adamenko, gearge crumb - amer. music 2005

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George Crumb's Channels of Mythification Victoria Adamenko American Music, Vol. 23, No. 3. (Autumn, 2005), pp. 324-354. Stable URL: http://links.jstor.org/sici?sici=0734-4392%28200523%2923%3A3%3C324%3AGCCOM%3E2.0.CO%3B2-O American Music is currently published by University of Illinois Press. Your use of the JSTOR archive indicates your acceptance of JSTOR's Terms and Conditions of Use, available at http://www.jstor.org/about/terms.html. JSTOR's Terms and Conditions of Use provides, in part, that unless you have obtained prior permission, you may not download an entire issue of a journal or multiple copies of articles, and you may use content in the JSTOR archive only for your personal, non-commercial use. Please contact the publisher regarding any further use of this work. Publisher contact information may be obtained at http://www.jstor.org/journals/illinois.html. Each copy of any part of a JSTOR transmission must contain the same copyright notice that appears on the screen or printed page of such transmission. The JSTOR Archive is a trusted digital repository providing for long-term preservation and access to leading academic journals and scholarly literature from around the world. The Archive is supported by libraries, scholarly societies, publishers, and foundations. It is an initiative of JSTOR, a not-for-profit organization with a mission to help the scholarly community take advantage of advances in technology. For more information regarding JSTOR, please contact [email protected]. http://www.jstor.org Tue Feb 5 07:23:11 2008

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Analysis of George Crumb's music

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  • George Crumb's Channels of Mythification

    Victoria Adamenko

    American Music, Vol. 23, No. 3. (Autumn, 2005), pp. 324-354.

    Stable URL:http://links.jstor.org/sici?sici=0734-4392%28200523%2923%3A3%3C324%3AGCCOM%3E2.0.CO%3B2-O

    American Music is currently published by University of Illinois Press.

    Your use of the JSTOR archive indicates your acceptance of JSTOR's Terms and Conditions of Use, available athttp://www.jstor.org/about/terms.html. JSTOR's Terms and Conditions of Use provides, in part, that unless you have obtainedprior permission, you may not download an entire issue of a journal or multiple copies of articles, and you may use content inthe JSTOR archive only for your personal, non-commercial use.

    Please contact the publisher regarding any further use of this work. Publisher contact information may be obtained athttp://www.jstor.org/journals/illinois.html.Each copy of any part of a JSTOR transmission must contain the same copyright notice that appears on the screen or printedpage of such transmission.

    The JSTOR Archive is a trusted digital repository providing for long-term preservation and access to leading academicjournals and scholarly literature from around the world. The Archive is supported by libraries, scholarly societies, publishers,and foundations. It is an initiative of JSTOR, a not-for-profit organization with a mission to help the scholarly community takeadvantage of advances in technology. For more information regarding JSTOR, please contact [email protected].

    http://www.jstor.orgTue Feb 5 07:23:11 2008

  • You have printed the following article:George Crumb's Channels of MythificationVictoria AdamenkoAmerican Music, Vol. 23, No. 3. (Autumn, 2005), pp. 324-354.Stable URL:http://links.jstor.org/sici?sici=0734-4392%28200523%2923%3A3%3C324%3AGCCOM%3E2.0.CO%3B2-O

    This article references the following linked citations. If you are trying to access articles from anoff-campus location, you may be required to first logon via your library web site to access JSTOR. Pleasevisit your library's website or contact a librarian to learn about options for remote access to JSTOR.

    Notes

    1 George CrumbRichard SteinitzThe Musical Times, Vol. 119, No. 1628. (Oct., 1978), pp. 844-845+847.Stable URL:http://links.jstor.org/sici?sici=0027-4666%28197810%29119%3A1628%3C844%3AGC%3E2.0.CO%3B2-V

    5 Sets, Scales, and Symmetries: The Pitch-Structural Basis of George Crumb's"Makrokosmos" I and IIRichard BassMusic Theory Spectrum, Vol. 13, No. 1. (Spring, 1991), pp. 1-20.Stable URL:http://links.jstor.org/sici?sici=0195-6167%28199121%2913%3A1%3C1%3ASSASTP%3E2.0.CO%3B2-25 The Evolution of Harmonic Style in the Lorca Works of CrumbThomas R. de DobayJournal of Music Theory, Vol. 28, No. 1. (Spring, 1984), pp. 89-111.Stable URL:http://links.jstor.org/sici?sici=0022-2909%28198421%2928%3A1%3C89%3ATEOHSI%3E2.0.CO%3B2-X

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    LINKED CITATIONS- Page 1 of 1 -

    NOTE: The reference numbering from the original has been maintained in this citation list.