sensory architecture : soundscape

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Soundscape : an introduction By Dr. Neil Bru University of Salfor

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A presentation on the importance of soundscape in Urban Design and Architecture, using film sound design as a starting point

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Page 1: Sensory architecture : Soundscape

Soundscape : an introduction By Dr. Neil BruceUniversity of Salford

Page 2: Sensory architecture : Soundscape

“Sound is 50 per cent of the motion picture experience.”- George Lucas

Page 3: Sensory architecture : Soundscape

Introduction

• Who am I?

• Importance of sound and it’s role

• Evaluation of sound and soundscape

• Thoughts about urban design• Real world experiences• What is your roll?

• Methodologies

• Parting thoughts

• Questions

Page 4: Sensory architecture : Soundscape

About me

• Film Composer

• Sound Designer

• Researcher on Positive Soundscapes Project

- To acknowledge the relevance of positive soundscapes, to move away from a focus on negative noise and to identify a means whereby the concept of positive soundscapes can effectively be incorporated into planning; and

- The evaluation of the relationship between the acoustic/auditory environment and the responses and behavioural characteristics of people living within it.

• PhD “The effects of expectation on the perception of soundscapes”

Page 5: Sensory architecture : Soundscape

Remember

“You can watch a film/program with a bad picture, but you can’t watch a film with bad sound!”

Page 6: Sensory architecture : Soundscape

Does this apply to architecture and design?

Page 7: Sensory architecture : Soundscape

The Sound Track

• Though we might think of film as an essentially visual experience, we really cannot afford to underestimate the importance of film sound.

• The entire sound track is comprised of three essential ingredients: 

• the human voice (Dialogue)• sound effects (Ambience and Effects - A & E)• music (Soundtrack, Score)

• These three tracks must be mixed and balanced so as to produce the necessary emphases which in turn create desired effects.

• These comprise to form the SOUNDSCAPE

• They are analogous to elements in the real world

Page 8: Sensory architecture : Soundscape

The Role of Film Sound

• Narrative role   • Direct Narrative role  

  • Subliminal Narrative role     

  • The emotional sound equation  • Grammatical role 

• In Design?

Page 9: Sensory architecture : Soundscape

Perception factors• Perception of a space is based on a number of factors

• Expectation- Acoustic- Behavioural

• Place Norms- Context- Control- Sound at source- One’s self with in space- Ability to tell others to fit norm

• Safety

• All lead to increasing negative perception

Page 10: Sensory architecture : Soundscape

Considerations

•Health

•Social Issues

•Enhancing a space

•Special Effect

•Masking

Page 11: Sensory architecture : Soundscape

Methodology

Page 12: Sensory architecture : Soundscape

Soundwalking

Page 13: Sensory architecture : Soundscape

Parting Thoughts….

Page 14: Sensory architecture : Soundscape

Links and references

• Soundscapes- R.Murray Schafer- Danielle Dubois- Jain Kang- Bottledooren

• Sound- Sound Design by David Sonnenschein- Practical Art of Motion Picture Sound by David Lewis Yewdall