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Moses Davis a.k.a. Beenie Man is a remarkable example of what hard work and determination can achieve. Beenie Man’s success took 15 years to achieve, having struggled since he was five to accomplish his dream. It was in 1981 that he first met Little Kirk, his very good friend. They entered a talent contest in their Waterhouse neighborhood and won the deejay and singing contests out of a field of 42 contestants, at the tender age of eight. Jamaican disc jockey Barry G introduced them to producer Henry “Junjo” Lawes. Lawes produced Beenie Man’s first single “Too Fancy”. As a youth Beenie Man combined schoolwork and deejaying, attending Primary school by day and deejaying with his uncle’s disco ‘Master Blaster’ at night. He began to make a name for himself performing at numerous talent contests. It was at one of these contests, that he and Little Kirk met Patrick Roberts of ‘Shocking Vibes Production’.

Roberts suggested that they join his disco, ‘Stax’. Beenie Man lacked discipline then, and while Kirk would stick with Roberts’ plans, Beenie explained, “as a youth, I did some things that weren’t too right. So while Kirk would listen to him, me never like too much talking so me leave and not come back for a while.” Beenie Man recorded “Killer Sound”for Winston “Technique” Riley. Bunny Lee heard him and took him to King Jammy and he did an album eventually titled “The Invincible Beenie Man: Ten Years Old Boy Wonder”. He recalled he got nothing for that album. He decided to return to Roberts’ label, “Shocking Vibes”, and did a single in 1986 titled “We Run Things”. In 1987, he followed up with “Kip Whey”, which did so well in Canada that it earned him a trip there. On his return he did his first major stage shows: DJ Roll Call, Sting 87 and King Jammy’s 10th Anniversary. In 1991 when President Nelson Mandela and wife Winnie made an

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official visit to Jamaica, Beenie Man worked on a free public concert at the National Stadium to honour Mandela. Beenie Man has performed at many public events, including the Reggae Boys international football qualifiers and even carnival at the National Stadium. Beenie Man has performed to sold out crowds both locally and internationally for years. In the 90’s Beenie Man top the charts with songs like “Kette Drum” (featuring Determine), “Blackboard”, “Old Dog”, “Nuff Gal”, “Oyster And Conch”, “Dancehall Queen” (featuring Chevelle Franklin), “Romie” and “Better Learn”, among numerous others. His albums “Maestro” and “Many Moods Of Moses” were massive successes internationally. He has won all of the major music awards both locally and internationally over the years. He has joined an elite group of entertainers by capturing the prestigious Grammy Award in the Reggae category with his album called, “Art And Life”. Is Beenie Man really “the king of the dancehall?” In 2003, Beenie Man’s new Hummer H2 motor vehicle ran off the Mandela Highway and was completely written off. He

suffered a few broken bones and recovered to unleash a string of hits. The vehicle was replaced with a brand new Hummer. In 2004 his catalogue of songs included, “Straight P*m, P*m”, “Somebody”, “Still Naw Dweet”, “Have You Man” (featuring Miss Ting), “Back Against The Wall”, “King Of The Dancehall”, “Compton” (featuring Guerilla Black), “Dem Talk”, “No Secret”, “Breast Specialist” (featuring Vybz Kartel), and “Zigi, Zigi”. In 2005, rumours were being spread that Beenie Man was involved in the death of the popular dancer called “Bogle”. This forced him to travel with several bodyguards because his life was being threatened. He had cried on television and pleaded his innocence on many interviews, but still the rumour continued. This incident caused him to release the hit song, “Frame I An’ I”, which sent the message, not only locally, but also internationally. These rumours cannot stop this artiste who is destined for greater things to come. In 2005 Beenie lost his brother, Mark Davis, who died from injuries he received in an automobile accident. Beenie has continued his onslaught of songs in 2005 with tunes like, “A

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Nuh Mi”, “Chakka, Chakka Dance”, “Genuine Friend”, “Hygiene”, “Advice” (feat. Tami

Chynn), “Take This Message”, “Walk Inna My Shoes”, “New Gal Ah Call”, and “Left Dem To Die”.

Out of every generation come a handful of exceptionally talented individuals. Beres Hammond is one of those special people. Beres like good wine is definitely mellowing with age. Beres Hammond was born in Annotto Bay, St. Mary on August 28. He was an active member in his village’s church choir, when he recorded his first song “Wanderer”at the age of 15, for producer Clancy Eccles. Beres was a member of the sonny Bradshaw Seven and Zappow bands. This Reggae crooner has made an impact at home and abroad with his unique musical style. His first hit single was the giant recording to

this day “One Step Ahead” done in 1977. Several more hits followed after this, but they were far and in between, because Beres had stopped recording for a period of three years. Songs such as “Full Attention”, “Freedom”, “Double Trouble”, “Putting Up Resistance”, “Who Say”(with D.J. Buju Banton), “Hit On Every Corner”, “Emptiness”, “Groovy Little Thing”, “What One Dance Can Do”, “She Loves Me Now”, and “Tempted To Touch”, were just a few of the bombs Beres dropped on us.

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Beres’ determination and commitment to recording music of a very high standard paid off in 1992 when he walked away with four Jami Awards, out of the six that he was nominated for. He won “Best Musical Composition” for the song “Putting Up Resistance”. He also won the awards for “Best Individual Performer”, “The Best Arranged Single” and “Best Vocalist For 1992”.

The 90’s saw him topping the charts with songs like “Step Aside”and “Pull It Up” (featuring Buju Banton). The 90’s also saw him releasing songs such as, “Love Means Never To Say”, “Give Me A Break”, “Show Some Love” (featuring Capleton), “Resistance”(featuring U Roy), “Can’t Stop A Man”, “Every Man Has A Way” (featuring Luciano, Tony Rebel, and Louie Culture), “Rose Garden”, “Can You Play Some More”, “Always Be There”, “Under

Pressure”, and “Penny Ketcher”(featuring Anthony B), among others. Beres has given us several albums, “Beres Hammond”, “Full Attention”, “A Day In The Life”, and “Love From A Distance” to name a few. “Love From A Distance” was one of V.P. Records biggest selling album that year. Beres has captured Tamika Awards for “Best Vocalist” and also “Song Writer Of The Year”. His determination and commitment to his music has earned him the title of “Chairman of the Board”, an honour that is endorsed by all his peers, in and outside of Jamaica. In 2004 Beres gave us songs like “My Pride And Joy” and “Hardcore” (featuring Louie Culture). His album entitled “Love Has No Boundaries” was released in 2005.

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Bling Dawg, who’s real name is Marlon Williams, has been around for some time. He was however given public recognition in 1999. Bling Dawg says that he respects every artiste, but he looks up to Louie Culture, because it was Louie who taught him to deejay.

In 2004 his catalogue of tunes read: “Dem Hurt Eeh”, “Hear Back One”, “Grades”, “Floss On”, “Realist”, “Aint Easy” (featuring Vybz Kartel), “Girl Tonight”, “Bad Dog Attack”, “Run Di Place”, “So She Want It”, “Nuh Trust Dem”,

“It’s Over”, “Whole Night Party”, “Nikkie Ann”, “Road Block Already”, and “That’s How We Roll”. Bling Dawg has become an avid gym goer, and has lost a lot of weight. This has inspired him to release a single and exercise video called “Breathe Stretch”. In 2005 songs like “Aerobics Class”, “So It Wet”, “Joy I Bring”, “We Ain’t Scared”, “Get Up And Run”, “Weapon”, and “Man A Star”, has kept his fans dancing.

Keith Anderson, popularly known as Bob Andy is one of Jamaica’s most prolific songwriters. He is more

revered for his writing skills than his singing and is among one of the few artistes who have had their

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songs re-recorded by other artistes. Bob has had several chart successes since 1969 when he recorded “Young, Gifted And Black”. He gave us songs such as, “Unchained”, “My Time”, “Too

Experienced”, “Games People Play”, “Feeling Soul”, “Sun Shines For Me”, “I’ve Got To Go Back Home”, “Fire Burning”, “Desperate Lover”, among others.

Spawned in the steaming ghetto called Trench Town, the Wailers are the masters of reggae; the acknowledged voice of Rastafari is Bob Marley. Brother Bob Marley and the Wailers touch the very core of our psyches and as the musical branches of a growing Caribbean roots consciousness, these brethrens made understandable the foundations of our being. We see ourselves reflected in their music. Robert Nester Marley, internationally famous superstar was born in 1945, the son of an English army Captain and a Jamaican woman. Bob started singing professionally at the age of

fifteen (15), “But why?” “That is a hard question he says, “I couldn’t see myself doing anything else, I just like music.” In 1963, himself along with Peter McIntosh (later Peter Tosh) and Bunny Livingston (later Bunny Wailer) formed the Wailing Wailers. Two of their earliest hits were “Simmer Down”and “Rude Boy”. In 1967 he did some work with Johnny Nash. Nash came to record in Kingston and later had a series of Reggae singles on the British charts culminating four years later with “Stir It Up” which was written by Bob Marley. 1969 emerged as one of their classic periods. Recorded by the most

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famous Reggae producer of them all, Lee “Scratch” Perry, they did two LPs and the singles “Duppy Conqueror” and “Small Axe”. It was at this stage that their Rastafarian religion became the core of their music. Bob Marley believed the concept that His Imperial Majesty Emperor Haile Selassie I as being the King of Kings and the Lord of Lords, Conquering Lion of the Tribe of Judah. He says, “Haile Selassie is the Almighty. We belong to Africa. Everyone in the world will have to respect that. Until we all realize that civilization started from Ethiopia and we multiplied from that and spread out, there will be pure war and our lives will be in torment and vexation. We have to respect Africa to find peace of mind.” “The devil may tell you we have no link in Africa but we have to stop letting the devil tell us – white people and black people both – and we have to think for ourselves.” In 1970 they successfully launched their own label, Tuff Gong. Their breakthrough to recognition came when they signed to the British label, “Island”, for which they did the albums “Catch A Fire” and “Burning” (including “I Shot The

Sheriff” which Eric Clapton made into a hit single in 1974). In 1975 the Wailers split up, Peter and Bunny both went solo. It was then that Bob released the album “Natty Dread”. He then recorded the “Live” album, which produced the group’s first UK hit single “No Woman, No Cry”. Marley’s first platinum was from the L.P. “Rastaman Vibration”. Marley’s works are among the most powerful songs of black rage ever written. Some of Marley’s songs talk about Rastafari, some about slums in Jamaica. At times songs are about situations that exist in Jamaica but they are international situations – they also exist in other parts of the World. People suffer everywhere, in every city and ghetto. Bob Marley’s presence in the music halls throughout the world has cleared a path that has established listing posts in Britain, the United States, Africa, France, Germany, Canada and Japan. His music has created thousands of faithful disciples in the home of Reggae music. Marley, who has put in lyrics, in no uncertain term, the gut reaction of the have-nots, coupled with his

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exuberance and charisma has made him the voice of his people as related in his song “Ambush” from his album “Survival”. Bob’s music sends a crystal clear message to those who seek to oppress the mind, must be eradicated at all cost. So arms in arms with arms, we’ll fight this little struggle. Cause that’s the only way we can overcome our little trouble. Some of Marley’s great works are on albums such as “Kaya”, “Exodus”, “Babylon By Bus”, “Uprising”, “Confrontation”, “Rebel Music”, “Live” and “Legend”. In 1973 Bob Marley and the Wailers launched their first major U.S. tour as the opening act for Sly Stone (Marley upstaged superstar Sly on that show). In the National Stadium in October 1975, Bob Marley and Stevie Wonder shared the same stage. The crowd went wild when they harmonised on “I Shot The Sheriff”. Bob and Stevie again shared the stage in 1979 at the Black Music Association’s Conference in Philadelphia. It was no surprise when Stevie paid tribute to Bob in the song “Master Blaster Jammin”.

Shortly after the release of this song Bob Marley collapsed in New York and his illness diagnosed as cancer, this caused the plan for Bob and Stevie to go on a world tour to be aborted. Stevie took time out to call bob at the cancer clinic in Germany. Two days before “Stevie Wonder in Concert in Stockholm”, May 11, 1981, Bob Marley died and Stevie dedicated the show to his brethren “Bob”. Bob Marley is more popular today than at his death in 1981. Bob has been selling more albums since his death than when he was alive. The World has gravitated towards his music since his death and Tuff Gong doesn’t have to advertise Bob Marley t-shirts, records and memorabilia, they just sell. Bob Marley received the Order of Merit from the Jamaican government in 1981 and was inducted into the American Rock and Roll Hall of Fame in January 1994. The album “Legend” has become the number one best seller. The song “One Love” was voted “Song of the Century” and Bob Marley, “The Artiste of the Century” by Time magazine. The legend truly lives on.

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Daddy Lizard was popular in the 80’s with songs like “Winery” and “Run Gal Run”.

DADDY SCREW

“Turn On The Heat”, “Good Like Gold”, and “Kill Me Dead” were songs that caused dancehall fans to pay attention to Daddy Screw. He kept the fans rocking and in 1993

he cranked up the pace with a song called “Goodas”. 1999 saw him releasing a single entitled “Remember God”.

Dancehall has been around for ages and it is simple any place where people gather to listen to the contemporary music of their culture. Dancehall music is just the music of the dancehall. The dancehall population is a cross-section of the society, the upper, middle and lower class. It is for the rich man, the poor man, the beggar man, etc. Reggae is the heartbeat of the Jamaican people. Let us journey back into the dancehall. The stage has been set. One of the top sound systems is belting out some hardcore Jamaican Reggae, from speaker boxes towering in the air. The curry goat and rice, and the mannish water are selling like hot bread. The bar is busy as patrons try to purchase their favourite liquor or soft

drinks. The cane man is also doing good business. The ladies are clad in tights, b-riders, p-printers and a wide assortment of fashion and jewellery. The men are clad in name brand clothes, the Nike, the Fila, the Tommy Hillfiger, to name just a few, with wide assortments of gold and silver jewellery. The ladies hairstyles are beyond your wildest imagination, not to mention the men. The Benzes, the Lexuses, the B.M.W.’s are all parked outside. The Ninjas and Kawasakis are parked beside their riders. Then there are the crews; you have this crew and that crew (there are so many crews it will not be possible to name them in this article). Now let us take you into the juggling. The deejay blurts out,

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“fine sound courtesy of the one Nadine Sutherland”, and he plays “Baby Face”. He then moves into “Center Of Attraction”, Lukey D, “I Think I Can Fly”, Tony Curtis. He follows this with “Love Sponge”, Buju Banton, and “Jah Works”, Terror Fabulous. The disco then blurts out “Put Down Your Weapons Of Destruction”, Yammi Bolo and the prophet Capleton.

Singing Melody then sings, “First Thing Early Monday Morning”, followed by Buju Banton’s, “Run Di Place”. The selector then plays another Buju Banton’s song, “Legalize It”. In between the deejay uses such slang as, “haul and pull up selector”, “early juggling”, “watch ya now”, “lawd a mercy”, and at times bigging up the various crews in the place.

The selector then moves into Dawn Penn’s, “You Don’t Love Me”, Bob Marley’s, “I Don’t Want To Wait In Vain For Your Love”, and “Murderer” by Barrington Levy. Beenie Man then asks, “How you feel if you wake up one morning and saw, a big m-16 press against you jaw”. While Spragga Benz sings, “if a gal think she bad, stand up in front a man when man red”. Next comes Beres Hammond’s, “Thought I Could Live

Without You” and Wayne Wonder’s, “Saddest Day Of My Life”. The session is heating up and the crowd starts going wild, shouting, “forwards” and “lift it up selector”. The deejay then says, “massive, now hear dis” and Buju’s, “Fast Car” hits the turntable. “I Gave You Everything I’ve Got”, from the late Garnett Silk was next. It was now time for the hottest rhythm in town (Joy Ride Rhythm). The selector started off with “Bashment Girl”, he then moves into, “You No Ready Fi Dis Yet”, Tanya Stephens, “Joy Ride”, Wayne Wonder and Baby Cham. Beenie Man then says, “Him Nah Run Away”, Lady Saw tell us about, “Sycamore Tree” and he closes with “Strange Things Are Happening”. It was now time to give us a flick of the past. He started off with Dennis Brown’s, “Love and Hate”and then it was “Revolution”. His next selection was, “No Lazy Body”, followed by Half Pint’s, “Two To One”, “One Big Road”, Tenor Saw and then “Four Season Lover”. “Boops”, by Super Cat was next. Dennis Brown asked, “Should I Have Faith In You?” Beres said, “Step Aside”. It was now time for the x-rated stuff. Shabba said,

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“Love Punany Bad”, next was, “Magnet Have Fi Sample The Steel”, “Gal Dem A Holla Fi Di B*ddy” and Shabba’s, “X-Rated”. The selector was working up a storm, has he moved into, “See The Gal Dem Man Yah”, “Blackboard”, “Probably You Neva Heard A Wi”, “Some Gal Man Confuse”, “Born, Born, Born Again”, “Labba, Labba Gal”, “Gal Think We Nice”, “New Suzuki”, “Bad Mind A Go Kill Dem” and “Poor People Fed Up”. It was now time to really get down, as he changed the pace. He started off with Freddy Jackson’s, “Rock

Me For Old Time Sake”, then Chilites’, “You Look Better In The Dark”, Barbara Striesand’s, “Nothing To Be Guilty Of”. “Reasons” was next, Then came, “No Romance Without Finance”, “The Beat Goes On”, “Last Night A Deejay Save My Life”, “Just Can’t Break Away”, “Aint No Stopping Us Now” and “If You Could Read My Mind Love”. He was about to change the pace again, so I made my departure having gotten value for my money. It was minutes to three when I left the dance, reason being I had to go to work later that morning.

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Danny English, who was christened Donald Cox, has been in the business for quite a while. He is a part of the Q45 camp, along with, Egg Nog, New Kidz and Singer Jay.

In 2005 he gave us songs such as, “Everynight” (featuring Wayne Marshall) and “Take Me Home”(featuring Terri-Ann).

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