digital literacy in story spaces

31
Digital Literacy in Story Spaces Rebecca Luce-Kapler Queen’s University Kingston, Ontario, Canada

Upload: gavril

Post on 25-Feb-2016

38 views

Category:

Documents


0 download

DESCRIPTION

Digital Literacy in Story Spaces. Rebecca Luce-Kapler Queen’s University Kingston, Ontario, Canada. A narrative isn’t something you pull along like a toy train, a perpetually thrusting indicative. It’s this little subjunctive - PowerPoint PPT Presentation

TRANSCRIPT

Page 1: Digital Literacy in Story Spaces

Digital Literacy in Story Spaces

Rebecca Luce-KaplerQueen’s University

Kingston, Ontario, Canada

Page 2: Digital Literacy in Story Spaces

A narrative isn’t something you pull along like a toy train, a perpetually thrusting indicative. It’s this little subjunctive cottage by the side of the road. All you have to do is open the door and walk in.

Page 3: Digital Literacy in Story Spaces

We read the incidents of narration as ‘promises and annunciations’ of final coherence, that metaphor that may be reached through the chain of metonymies: across the bulk of the as yet unread middle pages, the end calls to the beginning, transforms and enhances it.

Page 4: Digital Literacy in Story Spaces

•2 Adolescents •3 Education Students

Page 5: Digital Literacy in Story Spaces
Page 6: Digital Literacy in Story Spaces

Metafictivestrands

Narrative strands

Page 7: Digital Literacy in Story Spaces
Page 8: Digital Literacy in Story Spaces

•Show me how you began reading the text.

•How did you make decisions about how to proceed?

•Did you develop a strategy in reading this text?

Page 9: Digital Literacy in Story Spaces
Page 10: Digital Literacy in Story Spaces
Page 11: Digital Literacy in Story Spaces
Page 12: Digital Literacy in Story Spaces
Page 13: Digital Literacy in Story Spaces
Page 14: Digital Literacy in Story Spaces
Page 15: Digital Literacy in Story Spaces
Page 16: Digital Literacy in Story Spaces

Joanne:I find she’s very stream of consciousness

which is something that I like if it is done really well. I just don’t particularly like the way that she does it. . . .The other challenge I really found was very little dialogue. It’s not usually a huge problem for me, but I don’t feel like anyone’s talking to each other and it all seems so very cerebral. . . . I just find the story felt very fragmented as well. I found it very hard to make connections, and she seemed to almost jump from situation to situation and there was very little transition.

Page 17: Digital Literacy in Story Spaces

Stevie:

I think it works because the whole story is thoughts basically. . . . I know that my thoughts . . . bounce

from one thing to another so I think it’s . . . almost a stream-of-consciousness. It’s like a written portrait of the human mind almost.

Page 18: Digital Literacy in Story Spaces
Page 19: Digital Literacy in Story Spaces
Page 20: Digital Literacy in Story Spaces
Page 21: Digital Literacy in Story Spaces
Page 22: Digital Literacy in Story Spaces
Page 23: Digital Literacy in Story Spaces
Page 24: Digital Literacy in Story Spaces
Page 25: Digital Literacy in Story Spaces
Page 26: Digital Literacy in Story Spaces

Alice van der Klei, 2002

Do we perhaps linger too much on the text and its concepts, having the habits of the ‘monastic archiving reader’? (p. 54)

Page 28: Digital Literacy in Story Spaces

ergon = work hodos = path

ergodic

Page 29: Digital Literacy in Story Spaces

• 64 symbols or hexagrams which the binary combinations of 6 whole or broken lines• By manipulating 3 coins or 49 yarrow stalks according to a randomizing principle, the texts of 2 hexagrams are combined.• 4096 texts are possible

-Aarseth

Page 30: Digital Literacy in Story Spaces
Page 31: Digital Literacy in Story Spaces

Rebecca Luce-KaplerQueen’s UniversityKingston, Ontario, Canada

educ.queensu.ca/~luce-kar