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New Notations SymposiumIRCAM, September 22nd 2016
New notations and embodied experienceSally Jane Norman
There is history, there is culture, and there are the artefacts which carry them beyond our death: technics.
Vaccari and Barnet, 2009
Christof Windgätter. 2005
"...with mathematic precision" –On the Historiography of the
Dynamometer. The Virtual Laboratory
http://vlp.mpiwg-‐berlin.mpg.de/
Performing on fences places the musician in an area where terrain, map, score, and instrument are physically connected and signified, if not interchangeable.Jon Rose, 2012
Jon Rose & Hollis Taylor, Great Fences of Australia, 2009 www.jonroseweb.com/f_projects_great_fences.html
ARTSAT DESPATCH2Deep Space
Amateur Troubadour's
Challenge
Tama Art University
Hayabusa IIJapan, 2015
JAXA
Image references
Xenakis and the UPIC system (Unité Polyagogique Informatique du CEMAMu), http://120years.net/upic-‐system-‐iannis-‐xenakis-‐france-‐1977/
John Cage, Variations score (2012) Travis Weller, Stable/Unstable, http://www.stableunstable.com/news/
Christof Windgätter. 2005, "...with mathematic precision" – On the Historiography of the Dynamometer. The Virtual Laboratory http://vlp.mpiwg-‐berlin.mpg.de
Vicon-‐captured violinist, Culture Lab, Newcastle; James Mooney (violinist), Dave Green (Vicon operator)
Jon Rose & Hollis Taylor, Great Fences of Australia, 2009, www.jonroseweb.com/f_projects_great_fences.html
ARTSAT DESPATCH2 (Deep Space Amateur Troubadour's Challenge), Tama Art University / JAXA, 2015, http://artsat.jp/en/project/despatch
Text referencesGoodman, Nelson, 1976, Languages of Art, Indianapolis/ Cambridge, Hackett
Gottschewski, Hermann, cited with thanks to Sandeep Bhagwati, « AGNI, an iterative methodology for research-‐creation », Demo or Die -‐ Méthodologies recherche-‐création, Hexagram 2014, https://vimeo.com/93185484
Rotman, Brian, 2002, « Corporeal or Gesturohaptic Writing », Configurations, 2002, 10:423-‐438
Taylor, Hollis, 2015, “Bowing Australia’s Outback Fences: A Sonic Cartography”, Contemporary Music Review, 34:4, 350-‐363
Vaccari, André, Barnet, Belinda, 2009, « Prolegomena to a Future Robot History: Stiegler, Epiphylogenesis and Technical Evolution », Transformations, 17, http:/www.transformationsjournal.org/journal/issue_17/article_09.shtml
Windgätter, Christof. 2005, « ‘’...with mathematic precision" – On the Historiography of the Dynamometer », The Virtual Laboratory http://vlp.mpiwg-‐berlin.mpg.de
Wishart, Trevor, 1996 (original edition 1985), On Sonic Art, new and revised edition edited by Simon Emmerson, Amsterdam, Harwood Academic Publishers
Related texts by SJN
Norman, Sally Jane et al, 2009, « AMUC: Associated Motion capture User Categories ». Philosophical Transactions A: Mathematical, Physical and Engineering Sciences, 367 (18). pp. 2771-‐2780. ISSN 1471-‐2962 http://rsta.royalsocietypublishing.org/content/367/1898/2771)
Norman, Sally Jane, 2016, « Between grammatization and live movement sampling », 185-‐198 in Bleeker, Maaike (ed), Transmission in Motion, London, Routledge
Merci!
Sally Jane NormanProfessor of Performance TechnologiesSussex Humanities Lab, University of Sussexwww.sussex.ac.uk/shl
[email protected]/profiles/240005/