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  • George Crumb's Channels of Mythification

    Victoria Adamenko

    American Music, Vol. 23, No. 3. (Autumn, 2005), pp. 324-354.

    Stable URL:http://links.jstor.org/sici?sici=0734-4392%28200523%2923%3A3%3C324%3AGCCOM%3E2.0.CO%3B2-O

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  • You have printed the following article:George Crumb's Channels of MythificationVictoria AdamenkoAmerican Music, Vol. 23, No. 3. (Autumn, 2005), pp. 324-354.Stable URL:http://links.jstor.org/sici?sici=0734-4392%28200523%2923%3A3%3C324%3AGCCOM%3E2.0.CO%3B2-O

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    Notes

    1 George CrumbRichard SteinitzThe Musical Times, Vol. 119, No. 1628. (Oct., 1978), pp. 844-845+847.Stable URL:http://links.jstor.org/sici?sici=0027-4666%28197810%29119%3A1628%3C844%3AGC%3E2.0.CO%3B2-V

    5 Sets, Scales, and Symmetries: The Pitch-Structural Basis of George Crumb's"Makrokosmos" I and IIRichard BassMusic Theory Spectrum, Vol. 13, No. 1. (Spring, 1991), pp. 1-20.Stable URL:http://links.jstor.org/sici?sici=0195-6167%28199121%2913%3A1%3C1%3ASSASTP%3E2.0.CO%3B2-25 The Evolution of Harmonic Style in the Lorca Works of CrumbThomas R. de DobayJournal of Music Theory, Vol. 28, No. 1. (Spring, 1984), pp. 89-111.Stable URL:http://links.jstor.org/sici?sici=0022-2909%28198421%2928%3A1%3C89%3ATEOHSI%3E2.0.CO%3B2-X

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