japanese art at metropolitan3
TRANSCRIPT
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Jinshan Island and West Lake Kano Sanraku (Japanese, 1559–1635)Six-panel folding screen
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“Butterflies” (“Kochō”), Chapter 24 from The Tale of Genji (Genji monogatari)Momoyama period (1573–1615)Six-panel folding screen
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“The Jeweled Chaplet” (Tamakazura), from The Tale of Genji (Genji monogatari)Circle of Tosa Mitsuyoshi (Japanese, 1539–1613)
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41-volume handwritten copy of Taiheiki Edo period (1615–1868)
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Amida Nyorai ca. 1250
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Fudō Myōō (Achala-
vidyārāja) 12th century
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Bo Ya Plays the Qin as Zhong Ziqi Listens Circle of Kano Motonobu (ca. 1476–1559)
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Book Cabinet (Shodansu) for a set of A Chronicle of the Great Peace (Taiheiki) Edo period (1615–1868)
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Cicada on a Grapevine
Bokurin Guan (Japanese, active late 14th century)
Zheng Huangniu and Yushanzhu
Kano Naizen (Japanese, 1570–
1616)
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Designer Hanae Mori (Japanese, born 1926)
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Five Dishes with Wave Design Edo period (1615–1868)
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Freshwater jar (Mizusashi) Edo period (1615–1868)
Shigaraki Jar (Tsubo) Edo period (1615–1868)
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Jar (Tsubo) with Chrysanthemums Kamakura period (1185–1333)
Lobed incense burner with metal cover; Edo period, 17th century Minneapolis Institute of Art
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Six of the Twelve Divine Generals (Jūni shinshō) 14th century
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Incense Box (Kōgō) with Cartwheels Submerged in Water Muromachi period (1392–1573)
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Incense Box (Kōgō) with Interlinked Circles (Shippō) Pattern early 17th century
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Inkstone (Suzuri) with Gourd Vine Momoyama period (1573–1615)
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Writing brush and cover
Ming dynasty (1368–1644)Writing Box (Suzuribako) with “The Lady of the Bridge” Design Edo period (1615–1868)
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Shelf stand with scenes from Eight Views of Ōmi Meiji period, early 19th century
Minneapolis Institute of ArtEdo period, 19th century Minneapolis Institute of Art
Boxed set for shell-matching game
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Set for shell-matching game Edo period, 19th century Minneapolis Institute of Art
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Box and case for Noh flutes named “Winter Wind” Edo period, 18th century Minneapolis Institute of Art
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Comb and pin with cranes Meiji period, 19th century, Minneapolis Institute of Art
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Illustrated Legends of the Origins of the Kumano Shrines (Kumano engi emaki)Momoyama period (1573–1615)Set of three handscrolls
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Yanji with Orchids and Yang Guifei
with Peonies Genki (Komai
Ki) (Japanese, 1747–1797)
Pair of hanging scrolls
Mandala of Wakamiya of Kasuga Shrine (Kasuga wakamiya mandara) early 14th century
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Nanban cabinet with geometric patterns and deerMomoyama period, early 17th century. Minneapolis Institute of Art
Noh Robe (Karaori) with Autumn Flowers and Grasses Edo period (1615–1868)
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Orchid Pavilion Gathering; Autumn Landscape Ike Taiga (Japanese, 1723–1776)
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Orchid Pavilion Gathering; Autumn Landscape Ike Taiga (Japanese, 1723–1776)Pair of six-panel folding screens
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The Tale of Sumiyoshi (Sumiyoshi monogatari)
late 13th century
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Peaceful Practices, Chapter 14 of the Lotus Sutra (Myōhōrenge-kyō, or Hoke-kyō) ca. 1667
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Pheasants among Trees Flowers of the Four Seasons Kano Shōei (Japanese, 1519–1592)
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Portable chest (sagetansu) with wisteria. Edo period, 17th–18th century Minneapolis Institute of Art
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Sake container with ducks Edo period, 17th–18th century Minneapolis Institute of Art
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Scene from The Illustrated Sutra of Past and Present Karma (Kako genzai e-inga-kyō; Matsunaga Version) late 13th century
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Scene from The Illustrated Sutra of Past and Present Karma (Kako genzai e-inga-kyō; Matsunaga Version) late 13th century
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Scene from The Illustrated Sutra of Past and Present Karma (Kako genzai e-inga-kyō; Matsunaga Version) late 13th century
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Scenes in and around the Capital Edo period (1615–1868)Six-panel folding screen
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Six Jewel Rivers (Mu-Tamagawa) Sakai Ōho (Japanese, 1808–1841)
Six Jewel Rivers (Mu-Tamagawa) Sakai Ōho (Japanese, 1808–1841)
Six Jewel Rivers (Mu-Tamagawa) Sakai Ōho (Japanese, 1808–1841)
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Six Jewel Rivers (Mu-Tamagawa) Sakai Ōho (Japanese, 1808–1841)
Six Jewel Rivers (Mu-Tamagawa) Sakai Ōho (Japanese, 1808–1841)
Six Jewel Rivers (Mu-Tamagawa) Sakai Ōho (Japanese, 1808–1841)
Six Jewel Rivers (Mu-Tamagawa) Sakai Ōho (Japanese, 1808–1841)
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Six Tamagawa Rivers from Various Provinces (Shokoku Mu Tamagawa)Utagawa Hiroshige (Japanese, 1797–1858 )
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Stacked Food Box (Jūbako) with “Whose Sleeves” (Tagasode) Design Edo period (1615–1868)
Stacked food boxes (jūbako) with stripes, 17th century Minneapolis Institute of Art
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Storage box for monk’s robe (kesabako) Edo–Meiji period, 19th century Minneapolis Institute of Art
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Arrival of the Europeans Edo period (1615–1868)
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Sweetfish in Summer and
Autumn Maruyama
Ōkyo (Japanese,
1733–1795)
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Three Gods of Good Fortune Visit the Yoshiwara; or “Scenes of Pleasure at the Height of Spring” Chōbunsai Eishi (Japanese, 1756–1829)
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Three Gods of Good Fortune Visit the Yoshiwara
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Three Gods of Good Fortune Visit the Yoshiwara
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Three Gods of Good Fortune Visit the Yoshiwara; or “Scenes of Pleasure at the Height of Spring” Chōbunsai Eishi (Japanese, 1756–1829)
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Three Gods of Good Fortune Visit the Yoshiwara; or “Scenes of Pleasure at the Height of Spring” Chōbunsai Eishi (Japanese, 1756–1829)
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Three Gods of Good Fortune Visit the Yoshiwara; or “Scenes of Pleasure at the Height of Spring” Chōbunsai Eishi (Japanese, 1756–1829)
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Text & pictures: InternetCopyright: All the images belong to their authors
Presentation: Sanda Foişoreanuwww.slideshare.net/michaelasanda
Sound: James Galway – Into the Forest 2016