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Expressionism By: Devang Patel Mauro Rosselli Matthew Long

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Page 1: Expressionism

ExpressionismBy: Devang Patel

Mauro RosselliMatthew Long

Page 2: Expressionism

History By definition: expressionism is signifying

the use of distortion and exaggeration by the expressionist to exemplify an event.

Late 19th and early 20th century This was the time right around World

War One.

Page 3: Expressionism

History

Focused on schools of emotive and interpretive art.

Expressionism art didn’t only focus on painting

Played a large role in cinema, theatre, literature and dance

Page 4: Expressionism

History - Development

Most related to Germany in 1910 Started as German Expressionism Was a reaction to Impressionism, can also

be noted as “Post-Impressionism” Impressionists tried to recreate an

impression of the objective world. Expressionism dealt with artists own

personality, feelings and emotions.

Page 5: Expressionism

History - Development

Expressionists had no desire to capture what they saw, but rather their emotional response to it.

More active, and subjective type of art.

Page 6: Expressionism

History – Early Artists

FIRST signs of expressionism was in the Fauvism movement – 1905.

The general characteristics could also be seen in Van Gogh at first.

Started to use pure colors. Agitated brush marks. Distortion of shapes.

Expressionism developed with three main groups groups; Die Brucke (The Bridge), Der Blaue Reiter (The Blue Rider) and Die Neue Sachlichkeit (“the New Objectivity). Later Discussed.

Page 7: Expressionism

General Styles

Emotions and feelings Vivid and un-naturalistic colors Dynamic and distorted forms Exaggeration of form which adds to the

emotional effect

Page 8: Expressionism

Edward Munch

One of the earliest artists. 12 December 1863 – 23 January 1944 Norwegian Pioneer in the expressionist movement in

modern painting. Inspires present day artists Father was Christian Munch whose wife

died when Edvard was only five years old. This had a big impact on his expression of emotion.

Page 9: Expressionism

Edvard Munch - Styles

Strong sense of emotion Most pieces: orange-red bright colors. Used against black to bring more

contrast from colors. Often depict image of death or

suffering.

Page 10: Expressionism

Edvard Munch - Contributions

Did many woodcuts, lithographs, and etchings.

This is important because he’s bringing new tools into the art world.

Brings in a more graphic style.

Page 11: Expressionism

-The Scream by Edvard Munch-1893

Page 12: Expressionism

- Puberty by Edvard Munch-1894

Page 13: Expressionism

- Madonna by Edvard Munch- 1894-94

Page 14: Expressionism

-The Vampire by Edvard Munch-1893-1894

Page 15: Expressionism

- The sick child by Edvard Munch- 1907

Page 16: Expressionism

Die Brücke

Means: The Bridge. Symbolizes the link, or bridge, they would form with art of the future.

Founded in Dresden, Germany in 1905 by a group of young architecture students who had interest in art.

First cohesive group of German artists to concentrate on expressionist styles

Page 17: Expressionism

This group combined traditional German art with African, Post-Impressionist and Fauvist styles.

Consisted of paintings, woodcuts, sculptures, and even lithographic prints. Attempted to express emotional feeling through distortion, exageration, color, and line.

A Group of Artists: Otto Mueller, Kirchner, Heckel, Schmidt-Rottluff

Page 18: Expressionism

Background born on May 6, 1880 in Aschaffenburg. Studied at a technical college until he

saw Albrecht Dürer's original woodblocks, which made him decide to become a painter.

Founder of ‘Die Bruke’ and considered the leader of the group as well

Ernst Ludwig Kirchner (1880-1938)

Page 19: Expressionism

Style Flat Bold Colors Faces People

Page 20: Expressionism

Ernst Ludwig Kirchner

Street, Dresden

1908

Page 21: Expressionism

Marcella (1909)

Ernst Ludwig Kirchner

Page 22: Expressionism

Street, Berlin (1913)

Ernst Ludwig Kirchner

Page 23: Expressionism

Self Portrait As a Solider (1915)

Ernst Ludwig Kirchner

Page 24: Expressionism

Emil nolde

Part of Die Bruke

Page 25: Expressionism

Still Life with Masks (1911)

Emil Nolde

Page 26: Expressionism

Prophet (1912)Emil Nolde

Page 27: Expressionism

Der Blaue Reiter 1911-1914

Means “The Blue Rider” Believed that colors and shapes were a

way of mimicking music and sound Focused on creating color combinations

that would purify the soul

Page 28: Expressionism

Wassily Kandinsky

Born in Moscow in 1866 Fascinated by colors in nature Studied music, law and economics

before deciding to become a painter Went to art school in Munich, Germany Started The Blue Rider movement with

Franz Marc

Page 29: Expressionism

Wassily Kandinsky cont.

Moved back to Russia once World War I started

Moved back to Germany after the war to teach at the Bauhaus

In 1933 when the Nazis came to power he moved to France

He continued to make art until his death in 1944

Page 30: Expressionism

Flood Improvisation 1913. Kandinsky

Page 31: Expressionism

Franz Marc

Born 1880 Cofounded Der Blaue Reiter Began using abstract animal forms in

his art Died at the age of 36 in World War I

Page 32: Expressionism

The Yellow Cow 1911 by Franz Marc

Page 33: Expressionism

The Large Blue Horses 1911, Franz Marc

Page 34: Expressionism

Die Neue Sachlichkeit (The New Objectivity)

Founded in Germany 1920’s – 1930’s After math of World War One Founded by George Grosz and Otto Dix Realistic Style combined with a cynical

and socially critical stance. German meaning is “a new reality” Movement focused on the post-war life.

Page 35: Expressionism

Die Neue Sachlichkeit (The New Objectivity)

Focused some on faces and majorly on architecture.

Cityscapes were often created, involving streets and busy intersections with large buildings.

Many say that this created a new mental relation with the objects.

Page 36: Expressionism

Otto Dix

Born 1891 Participated in the first DADA art fair German expressionist Sketched and painted for the entirety of

his life Focused a lot on the war

Page 38: Expressionism

Skat Players 1920,

Otto Dix

Page 39: Expressionism

To Beauty 1922,

Otto Dix

Page 40: Expressionism

The War Triptych 1929-1932, Otto Dix

Page 41: Expressionism

Flanders 1934, Otto Dix

Page 42: Expressionism

Max Beckman

Beckmann differed from normal expressionism: emotional realism.

Page 43: Expressionism

Christ and the Woman Taken in Adultery

(1917)Max Beckman

Page 44: Expressionism

The Night, (1918–1919)

Max Beckman