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1Fifty Ways to Leave Your Lover
M EDI A ID EO LOGI ES A N D
I DraMS OF P RACTICE
Toward the end of the in terview, just as the thir ty-someth ing
Oliv ier and I began to say OU T good-byes, he to ld me tha t in
the end, it was the way his wife (soon to be ex-wife) kept e-m ailing
his work account that was particularly distressing. They were disso lving a marriage, and thi s d isentang ling requi red discussion.
mo st of which was laki ng place by e-mail. He was forced to create
a personal folder for all the e- mails she sen t to his work account,
the on ly personal folder he had in this pa rtic ular e-mail account.
No mailer how oft en he e -mailed her personal e-mail accounr.no
matter how often he sent messages from his own personal e- mail
acco unt, she insisted on using the acco unts they had both set aside
for their professio nal lives.And when she sent these e- mails, she al
ways sent them when she was at work. He could tell from th e time
atta ched to each e-mail. The bou nda ries were clear- he was no
longer allowed to co ntac t her personal accou nt or interact with
her du ring her personal t ime.
O f cou rse th is probably wasn't what bothered O livier the most
about the who le process. He was getti ng a d ivorce because his wife
had sent him an e-mai l ou t of the blue asking for a d ivorce and
offering no reason s while he was away on a business trip. It turned
ou t to be a no nn egot iab le decision. After the two -lin e e- mail
Fifty Ways to Leave Yo ur Lover t 7
anno uncing that she wanted a d ivorce, she would communicate
with him o nly bye-mo il and occasional angry pho ne calls. She
d osed their joi nt bank accoun ts whi le he was gone, so he ret urned
to no money and no place to stay. For weeks he had no explanatio n
that mad e sense of why she wanted a d ivo rce, altho ugh grad ually
he learned of another man, someo ne she had met at work. AU the
comm unica tion he had with her gave him no clear ins ights into
why she was doing what she was doing. Knowing another ma n
existed d id not seem to explain eno ugh fo r h im.
She was vio lating allthc shared o rde r tha t they ca refully, or even
perha ps accidentally, created together- when they spo ke in French
Il l' English together, whe n they sent e-mails to their friend s from
their joint e-ma il acco unt, o r when they wou ld e- mail someo ne
Irorn their indi vid ual personal accounts. Th e more O livier deta iled
how divo rce was affecting how he and his wife/ex-wife were using
media to communicate, the more apparen t it becam e that the co u
ple had developed together a system for indi cating tha t some mes
e.rgcs were formal, some info rmal, some professional, and some
Intimate. They used e-mail accounts, phones, and different lan
Wlilgesall to create int ertwined ways of add ing info rmatio n to the
message-e-n message from their jo int e-mail acco unt would signa l
omething different tha n if that same message had bee n sent from
their indiv id ual e-mail accoun ts. In e-mailing his wo rk account,
hili wife/ex-w ife was reject ing all the yea rs of chosen habits that
thl'y had created togeth er just th rou gh how the y e-mailed . So the
unseemly di sorder tha t O livier experienced with these e-rnails to
hl ~ work acco unt -these weekly, sometimes daily, reminders of
how her decisio ns at ever y level had transformed his life's plans
Into unwelcom e chaos-c-captu rcd the miser y of th is dissolution.
Ime the moment she e-nmiled him to demand a divo rce, Olivie r
n pl,lined that he felt non e of his wishes were respected; send ing
You Ca n't Text Message Breakup
I. This is part, but only part, of what linguistic anthropologists have calledmt lapragmutics (see Silverstein 2001).
~ia con tain seco nd·orde r in forma tion because of peo ple's
media ideo logies, people's understan dings of>how e-mail, ph on e,
19Fifty Ways to Lea1'e Your Lover
So then he texts me cu t of the blue:'" am bad atlife," Which is howhe talks, so ,wrote back: '" know, b UI why?"
"Because ' wasn't kidding about Rianna this whole time."
I Il ~ I an t messaging (1M), and other med ia add important infonna
'lUll to th e message. Let me give you a co ncrete exam ple of when
someo ne's media ideology got in th e way of interpreting th e sen
uusncss of a text message. This is a sto ry th at Halle, an undcrgrad
1I;II e, told me toward th e end of an intervi ew, when she suddenly
rcrnernbered ano the r sto ry abo ut texting. Halle and Do ug had
heen a couple for a nu mber o f weeks. Th ey met in a class where
they both also became friends with Rianna. Rianna always st ruck
Halle as a little bit off-she was o ne o f th ose people who always
seemed 10say so me th ing sligh tly un expected and awkward, so me
thing tha t made the o ther peopl e in the conversation sto p and
scratch th eir heads abo ut how to co nt inue the conversation. As
Holle and Do ug started getting togeth er, th ey started jok ing abo ut
Rranna'ssocia l gracelessness-most o f thi s by text message. After a
while, Halle began teasin g Do ug by text th at he was sec retly infatuwted with Rianna. This text joking ca rried on fo r a few weeks. Then
IIoug texted Halle, tellin g her he had 10 break up with her becausehe really was in love with Rianna. Th is was by text, a medium that
Ilalle had always used for joki ng. Texting was never a medium th at
Halle used to convey serious information such as "I am breaking
up with you." So she could n't un derstand th e message at first. O n
the one hand, it was a com plete surprise: There was no im rncdi
utcly pr ior conversat ion the message could be referring to. O n the
III her han d, the o nly conversa tion th ey had ever had by text abou t
Rianna was o ne tha t jo ked about desire. She respo nded as though
IJoug was still joking. He tcxtcd her back th at he wasn't, tha t he
was completely serious. Halle narrates:
The Breakup 2.018
messages o nly to his work e-mail was a sm all example th at seemed
to reverberat e and po in t to all the others, beginn ing with thee- mail requesting a divorce.
Olivier had been using the possibilities made available bye-mail
multiple accounts-to so rt his co m m unication. His wife/ex- wife
was refusing to accede to this system of classifyin g communlcn
rion. In short , she was sendi ng informatio n through her cho ice o f
medium (e- mail ami work account ) as much as by th e content ofher messages. Th is double co m m unicat ion in the message is pos
sible only because of O livier's, o r anyone's, media ideologies. As
mention ed in th e introd uctio n, peop le's media ideologies-their
beliefs about how a medium com m unicates and st ruc tu res com
munication-makes a perso nal e-mail account di fferent from awork e-mail account , o r a text message different from a phone call.The differ ence o ften lies not in the actual message, but in people's
understandings of th e med ia. Media ideologies ar e responsible for
the ways in which second-o rde r in formatio n works (sec chapter 4) ,
Second-order information refers to the information th at can guide
you into understand ing how part icul a r words and statements
sho uld be int erpreted .' O ne never sends a message witho ut the
message being acco mpanied by seco nd-orde r information ; that is,
witho ut indi cati o ns about how th e sende r would like the messagereceived.
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The second-o rder communication-what Halle understand s it
means 10 communicate this kind of information by text- seems
to her to be at odds with what the words of the text message were
abo ut. For Halle, the medium was at odds with the message. She
had to do some follow-up investigation by asking him if he was
kidd ing so that she could decide what interpretation she should
finally give to the messages they were exchanging. In the end,
Halle dec ided thai he had behaved badly by com municating this
to her by text, so badly that she stopped communicating with him
entirely.
How Halle understands texting as a medium shapes the ways
in which she responds to Doug's message. The textin g was sup
posed 10 give second-o rder disclaimers to the message-s-carried
along with the message was th is imaginary additional frame urg
ing the receiver to und erstand that nothin g said in this medium is
serious because texting is not a serious medi um. Halle feels thai
Doug violates this tacit assumption-he says serious things in a
medium that she considers appro priate only for the most casual
li nd joking of conversations. Let's not forget thai Doug tells Halle
tlMI he wants to break up with her for Rian ua, a woman she doesn't
respect and fi nds off-putt ing. Th is too is part of the story. But it is
Halle's med ia ideo logy thai in her own account affects how she de
udcs to treat Dou g afterward. She decides not 10 keep communi
" Hi nS with someo ne who texts this kind of information , and thu s
In her mind behaves badly. When Doug tried to get back together
repeatedly (by texting, not through face-to-face communication),
. he turned him down . I am not saying Halle was wron g or right.
Instead, I am pointing to how important media ideologies can be
III shaping how people actually interp ret the messages they receive.
( mucn t isn't everything; media ideologies matter.
Sometimes when people talk about ideologies, they talk abo ut
hehcfs that mystify, that keep someone fro m understanding how
things truly are. The term ideologydocs not have that connotation
hlr me. Media ideologies are not true or false. An e-mail conversa
tion is not , in its essence, more forma l th an an instant-message
«uwersation-c-o r less hon est or spo ntaneous, or mo re calculated.
Uul some people believe that e-mail is more formal, more dishon
n l, and more calculated, and th is affects the ways they send and
Interpret e-mail messages. l}nderstand ing people's media ideolo
,,,,:s can give insighls into how utterances are received, and why
IWQple choose to reply in part icular ways. But studying media ide
nlogies will not give insights into what is renlly being communi
rned as opposed to what peop le believe is being communicated.
11is !l2' an ana lytical tool for discerni ng truth or reality; instead,
It is but o~ analytical tool for understanding the ways in which
III mmunication is SOC ia ll y constructed and socially interpreted.
Understanding me ia 1 co ogles IS ccn ra a lin erstan lIlg l OW
uun municmion happens, especially now when there are so many
Jlm~ ible media from which 10 choose.
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20 The Brcak!lp 2.0
And I was like"yeah, right, haheha."And he S.1yS: "no really, I wasn't kidding."[Halle interrupts recounting the texts to point out] These are all
text messages.[He continues) "No really, I really like her."I was like- wait, are we still kidding?That is what I said, "Are we
still kidd ing?"And he said, "No, [ talked to one of my best girlfriends from
home, and she said that it's not fair 10 keep seeing you the wholelime I am thinking about her."
And I am likt'-what is going on?These are text messages aboutsomething thnt we have been joking about, and I have no ideawhat is going on. I am completely out of the loop. . . .50 that was it.
I haven't talked to him since.
Fifty Ways to Leave YOllr Lover 21
Th e " How" of Breaking Up
Why do people talk about the medium of a breakup? In my
int erviews, I learn ed abo ut peo ple's med ia ideo logies fro m th eir
emo t ionally cha rged sto ries about end ings. I was find ing o ut about
how they th o ught the me d ia tha t were used affected the co m m uni
ca lio n when the co nversat ions were aUabout love o r desire and its
loss. Peo ple were talking abou t approp riaten ess all th e t ime, abo ut
why o ne mediu m might be app ropr iate or inap pr op riate fo r ending a relat ionshi p. Some times I talked to people about how certain
technologies had co nt r ibuted to ending relation ships; fo r exam ple,
how sha ring passwo rds had , in retrospect , become th e first step in
des troy ing a relat ionship. I talked to co llege students abo ut end ing
fr iendsh ips as well, abou t the d ifferences between endi ng ro man
tic relat ions h ips and end ing fr iendshi ps. What I now know abo ut
people's me d ia ideolo gies is inti mately linked to wha t they said
about diffe ren t medi a as a mean s for co m m unicat ing abou t end
ing relationshi ps.
Talking about how peo ple choose to end a relation sh ip m ay bea co m mo n American way to talk about b reakups. When I was d is
cuss ing this project with another anthro pologist, Ray McDermott,
in a tea shop in Palo Alto, he recalled when he and his stude nts
had interv iewed Ame ricans about bein g in a fam ily in the early
1980s. He said that when peo ple talked abo ut divorce, man y fo
cused o n how th ings were said, wha t wo rds were used. At th e t ime.
there were n' t so many media to cho ose from-peo ple wo uld talk
in person , call on a land line o r write a letter. Ray said that peo ple
tended to describe th eir sense of outrage. inju stice, and griev
ance in terms o f how so meo ne had ended the relationship. not
IIUlI the relat io nship was end ing. Th e resentment tha t people were
willing to voice about end ing relatio ns hips all revolved aro und the
23fifty Ways 10 Leave Your Lover
lonn of the end ing. When they wou ld narrate how the relation
.hlp ended. they wo uld focus o n wha t was said. In my interviews,
Ihl\ held true as well. Turning to the medi a used is just an exten
.Ion of a U.S. tendency to d iscuss brea ku ps by descri bing the way
lucakups took place.
Whe n people focus o n the " how" of a b reak up, pa r ticular as
pl'LlS of a med ium become im po rtan t- whether it is too forma l
III too in forma l. whe the r it allows for intona tion, conversationa l
turn -taking, circ ulat ion o f the breaku p tex t, explana tion, and so
un. In my interviews, so me med ia were gene rally acknowledged
wbe deficient in o ue way or ano ther. Whe n people explained to
tnc the p rob lems with tcxt ing, as I me ntioned in the introduct ion ,
they often focused o n how b rief text messages had to be. Break up s
should idea lly be adequately expla ined, and how much ca n one
illtually say in 160 cha rac ters? In add ition, some peo ple insisted ,
I{'XI messages were fo r dec iding only the most casua l o f arra nge
1lll' IHS such as when o ne should mcct for d inner o r who else m igh t
want to go to th e movies. Fo r these peopl e. text messaging is too
Informal for so mething as serious or important as a b reaku p.
Formality and Info rmal ity: Assessing Media
The formality o r informa lity of a me d iu m de pends o n people's
media ideologies; there is no thing inherent in a medium to make
It more formal or info rmal than any ot her med ium . Th e kind of
Informality people agree to attri bute to a particular medium , such
ll~ rcxti ng, will sha pe when it is approp riate to use tha t me d ium.
While text messages migh t be too info rmal for a b reakup, they
often had th e right level o f info rmality for sta rt ing to flirt with
someone. Wome n insisted to me that if they me t someone who
W,IS inte rested in them , they would exchange pho ne num bers, but
TIre Breukllp2.022
2. Even the one person I interviewed who tho ught I was clearly very 01\\fashioned for suggesting that texting was not acceptable as a breakup mediumalso told me in deta il abou t how casual many of her relationships were. In till'case, part of what seemed 10 help textin g be 50 acceptable was the ways in whkhirs informa lity helped to emphasize her relationships' casualness.
only to text each ot her. Calling would express too much interest;
calling wo u ld be too forward a move. But texting was considered
to carry low enough stakes that one co uJd begin an excha nge with
the righ t level o f ambig uity, unclear whethe r the exchange is about
friendsh ip or desire. As Summer suggested in her interview, db
cussing th e text message she saved th at a cute m an had sent her I
half hour after the ir first conversatio n: "The good thing about tex
ti ng is th at it's that nice in-bet ween between calling and not doing
anyth ing. It's not so desperate,"
It is thi s very casualness that makes texting a problematic me
diu m fo r break ing up. One co nnects to som eo ne in it ially using
textin g becau se people presume that texting reveals so litt le about
the depth o r serio usness of one 's emot io ns. As a result, it is hard ly
appropriate as a med ium for breaking up. What is caution in
o ne's cho ice of media in the ini tial co ntact beco mes cowa rd ice ut
the end .
Tcxting's b revity and informality also affects the ways texti ng l\
actu ally used in a breakup. Here Iwant to d istingui sh between media
ideology and p ractice. Wh en people told me abo ut their media
ideo log ies of texting, they would stress how inappropriate texting
was as a med iu m for breaking up.' Sometimes, however, when they
talked about how text messages actua lly played a role in th eir break
ups, I got a d ifferen t sense of how text messages functioned . People
wo uld tell me abo ut choosing to start text-message fights on pur
pose, o nes th at some times, b UI not always, led to breakups. People
wo uld p refer text-message fight s because, as Rose explained to 111(',
25Fifty W(lySto Leave Your lo ver
I reel like for the most part in [face-to-face] fights, women, likel "l id,scream at men.and the men nod like this [demonstrates howthe men stare off into space] and nod like this, and [the woman•.Iys]"oh. you said this" and you scream m them more for saying it,lind they nod. And at the end of the fight you feel better and theyImt let it go and everything is okay.
Alld yet, the wo ma n never really knows whether th e nodd ing man
"',l .lli.:tually listen ing to her. But, as she explained , with a text rues
l l\~" the man has to pay attent ion to the words, and he has to re
l li llld \0 what the wo man is saying. Texts, she went on to say, were
1I11"'Ysan swered. Yo u co uld delete an e-ma il or a voice mail, but
j • • \11 requi re bo th at tention and a respo nse.
uecausc of thi s, so me people used text messages 10 begin the
h, r,lkup ritu al. Textin g " ) wan t 10 b reaku p" in so me cases was o nly
IIII' medi ated vers ion o f th e face-to -face ut terance: "We have to
"Ilk " The possib ility of a breaku p is promised but not definite.
III, te,ld , text ing a wish to b reaku p in the early evening so me t imes
u~ \I rcd frant ic pho ne calls or lon g face-to -face co nversatio ns untiJ
h III the morning. A text message's very informality, however,
II II' ,I UI utter ing th e desire \0 b reak up by text mi gh t not be taken se
' hlll\ ly as a desire. Much more con versational wo rk wo uld have to
lh cur to make th e desi re become fact . Several peop le thought that
" n-xt-messngc b reak up wo uld n't result in a b reakup . Cole said,
II I lexted my girlfriend '1 wan t to break up with you' I think she
urfdn'rt akc it serious ly. She wou ld prob ably laugh."
I have becn d iscussin g the d ilemmas of using 10 0 informa l a
utrdium fo r b reaking up , bu t too formal a medi um can also be
Ih, recipient wo uld focus his or hcr entire attention o n what you
, Il' \.1ying by text and wo uld have to respo nd to that message.
Ill h~' compared th is with face- to-face fights:
Tile Breakup 2.024
J, M~lllY of my interviews had astrong undercurrent of nostalgia(or the w,ycommu nication used to be, before texung, e-mail, instant messaging, Faceb(lll~andsoou.
27Fifty W"ys to Leave Your Lover
Iln lHlse e-mail is so connected 10 oral communication, wefeel likeIlIf Me saying something quite well when we type it o ut. And then~l lIll ,1l1 goback to it a daylaterand you realize-s-oh, this really wasn'tIll',"lyas well-written as I thought it would be, which is not as much~ I ' experience I have with sort of conventional typing. The ways
Ihl l" mail] Every letter looks the same, they arc identical. I push,h.' hulton, but it wasn'rmy hand making the note. But it is incred11 ,lyhelpful and it's shrinking the world, and it is so much easier toummumcate, blah blah blah.allthosewonderful things. Soin that
11\(', I.' mail is the best tool.You can clearly think out what you are!lyIng to say as long as you don't write an angry e-mail. But you
lI lIM just aseasilywrite an llllgryleiter. And as soon as you send it,1111 regret it, and you try to jam your hand into the blue box, butIllUlllll't gel it, just like you can't unscnd an e-mail. So those two,
111 th.u vein they are very similar, in thai they both still have their11tllhletllS, but since we have been writing leiters as long as wehave1' 1'1'" around, we know how to approach them better. Whereas in"l it messaging, and tcxtlng, they are fa irly new technologies so
11Ir tl.' really is no etiquette.
rudtnger, chatted with me abo ut what he thought about e-mail,
I. utnguishlng between handwrit ten letters and e-mail:
II the Gunslinger,e-mail and letters gradually became almost in
l' I,lhlngeable as he thought about the etiquette challenges each
I I .mcd. Other people his age with who m I spoke would also
l'lh kly equate letters and e-mails, viewing them as interchange
,Illy lormal,
t !Iller people, by contrast. viewed e-mai l as infor mal and de
lIhrd the way its [nfonnality affected communication. Noah. a
1'1 ' lln \Or of physicsin his fortics at my university, shared his per
I' \ uvc that e-mail was not similar to leiters at all but far more
11I 11' ('d to spoken communication:
n« lJrctltrlP2.026
a problem. O nly one person told me abo ut being dumped Iletter-and this on cream stationery written with what she \u
peered W3 S a q uill pen. In this case. it was the very formality of IIletter that bothered Eleano r. She knew the breakup was probabf
coming. They had lived in the same dorm. and as long as thl"
primarily co mmunicated face-to-face. all seemed to go well. IIwouldn't text her and when she texted him, his phone was Olh'
tu rned off. For the most part , there was no reason to communicst
any other way but face to face-they lived in the same place. HUI
when they went home for the summer, four hour s away from e,II hother. their communication started to go sour. They kept arguing II)'phone. So Eleanor thought a breakup was likely, but did not exp«
it by cream stationery. She described in detail, with a mixture III
horror and amusement, the seriousness of tone. the surprise of Kt' l
ling such a for maldocument in the mail."Who does that anymon«
she kept asking. She would have much preferred a phone call.
Cream stationery aside, the medium that most undergraduate
described to me as formal was e-ma il.As I mentioned in my intru
duction , people's mcdia ideo logiesabout e-mail reveal a generauon
gap in the ways people und erstand technology. Even undergradu
ares who were unhapp y with the ways in which new media Wl'1
changing people's communication,' would describe e-mail 35 til
closest regular form of communication that they had to letters;11"'1is, to mo rc tradit ional forms of communication. By contrast wuhall the 01her media they used regularly. e-mail seemed the mo\1
form al, used 10 communicate with employers, professors. I' M
ent s. nnd grandparents. One student, who wanted the pseudonym
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Is It Like Pace-to -Pace Conversation?
People arc constantly developing their med ia ideologies through
comparison, attrib uting certain qu alities to one medium becau..r
29Fifty YWIYS /0 Leave YO llr lover
/'1111 1' Vll/we: [Most people think) breaking up in person is ideal.nllt I just think that when it comes10 breaking up with someone.il I am sure that I want to break up with someone. then the bestWilY is to do it through other means.
U./11I. ; So what do you try?
, 11/1/1' VII/we: 1usually just go on instant messenger, and I make itliS dear and straightforward as possible.And llenve no room fordoubts. Because when you see someone in person, it's harder tobrtug i! up. And onceyou do bring it up, you arc going to be afIcctcd by how that person responds to it. You will feel bad. Andthen you might change your mind based on how that personresponds. if they start crying or something like that. But then,through instant messaging, you willjust sayit, and you won'! see
II. .,. M e tacitly contrasting it to other media. Thus when people
Illp....ed tcxtlng with instant messaging, they would talk abo ut
WJ"Kl jng was eyer-prescnl and too informal, whilej ostant mes--~ 1l11. could offer a textual represent ation of spoken conversa-
I, ,II' When faced with a hypothetical question such as "which is
1,'ller medium for breaking up?", people would talk about how
.'111111 messaging allows for conversational tu rn-taking, how pea
l, always respo nd to each other in real-t ime. People could take
1 " Il I I ~ to 11'11 a.rc.spoose. and one never knew when it would arrive.- .-u Instant messaging response, by contrast, on e could see being
'1111'11 . Sometimes people men tioned that they could get infer
'1 lIllhltl about the other perso n's state of mind by the speed and
, 1 1 ~l h l l t of their typing, once they knew the person well enough. In
Lllucn, instant messaging affords the possibility for explanation
Ih l .t dialogue ill which the person being d um ped call ask "why?"
Ill.' woman, who requested the pseudonym Duae Vultae, largely
l'l.'lrrrcd to break up by instant message. She explained why in the
I ,Ililwing way:
The Bretlkrlp 2.0
I know it is linked to oral communications is (a) I notice how oflenI am saying things out loud as I type them on e-mail, which is no.something I do with normal word-processing and (b) the numberof times I makephonetic spellingerrors. What did I do just a coupledays ago? II would have been potentiallyembarrassing, I spelled OUItheword that sounded likewhat Iwas saying,but I really meant a different word entirely. I don't know if it was"through" or "threw" Thefact that I haveseen thosekinds oferrorswritten bybrilliantscholanmakes me realize that this is something about e-mail. Peo ple make.'grammatical and spelling erro rs in e-mail that they would never
make on a memo theywere typing on the exact same keyboard.
28
E-mail is a medium in which media ideologies are most sharply
different iated along generational lines, with people of Noah's gl'll
eration viewing e-mail as inform al and people of the Gunslinger
generation seeing e-mail almost as formal a medium as one ( ti ll
have, second only to a letter.
Up until now, I have been describing how people's media ideolo
giesdetermine the formality of medium. There is not hing intrinvically for mal or informal abou t a particular medium; it all depend
on what its users decide is for mal or informal. However, the r('l"
tive for mality of a medium is but one small aspect of how medu
ideologies affect people's breakup experiences. Breakups mil~t
people focus on other ways different media might affect commu
nicaticn as well.For example,while peop le's e-mail ideologies tendto center arou nd the ways in which they compa re e-mail to letter•.
people's instant-messaging ideology, by contrast, centers around
the way instant messaging resembles face-to-face conversations.
When people objected to insta nt messaging, they ofte n pointed
to the way in wh ich 1M mi ght not be enough like spoken co nver
sa tion. O ne student in a class o f mine sa id th at th e problem wit h
insta nt messaging was th at yo u never kn ew if yo u were the o nly
person they were talking to at that moment. Because thi s is on ..
co m p uter sc ree n. someo ne co uld be b reaking up with o ne person
and hooking up wit h another at th e sa me time. In short, instant
messaging could not guaran tee that someo ne's whole attention
was o n th e perso n they were typ ing to. Techn ically thi s is also tru e
o f e-mail, Paccbook, or text messages. But it is the ways tha t peo
pie ta lk about instant messagin g and how sim ila r it is to face-to
face co nversa tio ns th at also makes th e d ifferences th at they not ice
between these two ways o f co mm u nicat ing mo re of a problem .
Anot her d isco m fort people had with instant messagin g is
tha t so meone co uld simply end the conversat io n ab rup tly and
witho ut any fo rewa rning. When people do thi s in face-to -face
«uwcrsarions, there are bod ily movem ents th at give some indi ca
lion that this may be abou t to ha ppen , and perhaps so me d ues as
hI why someone has chosen to end a co nversa t io n. By 1M , th ere
'lire ']9. s",b nonvrrbal d ues. so th is end ing is perce ived as m uch
mere abrupt. O livia told me a sto ry about how her eighth-g rade
huyfrien d had responded to her desire to b reakup ove r 1M by sim
ply logging o ff.
3 1FiflY Ways 10 1.fwve Your cover
This is when instan t messenger was a big part of my life-awaymessages told abo ut your state of mind. You would put up the(IUOle of a song. and it told if you were happy or sad.... 1 had this
boyfr iend and it was eighth grade. He asked me a lit through hisfriend, we talked online, lind we hun g out, like, once, and then Igot
freaked out. I am not ready for this. I broke up with him online[by 1M J. And then, of course, it's like that is the equivalent of deactivat ing [Pacebcck], is the person who signs off without sayinganything. It's like Wah my god, arc they going to go kill themselves,did they go to cry.or are they pissed off,and they don't care?"... 1remember what I said, and my heart was pound ing. And then he justsigned off. and that was his response. I was good friends with hisfriends, and they told me that he W,IS upset and everything. And he
wasn't online for a few days... so I was worr ied abou t him.
'ug ning o ff insta nt messaging witho ut announcing he was go ing
telt far too vague for O livia. She was fou rtee n at the time. and th is
was one o f the first times she had ever ended a rela tionsh ip, so she
did not h ave man y past expe r iences to help place his be havio r in
context. And h is acti ons were too am biguous for her to evalua te
wha t m ight be the co nseq ue nces of her desire to end the relation
ship. In sho rt , she needed mo re informatio n abo ut how his med ia
ideology and h is practice co incided to int erp ret h is act ions.
[ have been descri b ing so me o f th e media ideo logies a t play
whe n people break up with each other (and there a rc many more),
how they react. .. .Most people think it's very harsh. Somehowit never bothered my conscience that it was just do ne with . It'sprobab ly better for them too. I just do n't like to drag out a relationship that Ihave determined to end.
tiona: So let me ask you, you are choosing instant messaging. Andyou have other choices. What is it about insta nt messaging?
Df/ae vu uae: Other choices, maybe phone? I could call them. Thatalso ma kes it more difficult- talking. You know, talking makesit more personal. And then, if I text, its just, 1do n't know, thenI feel like I still need to leave room for a little bit of explanat ionand text messaging, that would take a long time to respond back.So, or e-mail, now e-mail- I like the immediate respon se. With
instant messaging you can do that. And if they get upset, youcan just sign off, and okay, it's done. But then through e-mail,
you have to wait to see.... If I am absolutely certain abo ut thebreakup, then it's instant messaging.
The BreabJp 2.030
4. Upon hearing abou t my project, many people responded by telling Inabou t the Sex and the City episode in which Berger breaks up with Carrie Br' ltshawon ~ Post-it note.
33Fifty Ways to teav/! Your Lover
nuormation to predic t with any degree of accuracy what yo ur
' H I!I;1 ideology will be. I realized as I interviewed more and more
l"'ople that not o nly did people have d ifferent media ideologies,
hUI thev were ofte n dating people with d ifferent media ideologies.-ll ll ~ would occas ionally make the breaku ps more di fficult , O ne
I. rl \t)n might th ink a text message was a perfectly acceptable way
I II ht :lrt a breakup co nversa tion-a conversa tion that they just as
1II1led would d rift to phone o r face- to-face conversa tio n before
tll t1 end of the night. Th e other person mi ght be horrifi ed to get the
W\~lge by text message and refuse to speak to their now ex-lover,'WI' again. Whe n I began interviewing people, I expected some
.u lety in how they understood the ways that media affected rues
KC~ . After all, because these media ideoloi ies are jdeologies, thQ'
.I ~ ;llways multiple, locatable, positioned . and contested. Wha t I
,Ud n't expect was how multiple and ho w contested all these media
nleologies would be.In my inter views, peo ple often descr ibed having to guess what
.uhcr people's media ideologies migh t be to interpret why they
ere using a particular medium to accomplish a certain comm u
Ull ,ltivc task. For exa mple, o n Pacebook, yOll can send a pub lic
mcvsage by po sting to sor nccne's wall so anyone in their Pacebooknetwork can know the content of the message, the author, and the
lillie it was sent. With a pri vate Pacebook message, only the ad
llu' \ser and addressee can see the message. So Joe invites len to
~iI howlin g via a Pacebook wall pos t; sho uld len con sider thi s a
.I.lle? Why is Joe send ing thi s message so publicl y-to make it less
' 11 l1 da te (that is mo re casual) or more of a da te (wa rn ing o ther
pt'ilple who might be interested in len th at he, Joe, was pursu ing
hr rH This pa rt icular utt erance d rove len to Joe's profile fo r any
Insight into bow Joe understan ds and uses Facebook. And o nce
.me starts datin g, as many readers may have discovered , regular
Til eBrC4kilp 2.032
in part 10 clarifywhat it means to analyze new media from an l, th
nographic or anthropological perspective. I cou ld discuss the W.I)1
I th ink n medium fun ctions- whether tcxting ensures more of lIl'
immediate answer than instant messaging or e-ma il.and how Ihlll
might affect a breakup-but that would be an int erpreta tio n b,l\t'd
on my own assumptions and experiences with technology. PCOI,lfdevelop und erstandi ngs of how media fun ctions based on tlu-rr
own prac tices and conversat ions they have with the people lht'rknow, as well as the stories they hear and see throu gh the media.'
Their media ideologies always managed 10 surprise me, and mil kme think abo ut the technologies we were talking abo ut in a IWW
way. Peop le a rc unpred ictable, o ne can't tell witho ut askin g \llltl
observing what med ia ideolog ies they ho ld , and how their behctshape their pra ctices. Some peo ple 1 talked to tho ught that a It.1
message always required a response; ot hers had no problem IK
noting text messages. Whether texts required respo nse o r could hIignored was part o f a person's media ideology; it had nothi ng III
do with the cell phon e equipme nt. In sho rt, o ne sho uld not pnsume 10 know the med ia ideologies that accompany a particulartechno logy in advance witho ut asking a person many questions III
determine what his o r her med ia ideologies and pra ctices are.
Dati ng People with Different Media Ideologies
There is a corollary to what I am presenting here-peop le don't
necessarily share the same media ideologies, Being American,o r a white middle-class Amer ican undergraduate is not enough
intimate co ntact does no t necessarily shed comprehen sive Iiglll
on how anot her person communicates or interprets the meduthrough wh ich theyarc commu nicating.
The fact that people do n' t necessarily sha re media ideologies
mean s that they don't necessarily agree on how one should uw
par ticu lar media, either to connect o r d isconnect with each other
Yet being able to interpret ot her peo ple's media ideologies withan y accura cy can affect how your conversat ions will now. As I
mention ed before, if two people agree that a lex! message is 100
info rmal a medium for breaking up, they might decide that a text
message fight con taini ng the stated desire to break up sho uld not
be taken seriously. O nly a face-to -face encou nter following the
fight can best resolve the argument, and might potentially lead to
reconciliat ion. But if one pe rson decides that tcxting is so infor
ma l a medium tha t any breakup utterance pe rformed with in this
med ium is uncon scionable (as Halle did in the sto ry toward the
beginn ing of this chapter], then rather than having a n immincm
reconciliation , a breakup has just taken place. In short. it is not just
how you thi nk about a medi um . it is how you reflexively engagewith the medium given what you th ink abou t it.
Alexis asked me out via the Internet. She was cute, hip, and a scientist. We went on fi ve dates, but each one seemed like a fi rst date.She let me kiss her, but never really responded. Conversation wasso-so. Oh, and on the second date, 1 met her dad. We had plans forMemorial Day, but she never called me, and didn't respond 10 myvoice-mail.... The next day, I got an e-mail apologizing for blowingme off and saying " I needed to give myself a hall pass not 10 call"nnd"I don't waur to be in a relationship right now."
35Fifty Wa}'$ 10 Leave Your Lover
onvcrsauonal exchanges switched from phone to texting, for ex
mple. At first. I suspec ted that the people I was interviewing were
ncrously humoring me-they knew I was interested in commu-
11 11 utive technology and so they were willing to seamlessly mark
lh presence when they narra ted their breakup conversations in an
nucrview. But once I started paying attent io n, it becam e clear that
uwnticnin g the medium is a relatively typical feature of contem
I'm;lry American breakup narratives. All my friend s constantly
Ihlk the utt eran ce with its communicative medium, and ma ny
IU t'.tkup nar ratives featu red on radio sho ws or television or posted
nil blogs and o ther Web sites do as well. Here is a typical example
III what I am describing fromthe Dum pcdstcr Web sitet-c-this was
ptl\ lcd in May 2003:
The. Breakup2.034
And Then She Texted Me
Media ideologies are central 10 explaining one of the striking
features of the sto ries people told me: ~eople always ment ioned
which medium was used whenever they recoun ted a conversation.
As people of all ages to ld me breakup sto ries. they tended to tell
me no t on ly the sequence of events. who said what and when. but
they also always mentioned the med ia in whic h each con versa
tion or message look place. They would point out whenever there
was a switch in med ium, lett ing me know whenever the narrated
Ihe Internet. voice mail. e-ma il, and hall passes all appear in th is
narr at ive. In their sto ries. peopl e are tracking the med ia throug h
which break ups arc unfold ing. Why do they do this? Wha t work is
being done when people retell what was said or typed, while con
~ I(mt ly rem indi ng the audience what medium was used?
I'll begin to answer by pointing out something that readers may
hnve been wondering about. Saying or wr iting " I wan t to break
5. The website Dumpedster (www.durnpedstcr.com) is now defunct.
37Fifty Ways to Leave YOllr Lover
text-message breaku p is rarely accomplished solely by tcxt iug,
Il her media would almos t immediately be called upon for this
I ~ ~k . Texting a breakup may o nly be the beginnin g of the ritual of
1lll',lking up , and in some sense the warning shot across the bow.
lu_1 because you say you want to break up doesn't mean that you
I I' actually going to break up. You could be having one of many
Il ~hts or be abo ut to rede fine some of the terms of the relat ion ship,
hUI endi ng the relationship is not a given.l acebook plays an ambiguo us role in how it facilitates break ing
It ll Sometimes it creates a sharply de fined ending. For Leslie, the
Iacebook breakup served the same function as e-ma il d id in my
111 ,1interview. Leslie checked her Facebo ok profile late in the day,
oIlid found out that she was suddenlysingle. In fact, she learned that
her boyfriend,now ex-boyfriend, had a new girlfriend th rou gh the
Ill'WS feed that flashes on as soo n as one logs on. And then she
11111iced that her profile had changed, that he was no lon ger listed
,t'li the person she was in a relationship with. Th is was a Paccbook
hrcakup that was immediately effective. And she said ruefully that
be cause of the news feed , everyo ne else knew before she did . In th is
I "\C, the medium helped determine whether ind icating " I want to
lueak up" beco mes effect ive over time.Out in other cases the news feed also reveals to peop le how un
~hlble Faccbook claims can be-that is, how unstable a person's
a ngle status can be. Whi le some people will claim that a breakup
I'n't official until it is "Pacebook official," just becau se it has berume Facebook official doesn't mea n that it has taken . People will
waiver-c-one day they anno unce on Facebook tha t the relat ion
shlp is in troubl e, the next day they annou nce that they arc back
togeth er. A community's first ind ication that a relatio nship is in
trouble is often the rapid cha nges to a Pacebook relat ionship sta
IU~ . SO Pacebook is a glimpse into other peo ple's d isconnect ions,
TheBretlkllp 2.036
up" is no t necessarily effective: suggesting breaki ng up does Il l "
actually result ill breakin g up. People are ofte n ambi valen t al>clulbreaking up--one person may want to break up more than tl!,other. o r bo th people may be uncertain. Clar ity on this front can
seem like an elusive achievemen t. It turns out that the mediuu
through which "[ want to breakup" is uttered contributes to II
effectiveness. Louise, who was in her late twenties, had been i ll II
seven-year rela tionship that had begun to co ntain many ambigu
ous conversati ons about whethe r il should continue or no t. Th
conversations went on for mont hs, but Louise and her signifi cant
other were still together. Finally her significan t other e-r nailed her
that he wanted to end the relationship. When Louise reflected Oil
the breakup, it was the e-ma il that she focused on, calling it cow
ardly, and jo king months later that she sho uld have refused th
breakup and instead waited for the text message. In fact, afte r th
e-mail, she stopped all contact with him. She conside red perfo rm
ing a breakup over e- mail so ind icative of his personal failings Ihlll
she did n't wan t to con tinue interact ing.
Befo re J began this research, I thoughI that a fairly typical re
sponse to being d umped by the wrong medium might be to refu\('
any furt her cont ac t with the person ending the relationship. Evcu
the popular fict ion al "Text Message Breakup" Youtube video
(http://www.yout ubc.com/watch?v=XcidD2HFK8M) depicts thi,
response to a breakup e- mail o r break up text as the predictahlr
response. A woma n raps abo ut the social costs her boyfriendl
ex-boyfriend wiJl now pay- namel y, never sleeping with anyone
else-because he has breached social norms by breaking up bytext-message after a two-year relat ionship, the cho rus being "You
don't text message breakup." Yet as I mentioned earlier, fo r SOI1lI'
coUege stude nts, a text-message breaku p just ind icates that thr
phone calls o r instant messaging wiJl now sta rt. For these people,
Idioms of Practice
Peop le's med ia ideologies contribute to why they mention tilt'
mediu m of a message as they tell the stories of their breakups
They are explaining the message-people's media ideologies en
sure that the same sentences a re interpreted and experienced dif
ferently when read on a computer screen or on a cell phone. There
39Fifty Ways to Leave YOllr Lover
Ali Gitelman explains, mu ch of what we take for granted about
older co mmunicative technology like the teleph on e had to be
Inventing, promoting, and using the fi rst telephones involved lotsof self-conscious attention to telephony. BUI today, people converse through the phone without giving it a moment's thought.The technology and all of its supporting protocols (that you anewer "Hello?" and that you pay the company, bUI also standardslike touch-tones and twelve-volt lines) havebecome self-evident asthe result of social processes, including the habits associated withother, related media. (Gitelman 2006, s-6)
h another reason, though, th at ma rking the medium contributes
h i the detect ive work of tryin g 10 understand a breakup: People
have what I am calling different idioms of practice, a term I men
Onned in the introdu ction. Groups of friends, classes, workers in
till office will develop togeth er their own ways of using media to
runrnu nicate with each ot her. Sometimes they realize th at th eir
,Iyof using a medium is distin ctive, that it marks them as differ
III from other people. Sometimes they don't perceive that their
lhe of a medi um is unique until some miscommunication or un
vpe cted way someone was communicating made it clear (often
unpleasantly clear) that others have different idioms of practice.
Fwo main reasons emerged from the inter views to explain why
there are so many idioms of practice with new media right no w,
wh y people keep discover ing that there isn't a genera l consensus
~ h() lI t how or if to use d ifferent media to acco mplish d ifferent
.umm unicative tasks, such as breakin g up. First, becau se these are
m-w media, people haven't had time to develop a widesp read con
,n iSUS abo ut how to use a medium, especially for relat ively rare
«un muni catlvc tasks such as break ing up. As Lisa Gitclman, a his
torlnn of media, poi nts out, thin gs we now take for granted about
the: telephon e took a whi le to be established.
Tue Breakup2. 038
but a glimpse that tantali zes instead of satisfying. And what is oftenunknown is whether the breakup is going to take-is the news (cI'11recording a breakup saga or a narrative of renewing commitment
of near dissolution narrowly averted? Which kind of sto ry will III,
breakup stateme nt o n Facebcokcventually contribute to when tilevents become a story that circulates?
I want to suggest that because peopledon't share the same med••ideologies, especially about new media, part of what someone II
doing by marking every medium in their story is tracing the derc,
live work Ihey had to do to determine which genre of sto ry th is nat
rative was going to become as it unfolded. The interactions mightbe a relationship fi ght leadin g to renewed co mmitment, or t/wy
might signal a breakup. Each person's intentions are unclear, anti
can only be retroactively guessed at byseeing how what they say and
what they do align. One of the clues that peop le focus on as they try
to guess in hindsight what was going on is the medium that cadi
person uses. Their cho ice of media can be read as formal o r infermal, enabling intonation or devoid of intonation, allowing for COil
vcrsarional turn-taking or preventing it, public o r private, and !oil
on. By recounting the medium used, people can gain some insight
into other people's media ideologies, and often people realize that
these media ideologies are not shared in the mom ent of a breakup.
The qu estion "Why would anyone text that?" is a good indication
that people are not sharing the samemedia ideology abo ut texting.
42 The Breakup 2.0 Fifty Ways to ullve YOllr Lover 43
id io ms of p ractice. A per son can ca ncel a Facebook friendship by
clicki ng o n an X near th e Pace book friend's name. O nce th e per son
clicks to ca nce l the frie nds hip. Facebook as ks: "Remove fri end?Arc
you su re you wa nt 10 remo ve Harry Potier as a friend? Th is ca n not
be undone. Harry Potter will not be notified ." You then have ro
confi rm tha t you do indeed wa nt to ca ncel the Facebook fri end
ship. Some people said they never de friended anyone on Pacebook.
As the G un slinger puts it:
If someo ne angers me, I just don't talk to them. It is so trivial to
have them no longer associated with you on the Internet. I mean ,I am tr ying to put this in a more base term-when you look atsomeone, it won 't say friends in common-the Guns linger and "soand so."So many people are going: "They're friends? I thought theydid n't like each other." But wha t is the point?
The G u ns linger, and ot hers. tho ught th a t Facebook friends means
SO little th at defriend ing was an excess ive act o f hostil ity. ln tr igu
ingly, et her people had regu lar boUIS of defriend in g friends, and
gave exa ctly the same reason fo r these purges: that Facebook
friends don 't really matter. Rosie described how she regul arly goes
through and defrien ds so me of her Faceboo k friends:
llana: What abo ut defriending?
Rosie: I just do it. I had so ma ny friends on Pacebook. and I didn'teven really know them all. I mean, I knew them. but they weren't
of any real importance to me. So I went through a defriendingpurge, spree actu ally. And I went from 700 friends and I havelike 56 now.
llana: When did you do this?
Rosie: Over the last year, probably. I went through one [purge]where I delet ed all the fake Facebook profiles, like Bruce
Buckeye, Brad Pill , that kind of thing. Then J started goingthrough high school, people I don't talk to from high school.There are a lo t.
llano: Did you get any comments abo ut th is?
Rosie: No, I never had an ybody try to rc-Inend me. So J am gues.'iing thai they didn't even realize that I did it. O r they just d idn'tcare. in which case I d idn 't need to be friend s with them on Face
boo k anyway. My rule now is that I periodically go through myfriends list and [ ask: "okay, have I talked to this person in the
last couple of mon ths? No. Okay.Should I gel rid of them ? Probably."There arc some peop le that Idon 't talk to on a regular basisthat I keep on there. For the most part , if I don't talk to them ona regular basis, or interact with them ill reallife, I probab ly do n'tkeep those friend s on Paccbook or MySpace.
lIoth Rosie and the Gu ns linge r arc addressing the same soc ial di
lemma: how they sho uld best ma in tai n a socia l netwo rk whose
member s have p rivi leged access to thei r profil e and often c ircu late
Ino m uch in formation (people's news feed co uld be too packed
Wi th in fo rma tio n abou t people they don't know well o r ca re
,ll)Qut).' So me peo ple felt that to be a Pace book frie nd was so m in
hll ,ll a link th at to den y so meone th is link wa s especially rude-the
metaphorical eq uivalent o f refusin g to sa y " how are you do ing?"
In a friend of a friend , so meone you bar ely know and pa ss o n the
, t ree t. Others do not want 10 clu tter thei r network (and news feed )
With people they do n't know well.
Some people broa dcast t hei r personal informat io n so often
Ilnu even rel ucta nt defrienders will cu t t he link. Pau l, who rarel y
(t_ A l the time that J was Interviewing, Pecebook did not allow you 10 choosewhetheror ocra ltucebook friend's information would appear in your news feed .Ihl ~ changed in 2009.
45fiflY WtlYs to Leave YOllr Lover
.' lIdir: She had already decided a week before, two weeks, maybethree weeks that she didn 't want fa be my friend, but she didn't
tell me in person. So not everyone is like this particular person.But il was surreal.
llaua: How did you know thai it was weeks earlier?
.' lIIlie: I am just guessing. It could have been the day before, itcould have been three weeks before. Because I had n't had an occasion to message her. And her profile hadn't changed, maybe
her profile hadn't changed in a couple of weeks. Since thai isanother way that you find out . It was vcry unsettling. I was sortof like "wait. what? Did you seriously defriend me?" And at thatpoint I WaSangry, because she was disagreeing with me, but shewas still talking 10 me an hour beforehand. And I had had ot herconversations with her. She wasn't super-friendly, and she wassort of strange. I didn 't really notice it until I saw th is and knewthat she didn 't want to be my friend anymore.
(H course so metimes peo ple d o defr icnd each o th er o ut o f
,tl"'l'r. It is even more of [I state ment w hen (here a re d ifferent id i
11l1 ~ of practice in volved , whe n someo ne d efr iends another who
r-uevcs (ha t a Paccbook friend is a m inimal acknowledgmen t o f
xial connect io n, and thus wo uld never defnend anyone. T h is
j,"ppencd to Sad ie, w ho wo uld never d efriend an yon e, as she ex
111,. lns in respo nse to my questio n: How did she know she had been
btucnd cdi
III th is case, the fact that the people invo lved had different id io ms
II I practice su rro und ing Paceboo k fr iending a nd dcfric nd ing made
t h l ~ dcfricnding meani ngfu l and pa infu l.
I interv iewed so meo ne else fo r who m Iriendin g o r defriend ing
hed littl e to do with being acq uaintances and much more to do
wnh how people circula te knowledge. Noclle told me th at w hen
lit'was cu r ious ab out so meone on Faceboo k, she wou ld request to
The 8rt akup 2.044
Awl: So this was on livejou rnal. This wasn't on Pecebook, this wa\
on livejournal. It's basically a public diary... a blog that works ~
little diffe rently because you can basically create communities.It was a big thing in high school, a big big thing in high school.And when you write something down , you put up a post if youare friends with someone. Then on your friends' page, your postwill be there.She would post all the time, like maybe five times II
day. And it is supposed to be like once a day, maybe three time,a week, Thai sort of daily or less ballpark. She would post five
times a day! So my friends' page would becluttered with all herposts. I still liked her as a friend, but I couldn't have thai many
thin gs cluttering up my friends ' page. So I took her off, we aren'tlivejournal friends anymore.
lfmra: Did you tell her?
I'alll: I don't think so. We were in dru m line [in the band ] together.We weren't close enough to talk all the time. We were within thesame friends' circle, which was part of the reason why I didn't
want her cluttering up my friends' page. You know, friend of J
friend. So Idon't think I actually told her that. I am not sure thatshe knows. [ imagine that she knows. At the same time, she hasfive hu ndred livejournal friends.
dcfriends o n Pacebook, decided to remove som eo ne fro m aneth
networking s ite , his livejo urnal blog network (www.livejcurnalco m) because she w rote so m uch that his livejournal page WI
filled o nly with her en tr ies and no o ne else 's.
Pau l put a lot of thought in to figu ring out whether o r no t tlum ight o ffend her. He decided tha t they didn' t know each other .1 11
thai well, t hat thi s wasn' t a vio lat io n of tacit fr iendsh ip expects
t ions. He also decide d th at she was u nlikely to value him all thul
highly eit her, given h ow many livejo u rnal friends she had . Ill'
ho ped tha t one less link o ut o f five hundred links surely co uld nul
matter that much to her, but this was all guesswork on Pau l's pall
47Fifty Ways to I.eave Your Lover
Ilumb! Dumb!Why? Idon't know... like Ijust feel like it is so trivial.nd so childish. What arc you telling people like when you put thatup there? No, I am not interested in your advances because 1kindlit got this thing going on with someone. Well then. just like .. .justrrmove it, just take it all off. And if people are unsure, you shouldhe enough of an adult ... you should have enough social skills tohl' able to give someone a sign thaI like ' hey, that's really sweet of¥'lI l- not interested, got some stuff going on.' You need to do itthrough ' it's complicated' on Facebook? Really?
lot everyone I inter viewed was as o utspo ken o r funny in their
ut lquc as Keith, but most people had st ro ng senses of what is an
Illllop riate o r inappropriate usc of technology.
.euucms, I unwiuingly stumbled across the fact that I was inter
,rwing college studen ts with numerous idioms of practice.
I have been trying to w rite fro m a nonjudgmental stand po int
e people's various idioms of practice because I believe th at o ne
11M 1ll'S med ia ideology and usc o f technology is no better o r
H\ C than another's. This is the p rivilege and obliga tion o f an a
hiKpeople's pract ices. B~inB a goo d analyst o f others' pra ctk es
uvolvcs accept ing th e validi ty o f ot her~r~c:.ti~s. This isn 't a
t . ll ~ e you ca~~~i1 y o r comfortab ly take when you arc cons tantly
.nununicating with peo ple with d ifferent idiom s of practice. As
II analyst, I was encountering peopl e's different uses of technol
,y as sto ries, not as pract ices tha t affected me personally. I am
1111' 10 ana lyze and write without jud ging o ther peopl e's behavior
j'lh ical- a luxury th at peo ple in the thi ck of things don 't have.
I! I. no t su rp rising th at in my interviews, people were constantly
«uktng mo ral judg men ts. They fell st ro ngly th at so me ways of
h1hlK technology were wro ng. For example, in respo nse to my
Illnl io n abo ut what Pacebook's relat ionsh ip status option " it's
uuplicated" might mean , Keith said:
TIle Breakup 2.046
llaua: How do you decide whether to friend someone or not?
Noelle: Oh, sometimes if I want to be nosy, I want to look at Iht'wall, but if you can't, I will friend somebody, and see what I havrto see, and then delete them as a friend. I do that all the time, if Iwant to look at their pictures or something, just 10 be nosy. <11111
then I just defriend them.
be their friend . They tended to say yes; people often fr iended 0111,
people th ey suspec ted th at they vaguely knew. She wo uld th,
look at th eir profile, figure ou t what she wanted to kn ow, and tilpromptly defriend them .
must ad m it, when Noelle told me this, m y first though t w
"Well, th at 's a different idiom of practice." No one else I inlr
viewed would friend and defriend qui te like th at. Seve ral ollh
people I had already inter viewed would be horrified a t the III,
o f so meo ne do ing th is, but just as many might wish th at they h
thou ght of it them selves.
The wide range of idioms of practice I was enco un tering in II
terviews occasio nally made for some awkward interview moment
When I was talking to college students about th eir use o f co m muni
cative technology, Ididn't want to introduce them to new techniqu
I just wanted to find out what they did . But I would occasio nally,I,
my su rprise, find myself explaining o r un wittingly warning peo!,i
about ot hers' practices. For example, I often asked students abou
fake Paccbook profiles, which 1 had first learned about from til
interv iewee as a technique to find o ut who on e's ex- lo ver is 1111'
dat ing witho ut revealing th at you want to know. In short, a 1ft
Pacebook profile can be an asset in one's Facebook stalking (morcre
Pacebock stalking in chapter 4). But sometimes studen ts WI'
su rprised to find o ut from my quest ion s that fake Pacebook plI
files existed that weren't obvio us jokes. In this, and other sinnl
49Fifty Ways to u:m't! }'OlIr t owr
III the next two cha pters, I d iscuss at grea ter length wha t people
'II ~ on as they develop their media ideologies-the structure of
uumunicarive techn olo gies an d a techn ology's relat ionship to
lIlt'" mediums. To understand o ther peo ple's media ideo logies,
II' h ,IS to figure out two pri mary aspect s. First, what structures of
II.' par ticular mediu m matte r for people, and when do those
till rures matte r? Peo ple aren't going to care all that much if a cell
,l llllle has bad reception when they arc making small talk. But bad
ption can become mu ch more significant when it is happening
IUIIll:\ a breakup co nversation. When ending a relatio nship, call
t! ~ OIl a cell phone can becom e interpreted as a sign of d isrespect
. ,Hl l>e of the sta tic. In other contexts, ,I cell phon e call would be
I ItOul y acceptab le.
cond , people understand a parti cular medium on ly in the con
tof other media. People's media ideo logies about e- mail, for ex
'llple, change if they begin to text others regularly. When people
1411using a new tech nology, they change thei r understandings of
II till' other techno logies they use as well. One canno t understand
'111,11:'5 media ideology for one medium in isolat ion. O ne has to
1 ,.~ 111111 0 accoun t their medi a ideologies for all the media they usc,
H.l litl,l lyze how these media ideo logies arc interwoven .
TIre Breakup 2.048
How people under stand the media they use sha pes the waYlI th,
will usc it. As a result , determ ining people's media ideo lcgn
crucial when you arc trying to figure out the ways that I'('i l l'
communicate through different technologies. Often, people 1.,
for granted their own assumptions about how a medium ~h . 1 1
the info rmation transmit ted. They do n't always realize thai Ih,
way of usin g communicative technology is but one of ma ny w..'
that what they focus on as important features of a medium HI
not be gener ally held to be th e important features. This is less11'1
th e case when the communicative tech no logies have been nI 0111'
for a while. Over t ime, people's practices can change from IwlI'
id ioms to widely accepted practices. Whe n media is relatively t1
the medi um itself can pose social qua nda ries for people when ,I.t ry to use it to accomp lish par ticular tasks. People will talk w ll,
friends, coworkers, and fam ilies about these d ilemmas, t rylt!,. II
fi gure out solu tions collectively. In these mo me nts, they arc 1I,'v
opi ng idioms of practice. But these are still relat ively small Klll' lil
decidin g togeth er how to deal with a part icular problem 01
cial etiquette. It takes time for people to develop widely ~ I Ht .
on strategies 10 use d ifferent media, espec ially to accomplish I' tll
tionally charged social tasks.
As peo ple develop their solutions to social quandaries WI
their friends, they also arc developing ethical expectations, M' Il
of right an d wro ng techn ological uses. Just as there aren't wid
shared idioms of practice, or media ideologies, there also ~II " I I
widely shared ethical evaluat ions of media use. Wha t peop le
trying to figure out arc the ethics of how to end the rclationch
as they break up with people and th en tell their friend s MOl II
about thei r breaku ps.
C9
New fOr!p.!.2fpersona l connc<:tioll
shopping sites, email and Instant Messaging (1M), which differfrom one another in many w:r.ys. Seven concepts thaI can be usedto productively compare different media to one another as well as10 face to face communication are interaclivity, temporal structure,social cues, storage, replicability, reach, and mobility.
The many modes of communication on the internet and mobilephone vary in the degrees and kinds of interaetivity they offer.o nsider. for instance, the difference between using your phone
10 select a new ringtone and using that phone to argue with aromantic partner, or using a web site to buy new shoes ratherthan to discuss current events. Pornas and his co-authors (2 0 0 2 :
4}) distinguish several meanings of interactivity. Social interactivlly, "the ability of a medium to enable social interaction betweengroups or individuals," is what we are most interested in here.Other kinds include technical Interactivity, "a medium 's capabilityofletting hu man users manipulate the machine via its interface,"and textual interactivity, "the creative and interpre tive interactionbetween users (readers, viewers, listeners) and texts." "Unliketelevision," writes Laura Gurak (2001: 44), "online communication technologies allow you to talk back. You can talk back to thehlRcompany or you can talk back 10 individual citizens." Rafaeliand 5udweeks (19971 posit that we should see inleractivity as aruntinuum enacted by people using technology, rather than a technological condition. As we will see in chapters to come, the factth,lt the internet enables lnteractivitygives rise to new possibilities
lor instance, we can meet new people and remain close to thosewho have movedaway - as well as old concerns that people maybefhrung with danger.
The temporal slruclure of a communication med ium is alsoImportant. Synchronous communication, such as is round in facelu face conversations, phone calls, and instant messages, occursItl rca! time. Asynchronous communication media, such as email~1lI1 voicemail, have time delays between messages. In practice,tilt' distinction cannot always be tied 10 specific media. Poor conIl'"t lions may lead 10 time delays in a seemingly synchronous»nhne medium such as Instant Messaging. Text messaging viatill' telephone is often asynchronous, but needn' t be. Ostensibly
!'C' I SOIlJ!
Seven key co ncepts
If we want to bu ild a rich understanding of how media inRuence personal connections, we need to stop talking about mediain overly simplistic terms. We can 't talk about consequencesif we can't articulate capabilities. What is it about these mediathat changes interaction and , potentially, relationships? We needconceptual tools to differentiate media from one another andfrom face to face (or, as Fortuna ti, 2 005, more apt ly termed it,"body to body"] commun ication. We also need concepts to helpus recognize the diversity amongst what may seem to be just onetechnology. The mobile phone, for Instance, is used for voice,texting, and also picture and video exchange. The internet includesinteraction platforms as diverse as YouTube. product reviews on
In the remainder of this chapter [ idenlJ fy a set of key conceptsthat can beused to differentiate digital media and which influen cehow people use them and with what effects. I then offer a verybrief overview of the media discussed in this book and a discussion of who does and who doesn't make use of them. Chapter 2is an orientation to the major perspecnves used to understand theinterrelationships between communication lechnology and societyand an exploration of the major themes In popular rhetorics aboutdigital media and personal connection. Chapter 3 examines whathappens to messages, both verbal and nonverbal, in mediatedcontexts. Chapter 4 addresses the group contexts in which onlineinteraction often happens, including communities and social net.works. The remaining two chapters explore dyadic relationships.Chapter Sshows how people presen t themselves to others and firstget to know each other online. Chapter 6 looks at how people usenew media to build and maintain their relationships. Finally, theconclusion returns to the question of sorting myths from reality,arguing againstlhe notion ofa "cyberspace" that can beunderstoodapart from the mundane realities ofeveryday lifeand for the notionthat what happens online may be newer, but is no less real.
Plan of the book
i" . Conn~ Up . .. ... - - ' &'~ -ve-
I"· l'r.pollaIJ :::!lllncc"{Cons in the Digital Age
asynchronous email may be sen t and received so rapidly that itfunctions as a synchronous mode of communication.
The beauty of synchrono us media is that they allow for the veryrapid transm ission of messages, even across distance. As we willsee, synchronicity can enhance the sense of placelessness thatdigital media Can encourage and make people feel more togetherwhen they are apart (Baron, 1998; Carnevale & Probst, 1997;McKenna & Bargh, 1998l. Synchronicity can make messages feelmore immediate an d personal (O'S ullivan, Hun t, & Lippert, 2004 )
and encourage playfulness in interaction (Danet, 2001 ). The priceof synchro nicity, however, is tha t interactants mus t be able toalign their schedules in order to besimultaneously engaged. Realtime media are also poorly suited to hosting interaction in largegroups, as the rapid-fire succession of messages that comes fromhaving many people involved is nearly impossible to sort throughand comprehend, let alone answer. There is a reason that dinnerparties are gene rallykept loa small collection of people and at largefunctions guests arc usually seated at tables that seat fewer than adozen . Accordingly, most online chat rooms and other real-timeforums have limits on how many can participate at one time.
With asynchronous media, the costs and benefits are reversed.Asynchronous communication allows very large groups to sus tainInteraction, as seen in the social network sites and online groupslike fan forums, support groups, and hobbyist commun itiesaddressed in chapter 4. Asynch ronicity also gives people time tomanage the ir self-presentations more stra tegically. However, wordmay filter more slowly through such groups and amongst indiovidua ls. We can place fewer demands on others' time by leavingasynchronous messages for people to reply to when they like, butwe may end up waiting longer than we'd hoped . or receive no replyat all. One of the biggest changes wrought by digital media is thateven asynchronous communication can happen faster than before.Time lags are created by the time it takes a person to check for newmessages and respond, not by the time messages spend in transit.ln comparison to postal mail, the internet can shave weeks offinteractions.
Most of the questions surrounding the personal connections
New forms of per sonal connection
people form and maintain through digital med ia derive from the IJ«parse social cuts that are available to provide further informationregarding context. the meanings of messages , and the identitiesof the people interacting. As chapter 3 will address in more detail,ruh media provide a full range ofcues, while leaner media providefewer. Body-to-body. people have a full range of communica tiveresources available to them. They share a physical context. whichthl"Y can refer to nonverbally as well as verbally (for instance, bypotnung to a chain. They are subject to the same environmentaltuftuences and distractions.They can see one another's body movemente, including the facial expressions through which so muchmeaning is conveyed. They can use each other's eye gaze to gaugeattention. They can see one another 's appearance. They can alsohrar the sound ofone another's voice. Allof these cues - contextual,vtaual, and auditory - are important to interpreting messages andI reattug a social context within which messages are meaningful.
1'0 varyi ng degrees, digital media provide fewer social cues. Inmobile and online interactions, we may have few if anycues to ourpartner's location. Th is is no doubt why so many mobile phoneI alls begin with the question "where are you?- and also helps tor_plain some people's desire to share C PS positioning via mobileapplications. The lack of shared physical context does not meanthol! uue ractants have no shared contexts. People commu nicating'" persona l relationships share relational contexts, knowledge, andeome his tory. People in online groups often develop rich in-group11K tal environme nts that those who've participated for any lengthlit nmc will recognize.
though . as we will address in more depth in chapter 6 , muchof our mediated interaction is with people we know face to face,tlUlI1C media convey very little information about the identities ofl li C)~ (' with whom wc are comm unicating. In some circumstances,tli"t renders people anonymous , leading to both opportunity andtruer. In lean media. people have more ability to expand, manipuIJtl', multiply, and distort the identities they present to others. TheI'JIltIty of personal and social identity cues can also make peopleII' -l safer. and thus create an environme nt in which they are moreIHUll·!! t. Cha pter Sexamines these identity issues.
,/, 5
'!i)
Perseus! Ccn uccnons in the Digital Age
Media also differ in the extent 10 which their messages endure.Stora8~, and, relatcdly, repUcability, 'Ire hig hly con sequential.Unless cue makes an audio or video recording of telephone andface 10 face conversations (practices with laws governing acceptablepractice). they are gone as soon as they are said. Human me moryfor conversa tion is notorious ly poor . To varying degrees, digitalmed ia may bestored on devices, web sites , and company backupswhere they may be replicated . retrieved at later dates, and ed itedpr ior to sending (Carnevale & Prob st, ' 997; Cherny, ' 9 99; Cuinan& Marku s, 1987; Walther, 1996\ . Synchronous form s like 1M andSkype require logging programs that most user s are not likely tohave. Th ose thai are asynchronous can be easily saved, replicatedand redistributed to others. Th ey can also be archived for search.Despite this, onli ne messages may feel ephemera l, and indeed websites may be there one day and d ifferent or gone the next
Media also vary in the size of an audie nce they can attain orsup port, or rtUGh. Gu rak (4001: }o) descri bes reach as "the partnerof speed," not ing tha t "dig itized discou rse travels quickly, but italso travels widely . . . One single keystroke can send a message tothousands of people: Face to face com mun ication is inherentl ylim ited to those who ca n fit in the same space. Even when a mpll
fied (a form of mediation in itse lf), physical space and humansensory constraints limit how man y call see or hear a message asit's delivered . The! telephone allows for group calls, but the upperlimi t on how many a g roup can admit or mainta in is sma ll. Incon trast, many forms of digital comm unicatio n can be see n byany internet user (as in the case of webs ites] or can be se nt and,than ks to storage and re plicability, rese nt to enormous audien ces.Messages can reach audiences both local and global. This is apowerful subversio n of the elitis m of mass med ia, within which avery small number of broadcasters could engage in one-to-ma nycommunication , usually within regional or geographic boundaries.The gatekcep ing functio n of mass media is challenged as ind ividuals use digital media to s pread messages much farther and morewidely than was eve r h istorically poss ible (Gurak, 2 001). Futu recha pters will address ho w enhanced reach allows people to formnew commu nities of inte rest and new relationships.
New forms of personal c0!l.nN tion
Fina lly. media vary in the ir mobility, or extent to which they arcportable - enabling people to send and receive messages regard It' SS oflocation - or stationary - requiring tha t people be in speci ficIoc eucns in order to interact. The mobile phon e rep resent s theparadigm case of mobility , making person-to-person cc mmunkalion possible regardless oflocation. Th e clunky personal computerned to a desk requires thai the user be seated in that spot. L.andhnephones require that people be in the bui lding where tha t num berrtngs. In add ition to offering spatial mob ility, some digital medi a~ llow us to move between limes and interpersonal contexts (Ishii ,1006). Mobile med ia offer the promise that we need never be outuf touch with ou r loved ones. no matter how long the traffic jamIII which we find our selves. Whe n stuck with our famili es, werll;ly import our friends through our mobile devices. As we'll seeIn chapter 6, mobi le med ia give rise to m icrocoordination (Ling,~004) in which people check in with one another to provide briefupd ates or qu ickly arrange meeting s and e rrands. However. moreth.1l1 other personal media, mobil e phones threate n autonomy... we may become accountable to othe rs at all times. ScheglolT( ~oo~ ) . one of the first to study telephone-med iated in teraction,. IlHgests mobile media don't create perpe tu al contact so much. l ~ olTer the perpetual possibility of making contact, a dist inctionome exploit by strategically limiti ng their availability (Llcoppe &lh-n rtjn, 2002).
these seven concepts help us begin to understand the simi1.1I ltles and differences between face to face com munication andIlln !iated interaction, as well as the var iation amo ngst d iffere nt~ I l\(h, of digital interactions. Face to face comm unication. like alltIll' term s of digital media we will be discussing, is interac tive.l'rople can respond to one another in message exchanges. Face toI ~ l (. com munication is synchronous. It is also loaded with socialI Ul· . that mak e one another's iden tities and man y elemen ts of,u'I.ll an d physical con text apparent (althou gh. as we will retu rnhi In chapter 5. this does not gua rant ee ho nesty). Face to face con-
I' mons can not bestored, nor can they be replicated . Even whenI t 1Iided and, for exam ple. broadcast. the recording loses manyb-tnrnts of the context tha t make face to face communicat ion
(j)
sgnal connectionNew forms of Pf!ii9 Q L
Digital media
JUllt as it's importa nt to clarify core concep ts that may shape rnedined social interaction, it's hel pful to walk throug h the med ia inquestion. 1assume readers are familiar with the mobile phone, so Ilows below on a brief historical overview of the internet. I empharze the extent to which the interpersonal appeal of these media
sha ped their development. Unlike the mobile phone, the internetW.ll not built as a personal commun ication med ium, let alone aw~y for fans to connect around their objects of pleasure, for peopleIn find potentia l roma ntic partners. for employers to find or investiH,llfO potential hires, or any such social processes. It was developedto safeguard m ilitary knowledge. When the first internet con uec11011 was made in 1969 th rough what was then called ARPANET,funded by the US Department of Defense, no one envisioned that.11 uuc rpersonel com mu nication med ium had been lau nched. It isI"'yond the scope of this book to cover the technological developIIII'll ' of the internet; the reade r is referred to Janet Abbate's (1999)hi_tory. First , thoug h, a disclaime r: trying 10 list specific types101 d l~ila l media is frus trating at best. Between this writing andyUill reading there are boun d to be new developments , and thingsI'0pular as I write will drop from vogue. l et this be a remi nder toll ~ 01 the importance of remaining focused on specific capabilities,ul consequences rathe r than the med ia themselves.
TItt: textual internet
I "I II I first quarter-century. the interne t was text-only. With itsluutted Bocial cues, it seemed a poor match for personal interacIhlll Vel it took mere months for its developers (who were also itsI'd lllMy users) to realize the medium's utility for persona l comllllull!.ntcn. Within th ree years of the tirst login. email was in use,111 1 Within fou r years, three-quarter s of online traffic was ema il
IA'I<II'I HOli . 2005). By 2000, the ability to use email was a slgntfi-1 1 1 1I' J ~on that people first got online and one of the main reasonst tho' e already onl ine stayed online (Kraut. Mukhopadhyay,
Willa, Kiesler, & Scherlis. 2000).
l'n JOI1il1 Connections in the Digital Age
what it is. As discu ssed above, face to face comm unication has lowreach, limiting how many can be involved and how far messagescan spread. Face to face commun ication may be mo bile, but onlyso long as the Interacrants are moving throug h space togethe r.This combin ation of qua lities gra nts face to face a sort of special.ness. The full range of cues. the irrephcability, and the need 10 bethere in sha red place and time with the othe r all contribute to thesense that face to face com munication is authen tic, putting the"communion" in com munication.
In contra st, some forms of mediated interaction are asynchro.ncu s. enab ling more message plann ing and wider reach , but apotentially lower sense of connection. Media such as Skype orother video chat tech nologies offer many social cues - voice, facialexpression , a window into the physical surroundings _ but lackcritical int imacy cues including touch and smell. Most digitalmed ia have fewer social cues than that, limiting interaction 10sounds or even just words. By virtue of their convers ion into electronic signals, all d igilal med ia can be stored, though particularinteractions may not be. Even when conversations and messagesare not stored , however, they may leave traces such as records ofwhich phone numbers called which other ones, which IP addressesvisited which wcbsttes. or how many tweets a person has twittered .Digital messages are easily replicaled if they are asynchro nous. butless so if they are synchronous. The reach of digital media can varytremendously depending on the medium. A phone call gene rallyremain s a one-to-one encounter as does much ins tant messagingand chat, but em ails.mailing lis ts, d iscussion grou ps, and websitesare among the digital modes that can have extraord inary reach.Digital media are becoming increasingly mobile as the internetand mobile phone converge into single devices, meaning that thesetechnologies make comm unication possible in places where itwasn 't before. but also that they can intrude into face to face conversations where they never cou ld before. As a result . people can haveverydiflere nr experiences with different med ia, yet none may seem10 offer the potential for intimacy and connection that being face toface does. These dist inctions all bring with them im portant potential social shifts, which the remainder of th is book will addre ss.