japanese art final

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Japanese Art before 1392 From the Prehistoric to the Kamakura period

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Page 1: Japanese art final

Japanese Art before 1392

From the Prehistoric to the Kamakura period

Page 2: Japanese art final

Goggle-Eyed Dogū, excavated from the Tsurugaoka site, Aomori prefecture, 1000-400 BC,

Jōmon period, earthenware, 36.7 cm.

Page 3: Japanese art final

Goggle-Eyed Dogū, excavated from the Tsurugaoka site, Aomori prefecture,

1000-400 BC, Jōmon period, earthenware, h. 36.7 cm.

Page 4: Japanese art final

Goggle-Eyed Dogū, excavated from the Tsurugaoka site, Aomori prefecture,

1000-400 BC, Jōmon period, earthenware, h. 36.7 cm.

Woman of Willendorf, 30,000-25,000 BC, limestone, h. 11 cm.

Page 5: Japanese art final

Goggle-Eyed Dogū, excavated from the Tsurugaoka site, Aomori

prefecture, 1000-400 BC, Jōmon period, earthenware, h. 36.7 cm.

Dragon Quest IV (video game, 1990); “Ancient Japan attacked by Aliens,” a

children’s book, 1970s; a monster character from a live action TV series, 2000s.

Page 6: Japanese art final

Storage Jar, 100-300 AD, Yayoi period, earthenware with incised decoration, h. 25.4 cm;

diam. 22.9 cm.

Page 7: Japanese art final

From left (clockwise): Haniwa Warrior, 6th century,130.5 cm; Monkey, 6th century, 27.3 cm; House, 5th century, 54.5 cm; Dog, 6th century, 47.1 cm; Dancing People, 6th century, 64.1 cm; 57 cm, Kofun period,

earthenware.

Haniwa figurines

Page 8: Japanese art final

Key hole shaped kofun

Tomb of Emperor Nintoku (d.399), Sakai, Osaka, 5th

century, Kofun period, main axis length 486 m; h. 35 m.

Arrangement of haniwa on the roof of a kofun (old mound) tumulus

Page 9: Japanese art final

Haniwa Warrior (from Izuka-chō, Gunma prefecture), 6th century, Kofun period,

earthenware, 130.5 cm.

Page 10: Japanese art final

Haniwa Warrior (from Izuka-chō, Gunma prefecture), 6th century, Kofun period,

earthenware, 130.5 cm.

Terracotta Soldiers, from the tomb of Qin Shihuangdi, c. 210 BC,

earthenware, life-size.

Page 11: Japanese art final

Ise Shrine

Torii gate at Ise Shrine, Mie prefecture.

Page 12: Japanese art final

Shinmei zukuri 神明造り

• 3 bays wide and 2 bays deep• Entrance on the long side• Built on a raised floor, supported by round pillars (hottate bashira)• Surrounded by a veranda• The entire bottom part is capped by the gabled roof• Pillars on short ends support the roof• No windows and the interior contains only one room

Main Hall, Inner Shrine of Ise Shrine, Mie prefecture, last rebuilt 2013.

Page 13: Japanese art final

Hōryūji temple, Ikaruga, Nara prefecture, original 607 (destructed in fire 670), reconstructed c. 711, Asuka-Nara period.

Page 14: Japanese art final

Aerial view of Hōryūji temple, c. 711; reconstruction view of original Hōryūji

temple, 607.

Plan of Hōryūji temple, as it is today.

Page 15: Japanese art final

Five-Story Pagoda, Hōryūji temple.

Great Stupa, Sanchi, India, 3rd-1st century BC, Maurya period.

Page 16: Japanese art final

Golden Hall, Hōryūji temple.

Main Hall, Inner Shrine at Ise Shrine

Page 17: Japanese art final

Tori Busshi, Shaka Triad, Golden Hall, Hōryūji temple, Ikaruga, Nara, 623, Asuka period, gilt

bronze, 116.8 cm.

Page 18: Japanese art final

Tori Busshi, Shaka Triad, Golden Hall, Hōryūji temple, Ikaruga, Nara, 623, Asuka period, gilt

bronze, 116.8 cm.

Shakyamuni Buddha group, Binyangdong, Longmen cave temple, Henan, 6th c., late

Northern Wei dynasty, stone.

Page 19: Japanese art final

Tori Busshi, Shaka Triad, Golden Hall, Hōryūji temple, Ikaruga, Nara, 623, Asuka period, gilt

bronze, 116.8 cm.

Meditating Buddha, Koguryo, Korea, 6th c., gilt bronze, 6.6 cm.

Page 20: Japanese art final

Jātaka Tale of Hungry Tigress, on the side panel of Tamamushi Shrine, Hōryūji

temple, c. 650, lacquer on wood.

Tamamushi Shrine, Hōryūji temple, c. 650, Asuka period, cypress and camphor

wood with lacquer, 233 cm.

Page 21: Japanese art final

Jātaka Tale of Hungry Tigress, on the side panel of Tamamushi Shrine, Hōryūji

temple, c. 650, lacquer on wood.

Page 22: Japanese art final

Yakushi Triad, Golden Hall, Yakushi-ji temple, Nara, late 7th-early 8th c., Nara period, bronze, h. Yakushi (center), 254 cm; Nikkō (right), 317.3 cm; Gakkō (left),

315.3 cm.

Page 23: Japanese art final

Gakkō (Moonlight) Bodhisattva, Yakushi Triad, Golden Hall, Yakushi-ji temple, Nara, late 7th-

early 8th c., Nara period, bronze 315.3 cm.

Buddha, late 1st-3rd c., Gandhara, Kushan period, Phyllite, 182.9 cm.

Page 24: Japanese art final

Gakkō (Moonlight) Bodhisattva, Yakushi Triad, Golden Hall, Yakushi-ji temple, Nara, late 7th-

early 8th c., Nara period, bronze 315.3 cm.

Attendant Bodhisattva, from the Vairocana Buddha group, Longmen cave temple, 672-675, Tang dynasty, stone.

Page 25: Japanese art final

Tori Busshi, Shaka Triad, Golden Hall, Hōryūji temple, Ikaruga, Nara, 623, Asuka period, gilt

bronze, h. 116.8 cm.

Yakushi (Medicine) Buddha, Golden Hall, Yakushi-ji temple, Nara, late 7th-early 8th c.,

Nara period, bronze, h. 254 cm.

Page 26: Japanese art final

Vairocana Buddha, Longmen cave temple, 672-675, Tang dynasty, stone, 13.37 m.

Yakushi (Medicine) Buddha, Golden Hall, Yakushi-ji temple, Nara, late 7th-early 8th c.,

Nara period, bronze, h. 254 cm.

Page 27: Japanese art final

Greek “grape vines” motif

Persian “lotus flower” motif

Indian “yaksha” figures

4 Chinese mythological animals: - Blue Dragon (east) - White Tiger (west) - Red Phoenix (south) - Black Turtle/snake (north)

The base of Yakushi Buddha, seen from the west.

Page 28: Japanese art final

A scene from Kashiwagi chapter, The Tale of Genji Scrolls, 12th c., Heian period, handscroll; ink and color on paper, 21.9 x 41.9 cm.

Page 29: Japanese art final

Kana かな (平仮名 )

The development of kana phonograms, abstracted from kanji (Chinese characters).

47 kana phonograms in modern standard forms

Page 30: Japanese art final

Emaki-mono 絵巻物 (Illustrated Narrative Handscroll)

Meant to be unrolled from right to left and read/viewed in segments of about 2 feet each.

Page 31: Japanese art final

A scene from Kashiwagi chapter, The Tale of Genji Scrolls, 12th c., Heian period, handscroll; ink and color on paper, 21.9 x 41.9 cm.

Page 32: Japanese art final

Formerly attributed to Toba Sōjō, details of Frolicking of Animals, volume 1, 12th c., Heian period, handscroll; ink on paper, 31 cm x 1150 cm.

Page 33: Japanese art final

Detail of Night Attack on Sanjō Palace, from The Tale of Heiji Scrolls, second half of 13th c., Kamakura period, handscroll; ink and color on paper, 45.9 x 774.5 cm.

Page 34: Japanese art final

Detail of Night Attack on Sanjō Palace, from The Tale of Heiji Scrolls, second half of 13th c., Kamakura period, handscroll; ink and color on paper, 45.9 x 774.5 cm.

Page 35: Japanese art final

Akira Toriyama, Dragon Ball, vol. 1, 1985.