of Tobit 476 B. 165 Beggar man and lfloman behind a hank 56 B. 190 A man making water 56 B. Ig2 The artist drawing from the model 30 B. 20 I Diana at the bath 54, 3 I 3, 371 B.260 Bust of an old bearded man looking downwards 149, 28 [,543,

546 (fig. 8), 579, 621, 664 B. 262 Old man with beard,fur cap and lIelvet cloak 54, [49, 28 I, 60 I B. 263 Bearded man in a JliTred oriental cap and robe 319, 422, 615 B. 286 The first oriental head 40 B.287 The second oriental head 40 B. 288 The third oriental head 40 B. 29 I Bust of an old man with flowing beard and white sleelle 579 B. 292 Bald-headed man in right profile 41, 56, 204 B.294 Bald-headed man in right profile: small bust 4 I, 604 B.298 (not by Rembrandt) Bald man looking downwards 591 B·304 },;[an wearing a dose cap 289, 436, 437 (fig. 4), 615 B.309 Old man with aJlowing beard 149, 281 B. 3 [[ A1an in a broad-brimmed hat 56 B. 3 I 2 Bust of an old man with afur cap 149, 281,60 I B. 315 Old man with ajlowing beard 149, 281, 579 B'316 S'elf-portrait in a cap, laughing 247, 632 B.320 Self-portrait in a cap, with e.yes wide opened 632 B. 32 [ Bust of a man wearing a high cap 56, 204, 289, 575 B.325 Bust of an old man with aflowing beard 149, 281, 587 B. 338 Self-portrait, roughly etched 8,56, 112, 172, 211, 216, 22g,

247,429,636

INDEXES OF COMPARATIVE MATERIAL AND LITERARY SOURCES

B. 343 The artist's mother seated at a table 54, '274, 3 I 9, 664 B. 348 The artist's mother seated, in an oriental headdress '274, 664 B. 35'2 The artist's mother: head only,Jullface 56,57, T 56, '273, 3 T 9,

670

B.353 (not by Rembrandt) Bust of an old woman 670 (fig. 3), 67'2

B.354 The artist's mother: head and bust 56, 156, '273, 319,670 B.374 Three studies if old men's heads 604

Works by artists other than Rembrandt

For engravers after Rembrandt paintings, see also: Index of paintings catalogued in volume I, Engravers. Names of cities refer to the main museum or print­room there.

Alberti, C., see under: Rosso Fiorentino Anonymous, ft,lan with a watch, whereabouts unknown '2'23 (fig. 4)

(etching), Judas repentant 193 - (-), Bustifa man looking downwards 6'21 (fig. 3)

(-), Bust if Rembrandt with bushy hair 4'25 (-), Bust if an old woman 670 (fig. 3),67'2

- (miniature), see under: Stavelot Bible (woodcut), see under: Biblia pauperum, Speculum hum­anae salvationis, Vorsterman Bible

Baburen, D. van (engraving by C. Bloemaert), Flute-player 403 Backer,]. A. 50 -, Hippocrates visiting Democritus, Milwaukee, coil. Dr. A. Bader

'281 Bailliu, P. de 46-47,51 - (engraving), 'So Anastasius' 47 (fig. '23),55 1,55'2 (fig. 5),553 Berkheyde,]., Self-portrait, Florence '26 Beyeren, L. van 608 Biblia pauperum (woodcut), Balaam and the ass 80 Bisschop, C. de 35 Blockland t, A. ( drawing), Andromeda, Brussels 3 I 3 Bloemaert, A. 45 I

(engraving by C. Bloemaert), Avaritia T39, 14T (fig. 5) (-) , Two children singing 403 (-), Old woman with a rosary 273 (fig. 2), 274

- (engraving by W. van Swanenburg), S. Paul 148, 270 (fig. 4) - (-), S. Peter repentant 348 (fig. 3), 349

(-), The sinners of the Old and New Testaments: Judas 191

Bloemaert, C., see under: D. van Baburen, A. Bloemaert and G. van Honthorst

Bol, F. 35, 247 -, Bust oj an old man, Basle '291 -, (drawing), Holy Family, Darmstadt 486 Bosch, H., The Four Last Things and the Seven Deadly Sins, Madrid

206 Bramer, L., Thejudgment of Solomon, several versions 189 -, The queen of Sheba bifore Solomon, several versions 189 Bray, S. de 457 Bril, P. 544 Brouwer, A. 206, 628 Brugghen, H. ter 45 I, 458

, Samson and Delilah, mentioned in an Amsterdam inventory of 1691 '255

, Pilate washing his hands, Kassel 457 -, The deliverance if S. Peter, France, private collection '255 -, The deliverance of s. Peter, Schwerin '255 Bry, ]. Th. de (engraving from Emblemata saecularia 161 I),

Young woman fooling her old husband 4 15 Bueckelaer,]., Merry company, Antwerp '205 (fig. 3), 206

Buytewech, W. 458 - (etching by]. van de Velde) , Tobit and Anna with the kid 86 Caravaggio, Madonna di Loreto, Rome, S. Agostino 200 -, Madonna del Rosario, Vienna '200 Carracci, Annibale, Pieta, Parma 191 Collaert, A., see under M. de Vos Coornhert, D. V., see under M. van Heemskerck Cornelisz., C. - van Haarlem, Portrait if the foal Pieter van der

Morsch, sale London 19'29633 Cort, C., see under M. Venusti Coter, C. de, S. Luke painting the Virgin, Vieure, Allier '28 Crabeth II, W., SS. Peter and Paul, Lincoln, University of

Nebraska Art Galleries 166, 167 (fig. 9) Danckerts, C., see under F. Hals and]. Leyster Dethier, H. (etching), Bust if an old man 44, 45 (fig. 19) Dou,G·3,35,45,48,50, 112, 165,235,319,403,422,436,464,

476,486,537,544,569,595,608,665 Tobit and Anna, Paris 465 An artist in his studio, Duisburg, private collection '26, '2 I '2

- An artist in his studio, London, L. Koetser 197'2 '2 I 2 An artist in his studio, London, coiL Lord Northbrook '205

- An artist in his studio, London, coil. Lord Samuel 2 I '2 An artist in his studio, N ew York, N ew York Historical Society '212 An artist in his studio, private collection 48 I, 48'2 (fig. 5)

- An astronomer, Leningrad 205, 476 The young mother, The Hague 336 Man smoking a pipe, formerly Vienna, coil. Czartoryski 465 Old man smoking in his study, formerly Prague, Galerie Nostiz

205 -, Old woman eating, Schwerin 465 -, Old woman peeling apples, formerly Berlin, coil. Huldschinsky

465 -, Bust oj a man in a plumed cap, Kassel '205 -, Head if a man, formerly Paris, art trade 3'20 (fig. 4) - (attribution), Tobit and Anna (no. C 3), London 461-466

(-), A soldier, Budapest 500 (suggested attribution), Theflight into Egypt (no. C 5), Tours 478-482 , 5 ID, 557

- (-), A biblical or historical nocturnal scene (no. C 10), Tokyo 508-5 11 (-), A man writing by candlelight (no. C 18), Milwaukee, coil. Dr. A. Bader 554-558 (or]. Lievens), Eli instructing Samuel, on loan to Amsterdam, Rijksmuseum 563, 565 (fig. 5), 566 (engraving by Reveil), Tobit and Anna at prayer 465

Droochsloot,]. C., An artist in his studio, Macon 26 Dufour, P. (engraving), Jacob recognizing Joseph's blood-stained

coat 87 Durer, A. (engraving), Melancholia 1362,363 Dusart, C. (drawing), An artist in his studio, Amsterdam 26 Dyck, A. van 23, 395, 444 -, The apostle Thomas, Essen, coil. Krupp von Bohlen und

Halbach 128 - (engraving by P. de]ode), Portrait of Jan van Montfort 396 Ecckhout, G. van den 35 - (copy after), S. Paul on the island of Malta, The Hague,

Museum Bredius 5 10, 5 I I (fig. 2) EIshcimer, A. 71, 73,371 -, The martyrdom if S. Lawrence, London 120 -, Il contento, Edinburgh 370

(engraving by H. Goudt), Philemon and Baucis 200 (fig. 5) - (etching by W. Hollar), Minerva 363 - (engraving by P. Soutman), The martyrdom ofS. Lawrence 120 Fabritius, B. (?; drawing), Seated oriental figure, Windsor Castle

306

Fabritius, C. 35, 536 -, The raising of Lazarus, Warsaw 306 Flinck, G. 35

, The rest on the flight into Egypt, Bayeux 486 Galle, Ph., see under M. van Heemskerck and J. Stradanus Gelder, A. de 20, 35

, The blessing oj Tobias and his bride Sarah, whereabouts un­known 356

-, Esther preparing to intercede with Ahasuerus, London, Edw. Speelman Ltd 1956 121,122

-, An artist in his studio, Frankfurt 26 Gherwen, R. van 35 Gheyn II,J. de (engraving), A woman quarrelling with her husband

87 Gheyn III, J. de (by or copy after), The apostle Paul, London

562 - (etching), The apostle Paul 148 - (-), The philosopher Chilo 270 Goudt, H., see under A. Elsheimer Goyen, J. van 200, 485 Grebber, P. de, Belshazzar'sJeast, Kassel 452 -, The raising oj Lazarus, Turin 306 Guercino 456 Hals, F. 452, 458, 459, 626 -, Young man holding a skull, London 223 - (engraving by C. Danckerts) , Two children with a cat 5 I Hecken, A. van der, Judas repentant, Leningrad 193 Heem, J. D. de, Still-life with books, Amsterdam 120 -, Still-life with books, The Hague 120 Heemskerck, M. van (engraving), The prodigal son 120 - (etching by D. V. Coornhert), Balaam and the ass 80

(engraving by Ph. Galle), Samson and Delilah 255 (-), Acta Apostolorum series: S. Peter in prison 348

- (-), Acta Apostolorum series: Baptism oJthe Eunuch 102 (fig. 8) Hollar, W., see under A. Elsheimer Honthorst, G. van 122,451,459

Granida and Daifilo, Utrecht 255 The dentist, Dresden 405 Merry company, Munich 405

- Old woman examining a coin by lantern light, whereabouts un­known 141, 142 (fig. 6) (engraving by C. Bloemaert), Old woman holding a candle and a purse 141, 142 (fig. 7) (-), Old woman singing 403

Hoogstraten, S. van (etching, attributed), Bust of an old woman 670 (fig. 3)

Jacobsz., L. 380, 544 -, The apostle Paul, Leeuwarden 270 Jode, P. de, see under A. van Dyck J ouderville, I. de 380

Saul and David, Warsaw 507 Bust of ayoung man, Dublin 247, 505, 507 (fig. 6) Young man laughing, The Hague, Bredius Museum 247 Man in oriental costume, private collection 505, 506 (fig. 4) Knee-lengthfigure oj a woman, private collection 505, 507 (fig. 5)

- (attribution), Minerva in her study (no. C 9), Denver 502-507 Keihl, E. 35 Koedijck, I. 476 Koninck, Ph. 35 Koninck, S. 35, 505, 565, 569 -, Judas repentant, formerly Bonn, Provinzial-Museum 193 Lastman, P. 3, 23, 72, 73,81, I I I, 130 , I4I, 190,452 -, Abraham's sacrifice, Amsterdam, Rembrandthuis 444 -, Balaam and the ass, New York, coli. Richard L. Feigen 79 (fig.

5)

695

-, Manoah's sacrifice, formerly Rotterdam, Museum Boymans 453

-, Samson and Delilah, sale 1806 255 -, The ceremonial reception of David with the head oj Goliath, lost

since 1830 135 - David's letter to Uriah, Groningen 189, 263 - The triumph of Mordecai, Amsterdam, Rembrandthuis 20

The raising oj Lazarus, The Hague 305, 306 The baptism of the Eunuch, Berlin 101

, The baptism oj the Eunuch, Karlsruhe IO I (fig. 7) The baptism of the Eunuch, Munich 101 The baptism oj the Eunuch, Paris, colI. F. Lugt (Fondation

Custodia) 101 - Coriolanus and the Roman women, Dublin, Trinity College 71,

112, 134, 135 (fig. 6) -, Hermit reading, formerly Brussels, colI. Baron L. Janssen 544 Leeuw, W. de 46-51 -, see also under J. Lievens

(etching), David playing the harp to Saul 48, 49 (fig. 25), 264 (fig. 5) (-), Tobit and Anna 48,49 (fig. 26),465 (flg. 4) (-), Young woman 47, 48 (fig. 24) (-; attributed), 'Mariana' 50, 51 (fig. 9) (-; -), Bust oj a young man with neckerchief and Jeathered cap 49, 50 (fig. 27)

Lesire, P., The Cumaean si~yl, whereabouts unknown 356 (fig. 6), 597

-, Bust oj ayoung man, Hanover 235, 597 Leyden, L. van 3 1, 58 -, The Last Judgment, Lciden 148, 166

(engraving), The life oJJoseph series 405 (-), David playing the harp before Saul 263

- (-), SS. Peter and Paul in a landscape 166 - (-), Young man with a skull 223

(woodcut), TheJatal power oj women series oj 1514: Samson and Delilah 255

- (-), TheJatal power oJwomen series oj 1517: Samson and Delilah 255

Leyster, J. 45 2

- (engraving by C. Danckerts) , Two children with a cat 5 I Lievens,j. 3, 7,3 I, 35,40,56, 135, 173, 204, 2 I 1,234,255, 3 I 9,

362,370,380,442,443,452,453,476,527,563,575,672 -, Samson betrayed by Delilah, Amsterdam 255, 442, 444, 455,

456 (fig. 9) , Job on the dungheap, Ottawa 459, 476, 563

-, The raising oj Lazarus, Brighton 30 1, 305, 306 -, The raising oJLazarus, mentioned in Rembrandt's inventory

of 1656305 -, Pilate washing his hands, Leiden 442, 457 -, Christ at the column, The Hague, S. Nystad 1979454,455 (fig.

8),456,458 Christ on the cross, Nancy 343, 344 (fig. 6)

- The apostle Paul, Bremen 270 The Jour evangelists, Bamberg 455 S. Jerome, Leiden 200, 444

- A hermit, mentioned in Rembrandt's inventory of 1656544 Vertumnus and Pomona, whereabouts unknown 165

- Homo bulla, Besan<;:on 453 - Allego~y on the five senses, Chicago, colI. Taylor 457, 458 - Student reading at the jire, formerly colI. Charles I 562

Young man blowing on a torch, Warsaw 453 - Young man with a pipe blowing on a glowing coal, vVarsaw 453,

454 (fig. 7) - Man singing, New Yark, colI. J. Reder 403 - An oriental, Sanssouci 46

Head oj a young man (self-portrait?), Copenhagen 4 I (fig. IO)

INDEXES OF COMPARATIVE MATERIAL AND LITERARY SOURCES

- Bust of an old man, Dublin 205, 632 - Bust ~f an old man, Leipzig 128 - Bust oj an old man, Schwerin 563,620 (fig. 2),62 I - Old woman reading, Amsterdam 458 - (attribution), Samson betrayed by Delilah (no. C I), Amster-

dam 439-445 - (-), Esther'sfeast (no. C 2), Raleigh 71, 120,446-460 - (suggested attribution), TheJootoperation (no. C 1 I), Switzer-

land, private collection 5 I 2-5 I 8 - (-), II alf-length figure of a man in a turban (no. C 2 I ), Philadel­

phia 572-575 - (or G. Dou), Eli instructing Samuel, on loan to Amsterdam,

Rijksmuseum 563, 565 (fig. 5), 566 - (wrongly attributed), Head of a b~v, Amsterdam 453 - (drawing), Moses praying during the battle against the Amalekites,

Leipzig 442, 443 - (-), Christ in Gethsemane, Dresden 442, 443 (fig. 3) - (-), A hermit, London 444 - (-), Mercury and Argus, Dresden 444 - (-), Mucius Scaevola and Porsenna, Leiden 443 - ( ), Afoot operation, Florence 442,516,5 I7 (fig. 5) - (-), A mounted trumpeter, Amsterdam 135,442,443,516 - (etching), Jacob anointing the stone at Beth-El T02

- (-), The raising of Lazarus 301 (fig. 7), 305 - (-), The beheading ofS. John the Baptist 442,444 (fig. 4) - (-), S. Jerome 200,444 - (-), A hermit 544 - (-), A hermit 444, 544 - (-), Mercury and Argus 444 - (-), Bust rif an oriental, in left profile 289 - (-), Bust rif an old man 320 - (-), Bust rifa man in a turban 422 - (-), Variae effigies: Bust of ayoung man in right profile 40

(-), Bust of an old oriental in l~ft profile 40 (-), Bust rif an oriental in right profile 40, 205, 289 (-), Bust rif an old man in left profile 40 (-), Bust rif an oriental infront 40,205 (-), Bust q/ an old man in right profile 40 (-), Bust rif a young man in right profile 40

- (-; attributed), Head rif a man 320 (fig. 5) - (-; -), Bust oj a man looking downwards 320 - (etching by W. de Leeuw), S. Paul the Hermit 47,48 - (etchingbyj.G.vanVliet),IsaacandEsau456,457 (fig. TO),

458 Lorrain, C. 102 Luther Bible, see Chr. Murrer Maes, N. 35 Mallery, K. de, see under M. de Vos Master of thej udgment of Solomon, SS. Peter and Paul, London,

P. & D. Colnaghi & Co. Ltd 1976/77 167 (fig. 8) Matham, j., see under P. P. Rubens Metsu, G., Old woman reading, Amsterdam 355 Michelangelo, The fall rif man, Rome, Sistine Chapel 255 -, The Doni Madonna, Florence 255 - (drawing), Christ on the cross, London 343 MoerentorfBible, see C. van Sichem Moeyaert, C. C. (drawing), Judas repentant, New York, colI.

E. E. Wolf 193 Molenaer,j. M. 17 Mol~jn, P. de 485 Moreelse, P. 45 I Murrer, Chr. (woodcut in the Luther Bible), Judas repentant 191 Muziano, G. 544 Ostade, A. van 495, 542, 544 (fig. 6) Patinir, j. 544 Pontius, P., see under P. P. Rubens

696

Poorter, W. de 501, 505 -, The circumcision, Kassel 335, 336 -, Christ and the woman taken in adultery, Dresden 335, 336, 495

(fig. 7),496 -, The raising of Lazarus, Munich 306 -, Woman weighing gold, Raleigh 496 - (attribution), Simeon in the Temple, Dresden 496 Pot, H. (attribution), Old woman making lace, England, private

collection 420 (fig. 4) Pynas,jacob 73, 459, 476 -, Paul and Barnabas at Lystra, Amsterdam 7 I -, The stoning qf S. Stephen, formerly London, colI. Dr. E.

Schapiro 72 Pynas, jan 73, 459 -, The raising of Lazarus, Aschaffenburg 306 Quast, P., A man in a plumed cap, Rotterdam 420,42 I (fig. 5) Raimondi, M. A., see under Raphael - (engraving), David cutting off the head rif Goliath 72 - (-), 'La Vierge au berceau' 156, 157 (fig. 9) Raphael, S. Cecilia with Jour saints, Bologna 149 - (tapestry), S. Paul in prison, Rome, Vatican 148 - (-), The blinding oj Elymas, Rome, Vatican 476 - (engraving by M. A. Raimondi), S. Paul preaching in Athens

30 5 (fig. 9) - (-), ihe death of Ananias 305 (fig. 10),306 - (engraving by A. Veneziano), The blinding of Elymas 476 Rembrandt (anonymous draughtsman after), An old man read­

ing, Weimar 542,545 (fig. 7),621 - (imitation), Minerva, The Hague 362 Rembrandt school, The parable rif the hidden treasure, Budapest

486 - (drawing), Samson and Delilah, Leiden 255 - (-), Seated oriental figure, Windsor Castle 306 Reni, G., The assumption rif the Virgin, Genoa, S. Ambrogio 349 -, S. Peter weeping, Florence, Palazzo Pitti 349 -, The apostles Peter and Paul, Milan 166, 28 I Reveil, see under G. Dou Roghman, R. 35 Roman relief, The abduction rif Proserpina, Louvre 370 - ( engraving in Galleria Giustiniani 165 I ), Battle scene 80 (fig. 6),

92 Romano, G., The stoning rif S. Stephen, Genoa, S. Stefano 72 Rosso Fiorentino (engraving by Ch. Alberti), The stoning rif S.

Stephen 73 Rousseau(x),j. de(s) 49,420,584 Roymerswaele, M. van 141 Rubens, P. P. 18,35,47,121,122,444 - Samson and Delilah, London 255 - The adoration oJthe Magi, Lyon 134,380 - The miracle of S. Francis Xavier, Vienna 305 - The miracle oj S. l,gnatius, Vienna 305 - The abduction oj Proserpina, Madrid 371 - Portrait rif Nicolas de Respaigne, Kassel 380 - (engraving by j. Matham), Samson and Delilah 442 - (engraving by P. Pontius), Christ on the cross 343 (fig. 5), 344 - (etching by P. Soutman), The abduction rif Proserpina 370, 37 I

(fig. 4) - (engraving by L. Vorsterman), Christ on the cross 343 - (anonymous engraving after L. Vorsterman), The adoration

rifthe Magi 120, 134, 136 (fig. 7),380 (fig. 6) Ruisdael, J. van, A ruined castle gateway, London 200 Ruysdael, S. 485 R~jckaert III, D., An artist in his studio, Paris 26 Sadeler, E., see under j. Tintoretto Sadeler IT, R., see under L. Sustris

INDEXES OF COMPARATIVE MATERIAL AND LITERARY SOURCES

Saint-Aubin, G. de (after Rembrandt), Simeon in the Temple, Paris, Musee du Petit Palais 155, 156, 157 (fig. 8)

Santvoort, D. van, The supper at Emmaus, Paris 201 Savery, S. 51 - (detail of engraved portrait frame), The clementia of king

Wladislaus IV I 12 (fig. 8) (pu blisher), The driving-out of the money-changers Jrom the Temple 47 (-), Bust oj an old man 50,51 (fig. 30)

Schooten,]. van 40 -, The company oj Comelis van Kerchem, Leiden 458 Sichem, C. van (woodcut in the Moerentoif Bible), The repentance

oj S. Peter 87 Soutman, P. 47 -, see also under: A. Elsheimer, P. P. Rubens Speculum humanae salvationis (woodcut), Balaam and the ass

80 - (-), Saul throwing his spear at David 263 - (-), Jeremiah lamenting 282 Spreeuwen,]. van, A philosopher in his study, Amsterdam 206 Stavelot Bible (initial), Jeremiah lamenting 282 Steen,]. 628 -, The miser, Copenhagen 139 Steenwyck II, H. van, S. Jerome in his study, Maastricht 552,553

(fig. 6) Stolker,]. (drawing), Fancy portrait of Rembrandt, London 155

(fig. 6), 156 - (-), Fancy portrait of Jan Six, London 155, 156 (fig. 7), 157 Stradanus,]. (engraving by Ph. Galle), Christ driving the money­

changers Jrom the Temple 92 Sustris, L. (engraving by R. Sadeler II), The abduction oj Proser­

pina 371 Swanenburgh, 1. van, The making oj cloth (6, originally 7

panels), Leiden 25 Swanenburgh, W. van, see under: A. Bloemaert Tempesta, A. 481 - (title print after), The abduction of Proserpina 371 Tintoretto,]., The abduction oj Proserpina, in 1618 in the colI. Sir

Dudley Carlton, The Hague 371 - (engraving by E. Sadeler), The last supper 200

Veen, O. van, Claudius Civilis laying siege to Vetera, Amsterdam 510

Velasquez, Los barrachos, Madrid 200 Velde, E. van de 102 Velde,]. van de, see under W. Buytewech Vellert, D. (drawing), Balaam and the ass, Braunschweig 79 Veneziano, A., see under: Raphael Venusti, M. (engraving by C. Cort), The stoning oJS. Stephen 72 Visscher, c.]. (publisher), The baptism oJthe Eunuch 38 (fig. 5),

102 Vliet, ]. G. van 8, 35-46, 49, 5 I, 228, 428, 5 I 6, 543 -, see also under:]. Lievens - (drawing; attributed), Lot and his daughters, London 36 (fig.

2),42 (etching), Lot and his daughters 36 (fig. I), 5 I (-), The resurrection 4 I (-), The baptism oJthe Eunuch 36,37 (fig. 3), 5 I, 102,3 I 2,370, 379 (-), S. Jerome kneeling in prayer 36, 38, 39 (fig. 6), 51 (-), An old oriental 40, 44, 45 (fig. 18) (-), Bust oj a laughing man in a gorget 40,43 (fig. 14),45,429 (fig. 2) (-), A man grieving 40,44 (fig. 16),45,580 (-), Bust oJayoung man 43 (fig. 13),45,173 (fig. 3) (-), Ayoung man in a gorget and cap 40,41 (fig. 9) (-), BustoJan oldman 43 (fig. 15),44,45,579 (fig. 3),604

- (-), An old man in aJur cap 40, 42 (fig. I 1),46,291 (fig. 6) - (-), An old woman reading 39, 40 (fig. 7),51,355,357 (fig. 7)

(-; wrongly attributed), Bust oj an old man 46, 47 (fig. 22) Vorsterman, L. see under: P. P. Rubens Vorsterman Bible (woodcut), Jeremiah lamenting 282, 283 (fig.

6) Vos, M. de 544 - (engraving by A. Collaert), Acta Apostolorum series: The bap­

tism oj the Eunuch 102 - (engraving by K. de Mallery), leones Illustrium Feminarum

Novi Testamenti series: The prophetess Anna 355, 356 (fig. 5) Wet I,]. de, The raising of Lazarus, whereabouts unknown 306 -, Judas repentant, Copenhagen and London, art market 1952

193 Willmann, M. L. L. (etching), Bearded man 422 (fig. 6) - (-; attributed), Bust ~f an old woman 670 (fig. 3)

Literary sources

Alciati, A., Emblematum liber, Augsburg 1531 102 Anonymous, Die historie van den ouden Tobias ende synen sone den

jongen Tobias, Amsterdam 1617 87 Brussels Manuscript of 1635 2 I Burton, R., The anatomy oj Melancholy, Oxford 1621 282 Claudianus, De raptu Proserpinae 371 Commonplace-book of 1640/50 23, 24 Hoogstraeten, S. van, Inleiding tot de hooge schoole der schilderkonst,

Rotterdam 1678 22, 23, 2 I I

Huygens, C. 344, 363, 370, 371 -, Poemata (Ms.) 235 -, Vita (Ms.) 7, 185, 191, 192 (fig. 13) Lairesse, G. de, 'tGroot schilder-boek, Amsterdam 1709 23,

25,30,3 1 Lebrun, P., see Brussels Manuscript of 1635 Latombe, A. 19 Mander, C. van, Den grondt der edel vry schilder-const, Haarlem

1604 18, 23, 24, 25 -, Wtlegghingh op den Metamorphosis, Haarlem 1604 314 -, Uytbeeldinge der figueren, Haarlem 1604 363 Marshall, Th., see Commonplace-book of 1640/50 Mauden, D. van, Speculum aureum vitae moralis seu Tobias ad vivum

delineatus, Antwerp 1631 87 Mayerne Manuscript, De 19, 26 Molanus, 1., De historia ss. imaginum et picturarum pro vero earum usu

contra abusus libri IV, Louvain 1594 166 Picinellus, Ph., Mundus symbolicus, Cologne 1695 80, 122 Plantijn, C., Thesaurus theutonicae linguae, Antwerp 1573

206 Plemp, C. G., Epigrammatum libri IX, Amsterdam 1638 48,

49, 263,465 Plinius 2 I I

Revius, ]., Over-rsselsche sangen en dichten, Deventer 1630 102,122

Ripa, C., Iconologia, Amsterdam 1644 570 Schabaelje, ]. Ph., Den grooten emblemata sacra, Amsterdam

1654 49, 50 Struys, ]., Ontschakingh van Proserpina, Amsterdam 1634

37 1

Concordance

In the first column are the catalogue numbers in HdG Bredius Bauch Gerson

Hofstede de Groot, Bredius, Br.-Gerson, Bauch and Gerson. The corresponding catalogue num- Br.-Gerson

bers in the present work are listed under the names 34 A9 C 19 - - - --- ----

of these authors. 35 A25 C42

36 B7 HdG Bredius Bauch Gerson 37 A32

Br.-Gerson 38 A20

A 14, A2 A6 40 C36 copy I 41 AI A33

AI C2 42 A4 A29 2 A 19 A3 AI 43 C5 C20

3 A22, A9 A9 44 C10 B5 copy I 45 C8 C37

A3 C43 46 A 12 A42

4 C35 A24 A3 47 A 15 B4

5 C34 A 13 A4 48 C7 6 C 13 A2 49 A28 A 16 C28

A6 C3 50 C 12 C26

7 C36 A25 C10 51 A30 8 A20 C5 52 A34 A4 I

9 C37 A24 54 A35 10 C38 A 12 55 A3 I I I B5 A 13 56 A35 12 A33 A 15 57 A39 13 C39 A25 63 A27

14 C40 A 16 64 C42 15 C33 C7 64 a A3 16 A40 A30 65 C43 17 A34 66 C3 18 A7 67 C4I 19 A10 68 C 19 20 A 18 69 A37 21 C14 70 A32 22 All 73 C20

23 A26 74 C29 24 A28 76 A29 25 A36 77 B7 26 A2 C17 78 C30 27 A37 79 B4

A27 C33 80 A34 C28 28 A8 81 A 12 A42 29 C22 87 C6

30 A 14, 89 C 12 copy I 90 A38

31 C30 96 A6

32 A 19 97 A7

33 A24 C34 98 C I I

698

99 101

HdG Bredius

Br.-Gerson

------

107 A 30,

copy 1 ... ____ ._

107 a A 30

109 .. _-------- -_._--

I 10 I I I

----

I 12

I 13 ----_._--

114 --------_._-

115 116

II7 C7 --------------- .- _._--_.

118 .. _-----

I 19 ----_._ .. _-

120 ----_._---

121

Bauch

A8 AIO All A 18 B6

C 29 C 31 B7 C28 C 18

C 14 A26

A 17

Gerson

--

.. ----_. ----

122 A 36 -_ .. _----

123 AI5,

____ c_oP ..... y __ I __ _

124 125 126 C 8

-._------

127

C 20

--------

A29 ~-----

C 16

A28 --------------cc--- --- ----

128 C 26 ---_. -- ---_._----_.-

129 130

A8 132

133 . --- ---- - ---

C~n C21 --- ------- --------_.-

134 B6 A36 ----_ .. --- _._-- --

135 C 32 C I7

137 C3 1, copy 2

138 C3 1, A4 1 copy I

138A C 31 ----.. ---.~-- --_._ ...... _._-_._----

140 C 25 141 C 26

142 143 A 41 147 A 16

. __ .

148 C 24 ------_. --_. --

156 A 23

699

CONCORDANCE

HdG

177 A 26 ._-----------

179 All 186 C 17

--_. __ .- _.

192 C 16 --- --- -----

195 A 31 209 A38

Bredius

Br.-Gerson

-----_._--------------- -_ .

2 I I C 9 21 3 A 39 228 C 15 240 C 18

._---_ ...

249 ---------

Bauch

C42

A27 A3 2

Gerson

-- ----- --------------------

25 2 A37 .. __ ... _------ ------

253 254 266 282 A 10

---------

287 288

289

290

29 1 ._-------

292

293

297 298 ---

299 300

301 --- ---

316 A37 320 C 19

A38 A3 1

A 14 A 14, copy I

A22, copy 1

A 19

C35 ------- --

A20 ._----

C38 .. __ ._--

C36 ._--_ ...

C39 ._----

A33 C34 B5

-------_. _ ..

C37 ._------ -

A40

.. _._----

328 ._._._------

333 C 10 -- -- ------ -

343 C 13 --_._.

344

345 C 2 I

347 350 A40

C22 C25, copy I

----

C27 C3 0

--_.- ---- ---- --

371 C26

CONCORDANCE

HdG Bredius Bauch Gerson HdG Bredius Bauch Gerson

Br.-Gerson Br.-Gerson

372 C24 539 A 16 388 C27 539 A A 15

- --

390 C25 542 A 19 393 AI7 543 B6 A34 419 A 18 543 A A35

------ -----

420 AIO 549 A22, 421 B I, B2 copy I 422 C I I 552 C36 423 A 13 552A A33 424 C 13 556 C 12 425 C 18 557 A23 426 C 18, 564 C38

copy I 570 B5 427 CI4 572 C33 428 AI7 577 A41 429 C 15 591 C39 430 C 17 601 All 440 C6 602 A26 456 C3 1, 604 A28

copy 2 605 C 16 460 A6 607 A36

--------

462 A3 1 63 1 C2 463 A39 632 A7 465 C9 633 C22 466 A38 636 C23 486 A3 672 C20

---------

487 A2 673 B4 488 A9 674 C30 489 A24 675 A42 490 A25 676 B7 499 C44 677 A29 529 A20 678 C29, 530 C37 copy I 531 C34 681 C28 531 A AI 682 C29 532 A4 685 C42 532A C5 686 C41 533 A 14, CIO 687 A27

copy I 688 A32 534 C8 535 A 12 536 C7 537 A30,

copy I 538 A30

700