mke rep - next to normal

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Song Man Dance Man Created & Performed by Jon Peterson Directed by Brent Hazelton Now – January 8, 2012 Stackner Cabaret A Christmas Carol By Charles Dickens Adapted by Joseph Hanreddy & Edward Morgan Directed by Joseph Hanreddy December 2 – 24, 2011 Pabst Theater Next to Normal Book and Lyrics by Brian Yorkey Music by Tom Kitt Directed by Mark Clements December 6, 2011 – January 15, 2012 Quadracci Powerhouse Rep Lab Short–Play Festival January 12 – 17, 2012 Stiemke Studio The Complete Works of William Shakespeare (abridged) By Adam Long, Daniel Singer & Jess Winfield Directed by Sean Graney January 13 – March 11, 2012 Stackner Cabaret To Kill a Mockingbird By Harper Lee Adapted by Christopher Sergel Directed by Aaron Posner January 31 – March 4, 2012 Quadracci Powerhouse In the Next Room or the vibrator play By Sarah Ruhl Directed by Laura Gordon March 7 – April 22, 2012 Stiemke Studio Always . . . Patsy Cline Written and originally directed by Ted Swindley – based on a true story Directed by Sandy Ernst March 16 – May 6, 2012 Stackner Cabaret Othello By William Shakespeare Directed by Mark Clements April 3 – May 6, 2012 Quadracci Powerhouse Milwaukee Repertory Theater 2011/12 Season We’ve Got A Ticket Package To Fit Your Lifestyle! www.MilwaukeeRep.com • 414-224-9490 Season tickets start as low as $60! Save up to 20% off single ticket prices, receive discounts on additional tickets and special savings at the area’s best restaurants! Stiemke Studio. Photo by Michael Brosilow

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We’ve Got A Ticket Package To Fit Your Lifestyle! Next to Normal Book and Lyrics by Brian Yorkey Music by Tom Kitt Directed by Mark Clements December 6, 2011 – January 15, 2012 Quadracci Powerhouse A Christmas Carol By Charles Dickens Adapted by Joseph Hanreddy & Edward Morgan Directed by Joseph Hanreddy December 2 – 24, 2011 Pabst Theater Song Man Dance Man Created & Performed by Jon Peterson Directed by Brent Hazelton Now – January 8, 2012 Stackner Cabaret LORT League of resident theatres

TRANSCRIPT

Page 1: MKE Rep - Next To Normal

Song Man Dance ManCreated & Performed by Jon PetersonDirected by Brent HazeltonNow – January 8, 2012Stackner Cabaret

A Christmas CarolBy Charles DickensAdapted by Joseph Hanreddy & Edward MorganDirected by Joseph HanreddyDecember 2 – 24, 2011Pabst Theater

Next to NormalBook and Lyrics by Brian YorkeyMusic by Tom KittDirected by Mark ClementsDecember 6, 2011 – January 15, 2012Quadracci Powerhouse

Rep LabShort–Play FestivalJanuary 12 – 17, 2012Stiemke Studio

The Complete Works of William Shakespeare (abridged)By Adam Long, Daniel Singer& Jess WinfieldDirected by Sean GraneyJanuary 13 – March 11, 2012Stackner Cabaret

To Kill a MockingbirdBy Harper LeeAdapted by Christopher SergelDirected by Aaron PosnerJanuary 31 – March 4, 2012Quadracci Powerhouse

In the Next Room or the vibrator playBy Sarah RuhlDirected by Laura GordonMarch 7 – April 22, 2012Stiemke Studio

Always . . . Patsy ClineWritten and originally directed by Ted Swindley – based on a true storyDirected by Sandy ErnstMarch 16 – May 6, 2012Stackner Cabaret

OthelloBy William ShakespeareDirected by Mark ClementsApril 3 – May 6, 2012Quadracci Powerhouse

Milwaukee Repertory Theater 2011/12 SeasonWe’ve Got A Ticket Package To Fit Your Lifestyle!

www.MilwaukeeRep.com • 414-224-9490

Season tickets start as low as $60! Save up to 20% o� single

ticket prices, receive discounts on

additional tickets and special savings

at the area’s best restaurants!

Stiemke Studio. Photo by Michael Brosilow.

Page 2: MKE Rep - Next To Normal

LORTLeague of resident theatres

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2Next To Normal –

Patty and Jay Baker Theater Complex Quadracci Powerhouse

Mark Clements Dawn Helsing WoltersArtistic Director Managing Director

Book & Lyrics by Brian Yorkey

Music by Tom Kitt

Directed by Mark ClementsMusical Director Dan Kazemi

Additional Musical Staging Michael Pink

Scenic Designer Todd Edward Ivins Costume Designer Alex Tecoma Lighting Designer Jeff Nellis Sound Designer Nick Kourtides New York Casting Director Stephanie Klapper Stage Manager Laura F. Wendt* Assistant Stage Manager Rebecca Lindsey* Assistant Director Joshua Baggett

Production Manager Melissa Nyari Vartanian Lighting & Sound Director Craig Gottschalk Technical Director Tyler Smith Properties Director James Guy Charge Scenic Artist Jim Medved Costume Director Holly Payne

Next to Normal is presented through special arrangement with Music Theater International (MTI). All authorized performance materials are also supplied by MTI.

421 West 54th Street, New York, NY 10019 | Phone: 212-541-4684/Fax: 212-397-4684www.MTIShows.com

Original Broadway Production Produced by David Stone, James L. Nederlander, Barbara Whittman, Patrick Catullo and Second Stage Theatre.

New York Premiere Produced by Second Stage Theatre, New York, February 2008.Carole Rothman, Artistic Director/Ellen Richard, Executive Director

Next to Normal was subsequently produced by Arena Stage in November 2008.

Developed at Village Theatre, Issaquah, WA (Robb Hunt, Executive Producer; Steve Tomkins, Artistic Director). An earlier version was presented in the 2005 New York Musical Theatre Festival. Support for

the development of Next to Normal was provided by the Jonathan Larson Foundation.

*Member of Actors’ Equity Association, The Union of Professional Actors and Stage Managers in the United States.

Sponsored in part by:

Rogers Memorial HospitalProudly Presents The Rep’s Production of

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C A S T L I S T ( i n o r d e r o f a p p e a r a n c e)

Gabe Goodman ...............................................................................Tim Young*Diana Goodman ...................................................................Sarah Litzsinger*Natalie Goodman ..................................................................Laurie Veldheer*Dan Goodman ....................................................................... Kevin Vortmann*Henry .........................................................................................Danny Henning*Doctor Fine/Doctor Madden ..................................................Jarrod Emick*

ENSEMBLECody Craven (Henry & Gabe U/S), John Mark Jernigan

(Dan & Doctor Fine/Madden U/S), Elizabeth Telford (Natalie U/S), Jenna K. Vik (Diana U/S)

MUSICIANSConductor/Pianist – Timothy Splain

Percussion – Patrick MorrowGuitar – Bob MonagleBass – Ethan BenderCello – Scott Cook

Violin – Pamela Simmons

*Member of Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States.

There will be one intermission for this production.

New this year! Located in the Quadracci Powerhouse next to the Lobby Bar is The Rep’s Gift Shop! Open before or after all Quadracci Powerhouse performances. Stop by to pick up exclusive items including theater merchandise, Rep products, parking passes and Rep Gift Certificates.

T h e a t e r P r o d u c t s

& R E P M e r c h a n d i s e

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4Next To Normal –

N E X T T O N O R M A L M U S IC A L N U M B E R S

Act I

1. Prelude – Orchestra2. Just Another Day – Diana, Natalie, Gabe, Dan, Company3. Everything Else – Natalie4. Who’s Crazy/“My Psychopharmacologist and I” – Dan, Diana, Company5. Perfect for You – Henry, Natalie6. I Miss the Mountains – Diana7. It’s Gonna Be Good – Dan, Company8. He’s Not Here – Dan9. You Don’t Know – Diana10. I Am the One – Dan, Gabe, Diana11. Superboy and the Invisible Girl – Natalie, Diana, Gabe12. I’m Alive – Gabe13. Make Up Your Mind/Catch Me I’m Falling – Doctor Madden,

Company14. I Dreamed a Dance – Diana, Gabe15. There’s a World – Gabe16. I’ve Been – Dan17. Didn’t I See This Movie? – Diana18. A Light in the Dark – Dan, Diana

Act II

19. Entr’acte – Orchestra20. Wish I Were Here – Diana, Natalie, Company21. Song of Forgetting – Dan, Diana, Natalie22. Hey #1 – Henry, Natalie23. Seconds and Years – Doctor Madden, Dan, Diana24. Better Than Before – Doctor Madden, Dan, Natalie, Diana25. Aftershocks – Gabe26. Hey #2 – Henry, Natalie27. You Don’t Know (Reprise) – Diana, Doctor Madden28. How Could I Ever Forget? – Diana, Dan29. It’s Gonna Be Good (Reprise) – Dan, Diana30. Why Stay?/A Promise – Diana, Natalie, Dan, Henry31. I’m Alive (Reprise) – Gabe32. The Break – Diana33. Make Up Your Mind/Catch Me I’m Falling (Reprise) – Doctor

Madden, Diana, Gabe34. Maybe (Next to Normal) – Diana, Natalie35. Hey #3/Perfect for You (Reprise) – Henry, Natalie36. So Anyway – Diana37. I Am the One (Reprise) – Dan, Gabe38. Finale: Light – Company

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Catching a show? Enjoy an electric dinner

prepared lightning fast at Kil@wat, located

across the street from the Marcus Center for

the Performing Arts and conveniently close

to The Pabst Theater and Milwaukee

Repertory Theater.

A sit-down dinner with time left to find

your seats? Now that’s an opening act.

In and Out Without a Doubt at Kil@wat

THE SHOW MUST GO ON. TIME.

kilawatcuisine.com | 414.291.4793 | intercontinental milwaukee

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6Next To Normal –

Catching a show? Enjoy an electric dinner

prepared lightning fast at Kil@wat, located

across the street from the Marcus Center for

the Performing Arts and conveniently close

to The Pabst Theater and Milwaukee

Repertory Theater.

A sit-down dinner with time left to find

your seats? Now that’s an opening act.

In and Out Without a Doubt at Kil@wat

THE SHOW MUST GO ON. TIME.

kilawatcuisine.com | 414.291.4793 | intercontinental milwaukee

DI R E C T O R ’ S N O T E S

When creating a piece of theater, one sees revealed through the deep examination and close scrutiny of the rehearsal process that the script at hand (which on first blush appeared immaculate), contains holes, flaws and leaps of logic. This often requires patching by the individual inspiration of the actors and creative team (as well as the willingness of the audience to “go with it”); a situation which comes with the territory of

our beautifully imperfect art form.

Not so with Next to Normal. I had an absolutely celebratory experience last winter as an audience member of the Broadway production, which had us leaping to our feet and applauding even before the curtain call. Through our rehearsal process, I’ve developed an even greater appreciation for the marvelous craft with which this play is constructed – lean dialogue, smart lyrics and a pulsating rock score that together offer a near-perfect combination of incredibly theatrical entertainment and an important message.

It’s a difficult equation to get right, and the creators absolutely nailed it – there’s nothing extraneous here, no moment outstays its welcome, and the book and score work brilliantly in partnership to advance the narrative. And what a narrative it is! Deceptively simple, Next To Normal is a modern American story about a family that appears solid, stable and confident on the surface. But upon closer examination, it’s revealed to be a flawed, fallible, beautifully- imperfect creation bound together with love, on the verge of fracturing beyond repair, under the influence of a sadly all-too-universal concern: mental illness, the stigma surrounding it for the afflicted, and the impact on the lives of the loved ones who share that burden. According to the National Alliance of Mental Illness, one in four American adults experience a mental health disorder in any given year.

My deep desire as you participate in our production of Next to Normal is that you’re as moved as I was in New York and as we all have been while working on this beautiful, vital piece of theater – but also that you’re educated at the same time; that you’re uplifted from the experience and compelled to have a further conversation, or to get involved, to seek help yourself, or to offer help to someone you know. But, above all, it is my fervent desire that afflicted individuals realize that help is available – and therefore that there is hope and “light.”

Mark ClementsArtistic Director/Director

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M E S S AG E F ROM T H E A R T I S T IC DI R E C T O R

Underneath the powerful songs of Next to Normal is a frighteningly real story of mental illness that is at once daunting and hopeful. We know that many families grapple with the same illness that the fictitious family of this play does. As difficult as it can be to talk about these issues, I am delighted that with this production, The Rep, along with the help of a variety of partners, will offer our audiences and the community at large many opportunities to further engage in the play and the issues it raises.

We couldn’t be more pleased that Next to Normal is sponsored by Rogers Memorial Hospital, Wisconsin’s largest not-for-profit behavioral health hospital. They have served as an important resource for our cast in their preparation for the production. Rogers Memorial is also providing doctors for our post-show talkbacks on: Tuesday, December 13 (Dr. Peter M. Lake); Tuesday, December 20

(Dr. Jerry Halverson); Tuesday, December 27 (Dr. Kambiz Pahlavan) and Tuesday, January 3 (Dr. Bradley Smith). We encourage you to take part in these special talkbacks to engage in a deeper conversation about the play.

The Charles E. Kubly Foundation helps individuals affected by depression by increasing public awareness of the disease, eliminating the stigma associated with it, supporting suicide prevention and promoting improved access to quality mental health resources. They have helped to create a Takeaway Resource piece available in the theater lobby as well as coordinated the lobby Resource Table. Please make a point to stop by the Resource Table at intermission or after the show to learn more. If you’ve noticed the magnificent art exhibit throughout the Quadracci Powerhouse lobby, the Grand Avenue Club, our lead community partner, has loaned us this for the run of Next to Normal. The Grand Avenue Club offers adults who experience mental illness an array of opportunities throughout the year. Program participants are members of a community with a place to come, have meaningful work and relationships. They have also served as a strong advisory group to The Rep for this production.

We have ten additional Community Participants: Aurora Behavioral Health Services, Behavioral Health – Division of Milwaukee County, Columbia – St. Mary’s, Wheaton Franciscan Healthcare, Mental Health America, National Alliance on Mental Illness, Jewish Family Services, Lutheran Social Service, Catholic Social Services and the Balanced Mind Foundation, who are also working with us to explore the issues raised by Next to Normal.

With this production, as with many of our upcoming productions, The Rep is committed to further our community engagement initiatives not only with the work that you will see on our stages, but in expanding the conversation with the issues and ideas that our creative work explores. We invite you to participate in the larger discussion!

Mark ClementsArtistic Director

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Families in Wisconsin don’t have to look far for help.

Rogers Memorial Hospital is proud to be part of a community that values high-quality treatment and recovery from mental illness.

In the past year, more than 8,000 people from Wisconsin and from across the country turned to Rogers to find a new beginning.

800-767-4411 rogershospital.orgOconomowoc Milwaukee Madison Kenosha Brown Deer

Treating children, teens and adults with anxiety disorders, mood disorders, eating disorders and substance-use disorders.

MEMORIAL HOSPITAL

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C A S T B IO G R A P H I E S

Jarrod Emick, Dr. Fine/Dr. Madden

Jarrod Emick won the Tony, Drama Desk and Theatre World Award for his

portrayal of slugger Joe Hardy in the Broadway Revival of Damn Yankees. Also on Broadway: Himself, Ring of Fire; Greg, The Boy From Oz (opposite Hugh Jackman); Brad, The Rocky Horror Show-Live; Chris, Miss Saigon, as well as opening the first National Tour in Chicago. Jarrod played Enjolras in the third National Tour of Les Miserables and opened London’s West End premiere of The Full Monty, as Jerry. Most recently he was seen as Will Braverman in Center Theatre Group’s world premiere of Leap

of Faith with Raul Esparza and Brooke Shields and music by Alan Menken-Ahmanson Theatre. Other regional credits include: Michael Wiley in Contact; F. Scott Fitzgerald in the world premiere of Zelda directed by Vincent Marini; the title role in Hank Williams: Lost Highway; Jimmy in the premiere of Gods of Autumn for Hot Summer Nights at the Kennedy Theatre and Zach in the premiere of Alive & Well for The Virginia Stage Company. Television credits include: Josiah Day in the TNT mini-series Andersonville, directed by John Frankenheimer; LA Firefighters (FOX); Pacific Palisades (FOX) and It’s True! (CBS).

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10Next To Normal –

C A S T B IO G R A P H I E S

Danny Henning, Henry

This is Danny’s second season with Milwaukee Repertory Theater, having

been seen last year as Victor in Cabaret. Other credits include four seasons with Great Lakes Theater: Cabaret (Bobby); The Taming of the Shrew (Biondello); Drood (Deputy); Twelfth Night (Valentine) and three seasons of A Christmas Carol. Two seasons with Idaho Shakespeare Festival: Cabaret (Bobby); The Taming of the Shrew (Biondello); Drood (Deputy); Twelfth Night (Valentine) and The Comedy of Errors (Ensemble). Other various credits include: Chess (Freddie) at Playhouse Square; The Producers (Leo Bloom); West Side Story (Tony); All Shook Up (Dean Hyde) at Timber Lake Playhouse and 110 in the Shade (Jimmie Curry) at Kalliope Stage. He is a graduate of Baldwin Wallace College Conservatory of Music in Music Theatre. Love and respect to Mark, Sandy and Stephanie, Mom and Dad, MSKN, Kyle and Nick.

Sarah Litzsinger, Diana Goodman

Sarah Litzsinger holds the distinction of being Broadway’s longest running

Belle in Disney’s Beauty and the Beast. She was also seen on Broadway in: Marilyn, an American Fable (Broadway debut); Oliver! The Revival (Bet) starring Ron Moody and Patti Lupone; Les Miserables (Eponine/Cosette) and originated the role of Madeleine in Michel LeGrand’s Amour. Sarah also played Eva Peron in the 25th anniversary tour of Evita, directed by Hal Prince and Larry Fuller and played The Narrator opposite Donny Osmond in Joseph and the Amazing Technicolor Dreamcoat.

Some of her other credits include: A Year with Frog and Toad (Bird/Mouse) at Minneapolis Children’s Theatre Company and Tick, Tick . . . Boom! (Susan), Falsettos (Cordelia) and The Last Five Years (Cathy), all at George Street Playhouse. Sarah also won the 2007 Breakout Award at the HBO Aspen Comedy Festival for her duo comedy act and performed at the TBS Comedy Festival at Caesar’s Palace in Las Vegas in 2008.

Laurie Veldheer, Natalie Goodman

Laurie Veldheer is beyond excited to be a part of this incredible show! Originally

from Grand Rapids, MI, Laurie now resides in New York City. Her past credits include: Disney’s Newsies! (Hannah) and Hairspray (Brenda) at the Paper Mill Playhouse, Hairspray National Tour (Brenda) and My One and Only (Swing) at the Goodspeed Opera House. Laurie is a proud member of AEA and a graduate of Penn State University with a BFA in Musical Theatre. Endless love, gratitude and thanks to God my Father, my AMAZING family and friends and The Mine. Laurie feels so blessed for this opportunity! Romans 8:37-39.

Kevin Vortmann, Dan Goodman

Kevin Vortmann appeared on Broadway in the Tony-nominated revival of A

Little Night Music and was a standby for the title role in the Roundabout Theatre Company’s Off-Broadway production of Death Takes a Holiday. Other New York appearances include: Face the Music (Uncle Sam – Cast Recording), Juno (IRA Man), Stairway to Paradise (Soldier Soloist); On the Town, Lost in the

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C A S T B IO G R A P H I E S

Stars and Applause with New York City Center’s Encores! Series; Carnegie Hall: Bernstein’s Mass (Soloist, also The Kennedy Center and Baltimore Symphony, cast recording on Naxos – Grammy Nomination), Showboat and Mother Russia. National Tour: Camelot (starring Robert Goulet). Regional credits: Cape Playhouse, Arvada Center, North Shore Musical Theatre, Chautauqua Opera, Sacramento Music Circus, Marriott Lincolnshire Theatre, Drury Lane Oakbrook Terrace, Theatre at the Center, Drury Lane Evergreen Park, Blumenthal PAC, Westchester Broadway Theatre, Alpine Theatre Project and Stages St. Louis. Kevin is a proud alumnus of Northwestern University. Love to friends, family and Amanda. For more information, please visit www.kevinvortmann.com.

Tim Young, Gabe Goodman

Tim Young is thrilled to make his Milwaukee debut with The Rep’s production

of Next To Normal, which was also his Broadway debut as an original cast member. He is also a proud member of The Broadway Boys, touring the U.S. through 2012 (BwayBoys.com). He would like to thank Mark Clements and the whole creative and production team for an outstanding journey through this most unusual and rewarding show. Love to Mom, Dad, Bri, Cristi and Bob.

Brian Yorkey, Playwright

Brian received the 2010 Pulitzer Prize for Drama, as well as the 2009 Tony Award for Best Score, for Next to Normal. Brian was also nominated for the Tony Award for Best Book of a Musical for Next to Normal, and his work on the show earned him the Outer Critics Circle Award for Best Score. Theater credits include

Making Tracks, which has played Off-Broadway and regionally, the musical adaptation of Ang Lee’s The Wedding Banquet and the country musical Play It By Heart. Film and TV projects in development include the features Time After Time for Universal, Love Undercover for Pandemonium Films and Overture, Fashion Show for Parkes/MacDonald and Paramount and Chase for Anonymous Content and Rosenzweig Films. He has directed Off-Broadway and regionally, and for seven years was Associate Artistic Director at Village Theatre in Washington state, one of the nation’s leading producers of new musicals. He is a graduate of Columbia University, where he was Artistic Director of the Varsity Show, an alumnus of the BMI/Lehman Engel Musical Theatre Workshop and a proud member of the Dramatists Guild and the WGA.

Tom Kitts, Music

Tom received the 2010 Pulitzer Prize for Drama, as well as two Tony Awards for Best Score and Best Orchestrations (with Michael Starobin), for Next to Normal. His music for Next to Normal also received the 2009 Frederick Loewe Award for Dramatic Composition and an Outer Critics Circle Award for Best New Score. Tom is responsible for the music supervision, arrangements and orchestrations for Green Day’s American Idiot on Broadway, and was also the string arranger on their most recent album, 21st Century Breakdown. Tom is also the composer of High Fidelity (Broadway), From Up Here (MTC) and The Retributionists (Playwrights Horizons). As a musical director, conductor, arranger and orchestrator for Broadway, Off-Broadway and beyond, credits include 13, Debbie Does Dallas, Everyday Rapture, Hair, Laugh Whore and Urban Cowboy. He is the proud leader of the Tom Kitt Band (www.tomkittband.com) whose songs have been featured in film and TV.

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12Next To Normal –

B IO G R A P H I E S

Mark Clements, Director

Mark Clements began his tenure as The Rep’s Artistic Director with the 2010/11

season. He is an award-winning international theater director whose work has appeared in over 100 major theaters throughout Europe and the United States. Recent productions include: Death of a Salesman, Bombshells and Cabaret at The Rep; Oliver!, Born Yesterday, Great Expectations and Les Miserables (2008 Barrymore Award – Best Production of a Musical) and Of Mice and Men (2007 Barrymore Award – Best Director and Best Production of a Play), all for Walnut Street Theatre, Philadelphia; The Milliner (Off-Broadway, World Premiere), CSC, New York; My Fair Lady, Copenhagen; The Browning Version (Barclays/TMA Regional Theatre Award) at Derby Playhouse and Blunt Speaking (World Premiere), Chichester Festival Theatre U.K. and Lucille Lortel Theatre, New York both starring Corin Redgrave. Other productions include: Speaking in Tongues (U.S. Premiere) with Kevin Anderson and Karen Allen (SDC’s Joe Calloway Award, Best Director Nomination), Roundabout Theatre Company; Speaking in Tongues (European Premiere; Barclays/TMA Best Director Nomination), Hampstead Theatre, London; Creator/Director – Soul Train (Laurence Olivier Award Nomination), West End and three U.K. national tours; and the U.K. national tours of The Glass Menagerie, The Gingerbread Lady and Love & Marriage, all for Bath Theatre Royal productions. Mark served as an Associate Artistic Director for Moving Theatre Company, the production company founded by Vanessa and Corin Redgrave. He has also been Associate Director for New End Theatre and New Players Theatre,

both in London, Royal Theatre in Northampton and Torch Theatre in Wales. Additionally, Mark served as Artistic Director of the award-winning Derby Playhouse in the U.K. from 1992 to 2002, where he produced over 100 productions, directed 47, including nine transfers to London’s West End and many U.K. national tours and international collaborations with leading companies in Europe and the U.S. He serves on the National Advisory Board for the Lunt-Fontanne Fellowship Program at Ten Chimneys.

Dan Kazemi, Musical Director

Dan Kazemi is a Philadelphia-based composer, actor, music director and educator, and was Musical Director for The Rep’s production of Cabaret last season. He graduated from Haverford College with a B.A. in Music Composition and a Theater minor. In Philadelphia, Dan musically directed Tick, Tick . . . Boom!, Austentations, the PhillyRocks! concerts, The World Goes Round (Barrymore nomination), Reefer Madness, Little Shop of Horrors, Rooms and The Great American Trailer Park Musical for 11th Hour Theatre Company. He also garnered a Helen Hayes Nomination for his work on the D.C. premiere of The Musical of Musicals: The Musical, a Barrymore Nomination for The Flea and the Professor (Arden Theatre Company), and received a Barrymore Award for 11th Hour’s Avenue X. At the Walnut Street Theatre, Dan musically directed, arranged and performed in The Irish and How They Got That Way (Two Barrymore Nominations). Dan’s music has been performed at the Cirque de Demain in Paris, at the A.W.A.R.D. Show Philadelphia, and in 213 Productions collaborations, Untitled Project #213 and Your Attention Please! Dan is also the composer of a new musical, The Tapioca Miracle (thetapiocamiracle.com).

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B IO G R A P H I E S

Michael Pink, Additional Musical Staging

Michael Pink is an international choreographer and teacher,

and has been Artistic Director of the Milwaukee Ballet since December 2002. During that time, he has established himself as a prominent member of the Milwaukee arts community. His dramatic productions of Romeo & Juliet, The Nutcracker, Swan Lake, Dracula, Don Quixote, Giselle 1943, The Sleeping Beauty, Esmeralda, Cinderella and Peter Pan have been hailed as: “Classical ballet for the 21st century.” His other credits include choreography for stage, screen and television. He was nominated for a West End Theatre Award in 1980. His work is currently in the repertoire of the Royal New Zealand, Boston, Colorado, Atlanta and Norwegian National ballet companies. He trained with the Royal Ballet, dancing with English National Ballet from 1975 to1985. He worked alongside Christopher Gable as Associate Artistic Director of the Northern Ballet Theatre and was a founding director of Ballet Central in London from 1986 to 1998. Rudolf Nureyev invited him to work at the Paris Opera and La Scala Milan. Michael is delighted to be part of Mark Clements’ creative team once again.

Todd Edward Ivins, Scenic Designer

Todd Ivins tells stories through design. He is happy to return to Milwaukee Rep where he last designed scenery and costumes for Cabaret. Regional theater favorites include: Les Miserables (Walnut Street Theatre), Into the Woods (5th Avenue Theatre), Bright Lights, Big City (Prince Music Theatre), Camelot (Engeman Theatre), The Happy Time (Signature Theatre), Of Mice and

Men, Godspell, Ain’t Misbehavin’, Oliver, Rent, Born Yesterday, Man of La Mancha, Hair, Tiny Dancer, Thing About Men, Present Laughter, Dreamgirls and The Lake. Off-Broadway favorites include: The Milliner, Fathers & Sons, Time of Your Life, Our God’s Brother, The Jeweler’s Shop, Linnea, House of Desires, Salvage Shop, The Last Starfighter: The Musical, A Majority of One, Squatters and Deathclaw 7. Todd designs scenery, projections and costumes, and his work spans opera, plays, musicals, corporate events and newsrooms, ranging from intimate events to arenas. Love and gratitude to my wife and muse, Abigail Trueblood. Todd’s online portfolio can be seen at www.ivinsart.com.

Alex Tecoma, Costume Designer

Alex has been a Draper in The Rep’s Costume Shop for the past 15 seasons. He was Rep Company Member of the Year for the 2004/05 season. Past designs for The Rep include: Nobody Lonesome for Me, Liberace!, Route 66, The Lady With All the Answers, Greater Tuna, The Norman Conquests, The Glass Menagerie, Why Do Fools Fall in Love?, Polish Diva from Milwaukee, The Andrews Brothers, The Marvelous Wonderettes, Lana Mae’s Honky Tonk Laundry, Fully Committed and Shear Madness. Other design credits include: Barrymore with Lee Ernst, Memory House, Skin Tight, Syncopation, A Phoenix Too Frequent (Renaissance Theaterworks), The Tempest (Optimist Theatre) and Harley Davidson’s 100th Anniversary Tour. Other professional credits: Great Lakes Theater Festival, American Players Theatre, Colorado Shakespeare Festival and Santa Fe Opera. Alex received his MFA in Costume Design from University of Illinois.

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14Next To Normal –

B IO G R A P H I E S

Jeff Nellis, Lighting Designer

Milwaukee Rep designs include last season’s Cabaret, Bombshells and Death of a Salesman. Other designs include Broadway’s Prymate, Off-Broadway’s Tryst (New York Outer Critics Circle Award nomination), The Milliner, Zanna Don’t!, From Door to Door, The Daughter-In-Law, One Shot One Kill, Our Sinatra, Cobb, The Fifth Column, Coyote on a Fence, Men on the Verge of a Hispanic Breakdown, The It Girl and others. He has worked around the country at theaters including Center Stage Theatre, Alley Theatre, Actors Theatre of Louisville, Bay Street Theatre, Walnut Street Theatre, Hartford Stage Company, Williamstown Theatre Festival, Westport Country Playhouse, Repertory Theatre of St. Louis, North Shore Music Theatre, Los Angeles Opera, Trinity Repertory Company, George Street Playhouse, Florida Stage, Arkansas Repertory Theatre and others.

Nick Kourtides, Sound Designer

Nick Kourtides designs for musical theater and creates sound environments for collaborative ensemble works. He is thrilled to return to The Rep after last season’s production of Cabaret. New York: Carson McCullers Talks About Love (Rattlestick); Jomama Jones * RADIATE (Soho Rep) and Chekhov Lizardbrain (Under The Radar and Soho Think Tank). International: Chekhov Lizardbrain (Konfrontacje Teatralne Festival, Poland); Flesh and Blood & Fish and Fowl (Paris Quartier d’Ete, London Barbican, Edinburgh Festival) and Jekyll & Hyde in Concert (National and Korea Tour). Regional: Folger Theatre, Milwaukee Rep, La Jolla Playhouse, Flat Rock Playhouse, Philadelphia Theatre Company, Walnut Street Theatre, Prince Music Theater, 1812 Productions, Azuka Theatre, Arden Theatre, Villanova University, Swarthmore

College and many others. Nick has collaborated on original ensemble works with the Obie Award-winning Pig Iron Theatre Company: Cankerblossom, Isabella, Chekhov Lizardbrain, Mission to Mercury, and Rainpan 43: Elephant Room, Flesh and Blood & Fish and Fowl. Nick was the visiting instructor in Sound Design at Swarthmore College in 2010 and was awarded Philadelphia’s Barrymore Award in 2006 for his work with Pig Iron Theatre Company on Mission to Mercury. Upcoming: Elephant Room at Arena Stage in Washington and St. Ann’s Warehouse in New York. www.nickkourtides.com.

Stephanie Klapper, New York Casting Director

Klapper Casting’s work has been seen on Broadway, Off-Broadway, regionally, internationally, on television, internet and film. Selected recent Broadway and Off-Broadway credits include: Dividing the Estate (2009 Tony Nomination); Secrets of the Trade; In Transit; Happy Now?; The Late Christopher Bean; The Cocktail Party; Hamlet; Much Ado About Nothing; Richard III; An Oak Tree Ny/La (Artios Award Winner); Indoor Outdoor; The Subject Was Roses and Rosmersholm (The Pearl Theatre Company). She is the Resident Casting Director for Primary Stages, New York Classical Theatre, Capital Repertory Theatre, Kansas City Repertory Theatre, Delaware Theatre Company and more. NY Casting: The Cherry Sisters (Actors Theatre of Louisville); Eric Rosen and Matt Sax’s Venice (Kansas City Repertory Theatre/CTG); Moises Kaufman’s Into The Woods and Mary Zimmerman’s The Arabian Nights. She has worked at numerous regional theaters and on many independent feature films. She is a member of Casting Society of America and League of Professional Theatre Women.

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B IO G R A P H I E S

Dawn Helsing Wolters, Managing Director

Dawn Helsing Wolters joined Milwaukee

Repertory Theater as Managing Director in 2009. She currently serves as President of Milwaukee Arts Partners, the Bridge Committee for the Sharon Lynne Wilson Center for the Arts, the National Advisory Board for the Lunt-Fontanne Fellowship Program at Ten Chimneys and the Advisory Board for the Chicago-based Stillpoint Theater Collective. Dawn came to Milwaukee from Chicago, where she was Executive Director of Court Theatre from 2005 to 2009. While in Chicago, Dawn served on the board of The League of Chicago Theatres, chairing its Nominating Committee and consulting in leadership development, capacity building and fundraising. She also served on the Chicago 2016 Olympic Arts and Culture Advisory Group. As a founding board member of the Hyde Park Cultural Alliance, she helped lead the group’s transition to an independent not-for-profit organization, chairing its Governance Committee. Dawn served as Director of Development at Center Stage in Baltimore, and held marketing and public relations positions at Center Stage and Arena Stage in Washington, D.C. While completing her MFA in Theatre Management at Yale School of Drama, she was Associate Managing Director of Yale Repertory Theatre and Managing Director of the Summer Cabaret. Dawn has served in an advisory capacity for the National Endowment for the Arts, the Massachusetts Cultural Commission, and The University of Chicago’s Graham School of General Studies and for Goucher College’s graduate Arts Administration program and been a guest lecturer and panelist at colleges and universities.

Laura F. Wendt, Stage Manager

Laura is excited to spend her sixth season here at Milwaukee Repertory

Theater. She is a Wisconsin native and graduate from the University of Wisconsin-Whitewater. Other regional theater credits include: Riverside Theatre Shakespeare Festival, American Players Theatre and Nebraska Shakespearean Festival. Special thanks to Matt for everything. Thank you for being a part of our season. Enjoy!

Rebecca Lindsey, Assistant Stage Manager

Becca makes her return to Milwaukee Rep with this

project, having completed her apprenticeship here in 2007. Favorite past credits at The Rep include Half Life and The Nerd in the Stiemke Theater, A Christmas Carol in the Pabst Theater and Tour Managing both Guys on Ice and The Bachelors throughout Wisconsin. Becca is a stage manager at American Players Theatre, where recent favorites have been Of Mice and Men up the hill and the world premiere of The Gift of the Magi in the Touchstone. She has also stage managed Utah Shakespeare Festival’s educational tour for the past three winters.

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B IO G R A P H I E S

Hannah Brown, Stage Management Intern

Hannah Brown, a native of LaGrange, GA,

recently graduated from Shorter University with a BA in Theatre. She recently stage managed Curtains at Shorter along with: The Wedding Singer, Romeo and Juliet and The Trojan Women. She is extremely excited to be working at The Rep as a Stage Management Intern!

Joshua Baggett, Assistant Director

Artistic Intern Ensemble Member.

Joshua couldn’t be more thrilled to be working with the 2011/12 Artistic Intern Ensemble. He joins The Rep after just recently graduating with a Bachelor of Arts in Theatre Studies from the University of Central Florida. While at UCF, Josh co-founded Relevant Theatrics Theatre Company, a small theater project in Orlando where he worked as Artistic Director and Co-Producer. Selected directing credits include: Waiting for Godot; Tick, Tick . . . Boom (Relevant Theatrics); Corpus Christi (Orlando Fringe Festival); Auto Da Fe (Valencia State College) and Al Lit Her Asian (Playwright’s Round Table). Thanks to friends and family for their support. Visit www.joshuabaggett.com.

M U S IC I A N B IO G R A P H I E S

Timothy Splain, Conductor/Pianist

This will be Timothy Splain’s Milwaukee Rep debut. New York credits include: A Minister’s Wife (Lincoln Center Theater); Adding Machine (Minetta Lane Theatre); Jane Austen’s Pride and Prejudice (NYMF Festival) and Death Takes a Holiday (Roundabout Theatre). National Tour: Little House on the Prairie. Regional credits include: Little House on the Prairie (Paper Mill Playhouse); Altar Boyz (Drury Lane Water Tower); Hats! (Royal George Theatre); Threepenny Opera (Hypocrites); Wings (Apple Tree Theatre); Evita (Theo Ubique Cabaret Theatre); She Loves Me, A Minister’s Wife (Writers’ Theatre); Adding Machine (Next Theatre) and The Hundred Dresses (Chicago Children’s Theatre). Upcoming: Rent (ATC/About Face Theatre).

Ethan Bender, Bass

Ethan Bender has been a professional musician in the Midwest region for the past twenty years. Ethan is well known in the Milwaukee area for his stints with Streetlife, Christopher’s Project and Paul Cebar & The Milwaukeeans. Ethan has also performed with Clark Terry, James Williams, Rob McConnell, Red Skelton, Jeff Lorber and The Sax Pack. Currently Mr. Bender is an active, freelance musician in the Milwaukee and Chicago area. He also teaches in the Jazz Studies Program at Milwaukee Youth Symphony Orchestra, and is the bassist in the Donna Woodall Group. Ethan currently lives in Milwaukee with his wife, vocalist Donna Woodall Bender, and his two daughters, Celia and Rachel.

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M U S IC I A N B IO G R A P H I E S

Scott Cook, Cello

Scott Cook has had the opportunity to teach at various levels in an array of environments. At the collegiate level, Scott has held positions at UW-Milwaukee, Converse College, Carroll University, Alverno College and Limestone College. At the pre-college level, he has worked at The String Academy of Wisconsin at UWM, Converse College and the Greenville County Schools in South Carolina. Scott is the Artistic Director of the Swannanoa Chamber Music Festival Workshop and the director of the annual international teaching workshop, Teaching Cello to Children at the String Academy of Wisconsin. As a performer, he was the principal cellist of the Greenville (SC), Waukesha and Racine Symphonies. He was also a frequent recitalist appearing at the Swannanoa Music Festival, Chamber Music Milwaukee, Saint James and Wilson Center recital series as well as cellist with the AIMS Festival in Graz, Austria. Currently he is a member of the Skylight Opera Theatre orchestra. He has made numerous recordings with Brett Records and for Hal Leonard.

Bob Monagle, Guitar

Bob has been working as a guitarist in the Milwaukee area music scene for the past 30 years as both a leader and a sideman. He has been the guitarist for several national and regional theater productions including Rent, Hairspray, Jacques Brel, The Last Five Years, Little Shop of Horrors and several others. Bob is also co-owner of a local recording studio/post production business (Tanner-Monagle) where he maintains a busy career as a session guitarist playing on local and national television and radio commercials.

Patrick Morrow, Percussion/Keyboards

Patrick is glad to be back at The Rep after drumming for Cabaret last season. In addition to The Rep, Patrick has provided percussive accompaniment for many local theaters including the Fireside Theatre, First Stage Children’s

Theater and Milwaukee Chamber Theatre. Patrick spent a great deal of 2009 and 2010 touring the U.S. and Canada with Little House on the Prairie: The Musical starring television actress, Melissa Gilbert. Off stage, Patrick can be found jaunting around the globe with rock and roll combos including Eddie Clendening & The Blue Ribbon Boys, Kim Lenz & The Jaguars, Big Sandy & His Fly-Rite Boys and The Two Timin’ Four.

Pamela Simmons, Violin

Pamela is a Concertmaster for Skylight Opera Theatre and Associate Concertmaster of the Festival City Symphony. She performs regularly with the Milwaukee Ballet Orchestra and Milwaukee Chamber Orchestra, and served as Concertmaster of the Racine Symphony Orchestra, Associate Concertmaster of the Waukesha Symphony Orchestra, the Green Bay Symphony and in the violin section for the Des Moines Metro Opera Orchestra. Pamela has performed with several Broadway touring productions including Chicago, The Sound of Music and West Side Story, and with artists including Rosemary Clooney, Michael Feinstein, Peter Gabriel, Maureen McGovern, Frank Sinatra, Jr. and Mannheim Steamroller.

Understudies

Doctor Fine/Doctor Madden/Dan Goodman, John Mark Jernigan; Henry/Gabe Goodman, Cody Craven; Diana Goodman, Jenna K. Vik; Natalie Goodman, Elizabeth Telford

Special ThanksGrand Avenue Club for lending the magnificent art exhibit by Collen Shoop Kassner.

Hi-Tech Homes

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B OA R D O F T RU S T E E S

OFFICERS

PresidentJudy Hansen

Vice President, Audience Development

Joseph A. Rock

Vice President, TrusteesSusan Esslinger

Vice President, DevelopmentJames Braza

Vice President, PersonnelDwight L. Morgan

Vice President, Strategic Planning/Immediate Past-President

John Kordsmeier

Past PresidentRobert H. Manegold

SecretaryPete Hotz

TreasurerKathleen A. Gray

At LargeJane A. Chernof

TRUSTEES

Eliza AudleyJudy Berdan

Wendy BlumenthalRandy Bryant

Michelle CrockettNorman Dyer

Patrick GallagherConnie Gavin

John N. GreeneStephen IsaacsonKristine Lueders

Robert H. ManegoldMichael McNeely

Wally MoricsAbigail NashLisa Quezada

Catherine RobinsonMicky Sadoff

Joseph A. SchlidtTom ScrivnerMichael SmithPatrick SmithSean Torinus

Stephen VanderBloemenBob Welke

Karin WernerStacy Williams

Kristie Zahn

F R I E N D S O F T H E R E P

OFFICERS

PresidentJudy Berdan

Vice President of FundraisingCathy Jakicic

Vice President of External ServicesJim Gehrke

Vice President of Internal ServicesJim Mergener

SecretaryDan Roskom

TreasurerDiane Dalton

Immediate Past-PresidentLisa Gehrke

DIRECTORS AT LARGE

Eunice BeckendorfSusan Esslinger

Don FrakerAmy Gehrke

Connie KordsmeierSue McComb

Brittany RoskomCindy Wiktorek

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T H E R E P | PAT RO N S E R V IC E S

Contact Info

Ticket OfficePhone Number: 414-224-9490Fax Number: 414-225-5490Mailing Address: Milwaukee Repertory Theater Patty & Jay Baker Theater Complex 108 E. Wells Street; Milwaukee, WI 53202E-mail: [email protected]

Hours of Operation:Monday – Sunday Noon to 6 pmOn days with performances the Ticket Office will remain open until show time.

Administrative OfficePhone Number: 414-224-1761Fax Number: 414-224-9097Mailing Address: Milwaukee Repertory Theater Patty & Jay Baker Theater Complex 108 E. Wells Street; Milwaukee, WI 53202

Hours of Operation: Monday – Friday 8:30 am to 5:30 pm

Emergency Phone Number If you anticipate the need to be reached during a performance, leave your name and seat location with your contact information, along with instructions, to direct emergency phone calls to the House Manager at 414-290-5379 or 414-224-1761, ext. 379.

S E R V IC E S

Access

Deaf or Hard of Hearing Services: The Quadracci Powerhouse (QP) and the Stiemke Studio are equipped with an infrared listening system which ensures clarity of sound from any seat in the house. Performances are offered in American Sign Language for a Thursday evening of all QP productions and one Sunday matinee for all Stiemke Studio productions. We also offer a Captioned Theater performance during the last Sunday matinee performance of all QP productions. Please call The Rep Ticket Office at 414-224-9490 for more information. Script synopses are available upon request for QP and Stiemke Studio productions by calling 414-224-1761.

Blind or Low Vision Services: Large print programs are available in the Quadracci Powerhouse and Stiemke Studio from any usher. Every Rep production has one audio-described performance. Using an earpiece attached to a small hand-held receiver, patrons hear a live, real-time description of the action on stage. Call the Ticket Office for more information. A descriptive tape is available for each QP and Stiemke production by calling 414-224-1761.

Wheelchairs All Rep stages are fully accessible. Please contact the Ticket Office at 414-224-9490.

Late Arrivals Out of courtesy to the actors and audience, patrons arriving after the performance has started will be seated at the discretion of House Management.

ParkingMilwaukee Center offers onsite parking with indoor access to The Rep operated by InterPark. Enter from Kilbourn Avenue or Water Street.

Parking PassesYou may purchase parking passes to the Milwaukee Center’s garage for $7.00 in the Quadracci Powerhouse, Stiemke Studio, Stackner Cabaret theater lobbies and The Rep’s Ticket Office. during Rep performance times. SAVE TIME AND MONEY!

Policy on Children Children under age five are not admitted in the theater.

Recording Equipment and CamerasThe use of recording equipment and cameras in the theater is strictly forbidden.

Smoke-Free Sunday Matinee One Sunday matinee in the Quadracci Powerhouse and Stiemke Studio will eliminate onstage smoking if used for that production. Please refer to The Rep’s Patron Guide for performance dates or call the Ticket Office at 414-224-9490. (All onstage smoking is tobacco free and complies with Wisconsin state law.)

CaptionedTheaterCC

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Cellular Phones/Electronic Paging DevicesPlease remember to turn off your cell phones and electronic paging devices. In case of emergency, these items may be left with the House Manager. Also, as a

courtesy to your fellow theatergoers and the actors on stage, please refrain from text messaging during the performance. Thank you!

T H E R E P E X P E R I E N C E

Concessions Enjoy a drink or dessert in the Quadracci Powerhouse or Stiemke Studio lobby prior to the performance or at intermission. Please remember that food and drink (except bottled water) are not allowed in the theater.

Gift ShopLocated in the Quadracci Powerhouse is The Rep’s new Gift Shop, which offers show-specific merchandise and Rep logo products, as well as books and scripts of current and past productions. You can also purchase parking passes and Rep Gift Certificates.

Rep In Depth Get an insider’s look at the play from a member of the cast or artistic team with a discussion that begins 45 minutes prior to every performance in the Quadracci Powerhouse and Stiemke Studio.

Rep Talkbacks After select performances, engage in a deeper conversation with members of the cast, artistic team and occasional special guests. Get talkback schedules by calling the Ticket Office at 414-224-9490 or online at www.MilwaukeeRep.com.

T H E R E P ’ S S TAC K N E R C A B A R E T

Avoid a last minute rush and enjoy a delicious pre-show dinner at The Rep’s Stackner Cabaret. Offering an affordable full range of entrées, light fare, drinks and desserts from our kitchen, the Stackner Cabaret features a full-service bar and is open for cocktails, desserts and light bites after the show as well. Open to the public and patrons attending productions in any of our three venues. For dinner reservations, call 414-224-9490. To view the menu and other information, visit www.MilwaukeeRep.com

Mark your calendars for The Rep’s 2012 Gala

MAY 12, 2012and watch for details coming soon!

For current information visitwww.milwaukeerep.com

SAVE THE DATE!

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ARTISTIC DIRECTORMark Clements

ARTISTICAssociate Artistic Director .............. Sandy Ernst Associate Artistic Director .........Brent Hazelton Artistic Associate ...................Michael M. Kroeker

EDUCATIONEducation Director .......................Jenny KostrevaEducation Coordinator................Leda HoffmannEducation Assistant ..................... Neal EasterlingTeaching Artists ....... Tom Bruno, Marcy Kearns,

Cheryl Ann Lisowski, Shannon Sloan-Spice

Education Intern ................. Samantha MartinsonBig Read Project Coordinator ..........................................Laura WebbBig Read Project Intern .................Eric Scherrer

RESIDENT ACTING COMPANY

Jonathan Gillard Daly, Lee E. Ernst, Laura Gordon, Gerard Neugent,

James Pickering, Deborah Staples

ARTISTIC APPRENTICES/INTERNSActing Interns ............ N’tasha Charmel Anders,

Eva Balistrieri, F. Tyler Burnet,Cody Craven, Nathaniel French,

Melissa Graves, John Mark Jernigan, Joseph Kemper, Eric C. Lynch,

Elizabeth Telford, Jenna K. Vik, Charlie Wright

Acting Apprentice ......Alexander Pawlowski IVDirecting Interns .........................Joshua Baggett,

JC ClementzLiterary Intern ..................................... Adam Seidel

PRODUCTIONProduction Manager ....Melissa Nyari Vartanian Assistant Production Manager .......................................... Liza Tognazzini Production Purchaser .......................Peter KoenigAssistant Stagehand ........... Samantha Donnelly

CostumesCostume Director .................................Holly PayneCostume Shop Assistant .....................Amy HorstSenior Draper..................................Alex B. TecomaDraper ..................................................April McKinnisFirst Hand ..................... Rey Dobeck, Jef OuwensAssociate First Hand ..................... Jessica JaegerStitchers ..................... Jade Jablonski, Carol RossCrafts Artisan/Milliner .............. Kate McLaughlinShow Assistant/Shopper ........... Jenny ThurnauWig & Make-up Supervisor .. Lara Leigh DalbeyHead Wardrobe.............................. Jennifer VinentWardrobe/Stitcher ..................... Abbey Peterson,

Jaime SchnittkeInterns ..............Nicole Thompson, Jessi Veverka

Lighting & SoundLighting & Sound Director ......Craig GottschalkAssistant Sound Supervisor ................ Erin PaigeAssistant Lighting Design Intern.............................. Emily VanWinkleElectrics Interns ........Casey Miller, Drew Ogden

Props Properties Director ...............................James GuyAssistant Props Director/ Props Craft Artisan ..........................Anna WarrenProps Artisan ......................................... Sarah HeckSoft Props Artisan..............Margaret Hasek-GuyProps Carpenter/Artisan............... Erik LindquistProp Painter/Graphic Artist ........Jill Lynn Lyons

ScenicTechnical Director .................................Tyler SmithAssistant Technical Director .............Natalie BellCharge Scenic Artist .......................... Jim MedvedScenic Artists ....................... Susannah M. Barnes,

Shannon MannScenic Artist Intern ...................... Erin Wegleitner

Stage ManagementProduction Stage Manager .......Briana J. FaheyStage Managers .........Richelle Harrington Calin,

Sarah Deming-Henes, Sarah Hoffmann, Rebecca Lindsey, Kristy Matero,

Becky Merold, Mark S. Sahba, Laura F. Wendt

Stage Management Interns ...............Hannah Brown, Jason SimpsonStage ManagementApprentice ...........................................David Hartig

Resident Stagehands & CarpentersBill Burgardt, Glenn Dassow, Sam Garst, Rick Grilli, Dave Hicks, John Nusslock,

Robert Schultz, Jim Zinky

MANAGING DIRECTORDawn Helsing Wolters

ADMINISTRATIONGeneral Manager .................... Timothy O’ConnellCompany Manager ................... Dawn Marie RossAdministrative Assistant .............................Erin Burgess-Ellingen Receptionists ....................Andrea Roades-Bruss, Michael Evans, Nathaniel French, Grace Hern,

Katherine Ketter, Samantha Martinson, Maria Roades, Jenna Vik, Alicia Wahl

Intern ............................................................ Lisa Rowe

DEVELOPMENTDevelopment Director ...................Tamara HauckInstitutional Giving Manager ...................................................Nina JonesIndividual Giving Manager ............. Anne Cauley Events Manager .....................Rebecca KitelingerInterns ...... Sarah Kordsmeier, Dan Gorchynsky

FINANCEFinance Director ........................ Leslie FillinghamPayroll Specialist ....................................Gail GetkaFinance and Production Accountant ................Lisa SchiefferAccounting Assistant ....................... Marie Holtyn

T H E S TA F F

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HOUSEKEEPINGHousekeeping Supervisor .........Charles McClainHousekeeping Staff ...........................Regail Blade,

Kaye Johnyakin, Dennis Reed, Rosie L. Williams

MAINTENANCEChief Building Engineer ........... Mark A. UhrmanLead Engineer ...................................... James RossEngineer.....................................................Todd RossPart-time Engineer ........................Brittany Scites

MARKETINGMarketing Director ................................Lisa FultonMarketing Manager .........................Ryan Odorizzi Graphic Designer .......................... Megan GadientMarketing Interns .....................Erin McGarry, Kaitlin SchlickPhotographer..............................Michael BrosilowVideographer ..........................The Stage Channel

Public RelationsPublic Relations Director............Cindy E. MoranPR Interns ........... Doug Clemons, Jessica Wolfe

Gift ShopStaff .............................Lisa Rowe, Erin Wegleitner

House ManagementAssistant House Managers ........... Carynne Dati,

Dan Gorchynsky, Johnathan Koller, Andrew Peck

Ticket OfficePatron Relations Manager .....................................Christine YündemAssistant Ticket Office Manager.........................James ThibodeauTicket Office Staff ...............Beata Chrzanoswka,

Carla Crump, David Dziatkiewicz, Andrew Guyette, Alisha Hall, Caleen Kennedy, Jaime Lacy,

Lori Locke, Johnell Major-Wesley, Kelly Peterson, Katherine Sterner, Lindsey St. Arnold, Britt Wegner,

Theodore Woo

STACKNER CABARETManager ...............................................Kristen OlsenCabaret Staff ......................... Kathleen Borchardt,

Lara Leigh Dalbey, Terese Dick, Matthew Flannery, Caitlin Hagness,

Tanya Haynes, Tim Gould, Alex Herrmann, Mariel Hildenbrand,

David Mercado, Katrina Nipko, Beth Ormsby, Michael Passow,

James Passow, Jeanne Pfannenstiel, Marna Riordan, Claire Rydzik,

Rachel Sanders, Micheal Shorty, Stephan Shanklin, Rachel Stenman,

Jane Stratton, Tomika Vukovoch, Megan Watson, Charles Wallace,

Jenni Watson, Rebecca Witt, Greta Wohlrabe

T H E S TA F F (c o nt .)

Escape Claws.At Second Hand Purrs, we’ve canned the kill policy We have loving companions looking for good homes. Our volunteer-supported shelter places hundreds of cats and kittens every year. So, if you’re looking for a new friend or just want to help us out, it’s a purr-fect time to visit secondhandpurrs.org or call 414-727-PURR.

Second Hand Purrs 4300 South Howell Avenue, Milwaukee, WI 53207

17XX Purrs Ad1/4H.indd 1 8/4/11 10:06 AM

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Three guys, one dead playwright and thirty-seven plays, all in under two hours of over-the-top hilarity.

January 13 – March 11, 2012By Adam Long, Daniel Singer and Jess WinfieldDirected by Sean Graney

www.MilwaukeeRep.com • 414-224-9490

Three great shows – perfect for every generation!

Photography: Brian AchDesign: Todd Edward Ivins

By Harper LeeAdapted by Christopher Sergel

Directed by Aaron Posner

January 31 – March 4, 2012

A Great American Classic!

A Pulitzer Prize-winning tale about innocence, tolerance, family and the courage to live what you believe.

By William ShakespeareDirected by Artistic Director Mark Clements

Shakespeare's timeless tragedy in a stunning new light.

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Let your soul take flight.Official Airline of the Milwaukee Repertory Theater.

Symphony_5x9.indd 1 8/20/2010 12:38:23 PM

Three guys, one dead playwright and thirty-seven plays, all in under two hours of over-the-top hilarity.

January 13 – March 11, 2012By Adam Long, Daniel Singer and Jess WinfieldDirected by Sean Graney

www.MilwaukeeRep.com • 414-224-9490

Three great shows – perfect for every generation!

Photography: Brian AchDesign: Todd Edward Ivins

By Harper LeeAdapted by Christopher Sergel

Directed by Aaron Posner

January 31 – March 4, 2012

A Great American Classic!

A Pulitzer Prize-winning tale about innocence, tolerance, family and the courage to live what you believe.

By William ShakespeareDirected by Artistic Director Mark Clements

Shakespeare's timeless tragedy in a stunning new light.

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Milwaukee Repertory Theater is supported in part by:

The Rep would like to thank all of the organizations and individuals listed below who generously contributed to The Rep between

November 4, 2010 and November 4, 2011.

D O N O R S

$50,000+The Lynde and Harry

Bradley FoundationGreater Milwaukee

FoundationThe Richard and Ethel

Herzfeld FoundationMillerCoorsThe Shubert FoundationUnited Performing Arts

Fund (UPAF)

$25,000 – $49,999CAMPAC (Milwaukee

County)The Friends of The RepThe Faye McBeath

FoundationNorthwestern Mutual

Foundation

$10,000 – $24,999Helen Bader Foundation,

Inc.Robert W. Baird & Co. Patty and Jay Baker

FoundationBriggs & Stratton

Corporation Foundation

Mae E. Demmer Charitable Trust

Elizabeth Elser Doolittle Charitable Trusts

Harley-Davidson Foundation

The Charles E. Kubly Foundation

M&I/BMO HarrisMPS Foundation

National Endowment of the Arts

Rockwell AutomationJane Bradley Pettit

FoundationRogers Memorial

HospitalWisconsin Arts Board

$1,000 – $9,999Associated BankAurora Health Care Badger MeterCleary Gull Davis & Kuelthau DeWitt Ross & Stevens

S.C. Law Firm Fiduciary Management,

Inc.Foley & Lardner LLPThe Gardner FoundationGodfrey & Kahn Hays Companies of

Wisconsin, LLC Evan and Marion Helfaer

FoundationHigh Point Fund:

Supporting African American Performing Arts

Frieda & William Hunt Memorial Trust

Dorothy Inbusch Foundation, Inc.

Johnson Controls Foundation

KPMG LLP The Sheldon and

Marianne Lubar Fund of the Lubar Family Foundation

The Maihaugen Foundation

Marcus Hotels & Resorts Milwaukee Arts BoardCharles D. Ortgiesen

FoundationPark Bank FoundationQuarles & BradySerigraph Inc TargetThe VanderBloemen

Group LLCWe EnergiesWhyte Hirschboeck

Dudek S.C.

INDIVIDUAL DONORS

VISIONARY ($10,000+)

Einhorn Family Foundation

George and Audrey Grove

Judy HansenJacqueline Herd-Barber

and Michael Barber John and Constance

KordsmeierPatricia LindnerRobert H. and Carol O.

ManegoldSally S. ManegoldGordana and Milan

RacicKathleen H. SeidelDavid and Julia Uihlein

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D O N O R S

BENEFACTOR ($5,000 – $9,999) James and Mary BrazaJulia and Bladen BurnsShirley DebouzekRuth DeYoung KohlerJim and Pati EricsonKeyes FamilyKristine and Wayne

LuedersCatherine and Buddy

RobinsonTeddy and Karin Werner

PRODUCER ($2,500 – $4,999) Dr. and Mrs. R. H. AsterKathe and Bill BiersachWendy and Warren

BlumenthalRobert and Carolyn

Burrell

Jane and Stephen Chernof

Larry and Patty ComptonKay and John CrichtonSusan and Gee EsslingerKirt and Dixie FiegelKathleen Gray and

Ronald R. HoferPeter and Linda HotzHenry and Margery

HowardJeffrey and Jacqueline

JahnkeJudy and Gary

JorgensenDavid and Camille

KundertFranklin Loo and Sally

LongPaul McElwee and Gayle

RosemannAnthony and Donna

Meyer

Dwight and Marleen Morgan

Greg and Rhonda Oberland

Ruth OlsenAnthony PetulloLisa QuezadaJoseph A. and Sarah

RockMicky and Ron SadoffJay and Anne

SchambergJune SchloerbThomas and Meredith

ScrivnerPatrick SmithBrian Stark and Debra

Altshul-StarkMike and Peg UihleinRobert and Malissa

WelkeStacy and Blair Williams

262.827.1901 | [email protected]

At Organization Development Consultants, Inc. (ODC), we employ a total performance system to help our clients to maximize individual, team, and organizational performance.

Our approach consistently yields favorable results. By maximizing the performance of people, work processes are efficiently implemented, customer satisfaction is enhanced, and a favorable return is offered to the bottom line.

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Organization Development Consultants ,Inc16535 W. Bluemound Road, Suite 360

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Being an organization that operates at peak performance means that the organization can consistently deliver at a high level. Many under these top performers have the same capabilities and knowledge. However if the discipline is not there to apply them consistently, the organization will never be able to rise to the top.

At Organization Development Consultants, Inc., (ODC) we employ a “Total Performance System©” to help clients maximize individual, team and organizational performance.

At Organization Development Consultants, Inc. (ODC), we employ a total performance system to help our clients to maximize individual, team, and organizational performance.

Our approach consistently yields favorable results. By maximizing the performance of people, work processes are efficiently implemented, customer satisfaction is enhanced, and a favorable return is offered to the bottom line.

Call 262-827-1901 or visit our website: www.OD-Consultants.com

Organization Development Consultants ,Inc16535 W. Bluemound Road, Suite 360

Brookfield, WI 53005®

Being an organization that operates at peak performance means that the organization can consistently deliver at a high level. Many under these top performers have the same capabilities and knowledge. However if the discipline is not there to apply them consistently, the organization will never be able to rise to the top.

www.OD-Consultants.com 2462 N. Prospect AvenueMilwaukee, WI 53211

(414) 224-9700www.milwaukeecatholichome.org

The ResidenceOffering a variety of

independent living apartmentsand diverse activities in a

welcoming community,located on the lively Eastside.

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February 2 – 26, 2012255 S. Water St.www.nextact.orgBox Office 414-278-0765

Featuring Ruth Schudson and Mark Ulrich

Be careful what you wish for

Sponsored by Larry and Patty Compton