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Page 1: Europe after 145o Renaissance Art in Northern Europe, Should not be considered an appendage to Italian art., But, Italian influence was strong.  Painting
Page 2: Europe after 145o Renaissance Art in Northern Europe, Should not be considered an appendage to Italian art., But, Italian influence was strong.  Painting

Europe after 145o Europe after 145o

Page 3: Europe after 145o Renaissance Art in Northern Europe, Should not be considered an appendage to Italian art., But, Italian influence was strong.  Painting

Renaissance Art in Northern Europe

Renaissance Art in Northern Europe

, Should not be considered an appendage to Italian art.

, But, Italian influence was strong. Painting in OIL, developed in Flanders, was

widely adopted in Italy.

, The differences between the two cultures: Italy change was inspired by humanism

with its emphasis on the revival of the values of classical antiquity.

No. Europe change was driven by religious reform, the return to Christian values, and the revolt against the authority of the Church.

, More princes & kings were patrons of artists.

Page 4: Europe after 145o Renaissance Art in Northern Europe, Should not be considered an appendage to Italian art., But, Italian influence was strong.  Painting

Characteristics of Northern Renaissance Art

Characteristics of Northern Renaissance Art

, The continuation of late medieval attention to details.

, Tendency toward realism & naturalism [less emphasis on the “classical ideal”].

, Interest in landscapes., More emphasis on middle-class

and peasant life., Details of domestic interiors., Great skill in portraiture.

Page 5: Europe after 145o Renaissance Art in Northern Europe, Should not be considered an appendage to Italian art., But, Italian influence was strong.  Painting

The Spread of the Printing Press

The Spread of the Printing Press

Page 6: Europe after 145o Renaissance Art in Northern Europe, Should not be considered an appendage to Italian art., But, Italian influence was strong.  Painting
Page 7: Europe after 145o Renaissance Art in Northern Europe, Should not be considered an appendage to Italian art., But, Italian influence was strong.  Painting
Page 9: Europe after 145o Renaissance Art in Northern Europe, Should not be considered an appendage to Italian art., But, Italian influence was strong.  Painting

Jan van Eyck - Giovanni Arnolfini & His Wife

(details)

Jan van Eyck - Giovanni Arnolfini & His Wife

(details)

Page 10: Europe after 145o Renaissance Art in Northern Europe, Should not be considered an appendage to Italian art., But, Italian influence was strong.  Painting

2. Rogier van der Weyden (1399-1464)

2. Rogier van der Weyden (1399-1464)

The Depositio

n

1435

Page 11: Europe after 145o Renaissance Art in Northern Europe, Should not be considered an appendage to Italian art., But, Italian influence was strong.  Painting

van der Weyden’s Deposition (details)van der Weyden’s

Deposition (details)

Page 12: Europe after 145o Renaissance Art in Northern Europe, Should not be considered an appendage to Italian art., But, Italian influence was strong.  Painting

Isenheim Altarpiece today, Mussée d’ Unterlinden, Colmar, FranceIsenheim Altarpiece today, Mussée d’ Unterlinden, Colmar, France

Page 13: Europe after 145o Renaissance Art in Northern Europe, Should not be considered an appendage to Italian art., But, Italian influence was strong.  Painting
Page 14: Europe after 145o Renaissance Art in Northern Europe, Should not be considered an appendage to Italian art., But, Italian influence was strong.  Painting

3. Hieronymus Bosch, The Garden of Earthy Delights, 15003. Hieronymus Bosch, The Garden of Earthy Delights, 1500

Page 15: Europe after 145o Renaissance Art in Northern Europe, Should not be considered an appendage to Italian art., But, Italian influence was strong.  Painting

Hieronymus

Bosch

The Garden

of Earthy Delights(details)

1500

Hieronymus

Bosch

The Garden

of Earthy Delights(details)

1500

Page 16: Europe after 145o Renaissance Art in Northern Europe, Should not be considered an appendage to Italian art., But, Italian influence was strong.  Painting

Hieronymus

Bosch

The Garden

of Earthy Delights(details)

1500

Hieronymus

Bosch

The Garden

of Earthy Delights(details)

1500

Page 17: Europe after 145o Renaissance Art in Northern Europe, Should not be considered an appendage to Italian art., But, Italian influence was strong.  Painting

4. Bruegel’s, Niederlandisch Proverbs, 1559

4. Bruegel’s, Niederlandisch Proverbs, 1559

Page 18: Europe after 145o Renaissance Art in Northern Europe, Should not be considered an appendage to Italian art., But, Italian influence was strong.  Painting

Bruegel’s, The Harvesters, 1565

Bruegel’s, The Harvesters, 1565

Page 19: Europe after 145o Renaissance Art in Northern Europe, Should not be considered an appendage to Italian art., But, Italian influence was strong.  Painting

Bruegel’s, Hunters in the Snow, 1565

Bruegel’s, Hunters in the Snow, 1565

Page 20: Europe after 145o Renaissance Art in Northern Europe, Should not be considered an appendage to Italian art., But, Italian influence was strong.  Painting
Page 21: Europe after 145o Renaissance Art in Northern Europe, Should not be considered an appendage to Italian art., But, Italian influence was strong.  Painting

5. Albrecht

Dürer

Self-Portrait in Fur-Collared Robe

1500

5. Albrecht

Dürer

Self-Portrait in Fur-Collared Robe

1500

Page 22: Europe after 145o Renaissance Art in Northern Europe, Should not be considered an appendage to Italian art., But, Italian influence was strong.  Painting

Dürer

FourHorsemen

of theApocalyps

e

woodcut, 1498

Dürer

FourHorsemen

of theApocalyps

e

woodcut, 1498

Page 23: Europe after 145o Renaissance Art in Northern Europe, Should not be considered an appendage to Italian art., But, Italian influence was strong.  Painting

Dürer

St. Jerome

engraving, 1514

Dürer

St. Jerome

engraving, 1514

Page 24: Europe after 145o Renaissance Art in Northern Europe, Should not be considered an appendage to Italian art., But, Italian influence was strong.  Painting
Page 25: Europe after 145o Renaissance Art in Northern Europe, Should not be considered an appendage to Italian art., But, Italian influence was strong.  Painting

6. Holbein’s, The Ambassadors, 1533

6. Holbein’s, The Ambassadors, 1533

A Skull

Page 26: Europe after 145o Renaissance Art in Northern Europe, Should not be considered an appendage to Italian art., But, Italian influence was strong.  Painting

Multiple PerspectivesMultiple Perspectives

Page 27: Europe after 145o Renaissance Art in Northern Europe, Should not be considered an appendage to Italian art., But, Italian influence was strong.  Painting
Page 28: Europe after 145o Renaissance Art in Northern Europe, Should not be considered an appendage to Italian art., But, Italian influence was strong.  Painting

The English Were More Interested in Architecture

than Painting

The English Were More Interested in Architecture

than PaintingHardwick Hall, designed by Robert Smythson in the 1590s, for the Duchess of Shrewsbury [more medieval in style].

Burghley House for William Cecil, the largest & grandest house of the early Elizabethan era.

Page 29: Europe after 145o Renaissance Art in Northern Europe, Should not be considered an appendage to Italian art., But, Italian influence was strong.  Painting

The School of FontainebleauThe School of Fontainebleau

, Gallery [right] by Rosso Fiorentino & Francesco Primaticcio

, 1528-1537

Page 30: Europe after 145o Renaissance Art in Northern Europe, Should not be considered an appendage to Italian art., But, Italian influence was strong.  Painting

ConclusionsConclusions

, The artistic production of Northern Europe in the 16c was vast, rich, and complex.

, The Northern Renaissance ended with a Mannerist phase, which lasted a generation longer in the North than it did in Italy, where it was outmoded by 1600.