designing for people with light

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DESIGNING FOR PEOPLE WITH LIGHT Kelly Ennis, The Verve Partnership Patricia Bou, AIA, LEED AP Cannon Design Samantha LaFleur, LaFleur Associates

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Presentation delivered at DesignDC regarding the importance of lighting design.

TRANSCRIPT

Page 1: Designing For People With Light

DESIGNING FOR

PEOPLE WITH LIGHT

• Kelly Ennis, The Verve Partnership

• Patricia Bou, AIA, LEED AP Cannon Design

• Samantha LaFleur, LaFleur Associates

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Understand how to use light

- to enforce a visual experience

- create visual and functional experiences for building occupants

- how light can be the tie that binds a space together

- how occupant-centric lighting design save energy

- how to communicate with your lighting practioner

LEARNING OBJECTIVES

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[vurv] –noun

1.enthusiasm or vigor, as in literary or artistic work; spirit: Her latest novel lacks verve.

2. vivaciousness; liveliness; animation: I like a teacher with plenty of verve.

3. Archaic . talent.

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LIGHT AS SHERPA

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[sher-puh, shur-] –noun, plural –pas,

1.a member of a people of Tibetan stock living in the Nepalese Himalayas, who often serve as porters on mountain-climbing expeditions.

2. an expert chosen by a chief executive to assist in preparations for a gov’t/exec meeting.

3. guide

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TRANSFORM THE BUILDING - DAY TO NIGHT

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TRANSFORM THE BUILDING - DAY TO NIGHT

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DEFINE ENTRY

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TRANSITIONS

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TRANSITIONS

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DEFINE CIRCULATION

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DEFINE CIRCULATION

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DEFINE CIRCULATION

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DEFINE ZONES

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ENHANCE CIRCULATION

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FUNCTIONAL LIGHTING

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SUPPORT A BRAND

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SUPPORT A BRAND

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SUPPORT A BRAND

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LARGE VOLUME SPACES

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LARGE VOLUME SPACES

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LARGE VOLUME SPACES

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BACKGROUND

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CREATING PLACE

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THE POWER OF DESIGN

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• Define visual extents &

occupant pathways

• Design 3 visual sequences

• Visual hierarchy: Choose one

big move

CREATE EXPERIENCES

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DEFINE VISUAL EXTENTS

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You control the progression of

geometries, textures, orientation

and brightness – which impacts

how quickly, loudly, happily your

occupants move through the

spaces.

CREATE EXPERIENCES

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LIGHT LEVEL PROGRESSION

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DESIGN SEQUENCE – DAYTIME SUNNY

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DESIGN SEQUENCE – DAYTIME CLOUDY

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DESIGN SEQUENCE – NIGHTTIME

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VISUAL HIERARCHY

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• What if there was no

electric light?

• Glazed apertures = light

fixture

• Use additive not

subtractive process

LAYER UP FROM ZERO

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LIGHT WHERE ITS NEEDED

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DESIGNING FOR

PEOPLE WITH LIGHT

• Kelly Ennis, The Verve Partnership

• Patricia Bou, AIA, LEED AP, Cannon Design

• Samantha LaFleur, LaFleur Associates