mÆé èfn¸ëopoÆcçh Tackle your planetary & other ill-effects

This small hand book helps and guides you to tackle your planetary afflictions using Shree Vishnusahasranama shlokas. This book is compiled to help people identify and find their corresponding shlokas from Vishnusahasranama.

Designed & Compiled by Dr. Chandrashekar . M.G Acupuncturist M.D (Acu), P.hD (Acu)

For free Distribution Share the PDF with likeminded people Sharing Divine Knowledge is Divinity by itself. Number of Pages: : 55

Published for humanity:

ARC ACU CLINIC Bangalore – 560 050 www.chandrashekarg.wordpress.com

To

The Entire Humanity

To download Shree Vishnusahasranama in other Indian languages, Please visit: www.chandrashekarg.wordpress.com

- Foreword…

Any holistic approach to health must necessarily include the physical, mental, emotional and spiritual aspects of the patient, together with the recognition that all these aspects are intertwined. Each affects the others. The evolution- balance- and the declination of the Body, mind and soul always passes through chaotic phase. Health of the body, mind and soul should always be achieved by multi-dimensional approach for a long lasting result.

Astrology, Herbs, Gems, Mudras, Mantras, Yoga etc., all are aimed at strengthening & balancing the internal chemistry of the body. Nothing is quackery, all are time-tested.

The precision at which astrology calculates cosmology and its events are by itself a proof to its accuracy, utilizing such a science for human upliftment should create no doubt about its positive results. Reciting Sri Vishnusahasranama is one such astrological remedy gifted by our seers and sages for the entire humanity.

This book in the last section also gives you a fair glimpse on how to use Sri Vishnusahasranama for other problems like increasing interest for knowledge for your children, increasing memory, good health of loved ones and for yourself, for peace & harmony of self and for the entire society, improves your financial status, helps destroy nightmares, helps pregnant and yet to be born etc,.

We humbly request people to recite these shlokas fr the good of the planet Earth and spread the knowledge. We also request to share this Free PDF to all like minded people. People who want to gift a printed copy of this book can contact Shree Graphics proprietor, who has agreed to take the task for a nominal price. Mr. A. Baalasubramaniam Proprietor Shree Graphics 99163463379

CONTENTS

• About shree vishnusahasranama • poorvapeetika • dhyaanam • ashvini • BharaNi • Krittikaa • Rohini • Mrigashira • Aaridra • Punarvasu • Pushya • Aashlesha • Makha • Pubba • uttara • hasta • chitta • swaati • vishaakha • Anuradha • Jyeshta • Moola • Purvaaashada • Uttaraashada • shravaNa • dhanishta • shathabisha • poorvabhadra • uttarabhadra • revati • Phalashruthi • Tackle Health & other problems

Shree Vishnusahasranama Vishnusahasranama is one of the most sacred and commonly

chanted shlokas to contact the Divine within for peace and harmony. Reciting it daily not only increases the spiritual energy levels inside the body, it also helps in balancing and cleanses the mind and other subtle chakra systems of the body. We should always remember that good health is not only having a clean body; but also having a clean mind too. It also brings unwavering calm of mind, complete freedom from stress and brings eternal knowledge unknowingly and effortlessly.

Vishnusahasranama literally means "the thousand names of Lord Maha Vishnu". In Sanskrit, “sahasra means thousand and naama means names”. Lord Mahavishnus’ 1,000 names each eulogizing one of His countless great attributes. In Vishnusahasranama, apart from the initial and concluding prayers it has a total of 108 shlokas in anushtup chchanda (a meter of poetry).

In a purely orthodox Hindu tradition, a devotee should daily chant the Upanishads, Gita, Rudram, Purusha Sukta, Devi Mahatmyam and Vishnu sahasranama. If one cannot do all this on any day, it is said that chanting Vishnusahasranama alone is sufficient. Vishnusahasranama can be chanted at any time, irrespective of gender.

The Vishnusahasranama as found in the Shanti Parva of the Mahabharata is the most popular version practiced, though other version from Padma Purana and Matsya Purana exist.

According to the 149th chapter of Anushāsanaparva (verses 14 to 120) in the epic Mahabharata, Lord Krishna accompanied by paandavas visit Bhishma who is on the death bed (of arrows) in the battle field of Kurukshetra.

During this conversation Bhishma eulogizes Vishnusahasranama originally composed by shree Veda vyaasa muni.

Varahi Tantra says that in the age of Kali yuga, most stotras are cursed by Parashurama and hence are ineffective. While listing the ones which are free from this curse and hence suitable during Kali Yuga, it is said, "Gita of the Bhishma Parva, Vishnu Sahasranama of Mahabharata and Chandika Saptashati (Devi Mahatmyam) are free from any Doshas and grant fruits immediately in Kali Yuga."

In a classic astrological text, the Brahat Paraashara Horaashastra, Sage Paraashara frequently recommends various verses from Vishnusaharanama for various problems. He also considers reciting Vishnusahasranama as the best remedial measure for many planetary afflictions.

Shirdi Sai Baba, commentating on the merits of Vishnu sahasranama (Ref Chapter XXVII of “Shri Sai Satcharitra”) says reciting it will ward off any illness and dangers in life and also protects you all the time.

Many sages and saints of yore have stressed the importance of reciting Vishnusahasranama. Adi Shankaraacharya, Raamanujaacharya, Madhvaachaarya, Paraasara Bhattar, and many have compiled commentaries on Vishnusahasranama.

Sages and Vedic Scholars have diagnosed Vishnusahasranama shloka recital as a Vedic and is also used for astrological remedies for all the 27 Nakshatra’s (Birth Stars).

The entire zodiac comprises of 360 degrees (remember 60 seconds = 1 minute and 60 minutes = 1 degree). The 27 Nakshatra’s (stars or constellations) occupy the 360 degrees of the zodiac. This means that each

Nakshatra gets 13 degrees and 20 minutes in the zodiac. Further, each Nakshatra is divided into 4 quarters or paada’s. Hence each paada occupies 3 degrees and 20 minutes. Therefore each sign in the zodiac occupies 30 degrees. Therefore, each zodiac has 9 paada corresponding to Nakshatra’s.

For example Mesha Raashi (aries) contains 4 paada’s of ashvini + 4 paada’s of Bharani and 1 paada of Krittika and so on… for other Rashi’s.

Rashi Nakshatras and Paadas mesha (Aries)

ashvini (4) + BharaNi (4) + krittikaa (1)

vrashabha (Taurus)

krittikaa (3) + rohini (4) + mrigashira (2)

Mithuna (Gemini)

mrigashira (2) + aaridra (4) + punarvasu (3)

Kataka (Cancer)

punarvasu (1) + pushya (4) + aashlesha (4)

simha (Leo)

makha (4) + pubba (4) + uttara (1)

Kanya (Virgo)

uttara (3) + hasta (4) + chitta (2)

tula (Libra)

chitta (2) + swaati (4) + vishaakha (3)

Vrashchika (Scorpio)

vishaakha (1) + Anuradha (4) + Jyeshta (4)

Dhanus (Sagittarius)

moola (4) + purvaaashada (4) + uttaraashada (1)

makara (Capricorn)

uttaraashada (3) + shravaNa (4) + dhanishta (2)

kumbha (Aquarius)

dhanishta (2) + shathabisha (4) + poorvabhadra(3)

meena (Pisces)

poorvabhadra (1) + uttarabhadra (4) + revati (4)

As said earlier, 108 shlokhas in Vishnusahasranam correspond to 27 nakshatra X 4 paada = 108 Shlokas.

Thus a person born in ashvini 1st Paada can chant first shloka, ashvini 3rd Paada can chant third shloka, rohini 4th paada can chant sixteenth shloka, Chitta 3rd paada can chant fifty-fifth shloka, purvaashada 2nd paada can chant seventy=eighth shloka and so on.

Reciting Vishnusahasranama daily followed by 9, 11 or 108 times corresponding nakshatra/paada shlokas is advised to ward off their planetary ill-effects. Reciting on Wednesday and Saturday has special effects. If you do not know your paada or quarter, then recite the entire four part of the shloka that belong to your birth star (Janma-Nakshatra).

For people who don’t know their rashi, nakshatra or paada are strongly suggested to recite all the 108 shlokas daily to get rid of all ills associated with one's Nakshatra. Many devotees have experienced positive changes in their lives within couple of weeks of recital.

A translation of the concluding verses (Phalasruti) of Vishnu sahasranama, states: "Nothing evil or inauspicious will befall a man here or hereafter who daily hears or repeats these names. Whichever devoted man, getting up early in the morning and purifying himself, repeats this hymn devoted to Lord Maha Vishnu, with a mind that is concentrated on Him, that man attains to great fame, leadership among his peers, wealth that is secure and the supreme good unsurpassed by anything. He will be free from all fears and be endowed with great courage and energy and he will be free from diseases. Beauty of form, strength of body and mind, and virtuous character will be natural to him.

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Açè³faÆç 4 dça: AMÆXéMÆáçhXéý mÆéhçc cÅçö³iç ôcY²ç ohé³fXý opoÆhíbáç èfmÂç¼Ä opoÆçv²ý opoÆdçY² 24

dëcfáoë cv²Œ dëcfáoë 1 dça:

AçfYá²öcç ècfÆŠç¼Äç oüfïY²ý oüdÆhaácý Apý oüfYá²öK²ç fèpº³f Aècökç b³fXéb³fý 25

dëcfáoë 2 dça: oëdÆoçaý dÆošç¼Äç èfmÂbïèMÂmÂgë²èMÂgë²ý o×K²Yá²ç o×Kï²Y²ý oçbëý Rpºëcáç³fç³iõXç c³fý 26

dëcfáoë 3 dça: AoüóLÅö³iç–dÆöh³iç¼Äç èfèm§ý èm§Kï²ÎQë²èP±ý èoÙbçZáý èoÙb oüK²¤ý èoèÙbaý èoèÙb oçbcý 27

dëcfáoë 4 dça: fïnçpé fïnög²ç èfn¸ë³f fïmdfáç fïönça³fý fbáöcç fbáhçcãP± èfèfŠºý mƵèY²oçM³fý 28

dënÅç cv²Œ dënÅç 1 dça:

oëgë²öRç aëbáö³fç fçèÌh höpüôaÆç foëöaç foëý øcK²³f¶õdç fÆpaƶdý èmèdèf§ý dÆK²çmcý 29

dënÅç 2 dça: IRöå½öRçaëÅèY²b³fý dÆK²çmç¼Äç dÆY²çdcý FÙbý åd§çv²ö³fç hüŒý P±üaÆçümëgá²ç©²³faëÅèY²ý 30

dënÅç 3 dça: AhïY²çümíÙg²öfç g²çcëý mmèfüaëý oëö³fm³fý Jnbü RMY²ý ôoYë²ý oY²Åbhád³f猺hý 31

dënÅç 4 dça: gí²Y²g²fÅg²fšçZý dfcý dçföcç–cký K²çhpç K²çhKï²Y² K²çüY²ý K²çhý K²çhdÆaý dÆgë²ý 32

AçömÈn cv²Œ AçömÈn 1 dça:

³iëMçèaKï²Y² ³iëMçföYá²ç øcK²hçö³iç hpçmcý AaïömÅç fÅŠº³f¶dãP± opoÆèRacüY²èRY² 33

AçömÈn 2 dça: Bö§ç–èfèm§ý èmöãT±§ý èmLüV²é cpëönç fïný ôŒºçbpç ôŒºçbKï²Y² K²Yá²ç èfmÂfçpëhápéb³fý 34

AçömÈn 3 dça: APë±ÅY²ý dÆèZY²ý dÆçXý dÆçXöaç fçoëfçcëRý Adçüècèb³fèb¨çch AdÆhŠý dÆèY²è¨Y²ý 35

AçömÈn 4 dça: ©²üaý ©²üabö³fç bëö³iáç f³föaç fç³iëfçpcý fçoëöaöfç fïpÙg²çcëý Açèaöafý dë³füa³fý 36

hLç cv²Œ hLç 1 dça:

AömçK²å½ç³fXå½ç³fý mí³fý ômûè³fRáöcm³fý AcëKí²ký mY²çfYá²ý dÙhé dÙhècög²v²Xý 37

hLç 2 dça: dÙhcçög²ç–³fèfüaçv²ý dÙhMgá²ý m³fé³fgï²Y² hpèÙbáFïöÙaç fïÙbç¼Ä hpçöv²ç M³fµV²bÃRý 38

hLç 3 dça: AYë²ký m³fög²ç g²éhý oh³iö‚²ç pèfpáè³fý ofákv²Xkv²õXÅç k˜Äéfçc oèhèY²üR³iý 39

hLç 4 dça: èfv²ö³fç ô³fçèpöY²ç hçõMáç ôpYë²aáçöhça³fý opý hpébö³fç hpçg²çõMç ôfMfçcèhY²çmcý 40

dëÞfç cv²Œ dëÞfç 1 dça:

DÙg²fý ôv²çg²õXç ôafý mÆéMgá²ý d³föhm³fý K²³fXü K²ç³fXü K²Yá²ç èfK²Yá²ç MpöcçMëpý 41

dëÞfç 2 dça: fÅfoçö³iç fÅfå¾çcý oüå¾çcý å¾çcöaç bïfý d³fèÙbáý d³fhåd§ý Y벧ý dë§ý mëög²v²Xý 42

dëÞfç 3 dça: ³fçöhç èf³fçöhç èf³föRç hçõMáç ôcö³iç cö³iç–c³iý fé³fý m芺hY²çü ômÆö¨ç böháç bháèfaëŠhý 43

dëÞfç 4 dça: øfKë²üU±ý dë³fµný dÆçXý dÆçXaý dÆXfý dïZëý èp³fXÅMgá²ý mŒµöNÁç fÅçõ›ç fç³ië³fõbçv²Rý 44

DŠ³f cv²Œ DŠ³f 1 dça:

FYë²ý oëamácý K²çký d³föh¨ê dè³fMÆpý DMÆý oüf×oö³fç aöv²ç èfmÆçöhç èfmÂaèv²Xý 45

DŠ³f 2 dça: èfå½ç³fý å¾çf³fý å¾çXëý dÆhçXü féRhfųih AõZáç–cõZáç hpçöK²çömç hpçög²çõMç hpçbcý 46

DŠ³f 3 dça: Aècèfáˆý å¾èfö¨ç–gí²ý bhá³iíõdç hpçhLý cv²Œöcèhcáv²Œé v²hý v²çhý ohépcý 47

DŠ³f 4 dça: i‚² BöRÅç höpRÅãP± ŒºYë²ý oŒü oY²çü MèY²ý ofáamáé èfh늺ç¼Äç ofáö‚²ç ‚²çchëŠhh 48

på½ cv²Œ på½ 1 dça:

oëfÆY²ý oëhëLý oí˜Äý oëöNçný oëLaý oëpïY² höcçpö³fç èRY²öŒºçõbç fé³ffçpëèfáaç³fXý 49

på½ 2 dça: oÂçdcý oÂfömç fÅçèd øcK²ç¼Äç øcK²K²háKï²Y² f×oö³fç f×oökç f×oé ³fYÁ²Mögá²ç böcm³fý 50

på½ 3 dça: bháMëÞbháKï²Ùbháé oaoY² v²³fhv²³fh Aèf‚²çY²ç opoÆçümëý èfbçY²ç Kï²Y²kv²Xý 51

på½ 4 dça: Mg²èå½öcèhý oŠÃå¾ý èoüôpç gí²Y²höpm³fý Açèaöaöfç hpçöaöfç ôaöfömç ôafgï²ÙMë³fµý 52

èP±Š cv²Œ èP±Š 1 dça:

DŠö³fç óMçdèY²õMáç›ç ‚²çcMhÅý dë³fçY²cý m³fé³fgí²Y²gï²öÙg²çŠºç K²déüôaÆç gí²è³faèv²Xý 53

èP±Š 2 dça: ôoçhõdç–hïY²dý ôoçhý dë³fµèRY² dë³fµoŠhý èfcö³iç R³iý oY²Åoüóbç açmçpáý oçYòY²çü dèY²ý 54

èP±Š 3 dça: Réöfç èfcè³iY²ç oçv²é hëKë²üôaç–èhY²èfŒºhý Aüôg²çècèb³fcüY²ç¼Äç höpçaèbmö³iç–üY²K²ý 55

èP±Š 4 dça: AöRç hpçpáý oÂçg²çöfÅç èRY²çèhŒý dÆöhçacý Açcüôaç cüaöcç cüaý oY²Åbháç èŒèfŒºhý 56

oÂçèY² cv²Œ oÂçèY² 1 dça:

hpènáý K²èdkçP±ç³iáý Kï²Y²ö‚²ç ôhèacédèY²ý èŒdaèå»amçbÅöv²ç hpçmïüMý ŒºY²çüY²ŒºY² 57

oÂçèY² 2 dça: hçpçf³fçöpç óMçèfüaý oëönXý K²cK²çüMaé MëöpÅç Mg²éö³fç Mpöcç Më›ãP±ŒºMaçbç³fý 58

oÂçèY² 3 dça: ôfbçý oÂçüóMç–èRY²ý Kï²ön¸ç aÆW±åoüK²náõXç–Pë±ÅY²ý f³fµõXç fç³fµõXç fÆv²ý d릲³fçöv²ç hpçhcçý 59

oÂçèY² 4 dça: g²Mfçc g²Mpç––cüaé fchçké pkç³iëbý AçèaöY²Åç ôRÅçèY²³fçèaY²Åý oèpn¸ëMáèY²oŠhý 60

èfmçL cv²Œ èfmçL 1 dça:

oëbcÂç LüV²d³fmë³f aç³fµõXç aÆèfXdÆaý èafådïK² ofáaïMÂÅçöoç fçP±ådèY²³fö³içècRý 61

èfmçL 2 dça: èŒoçh oçhMý oçh ècfáçXü ôg²nRü èg²nK² oücÅçoKï²ÎQ²hmçüôY²ç èc¨ç mçüèY²ý d³fç³iXh 62

èfmçL 3 dça: mëg²çüMý mçüèY²aý oƧç Kë²hëaý Kë²fökm³iý óMçèpöY²ç óMçdèY²õMáç›ç fïng²çöv²ç fïnèdƳiý 63

èfmçL 4 dça: AècfYá²é ècfïŠç¼Äç oüôv²›ç ôv²hKï²èÎQ²fý mÆéf×ofv²çý mÆéfçoý mÆédèY²ý mÆéhY²çü f³fý 64

Ací³fçb cv²Œ Ací³fçb 1 dça:

mÆéaý mÆémý mÆéècfçoý mÆéècèbý mÆéèfg²çfcý mÆéb³fý mÆéK²³fý ômƳiý mÆéhçc ôkçK²Œ³içmƳiý 65

Ací³fçb 2 dça: oÂv²ý oÂüMý mY²çcüôaç cüèaöRáÅçèY²MáõXm³fý èfèRY²ç¼Äç èfõb³iç¼Ä o×K²éèYá²èãQ²šoüm³iý 66

Ací³fçb 3 dça: DaéXáý ofáY²ãP±vë² ³fcémý mçmÂY²èå¾³fý gí²mö³iç gí²nõXç gí²èY²³f èfömçK²öãmçK² cçmcý 67

Ací³fçb 4 dça: AèPá±ähçcèPá±Y²ý Kë²üôg²ç èfmëÙbç¼Äç èfömçbcý Aèc³fµöÙbç–dÆèY²³fZý dÆaëÅöàÀç–èhY²èfŒºhý 68

ôRŨ cv²Œ ôRŨ 1 dça:

K²çköcèhècpç fé³fý ômûè³fý mí³fRöcm³fý èŒökçK²ç¼Äç èŒökçöK²mý ôK²mfý ôK²èmpç pè³fý 69

ôRŨ 2 dça: K²çhöafý K²çhdçký K²çhé K²çüY²ý ŒºY²çMhý AècöaámÅfdëèfán¸ë³f féö³fç–cüôY²ç bcüR³iý 70

ôRŨ 3 dça: fƬ²õXÅç fƬ²Kï²ÙfƬ²ç fƬ² fƬ²èffbácý fƬ²èfÙfÆ笲õXç fƬ²é fƬ²ö‚²ç fÆ笲XèdƳiý 71

ôRŨ 4 dça: hp猺öhç hpçK²háç hpçöY²Rç höpç³fMý hp猺Yë²hápç³iRÃç hpç³iö‚²ç hpçpèfý 72

hík cv²Œ hík 1 dça:

å½fÅý å½fèdƳiý ôå½çŒü å½ëèY²ý ôå½çY²ç ³fXèdƳiý díXáý dí³fè³iY²ç dëXÅý dëXÅK²éèYá²³fcçh³iý 73

hík 2 dça: höcçRfå½éZáK²ö³fç foëö³fY²ç foëdÆaý foëdÆöaç fçoëöaöfç foëfáoëhcç pèfý 74

hík 3 dça: oÙMèY²ý o×Kï²èY²ý oŠçý oÙgí²èY² o×d³fç³iXý mí³föoöcç ³iaëömƨý oèšfçoý oë³içhëcý 75

hík 4 dça: gí²Y²çfçöoç fçoëöaöfç ofáçoëèckö³iç–cký adápç adáöaç aïõ›ç aëbáö³fç–Zçd³fçèRY²ý 76

dífáçnçW± cv²Œ dífáçnçW± 1 dça:

èfmÂhíèYá²hápçhëèYá²ý aé›híèYá²³fhíèYá²hçc AöcK²híèYá²³ffÅŠºý mY²híèYá²ý mY²çccý 77

dífáçnçW± 2 dça: GöK²ç øcK²ý ofý K²ý èK²ü ³iY²×dahcëŠhh ôkçK²fübëökáçK²cçõZç hçböfç g²Šºf×oký 78

dífáçnçW± 3 dça: oëfXáfõXáç ôphçüóMç f³fçüMãP±üacçüMaé fé³fpç èfnhý míöcÅç NïY²çmé³fP±kãP±ký 79

dífáçnçW± 4 dça: Ahçcé hçcöaç hçöcÅç ôkçK²oÂçhé èŒökçK²bïY² oëöhbç ôhböRç bcÅý oY²Åöhbç b³fçb³fý 80

DŠ³fçnçW± cv²Œ DŠ³fçnçW± 1 dça:

ôY²öRçfïönç aëÅèY²b³fý ofámå»gï²Y²çü f³fý dÆMÆöpç ècMÆöpç fÅõMÆç øcK²mïüóMç MaçMÆRý 81

DŠ³fçnçW± 2 dça: P±Yë²híáèYá²ãP±Yë²fáçpë ãP±Yë²fíáÅpãP±Yë²MáèY²ý P±Yë²³fç¼Äç P±Yë²gá²çf ãP±Yë²öfáaèföaK²dçY² 82

DŠ³fçnçW± 3 dça: ohçföYá²ç–ècfïŠç¼Äç aëRáö³iç aë³fèY²Œºhý aëkáög²ç aëMáöhç aëõMáç aë³fçfçöoç aë³fçè³fpç 83

DŠ³fçnçW± 4 dça: mëg²çüóMç ôkçK²oç³füMý oëY²üYë²å½üYë²fbácý BüaÆK²háç hpçK²háç Kï²Y²K²háç Kï²Y²çMhý 84

mÆfX cv²Œ mÆfX 1 dça:

DÙg²fý oëüa³fý oëüóbç ³fYÁ²cçg²ý oëökçP±cý AöKá²ç fçRocý mïüMé R³iüY²ý ofáèfÐR³ié 85

mÆfX 2 dça: oëfXáèfüaë³föv²çg²Åý ofáfçMémÂö³fm³fý hpçpïöaç hpçMöYá²ç hpçgí²öY²ç hpçècèbý 86

mÆfX 3 dça: Kë²hëaý Kë²üa³fý Kë²üaý dRácÅý dçföcç–ècký AhïY²çüômç–hïY²fdëý ofႲý ofáöY²çhëLý 87

mÆfX 4 dça: oëkg²ý oëfÆY²ý èoÙbý mŒµèRÎQ²ŒµY²çdcý cÅõMÆçõbçaëüfö³fç–mŠm P±çXí³fçübÆècníacý 88

bèc¨ç cv²Œ bèc¨ç 1 dça:

opoÆçèPá±ý o›èRpÃý où›bçý o›fçpcý AhíèYá²³fcöNç–èP±üôY²Åç g²³iKï²Ùg²³icçmcý 89

bèc¨ç 2 dça: AXëfÆáp׌ºmý å¾îökç MëXgï²èšMëáõXç hpçc AbïY²åoÂbïY²ý oÂçoÅý dÆçMÂüômç fümfbácý 90

bèc¨ç 3 dça: g²ç³fgï²Y² K²èZöY²ç ô³içMé ô³içMémý ofáK²çhaý AçmÆhý mÆhXý v²çhý oëdõXáç fç³iëfçpcý 91

bèc¨ç 4 dça: bcëbáö³fç bcëöfáöaç aüôV²ç ahè³iY²ç ahý Ad³fçèRY²åofáoöpç èc³iüY²ç èc³iöhç–ihý 92

mY²èg²n cv²Œ mY²èg²n 1 dça:

oYòfçc oçèŠÃK²ý oY²Åý oY²Åbhád³fç³iXý Aèg²dÆç³iý èdƳiçöpáç–páý èdƳiKï²Y² dÆéèY²fbácý 93

mY²èg²n 2 dça: èfpç³ioMèY²öRáÅçèY²ý oë³fµèP±pëáY²gë²èMÂgë²ý ³fèfèfáö³fçP±cý oí³iáý oèfY²ç ³fèfökçP±cý 94

mY²èg²n 3 dça: AcüôY²ç pëY²gë²õÌg²çŠºç oëLöaç øcK²öRç–MÆRý Aècèfáˆý oaçhnáé ôkçK²çèb¨çchÙgë²Y²ý 95

mY²èg²n 4 dça: ocç×ocçY²cY²hý K²èdký K²èd³ffųiý oÂèå½aý oÂèY²Kï²Y² oÂèå½ oÂèå½gë²K² oÂèå½aèv²Xý 96

dífáçg²çaÆ cv²Œ dífáçg²çaÆ 1 dça:

Aö³fûaÆý Kë²üV²ké P±Œºé èfŒºhëÅèRáY²mçocý mÞaçèY²M mÞaopý èmèm³fý mfá³féK²³fý 97

dífáçg²çaÆ 2 dça: AŒºí³fý ódmökç aöv²ç aèv²Xý v²èhXçü f³fý èfÙfŠöhç féY²g²³iý dëXÅmÆfXK²éYá²cý 98

dífáçg²çaÆ 3 dça: DŠç³fõXç aë¦ï²èY²pç dëõXÅç aëýoÂdÀcçmcý fé³fpç ³fv²XåoüôY²ç Réfcý d³iáfèå¾Y²ý 99

dífáçg²çaÆ 4 dça: AcüY²³f¶õdç–cüY²- mÆéèRáY²hcëÅgá²³içdpý P±Yë²³fömÆç Mg²é³fç¼Äç èfèaömç fÅçèaömç èamý 100

DŠ³fçg²çaÆ cv²Œ DŠ³fçg²çaÆ 1 dça:

Acçèagíá²gëá²öfç kÊãhéý oëféö³fç ³fµèP±³fçüMaý Rcöcç RcRÛhçèa³f g²éöhç g²éhd³f猺hý 101

DŠ³fçg²çaÆ 2 dça: Açbç³fèckö³iç–bçY²ç dëädpçoý dÆRçM³fý EbÃáMåo×dZçP±ç³fý dÆçXaý dÆXfý dXý 102

DŠ³fçg²çaÆ 3 dça: dÆhçXü dÆçXèck³iý dÆçXgï²Y² dÆçXRéfcý Y²ŠÃü Y²ŠÃèföaK²ç¼Äç RÛhhïYë²ÅR³fçèY²Mý 103

DŠ³fçg²çaÆ 4 dça: gí²gëá²fýoÂå½³fµå½ç³fý oèfY²ç dÆèdY²çhpý ³iö‚²ç ³i‚²dèY²³iáRÃç ³i‚²çüóMç ³i‚²fçpcý 104

ô³ffèY² cv²Œ ô³ffèY² 1 dça:

³i‚²gï²Y² ³i‚²Kï²a ³i‚²é ³i‚²gë²M ³i‚²oçbcý ³i‚²çüY²Kï²a ³i‚²MëpÅ hšhšça Gf P± 105

ô³ffèY² 2 dça: Aç¼Äö³içècý o³iüRçöY²ç øfLçcý oçhMç³icý ôafK²écüacý oƧç èv²Y²émý dçdcçmcý 106

ô³ffèY² 3 dça: oüLgﲚüaK²é P±Œºé mçzábcÂç Maçb³fý ³fZçüMdçèX³föv²çg²Åý ofádÆp³fXç³iëbý 107

ofádÆp³fXç³iëb Iü ch BèY ² ô³ffèY² 4 dça:

fchçké Mbé mçzáé müLé P±Œºé P± cüaK²é mÆéhc cç³fç³iõXç èfn¸ë³f fçoëöaöfç–èg²³fv²Yë² 108

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Tackle Health and other problems using Vishnusahasranama shlokas:

Below are a list of shlokas that can be used for desired results, it can also be used in combinations depending upon your needs. It is always advised to prefix “om” and suffix “ha”(like in dharmaha), for ex:

Iü AoüóLÅö³iç–dÆöh³iç¼Äç èfèm§ý èm§Kï²ÎQë²èP±ý èoÙbçZáý èoÙb oüK²¤ý èoèÙbaý èoèÙb oçbcý 27

General

1. To fulfill all your wishes and cross any hurdles easily in life: Recite shloka 27

2. If you have uncontrolled anger, at any place, at all the times: Recite shloka 49

3. To get protection from enemies (known or unknown), and from black-magic for self and home: Recite shloka 88

Health (These should be practiced in tandem with other therapies too, it’s always a better idea to meet a physician first)

1. If you are suffering from any Kapha related problems, Chronic Indigestion, Nausea, any Stomach related problems: Recite shloka 16

2. If you are suffering from any Vaata related problems, Laziness, less Joy in life, low self esteem: Recite shloka 18

3. If you are suffering from any Pitta related problems, Jaundice, Liver related problems, any Eye related problems: Recite shloka 67

4. To get rid of any chronic Illness, repeated health problems in life : Recite shloka 89

5. If suffering from insomnia, nightmares: Recite shloka 99

Family & Kids

1. For betterment of kid’s health and education: Recite shloka 14 (&/ or) shloka 19.

2. To stabilize any relation at home or outside: Recite shloka 32 (&/ or) shloka 93 (&/ or) shloka 96.

3. For the betterment of off-springs, for pregnant’s to have a healthy & intelligent off-spring: Recite shloka 84.

To improve finance & Work

1. To increase your efficiency in work, to easily cross any obstacles in work and studies: Recite shloka 42

2. To Improve your finance, to get good job, to improve status in society, to have a happy family: Recite shloka 46

3. To enhance your financial status: Recite shloka 65

Nakshatra Doshas

1. To sail through easily the difficult transits of Rahu, Ketu, Saturn, malefic planets, To minimize evil combinations/affliction of planets as indicated in one’s birth chart, If someone has expired on inauspicious time, To pacify and empower all planets in one’s birth chart, for total happiness of family: Recite shloka 47 & shloka 81

To download Shree Vishnusahasranama in other Indian languages, Please visit: www.chandrashekarg.wordpress.com