sound & stage - october 2012

EntErtainmEnt tEchnology and production

Vol: 6 Issue: 10 October 2012An ITP Business Publication

The GuideThe latest products to hit the market ››P41

The BriefinG D&B and Pioneer hit the Cavalli Club ››P4

The hiTlisTA preview of this month’s videos and apps ››P48

InHouse Production’s Nick Groves

10m i n u t e s w i t h . . .

Jeancarl Saliba chats with S&S to discuss the Red Hot Chili Peppers’ first ever performance in Beirut

The judges commented: „It‘s an LED wash light that behaves like a traditnal Fresnel. It will t straight into the lighting tool box and we can use it. The internal barn doors are exceptional.

Beautiful color mixing, looks like a generic wash light -- but it‘s LED.“

SoundStage 210x280+5mm.indd 1 26.9.2012 9:14:49

01October 2012 S&S

WWW.DIGITALPRODUCTIONME.COMVolume 6 Issue 6 | August 2012

BGV-D8BGV-D8+BGV-C1

• Capacity 250 kg - 12000 kg

• Climbing- Or Standard Hoist

• Overload Protection with Patented Friction Clutch

• Direct Control Or Contactor Control

• Light And Compact Design

• Precise Chain Guide• Textil Chain Bag• Several Models

On Stock

CHAINMASTER BÜHNENTECHNIK GMBHUferstrasse 23, 04838 Eilenburg, Germany

Tel.: +49 (0) 3423 - 69 22 0 Fax: +49 (0) 3423 - 69 22 21

E-Mail: [email protected] www.chainmaster.de

C O N T E N T S

C O V E R S T O R Y

08

34

with Ian Spendlove, chairman for Showforce UK and Middle East, his thoughts on the Qatar events industry.

38 Buyer’s GuideThe latest and greatest in live sound equipment.

41 The Guide48 The Hitlist

28 InfoComm MEA 2012InfoComm MEA 2012 is just around the corner. We give you a sneak-peek at what at-tendees can expect from this year’s event.

34 Qatar AmbitionsShowforce will be opening their doors soon to the Qatar events market. S&S discusses

We bring you a behind the scenes look at the recent Red Hot Chili Peppers concert in Beirut, Lebanon.

AROUND THE WORLD

02 Editor’s Comment

04 News round-up

08 COVER STORY

17 There’s a place...Bernadette Scott chats with S&S to discuss The Fab Four’s September performance at The First Group Theatre.

Volume 6 Issue 10 | October 2012

02S&S October 2012

www.digitalproductionme.com

Published by and © 2012ITP Business Publishing, a division of the ITP Publishing Group Ltd. Registered in the B.V.I. under Company Number 1402846

Registered at Dubai Media CityPO Box 500024, Dubai, UAETel: 00 971 4 444 3000, Fax: 00 971 4 444 3030 Web: www.itp.comOffices in Dubai & London ITP Business Publishing

CEO Walid Akawi Managing Director Neil DaviesManaging Director ITP Business Karam AwadDeputy Managing DirectorMatthew SouthwellEditorial Director David Ingham Editorial

Senior Group Editor Robeel Haq Editor Ashley Lane Tel: +971 4 444 3643 email:[email protected] Advertising

Sales Director George HojeigeTel: +971 4 444 3203 email: [email protected] Manager Napoleon EstampadorTel: +971 4 444 3381email: [email protected] Representative Mikio Tsuchiya Tel: + 81 354 568230 email: [email protected] Studio

Group Art Editor Daniel Prescott Photography

Chief Photographer: Jovana ObradovicSenior Photographers: Isidora Bojovic, Efraim EvidorStaff Photographers: Lester Ali, George Dipin, Juliet Dunne, Murrindie Frew, Lyubov Galushko, Verko Ignjatovic, Shruti Jagdesh, Stanislav Kuzmin, Mosh Lafuente, Ruel Pableo, Rajesh Raghav

Production & Distribution

Group Production & Distribution Director Kyle SmithDeputy Production Manager Matthew GrantProduction Coordinator Nelly PereiraManaging Picture Editor Patrick LittlejohnImage Retoucher Emmalyn RoblesDistribution Executive Nada Al Alami Circulation

Head of Circulation and Database Gaurav Gulati Marketing

Head of Marketing Daniel FewtrellMarketing Manager Michele Meyrick ITP Digital

Director Peter Conmy

ITP Group

Chairman Andrew NeilManaging Director Robert SerafinFinance Director Toby Jay Spencer-DaviesBoard of Directors K.M. Jamieson, Mike Bayman, Walid Akawi, Neil Davies, Rob Corder, Mary Serafin

Circulation Customer Service [email protected]

Certain images in this issue are available for purchase. Please contact [email protected] for further details or visit www.itpimages.com.

Printed by Atlas Printing PressSubscribe online at www.itp.net/subscriptions

The publishers regret that they cannot accept liability for error or omissions contained in this publication, however caused. The opinions and views contained in this publication are not necessarily those of the publishers. Readers are advised to seek specialist advice before acting on information contained in this publication which is provided for general use and may not be appropriate for the reader’s particular circumstances. The ownership of trademarks is acknowledged. No part of this publication or any part of the contents thereof may be reproduced, stored in a retrieval system or transmitted in any form without the permission of the publishers in writing. An exemption is hereby granted for extracts used for the purpose of fair review.

The political climate throughout the world has been shaky, to say the least, the past four or five weeks. From the US election to the protests across the Middle East, all eyes have

been glued to various media sources, wondering what will happen next. And while Lebanon joined the list of coun-tries currently in a state of political unrest, the people of Beirut decid-ed to turn the country’s seeming-ly unsettling atmosphere into a thoroughly positive one through live entertainment. As had been planned for many months, the Red Hot Chili Peppers had Beirut on their “I’m With You” tour list, but many were wondering whether the show would still go on in light of current events. According to production manager of JK58, Jeancarl Saliba, the idea of cancelling the show, as a result of politi-cal unrest, hadn’t even crossed their minds. For them, it was business as usual unless something actually happened that forced them to do so. And it certainly was business as usual for the JK58 production team. With a name as big as the Red Hot Chili Peppers, it was understood that communication between Saliba’s team and the Chili’s production manager was a necessary key aspect to ensure the concert ran smoothly and was, overall, successful. Of course, as with any event, there were one or two issues encoun-tered during the setup process, specifically when working to ensure the equipment provided ar-rived in time for the show. But regardless of ev-erything that went on, both before and during the production, it was safe to say that the evening was a success.

And amidst all of the excitement behind the Bei-rut concert, I managed to sit down with InHouse

Productions’ owner, Nick Groves, to discuss the current state of the events production industry. When asked how controversial I wanted him to be, I gave Groves the green light on most topics of discussion - this included anything I had writ-ten. In this month’s “10 minutes with...” Groves

discusses the need for an events industry governing body if the regional industry is ever going to improve, the alarming saturation in the GCC/MENA market of events managers and promoters and the high cost of ticket prices. He even discussed my August article, Equipped to Equip, refuting many of the points made. Needless to say, Groves truly told it like it was.

In addition, Sound & Stage was able to chat with Ian Spendlove, chairman for Showforce UK and

Middle East. As Showforce’s doors in Qatar are due to open shortly, we discussed the current climate of the events industry in Qatar and how Spendlove exepects the market to grow and change in the coming months and years. Further to that, we discussed how the 2020 World Cup has, and will continue to, change the face of Qa-tar for years to come.

Finally, I had the chance to head over to The First Group Theatre at Souk Madinat Jumeirah to see how Bernadette Scott and her team trans-formed a theatre into a rock ‘n roll venue.

ITP Business Publishingalso produces the followingrelated publications:

The online home of:

E d i T o r ’ s C o m m E n T Ashley Lane

Ashley [email protected]+971 4 444 3643

Look Around

04SAS October 2012

Earlier in September, Cavalli Club, Restaurant and Lounge hosted an evening featuring two members from the British boy pop group, Blue, Simon Webbe and Duncan James. Throughout the evening, Nick Tohme, head of music department at Pragma Lifestyle, utilised D&B and Pio-neer equipment. “Our sound sys-tem consists of the D&B sound system, which I personally feel to be one of the best sound designs around.” He continued, “The light system comes from DTS, and our DJ equipment consists of four CD players CDJ 2000 & 1 DJM 2000 mixer, all provided by Pioneer.”

When discussing the equip-ment and what really impressed their clientele, Tohme gave the credit to the lighting. “Besides the high quality of the sound system, which our clientele al-ways enjoy, I think that our cur-rent highlight is the new lighting

system which was installed a month ago.” He continued, “It’s a totally new concept in terms of lighting and has been crafted to induce ‘happiness and warmth.’ This new system turns our venue into a big crystal ball.”

Tohme commented that, for this particular production, they were lucky that he and his team didn’t encounter any problems. “We [didn’t] encounter any difficulties,” he explained. “It is customary to always ensure that our artists find what they seek during rehearsals and the actual performance. There is a very qualified team who are highly skilled and are trained by the best in the business. This results in exceptional nights with noth-ing but quality in every aspect.”

In the coming months Cavalli Club will host a variety of artists, BULBUL and the Laser Show, Roque, Timati, DEV, The Live Elements Show and many more.

UAE’s own English High School in Shar-jah, has upgraded the sound system in its auditorium from Allen & Heath analogue to iLive digital control. The school was using an Allen & Heath analogue console and decided to stay with the brand for the upgrade. The school opted for an iLive-T112 Control Surface and iDR-64 MixRack, supplied by local distributor VV & Sons and installed by Crown Star Technology (LLC). The surface is located in the main control room, con-nected via an AH 700 Cat-5 digital snake to the mixrack, which is placed on stage. The portability of the system is a major benefit to the school.

“The auditorium technician is very happy as he can shift the mixer to any location without hassle thanks to the AH 700 Cat-5 digital snake,” noted Crown Star Technol-ogy’s technical manager, Sabu John.

www.digitalproductionme.comT h e b r i e f i n g

D&b anD Pioneer aT Cavalli Club

Sharjah high SChoolmoveS To DigiTal wiTh allen & heaTh

Nick Tohme, head of music de-partment at Pragma Lifestyle

Now you can get incredible quality uncompressed SDI and HDMI video capture and playback using removable solid state disks! HyperDeck Shuttle is the perfect quality broadcast deck you can hold in your hand. HyperDeck Shuttle lets you bypass camera compression for the highest quality on set recording, and is perfect for digital signage or instant replay and program recording with live production switchers. Video is recorded to QuickTime™ fi les, so you can mount and edit directly from the SSD eliminating time wasting fi le copying!

Absolute Perfect Quality

HyperDeck Shuttle lets you bypass all video camera compression for perfect uncompressed 10-bit SD/HD video. Get deep color dynamic range for color correction and perfectly clean keying. Only

uncompressed gives you a mathematically perfect “clone” recording between capture and playback. Only uncompressed lets you trust your recording and there is absolutely no higher quality possible!

Record and Play Back Anywhere!

HyperDeck Shuttle is machined out of a solid block of aircraft-grade aluminum for incredible strength! Take your HyperDeck Shuttle into the

fi eld, on set and to live events. With an internal battery, just recharge and go! Only HyperDeck Shuttle gives you recording and playback in a compact solution that fi ts in your hand!

Solid State Disk (SSD) Recording

Simply plug in a fast 2.5” solid state disk into HyperDeck Shuttle and start recording! SSD’s are used in desktop and laptop computers so prices are constantly falling while sizes are getting

bigger! Plug the SSD into your computer and the disk will mount right on your computer’s desktop! Files are stored in standard QuickTime™ 10 bit format so you can use the media in Mac™ and Windows™ video software!

Use Cameras, Switchers and Monitors

With SDI and HDMI inputs and outputs, HyperDeck Shuttle works with virtually every camera, switcher or monitor! Plug into televisions or video projectors for instant on

set preview or get exciting live action replay with ATEM production switchers. Even use it for digital signage. Just press play twice for loop playback! Imagine using pristine uncompressed recording on your next live event!

HyperDeck ShuttleUS$345

Learn more today at www.blackmagicdesign.com/hyperdeckshuttle

06SAS October 2012

t H E b R I E F I N G

Darren Hodge, general manager of Eclipse Staging Service LLC, an audio vi-sual, staging and technical supplier in the GCC, has announced that Global Spectrum has selected Eclipse as the preferred au-dio visual supplier for the du Forum on Yas Island in Abu Dhabi.

As facility manager of UAE’s foremost, purpose built venue dedicated towards live entertainment, Global Spectrum’s Brint Jackson stated, “du Forum is an amazing venue that can cater to all types of

events from live concerts to corporate conferences to in-ternational sporting events.” He continued, “We are confident that Eclipse is the right supplier given their tremendous knowledge and experience in execut-ing a multitude of events, combined with cutting edge equipment and technology.”

Working with du Forum (formally known as Flash Forum), the 2,700 square meter venue with an outdoor capacity of 10,000, Eclipse has executed large scale events, including 30 Seconds to Mars (music con-

cert), Thriller Live Produc-tion, The Wiggles as well as the full production for the Sky Bar during Formula 1 2010 and 2011 Grand Prix’s, to DJ’s including Arman Van Buuren, Ferry Corsten and Laidback Luke.

With an installation of lighting, audio and rigging equipment at du Forum valued at over AED 350,000, suitable for the execution of day - to - day functions, Eclipse also consults Global Spectrum on specialized live entertainment events with additional equipment requirements.

EclIpsE EclIpsEs du FoRum benQ makes its mark in the uAE market

Increasing its commitment to delivering lifestyle technology in the UAE market, BenQ, a provider of digital lifestyle innova-tions, launches its first range of 3D LED TVs offering customers three-dimensional viewing.

The L47-6010 and L55-6010, the new models of the L Series, deliver superior 3D picture quality with what BenQ calls “incredible depth and perfect clarity.” The new range of TVs also features BenQ’s ex-clusive Senseye technology that provides a digital image that matches quality and vivid color images as seen in reality by the human eye.

In addition, the latest 3D TVs from BenQ feature full-HD resolution of 1920x1080 quality picture rendering subtlest details to stand out with richer, more realistic colours and crystal clear images.

“The UAE is one of our key target mar-kets and we aim to further increase our TV presence by the end of 2012,” explained Manish Bakshi, managing director of BenQ Middle East and Africa.

I N Q u o t E s

“We are thrilled to have established a contracted re-lationship with Global Spectrum at the du Forum and look forward to a long and mutually beneficial relationship.”

“[The events industry]needs events profession-als who put together a governing body and start implementing certain standards, especially in regards to rental costs and health and safety, across the board.”

Darren HoDge, general manager of Eclipse

nick goves, owner of InHouse Productions


07October 2012 SAS

T H E B R I E F I N G

Take Five Productions Fz LLC is pleased to announce that it is now the official Middle East representative of the College of Sound and Music Production (COSAMP), Australia’s largest supplier of music technology curriculum/teacher training resources. COSAMP supplies over 175 Schools, Colleges and Uni-versities with custom pack-ages of training resources, from beginner to advanced tuition in the recording, manipulation and editing of music and voice.

COSAMP’s music technol-

ogy teaching resources program is called the Tech Production Network (TPN) and includes lesson guides, assessment tasks, DAW practical exercises and an Interactive Study Guide for students. The packages are very cost effective with a license issued per school rather than per student. All materials are sourced online, so delivery is also cost effec-tive, efficient and environ-mentally friendly. Schools have determined that having an “in-house” facility for teaching music technology is very popular with students

and has lead to increased en-rolment numbers in schools that have introduced this creative and popular subject.

Take Five Productions’ managing director, Trevor Cronin, is a 30 year veteran of the sound production industry, having worked with some popular artists in a va-riety of roles internationally.

“I’m excited that Take Five Productions has been selected to represent COS-AMP in the region and it is a great resource for training students in a subject that offers real career prospects,” explained Cronin.

Datavideo have recently awarded this year’s Datavideo Distributor of the Year Award to UAE- based Oasis Enter-prises. According to Datavideo, Oasis have earned this award due to their great dedication and effort in selling Datavideo products and promoting Datavideo’s brand name. Despite the economic crisis, Oasis managed to show a steady sales growth in Datavideo prod-ucts, every single year. Furthermore, Oasis provides what Datavideo calls, “a good service and technical follow-up to the end-user.”

“Oasis is a very valued distributor and we hope we can continue our relation-ship and working together for many years to come” said Daphne op de Beek, marketing manager of Datavideo. “ Good service and good advice is important and that is what Oasis gives to its cus-tomers,” she added.

Take Five THE pRooF Is IN THE DaTa

I N p I c T u R E s

The Fab Four played The First Group Theatre for the first time.

Around the world: The Red Hot Chili Peppers rocked Beirut earlier in Septem-ber.

SAS October 2012


E V E N T P R O D U C T I O N

08

This past September marked the Red Hot Chili Pepper’s fi rst ever appear-ance in Beirut. Jeancarl Saliba, from JK58 productions, chats with S&S

about the importance of communication, collaboration and continuity.

October 2012 SAS


E V E N T P R O D U C T I O N

09

New from IBC:

Grass Valley Camera

Interface Card for

MediorNet

www.riedel.net

Tensions might be rising in Leba-non, but the people of Beirut weren’t to be disheartened and still rocked out to the Red Hot Chili Peppers earlier in Sep-

tember. Staged at the Beirut Waterfront, Jeancarl Saliba, of JK58, explains to S&S that the Waterfront was a rather differ-ent kind of performance space. “Beirut Waterfront is not a venue, but more like a large car park / space in downtown Beirut.” He continues, “We started from scratch to build this ‘arena’ for the show. That meant obtaining cabins for local production units, ABL units for the crew, sound, lights and video, crew calls, grand-stand seats, a mojo barrier, bars and f&b units and a stage. In addition we shipped a serious roof from Al Laith for the show.”


11October 2012 S&S

E v E n t P r o d u c t i o n

New from IBC:

Soundcraft SiIntegration

forRockNet

www.riedel.net

By the 2 of September, Saliba and his crew had finished building the stage that morning and local production loaded in the video and lights that evening. “Sound was installed on the following day,” Sali-ba explains. “Our aim was to be ready on the evening of the 4 of September for the touring production crew to arrive, the following day. It was necessary so that they had sufficient time to load all their control units for lighting and sound on that evening, to be ready by the show on the 6th.”

And while most of the production was down to Saliba and his crew, commu-nication between them and the band’s production manager was key to ensur-ing the production ran smoothly, both

before and during the performance. “All local technical specs were shared with the Red Hot Chili Peppers production manager,” Saliba explains. “While they all have been touring for more than 17 years, it was their first time in Beirut. There was definitely some excitement there, on both ends. That said, through-out the process, we ensured that we kept in mind that, on the day they arrived, ev-erything needed to be top notch.”

When asked about the equipment available in Lebanon, Saliba responds that, “I think that it might be tougher to produce the show in Beirut than in the UAE, as not all suppliers utilise email to the best of their ability. A lot of the work is ensuring they understand how a tour-

Approximate number of people who

attended the event .

15 t h o u s a n d

www.dynacord.com

THE PRO AUDIO MIXER AMONG MIXERS

CMS 600-3Ideal for all professional applications up to 8 channels. Also on board are two editable digital effects units with 100 presets each, as well as a professional 4xIN / 4xOUT USB digital interface.

For further information visit www.dynacord.com

We have put all our emotion and passion into our latest mixing desk. Through the use of first class components and the legendary DYNACORD quality, the CMS 600-3 mixer achieves a unique level of pro audio performance without equal in its class.

cms600-3_205x275.indd 1cms600-3 205x275 indd 1 9/19/12 9:33 AM9/19/12 9:33 AM


13October 2012 S&S


New from IBC:

SSL ConsoleIntegration

forRockNet

www.riedel.net

ing production operates.” He adds, “Re-gardless, it was not my first show here and it is just another event. We just made it happen and to the best level that was achievable.”

It’s no secret that the current political climate in Lebanon is far from stable. So when asking Saliba how he and his crew came to the decision that going ahead with the concert was still safe, his an-swer was certainly a surprise. “I am the worst to be asked that question. I do not follow politics and only focus on music and arts,” he admits. “In my opinion, the situation is portrayed by the inter-national media a lot worse than it really is here. We were more scared that the band would have reticence to actually appearing due to what is happening. But it was never a question of whether or not it was safe for the show to happen.” Saliba continues, “The show was always happening. It was never mentioned in any of the pre-planning, not even once. The mentality is that, the show will go on until something actually prevents us from doing so.” He adds, “At the same time, the situation was the same over the summer and mind you, in 35 days there was over 30 shows that were per-formed, from Slash to Snow Patrol to En-rique , Jason da Rulo and many others.” In any economic or political discrep-ancy, the entertainment industry is al-most always one of the first areas to be affected. That said, S&S wondered about

the current state of the events industry in Lebanon and if the current political unrest has yet to make an impact. Sur-prisingly enough, it does not seem as though this is actually an issue. “A lot of agents/promoters in the region are try-ing to tie in with Beirut to add one date on their calendars and activate a GCC/MENA circuit.” Saliba continues, “At the same time, the population in Beirut only allows a certain number of shows, and artist fees are set within a certain thresh-old where it makes sense. It is also neces-sary to keep in mind that Lebanon is a country that has no petrol or fuel, with tourism as its largest sector.” He adds, “That said, there are a lot of smaller events, DJ type of gigs, as well as larger ‘one-offs,’ Baalbeck, Beiteddine and Byb-los festival, all of which took place over the summer.”

As with any large event, there are bound to be obstacles along the way, both before and during the event. “We had a few hiccups with the venue as Pope Benedict XVI was visiting Lebanon 10 days after the show,” Saliba explains. “In addition, much of the conversation over our event space really slowed the advance preparation down, which re-sulted in delaying the actual planning. We also had a few supplier deals fall through or not deliver at all, which ob-viously was an issue. Also, trying to find the best local suppliers who would work to UK standards was a bit of a challenge.”

Took place over 35 days in the GCC/MENA region

this summer.

30P E r f o r m a n c E s

14S&S October 2012

www.digitalproductionme.comE v E n t P r o d u c t i o n

He adds, “All that aside, the whole team was very enthusiastic about the event and we were able to find solutions to our is-sues in order to ensure the show was suc-cessful.” During the show, Saliba and his crew found that, while, on the whole, the show ran as smoothly as possible, the one thing that they did take away from the whole experience was the need for more toilets and bars.

But of course, like most performances, this show had its fair share of highlights. Even amongst the struggles to ensure everything was not only delivered on time, but of the best quality possible, the audience were offered up an evening of high quality en-tertainment. “After seeing the show, it is the quality of their production that makes this show unique, in addition to their presence on stage,” explains Saliba. “The audience loved it, and was singing along with their favourite Red Hot tunes.”

Number of Zoom 108 Martin dk Atomic 3000 + Colour Scrollers used

during the event

42 S c r o l l E r S

Parallel Universe: RHCP rocked Beirut for just under two hours.

Can’t stoP: Anthony Kiedis and Chad Smith can’t stop rocking .


15October 2012 S&S


Kit ListQtY LiGHtinG SYStEM: ›› 1 x Clearcom USA- 4 Channels Master

station

›› 12 x Clearcom USA- Belt Pack 12

Clearcom USA- Stereo or Mono

Headset

›› 2 x MA LIGHTING- Grand MA II full size

›› 9 x James Thomas Eng. UK- Super-

truss 52cm 12m

›› AC Acoustic Lighting China- Moving

Led 36 10w x 4 in 1

›› 42 x ZOOM 108 Martin dk- Atomic

3000 + Colour Scroller

›› 2 x Varilite USA- VL3500 Spot

›› 18 x Varilite USA- VL3000 Wash

›› 21 x Varilite USA- VL3500 Wash

›› Spotlight Italy- 2.5 HTI

›› 8 x Truss Spot

›› 2 x DF 50 Hazers with Fan

›› 4 x MDG Canada- Haze CO2 + Fans

LEd & vidEo ScrEEnS: ›› 1 x CPL USA- PH16mm- 384cm x

610cm 04 CPL USA Screen Processor

04 Cable & Accessories

›› 1 x CPL USA – PH 7mm 580cm X

340 cm CPL usa screen processor +

cables.

Sound: ›› 24 x Martin Audio W8L Long Bow Line

array 3 way L R

›› 32 x Martin Audio W8 LC Line array 3

way OUT FILL

›› 16 x Martin Audio W8L Line array 3 war

DELAY

›› 16 x Martin Audio W8LM Line array 3

way D FILL

›› 40 x Martin Audio S218 2X18 Sub-

Bass

›› 30 x Lab.Gruppen FP+1000Q Power

amp

›› 10 x Lab. Gruppen FP 2002 Power amp

›› 12 x Crest Audio PL 8200 Power amp

›› 12 x XTA UK DP448 DIGITAL MATRIX

CONTROLLER

Employee of the Year

qsc.com

* K and KW Series 6-year extended warranty with product registration. © 2012 QSC Audio Products, LLC. All rights reserved. QSC and the QSC logo are registered trademarks of QSC Audio Products, LLC in the U.S. Patent and Trademark Office and other countries.

Every time you put a K Family loudspeaker to work it comes home with cash. It doesn’t care how long it works or how often. It earns praise from your customers - reflecting well on you and your company. And, it’s willing to sign up for a minimum work commitment of 6 years.*

And no, it doesn’t sweep floors or bring you tea.

17October 2012 SAS


The Fab Four played The First Group Theatre at Souk Madinat Jumeirah earlier in September. Theatre and entertainment manager, Bernadette Scott,

talks with S&S about the how a beautiful orchestral venue can be turned into a rock concert setting with the correct equipment and a strong staff.

T h e r e ’ sa p l a c e . . .

19October 2012 S&S


rived for rehearsals where they were able to fix any sound issues. “We also were able to ensure that the stage was all set for the show the following day,” Scott adds. “The lighting designer was then able to start his plotting of the lights for the show and by the next day, we were able to perform a full run through. This was especially nec-essary as there were two new performers

to the act, new Dubai-based Sax and Trum-pet players. By 8pm that evening, we were ready and excited to get the show going.”

The First Group Theatre, while a beauti-ful venue, looks more like a theatre/orchestral setting, one that would hold the likes of Pinocchio and The Woman in Black and less of stage for the likes of John, Paul, Ringo and George-alikes. Surely

The summer come to a close in the region, giving way to an events calendar packed with live entertainment. To kick off

The First Group Theatre’s events sea-son, concert goers were offered a night of music from the internationally-known Beatles’ cover band, The Fab Four. For a show that offers a full evening of musi-cal entertainment, it would be safe to as-sume that the process of setting up the stage would be a long one. Much to our surprise, it took Bernadette Scott, the theatre and entertainment manager of The First Group Theatre, and her crew a mere four days to ensure all was in work-ing order. “On day one, the lighting crew set up the stage lighting plot along with all of the light on stage,” explains Scott. “In addition to this, the stage was also for-mulated, adding in the rostrums for the drums, keyboards and brass. When the crew arrived the following day, we began to hang the backdrops, sound checking for the musicians, first starting with the drums and working down to the vocals.” Scott and her team were also were able to get a small run through of the show in as well. On day three the band finally ar-

All together now: The First Group Theatre can hold up to 450 people in total.

21October 2012 S&S


still...

SeasonOfficesEquipmentTeam members

for the live events industry

New

T: +971 4 3405474 F: +971 4 3405475 E: info@ecl ipse.ae W: www.ecl ipse.ae

extending the experience

lighting video audio lasers powerdistribution

LEDscreens interactive and more

spacing between the seats, which makes it very comfortable for the audience to sit and enjoy a show. In addition to that, the acoustics in the theatre are fantastic and have been provided according to the latest requirements and standards.”

While this was the first time that The Fab Four visited The First Group Theatre, Scott and her team had a general idea of what to expect. But while they focused on ensuring the venue provided an atmosphere ap-propriate for a rock concert, we wondered

Scott and her team had their work cut out for them to ensure that the audience felt as though they were attending a rock concert and not an opera. “The most important aspect is to make sure you have a really good sound engineer,” Scott explains. “We’re really lucky that we did for this. They knew the show incredibly well as they had worked with the show previously, and in the theatre a couple of times.” Scott adds, “In my personal opinion, the sound engineer is almost the ‘god’ of the stage.”

From seating to acoustics, concert goers can be a tough crowd when it comes to venues. And with The First Group Theatre being so much different than what typically holds a rock concert, it was interesting to find out how Scott and her crew were able to offer the audience, and performers, an experience that matched the likes of the Dubai World Trade Centre, and other venues accus-tomed to holding rock concerts. “I have personally not been to DWTC, but I can surely confirm we offer one of the most beautiful and luxurious venues in Dubai,” admits Scott, confidentially. “The First Group Theatre has more than adequate

We hope you Will enjoy the shoW: The Fab Four played over three nights and saw a total of 1,350 attendees.

22S&S October 2012

www.digitalproductionme.comE v E n t P r o d u c t i o n

Kit ListE q u i P m E n t

›› 1 x Drum Kit

›› 1 x Yamaha keyboard and

synthesizer

›› 1 x bass guitar and bass

amp

›› 1 x electric guitar and

amp

›› 1 x acoustic guitar

›› 1 x sax and cordless mic

›› 1 x trumpet

›› 4 x shure handheld mics

Front of house speakers:›› 6 x EAW KF 695

›› 6 x EAW SB 600z

Surround and Balcony Speakers:›› 8 x EAW UB 42

›› 10 x EAW JF 100

Monitor System:›› 6 x Martin F 10 Floor

Wedge

›› 6 x Koenig & Meyer

Speaker Stands

›› 3 x BSS FCS-966

Graphic Equalizers

›› 1 x Crest XR-M Mixing

Desk

›› 3 x Canford 8 Ch 2 way

Splitter Box

Front of House:›› 1 x Soundcraft Series

2/32 Desk

›› 1 x Sennheiser Head-

phones HD 250

›› 1 x BSS DSP Processor

›› 2 x EAW MX8700

Speaker Processor

›› 2 x DBX 1074 4 Ch Noise

Gate

›› 1 x DBX 1046 4 Ch Com-

pressor/Limiter

›› 3 x BSS FCS-966 Equal-

izer

›› 1 x TC Electronics M-One-

XL Digital Effects

›› 1 x Denon DNT-620 Cas-

sette & CD Combo

›› 1 x Monitor, keyboard and

mouse

›› 1 x Shure Kick Drum Mic

›› 2 x Shure Snare Mic

›› 1x Electro voice BG3.1

›› 2 x Electrovoice RE 200

Condenser Mic

what some of the obstacles Scott and her team encountered, both during the setup process and the event itself. In addition, how the team overcame these to ensure the audience received the best experience possible. “We did have some obstacles in the early stages of setting up,” Scott admits. “Recently, we had installed a new processor and, therefore, there were problems with the programming in the beginning,” she adds. “However, both our AV Team and the supplier pulled together to ensure the event ran smoothly.”

Regardless of some of the obstacles encountered during the setup process, Scott and her team found that there were several highlights throughout the evening. “I must admit the show was a total success,” Scott explains. “I especially believe this to be the case during the second half of the show when the audience was quite literally twisting and shouting for more. “The encore was also very special and we even had a female vocalist as a surprise act, which stole the audience too with her Beatles number ‘Help.’ It was a pure joy to see how the cast was interacting with the crowd through the timeless music of the Beatles.”

The Middle easT’s only branded TenT specialisT

+971 55 688 1793www.madcanopies.com

[email protected]

Sennheiser wireless. It just works.Symphonica: The Orchestra Tour sees George Michael’s engineers continue to put their faith in Sennheiser RF equipment.

An SKM 5200-II transmitter with Neumann KK105 capsule and EM 3732-II receiver, plus Sennheiser 2000 series personal monitor system made it easy.

www.sennheiser.aeSennheiser Middle EastOffice # 345, Bldg. 6E/BDubai Airport Free ZoneP.O. Box 371004Dubai, UAETel: +971 4299 4004Email: [email protected]

facebook.com/sennheiserme

George Michael Advert sound & Stage ME 205x275 indd 1 19/07/2012 13:22

24SAS October 2012

P r o f i l e www.digitalproductionme.com

Nick Groves1 0 m i N u t e s w i t h

Nick Groves, owner of InHouse Productions, doesn’t beat around the proverbial bush when discussing the highs and lows of the UAE event produc-tion industry.

25October 2012 SAS

P r o f i l ewww.digitalproductionme.com

1. How did youcome to InHouse Productions?Well, I came out here to work for GearHouse way back when it was actually part of the GearHouse group, at the point when it wasn’t under management buyout. And then the GearHouse group went under, worldwide. The founding partner set up Pro Tech and I went and worked for him for a while. Follow-ing that, about five years ago, I began setting up In House Productions.

2. You had commented on some of thecomments made in the Equipped to Equiparticle in the August edition of S&S. Couldyou elaborate your feelings towards theidea that prices in the UAE are too high?

There are a number of factors that dictate the price of equipment. You have to bear in mind that I don’t actually own equipment my-self, so I do have to rent it and suffer the same problems promoters have. But I look at it from a different point of view. One point was made in the article about barriers, which were one price years ago and now cost four or five times as much. That said, you have to bear in mind that people are paying 3-4 times more for their apartments now, which means that they’re paying 3-4 times more for the warehousing and storage--even open land leasing is more. All those costs have to be covered and there is a complete knock-on-effect. Another point brought up was the length of the event year. It is becoming longer, but it’s still not as long as Europe and the US. And the return invest-ment of any equipment needs to be in a short-er period of time. Maintenance is also higher. In addition, most of the events we do out here are outdoor events. We have the sand, sea and salt. So I think, personally, that the equipment here is quite fair and reasonable, if you take all of that into consideration. It’s amazing why people think we should be as cheap as the UK and Europe. And if that’s how they feel, then there’s nothing stopping them from doing the concert in the UK, Europe or America. Do it there. But then you have all the health and safety and the added cost implications there. You have the VAT and taxation. It’s crazy. They have a really good deal here and I think that they should just put up with it.

3. So going back to what you said aboutthe events calendar being shorter herein the UAE. In your professional opinion,do you think we’ll be seeing a large-scaleindoor arena built in the UAE any timesoon to bridge the calendar gap?

I think it’s on the cards. Though I’m not sure if it’s going to happen in the immediate future. We’ve had this discussion before and there was a very small survey done last year, asking for general a opinion. The overall consensus

was that, yes, it was needed. But whether it’s going to be put in place in the near future, I couldn’t say. I think perhaps with the current economic situation in Dubai, it’s just not im-portant at the moment. They have other is-sues that need attending to such as construc-tion, which is just now kicking in again. I think they worked through the global crisis and it’s all kicking back in, but I don’t think that an in-door venue is necessarily the top of the list. So I don’t think you’ll really see one for another couple of years.

4. And you mentioned the 2008 crisisaffecting Dubai and the UAE over all. Howdo you feel the events industry,specifically, was affected by the crisis?

During any economic crisis, entertainment is the first thing to be hit. People’s pockets are hit and cannot afford to attend the three or four events they use to be able to pay for prior to the crisis. So they wind up having to choose one, because they cannot afford all four. I think re-cently, in the local papers, there was an article done about expats not being able to save any-more because things are becoming so expen-sive. So the events industry does take a massive hit during any economic crisis.

5. You spoke earlier about the equipmentindustry being reasonable and offeringpromoters a very good deal whencompared to other parts of the world.That said, do you feel there are any areasin the industry that need improving?

To be honest, this market is so incredibly saturated. There are too many people here and too many chancers. There are too many people calling themselves ‘events managers’ and ‘promoters’ and they’re not. They’re just throwing money at the artists, selling the tick-ets, getting the artists here and away they go. They really don’t have any consideration for those who are attending the concert nor do they take into consideration the infrastructure that must be put in place. People are paying a lot of money to attend to concert and events managers and promoters need to give them an experience they’ll remember. In my opin-ion, there are far too many complaints from every concert we do here.

I think another problem we have here, if we go back to looking at the UK, most of the artists who play the O2 Arena are not there for one night, but rather five or ten nights. So over the period of time, the production costs can be a lot cheaper. Here, it’s a one off, one night event only. The market just cannot handle more than one night. If you tried to put on more than one show, you just wouldn’t get the audi-ence. So everyone has to earn money on the first night and only the first night. And that’s the problem here. The last article mentions

Apex Scaff olding LLC has its major line of business as a supplier of access scaff olding services, and was established in the year 2000. Apex Scaff olding is based in Dubai & Abu Dhabi, in the United Arab Emirates and focuses on Quality, Reliability, Safety and value.

Apex Scaffolding LLC prides itself as one of the leaders in the Events and stage setup Industry.

Our ranges of scaff olding systems are branded and are outstanding in quality, value and reliability. We off er aluminium scaff olding towers at the most competitive rate in the industry. We have been providing scaff olding services to many of the most prestigious Events organizing companies all over seven Emirates.

Apex Scaff olding is a company committed to providing systems and services to the expectations of its clients; meeting their specifi c requirements, adhering to National and International

Standards and developing products to the relevant standard, whilst ensuring the best performance at the most economical price with safety as the prime factor.

With over 12 years of trading experience, and accumulated knowledge of over 50 years of experience in the industry by our management team which includes, General Manager, Contract Manager, Scaff olding Manager, Civil Engineer, Accounts Manager, Sales Manager and our workforce of over 200 Scaff olders are dedicated, safety conscious make us proud of who we are.

OFFICE:Plot# 369-579, Al-Quoz Industrial Area IV, Sheikh Zayed Road, P.O.Box: 24146, Dubai, U.A.E.Warehouse:Al-Quoz Industrial Area, Sheikh Zayed Road, Dubai, U.A.E.Tel:00971-4-3413704, 00971-4-3413705email: [email protected]: www.apexscaff oldinguae.com

www.digitalproductionme.comwww.digitalproductionme.com

27October 2012 S&S

P r o f i l e

that we’re becoming recognised in interna-tional touring circuit and to that I say, no, we’re not. You tell me the last time you saw an artist add Dubai and the UAE to their world tour. In-stead what they’re doing is stopping off and in the process doubling their fee, which obvious-ly isn’t helping the industry. They only come because someone adds a naught to their fee. It’s down to the promoter in terms of produc-tion costs, because there are deals to be had out there.

Usher, for example, is probably the one of the largest productions in the UAE, to date. I managed to do that for 700,000 AED. So it’s all down to the promoter to negotiate the deals. The latest equipment is here. It’s the expertise behind the equipment, and this brings me back to my point earlier, about event compa-nies not really being event companies. In my honest opinion, there are probably only four companies here that can truly handle any sort of international artist in terms of production. However, when it comes to me as a produc-tion manager, trying to obtain a price for pro-duction, a lot of the production houses will not split the production and give you a good deal at the same time. There really are a lot of implications in this industry here.

6. So do you see the situation improvingwithin the next five years or so?

To be honest with you, in terms of the over saturation of the market, they’re dropping as quickly as they’re coming. But, if you really want to improve the events industry here, I think it needs a governing body. It needs events professionals who put together a gov-erning body and start implementing certain standards, especially in regards to rental costs and health and safety, across the board. But that’s not going to happen any time soon. As far as I’m aware, there have been several at-tempts at it in the past, but nobody wants to joint up. You’ll get the bigger names trying to do it, but they’re not going to restrict them-selves and allow everyone else to just run with it, so to speak. Until you set up those standards, it just won’t happen. And not just with the equipment rental companies, but the venues as well. As an example, some ven-ues will ask for risk assessments, some won’t. Some have health and safety regulations, oth-ers don’t. There’s no consistency. I have to say, it’s a bit of a mess at the moment. That said, there are people here who are more than will-ing, and capable, to pull this together. They just need the support. In addition to all that, and I know this has been mentioned in the past, what would also help the promoters, would be the abolition of the 10% ticket tax. I honestly believe that’s the difference between a commercially viable event and something that’s not.

a dp a g e

28SAS October 2012

www.digitalproductionme.comS h o w P r e v i e w www.digitalproductionme.com

infoComm MeA 2012

Products, sponsors and show features. S&S provides its readers the lowdown on what to expect at InfoComm ME 2012.

30S&S October 2012

www.digitalproductionme.comS h o w P r e v i e w

Be it in hospitality, retail, architectural design and building, entertainment, broadcast, corporate IT, or government sectors like transportation, education, healthcare and defence, InfoComm MEA 2012 assembles a wide range of AV systems and technologies to help bring businesses to greater heights.

More than 80 exhibiting companies will offer the latest products and expertise for diverse applications. Attendees can see the newest AV and information communication equipment being demonstrated, learn new ways of using AV/IT technologies in their business from the free education programs presented, and consult with specialists and experts regarding particular requirements.

Exhibitors will collectively present solu-tions for videoconferencing, e-classroom, smart buildings, projection and display systems, digital signage and digital out-of-home (DOOH) media advertising, broad-cast and entertainment production and delivery, security and safety surveillance, emergency or operations command and control, digital network integration, and more all under one roof, over five days for sourcing convenience.

Who Should Visit?InfoComm MEA presents AV systems inte-grators, as well as business owners and IT managers an excellent opportunity to find out how they can leverage on AV technol-ogy in their corporate or marketing strate-gies for their business success. Today, AV systems are increasingly used in diverse in-dustries to increase efficiency and enhance asset value - from education and training, transportation, retail and marketing, sports and entertainment to building facility man-agement, and corporate IT services.

At InfoComm MEA, attendees will meet and learn from international AV experts, as-sess latest technologies, e.g. screen / display media, imaging and projection systems, digital signage and infotainment systems, and AV-IT integration interfaces, consult local representatives of global brands who are familiar with local requirements, learn how AV technology can be applied in their business, explore possibilities and expand your business network and sharpen their competitive edge.

EducationThe InfoComm MEA 2012 Summit is

organised under the auspices of Info-Comm International, in collaboration with leading industry media. The Summit will offer valuable insights from market per-spectives, technology updates to specific industry practices. All levels of personnel involved in AV technology will be able to benefit from the various learning and networking opportunities offered.

The VenueInfoComm MEA 2012 will take place at the Dubai World Trade Centre (DWTC). The Centre, located in the heart of the city, is a widely used venue with over 90,000 sqm of covered exhibition space, and with state-of-the-art multi-faceted facilities within the complex itself.

Dubai enjoys a strategic location, in a time zone bridging the Far East and Europe on the East-West axis, and the CIS and Africa on the North-South axis. Since its inception in 1979, the Dubai World Trade Centre has been instrumental in establishing Dubai’s position today as a global financial and commercial hub, and a vibrant business epicenter for the region.

Tel. +971 4 238 1555

e-mail [email protected] www.bluetruck.ae

Fax. +971 4 238 2325

The market leader in mass door-to-door

of magazines within the UAE.

requirements.

distributors).

Asso iatemember

Award winning

32S&S October 2012

www.digitalproductionme.comS h o w P r e v i e w

Pro AV systems manufacturers have re-affirmed their intention to stay engaged in the MENA markets, encouraged by their previous experiences at the InfoComm MEA 2011 trade exhibition and summit in Dubai, as well as the growth potential in the region.

Jupiter Systems is among the Pro AV manufacturers which have already booked their stand in InfoComm MEA 2012. Other companies include Extron, Crestron, AMX, Jupiter Systems, Mitsubishi, Sharp, NEC, Hitachi, Wolfvision and projectiondesign.

“We’ve had our eye on the MENA region for a while now, so we were very happy that InfoComm was offering a market-

ing platform to reach this market. We’ve not been disappointed. The quality of attendees at InfoComm MEA 2011 has been fantastic. We met with top-notch integra-tors, as well as key figures in government and the private sector, working on specific and substantial projects. In fact, we’ve issued some large sales quotes at the

show,” said Brady O’ Bruce, vice president of marketing and strategic alliances for Jupiter Systems.

“We were, and still are, confident that there’s untapped potential for AV technol-ogy in this region. The economies here are less affected by the current economic uncertainties elsewhere,” adds O’ Bruce

Swedish image processing and control spe-cialists, Dataton, will bring their WATCHOUT multiple image and display software to the Middle East at InfoComm MEA 2012. The company will also participate in the Info-Comm University education and hospitality seminars taking place during the show.

Fredrik Svahnberg, marketing director for Dataton AB comments, “The Middle East has typically been a region that uses WATCHOUT in new and exciting ways and we hope to highlight just a few of the new features of WATCHOUT during InfoComm MEA 2012.”

WATCHOUT is a fully scalable system that is software based and does not require proprietary hardware. It orchestrates still images, animations, graphics, video, sound and live feeds into a single show across mul-tiple display areas, either soft-edge blended or scattered.

In addition, WATCHOUT integrates video streaming and devices such as network cameras to allow video to be accessed over a standard network solution. It offers the ability to interact with live components and assets of interactive media. Users can position, rotate and move all media objects in 3D and interactively. The software also

integrates with various devices and external systems so users can connect sensors and control sources, such as iPads, to on-screen elements like images, video and live feeds.

Furthermore, WATCHOUT offers 3D effects and stage preview to position and rotate all

media objects, including motion paths and video fly-through. Seamless stereoscopic playback and support is offered for multi-head output cards so up to six displays can be driven off one display computer using a single cost-effective WATCHOUT license.

Lookwho’S back

waTchoUT!

The Online Home for Digital Content Production in the Middle EastThe Online Home for Digital Content Production in the Middle East

For advertising enquiries, please contact: Wissam Khodur, Sales Manager, Digital Broadcast,Tel: +971 4 444 3272, E-mail: [email protected]

34SAS October 2012

www.digitalproductionme.comC A S E S t u d y

Showforce is soon to be Qatar’s newest addition to the events support industry. S&S sits down with Ian Spendlove, chairman of Showforce UK and Middle East, to discuss the

current climate of the Qatar events industry and where it’s headed following the 2020 World Cup.

Q a t a ra m b i t i o n s

35October 2012 SAS

www.digitalproductionme.com C A S E S t u d y

Move your audience!

Create truly sensational multi-display shows with Dataton WATCHOUT™ production and playback software. Orchestrate virtually all types of digital media, including 3D, live feeds and streaming. Manipulate the content in real-time, and show it on multiple, synchronized displays.

www.da ta ton . com/wat chou t

Türk Telekom Arena, Istanbul: Iltek Communication supplied WA-TCHOUT to the Turkish Olympic games.

Van Gogh Alive: WATCHOUT shows art on a huge scale. Image courtesy Grande Exhibitions.

VISIT US AT INFOCOMM MEA

OCT 14-18, TA-C40 DUBAI

Sound&Stage halfpage_Oct12.indd 1 2012-09-27 15:12

While Showforce has conducted business in Qa-tar for many years now, it’s shortly due to open its doors to a Qatar-based location. And they are certainly doing so during an exciting time for Qa-

tar. With the 2022 World Cup set to take place in Doha, the events industry seems to be growing by leaps and bounds. When asked about the current climate of the industry, chairman of Showforce UK and Middle East, Ian Spendlove, was very optimistic. “Activity in Qatar definitely feels as though it is on the increase,” he reveals. “We are certainly taking more enquiries from the region than we ever have previously and this is then reflected in the amount of work we are carrying out there. From our perspective there is a real sense that the area is about to boom. Also there seems to be a shift towards utilising the knowledge and resources that are held locally, as well as regionally, and then looking to international companies. “

36S&S October 2012

www.digitalproductionme.comC A S E S t u d y

Contrasting many opinions regarding the events industry following 2008, Spendlove’s optimistic view doesn’t falter when discussing the impact the crisis had on Qatar. “The events industry is taken more seriously, out in the Middle East, than other parts of the world,” he explains. “It is recog-nised in its own right and has a standing. Qatar doesn’t ap-pear to have been too adversely affected by the downturn, and certainly not as badly as the UAE.” Spendlove adds, “I can’t speak for other companies, but for Showforce it was business as usual back in 2008, and since the opening of the QNCC last October it has been full steam ahead.”

On the 2 of December 2010, FIFA appointed Qatar to host the 2022 World Cup. And with that, much of the Doha land-scape began to change, especially live event venues. “With the new airport, building of venues and hotels and develop-ing the infrastructure, these developments will attract more live events,” Spendlove explains. “This will then allow for Qa-tar to compete with Abu Dhabi and Dubai. The culmination of all this hard work and investment in the area, in addition to Qatar hosting of one of the most famous and prestigious sporting events in the world, will launch Qatar as a global des-tination for events.”

But even with an industry that is growing by leaps and bounds, it left open the question, what areas of the current events in-dustry does Qatar need to improve? “Qatar still needs to attract key event producers and large artists, in the way that UAE cur-rently does, as this would certainly help,” Spendlove admits. “On the one hand it is investing in large iconic buildings and has one of the world’s largest TV stations in Al Jazeera. But on the other hand, it is still extremely conservative compared to other countries in the Middle East.” Spendlove adds, “Addition-ally, the events that are held in Qatar tend to be more business and sports orientated. To date it has failed to secure a regular international event like the Formula 1 Grand Prix in Abu Dhabi and Bahrain.”

So with the need to attract large events to the region, where the world will see the Qatar events industry in five years time will certainly be interesting. “With the opening of the new ven-ues, the development of the infrastructure and the attracting of new events it is likely that it will begin to boom,” explains Spendlove. “[Showforce] is committed to playing a role in the growth and development of the events industry in Qatar and has a 5 year plan for business there. This includes opening an of-fice there in last of quarter of 2012 having now gained our local trade license.”

The Middle easT’s only branded TenT specialisT

+971 55 688 1793www.madcanopies.com

[email protected]

With rapid advancement in digital technology and the Middle East’s media industry growing each year, DIGITAL BROADCAST Middle East serves to provide the latest industry news, features and analysis to this booming market.

Aimed at those responsible for the delivery and management of media content for television, cinema, radio, mobile and online distribution, DIGITAL BROADCAST Middle East is the ultimate information resource for industry professionals.

Official Media Partner

FOR ADVERTISING CONTACT: FOR EDITORIAL CONTACT: TO SUBSCRIBE:

Subscription is FREE for industryprofessionals. Simply visit:www.itp.com/subscriptions today.

Wissam KhodurTel: +971 4 444 3272Email: [email protected]

Ruchi ShroffTel: +971 4 444 3635Email: [email protected]

An ITP Business Publication | AUGUST 2012 | VOL. 5 ISSUE 8 THE BUSINESS OF DIGITAL CONTENT DELIVERY

ALL EYESON YOU

The UAE’s first television audience rating system promises big returns for networks and advertisers

New channels in the Middle East; satellite launches; Saudi investment to update studios

TESTCARDWe speak with the marketing director of FOX International Channels Middle East

Olympics galore!What satellite broadcasters are

doing to ensure quality broadcasts

OSN OSNO ANDAND MBC OFOOFOFFEOF R UP AVARIVARIARIRIETYETE OFOF SHOWSWSS FORFFF THE

HOLYHOLYOLYL MONMONNM TH OT F RAAAAAMADAMMM N

IBC 2012PREVIEWA look at one of the most

anticipated electronics shows in the world

An ITP Business Publication | SEPTEMBER 2012 | VOL. 5 ISSUE 9 THE BUSINESS OF DIGITAL CONTENT DELIVERY

FROM UP ABOVE

With multibillion dollar investments, the Middle East’ssatellite operators are ready for the big league

New channelsin the Middle East; satellite launches; new satellite earth station

TESTCARDWe speak with the CEO of Ideal Shopping Direct

THE BIGMENA

SURVEYYou tell us what you think about the region’s broadcast industry

TOPTENWhat to see, who to meet and where to go at IBC 2012

38SAS October 2012

www.digitalproductionme.comb u y e r’s g u i d e

The new Peavey PVX Series loudspeakers are the culmination of decades of R&D and experience building portable, all-in-one audio solutions combining Peavey perfor-mance with modern design for audio pros and musicians of all levels.

Peavey PVX 12 and PVX 15 passive loudspeakers deliver what Peavey calls, “superior sound quality,” by utilising ad-vanced materials. The Peavey RX14 1.4-inch titanium diaphragm compression driver, coupled to a constant directivity horn,

reproduces high and mid-high frequencies with clarity, while heavy-duty, premium Peavey- woofers with 2-3/8-inch voice coils handle the lows and low-mids. In addition, these two-way loudspeaker systems are lightweight and rugged, and will handle 400 watts program and 800 watts peak power for live music, speech and a variety of other sound rein-forcement applications.

Peavey PVX enclo-

sures are housed in a durable, in-

jection-mould-ed enclosure that includes a pole mount, three multi-point flying locations and a tilt-back design to accommodate use as a personal monitor. A black powder-coated steel grille provides driver protection and a clean, professional appearance.

Peavey PvX series

Martin Audio has recently released the XD15. Capable of producing 132dB peak SPL at 1 metre and with a us-able LF response down to 45Hz, it is ideally suited to a raft of professional applications that demand the highest level of performance from a single en-closure. Its two-way format combines a very powerful 15” (380mm)/4” (100mm) voice LF drive unit with a 1.4” (35mm) exit compression driver on a user-rotatable 80° x 50° horn.

The LF driver utilises a high gap

flux neodymium magnet assembly to achieve a very high sensitivity of 100dB at 1m for 1 watt input. Ad-vanced cooling and flux demodulat-ing rings combine to reduce power compression and reduce distortion at extreme excursions. In the HF section, the 1.4” (35mm) exit compression driver has a 3” (75mm) pure tita-nium diaphragm and ultra-high flux neodymium magnet structure with a copper cap that extends the overall HF response.

Martin audio Xd15r e d u c e s d i s t o r t i o n

c l e a r h i g h a n d

a t e X t r e M e e X c u r s i o n s

M i d - h i g h f r e q u e n c i e s

Sound & Stage Middle East takes a look at the industry’s hottest live sound equipment

sound

equiPMent

This month, S&S looks at the market’s newest additions to live sound. When it comes to speakers, less is certainly more. A compact piece of gear seems to be what everyone is striving towards so long as the sound quality is not compromised. And with prices of transporting equipment rising each year, the smaller the piece, the less money spent. So get set, we’ve brought you the biggest little advances in live sound equipment.

39October 2012 SAS

www.digitalproductionme.com b u y e r’s g u i d e

Recently released into the market is Martin Audio’s XD12, featuring a high-specification 12” (300mm) LF drive unit and a 1” (25mm) exit compression driver on a user-rotatable 80° x 50° constant directivity horn. It can be driven passively or bi-amped, depending on user requirements and the internal crossover is switchable between passive and bi-amp opera-tion by means of an external switch.

High priority has been placed on maximis-ing the output of the drive units. The LF driver has a lightweight 3” (75mm) voice coil and utilises a high gap flux neodymium magnet assembly for maximum sensitivity, whilst the cone is made of a new pulp formulation plus an epoxy treatment to ensure smooth mechanical breakup and a high strength to weight ratio. Flux demodulating rings reduce distortion at high excursions, and advanced cooling reduces power compression to negligible levels. The 1” (25mm) exit compres-

sion driver has a 1.7” (44mm) polyimide dome and ultra-high flux neodymium motor system for maximum efficiency, plus a copper cap to extend the HF response.

The XD12’s grille is a spring-fit into the sides of the enclosure and requires no retention screws, allowing for easy removal to access the HF horn. The grille arrangement also means that the baffle and long sides of the enclosure form a continuous surface into which the LF driver and HF horn are flush-mounted to reduce diffraction effects.

In addition, the tour-grade plywood enclo-sure is coated in hardwearing polyurethane and its Declon backed steel grille is pre-curved to resist deformation in the field.

Furthermore, a universal bracket offers a ver-satile solution for mounting the cabinet, giving quick and easy vertical angle adjustment with a spring loaded locking pin, while the bracket offers other flexible mounting options.

KV2 Audio released VHD2.21, the newest ad-dition to their subwoofer family. VHD2.21 is a double 21” subwoofer with an input power handling ca-pability of 3200W. What KV2 Audio calls, “incred-

ibly efficient,” the 2.21 has a sensitivity of 106dB at one

watt/one meter and can produce output levels in excess of 140dB. It has a frequency response from 28Hz

through to 240Hz. Whilst larger than KV2 Audio’s

existing subwoofers, it still fits in with the company’s philosophy of providing maximum performance from within a compact footprint. Originally designed as part of a VHD system, it is voiced for live music but

also excels in the field of club and dance music. In any situation it operates down to 28Hz, alongside other VHD products, the smaller ES range, or as a stand-alone sub-woofer that KV2 Audio says, “can comple-ment any other manufacturers systems.” In addition, VHD2.21 offers extended bass response when needed.

Martin Audio Xd12

KV2 Audio VHd2.21 e X t e n d e d b A s s r e s p o n s e

LAMbdA LAbs CX1-A Recently released, Lambda Lab’s CX-1 monitor combines design, functionality and techni-cal innovation. The round body acts as a compact enclosure and contains an 8” long excursion driv-er and a special high frequency unit with aluminium membrane, all driven in bi-amped mode.

Its power is fed by two integrated DSP amplifying modules with 800 and 200 Watt RMS each and is a total of 37 cm in length and weighs 7.6 kg in total. In addition, By pushing the DSP pre-selector button, the CX-1 morphs to a full top with all its flight options and its ESP flight hard-ware in a second. Furthermore, each CX-1A version can be connected in parallel with up to two CX-1B versions.

o f f e r s s p e C i A L H i g H f r e q u e n C y u n i t

s M o o t H M e C H A n i C A L b r e A K u p

The Middle East & North Africa’s ONLY monthly magazine for the broadcast and production industry

Official Publication

FOR ADVERTISING CONTACT:

Wissam KhodurTel: +971 4 444 3272Email: [email protected]

FOR EDITORIAL CONTACT:

Christopher NewbouldTel: +971 4 444 3596Email: [email protected]

TO SUBSCRIBE:

Subscription is FREE for industryprofessionals. Simply visit:www.itp.com/subscriptions today.

THE RETURN OF

HINDISTANI

Vol. 14 Issue 8 August 2012An ITP Business Publication

IN

CASE STUDYCLOCKWORK VFX’S

INTERNATIONAL SUCCESS

EXCLUSIVEINTERVIEW

TTTTTTTTTTTTHHHHHHHHHHHHEEEEEEEEEEEE RRRRRRRRRRRREEEEEEEEEEEETTTTTTTTTTTTUUUUUUUUUUUURRRRRRRRRRRRNNNNNNNNNNNN OOOOOOOOOOOOOFFFFFFFFFFFF

TECHNOLOGYTHE LATEST HIGH QUALITY

LOW BUDGET CAMERAS

PLUS: IBC 2012 PREVIEWED — YOUR FIVE MUST-SEE IBC MOMENTS

OSN YAHALA! PRESENTSKHULUD ABU HOMOS AND AWS AL-SHARQI

TTTTTTTTTTTTHHHHHHHHHHHHEEEEEEEEEEEE RRRRRRRRRRRREEEEEEEEEEEETTTTTTTTTTTTUUUUUUUUUUUURRRRRRRRRRRRNNNNNNNNNNNN OOOOOOOOOOOOOFFFFFFFFFFFFTHE RETURN OF

HINDISTANI

Vol. 14 Issue 8 August 2012An ITP Business Publication

IN

CASE STUDYCLOCKWORK VFX’S

INTERNATIONAL SUCCESS

EXCLUSIVEINTERVIEW

TECHNOLOGYTHE LATEST HIGH QUALITY

LOW BUDGET CAMERAS

PLUS: IBC 2012 PREVIEWED — YOUR FIVE MUST-SEE IBC MOMENTS

OSN YAHALA! PRESENTSKHULUD ABU HOMOS AND AWS AL-SHARQI

Vol. 14 Issue 8 August 2012

IN

EXEXCLUSISIVEINTERVIEWEW

TET CHNOLO YGYYTHE LATEST HIGH QUALITY

LOW BUDGET CAMERAS

— YOUR FIVE MUST-SEE IBC MOMENTS

OSN YAHALA! PRESENTSKHK ULUD ABU HOMOS AND AWS AL-SHARQI

FFFFFOOOOOOOOOOOO OOOONNNNNNRRRRRRRRRRRRRUUUUUUUUTTTTTTTTTTUTTTTTTTTUUUTTTEETTTEETTTTRRRRRRRRRRRRRRRRRREE HHHHTTTTTTTTTT UUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUURRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRREEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHH RRRRTTTTTTTTTTTTTT TTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEE UUUUUUUUHHHHHHHHHHHHHHHHHHHHHEEEEEEEEEEEEEEEEE RRRRRRRRRRRRRRRRRRRREEEEEEEEEEEEEEEEEEEEETTTTTTTTTTTTTTTTTTTTTTTTTTTTTUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUURRR OOOOOOOONNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNN OOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOORRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRNNNNNNNRRRRRRRRRRRRRRRRRRRRRRNNNNNNNNNNNNNNNNNNNNN OOOOOOOOOOOOOOOOOOOFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTT

Vol. 14 Issue 9 September 2012An ITP Business Publication

PLUSNEWS

OPINIONANALYSIS

HEAD-TO-HEADREVIEWS

COMMUNITYCAREERSEVENTS

PRODUCTS“The technology

supply market is in a state of constant

and unprecedented change. Suppliers

are demonstrating surprising adaptability

in response”PETER WHITE

P27STILL

ON TOP IN 2006, AL SHARQIYA WAS FORCED TO CLOSE DOWN ITS DOMESTIC OPERATION IN BAGHDAD. IN 2012, THE

DUBAI-BASED CHANNEL IS IRAQ’S MOST WATCHED

PRODUCTIONOn the set of MBC teen

favourite 04

TECHNOLOGYVirtual Reality is getting less virtual and more, well, real...

CASE STUDYStar 2000 keeps Palestine’s industry moving

PRODUCTSOur look ahead to the hot

products at this year’s IBC

ALL

A A

L D

AH

HA

N, P

RO

GR

AM

ME

DIR

ECTO

R, A

L SH

AR

QIY

A

41October 2012 SAS

www.digitalproductionme.com t h e g u i d e

Sony Professional recently launched the VPL-BW120S. The short throw technology features negate the need for a ceiling mounted projec-tor or even the need for space between the projector and the screen. With the new VPL-BW120S, images of 100 inch can be viewed in just a distance of 1.3 metres between the projector and the screen rather than the prerequisite of 4.4 to 4.8 metres required in normal projectors. The VPL-BW120S projects image clarity at high brightness of 2,600 lm, making it possible to view the images under any lighting conditions. With rich colour

reproduction, high contrast ration and 12-Bit Gamma Correction for smooth colour gradations, this new projector provides what Sony calls “high picture quality.”

The lightweight and portable design of the VPL-BW120S with built in speakers comple-ments the easy set-up process. Befitting Sony Professional’s range of projectors, the VPL-BW120S retains energy efficient features such as the long lasting lamp and a power saving mode that turns the projector off after 10 minutes of inactivity.

“We expect the VPL-BW120S to be well

received by this audience as it is designed to ensure that viewers enjoy clear projection without compromising on clar-ity, space and energy efficiency” explained Hidenori Taguchi, head of marketing for B2B Products and Solutions at Sony Professional Solutions MEA.

This month’s hottest new products from Sony, Extron, Philips, and more

What’s neW

Chroma-Q studio Force Phosphor

Chroma-Q presented the worldwide launch of the new Studio Force Phosphor LED lighting range,

A nominee for the 2012 PLASA Awards for Innovation, the new Studio Force Phosphor range utilises LED technologies to provide an equivalent soft edge output to a fluo-rescent fixture, up to 7,000 lumens. With a choice of standard daylight (5,600K) white and variable (3,200 – 5,600K) white colour temperature versions, the variable version offers fine-tuning of the green and magenta tints and frequency for camera. Other fea-tures include an extremely smooth uniform wash and an extra soft beam.

allen & heath iCe-16Allen & Heath introduced a brand new product to its range at PLASA, the ICE-16, a 16 In/16 Out audio interface allowing performers and audio engineers to capture high quality multi-track recordings direct to a USB drive or interface to a computer.

Fitted into a compact 1U rack design, ICE-16 is capable of studio quality interfac-ing, converting and bi-directional stream-ing of 16 channels over high-speed USB or FireWire at 24 bit, 96kHz resolution. Alternatively, 16 channels can be simulta-neously recorded straight to a USB hard drive or memory stick at up to 24bit 48kHz resolution .wav file. The ICE-16 is expand-able, so users can link units together and synchronize recording of many channels.

ICE-16 connects to any audio mixer or analogue source using ¼” jacks for the inputs and RCA phono connectors for

the outputs. Signal and peak metering is provided for each channel and can be switched to show input or output. Head-phone monitoring is also included and switches on each channel enable checking of individual or multiple channels. ASIO drivers and Core Audio compliance,which ensures full compatibility with all the main DAWs, including Logic, Sonar, Cubase and Pro Tools.

“I like making things simple and the ICE-16 makes life easy in many ways,” commented R&D designer, Mike Griffin. “Recording multitrack at a live show no longer requires booting up a laptop and configuring a session - just plug in, turn on and press record. ICE-16 is also ideal for connecting audio to your DAW in the stu-dio, or for expanding your existing system to add channels,”

sony VPL-BW120s

42SAS October 2012


extron retractor XL extended Cable Extron Electronics intro-duced its new Retractor XL Extended Length Cable Retraction System for Cable Cubby Enclosures. The Re-tractor XL provides for cable extension up to five feet (1.5 meters) and is available in versions to support most AV and data signal types includ-ing VGA, Network, PC Audio, USB, DisplayPort, or HDMI. The Extron Retractor Series, introduced in 2009, is also available for applications where cable extension of 3 feet (90 cm) is appropriate.

The Retractor XL is engi-neered with a robust, dual-

pulley mechanism controlled by a constant-tension spring that can withstand frequent use in schools, libraries, conference rooms, and other high-utilization environ-ments. Each Retractor XL module includes a pre-load-ed, continuous 12-foot (3.6 m) cable for a single type, ensuring consistent, reliable performance regardless of cable extension length. A four-foot (1.2 m) pigtail is provided on the input side of the Retractor module for ease of installation and connection to under-table electronics or floor boxes.

Extron offers two special-purpose Retractor XL versions. The Retractor XL DC is a convenient means of extending DC power to laptops from the power supply located beneath the table; laptop power supply not included.

“The Retractor XL is perfect for boardrooms or conference rooms with wide tables,” said Casey Hall, Extron’s vice president of sales and marketing. “We engineered the Retractor XL to provide an additional two feet (61 cm) of cable exten-sion,” added Hall.

Pixled revealed its new F-10 i/o tile product at the PLASA 2012 exhibition in London, earlier in September. The latest innova-tion from Pixled is a 10.4 mm pitch screen surface, populated with 3 in 1 SMD chips, that can be used indoors or outdoors. In addition, it can also be rigged horizontally and covered to become a dynamic dance-floor and under-floor stage effect.

The standard F-10 i/o tile is fully indoor user ready. It is a mesh surface, therefore transparent, and useful for creative indoor work, including scenic elements as well as for IMAG displays. The tile dimensions are 50 x 50cm each of which is lightweight at only 7 Kg or 28 Kg/sqm.

For outdoor use, the F-10 offers optional clickable in/outdoor shaders, which are quickly fitted onto the mesh tiles and include blank panels to close the modules and increase the contrast. In addtion, the tiles are IP65 rated and have a brightness of 5000 Nits.

Furthermore, the F-10 i/o can also be shipped as individual tiles, for indoor use only, or with custom designed 2 x 2 touring frames (outdoor) and flight cases, all ready for rapid deployment and complete with certified TUV mechanics. Furthermore, while In dance-floor mode, with optional floor mechanics, four pieces per square metre, the F-10 i/o tiles are straightforward to install. Once the mechanics are attached, the tiles simply flip into their individual mechanics and are ready for use.

Martin MAC Viper Martin revealed the new MAC Viper series of 1000 W moving heads earlier in September at PLASA in London. MAC Viper features what Martin refers to as a, “highly efficient optical system that outperforms market-leading profiles in the 1200-watt range.” With over 26000 lumens of power from a 1000-watt HID source, it is convincingly brighter than 1200-watt fixtures and also outperforms them in terms of speed and compact-ness. Power consumption is lower and output is, according to Martin, “ap-proximately 55% more efficient than the 1200-watt fixtures it replaces.”

In addition the MAC Viper offers fast zoom with auto-linked focus, a fat beam front lens, 5 + 5 rotating gobos – all with optimal focal separation for superior morphing effects, patent-pending FX wheel that provides an additional four fixed go-

bos and 135° animation effect and colour mixing with a palette of colors including true reds, rich ambers, primary green and deep blues.

Furthermore, combined dimmer/shut-ter system with intensity effects, instant blackout/open and smooth fades and diverse strobe effects using mechanical or electronic control or in combination are also included.

Pixled F10

44SAS October 2012


Debuting at this year’s PLASA was the Selecon PLFRESNEL-1. This fixture is designed to complement Philips Enter-tainment’s existing range of LED luminaires - the Selecon PL3, PL1, PLCYC1 and the Vari-Lite VLX ranges. Together, this range of lighting tools offers a level of creative expression to designers working in the the-atre, small studio and display lighting sectors.

The PLFRESNEL-1, which uses

LED source technology com-bined with a traditional Fresnel lens, produces an adjustable cone of light with a soft edge is easily blended with adja-cent beams to provide that all-important smooth stage coverage.”

“A key benefit of the PLFRESNEL-1 is that

it’s no longer necessary to change lamps or colour

filter,” general manager for

Selecon, Graham Eales, explained.

“PLFRESNEL-1 com-bines the superior

control and light quality of a Philips Selecon Fresnel and Profile with the ability to seamlessly fade between colours. Designers now have a new performance lighting tool at their fingertips. In addi-tion less power consumption and no dimmer circuits make the PLFRESNEL-1 an obvious choice for a range of applica-tions,” Easles added.

Philips Entertainment debuted professional lighting brand, Showline, and its range of fea-ture-rich professional entertain-ment LED fixtures at PLASA 2012. Showline joined premier lighting brands Vari-Lite, Selecon and Strand Lighting on the Philips Entertainment during the show.

Specifically designed with the live music and events markets in mind, Showline luminaires work together with other Philips Entertainment Brand luminaires, offering colour matching, dim-

ming and operation along with intuitive, simplified set up.

The Showline SL BAR 640 and 660 are two

RGBW linear wash lumi-naires available in four-foot

and six-foot configurations respectively. Both deliver

light output and accept a range of standard beam spread accessories, in order to adjust the standard 60-degree

beam angle. To provide users with more even vertical coverage, the SL BAR 640 and 660 can use split beam lenses, which allow for two different beam angles in the same luminaire.

Furthermore, all Showline luminaires feature built-in effects, 8 and 16-bit control modes, a reduced channel HSI mode as well as a strobe channel. They come with standard mounting brackets for floor or pipe mount and a secure lock off and tight profile allow for close placement for smooth beam spreads. The luminaires also feature cable management for clean cabling and easy set up.

Extron Electronics introduced the new FOX T USW 103, a three input switcher with an integrated fibre optic transmit-ter for long haul transmission of HDCP-compliant HDMI, RGBHV, or HD component video, stereo audio, and RS-232 control signals over fibre optic cabling. Engineered for reliability and exceptional high resolution image performance, this three input switcher uses Extron all-digital technol-ogy to provide pixel-for-pixel performance with signals up to 1920x1200, including HDTV

1080p/60. Analog AV input signals are digitized to ensure that a high quality signal is transmitted to the final destination. To streamline installation and system op-eration, the FOX T USW 103 includes integration-friendly features such as EDID Minder, Key Minder, audio embedding, auto-input switching, RS-232 control, and real-time system monitoring. The compact, low profile FOX T USW 103 allows for discreet installation such as beneath a table or in a lectern.

As part of the line of FOX Se-

ries fiber optic products from Extron, the FOX T USW 103 is compatible with FOX Series HDMI, DVI Plus, DVI, and VGA receivers. This transmitter can also be used in combina-tion with FOX Series matrix switchers for HDCP-compliant signal distribution systems up to 1000x1000 and larger. To ensure system operability, EDID Minder manages EDID

communication between sources and destinations, and Key Minder continuously authenticates HDCP encryp-tion. In addition, available in multimode and singlemode models, the FOX T USW 103 is ideal for a wide range of appli-cations that require long haul transmission of high resolution digital and analog content from a single location.

Philips selecon PLFresNeL-1 Philips showline luminaires

extroN Fox t usW 103

THE MOST CELEBRATED EVENT FORTHE MIDDLE EAST TELECOMS INDUSTRY

The 7th Annual CommsMEA Awards set out to celebrate and pay tribute to the telecoms industry professionals

and operators that have shown outstanding performance and results in key market segments.

Tuesday 4th December, 2012The Westin, Dubai

For advertising enquiriesplease contact:

Natasha Pendleton+971 4 444 [email protected]

For nomination enquiriesplease contact:

Roger Field +971 4 444 [email protected]

For table bookingenquiries please contact:

Michelle Meyrick+971 4 444 [email protected]

SponsorshipOpportunitiesNow Available

CATEGORY SPONSORS GOLD SPONSOR

For more information please visit: www.commsmea.com/awards

46SAS October 2012


GLP exhibited at the PLASA Show in London, using it as a launch pad for its latest LED

fixture, the Volkslicht Spot. Treading in the footsteps of the Spot One, the Volkslicht Spot features 230W RGB LED light engine, and the same optical

principles, allowing it to proj-ect a full spectrum from

deep saturates to light pastel shades, with

smooth cross fades or instantaneous color bumps.

The Volkslicht Spot offers a full feature set, includ-ing a wheel of seven rotating gobos, 11 fixed gobos, a rotat-ing prism, 16 bit pan

and tilt, motorized focus and a fixed beam

angle of 13 degrees. Its compact size and design,

however, showed visitors how it is now possible to achieve output levels within a small

package.

Avolites Ltd., and its recently augmented team of directors, launched the brand new Titan One Virtual Console. The Titan One virtual console offers a cost effective solution for all lighting applications. Its focus is to offer fast and intuitive control of intelligent lighting, Dimmers and LED effects from a single on-screen console. The DMX USB Dongle allows users to output one line of DMX on

any of 12 lines, with the full functionality of Avolites Titan Software.

In addition, virtual Con-sole users will have access to features such as Pixelmapper, Quicksketch, Media Clip Select, Attribute Control-Blades and Shape Generator. Further-more, Titan One allows users unlimited usage, offering un-interrupted programming and playback time.

LED Engin, Inc. demonstrated emitters and LED modules that enable the size of entertainment lighting products to be significantly reduced at PLASA 2012.

The company’s LuxiGen platform of white and multi-colour compact emitters generate the high luminous flux density demanded in entertainment lighting, par-ticularly for spot beams, distance lighting effects and in dynamic lighting scenarios. Patented thermal management technol-ogy allows the LED die to be driven to higher current levels and in a denser configuration than industry standards, without adversely affecting operating life. LED emitters are up to 80% more ef-ficient than traditional tungsten lighting and this combination of features in LED Engin products enables lighting fixture

designers to at least halve the size of their products, and in some cases reduce the size by an order of magnitude. The other benefits provided by LED Engin’s emitters are very high lux-on-target, precise beam control and effective ‘in-source’ colour mixing within the primary lenses of the emitters. Beams can be tightly focused (down to 8 degrees) using Total Internal Reflec-tion (TIR) secondary lenses that also minimize unwanted glare, and individual dies within each emitter can be driven with different current levels to provide accurate, flexible colour control.

LED Engin’s European manager, Gerrit-Willem Prins, commented, “The stage and studio lighting industry has embraced LED Engin’s products with en-

thusiasm over the last two years.” He added, “Lighting manufacturers have realised the signifi-cant benefits offered by compact LED emitters, which can deliver a wide choice of colours and beam widths.”

gLP Volkslicht Avolites Titan One Virtual Console

Led engin Luxigen

The market leader in mass door-to-door

of magazines within the UAE.

Tel. +971 4 238 1555

e-mail [email protected] www.bluetruck.ae

Fax. +971 4 238 2325

requirements.

distributors).

Asso iatemember

Award winning

48S&S October 2012

September’S top StorieS

www.digitalproductionme.comt h e g u i d e

33.3% I agreed 100%. The equIpmenT offered In The gCC/mena regIon needs To be prICed lower.

33.3%partially agreed. Cost of renting is high, but perhaps with good reason.

33.3%I thoroughly disagreed. There were a number of issues that were overlooked in the article.

0%I didn’t read the article.

1James Cameron-founded Com-pany fIles for bankrupTCy

2 sony to install hd studios in ethiopia

3 how many is too many?

4 eminem to perform at f1 concert

5 Zee launches arabic-language station

We received a lot of feedback on SAS’s August article, Equipped to Equip. What were your thoughts?

Most readNEWS

S P O T P O L L

the hitlistMUST ATTEND EVENT

official iphone 5 trailer

Australian Audio & AV ShowSheraton on the park, Sydney Australia

The australian audio & aV show returns for its 2nd year and this time will be hosted at the sheraton on the park in sydney. after its successful launch in melbourne last year, the organisers have decided to present this major event each year, but alternate between these two great cities. Concentrating on all the very latest high quality audio and aV equipment, where each exhibitor can provide exclusive demonstrations in superb surroundings, it brings to australia an event that has been a long time in the waiting.

Y O U T U B E C L I P O F T H E M O N T H

H T T P : / / w w w . C H E S T E r g r O U P. O r g / S H O w S / A U S T r A L I A N - A U d I O - A V - S H O w - S Y d N E Y

19-21october2012

It’s what apple is call-ing the “biggest thing to happen to iphone since the iphone.” when apple envisioned the new iphone, they landed on a thin and light design. but it’s nearly impossible to make a device so thin and so light without sacrificing features or performance. measuring in at 7.6 mm thin, the nano-sIm card, 44% smaller than the micro-sIm card, gave apple the option to create the thinnest and lightest iphone yet.

Get the revered sound quality, deep Pro Tools® integration, and direct plug-in support of VENUE SC48, now

with remote I/O flexibility. With the new VENUE SC48 Remote System—featuring the award-winning SC48

console and all-new VENUE Stage 48 remote box—you can position your I/O anywhere for optimal sound,

eliminating cable clutter at front of house. And with fully redundant Ethernet AVB snake connectivity, you can

bring the sound of the studio to any live performance—with the utmost reliability.

Studio-Quality Sound Goes the Distance

Got SC48? Add remote flexibility to your setup with

Stage 48, and create bigger mixes with

the VENUE 3 software upgrade.

Stage 48

Learn more—www.avid.com/venue

© 2012 Avid Technology, Inc. All rights reserved. Product features, specifications, system requirements, and availability are subject to change without notice. Avid the Avid logo and Pro Tools are trademarks or registered trademarks of Avid Technology, Inc. or its subsidiaries in the United States and/or other countries. All other trademarks contained herein are the property of their respective owners.

Avid_Ads-SC48-remote-190x260mm.indd 1 3/16/12 5:14 PM

sound & stage - october 2012

Documents

itp publishing group

n u t e s w i t h

qatar events market

led wash light

rajesh r

contactor control light

group theatre

qatar events industry