creative visualization by janica (1)

8/12/2019 Creative Visualization by Janica (1)

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By

OPHIEL

Authorof

ARTANDPRACTICEOFASTRALPROJECTION

ARTANDPRACTICEOFTHEOCCULT

ARTANDPRACTICEOFCLAIRVOYANCE

ARTANDPRACTICEOFCABALAMAGIC

ARTANDPRACTICEOFCONTACTINGTHEDEMIURGE

ORACLEOFFORTUNA



THE ART AND PRACTICE OF

GETTING MATERIAL THINGS

THROUGH CREATIVE

VISUALIZATION

Whowouldn’tlikethechancetoenjoysomeofthe“finerthings”inlife?EspeciallysincethesethingsarewithinthereachofalmostanyonewhocanreadthisbookandfollowthesimpledirectionswhichOphieloutlines.Ophielsaysthat,withpractice,anybodycandeveloptheabilitytobringalmostanydesirablethingsintohisorherlife,through“CreativeVisualization”Thistechnique,explainedinverysimplelanguage,isOphiel’sown.Hehasuseditformanyyears,ANDITWORKS!Allyouneedisthedesireforthethingsyouwant,plussomeelementaryOccultknowledge.Ophielexplains“laws”likethe“Sphereof Availability”,“TheLawofE-motion”,andthe“LawoftheBarrier”,aswellasgivingyouacompleteandeasyritualtofollowwhichcanopendoorsandbringenormousdividendstoyourlife.OphielisoneofAmerica’sbestknownoccultwriters.His“ArtandPractice”seriesisprobablythefinesteverwrittenforbeginnerandintermediatestudent.Anyonewhosincerelywantstostudyandusetheoccultwillbenefitbyreadingthesebooks.SamuelWeiser.Inc.740BroadwayNewYork,N.Y.10003



- DEDICATION -

OPHIELdedicatesthisbooktoallthosewhoareendeavoringtobetterthemselves,mentally,physically,andmateriallythruthestudy,practice,andapplicationofTHEOCCULT..

OPHIELhopesyouwillacquiretheknowledge,understandinganduseofthematerialofferedinthisbook.And,throughitssuccessfulpractice,attainthehappinessofyourdesires.BYRAISINGYOURSELFBYYOUROCCULTBOOTSTRAPS!



FOREWORD AND INTRODUCTION

WithoutdoubtthegreatestmysteryonearthisthemysteryofourPhysicalExistence.Wearestuckhere,andwhatdoweknowaboutwhywearehere;andwhatcanwedoaboutit?

Thereare“Those”whoSAY“They”knowwhatPhysicalExistenceisallaboutand“They”arelistenedtobyallandsundry,andarefollowedbyallandsundry,whohangon“THEIR”everyword,andgesture,andbelieveeverything“They”SAYcompletely.FortunatelyithappensthatOphielhasadefect(?)inhischaracter(probablycomesfromhisCapricornbirthsign)(CapricornruledbySaturn,thetester)(Ophielwishes,manytimes,hedidn’thavethisdefect(?))(thenhecouldliveinpeace,inafool’sparadiseliketheothers!)Ophiel’sdefectconsistsofnotbeingabouttoacceptself-styledprophets’sayings,

andteachings,withoutraisingthefollowingawkardquestion–andmakingthefollowingembarassingtest.ThequestionisISWHATTHEYSAYTRUE?AndthetestisDOESWHATTHEYSAYWORK,ANDPRODUCERESULTS?AndifwhattheySAYDOESNOTWORKTHENITISNOTTRUE,andintothegarbagecanwithit!!So,havingappliedthisquestionandthistest,toeveryReligion,Church,Philosophy,OccultSchool,OccultTeachingetal:Ophielnowarrivesat1966,leavingatrailofReligions,Churches,Philosophies,OccultSchools,OccultTeachingsetal,ingarbagecansbehindhim!!ButoutofalltheseyearsofOphiel’sturmoil/searchhasCOMESOMETHINGFOR

YOU!(leavingthedetailsofthesearchforanotherbook)OphielhasfoundthatMen– ALLMEN–HAVECERTAINDEFINITEPOWERS.Powersofwhichheisoftennotawareofhavingandwhichpowersseemalmostdivine!!HENCEFORTHYOUROBJECTINLIFESHOULDBETHEDISCOVERYANDDEVELOPMENTOFYOURPERSONALPOWERS,FORYOURUSEANDBENEFIT,ANDTOBRINGYOUHAPPINESS,ANDENLIGHTENMENT,ANDILLUMINATION.OphielwrotethisbooktobringtoyouDEFINITEWORKABLEKNOWLEDGEABOUTONEOFYOURPOWERS–THEPOWEROFCREATIVEVISUALIZATION.

Ifyouwillstop,analyze,examine,andconsider,youmustfindthatourphysicalExistenceconsistsalmostwhollyof“things”comingintoourPersonal-Life-Physical-Existence-Surroundings.ThesephysicalIncomingThingsareoftwotypes/classes.ThefirstclassofThingsareMental-Emotional-Circumstantial-Events;andtheotherclassesofThingsareMaterialThings.WeOccultStudentsshouldbedeeplyinterestedintheModusOperandiofourPowersofMental-Visualization-Creation-Creating,andallitsramifications;moreespeciallyastohowthedevelopmentofthesepowerspertainstoourownpersonallives:withemphasisupontheideaofconqueringphysicalmatterbylearningtocontrolit,aswellasbringingintoourpersonalpossessionthematerialthingsthatseemtobesonecessarynowforourhappinessandphysicalplanewellbeing.

Donotbeafraidtodothis.Man’sattemptsatCreative-Visualizations-Workingsarenothingnewinman’sevolutionarydevelopment.UntoldagesoftimesagoyourCave



Manancestorssecuredneeded-desired-circumstances-thingsbyvarioustypesofCreativeVisualizationworkcombined,ofcourse,withendlessdevices,bothphysicalandmental,toassisttheCreativeVisualizationwork. Asyouknowyourstoneageancestor’sCreativeVisualizationworkconsistedofpicture-drawingsonthewallsofcaves–picturesshowinghimsuccessfullyhuntinggameandsuccessfullydefendinghimselffromhisenemies;andhiscreativevisualizationsmusthaveworked,alsosuccessfully,becauseourancestorsdidsurvive,andweareheretodayasaresultoftheirsurvival!Amodernapplicationofthecavewallpictureswillbegiveninthisbook.ForyourownadvancementandunderstandingIaskyoutostudycarefullythisancientapplicationofthismagicArtandthemodernoneandmaketheconnectioninyourownmind/thinking. Alsoforuntoldagesmankindhasengagedinaskingsupposedhigherpowersforthefavorablecircumstanceswantedorneeded.Thesehigherpowersweresupposedtobe“outside”ofman.Therearepowers“outside”ofmanbutIcannotgointothequestionoftheseoutsidepowers,calledGodorgods,inthisbook.ThissubjectIwillagainhavetoleaveforanotherbook.AllIwanttodointhisbookistodirectyourattentiontoYOURLATENTPOWERS,THOSEPOWERSTHATYOUPOSSESSNOW.Iwillrepeat–YOU,ALLOFYOU,POSSESSPOWERS,WHICHPOWERSUSEDPROPERLY–AREABLETOHANDLETHECREATIONOFCIRCUMSTANCESFAVORABLETOYOURPHYSICALBEING–ONEOFTHESEPOWERSISTHEPOWEROFCREATIVEVISUALIZATION:DonotworryaboutnotlearningtousetheLawsofthesepowersperfectly.IfyoulearntheLaws,andusethem,aswellasyoucan,theywillwork,maybealittleslower,buttheywillwork.Dorememberthatallthethingsyouhavenow,thatyoudonotwant,youbroughttoyourselfbytheunconscioususeoftheselaws,andyoudidnospecialpracticeonthatdidyou? Alsohavenofearaboutusingtheselaws.TheseLaws,theembodimentofyourPowers,areasmuchapartofyouasyourlifeis.Thereisnowronginusingthem.TheonlywrongisinnotusingthemandallowingPhysicalLifetohurtyou.IfyouneedhelpandadviceandassistancethencontactOphiel,attheaddressgiveninthebackofthisbook,andhewillhelpyoutothebestofhisability. NOWGOTOIT.MAKEYOURLIFETHELIFEYOUWANT.GO-GO-GO.



SECTIONS

1.TheArtandPracticeofCreativeVisualization.................................11

2. LawsGoverningCreativeVisualization.............173. OccultLawNumberFour.

TheSphereofAvailability......................21

4. OccultLawNumberFive.OccultLawofTechniqueofLimitation............29

5. OccultLawNumberSix.LawofBinding...............................32

6. OccultLawNumberSeven.LawoftheBarrier.............................34

7. OccultLawNumberEight.LawoftheTreasureChart......................378. OccultLawNumberNine.

LawofE-Motion..............................41

9. OccultLawNumberTen.LawoftheReversalofthePlanes................44

10. L’EnvoiandFinality.............................5411. Addenda.....................................56

12. Appendix.....................................58

13. BlankElementCards...........................62



FORWARD TO EIGHTH EDITION

Thetimehasarrivedforanotherprintingofthisbook.ThiswasthesecondofOphiel’soccultbooks.Myfirstbookwas,asyouknow,aboutAstralProjection.ItsoonbecameapparenttoOphielthatmanypeopledidnothavetheresourcessothattheycoulddevotetimetoOccultstudy.Indeed,manypeoplelackedthesurplusofmaterialmeanstoleadagraciouslife.

OphielgatheredtogetherKnowledge–someofitamillionyearsold!–andputittogetherforyouruseandbenefit,souseit!!!CreativeVisualizationsDOWORK.TheyhaveworkedforOphiel,andOphielwasadifficultsubjectforthatsortofthing,soitcanworkforyou.PleasenoticetheSymbolbeforethefrontispiece.NoticethattheSymbolisnotexactlythreedimensional,butisin-between,hencein-betweenthisplaceandthenextplane‘up’.Givethisideayourattention.Ophielhaswritten,sofar,sevenotherbooks,eachpertainingtoavitalphaseofOccultKnowledge.IfthesebooksarestudiedconsecutivelytheyshouldleadyoutoagoodbasicfoundationofOccultKnowledgethatshouldkeepyoubusyfortherestofyourlife!SeveralcorrespondencecoursesareavailableandEssaysontimelyOccultSubjects.Ifyoudonothave,atpresent,meanstoacquirethesebooks,writeOphielandhewillsendyouacondensedversionthatshouldstartyouoffonthewayofGettingnecessaryMaterialThingstoenableyoutolivebetter,soyoucanhavetimetodevotetostudyandgetalong,physically,better.ThiswholePhysicalLifeisadreamtypeofIllusion,anditisyourjobtosodemonstrate

it.SOMOTEITBE.-OPHIEL



THE ART AND PRACTICE OF CREATIVE VISUALIZATION

Livingthismaterialphysicallifecanbeacruelthing.Millionsofhumanbeingssufferfromthe“slingsandarrowsofoutrageousfortune,”notknowingthattheyeach

possessmanypowerswhich,ifusedproperly,couldenableeachofthemtocontrolhismaterialphysicalExistence,toalargeextent,andrelievehimselfofmuchtrouble.Oneoftheunknown,unusedpowers,manpossessesisthePOWEROFCREATIVEVISUALIZATION.CREATIVEVISUALIZATIONisthenameforaMagical-Occult-Operationwhereinamancreatesinhis“Mind’seye,”orinhisimagination,theidea-imageofsomething,orsomecircumstance,orsomecircumstanceshefancieswouldbeofbenefittohisPhysical-Life-ComfortandaddtohisPhysical-Well-Being–theWell-BeingusuallycalledHAPPINESS.

Furtheruponthesuccessfulcompletion-creationofsuchanimage,bysuchaprocessintheman’simagination,-theMental-Imagination-Imagewillbecome“REAL”andcomeintothedailylifeoftheman;andconfertheabovementionedHAPPINESSbyitspresenceinhisdailyLife-Possession.Uptonowendlessbookshavebeenwritten,published,andsolddescribingthisMagical-Occult-Process;callingitbyvariousnamesbutallnamesmeaningthesamething.Suchnamesas“ContactingGodforyourDailySupply,”or“CreatingCircumstances,”or“SevenSteps,”asoneschoolputsit,andsoonthrumanyothertitles.ThisbookisanotheroneofthosekindsofbooksaboutthosekindsofCreative

VisualizationSystems.HoweverinthisbookitismyintentiontogomuchdeeperintothissubjectofCreativeVisualizationthanhaseverbeengoneintobeforebyanyone.Iintendtogiveyoualltheknowledgeandinformationandpracticesnecessarytoenableyoutounderstand ANDUSEANDPRACTICESUCCESSFULLYTHEGREATARTOFCREATIVEVISUALIZATION: AndIdothiswiththesincerehopethatbyyourstudyofthisbookyouwillbeabletousethisgreatARTsowellthatyouwillbeashappyasitispossibleforyoutobebyarrangingthephysicalcircumstancesofyourlifetoyourheart’sdesire.

ButbeforewegoanyfurtherintoastudyofasystemofCreativevisualizationIthinkitproperthatweshouldstophereandaskfirstabigquestion–CANANDDOESASYSTEMOFCREATIVEVISUALIZATIONREALLYWORK?Andif,fornow,weassumethattheansweris“Yes”thensomeotherquestionsareinorder.Questionssuchas–Howdoesitwork?Doesitworkforbigthingsordoesitworkforlittlethingsonly?Whatisthereasonabletruthaboutit?Wecanstartourconsideration,oftheidea,oftheexistenceofsuchathing,asasystemofCreativeVisualization,bygivingsomeweighttotheoldproverbwhichsays“Wherethereissmokethereis–fire.”Ontheonehand,inourmateriallifeonthisearth,youwillusuallyfindthatifthereexistssomekindofanidea,evenasacrudesuperstitionidea,thereisalwayssomekindofaTruthbehindit.Thereforeyoucan

takeit,tentatively,thatifasystemofMental-Creative-Visualizationhadabsolutelynothingbehinditatalltheideaofsuchathingwouldnotevenbeinexistence.

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Ofcourse,ontheotherhand,theotheroldproverb“Ifwisheswerehorsesbeggerswouldride,”cangivesomeweighttothecontraryideathata/anyVisualizationSystem(s)wouldnotworknomatterofwhattheywere,orofwhattheyconsisted.Itdoesnotseemtoounreasonabletopointoutthatifsuchasimplelookingprocessasmerelyvisualizingwhatyouwantanditcomestoyou;atleastitappearsthatway,wouldworkeasily,andthereisthesnag!,therewouldbenopoorpeopleintheworldatall,noranyunhappinessifhappinessdependeduponamaterialsupplyofwantedPHYSICALTHINGS,andthereisanothersnag!InmyyearsofOccultresearchIhavefound,asseemstobenormalonthisdifficult-not-understood-at-all-physical-plane,thatthetruepracticalworkingoutofMagical-Occult-Knowledge-Principlestoandontothephysicalplane,fromtheInnerplanes,isaboutinthecenter/middleofthetwoextremes–Working–NotWorking. ApparentlyCreativeVisualizationSystems“work”forsomepeopleand,apparently,donot“work”forotherpeople!Ifavisualizationsystemdoesworkitwill,apparently,workcertaintimesand,apparently,notworkcertainothertimes!AgainaVisualizationsystemwillwork,apparently,forsomepeopleinstantlyandagain,forsomeotherpeople,apparentlyneverworkatall!And,tosumthisup,itcouldbetruthfullysaidthatSystemsofCreativeVisualizationappeartobeapoorhitandmisspropositionandcannotbedependeduponforconstantresults;especiallyonthephysicalplanewhereRESULTSMUSTBEASEXPECTEDANDMUSTWORKOUTPROPERLY-ALWAYSTOBEKNOWNASSOMETHINGSUCCESSFUL:Now,aftermuchstudyandexperience,IbelieveIaminapositiontobeabletoelucidateanimportantStatementastotheapparentwhysoftheaboveworkingsandnon-workingsoftheOccult-Creative-Visualization-Process–andthatStatementis–THEARTOFCREATIVEVISUALIZATIONDEPENDSFORITSSUCCESSFULOPERATIONUPONCORRECTKNOWLEDGE,CORRECTUNDERSTANDING, ANDCORRECTRIGIDFOLLOWINGOFDEFINITERULES!!Tobealittlemorespecific–TheArtofCreativeVisualization,ANDALLOTHEROCCULTWORK,involvesWORKDONEONOTHERKINDSOFPLANESinadditiontotheworkdoneonthephysicalplane!!AndhowtodoInnerPlaneworkmeansKNOWLEDGE,KNOWLEDGE,ANDMOREKNOWLEDGEandthenPRACTICE,BASEDONTHATKNOWLEDGE,ANDMOREPRACTICE,ANDMOREPRACTICE.InCreativeVisualizationworkalltheplanesinvolvedinourcosmicexistenceareused,theEtheric,TheLowerAstral,TheHigherAstral,TheMentalPlane,andtheCausalPlane,ANDALLTHESEPLANESHAVEDEFINITERULESANDLAWS

FROMWHICHTHEYWILLNOTDEVIATEONEIOTA. Andsotherulesofalltheseplanesmustbefollowedcloselyifyouaretoexpectgood,final,physicalplaneendresultsfrompreceedingInnerPlaneoperations.Then,evenwhenandiftheselawsarefollowedcloselyandintelligentlyandcorrectly,therecanbeotherlocalandcosmicconditionswhichcanpreventOcculttechniquesfromworkingtemporarily.Someofthesewillbenotedlateroninthisbookandexplainedseparately.IamgoingtolistanumberofInnerPlaneLaws.Iintendtotreateachoftheselaws,intheorderofitsimportance,ascompletelyasIcan.ThenIwillsetuptheoperationaltechniqueforeachlawascompletelyasIcan.MostofthetechniquesI

willputintoasectionbythemselvesandtreataspractices.Iwilltrytosumuptechniques/lawsandpracticesattheendinsuchawaythatyouwillunderstandthemandbeabletodolikewise.Pleasepaycloseattentiontoeachlaw,techniqueand

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practiceasitisintroducedinthebook.Makeaverystrongattempttounderstandandmastereachinturn.Yourindividualmasteryoftheselaws,andtheirpractices,willconstituteyourfinalmasteryoftheGREATARTOFCREATIVEVISUALIZATIONandprepareyoutomasterotherOccultLaws.ThefollowingLawsgoverntheArtofCreativeVisualization.....IwilldevoteasectionsummaryofstudytoeachoftheseLaws.TheobjectofthesestudieswillbetochangetheLawintoapersonalTechnique,foryouruse.MakethebesteffortyoucantomastertheseLaws.Nevergiveup.Intheeventyoudonotsucceedinpracticingthesetechniquessoperfectly,asamasterwouldpracticethem,itwouldmeanonlythatitwilltakeyoualittlelongertoaccomplishdesiredresults.IwillfirstgiveabriefdescriptionofeachoftheseLawsandoutlinesomedetailsofitsmethodofstudy.NumberNameofLawHowStudied

1.TheOccultLawofPhysicalDiscussedandVisualization Described2.TheOccultTechniqueofPracticewithPhysicalVisualizationPhysicalObjects.3. TheOccultTechniqueof

MakingtheabovePhysicalStudyandVisualizationObjects–atendPractices.ofbookbutconnectedwith1and2Laws.

4.TheOccultLawofTheSphereofAvailabilityStudy.5.TheOccultLawofLimitationStudy.6.TheOccultLawofBindingStudy.7.TheOccultLawoftheBarrierStudy.8. TheOccultLawofthe

TreasureChartStudy.9. TheOccultLawof

E-MotionsStudy.

10.TheOccultLawofReversalofPlanesStudy.11.SummaryandPractices.Study.LawNumber1.–TheOccultLawofPhysicalVisualization.ForaCreativeVisualizationtobesuccessfulthefirstthingnecessaryisfortheoperatortomentally

createavisiblementalPICTUREofthething,orthecircumstance,wanted.ThiskindofMentalVisualCreationtheaveragepersoncannotdoeasilybutunlessthismental

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creationisdonetheCreativeVisualizationWorkcannotproceedtoasuccessfulconclusion.LawNumber2.–TheOccultTechniqueofPhysicalVisualization.TheTechnique-Lawisdescribedanddirectionsgivenforcarryingitout.MostofthelawsaredescribedinthisfirstsectionandthepracticesaregiveninthelatterpartofthebookbutinthissecondLaw’scasethepracticesaregivenimmediatelyafterthedescriptionofthetechnique.IdothissothatyouwillhavesomeworktodowhileyouarestudyingtherestoftheLaws.ThatisIgiveonekindofpracticeandtherestofthepracticespertainingtoothersymbolsaregiveninthelatterpartofthebook.LawNumber3.–Continuationofthefirsttwolawswithmoredetaileddirectionsforthemakingofthesymbolsforvisualizationpracticeandsomeadditionalinstructions.LawNumber4.–TheOccultLawoftheSphereofAvailability.–ThisLawisoneofthemostimportantfactorsinthemagicaloperationofCreativeVisualization.TomyknowledgethisLawhasneverbeentaughtbefore.ThelackofknowledgeofthisLawisthecauseofallfailuresinattemptingtousetheArtofCreativeVisualization.ThepracticesofthisLawwillbefoundinthelatterpartofthisbookinconnectionwiththecasehistories.LawNumber5.–TheOccultLawofLimitation.–ThisisanotherimportantLawthelackofknowledgeofwhichpreventstheworkingoftheCreativeVisualizationArtbut,perhaps,alittlelessthansomeoftheotherlaws.HoweverIguessIhadbetterstopsaying–thishasneverbeentaughtbefore–becausenoneofthesedistinctLawshaveeverbeentaughtbeforethatIcanfind.IdonotmeanthatIamthesolediscovereroftheselawsortheyhaveneverbeenprintedbefore.ImeanthattheselawsexistedbeforebuttheirdirectconnectionwithMagicalOccultworkhadneverbeenestablishedasclearlyastheyarenowinthisbook.AlsothepracticesofthisLawofLimitationwillbegiveninthelatterpartofthisbookinconnectionwithcasehistories,aswillalltherestoftheselawspractices.SoIwillnotrepeatthatagain.LawNumber6.–TheOccultLawofBinding.–ThisisanotherunknownLaw,thatgreatlyeffectsCreativeVisualizationwork.UnderstandingthisLaw,andworkingWITHit,cangreatlyassistyourCreativeVisualizations.LawNumber7.–TheOccultLawofTheBarrier.–ThisLawgovernstheArtofchangingWordsintoEmotionsandEmotionsintoWords.AttemptingtoworkCreativeVisualizationwithWordsaloneorEmotionsaloneisadifficultprocess.Understandingthislawcanmakeyourworkmoreeffective.

LawNumber8.–TheOccultLawoftheTreasureChart–ATreasureChartorMap,asitisalsocalled,isavisualaidtoCreativeVisualizationwork.ACorrectlymadeTreasureChartisoftremendousvalueinCreativeVisualizationwork.Fulldirectionsaregivenformakingthismagicaltool.LawNumber9.–TheOccultLawofE-Motions.ThepartthatemotionsplayinCreativeVisualizationworkisusuallyreferredtobutlittlemore.Hereafullexplanationisgivensothatyouwillunderstandthepartemotionsplayandcantakefulladvantageofthem.LawNumber10.–TheOccultLawoftheReversalofPlanes.OrdinaryEnglishwordsarenotverygoodwhenitcomestoexplainingtheveryfinemetaphysicaloperations

ofInnerBeing“Things.”ThusthefactthatallplanesarereversedtoeachotherisalmostunknowntomanyOccultists.Whatisgoing,ononeplane,iscoming,onanother!!Andthenthisreversalalsobecomesreversedattimes!!Thelackof

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knowledgeofthisreversalofplanesisanotherreasonwhymuchordinaryCreativeVisualizationworkfails.SummaryandPractices.Mostlygiventhruthecasehistorytypeofinstruction.IntheopeningpagesofthisbookIsaid–“endlessbookshavebeenwrittendescribinganOccultprocesscalled–CreativeVisualization.”andthenIsaid–“Thisbook,thatyouarenowreading,isanotheroneofthosekindsofbooksaboutthosekindsofCreativeVisualizationSystems.”Thenextfewparagraphswillbeintheformofquestionsandanswers–ImagineyouaskingthesenaturalquestionsandIgivingtheanswers.Thefirstnaturalquestionyouwouldaskis–“iftherearesomanyotherbooksonthissubject,alreadywritten,whythenanotherbook?” Andthecorrectanswertothatquestionis–“YestherearelotsofbooksalreadywrittenonthissubjectBUTTHEINSTRUCTIONSCONTAINEDINTHOSEBOOKSDONOTALWAYSWORKSOWELLor,letussay,donotworksowellastoprecludetheintroductionofanotherbookonthissubject.” Andyournextnaturalquestionwouldbe–“Iftheinstructionsgiveninthoseotherbooksdidnotworksowellthenhowdidtheauthorsgetawaywithwritingbooksthatcontainedinstructionsthatdidnotwork?” Andthecorrectansweris–“Thoseinstructions,asgiveninthosebooks,didwork!!BUTONLYFORTHEAUTHORSOFTHOSEBOOKS!!!Whatthesequestionsandanswersadduptoisthis–duetoaparticularpersonalityquirk,whichtheseauthorsaloneautomatically,naturally,possessed,THESE AUTHORSUNCONSCIOUSLYDIDALLTHETECHNIQUESOFTHECREATIVEVISUALIZATIONWORKPROPERLYANDTHUSTHEPROCESSWORKSFORTHEMSUCCESSFULLY!!!Oncetheseauthorsgetacreativesystemworkingforthemselvestheyhastentowriteabookaboutitand,usuallyhavingmoney,theygetthebookprinted.ThenoccultstudentshastentobuythebooktogettheMagicSystemtoworkforthem.AndtheMagicsystemworkssometimes,andsometimesitdoesn’tDEPENDINGONHOWCLOSELYTHESTUDENTISLIKETHEAUTHORINPERSONALITYPECULIARITIESOFTHESAMETYPE.

Itneverseemstooccurtothoseauthorsthattheirprocessmightnotworkforothersasitdidforthem.Theypublishtheirpersonal,empiricalsystem,ofCreativeVisualizationandnotawordissaidaboutTHEPRINCIPLESUPONWHICHTHEIRSYSTEMISBASED.InfactsonaturalmighttheirworkingofCreativeVisualizationsbethattheydon’tevenKNOWaboutanybasicprinciples.Itisstrangebuttherearepeoplelikethatintheworld.Peoplewhodothingsrightthefirsttimetheytry,withoutanyprevioustrainingatall.HoweverIwasneveroneofthosekindsofpeople.Ihadtolearnhowtodothings,throughlearningtheirbasicprinciples,andthenworkthemthrough,andby,theirprinciples.Icannotlearnanyotherway.(Ifyouareoneofthenaturalworkersthenyouarelucky)

SonowIwillrepeatmyselfagainandsay–InthisbookthelawsgoverningtheArtofCreativeVisualizationarelisted;andeachofthemaregoingtobeexplainedtoyouin

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detail:andthebasicprinciplesoftheselawslaidoutforyoutounderstand.Then,throughunderstanding,youwillbeabletoadapttheselawstoyourpersonaluses/needs.ANDUSETHEM.TheexistenceofPrinciples,Techniques,andRules,whichcanbelearnedandpracticed/used,showsthatthisWorkofCreativeVisualizationISANART.ANDANARTOFWHICHWECANALLLEARNSOMETHING,andmanyofusagreatdeal,andmanyofuscanBECOMEMASTERSOFTHISART.MasteryoftheArtofCreativeVisualizationisabigsteptowardstheMasteryofthe ARTOFLIFE.AsamatterofactualfactyouareusingCreativeVisualizationeverysecondofyourlivinglife!Noneofusareverysuccessfulinlivingandhavingthekindoflifewewouldliketohaveandyeteverythingwehavethatwedonotwant,andpossessionofwhichmakesusveryunhappy,WECREATEDOURSELVES,FOROURSELVES,ANDBYOURSELVES,BYOUROWNMENTALPOWERS!Naturallywedidthiscreatingignorantlybutwediditnevertheless.AsIsaidbeforethetimecancome(andwehopethisbookwillhastenitforyou)thatyoucantake,andwilltake,yourownPersonalDivinePowersintoyourownhandsanddirecttheRightUseofthispower.ANDTHENONLYWILLYOUBEGINTOUSEYOURDIVINEPOWERSASTHEYSHOULDBEUSEDANDASYOUSHOULDUSETHEM–INTHERIGHTWAYANDFORYOUROWNBENEFIT!!!WHATDOESUSINGYOURPOWERSFORYOUROWNBENEFITMEAN?BasicallyitmeansthatwealluseourbasicCreativePowerseverysecondofourlives.ButweusetheseCreativePowerswrongly.Whatdoes“usingourcreativePowerswrongly”mean?ThemostoutstandingthingitmeansisusingourCreativePowersignorantly.OurpresentdailyuseofourCreativePowersislikegivingababyagallonofnitroglycerinetoplaywith!SomeothermisusesofourCreativePowersare–spasmodicaluseofthePowers.Nodefinitesharpideaofknowingexactlywhatyouwanttodoortobeortohave.ThereareotherendlessmisusesofourPowersbutthesetwoareenoughtothrowamonkeywrenchintothebestlifeintheworld.HowtohandleyourPowersproperlyisthesubjectofthisbook,andwillbeexplainedaswegoon.FornowallIwantyoutoknowandunderstandisthattherearetwothingsnecessaryforthesuccessfulUseofthisCreativeArtandtheyare–1.–THEKNOWLEDGETHATYOUHAVEGREATCREATIVEPOWERSAND2.–THE

KNOWLEDGETHATYOUHAVEHERETOFOREUSEDTHESEPOWERSIGNORANTLY,ANDHENCEWRONGLY,ALLYOURLIFEBUTNOWYOUARETOLEARNTOUSETHESEPOWERSCORRECTLY.Sonow,knowingthatthesuccessfuluseoftheProcessofCreativeVisualizationispossibletoallofus,insomedegree,thrutherightuseofbasicprinciples,wecangoonfromthere.

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LAWS GOVERNING CREATIVE VISUALIZATION

ThefirstmainreasonwhytheCreativeVisualizationprocessdoesnotworkperfectly(asitshouldwork)fortheaveragestudentisimpliedinthetitleofthisbook–Creative

–Visualization.HalfoftheCreativeVisualizationprocessConsistsofaprocedurecalledVISUALIZATION:NowexactlywhatisVisual-ization? AGlanceintothedictionarygivesthefollowingdefinition–Tomakeortobecomevisible,especiallyTOSEEORTOFORMAMENTALIMAGEOF–THENATURAL ABILITYtobeabletoformaclearmentalimageofsome-thinginyourmind-memoryisanabilitythatnoteverypersonpossesses.Certainlythisisanabilitythatvarieswithdifferentpeopleandvarieswidelyevenwiththosewhopossesstheabilitynaturally.HerethenisoneofthemainreasonswhythisMentalCreativeVisualizationProcessdoesnot,andcannotwork,forallpeople,asitshould.Becauseanabilitytocreate

clear,mental,pictureimages,inthemind,isrequired;andnotallpeoplepossessthisimagecreationfacilitynaturally.IdidnothavethisfacilitymyselfandIhadtoworkhardtogetitinenoughdegreetogetpositiveresultsfrommyCreativeVisualizationwork.Ihavenodoubtthatthosewriters,whowrotethosepreviouslyreferredtobooksaboutthiscreativevisualizationsubject,POSSESSEDTHOSECREATIVEVISUALIZATIONMENTALIMAGEMAKINGABILITIESNATURALLY,anditprobablyneveroccurredtothemthatothersdidnothavethatabilitytointhesamedegreethattheyhadit.* _________*IwanttocallyourattentionagaintothisstrangeomissionofallpracticalexercisesondevelopingmentalimagesmadebythepreviousteachersofthisArt.Obviously,astheArtsucceededwiththem,theyjustassumedthatallotherpeoplehadthisabilitytooinlinewiththatrecentjoke“Welldoesn’teveryone?”Thelackofapositiveimagemakingfacilityisoneofthemostpotentfactorsinthefailureofthiskindofcreativework;andtheomissionofanykindofexercisesinthosebookstodevelopthisabilityinyouisinexcusable.Howcouldyoupossiblysucceedinthisworkifyoucannotvisualize?

IftheydidnotthinkthateveryonepossessedthesameabilityastheydidthenIamatacompletelosstoaccountforthefactthatnoneofthesepeoplegaveanyexercisestodevelopthisabilityintheirstudents.OnethingIcansayforcertainisthatinallthosebooksIresearchedonthissubjectnotoneofthemgaveanyofthefollowingworkthatIamgoingtogivetoyou.Worktoenableyoutodevelopyourvisualizationabilityasmuchasisneededforyourcreativework.

Inthebeginningofmyoccult-studies-workIwasnotabletoproceedinthisArtuntilIdiscoveredanddevelopedthefollowingexercises.PracticewiththeseexercisesthenenabledmetolearntocreateclearmentalimagesofthephysicalthingsIneeded/desired,andIcantellyouthatwhenmymentalcreationswerecleancutandclearthenmyCreativeVisualizationwishsucceeded.NowthatIhaveemphasizedtheimportanceofPhysicalVisualizationIwillgiveyousomeworkinit.(ItwasmyintentiontoexplainallthelawsonebyoneandthengivethepracticesintheuseoftheLawsinthelatterpartofthebook.IwilldothiswiththeotherLawsbutIwillalsogiveyouthisVisualizationworknowsothatyouwillhavesomethingtoworkonwhileyouarelearningtherestoftheLaws.)

TheVisualizationwork-practice,inconnectionwiththisfirstpartofthemental-physical-creative-visualizationwillbeaMagicalRitual.InthisMagicalRitualyouwilluseagreatdealofmental-imaginationinconnectionwithphysicalactions.Youwill

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firstlearnto“work”theritualPhysicallyandthen“work”itMentally,visualizingitasyouworkit.Finallyyouwill1.FirstworkitPhysically.2.ThenworkitMentally.3.ThenworkitbothPhysicallyandMentallyATONCE.Thiswillbethefirstpartofpracticevisualizationinconnectionwithdevelopingthisfacultyinyou.Thesecondpartwillconsistofworkwithsymbolswhichyouwillfindinthebackofthisbook.Ifyougotthebooksecondhandandthesymbolsaregoneyouwillfinddirectionsformakingyourownsymbolsandcoloringthem.Intheadvancedpartofthisworkyoushouldmakeupyourownsymbolsanyhow.Startyourfirstworkinthefollowingmanner-* _________* AlltheworkIgiveyouisMagicalworkofacertaintype.Ifyoucontinuetobuymybooksandcontinuetodevelopyourself,asIamtryingtohelpyoutodo,youaregoingtofindmoreandmoreofthesemagicaloperationsinthesebooks.Bythetimeyouhavebeenthruseveralofmybooksyoushouldhaveatyourcommandsomeveryuseful,practicalmagicaloperationsthatwillhelpyouthrulifeifyouusethemcarefully.

ThefirstworkwillconsistofaverysimplelookinglittleRitual.Nowifyouwanttomakeabigmistakethatwillholdupyourmagicalproficiencyforalongtimejustimagine,asIdid,thatbecausethisRitualissosimplelooking,andsounding,itdoesnotamounttoverymuch,andsoneglecttolearnanddoit.ThissimplelookinglittlethingisveryhelpfulANDVERYPOWERFUL.LEARNIT ANDUSEITALLTHETIME:YouaregoingtofindthisRitualinmosteverybookIwritesoifyouhaverunacrossitbeforejustpretendthatyouneversawitandlearnitalloveragain!Memorizethefollowingmaterialandmemorizeitsowellthatyouwillbeabletoreciteiteasilywithoutstoppingtothinkofwhatcomesnext.TheRitualsoundseasy,anditiseasy,butitisabitcomplicatedinvolving,asitdoes,somemovementsandword-actions.IfyoucontinueinOccultwork,andyoushould,youwilleventuallyunderstandthemeaningsofthewords,andactions,butfornowworktheRitualasitstands.Itwillstillwork.1. TouchtheforeheadandsayATOR(ThouArt)2. TouchthelowerbreastandsayMALKUTH

(TheKingdom)3. TouchtherightshoulderandsayVE-GEVURAH

(andthePower)4. TouchtheleftshoulderandsayVE-GEDULAH

(andtheGlory)5. ClaspingthehandandfingerstogetherbeforethebreastsayLE-OLAHM

(foreverAMEN)Thisritualexerciseisthepreambletothenextsectionwhichisasfollows–Standinthecenterofaslargearoomasyoucanfindtoworkin.FaceEast.Visualizeasteeldaggerinyourrighthand.(Nowhereisyourfirstworktodo.Findapictureofadagger,orfindarealdagger,orborrowone,ordosomethingtogetyourselfarealdaggermodeltovisualize.Thenlook-concentrateonyourmodeluntilyoucanrecalltheimageofittomemory-mindeasily.)

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Thecarefulnessandtheaccuracyofyourworkinsettingupthis,andtheothermodelsforvisualizationprocesses,isthedegreeofMagicalaccuracyyouwillattaininyourMagicalwork.“Hold”yourimagedaggerinyourrighthandandtrace,intheairinfrontofyou,alargestaraccordingtotheoutlinegivenhere.Tracethestaraccordinglyasitisday,morning:orevening,night.

Practicemakingthesestarsmanytimesuntilyoucanmake-traceastarwithoutanyjerkymotions.Youcanpracticemakingsomestarsonapieceofpaper.Keeptheproportionsofthestargood.“Draw”thestarmakingmovementsdeliberatelyand

slowly. Afteryouhaveperfectedthesestarmakingmovementsaddthefollowingmaterialtotheritual.Takeaspoonfulofrubbingalcoholorwhiskeyandplaceitinasaucer.Lighttheliquidandnotecarefullythebluecoloroftheflame.(Don’twastethewhiskeyorburnthehousedown!)Getthisbluecolorflamefixedinyourmindandalsothewaytheflamewavers.Practiceuntilyoucanvisualizethecolorandwaveringandrecallthemtomemoryperfectly.Nowyoucanproceedwiththemainritual.FaceEast.“Take”yoursteel-image-daggerinyourrighthand,visualizethedaggeroutlinedinthewaveringblueflame.Makeapentagramstar,accordingtothetimeoftheday,andvisualizethestaroutlinedintheblueflame.ThenpronouncethenameYHVH–(YOD-HEH-VAV-HEH).Now“see”thruthecenterofthelargeflameoutlinedstarabeautifuldawn!PinktoRosyclouds.TheEastistheQuarterofAIR,SOFEELAIR.Imagine,andfeel,acoolsoftbreezecomingfromthedawncloudsandpassingoverandthruyou,andthruyouagainandagain.ThenameofthisEastWindisEURUS.Socallhimoutbyhisname. AfteryoufeelfilledandsatisfiedwithAIR,erasethescenegentlyfromyourimaginationandcontinuearound,inacircle,withyourflamedaggertotheQuarteroftheSouth.Thelineofthecircle,betweenthestars,isalsocomposedofthewavering

blueflame.WhenyouhaveturnedSouth,maketheStarandthenpronouncethenameADNI(AH-DOH-NAI).ThruthecenterofthisSouthstar“see”thefollowingscene.Atropicalislandscene.Warmblueseawatersdashingoncoralreefs.Beyondthecoralreefslielongwhitebeachesandbeyondthebeachesgrowpalmtreesswayinggentlyinthehottropicalwind.Feelthishotwindpouringfromthecenterofthestarintoyouandwarmingyouthruandthru.ThenameofthissouthWindisNotus.Sonamehimandcallhim.WhenyouhavefinishedwiththeSoutheraseitgentlyfromyourmindandcontinuetomakethebluefirecirclearoundtotheWest.Theremakeyourblueflamestarand

pronouncethenameAHIH(EH-HE-YEH).Visualizeawaterfalltumblingdownoveracliffanddashingonrocksatyourfeetsendingupacloudofmistandspray.Feelthis

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mist-sprayonyourfacelikeagentlerain.Feelwetnessandcoolnessthruandthru.ThenameofthisWestwindisZephyrus,sonamehimandcallhim.WhenyouarethruwiththeQuarteroftheWestcontinue,withyourflamedagger,thecirclearoundtotheQuarteroftheNorth;tracethefire-flamestarandpronounce AGLA(AH-GAL-LAH).TheNorthistheQuarteroftheElementofEarth.TheseQuartershavenorelationtotheusualmaterialideasofAIR,FIRE,WATER,ANDEARTH,butareconcernedonlywiththeQUALITIESOFTHESEELEMENTS.HenceNORTHtheQuarterofEarthisnottheNorthPoleoftheEarthbutisNORTH,THEQUARTEROFEARTH.ItisintheNORTHQUARTEROFEARTHthatalltheotherElementalForcesend.Iwillrepeatthis–All“forces”comingthrutothe“OUTER”FROMTHE“INNER”endintheNorthQuarteroftheEarth.ThereforeEARTHisthegreatENDstorehouseofALLFORCESWHICHFORCESAREALLTHINGS!!YouwillfindinEARTHallthethingsthatyouarelookingforandwhichyouneedtomakeyouhappy.So,therefore,whenyouvisualizetheQuarterofEarth,thruthebluflamestar,youfirstvisualize,beforeyou,vastfieldsofripenedgrainandvastfieldsofripenedcornandothercereals.Beyondthesefieldsarevastorchardsoffruittreesloadedwithallkindsoffruits.Beyondtheorchardsstretchgreatareasofgrassesonwhichgrazegreatherdsofanimals.Beyondtheherdsstartforestsoftreesandbeyondtheforestsaremountains. Andthesemountainsarefullofminesofmineralswhichweuseinourdailylives;andthemountaintopsarecoveredwithsnowandice.Themeltingofthissnowandicemakesanabundanceofwaterwhichflowsdowntowaterandnourishtheliving,growingthings,below.ALLISPEACEANDPLENTY.FULLOFALLTHETHINGSYOUNEEDTOMAKEAFULLANDHAPPYLIFEFORYOURSELF.ThenameoftheNorthWindisBORUSsonamehimandcallhim.WhenyouhavefinishedworkingwiththeQuarteroftheNorthcontinuetheflamecircleonaroundbacktotheEastandenditthere,whereyoustarted.Youshouldthenbecompletelysurroundedbyacircleofblueflameswithabluestarateachquarter.ClosetheritualbyrepeatingtheCabalisticCrossexercisefollowedbythesewordsandactions–YouarefacingEast.ThrowoutyourarmsintheshapeofaCrossandsay–“BeforemeisRaphael,”“BehindmeisGabriel,”

“OnmyrighthandisMichael,”“AndonmylefthandisAuriel,”“BeforemeflamesthePentagramandbehindmeshinesthesixrayedstar.”Theaboveritualconstitutesthefirstpartofthepracticesinconnectionwiththeworkoflearningphysical-mentalvisualizations.

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OCCULT LAW NUMBER FOUR.

THE SPHERE OF AVAILABILITY

WenowcometotheLawlistedasNumber4onourlist.IhavenamedthisLaw–THE

SPHEREOFAVAILABILITY.ThisnamedesignatesoneofthemostimportantOccultLawsevergivenoutinanyOccultbook.InallmyyearsofOccultresearchIhaveneverfoundanyoutrightexpostulationofthisLaw.Therewereafewvaguehintsbutthatisall.Alltheworkyouwilleverdonow,orinthefuture,alongthelinesofCreative-VisualizationhangsontheKnowledge-Theory-BaseofTHESPHEREOFAVAILABILITY.NowIsuredohatetokeeponsaying“givethisnextsubjectyourutmostattentionetc.”ButinthiscaseitismoretruethanotherwiseandthereasonisthatinthecaseofsomeoftheotherLawsIwillgiveyou–inspiteofthem–youcanstillaccomplishagreatdealinCreativeVisualizationwork;butalackofknowledgeoftheSPHEREOFAVAILABILITYisfatalwhenitcomestoaccomplishinganythingthruCreative

Visualization.TheonebigsinglereasonwhyMentalVisualizationsfailto“cometrue,”ordonotreachPhysicalConsummation,isafailuretoknowabout-andunderstand-andallowfortheexistenceoftheLAWOFTHESPHEREOFAVAILABILITY.OncethisLawisclearlyunderstooditexplainswhysomestudent’svisualizationssucceedeasilywhileotherstudent’svisualizationsneversucceednomatterwhattheydoorhowhardtheyvisualize.(Exceptthosewhodotheworknaturally,asIsaidbefore.)Intheillustrationsfollowinglookfortheexampleswherecreativevisualizationworkwasdonenaturally.Forthetechnique-theoryoftheLawIamabouttoexplaintoyou(asyouhavenodoubtguessedbynow)IhavecoinedthenameTHESPHEREOFAVAILABILITY(IdidthiscoiningofnamesevenafterIcomplainedaboutothersdoingit).(Ifeel

guilty!)* _________*IfeelthatIshouldmentionherethatitwasmyrepeatedfailurestoachievesuccesswithVisualizationsthatledtomydiscoveryoftheLawoftheSphereofAvailability.

TheconceptoftheLawofTHESPHEREOFAVAILABILITYissosubtlethatIhavedecidedthatthebestwaytoteachtheunderstandingofthisLawisbymeansofcasehistoriesaboutpeoplewhohavesucceededinCreativeVisualizationworkandthenIwillpointoutthecorrectuseoftheLawinthesecases.IamgoingtogiveheretheveryfirststoryIeverheardaboutCreativeVisualizationwork.ThefollowingisfromabookwrittenbyaMr.RichardIngalese.Mr.IngalesewasalecturerandOccultteacherinthiscountryattheturnofthecentury.HeapparentlydiedinLosAngelesabout1930asnearasIcanfindout.HeandhiswifewrotesomebooksabouttheOccultandthesebooksarestillquitegoodforbeginnersinthisline;althoughalittleoutdatednow.Ifyouareabeginnerandwanttogetcopiesofthem,Ihavethem,bothnewandsecondhand.ContactmethrutheaddressgiveninthisbookandIwilladviseyouaboutthem.InoneofhisbooksMr.Ingalese–talkingabouttheLawofOpulencewhichwashisnameforCreativeVisualization–tellsastoryaboutayoungmanwholivedinParismanyyearsago.Thisyoungmancamefromafamilyofragpickers.Thatishemade

alivingbypickingoverthepilesofParisrubbishandsalvaginganythingusable;butfromwhatIknowoftheFrench,andtheirthriftyhabits,Iwouldsaythatthepickingswereslimindeed.

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Thisyoungmanattractedtheattentionofaperson,whowasversedintheOccultArts,andthispersondecidedtohelptheyoungman.Hegavetheyoungmanamanuscriptandtoldhimtostudyandpracticetheknowledgecontainedtherein.Andthistheyoungmandid.ThemanuscriptcontaineddirectionsexplainingtheArtofCreativeVisualizationor,asitwascalledinthemanuscript,Gettingthingsthruthinking.AfterreadingandstudyingtheknowledgecontainedinthemanuscripttheyoungmandecidedhewouldattempttopracticetheGreatArt.(Thefollowingisveryimportant).Theyoungmandecided,forhisfirstvisualizationattempt,thatthefirstthinghereallyneededwasasmallpieceofcarpettoputbesidehisbedtoprotecthisfeetfromthecoldstonefloorwhenhegotoutofbedinthemornings.HEPROCEEDEDTOVISUALIZEFORAPIECEOFCARPETANDINASHORTCOURSEOFTIMEAWOMANGAVEHIMAPIECEOFCARPET!!!ThissimpledemonstrationsoconvincedhimofthevalueandpoweroftheArtofCreativeVisualizationthatheproceededtopracticeitfortherestofhislifeandwhenhepassedonhehadmanyhundredsofthousandsofFrancs,andFrancswereFrancsinthosedays.WewillnowconsideracasethatIknowaboutpersonally.ManyyearsagoIlivedinLaJolla,CaliforniaandIusedtoattendalittleTheosophicalmeetingthatwasheldthereeachweek.AsissomewhatcommoninTheosophicalcirclestherewasamixtureofpeopletherewithdifferentbackgroundsandmanydifferentkindsofdifferentideasabouttheOccult.Irecalloneladywhowasactiveinsemi-occultwork.Sheusedtoteach,insomekindofaWPAgroupinSanDiego,howtomakeTreasureCharts(asyouwillgetlater)suchasaretaughtbytheUnityPeopleintheirwork.SheadaptedherownideastotheseTreasureChartsandthentaughtthemasakindofCreativeVisualizationsystemofherowntoamixedgroupofpeopleinherclasses.Thepeopleintheclass,havingnothingbettertodoforthemoment,tookuptheideawithagreatdealofnon-seriousnessand,muchinjest,onemanmadeupachartforabottleofwhiskeyandanothermadeupachartforaBlond.!!!!Itturnedout,shortlyafterwards,thatsomeonegavetheonemanabottleofwhiskeyandtheothermanwasintroducedtoaBlond!!!!Thetwomenweresofrightenedbythesehappeningsthattheyfledtheclassesandrefusedtohaveanythingmoretodo

withthisstuff!!!!Fromtwoofmyowncases.AtonetimeIownedasmallroominghousethatIhadgonetoalotoftroubletofixupverynicelyandyetIdidnotseemtobeabletogetanyincomeoutofittoamounttoanything.ImadeupachartandIdecidedthatIwouldbesatisfiedwithanincomeof$200.00amonthclearforthetimebeingANDISOONHADIT!AtanotherearliertimethanthatIneededasmallhandpunchforsomeworkthatIwasdoingbutIwasnotabletobuyoneforlackofmoneyatthattime.Ididsomevisualizationworkforapunch(franklywithoutmuchhopeasIwasnewtothegame).AfewdayslaterIwasaccostedbyadrunkmanwhoofferedmeapunchforasmall

sumofmoney.IdidnotliketheideaofthemanbeingdrunkandsellingsomethingforlessthanitwasworthandsoIrefusedtobuythepunch,whereupontheman

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threwthepunchdownatmyfeetandstalkedoffinhighdudgeon!Youcertainlycouldnotaskformoreofamiraclethanthat!!IamnotsurewhereIheardthenexttwostories,Idon’tthinkIreadthemanywherebutIdidhearthem.SoifIamusinganyoneelse’sstoriesIapologiseinadvance.Bothofthesestoriesareaboutwomenandwomen’shats!Aladysaw,inalargedepartmentstore,averybeautifulhatthatshedecidedshewantedforherown.ShecouldnotaffordthepriceofthehateasilysoshedecidedtogetthehatthroughCreativeVisualizationwork.InordertogettheCreativeVisualizationmentalpicturecorrectinhermindshewentintothestoreand,leavingheroldhatonthecounter,putonthedesiredhatandwenttoamirrortoseehowshelookedandtogetthevisualizationpictureabsolutelycorrectinhermind.Whenshewasthruviewingthehatshereturnedtothecounterand,lookingabout,couldnotfindheroldhat!Whereupontheupsetmanagersaidshecouldhaveanyhatshewantedinthedepartmentandsoshewalkedoutofthestorewiththehatshewantedandvisualizedfor!AnotherladysawaveryexpensivehatinastorewindowandalsodecidedtogetthehatthruCreativeVisualization.Shestudiedthehatandthenvisualizedthehatonherhead.Thenshedidnotgonearthewindowagainbecauseshefeltthatifshedidlookforthehatinthewindowitmightspoilthepictureshehadofthehatonherheadalready.Whichwasaverysensibleidea.Someweekslatershewasvisitingarichfriendandthisfriendsaidtoher–“acoupleofweeksagoIboughtahatandnowthatIhavegotithomeIhateitand,IwouldnotwearittoadogfightifIknewboththedogs!Ifyouwantityoucanhaveit.”Andshebroughtoutthehat!!IcouldgivemanyotherexamplesbuttheseareenoughtoillustratetheLawoftheSPHEREOFAVAILABILITY.Youthinkoverallthesestoriesandconsider–Whatwasthemostoutstandingfeatureofthesestories?WHATWASTHEONEDEEPTHINGTHEYALLHADINCOMMON??OTHERTHANTHEOBVIOUSFACTTHATTHEYALLGOTWHATTHEYWANTEDTHRUAVISUALIZATIONPROCESSISNOTTHEHIDDENFACTTHATTHEDESIREDTHINGWASWITHINTHENORMALREASONABLEREACHOFTHEPERSON??ORSHALLWENOTCALLALLTHESETHINGS“GOTTEN”BYTHESEPEOPLEWITHINTHEIRNORMALSPHEREOFAVAILABILITY????ThesepeopledidnotaskforRollsRoyces,Mansions,Hugebagsofgoldpieces,andtheMoonwithafencearoundit;thingsnowhereneartheirpresentlivesorwayof

living.No!Thethingstheyaskedforwere,asmallpieceofcarpet,abottleofWhiskey.ABlond,Ahandpunch,Women’shats.Thingsthataretherenow.MyOccultresearchhasconvincedmethatthemainreasonwhyvisualizationsdonotworkforusallthetime,aswewantthemtowork,isthatweask“AMISS”ThatiswedonotgetthethingswewantnotbecauseGoddoesnotwantustohavethembutbecausethosethingsARENOTINOURSPHEREOFAVAILABILITYATTHETIME.TheTruthsofDivineMetaphysicsaresograndanddivineandsoundsorightthatanewstudent,hearingandreadingaboutthemforthefirsttimeinhislife,isgreatlytemptedtothrowcaution,andreason,outofthewindowandimaginethathecanworkmiracleseasily,especiallyafterreadingafewpagesofaCreativeVisualization

book.

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ThenewstudentthenproceedstovisualizeforLARGETHINGS.BIGTHINGS.VALUABLETHINGS.Thingsthatarefarbeyondhisability–nottovisualize–imagine-desire,BUTFARBEYONDHISPRESENTABILITYTODEMONSTRATE-VISUALIZE.Andallthisisespeciallysoifamanhasachampagneappetitewithabeerincome.Wellachampagneappetite,withabeerincome,isnojoketotheonewhohasit.ToreinforceyourunderstandingoftheLawoftheSphereofAvailabilityIamgoingbacktothestoryoftheyoungFrenchragpickerandcomparehisstorywithanotherstoryIwillgive.Youwillrecallthatthefirstthingtheyoungragpickervisualizedforwasapieceofcarpettoprotecthisfeetfromthecoldstonefloorinthemornings.Thisyoungmanhadnothingbutabsolutelynothing.(Inhiscasehavingnothingwasagreatblessing).Hedidnothavesomethingthathecouldhavetradedforacarpet.Hedidnothavealittlemoneysohecouldhaveboughthimselfapieceofcarpet–hehadnothing.Sotherefore,havingnoresourcesatall,hewasabletodecideonthepieceofcarpetaswhatheneededandwantedmostandtoconcentratefullonthecreativevisualizationofthispieceofcarpet.Andasthecarpetcametohimsoon,thruhiswork,itprovedamongotherthings,thattheCARPETWASWITHINHISSPHEREOFAVAILABILITY.NowIwilltellyouanotherstory.Thisstoryconcernsamanwhohadapositivegeniusforrunninglargedepartmentstores.Hehadaterrificabilitytosellgoodsandtomanageefficientlysuchabusiness.Hewasemployedinaverylargestorebutnotinthetopcapacity.Thestorebeingafamilyaffairthetopjobswereheldbyfamilymenwhowerecontenttousetheman’sabilitywithoutgivinghimthetopresponsibilityandsalary.Underthesecircumstancesthismanwasnotabletomovetothepositionhewasentitledtonomatterhowmuchhetriedtogetaheadwherehewas.Thismancameintocontactwithametaphysicalworkerwhomheallowedtodosomeworkforhimandthruthismetaphysicalworkhesecuredapositioninoneofthelargeststoresintheworldwherehewassoonattheverytopspotandmadeaterrificsuccessofeverythinghetouchedalonghisline.NowIwantyoutothink–DOTHESETWOCASESHAVEANYTHINGINCOMMONAND,IFSO,WHATISIT?

Atfirstthoughtthereseemstobenoconnectionbetweenthesetwocasesbutacloserlookshowsthattheyhaveoneveryimportantthingincommon.BOTHOFTHESEPEOPLEHADTHETHINGSDESIRED,ORASCOULDBESAID,WEREREADYFORTHETHINGDESIRED,ORCREATIVELYVISUALIZEDFOR,INTHEIRSPHEREOFAVAILABILITY.Iwillrepeatandyoupleasereadthisoverseveraltimes,THETHINGSTHETWOMENDESIREDANDWHICHWERECREATIVELYVISUALIZEDFOR–ONEDOINGTHEWORKHIMSELFANDTHEOTHERHAVINGITDONEFORHIMBUTMEANINGTHESAMETHING–THOSETWODIFFERENTTHINGSWEREINTHEIRSPHEREOFAVAILABILITY.

InOrdertomakeabsolutelyclearwhatIamdrivingatletusassumethattheyoungragpickerhad,insteadofvisualizingforapieceofcarpet,visualizedforthetopmanager’sjobofthelargestdepartmentstoreinParis!

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Now,althougheverythingtaughtaboutCreativeVisualizationistrueandtheworkisverypowerfultobringuswhatwevisualizefor,quitecommonsense(Lawofthephysicalplane)willtellyouthattheyoungmanwouldnotgetthejobeasily,orifhedidgetithecouldnotholdit.Again,nomatterhowpowerfulthemagicalCreativeVisualizationworkwas,theFACTREMAINSTHATHEIS,WASNOT,FITTEDFORTHEJOB!FORTHISREASON,ANDTHISREASONONLY,THEJOBISDEFINITELYNOTWITHINHISSPHEREOFAVAILABILITY.ItwouldnotbetheCreativeVisualizationworkthatwouldbeatfaultbutthecompletelackofcommonsenseandthecompletelackofobediencetoTHELAWSOFTHEPHYSICALPLANE:AllthethingsthatyouknowaboutthePhysicalPlaneanditslimitationsaretheLawsofthePhysicalPlaneandcertainlynottheleastofPhysicalPlaneLawsistheLawthattheyoungmanMUSTBEFITTEDFORTHATJOBandifhewasnotfittedforthejobHECOULDNOTDOTHEWORKEVENIFTHECREATIVEVISUALIZATIONFORCESBROUGHTHIMTHEJOB.Or,toputitanotherway,wecansaytruthfullythatbeforetheCreativeVisualizationworkcouldhavebroughthimthejobsuccessfullyatremendousamountofworkwouldhavetohavebeendonefirsttohavepreparedhimforthesuccessfulholdingofsuchajob;andthiskindofworkwouldhavetakennoendofmaterialtimenomatterhowyoulookatit.Inthecaseoftheyoungragpickerthisamountofworkissolargethathecouldnothavegotitdoneinonelifetimeconsideringthelatestarthehad.Mr.IngalesespeaksofpeoplewhovisualizedforthingsbeyondtheirpresentSphereofAvailabilityanddidnotgetthethingsuntiltheirnextreincarnationonearth;andatthattimetheydidnotwanttheformerthingsanymore,butwantedsomethingelseentirelydifferent,andsolifewentoninaviciouscircle.Sonowyoucanaskanothernaturalquestion–“HowthendidtheCreativeVisualizationProcessworkfortheyoungmansowhenhepassedonhehadmanythousandsofFrancsandFrancswereFrancsinthosedays?”VeryImportant.Studythefollowingveryhard.Whathappenedinhiscasewas,assaidbefore,thefirstsuccessfuldemonstrationsoencouragedhimandconvincedhimoftheworkabilityofCreativeVisualizationPowersthathedeterminedtopracticethisArtfortherestofhislife.Thenextthinghedidwastoselectanotherthing-objectheneeded-wanted,whichthing-objecthappenedtobeinhisSphereofAvailabilityandwhenthatthingwasdemonstratedhewentontoanotherandstillanother.EACHSUCCESSFULDEMONSTRATIONADDEDSOMETHINGMATERIALTOHISLIFEANDTHUSENLARGEDHISSPHEREOFAVAILABILITY.

ASTHESPHEREOFAVAILABILITYENLARGEDINSIZEOTHERTHINGSFORMERLYNOTPOSSIBLEBECAMEPOSSIBLEOR,ASSHOULDBESAID,THESPHEREOFAVAILABILITYINCREASEDINSIZEUNTILINFULLCOURSEOFTIMEANDGROWTHENDLESS,FORMERLYIMPOSSIBLE,THINGSBECAMEEASILYAVAILABLEANDWEREONHANDALMOSTAUTOMATICALLY.Forheavenssake,andyoursake,readthisoveruntilyouunderstanditcompletelyandabsolutely.ThefollowingsubjectmatterissoimportantthatIamgoingtoriskboringyoutotearsandrepeatit,someofit,inanotherslightlydifferentform.Pleaseabsorbitandsuccessfullyuseitforyourbenefit.

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Tosumuptheforegoingcasehistory–Theyoungragpicker,havingnomoneyorresourceatall,andhavingdecidedtopracticetheArtofCreativeVisualization,pickedout,withgoodcommonsense,anarticleheneededvizapieceofcarpet.TheyoungmandidnotdoCreativeVisualizationworkforaPalace,oramillionFrancs,orforayachtorforanyofthoseotherthingsthatpersonssometimestryforthefirsttimetheyusetheCreativeVisualizationprocess.(Ohyesweareallguiltyofthissortofthing)Alltheyoungmanaskedforwasasimplethingthathereallyneeded.Apalace,forexample,wasnotneeded,andbecausethisthingheneeded-wantedwaswithinhisSphereofAvailabilityhegotitinarelativelyshorttime.* _________*Ourlivesaresoconstitutedsothereisabigdifferencebetweenwhatwereallyneednowandwhatwewouldliketohaveordreamofhaving.Ourlivesarelikeapuzzleofmanypiecesthatwemustfittogetherourselvesandonlywecanworkoutorlives.Youmuststarttobuildupyourlifeapieceatatimeandyoumustfindoutanddecidewhatpieceistobenextfittedintoyourpattern.Youcandreamaboutotherthingsbutthefirstworkyoudoshouldbeforwhatyouneednext.

Thesecondsteptheyoungragpickertookisequallyimportant.Hedidnot,uponcompletionofhisfirstsuccessfuldemonstration,thenjumptopalacesandmillionsofFrancsorotherbigthings;butproceededtoselectanotherobjectthatheneededforhisimmediatecomfortandwellbeingandproceededtodemonstrateforandtosecurethatthing.Mr.Inglaesedoesnottell,inhisbook,whatthenextarticleactuallywasbutIamassuming,fromthenatureofthefirstarticleselected,thatitwassomethingsimpleandnecessaryandveryprobablyofthesamenatureasthepieceofcarpet.Assaidbeforetheyoungmancontinuedthisprocessfortherestofhislifeandhislifebecameaprocessofgradualgrowthandacquirement:thepossibilitiesoffurtheracquirementincreasingwitheachnewassetacquiredasexplainedbefore.NOWWHATABOUTYOUANDIANDOURUSEOFCREATIVEVISUALIZATION?Weshouldhaveareasonablebeliefthatthesystemdoesworkiffornootherreasonthanweuseitwronglyallthetime.Nowwewanttouseitrightsohowdowe,youandI,goaboutusingit?Letusgobacktotheragpicker.NowIdonotwanttousethissystemtogetapieceofcarpet.Idonotneedapieceofcarpet.Idonotneedtousethissystemtogetapieceofcarpet.Ihavelotsofpiecesofcarpetsaboutmenow.IhavesomeextramoneyavailablesothatIcanbuymanypiecesofcarpetifIwantthem.Sopiecesofcarpets,arenotmyproblemasitwastotheragpicker.HoweverwhileIdohavesome-manythingsnowIamnotcompletelysatisfiedwithwhatInowpossessandIdowanttousethissystemofCreativeVisualizationtogetthethings-circumstances-situations-possessionsofthingsthatIwouldliketohave,ordowant,orthinkIwant.Ontheotherhand,fromwhatIhavefoundoutabouttheSphereofAvailability,IdoknowthatmanyofthebigthingsthatIwouldliketohavearenotinmySphereofAvailability,letsfaceit,atthistime.Alsoletusfacethefactthatwearedealingwithdefiniteplanesofmanifestationseachofwhichhavedefinitelaws,eachlawofwhichplanemustbeobeyedand,ofcourse,thelawsofthelastplane,thephysicalplaneof

matterandthatplaneisveryhardtomove,tounderstand,andtooperateon.

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WhatthenshouldIdoandmustIdo,andyoudotoo,inordertomaketheCreativeVisualizationProcessworkforus?Clearlyitwouldseemthattheveryfirstthingwe“middleclass”(whateverthatis)peoplemustdoistodiscoverexactlywherewestandandwhereweareinregardtowhatwewantonthephysicalplane.WehavetopinpointourexactpositionandknowwherewestandEXACTLY.WemustfindexactlythethingswewantandFINDOUTEXACTLYWHERETHEYAREINREGARDTOOURSPHEREOFAVAILABILITY.WEMUSTFINDOUTEXACTLYWHATTHINGSAREMISSINGINOURLIVESANDHOWTHESETHINGSSTANDINRELATIONTOOURSPHEREOFAVAILABILITY.TOSUMTHISUP–Theintelligentandaccurateappraisalofyourpresentlife’spositioninregardtoyourwants,andneeds,anddesiresistheFIRSTSTEPINTHERIGHTUSEOFCREATIVEVISUALIZATIONANDTHESECONDISTHEACCURATEAPPRAISALANDUNDERSTANDINGOFTHESETHINGSINRELATIONTOYOURSPHEREOFAVAILABILITY.Itcanbesaid,quitetruthfully,thatwemiddleclasspeoplearethemostdifficultsubjectsforCreativeVisualizationwork.Wehavemanythingsonhandnowandmanyotherthingsautomaticallycomingtous.IfweshouldstartCreativeVisualizationsforsomethingthatisautomaticallycomingtousitwouldbeawasteoftimeandeffort.InallOccultworkyouhavetolookoutforasituationwhereinyouuseOccultPowerstoaccomplishsomethingthatcouldbeacomplishedinanother,morenatural,way.Forexamplebyusingordinaryplanningyoumightfindthatyoucouldtradesomethingyounolongerwantforsomethingyoudowantandneed.TohavedoneotherwisethanthisnaturalmethodwouldhavebeenawasteoftheArtofCreativeVisualizationandawasteoftimeandeffort.Wemustusegood,common,senseandthinkhardofwhat,exactly,weshouldworkforbyCreativeVisualizationmethods.Wemustconsiderthestateofgrowthwearein,andthestateofgrowthourSphereofAvailabilityisin.Fewpeoplewilldemandtoomuchofabeginner.SoDON’TDEMANDTOOMUCHOFYOURSELFINTHEEARLYSTAGESOFYOURWORK.LateronwhenyouhaveachievedsomesuccessintheworkyouwillguideyourselfbytheDEVELOPMENTOFYOURSPHEREOFAVAILABILITY.Whatiswrongwithattainingyourgoalinseveralstepsinsteadofonebighardjump?IwillreferagaintoMr.Ingaleseandhisbook.MrInglaeseistheonlyteacherIhaveeverfoundthattaught,inconnectionwithCreativeVisualization,asystemofgradualgrowth.Hecalledhisidea–Creatinga“Center”fromwhichtodrawthethingsyouwantandneed.EveryotherteacherthatIreadalwaysstronglystressedtheideathatinyourvisualizationwork,undernocircumstance,mustorshouldyoudesignatefrom

whatsourceyourdesiredthingsshouldcome.ThatideaneverdidappealtomebecauseIamanaturalplannerandIliketoknowatalltimeswhereIstand,andwhatIamdoing.Mr.Ingalesetellsinhisbookastoryaboutawomanwhobuiltupacentergradually.SheissupposedtohavecametoSanFranciscoalongtimeago.Insomeway,notexplainedinthestoryasIreceivedit,thiswomanacquiredafacilityintheArtofCreativeVisualizationandsheuseditfromthestarttoBUILDUPAGRADUALGROWTHCENTER.Shefirstgotajobthruvisualizingit.Thenshegotseveralpromotionsinthesameplace.Thenshevisualizedherselfgoingintometaphysicalworkandafterthatshevisualizedherselfreceivingcompensationworthyoftheeffortshehadspentindoingworkforothersandsomeonegaveheralargesumofmoney

ingratitudeforworkshedidetc.

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IwilladmitthatthisstorydoesnotfollowthepatternaslaidoutbymanyotherteachersbutitseemstomethatthissystemofgradualgrowthisfarmoresensiblethandoingalotofgeneralvisualizingwithoutanyideaofanythingdefiniteandnotknowingifthethingdesiredisinyourSphereofAvailabilityornot.ButIwillalsoadmitthatyoushouldnot,forexample,concentratethoughtsonsomepersonwiththeideaofforcingthemtogiveyouachunkofmoney.Nordoesitseemsensibletoconcentrateongettingthingsthatbelongtootherpeoplenow.NorshouldyouvisualizeyourrichUncledeadsoyoucouldhavehismoneyetc.Ireallybelievethatthesearethesortofthingsthattheotherteacherswerethinkingofwhentheysaidyoushouldnotdesignatewherethevisualizedobjectsshouldcomefrom.Itwouldseemratherfoolishinthisdayandagetoattempttodesignatefromwhereyoursupplyshouldcomefromexactlywhentherearesomanyunknownwaysinexistenceandmanymorecomingeveryday.Andthenagaininthisdayofmultiplemanufacturedprocessesitwouldseemsillytowanttheexactthingsothershave.Thereisnothingthatcannotbeimproved–whyshouldyouwanthiscarwhenanewermodelwouldbebetterinallways?SothereforeIcannotfindanythingbasicallywronginbuildingupacenterofsupply,accordingtoapprovedvisualizationmethods,aslongasyouleavethechannelsopensothingscanflowintoyourcenterofsupplycomefromwhatsourcetheymay.Iwouldsuggestthatyoudonotpictureyourselfdoingworkinexchangeforthingsasyoumightfindyourselfworkingmorethanyouwouldlike.Youcanstartoutatfirstbydoingsomekindofworkbutyoushouldshiftyourpatternquicklytodoingworkthatyouknowyouwillliketodoandthusnotseemlikelabortoyou.* _________*Iregrettohavetowarnmystudent-readersthatifyouhavegottensofardowntheSphereofPossessionthatyouareinactualphysicalwantforfoodandshelternecessitiesoflife,thisprocessof

CreativeVisualizationisnotforyounow.ItwouldtakeastudentofterrificpowerstoinstantlycreatethingsneededforyouandabeginnerinthisArtcouldnotdoit–thisprocessistooslowforthatevenunderthebestofcircumstances.InthecaseofsuchdirephysicalnecessitytotrytousethisprocessofCreativeVisualizationwouldbeliketryingtogrowatreeinafloodtogetwoodtomakeaboattoescapetheflood.IwishIdidnothavetosaythisbutyoumustmakeallowancesforthephysicalplane.Ifthearrivalofthisbookfindsyouindireneedyoumustbesensibleandaccepttheaidofthegovernmentforimmediateassistance.ThatsteptakenthenturntoChristianScience,orUnitypractitioners,forimmediatehelp.Theyhavebeenintheworkformanyyearsandtheycanhelpyouuntilyoucanhelpyourself.Whenyourimmediateneedsaretakencareofthencomebacktothisbookandworktomakesureyounevergetintosuchastateagain.

ForGod’ssakecombineInnerSpiritualknowledgewithearthlycommonsense.Thetwoareneededtomakeagoodwhole.

TheCreativeVisualizationMentalOperationisaTrueMagicalOperation.Truemagicaloperationsarethingsthatarenottoowellknownandunderstood.Therehasbeennorealexpostulationofmagicaloperationsinbooksforstudentsandthemainreasonforthisis,asIhavesaidbefore,thatpeoplequalifiedtoteachthesethingsarefewandfarbetween;becausetheyreceivedtheirtraininginsecretschoolsunderoathsofsecrecyandcannotgivethemouttotheinterestedpeoplefreely.Onlyaperson,likemyself,whogainedthesethingsthruhisownwork;thruhardyearsofstrivingandinnermeditationsandstudy,cangivethemoutfreelybecauseIamunderobligationstonooneforthem.ThereforeIamabletogiveyoutheformersecretknowledge-teachingsfreely.ForHeaven’ssakeusethem.

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OCCULT LAW NUMBER FIVE.

OCCULT LAW OF TECHNIQUE OF LIMITATION

Oneofthemainparts,andamostessentialpart,ofaTrueMagicalOperationisthepartwhichiscalled“THELIMITINGOFTHEOBJECTOFTHEOPERATION.”Whatdoesthismean?Itmeansfirstofall.MagicalOperations,involvingastheydotheforcesoftheInnerPlanes,dealonlywithFORCES.InnerPlaneForcesaresubjecttoInnerPlaneLawsandarecertainlynotsubjecttoPhysicalPlaneLaws.Thisfactpracticallyeveryoneknows,ofcourse,butfewpersonsrealizetheimplicationsofthatfact.BasicallywhenyoudealwithInnerPlaneforcesyouaredealingwithforcesTHATHAVENOCONFINEMENTOFANYKIND.TWOINNERPLANEFORCESOCCUPY ASINGLESPACEATTHESAMETIME.INNERPLANEFORCESFLYOFFINALL

DIRECTIONSATONCE.TIME,ASWEKNOWIT,ISNOTTHESAMEFORTHEM,THEYEXISTBOTHSTARTANDFINISHATONCE.BEGINNINGANDENDATONCE.(nowdoyouseewhyitsaysintheBibleIamtheAlphaandtheOmega,theBeginningandtheEnd)Andyetinordertoobtainyourouterdesired-physical-end-plane-resultsyouhavetoworkwithInnerPlaneForcesfirst,andsotohandletheseInnerPlaneForcesYOUMUSTKNOWSOMETHINGABOUTTHEIRNATUREANDHOWTO“WORK”THEM.DionFortunedidsaysomethingaboutitbutdidnotexplainthefullimplications.YouhavemuchtolearnandIwillgiveittoyouintime,andaswegoalong,butforthepresentallyouhavetoknowis–ATTHESTARTOFANYMAGICALOPERATIONALIMITMUSTBESETTODESIGNATETHEEXTENTOFWHATYOUWANTTO

ACCOMPLISHINTHATPARTICULAROPERATION.UNLESSYOUDOTHISYOU AREGOINGTOHAVETROUBLEINGETTINGTHEFORCESTOMAKETHETRANSITIONFROMTHEPLANEOFFORCETOTHEPLANEOFFORM,ANDSTAYTHERE-PUT.Youareable,bymeansofordinarymentalmagicaldailyoperations,tocontactandgatherForcestogetherquicklyBUTUNLESSTHEGATHEREDFORCESAREQUICKLYCONDUCTEDINTOA“FORM”HEREONTHISPHYSICALPLANETHEYWILLFLYOFFASFASTASTHEYAREGATHERED.* _________*TheobjectdesiredbyyouinyourvisualizationworkistheFORMthatlimitstheforcesthatyourwork

gathers.

NowappearstwoofthoseseeminglyendlessfactorsthatinfluenceMagicalCreativeVisualizationworkandItrustthatyouarenotgoingtoblowupattheirendlessappearances.Wewillcometoanendofthemsometime,surelyattheendofthebook!Itisthelackofknowledgeaboutthesethingsthatmakesourworksofutilewhenitcomestohelpingourselvesthroughmagicalwork.Wellwemightaswellgetitoverwith–ItisaLawoftheInnerPlanesthatONCEYOUHAVESUCCEEDEDINGETTINGANINNERPLANEFORCETOWORKFORYOU,ORTO“FLOW”INTOYOURLIFE,THEWAYYOUWANTITTOWORK–THIS

FORCETHENHASATENDENCYTOKEEPONFLOWINGWORKING.Andthisflowingworkingwillkeepuplongafteryou,oranyotheroperator,hasachievedtheoriginalobjectiveoftheoriginalstartingoftheflowingworking!Inoteanapparent

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OFTHISOPERATIONIHEREBYSTATETHATTHESOLEPHYSICALDESIREDRESULTOFTHISOPERATIONISTHISPIECEOFCARPETandalsoforapsychicresultIexpectadeepsatisfactionfromtheuseofthispieceofcarpet!

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OCCULT LAW NUMBER SIX.

LAW OF BINDING

Inmagicaloperationsofallkindstherearealwaystwokindsofforcesinvolved.

ACTUALLYANYKINDOFANOPERATION–ANYACTIONOFANYKIND–PHYSICALORINNERPLANEMAGICAL–INVOLVESTWOKINDSOFFORCES.Ortosayitanotherwaytomakeitasclearaspossible,ANYANDEVERYFORCEINOURPHYSICALCOSMOSISREALLYADOUBLEACTINGFORCE–EVERYFORCEISDUALINNATURE–ALWAYSHASBEENDUAL–ANDCOULDEXISTINNOOTHERFORMTHANDUAL.ThereisnotathinginthePhysicalUniversethatdoesnothavetwosidestoit.EvenGodhastwosidestohim.However,inourphysicallife,weusebothsidesofthings,sonaturally,thatwehave

completelylostsightoftheothersideofthethingsweuse.Doyoueverstoptothinkthateverytimeyoucoveryourselfwithbedclothesyouareusingonesideonlyandthatthereisanothersidetothebedclothes?Couldthesheetexistwithouttheotherside,thesideyoudonotuse?(nottoogoodanillustrationbutitwilldotoenableyoutothinkaboutit,andtokeeptheconceptassimpleaspossible.)Hereisadifferentillustration.Doyourealizethateverytimeyoudriveyourautomobileforwardyouareexertinganequalforcebackward?IfyouwillstudysomephysicsabouttheLawsofMotion,youwillfindthisistrue.SoagainIsay–Whenweuseaphysical-planeforcewedonotuseonlyonesideoftheForce,oronlyoneaspectoftheForce,butweUSEbothsidesoftheForceAT

ONCE.Asinthesimpleillustrationofthebedsheetandthemorecomplexoperationoftheautomobile,weMUSTUSEbothaspectsofaforceorwecan’tuseitatall.Infactaforcecouldnotexist,evenontheInnerPlanes,ifitdidnothavetwosidestoit.HoweverintheuseofInnerPlaneForcestoaccomplishsomethingonthephysicalplaneWEWANTTOUSEONLYONEASPECTOFTHEFORCEANDNOTBOTH ASPECTS.Andthereasonforthisis–OneaspectofaForcewillbringathingtouseandtheotheraspectofaForcewilltakeitaway!Ortosayitinanotherway–AForcecanbringsomethingtousandthesameForcecantakeitaway!ItfollowsnaturallythenthatifwewantacertainthingthentheaspectoftheForcewewantistheaspectthatwillBRINGTHETHINGTOUS!!

THEREFOREITISIMPERATIVEINALLMAGICWORKS,ANDINALLKINDSOFOTHERWORKS,THATYOUMUSTRECOGNIZETHEEXISTENCEOFTHEOTHERSIDEOFTHEFORCETHATYOUAREINVOKING.REMEMBERWHENYOUCONTACTAFORCEYOUCONTACTBOTHSIDESOFITATONCE,ANDATTHESAMETIME,ANDBOTHSIDESHAVEEQUALPOWER.Itisthelackofknowledgeaboutthis“secret”factthatcausessomuchtroubleinthemagicalworkingsofwould-bemagicians.Eitheryourmagicaloperationworkslikemad(Imeanliterally)ordoesnotworkatall.ThereforewhenyouwanttouseaForcetoaccomplishacertainkindofworkyoumustusethe“side”oftheForcethatyouneedtoaccomplishtheworkthatyouwant

todo,beitconstructiveordestructive,ANDBINDTHEOTHERSIDEOFTHE

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FORCETHATYOUAREUSINGSOITWILLNOTFUNCTIONINTHEOPERATIONYOUAREPERFORMING!IfyoudonotbinduptheonesideoftheForcethatyouareusing,thesidethatyoudonotwanttooperate,theninanyparticularoperationyouperformyouwillINVOKE-CONTACTBOTHSIDESOFTHEFORCEATONCEANDTHEYWILLNICELYCANCELEACHOTHEROUT.OrtoenableyoutounderstanditbetterIwillputitinalittledifferentway–WhenyoustartaMagicalOperationwithoutabindingyoucan,andoftendo,usetheaspectoftheForcethatyouwanttouse;butastimegoesontheonesidedusewillbuildupastrain,orpressure,andthispressurewill,soonerorlater,bringtheopposingForce,nowconcentratedbytheremoveddilutionofitsbalancingopposite,BACKINTOOPERATIONWITHTHERESULTS,HARMLESSENOUGHWHENSAIDTHISWAY,OFCOMPLETELYNEUTRALIZINGALLTHEPREVIOUSLYDONEWORKANDBRINGINGBACKALLCONDITIONS,PHYSICAL ANDOTHERWISE,TOTHESAMECONDITIONPREVAILINGBEFORETHEMAGICALWORKSTARTEDOR,TOSAYINANOTHERWAY,MAKEAHASHOUTOFTHEWHOLETHING.* _________* Awaytoseethisquickreversalinactionistowatchthepeopleatracetracks.AmanwillwinalargesumofmoneywhichwasdonebysuccessfullyinvokingpressureonInnerPlaneForces.EvenifitwasdoneignorantlythepoweroftheWill,evenofanignorantman,isverygreat(attimes)Andthenafewminuteslaterthemanwillloseallthathewon.TheForcegaveandtheForcetookaway.

IfyouwilllookcarefullyyouwillseethiscyclerepeatedtimeandtimeagaininthehistoryofNationsintheworldasfarbackasyoucaretogo.Youcanseeitoperatinginourdailyliveseverydayinallourlittledisappointmentsandbreakdownsindailyliving.

SonowthatyouknowabouttheOccultLawofBindingwhatmustyoudotomakeyourmagicaloperationscomeoutright?TheoperationoftheMentalMagicworkyouwillbedoingbyusingtheArtofCreativeVisualization,asgiveninthisbook,tosetupaLimitontheextentofeachoperationyouperformwillhavethesameeffectasabindingoftheoppositeforceinthiscase.Iftheworkyouareattemptingtododoesnotinvolvetoogreatadislocationofyoursurroundings;ifyourSphereofAvailabilityisreadytosupplyyouwithwhatyouareworkingfor,settingasensiblelimitonthesizeoftheoperationsyouareconductingwillbesufficientforallnormalpurposes.IfyouareCreativelyVisualizingforsomethingreallybig,orifyouareattemptingrealMagicalworkofabigkinditwillbe

absolutelynecessaryforyoutobindtheopposingDualForce.ForbindinginconnectionwithanythingofanadvancednaturemorethanMentalMagicIgiveherecontactmethrutheaddressgiveninthisbookandIthinkIwillbeabletodirectyoutothesourceofinformationyouneed.IsuggestthatforalongtimeyouconfineyourselftothetypeofspecializedoperationsthatIhavegivenyousofar;goingonestepatatimeandgainingslowlywhatyouwant.IcantellyoutrulythatifyougettoolargeathingbytheseCreativeVisualizationmethods,unlessyouprotectyourselfbyabinding,youareapttoloseitallbackagainwhenthereactiontakesplace.Buildupyourlifebytheslower,careful,well-thoughtoutmethodsIhavegivenyou;onestepatatime,andyoucanexpecttoholdontoyourgainsandincreaseandusethemintherightway.Gainingathing

throughCreativeVisualization(nottoolargeathingastocausethedislocationasaforesaid)andstartingtousethethingisanotherformofbinding.

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OCCULT LAW NUMBER SEVEN.

LAW OF THE BARRIER

Again,inthissection,Iamintroducinganewsubject-LawwhichpertainstotheArtofCreativeVisualization.IhaveneverfoundthisLawinthisexactformbefore.IhavenogoodnameforthisLawandsoIhavetogiveitanamemyself.IhavenamedthisseventhLawofCreativeVisualization–TheOccultLawoftheBarrier.AnunderstandingofthisLawwillenableyoutoworktheArtofCreativeVisualizationalittlemoreperfectly.IntheuseoftheArtofCreativeVisualizationmethodstogetwhatyouwant,muchconfusionexistsabouttheuseofverbalwordsasagainstsymbolpictures.Thereappearstobetwoschoolsofthoughtabouttheuseofverbalwordsasagainstpicturesymbolsandneitherofthetwoschoolsseemstoknowtoomuchaboutitconclusively.

Inthepast30yearsofOccultstudy-workIranacrossfirstoneschoolofthoughtandthentheotherschool.Theyseemedtorunincycles.Firsttherewouldbeschoolsandbooksdealingwithwords,mantrams,andchants,etc.Andthentherewouldbeschoolsdealingwithmentalvisualizationspicturesetc.CertainlyyouhaveallheardofCoue’andhis“DaybydayIamgettingbetterandbetter”noitis“Daybyday,ineveryway,Iamgettingbetterandbetter.”AlsoyoumusthaveheardofEasternMantrams.Chants,andfairytalesarefullofwordslikeen-chant-ment,(en-in,chant-sing,ment-stateof.)andIn-voking,(In-in,voke-voicespeaking).Allthesethingspertaintoword-sounds.Itappearsthat“states”havetobegottenbywords,and“things”havetobegottenbymentalpictures.ItprobablycouldbesaidthattheEastisinterestedin“States”whiletheWestisinterestedin“Things”ThereforeIpresume

thechoiceisuptoyou.Ifyouwant“Things”thenfollowtheinstructionsasgiveninthisbookandifyouwant“States”thenfollowtheEasterntypeofinstructions,orworkoutyourownsystemoftheknowledgeyouhavebeengivenhere.Speech,inthesensethatweusewordsoundstoconveyideastoeachother,is,intheevolutionaryexistenceofman,arecentinvention.(inthinkingofspeechyoumustneverconfusehumanspeechwiththeSPEAKINGOFGODas,forexample,whereinthescripturesitsays“GODSPOKE”TheSPEECHOFGODisanentirelydifferentthingfromhumanvocalsounds,Butasthisistheonlykindofspeechweknowaboutweareapttomistaketheonefortheother.TheCreativeSpeechoftheDivinityisconnectedwiththeTattvaAkasha“soundgranules”whichsoundgranulesarevibrationsandthesevibrationsshapetheAstralLight–TheLogos–intoallthingsand

thenchangethesethingstomaterialthingsbyanentirelydifferentprocess.HoweverasALLTHINGSARECONNECTEDTOGETHERINMORETHANONEWAYtheseconnectionsaretreated–foranotherpurpose–inanotherbookofminecalledTheOracleofFortuna.Isuggestyougetthisbookandreadandusethedivinationsystemthereintohelpyouthrulife.TheDivinationsystemthereinisgoodstrongOccultKnowledgeandPractice)Thusthishumanspeechofours,duetoitsrecentinvention,doesnotpertaintothedepthofourbeing,ourinnersubconsciousmind,butratherspeechpertainstoourouterconsciousmindonly.(YoushouldknowfromyourOccultstudiesthatyouhavetwominds,aninneroneandanouterone;theouteronecalledtheconsciousmindandtheinneronecalledthesubconsciousmind)

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Theexistenceofthesetwomindsinyouiswhatmakesallthetroubleintheworld.OrmaybeIshouldsaytheseparationofthesetwomindsmakesallthetroubleforyouintheworld.* _________*Forthoseofyouwhoare“ready”for“higherthings”IwilldropabigfatjuicyhintastowhatIlluminationreallyis–becomingaMaster,becominganAdept,BECOMINGLIKEAGOD,meansthetwomindsfuseintoone!Enoughsaid!Somefurtherinformationisavailable-contactmethruaddressinbook.

Attendtothefollowingknowledgecarefully.WORDS-SPEECHARETHE“LANGUAGE”OFTHECONSCIOUSMINDWHEREASFEELINGSARETHE“LANGUAGE”OFTHESUBCONSCIOUSMIND.SoIrepeatagain–Allthetroublewehaveintheworld,inlivingthismateriallifesuccessfullyandfullycomesfromthedifferencesinCOMMUNICATIONSBETWEENTHETWOMINDS.Theinabilityofthesetwomindstotalktoeachother.Togetideasandcommandsovertoeachother!Conscious-youtotalktounconscious-you!

Hardlyinyourwholelifehaveyoubeenabletotellyourselfwhatyoureallymean!Instudyingthisbook,andlearningtherefromtheArtofCreativeVisualization,youareenteringuponanewphaseinyourlife;aphaseinwhichyoucanlearntocommunicateproperlytoandwithyoursub-consciousmind.Youcanlearntogiveyoursub-consciousmindpositivedirectionsandhavethemobeyedbyitinordertogetthingsdoneforyou. AtthispointIbelieveIwillpartwithacoupleofbigOccultSecrets.BigOccultsecretsthatyouwouldnevergetexceptfromsomesecretsocietyandthenonlyunderbigoathsofmuchsecrecy;andyouwouldneverbeabletousethemforyourownbenefitortellthemtoanotherpersonsothatpersoncanhelpthemselves,ohHeavens!

Again,forheavenssake,usethesesecretsforyourbenefit,andthenforthebenefitofothers.Firstbigsecret!YourINNERYOUISCONNECTEDALMOSTDIRECTLYWITHTHEINNERFORCESOFTHEPHYSICALCOSMOS!!! Andthesecondbigsecret!THEINNERFORCESOFPHYSICALCOSMOSARETHEEMOTIONS-FEELINGSOFGOD!ThewordE-Motionmeansmoving(somethingmoving)MovementsontheInnerPlanesarevibrationsofdifferentkindsandofdifferentforms.THESEINNERPLANEVIBRATIONS,ASSOONASTHEYCOMEINCONTACTWITHYOURINNER

PLANESUBCONSCIOUSNESS,BECOME“VISIBLE”TOYOUASYOUREMOTIONS! ANDTHECONVERSEISALSOMUCHMOREIMPORTANTLYTRUETOYOU.YOURSUBCONSCIOUSNESSEMOTIONS–GENERATEDBYYOU–REACHOUT ANDCONTACTTHESEINNERPLANEFORCES–ANDINFLUENCETHEMTOYOURBENEFIT!NowwiththisimperfectandincompleteexplanationofthebasicfoundationofthisCreativeVisualizationArtoutoftheway(ThereasonIusethewordsimperfectandincompleteisthatmodestyforbidsmetoclaim,asothersdo,thatIhavegivenyouthewholetruthandwholeTruthsofBe-ing.AllIhavegivenyouisenoughtheory-

knowledgetoenableyoutoproceedwithyourworkinthisArt)wecanproceed.

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TheArtofCreativeVisualizationwouldbeaterrificallysimplematterifwecouldjust“talk”ourdesiredVisualizationsintophysicalexistance.Butthatsimplethingwecannotdo.Youcouldspendalifetimetalkingaboutwhatyouwantandstillnotgetonewordthrutothesub-mind.Talking,WordsmustbelinkedwithEMOTIONALFEELINGSINORDERTOWORK!YetwecannotTHINKorevenoperate-communicateonthephysicalplanewithouttheuseofwordsanditisbyWORDSthattheOUTERHASTOCOMMUNICATEWITHTHEINNER.HoweverIamgladtobeabletoshowyouthatthruallthesecontradictionsbetweenwordsandemotionsandemotionsandwordsthereisapaththatdoesgorightthruitall.ToexplainthispathIhaveinventedanameforit(apracticeIabhorredwhenothersdiditandhereIamdoingitagain)ThenameIhaveinventedisTHEBARRIER!Imaginea“place”insideyourmentalbeingwherethereexistsasortof“fence”.Thisfence,orbarrier,separatesyourouterbeingfromyourinnerbeing,separatesyourconsciousmindfromyoursub-consciousmind.You,yourconsciousmind,isoutsidethebarrierandYOUyoursub-consciousmindisinsidethebarrier.(thisisnottoogoodawayofexplainingitbutthisexplanationisonlytodescribeatheoryandthatonlysoyourmindcanhavesomethingtograpplewith–don’tdemandtoomuchfromatheory,assoonasyougetusedtotheideayouwillnotusetheconceptionanyhow).ImaginethattheBarrierworksinthefollowingmanner–WORDSCOMEUPTOTHEBARRIER–STRIKETHEBARRIER–SINKINTHEBARRIER–ANDTHENEMERGEONTHEOTHERSIDE,THEINNERSIDE,ASEMOTIONS!CONVERSELYIMAGINEEMOTIONSCOMINGUPTOTHEINSIDEOFTHEBARRIER–HITTINGTHEBARRIER–SINKINGINTOTHEBARRIER–ANDEMERGINGONTHEOUTERSIDEASWORDS!WHENYOUCANVISUALIZE-WORKTHISOPERATIONYOUHAVEMADEAGREATADVANCEINTHEMASTERYOFTHEOCCULTARTS.ThistheoryoftheBarriermaybeonlyaninventionofmymindtohelpyouunderstandtheseimportantOccultoperations;butyoucanseeforyourselfthatsomethinglikethismustbesoinordertosealoffyourInnerBeingfromyourOuterBeing.IfthisBarrierdidnotexisttheleastlittlewordwouldraiseaperfecthellofemotionsthatcouldnotbecontrolled;andifthebarrierdidnotexisttheleastlittleemotionwouldraiseastormofwordsthatwouldbemeaninglesstoyouandallothers.

TheBarrierslowsdownbothofthesetransferactionsandallowsproperlivingtoproceedinahalfwayorderlymanner.UnderstandingoftheaboveinstructionsintheBarrierprocessenablesyoutodeliberatelycontroltheBarrieractions,goingandcoming,orasmightbesaid–controlthetrafficbothways.Youcannowconsciouslylinkyourwordswithemotionsandyouremotionswithwords.

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OCCULT LAW NUMBER EIGHT.

LAW OF THE TREASURE CHART

TheOccultLawwewillstudyhereiscalledTheOccultLawoftheTreasureChart.WewillnowconsideranothertoolwhichcanbeusedbyyouinyourCreativeVisualizationwork.ThisTreasureCharttoolisaratherwellknowndevicebeinganapplicationofsomeveryoldMagicalPrinciples.IhavereasontobelievethatthepicturesanddecorationsonEgyptiantombswereearlytreasurecharts.AssoonasaroyalchildwasborninEgyptatombwasimmediatelystartedforhim.Onthewallsofthetombswerepaintedpicturesofhislifeuptohisdeathandthiswhilehewasstillaninfant.Thesepicturesshowthechildashavingallthegoodthingsinliferightuptohisdeathandevenbeyondthat!ThePicturesshowhimwinningallthewarsandcapturinglargenumbersofprisoners.InotherwordssettingupafinelifeforhimIN ADVANCE.Thesepictureswerepaintedonthewallsofthetombandmadealive,

andpowerful,bytheMagicofthePriests.Inallcases,unlessthepriestswithdrewtheirmagicprotection,thesepicturespreservedhimthroughouthiswholelife,andhelivedthisprotectedpathhiswholephysicallife.Stillearlier,inthehistoryofman,picturesofgameweredrawnontheinsidewallsofcaves.Thesepicturesshowedahunterkillingfoodgamesuccessfully,andbringingitbackforfood.ItcanbesaidthatTreasureChartsorMapsareoldestofman’smagicaldevicestohelphimthrulife. AtthepresenttimeIfindthattheUnitypeopleareusingthismagictoolintheirwork.ItseemsalittlestrangetofindtheUnitypeopleusingthismagicdevice,intheirwork,asnoneoftheirotherteachingshaveanyconnectionwithMagic,thatIcanfind,

beingmostlyMetaphysical,Mentalteachings.ButbethatasitmaywecanbethankfulthattheMagicalTool,stillexists,andthatit’suseisopentousall.(IjustcalledtheUnityofficeinthiscityandtheladytheretellsmethattheTreasureChartsarestillusedintheirworkonlyshecalledthemTreasureMaps.IfyoufeelsoinclinedgetsomeoftheirmagazinesandseewhatadditionalthingstheyhavetosayaboutthetechniqueofthisMagicalTool.PerhapsyouwillfindadditionaldatathatIdonotgivewhichwillhelpyouinyourworkofgettingthebestoutofaTreasureChartforyourbenefit.IfitworksfortheUnitypeopleitshouldworkforyouasyouwillbeusingadditionalMagicalTechniquesthattheydonotuse.)YouwillrecallthatintheearlierpartofthisbookItoldyouabouttheladyinLaJollaalongtimeagowhohadtaughtaclassofpeoplethisTreasureChartsystemandhow

oneofherstudentshadmadeupachartforablondeandanotherstudentmadeupachartforabottleofwhiskey,andhowbothofthemgotwhattheywantedanditscaredthewitsoutofthem.(thesestudentswerefarmoresensibleintheiraskingsthanmanyOccultstudentswhoaskfortheMoonwithafencearounditthefirsttimetheyuseaCreativeVisualizatiuontechnique)TheTechniqueofpreparingandusingaTreasureChartisbasicallyrathersimple.Thefirstthingtodoistogetalargesheetofpaperorcardboard,orsomeotherlargesurfaceonwhichyoucanfastenthingssay,15”x15”orlarger.The“surface”ofyourchartshouldbekeptinasprivateaplaceaspossible.Thechartshouldnotbeinalocationwhereotherscanviewyourchartfreely;andyoushouldshowityourselftoothersverysparingly,ifatall,andthenonlytothosewhoareincompletesympathy

withyouraimsinlife.Amanandwifeteammightmakeacharttogetherfortheir

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OBJECTS-PICTURESTHATASSISTGREATLYININFLUENCINGYOURSUB-MINDTOSTARTTHEINNERPLANECURRENTS-FORCESTOWORKINGTOBRINGABOUTYOURDESIRES.Sowhenyoufindapictureorillustrationthatgivesyouathrill,arousesdesireinyou,thenclipitoutandfastenittoyourchart.Ifoundthatthebestwaytofastenthesecutoutpicturestothechartwaswithasmallpieceofscotchtape.Useyourownpersonality-imagination-desires-ideas-emotions,andeverythingbasicallyYou,inmakingupyourchart.Hereareafewbasicdirectionsyoucanuseonyourchartasfollows–Ifyoufeellikefollowinganyoftheseideasyoucandosobutifyoudon’tfeellikeitthendoasyouplease.Youcanplace,atthetopofthechart,apictureofsomethinginspirational,andplace,atthebottomofthechart,apictureofsomethingthatexpressesthanks.Youmight,ingeneral,saythatbigthingsshouldgotothetopofthechartandsmallerthingsneartothebottomofthechart.Youmightconsiderthebottomofthechartasnearestthepresenttimeandthetopofthechartasfarthestawayfromneartime.Youmightconsidertheleftsideofthechartaswherethingsmightcomefromandtherightsideasthethingsalreadyarrivedorneararrival.NowagainIwanttosayifyoudon’tlikeanyoftheseideasthenfollowyourownideasaswhatyoufeelmightberightforyouinaspecialway.ThereforeselectpicturesofthethingsyoudesireandplacethemonthechartaccordinglybutdoremembertheSphereofAvailability.AlsokeepinthebackgroundofyourmindtheotherCreativeVisualizationLawsthatyouhavelearnedabout.Now,inthecaseoftheTreasurechart,itwonthurttoputonthechart,somewhere,picturesoffinethings,picturesofCadillacs,RollsRoyces,Jewels,fineHomesandEstatesSOTHATYOUCANHAVESOMETHINGTOLOOKAT,ANDADMIRE,AND AROUSEYOUREMOTIONALDESIRESFORBETTERTHINGS,ANDTODEVELOPYOURTASTEFORBETTERTHINGS,ANDTOGETINTHEHABITOFTHINKINGOFTHEBESTTHINGSONLYATALLTIMES.Thinkingofthebestthingsintheworldisnotgoingtohurtyouaslongasyouseethingsinthecorrectperspective.Callthissectionyourdreamsection,oradreamboat,oranythinglikethataslongasyoudounderstandwhatitis.REMEMBERTHATALLTHEFINESTTHINGSINTHEWORLDCANCOMETOYOUBUTTHEYHAVETOCOMETHRUTHELAWSOFTHEPHYSICALPLANE;USUALLYINEXCHANGEFORMONEYWHICHMONEYCOMESTOYOUINSOMEWAY.ONETHINGISCERTAINTHESETHINGSHAVETOCOMETOYOUTHRUANINCREASEDSPHEREOFAVAILABILITYBUTYOUHAVETOGIVETHISINCREASEDSPHEREOFAVAILABILITYACHANCETOGROW.TIMETOBUILDUP.

IhavefoundthateverybodysetsuphischartdifferentlysothisisthereasonIamgivingyousomuchleewaytofollowyourownpersonalitypatternintheseinstructions.Themainideaistosearchoutandhuntforpicturesoftheobjectsofyourdesires.ItisthehuntingoutandthesearchingoutoftheseembodieddesiresthatstiryourInnerBeingtoactivityfirst,andthenitistheconstantreviewingofthesepicturesafterwardsthatreinforcesandstepsupInnerPlaneactivitiestobringyouthethingsyoudesire.Viewthecharteveryday.Inafewweekstimeyoushouldbeabletorecallthepictures-imagestomemoryveryeasily.Onceyourecallthesepicturesyoushouldbeabletomanipulatethemabouttosuityourself.

ReferringagaintomybookTheArtandPracticeofAstralProjection,thelastsectionofthisbookiscalledTheSymbolMethodofProjection.Afteryouhavestudiedthis

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sectionIcallyourattentiontothefactthatyoucanusethissameprojectionmethodtoprojectyourselfintothesepicturesonyourTreasurechart.Youwillfindthisacuriousandrewardingexperience.ThistypeofprojectioncanbeofgreatassistancetoyouinstirringyourInnerBeingintogreateractivityingettingyouwhatyouwant.Ophielhasplanstowriteanotherbookassoonashecandealingwiththesubjectofprojectingyourconsciousnessintothesepicturesmorefullyandingreaterdetail;butmoreparticularlyprojectingintothoseotherkindsofpicturescalledTALISMANS.HoweverTALISMANSaremorepowerfulinstrumentsthanthosepicture-symbolsyouaretouseintheTreasurechartandtheseTALISMANSprojectionshavetobetreateddifferently.OphielsuggeststhatyoulookforthisbookandgetitwhenitcomesoutbutinthemeanwhilegetOphiel’sotherbookandstudyitanduseit.Thebookis–TheArtandPracticeofAstralProjectionwhichcontainsmuchOccultdynamite.Ophiel’sonlyobjectinwritingbooksistohelpyouandtogiveyouthemeansofdevelopingyourHiddenPowersforyourbenefitfirst,and,then,whenyouareallset,tohelpothers.Don’tworryaboutOphielmakingtoomuchmoneyfromthesaleofthesebooksfortworeasons–1.EverycentOphielgetsfromthebooksgoesbackintotheworkand2.AllthemoneyhecouldgetfromthesaleofthesebookswouldneverpayOphielforwhathehaslostandthetimehespentingettingreadytobeabletowritethesebooks.Sogotoit.

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OCCULT LAW NUMBER NINE.

LAW OF E-MOTION

ThewordEmotioncomesfromthesamerootasthewordMOVING,ANDE-MOTION

ISALIVE.ThetruthisthatthereseemstobeevidencethatanEMOTIONisactuallyapartofyourBEING.Therealyou.Wecan’tgotoofarintopsychologyhere,andIneverdidfullyunderstandthepsychologicalconnectionmyself,butitdoesappearthatastrongEmotionisreallyadeeplyconnectedpartofyouregoinsomeway.ForexampleifyoushouldhaveastrongEmotion,thatisrepellenttoyou,forsomereason,andyourejectit,splititofffromyourpersonality,youhavearealdemoninthebackgroundofyourmindthatisraisingcainwithyoutogetbackinto-withyou.

Yearsago,whenIwasfirststudyingtheOccult,therewasmuchglibtalkinOccultcirclesaboutathingcalledtheDwellerontheThreshold.Nooneknewwhatitwasexactlybutallspokeofitwithbatedbreathandwithgreatfear.IwasneverabletofindoutexactlywhatitisandastimepassedIforgotaboutitandheardnomoreaboutituntilIstartedpracticingOccultworks.WhenIhadcompletedthepreliminaryworkthatleduptothewritingofthebookThe ArtandPracticeofAstralProjectionIhad,bythattime,settledmanyofthe“conflicts”thatisIhadwelcomedbackintomemostofthethingsthatIhadformerlyrejected;andthereforewhenIstartedtoproject,bythedifferentsystems,IencounterednodwelleronmyThreshold.Ohtherewereafewthingsasdescribedinthebook;thosenoisesandvariousimagescametomebutIrecognisedthemfordreamprojected

imagesandassoonasIstartedtoworkwiththemtheydisappeared,(whichwaswhenItookthembackintome)althoughIwilladmitthatIdidnotrecognisethematthetimeasprojectionsofme,whichIhadformerlyrejected,andIamjustnowconnectingthesedifferentthingsupsoIunderstandthem,andtheirrelationtoOccultwork.IcannotgiveacourseinpsychologyasIamnotqualifiedtodothat;norcouldIdoit,longdistance,inthislittlebook.ButinconsideringthisOccultLawofE-motionsIamgettingclosetothisThresholdBusiness.ThisThresholdBusinessiswheretheEMOTIONScomein.Ofcourse,inreferringtoCreativeVisualizationwork,IamreferringtoNewEmotionsandnottooldonessuchasyourprojected-rejectedprojectionswouldbe.IamconcernedhereleasttheOLDEMOTIONSshould

interferewiththeNEWEMOTIONS.Nowforheaven’ssakedon’tbesuggestible,andyieldtoanysuggestions,fromwhatIhavesaidsofarandbeafraidofthiswork.Weprobablyallhavetheserejectedprojections,tosomedegree,inourlives.WILLYOUDOTHIS?IFYOUFEELANYDEEPSEATEDEMOTIONALUPHEAVALWHENYOUSTARTTODOTHISWORK,ORENCOUNTERANUPHEAVALLATERON,YOUFEELTHATYOUCANNOTHANDLE–THENYOUHADBETTERSTOPOCCULTWORKANDGOTOAPSYCHOLOGISTANDASKFORASSISTANCEASYOUMIGHTHAVESERIOUSREPRESSIONSTHATYOUARECONTACTING.Thisdoesnothappenveryoftenand,infact,IcannotthinkofasinglecasethatIknowofpersonallybutsincetherearesomanyscrew-ballsintheworldalwaysholleringaboutthedangersoftheOccult

Iwouldratherwarnyouthiswaythansaynothing.

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ThewholeideaofdoingOccultworkistoclearup,orresolve,yourrejectedpartsofyourpersonalityandgetthembackintoyourselfandthengoaheadtogreaterthings.(asIsaidbeforeIdon’tunderstandtherejectionideaandneitherdoesanyoneelsebutthemainideaistogetclearedupand,nomatterhowmanydifferentwaystheysayit,thatisit.)Converselyifyoufeelonlyamildupheavalthenproceedtotryandhandleityourselfandgoonwithyourwork.Sotoproceed–OnemethodofusingE-motions,oftenadvocatedbyformerCreativeVisualizationteachersofthenaturaltype,wastoinstructthestudentto“FEEL”(withouttellinghim“how”to“feel”)thathealreadyhadthethingdesired,andwasusingit,ANDhewouldgetitinduetime.Thisideaseemstohaveoriginallybeenbasedupononeofthefewgenuineportionsofthe“newtestament”.ThepurportedJesusissupposedtohavesaid–“Whateverthingsyouwantbelievethatyouhavethemalreadyandyouwillhavethem.”(ThereforeIsayuntoyouwhatthingssoeveryedesire,whenyepray,believeyehavereceivedthemandyeshallhavethemMARK11:23ERV .)OfcoursetheabovedirectionsaregreatlysimplifiedandaredirectedtothosewhoareabletoworktheCreativeVisualizationLawsnaturally.Younowknow,fromyourreadingstudyofthisbook,thattherearemanyotherfactors-lawstobetakenintoconsiderationtomakeCreativeVisualizationsworkthantheuseofjustonesingleLaw.HowevertheseotherFactor-Lawsyounowalreadyknowandknowingthemyoucanusethemalltogetherproperlyandgetthebestreinforceduseoutofallofthem.HowthendoyougoaboutusingtheE-motionTechniqueLawfully?(ThispartproperlybelongsinthesectionofpracticesbutIwillincludesomeofitherenowandgivesomemorelateroninthesectionofpractices)WecangobacktothecaseoftheyoungParisragpickerashisstoryisthemostsimpletoillustratetheprinciplewhichisthesameinallcases.Yourememberthatwhattheyoungmanfirstworkedforwasasmallpieceofcarpettoputonthefloorbesidehisbedtoprotecthisbarefeetfromthecoldstonefloorwhenhegotupinthemorning.HeknewwhatthecoldstonefloorfeltlikesohedidnothavetoimagethefeelofTHAT.ThereforefromthestandpointoftheOccultLawofE-motionasappliedtotheragpicker,havingallowedforalltheotherLaws,theuseoftheLawofE-motionwouldconsist,inthissimplecase,oftheyoungmanFEELINGHISFEETALREADYPROTECTEDBYTHERUGUNDERHISFEET.ANDALLOWINGTHATFEELINGTOGENERATETHEFEELING–EMOTIONOFPLEASUREANDSATISFACTION.IWILLREPEAT–THEFEELINGOFPLEASUREOFTHEDESIREFULFILLEDISTOGENERATETHE

EMOTIONOFHAPPINESSANDSATISFACTION!ThereismoretothisE-motionworkhowever.LetusconsiderE-motionintermsofanotherkindofanemotionweareallfamiliarwith.LetusconsidertheEMOTION-CALLEDDESIRE. Awould-be-occult-teacheroncetoldmethatthisword–desire–meantde-of ,sire -Father,sothewordmeant,ofthefather .Thisisnottrue,etymologicallyspeakingasaglanceatthedictionarywillshow,buttheideaisnotabadonetoconsider.IthasbeenarguedthatalldesiresareBASIC–comefromabasiccause–whichcanbeequatedwithacentralDivinityidea.Toextendthisideafarther–thebasicDivinity

desiresallgoodforallanditimplantsthede-sireinallbeingstocausethemtoreachoutforthisgoodthingtheDivinityhasalreadycreatedforalltouseandtohave.Certainlywithoutdesirewewouldalldonothing.

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Itrustyouseethenthatdesireisanemotiongreatlytobedesired,tobecultivated,anddevelopedandpracticed.Naturallythebestandproperpracticeofdesireistolinkittosomething.Somethingyouwant.Youhaveideasallthetimeastothingsyouwant,circumstancestobebroughtabout.Andthisiswhatyouhavebeenstudyinginthisbook.UseyourTreasureCharttothelimit.Loaditwithpicturesofthingsyoudesireandfeastyoureyesonthem.Everythinghelps.Theskyisthelimit.Gotoit.

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OCCULT LAW NUMBER TEN.

LAW OF THE REVERSAL OF THE PLANES

ThisLawofReversalisofsomeimportance,enoughthatyoushouldknowaboutit;

butinactualpractice-useitwoulddolittlemorethanperplexyouasyounotetheeffectsofreversal,asyougothrutheplanes;ifyouareviewingthemclairvoyantly.Youmighthaveflashesofthiswhileyouarefollowingtheotherdirectionsasgiveninthisbook.Incaseyoudohaveaclairvoyantflashandnoticesomethinglikeanameorasignpostonsomethingyouwillnoticethatthewordsarereversedasinamirror.Thisisabouttheonlytimeyouwillnoticethereversalasthesceneisnotalwayssoclear.Areversedstreet,forexample,looksverymuchlikeanordinarystreetandittakessomeexaminationtonoticethereversalofit,whichcloseexaminationyoudonotusuallygiveadreamscene.

Thenagaininthisclairvoyantflashyouwillprobablybe“passing”thruaplaneandbythe“time”(notimeoverthere)youstoptoseewhythesignisreversedyouwillbethruthatplaneandinthenextplanethewordswillberightagain.Nowthereasonforthisis–Inrelationtoourplanethenextinnerplaneisreversedtothisone!!Thenthenextinnerplaneisreversedtothatone!!Andsoondowntotheendoftheplanesasfarasthephysicalcosmosisconcerned!Ortosayitinamoresimpleway,eachinnerplaneisinsideouttoeachother.WHATISCOMINGHEREISGOINGTHERE!Hereisasimpleillustration,rathertoosimpleinaway,buttrytounderstanditthoroughly.Letus,forexample,saythatonourphysicalplaneweplantogofora

picnic.Asyouwellknowwewouldstartatthebeginningherelike1-2-3-4etc.Weplanthepicnic,webuythefoodforthepicnic,wecookthefood,wethenprepareitinotherways,wepackthefoodinbaskets,wetraveltothepicnicgrounds,wecarryonthereallday,andthencomebackhome.NowifthereweresuchthingsaspicnicsontheEthericPlane,theplanenexttothisplane,to“go”onapicnicWEWOULDCOMEHOMEFIRST,SPENDTHEDAYATTHEPICNICGROUNDS,PACKTHEFOODINBASKETS,PREPARETHEFOODINOTHERWAYS,WEWOULDCOOKTHEFOOD,WEWOULDBUYTHEFOODFORTHEPICNIC,WEWOULDPLANTHEPICNIC,ETC:YouseeIcanhardlymakesenseinwritingthisdownandyetthatisthewaytheplanenexttothisplanefunctions.

InthesectionprevioustothisoneItoldyouthatinoneofthefewgenuineportionsofthenewtestamentJesusissupposedtohavesaid–“Whateverthingsyouwantbelievethatyouhavethemalreadyandyouwillhavethem.”Now,inviewofthisreversalprocesscanyouseewhyyoustartoutgettingsomethingbyFEELINGTHATYOUALREADYHAVEIT?BydoingyourcreativevisualizationworkthiswayyouareworkingwiththeLawsoftheInnerplanesandnotagainstthem.ItcanbearguedthatTHINKINGbelongstothislowerphysicalplaneandFEELING-EMOTIONSbelongstothenextplane(whateveryouaregoingtonametheplanes)SonowItrustyouseehowyouusethinkingandfeelingtogethertogetwhatyouwant.

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WehavenowcometotheendofthesectionsdevotedtothestudyoftheLawsofthe ArtofCreativeVisualization.Wenowcometothelastsectionofthebook.InthefirstpartofthisbookIdealtwiththeSubjectofCreativeVisualization.ThenIintroducedtendifferentdivisions-factorswhichIsaidwereOccultLawsandpracticesthatweredirectlyconnectedwiththeArtofCreativeVisualization.IfirstoutlinedtheseLawsandpracticesandthendescribedthemlateringreaterdetail.AlthoughIhadsaidthatIwouldgivethepracticesoftheseLawsinthelatterpartofthebookIdidgivesomepracticesinthefirstpart.Inordertogofurtherintheuse-practices-illustrationsoftheseLawsIamgoingtohavetorepeatmany/someofthethingsIpartlycoveredbefore.Myfriendshaveaccusedmeofrepeatingmyself,andIknowthatIdidrepeatmyselfinmylastbook(Iwassortofexpectingthebookreviewstosaysomethingaboutitbuttheydidn’tthankheavens!)Icanandwillsay,asIsaidbefore,thattheOccultisaverydifficultsubjectandnotfoolproofeasytoteachunderanycircumstances,moreespeciallywhenthestudentisworkingalone,asyouare,whenworkingfromabooklikethis.Iamnotwritinggloriousliteraturethatwillgodowninhistoryasperfectproseexamplesforalltoreadandcopy.No.IamwritingdownverydifficultmaterialofaverydifficultsubjectandIfeelthatImustputdownOccultKnowledgeandOccultPracticesasexactlyasitispossibletodo,andinasclearlanguageasitispossibletodo.AndwhenIthinkthatthepresentationofsomeobtusesubject-pointisnottooclearthefirsttimeIwroteitdown,Irepeatthematerialinanotherformoranotherway,oninthesamewayuntilIfeelfairlycertainthatthematerialisunderstoodand/orcouldbeunderstoodbyrepetitivereadingonthepartofthestudent;whichiswhatIexpecthimtodo,andtodoasmanytimesasisnecessarytoMASTERIT.(AtleastheshoulddoitifhewantstounderstandandusetheOccultArtinaneffectivemannerforthedevelopmentofhistrueInnerPowers;tohelphimselfthruthishardphysicallifeandmakethisphysicallifeeasierforhim)ThematerialthatIampresentinginthisbookhasneverbeengivenoutbeforeinthiswaytomyknowledge.WhentheoutlinesofthismaterialwereshowntosomeOccultpublishersIwasurgedtowritethreeorfourbooks,anddivideupthematerialamongthosebooks,andnotgiveoutsomuchnewandvaluablematerial,andTechniques,inonebook.HoweverIhavemuchmoreOccultMaterialonhandnowthanIwilleverbeabletouseinmylifetimeandsoyougetallofitinthisonebookasyoualwayswill.Iwillholdnothingback.IwillnowgooversomeoftheTenLawsagainandgiveadditionalmaterialandPractices.

TheOccultLawofPhysicalVisualization.Forthosewhowerenotgiftedwithnaturalvisualizationpowers,andIcertainlywasnot,thepresentationofthisLaw,anditspractices,isaGodSend.CertainlytheabilitytomentallyvisualizeisabsolutelynecessaryforCreativeVisualizationandyetnotoneteacher,thatIknowof,hastreatedthismatterwiththeimportanceitdeserves,letalonegivenanydirectionsastohowtodeveloptheVisualizationAbility.Ihadtoworkthiswholevisualizationmatteroutmyselffromthegroundup.Ifoundthattherewereseveralwaysthatyourmentalimagemakingcapabilitycouldbeincreased.Ihavedevelopedseveraldifferentmethodsofdoingthis.ThesecondLawIcalledtheOccultLawTechniqueofPhysicalVisualization.OneandtwoLawsareverycloselyrelatedbutIdecidedtodividethemintotwoLaws

becausethewholematterofVisualizationhadneverbeentreatedbefore,andtheimportanceofclear,mentalpictures,neveremphasizedinthiswaybefore.Foryourfirstworkinpracticeofmentalvisualizationsyouweregivenaritualtolearnand

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practicebothmentallyandphysically.Thisritualisveryoldandverypotentwhenitisdonerightbyastudent.Ihopeyoudidnotneglectyourworkonthatritual.Igavethistoyouinthefirstpartofthebooksoyouwouldhavesomethingtobedoingwhileyouwerestudyingtherestofthebook.Ifyoufollowedmydirectionsanddidtheritualyoushouldhavedevelopedsomemarkedvisualizationabilitybynow.Youshouldbeabletoworkthewholeritualwhileseated,thatisyoushouldbeabletorunoverthewholeritualinyourmind’simaginationeye,makingallthemotionsandmakingallthemovementsbackandforthinyourimagination.Ifyouhaven’tdoneitthendon’tgetdiscouragedbutstarttodoitwhenyoufeellikeit.NowIamgoingtogiveyousomemorevisualizationwork-practices.Ontheinsidecoversofthisbookyouwillfind,inoutline,foursymbols.Elsewhereinthisbookyouwillfindthesesamefoursymbolsincolor.Youcancutoutthesecoloredsymbolsandpastethemtocardboard,foryourfirstworkwiththesesymbols.Ifyougetthisbooksecondhandandthecoloredsymbolsaregoneyouwillfinddirectionswiththeoutlinedsymbolsastohowtomakethemwithacompassandrulerandinkpen.Tokeepupyourworkwiththesesymbolsyoushouldmakethemyourself,firstonpaperthenlateronparchment.Keepthemveryprivate.Keepthemprotectedsothatotherpeoplewillnotseethemorhaveachancetohandlethem.Itshouldcomeabout,asyoucontinuetouseyourownprivatesymbols,thatthesymbolsshouldincreaseinpowerbecomingsuccessivelychargedwithyourmagnetismandthemagnetismoftheforcesyouinvoke.Fornowyoucanusethecoloredsymbolsgiveninthebookasvisualizationobjects,todevelopyourvisualizationabilityonlyandnotfortheotherpurposes,themoreadvancedwork.(SomeadditionalusesweregivenforthesesymbolsinmybookArtandPracticeofAstralProjectionandIreferyoutothatbookforworkofanadvancednature)Theuseofthesymbolsforvisualization-practice-development-workisasfollows–InstartingtheworkeachtimeIurgeyoutoworktheritualfirst,probablyphysicallyasyouaregoingtodotheotherworkmentally,andthephysicalritualwillserveasagoodbalanceexercise.Ifyouhavetimetodotheritualdoit,andifyoudonothavetimedonotdoit,butdonotfeelguiltyifyoudon’tdoitallthetime.Startyourworkbymakingyourselfcomfortable.Useatableandchairofconvenientsize.Youcanhavesomesoftmusicplayingbutitshouldbedefinitelysoftandnon-stimulating,soothingandsoft.PlacetheYellow-square-blue-bordercard,TheCardoftheElementofEarth,beforeyouwithagoodlightfallingonthecardfrombehindifpossible.Lookatthecardquietly.Donotstrainorforceyoureyesinanywayshape

orform.Thefirstdaylookatthecardforaboutthreeminutesandthengraduallyincreasethetimetofiveminutesbutonlyonetimeaday.Ifyoufeelanystrainskipadayortwo.Whenthetimeintervalisovercloseyoureyesandyouwillsee,onyourinnervision,aduplicateimageofthesymbolincomplementarycolors.Watchthisimagequietlyandmakenomentalefforttointerferewithit.Itwillgrowstrongandthenfadeaway,thenreappearagaineachtimeweaker.Watchituntilitisgone.Donotforceanyactionagainsttheimage,justwatchtheimagefadeaway.Repeatthisworkwithallthesymbols,eachinturnforaweekeach,butdonotputanypressureonyourself.

Afteryouhavedonethisworkforsomeweeksthentrytobringtheimagebackintoyourmemory,yourmind’seye.Iamsureyouwillbepleasedtodiscoverthatinabout

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twoorthreeweeksofworkyouwillbeabletobringtheimagesbackinyourimaginationvisioneasilyandincolor!Whenyoureachthisresultyouwillknowthatyoucanvisualizeproperlyifyougoaboutitright.AllthatyouhavetodoistoLOOKATWHATYOUWANTTOVISUALIZELONGENOUGHTOGETITFIXEDINYOURMEMORY.(Thatisnotwhatreallyhappens,youdosomethingquitedifferentthanmerelylearntorecall-visualizebyjustlookinglongenough.ThelookingaffectstheInnerPlaneforcesbutfornowallyouhavetoknowishowtodoit.TheOccultreasonsforthisbelongtoadvancedwork)Youcannowpracticelookingatpictures,ortherealthings,ofthingsthatyouwantusingthesametechniqueasgivenabove.YouhavebeentoldaboutTreasureChartsanditisintheuseofthesechartsthatyoucanpracticeyourvisualizationworkextensivelyandprofitably.Nothingistruerthantheoldsaying“practicemakesperfect.”Atleasthere.NowletusconsiderthepresentationoftheconceptcalledTheSphereofAvailability.ThisconceptopenedupanentirelynewdimensiontoCreativeVisualizationwork.HeretoforetherawassumptionofCreativeVisualizationwasthatanythingwouldworkifyouvisualizedforitorthoughtaboutitlongenoughandhardenough–ANDTHISISTRUE–BUTWITHDIFFERENTPEOPLETHECREATIVEPROCESSWORKEDDIFFERENTLY–SOMETIMESITWORKEDONEWAYANDSOMETIMESANOTHERBUTITSEEMEDTOWORKFORDIFFERENTPEOPLEINDIFFERENTWAYSATDIFFERENTTIMES!!Sometimesitseemednottoworkatall.Othertimeswithsomepeopletherewouldbelongdelays.Forotherpeopleshorttimeintervalswastherule.AnyofuswhohavetriedthesemethodsknowwhatIamtalkingabout.AndyetforsomekindofanexplanationfortheerraticbehavioroftheVisualizationLawtherewasnoonetoturnto.TheNewThoughtteachers,whousedthisLaw,considereditblasphemytoquestion,inanyway,anyoftheNewThoughtmethods;whichattitudemadeitveryhardtogetareasonableanalysisofCreativeVisualizationanditslimitations;oreventoworkoutsomekindofanOperatingTechniquetoexplainwhy,whenitdidnotwork.ThefactsseemedtobethatmanystudentsfoundtheCreativeVisualizationMethodsdidnotworkforthem,nomatterwhattheydid. AfterIdiscoveredthisSphereofAvailabilityconceptIwasabletoresolvemanyoftheformerdifficultiesthatstudentshadhadwithCreativeVisualizationMethods.Thesimplenon-occultansweristhatallpeoplearedifferentand,obviously,whatworksforonedoesnotalwaysworkforanother.Peoplearenotmassproducedsothatone

partofapersonfitsintoanotherpersonexactlyallthetime;andthisismorethantrueofthelivesandexperiencesthatmakeuppeople’slives.InspiteofallplatitudestothecontrarynotwithstandingALLMENARENOTCREATEDEQUAL.Everyman’slifeandresourcesaredifferentfromallotherlivesandresources.Sothismeansthateachstudent’sapproachtosecuringgoodresultsbymeansofCreativeVisualizationhastobedifferent.WemightgetmuchbetterresultswithCreativeVisualizationMethodsifwewereallasdestituteastheParisragpicker.TheParisragpickerwassodestitutethatheknewexactlywhathewantedbecauseheneededathinglikeasmallpieceofcarpet!Andstartingfromthatexactneedhewasabletobuildup,stepbystep,aSphereofAvailabilitythat,intheend,wasabletosupplyhimwithatremendousamountofmaterialthings.Ihopeyouwillreadthe

aboveoveruntilyouunderstanditcompletely.

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NowwecometoyouandIandourworkwithCreativeVisualization.AswearenotthesameastheParisragpickerinthemannerofourresourcesOURPROBLEMISMUCHGREATERTHANHISWAS!HeKnewexactlywherehestoodandwedonotknowexactlywherewestand.MostallofushaveSOMETHING.Isaidbeforethatmostofuswere“middleclass”althoughthereisalotofargumentastowhatthatmeans.Imeanthatweareneitherrichnorpoorbutallthewayfromfair-offtoaffluent.IFYOUARENORMALTHENYOUWANTTOBETTERYOURSELF,THATISBETTERYOURMATERIALCONDITIONS.Tomanyofushavingonlyalittleisalmostasbadashavingnothing.Yourproblemthenisdifficultbutitisnotinsurmountable.Usingtheinformationalreadygivenyoucanrestateyourpresentprobleminthisway–YOURPRESENTSPHEREOFAVAILABILITYISSTATIC.YOUWISHTOINCREASEYOURSPHEREOFAVAILABILITYSOTHATITWILLGROWTOSUPPLYYOUWITHTHETHINGSTHATYOUNOWTHINKARENECESSARYFORYOURHAPPINESS ANDPHYSICALWELLBEING.Sotheproblem,nowrestated,becomesthis–YOUARETOFINDTHEEXACTPOINTINANDFROMWHICHYOUARETOCONSTRUCT-ORGANIZEYOURWORK-ONYOURPRESENTSPHEREOFAVAILABILITYandthispointisJUSTSHORTOFTHISSIDEOFYOURFIRSTDESIREDBUILTUPOBJECTIVE.InordertodothisthenyoumustfindoutexactlyhowyourpresentSphereof Availabilitystands.YoumustsizeupyourpresentSphereofAvailability,inahardheadedmanner,andnotfoolyourselfbywishfulthinkinginanyway.YouaregoingtohavetostartwithyourpresentSphereofAvailabilityandBUILDITUPTOTHEPOINTWHEREITWILLSUPPLYYOUWITHTHETHINGSTHATYOUWANT.Beforeyoucanstartthisworkthentherearetwothingsthatyouhavetoknowanddo.Thefirstthingis,youhavetoKNOWexactlywhatitisyouwanttodowithyourlifeinthefuture,whatyouWANTTOHAPPENTOYOUfortherestofyourlife.Atleastinageneralwayifnotanexactway.Trywritingitalldownasbestyoucan.Nowthatyouhavegotthiswrittendownand,asyoulookatit,youaretounderstandthatWHATYOUWANTHASTOCOMETOYOUTHRUYOURSPHEREOF AVAILABILITY.So–nowyoutakealonghardlookatyourpresentSphereof Availability.YourworknowbecomessopersonalthatIcannotadviseyouanymoreaboutit.Iwillhavetoleaveituptoyouandyourexaminationtoshowyouwhereyoustand.IfyouneedadviceyoucancontactmethrutheaddressgiveninthisbookandIwillattempt

toassistyouinanywaythatIcan.Butfirsttryandmakesomekindofanappraisalyourself.Icangiveyouafewexamplesasanillustration–Letussaythatyourappraisalhasconvincedyouthat,fortheimmediatetimebeing,YOURJOBISYOURSPHEREOF AVAILABILITY.ObviouslytosupplyyouwiththethingsyouhaveoutlinedasyourdesiredobjectsinlifeYOURSPHEREOFAVAILABILITYHASTOBEINCREASED.Makeacloseexaminationofyourjob.IknowthisisatritesayingBUTAREYOUREALLYPUTTINGOUTAGOODJOB?AREYOUDOINGTHEVERYBESTYOUCANONYOURJOB?Aslongasyouhave,forthepurposesofthisexample,decidedthatyourjobisyourpresentSphereofAvailabilitythenimprovementofthissourcesupplyISTHESTARTofyourenlargementofyoursourceofsupply.

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AsIsaidyourworkwithyourlifeandyourresourcesnowbecomessopersonalthatIcannottreatitfurtherhere.ContactmeifyouneedmeandIwillhelptothebestofmyabilitytodoso.Letusnowconsiderthe5thLaw–theOccultLawofLimitation.SomeofthepracticesconnectedwithmanyoftheseOccultLawsarelittlemorethangooduseofcommonsense,coupledwithsomeunderstandingofthenatureoftheInnerPlanes.ThemainideaweallseemtogetabouttheInnerPlanesisthattheyarefreeofthelimitationsofthisPhysicalPlaneandthatistruebutthatfreedompertainsonlytotheInnerPlanesandassoonastheseforcesareGROUNDEDONTOTHISPLANETHEYTHENBECOMESUBJECTTOTHISPLANE’SLAWS ANDTHATISWHATWEWANT. SomeideasabouttheactionsoftheForcesoftheInnerPlanescanbegainedfromthefollowingwordsofanOccultwriteroftheturnofthecentury.IhaveinmypossessionabookwrittenbyArthurEdwardWaiteprintedinLondonin1898.IntheopeningchapterofhisbookMr.WaitemakesthefollowingstatementabouttheInnerPlanes,but,inaratherjocularmood–(donottakethistooseriously)There(intheInnerPlanes)allparadoxesseemtoobtainactually,contradictionslogicallyexist,theeffectisgreaterthanthecause,andtheshadowmorethanthesubstance.Thereinthevisiblemeltsintotheunseen,theinvisibleismanifestedopenly,motionfromplacetoplaceisaccomplishedwithouttraversingtheinterveningdistance,matterpassesthroughmatter.Theretwostraightlinesmayencloseaspace;spacehasafourthdimension,andfurtherpossibilitiesbeyondit;withoutmetaphorandwithoutevasion,thecircleismathematicallysquared.Therelifeisprolonged,youthrenewed,physicalimmortalitysecured.Thereearthbecomesgoldandgoldearth.Therewordsandwishespossesscreativepower,thoughtsarethings,desirerealizesitsobjectthere–thehierarchiesofextra-mundaneintelligencearewithineasycommunication,-TheretheLawofContinuityissuspendedbytheinterferenceofthehigherLawofFantasia. AsIsaidMr.WaitewasspeakingratherjokinglybuttheabovestatementsdogivesomeideaofthedifferencesthatareconsideredtobesobetweentheInnerPlanesandthisone.ForthepurposesofyourworkinCreativeVisualizationthemainideaforyoutorememberisthatInnerPlaneforcesarenotsubjecttoanykindoflowerphysicalplaneformofconfinementuntil,THEYAREGROUNDEDINSOMEWAY.Oncegroundedinandonthephysicalplanetheyarethenconfinedandcribbedsoyoucanhandlethem.

IntheMentalMagictypeofworkyouwillbedoingyoucaneasilygathertheInnerPlaneForcesbuttheyflyoffinalldirectionsatoncejustaseasily.Howeverthereisawayyoucanholdthem.ForthepurposesofthesimpleworkyouaredoingitwillbesufficientifyouconducttheseforcesintoaFORMandtheFORMwillbeYOURVISUALIZEDPICTUREOBJECTFORM.OrifyouwillmakeadeclarationbeforestartingyourCreativeVisualizationworkitwillusuallybesufficienttobindtheforcestotheextentoftheparticularoperationyouareperforming.Trytogetintothehabitofwritingdownbeforehandwhatyouwanttoaccomplishandputadefiniteendtoeachseparatesectionoftheworkyouaredoing.DonotrunallyourCreativeVisualizationworktogetherwithnoendinsight.Splitup

yourdesires-workinsectionsandworktogeteachsectiondoneatatime,completingeachsectionandclosingoffthatsection.TheseprocedureswillactveryeffectivelyasbindersoftheInnerPlaneforcesthatyou“capture”foryourwork.

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KeepinmindthestoriesItoldyouaboutmiserswhogotmoneystartedtowardsthemandthencouldnotspendthemoneyforanythingwhentheygotitnotevenforfood,andendedupstarvingtodeath.ThisismoreorlesscommonwhenapersonhasCreativelyVisualizedformoneyinsteadofforthingsorcircumstances.Trytodoyourvisualizationworkforthings,andcircumstances,andnotforjustmoneyasitcouldhappenthatyoucouldgetmoneyandthennotbeabletouseitforthethingsyouwantedasevenordinaryeventscankeepyoufromusingthemoneyforwhatyouwanteditfor.Ihadapeculiarexperiencealongtheselinesjustrecently.IamwritingthismaterialonanIBMexecutivetypewriter.EversinceIwasawareofthistypewriterIwantedtoownone.IdidnotdoanyrealvisualizingworktogetonebecausemySphereof Availabilitywasjustaboutabletosupplyone,thatisonenotfromtheCompany,butonenotnew.SotheworkIdidwastofindthebestsecond-handtypewriterthatIcouldforthebestprice.Iworkedmyselfintoquiteapitchdoingthisanditbecameasortofenjoyablegame(whichisanotherthingyouwanttoincorporateintoyourwork,makeitfun)IranacrossoneataplaceinHollywoodandIalmostboughtitbutIdidn’tquitelikeit,thepricewasjustoverthepriceIfeltIcouldpayforit.ThenIdiscoveredthatthewomanwasnottheownerofthemachinebutwassellingitforastoreforsomereasonandIsupposethereasonwasthatasaprivatepartytherewouldbenoquestionofstatesalestaxwhichtheywouldsave.ThatisIsupposethiswasthereason–thewomanamusinglyenoughusedsomeNewThoughtstatementslike–“youwereledhere”–“itmusthavebeenforyou”–etc. AftersomethoughtaboutthematterIdecidedtoletitgo.HoweveronmynexttriptoLosAngelesIdidfindasplendidtypewriterwithanextralongcarriage,whichiswhatIreallywanted,andatapriceveryclosetowhatIhaddecidedIcouldaffordtopayandwouldpay.Now,however,IstillfindmyselflookingatthepapersandlookingatpricesfortypewritersandsuchthingsandIstillhaveafeelingofbuyingatypewriterwhenIhavetwonow!!Inmycasethefeelingisnottoostrongbutitisthereandifitranawaywithmecouldmaketrouble.Icouldendupbygoingonbuyingtypewriterswithoutneedingthem.Imightevenbuysomemoretypewritersataverygoodpriceandresellthemataprofitwhichisanacceptablecoursetofollow.Sowatchoutforthecontinuationofyourdesirefeelingsafterthedesirehasbeenfilled.Turnittosomethingelseasquickasyoucan.LetusconsidertheOccultLawofBinding–OurwholePhysicalCosmosisgovernedbyPolarityandmuchmorethanwerealize.InfactbeingabletorealizethepolarityofthePhysicalCosmosandbeingabletorecognizeitisanArtofIllumination.ForHeaven’ssakelookaboutyoufromnowonandtakethedualnatureoftheUniverse

intoaccount.ForHeaven’ssakerememberthatwhatgoesupmustcomedown.Ittakesawelldevelopedmantorecognizepolarityandastillmorewelldevelopedmantotakeadvantageofit.Evensuchamundanethingasthestockmarketshowsthiseffectveryclearly.Whenthestockmarketgoesupthelessdevelopedmanisattractedbythateffectandisdrawnintotheraisingmarketandwhenthemarketgoesdownheisdeeplydiscouragedbythatfactandgetsout.Thepeoplefolloweffectsanddonotnotethecauses.IcannotrememberthenameoftheveryrichmanwhosaidfranklythatthereasonhewassowealthywasthatHEBOUGHTWHENEVERYBODYWASSELLINGANDSOLDWHENEVERYBODYWASBUYING.Ofcoursenoonebelievedhimandwentonjustastheyweredoing.ThepointofallthisisthatallforcesthatinfluencethephysicalplaneareDUAL,

THEYHAVETWOSIDESTOTHEM.Everyforcethatyoucontacttodoworkforyouhasthisdoublesidenesstoitandwhenyoucontacttheforceyoucontactbothsidesatonce.

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Nowalthoughyoumaygettheforcetoworkforyouforsometimethewayyouwantittowork;thetimewillcome,soonerorlater,whentheoppositesideoftheforcewilltakeoverandyouwill,byitsreversal,loseallyouhavegained!Andthatwhenyouleastexpectit.NowhowmayyouprotectyourselffromthisreversaleffectduetothedualnatureofallForces?InyourCreativeVisualizationworkitwillprobablybesufficientif,keepingthedualnatureofallforcesinmind,youadd,whenyouwritedownyourlimitationsstatement,afurtherstatementsomethinglikethis–“IalsodesirethattheobjectofthisparticularCreativeVisualizationworkhavingbeenattainedthatnoreversaltakeplace,butthattheopposingforceoftheforcethatIaminvokingbebound,andthatIpossesstheobjectgainedaslongasIcanuseitprofitablyandsuccessfully.”ItmightbewelltoalsomakethestatementtotheeffectthatIamtopossesstheobjectgaineduntilitcanbereplacedwithabetterobjectetc.Mostanystatementlikethatwillactasabinding. AlmostanystatementliketheabovewillbeallrighttouseaslongasyouuseitwithcommonsenseandMEANit.ItisnotthepossiblepowerlessnessofanybindingactionthatyoumighttakethatmakesthetroublebutITISTHEIGNORANCEOFTHEEXISTENCEOFTHEREACTIONOFDUALFORCES,ORTHATALLFORCES AREDUAL,THATMAKESTHETROUBLE.OneofthemostoutstandingcasesIeverheardofconcerningignoranceofthisdualnatureofForcesisthecaseofMrs.Eddy,thediscovererandfounderoftheChristianScienceChurch,towhomeverybelieverinMetaphysicsmustbegratefultooforherpioneerworkalongtheselines.IthasbeensaidthatduringthelatteryearsofMrs.Eddy’slifeshesufferedfromstrangeattacksatnighttimesduringwhichshesufferedacutelyandwithgreatdistress.Noonehaseverdiagnosedtheseattackscorrectly.Mrs.EddyreferredtothemasMaliciousAnimalMagnetism.Ifeelrathercertainthatthesestrangeattackswereduetothe“other”sideoftheforcessheinvoked,andtaughtotherstoinvoke,WITHOUTBINDINGTHEOTHERSIDEOFTHEFORCE.Everythingpointstothatbeingtrue.THEMALICIOUSANIMALMAGNETISMCOULDHAVEBEENTHEUNBOUNDSIDEOFTHEFORCECALLEDDIVINELOVEWHICHSHEINVOKEDSOMUCH.ImeannodisrespecttoMrs.EddyandIdonotwanttostartanyargumentaboutthis.IregardMrs.EddywithgreatrespectandIgiveherfullcreditforthegreatworksheaccomplished.TheOccultLawoftheBarrier–WordsandEmotionsarethetwintoolsthatyouuseinCreativeVisualizationwork.YoushouldbewellequippedinWordsandwellequippedinEmotionsforCreativeVisualizationwork!Howeverifyouhaveonlya

fewwordsatyourcommandthatisstillallrightaslongasthosefewwordsareconnectedwithSTRONGEMOTIONS.ItisthestrongEmotionsthatdotheInnerPlaneworkandnotsomuchWords.AstrongEmotionofDesireisverynecessaryforthiswork.ManypeopleareafraidtoallowthemselvestofeelstrongemotionsofDESIRE.AndyetitisDesirethatisthedrivingforceofourlives.WithoutDesirewearenothing.Manypeoplewhentheylosetheirdesiretoliveactuallyliedownanddiewithoutmoreadoaboutit.IntheuseofthenextLawuseDesireforallitisworth.IfyoufeelyourEmotionalDesiresshouldbewhippedupabitthen,aslongasyourecogniseitforwhatitis,doalittleDayDreaminginconnectionwithyourTreasureChart.Findpicturesthatgiveyoua“thrill”andplayonandintensifythatthrill.

TheOccultLawoftheTreasureChart–OneprettygoodOccultTeacherIknowofteachesthatyoushouldconstructdramasofeventsthatyouwanttotakeplace.You

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canusethisdeviceverywellinconnectionwiththepicturesthatyouputonyourTreasureChart.Arrangethepicturessothattheytellsomekindofastory.Useyouringenuitytoconstructasequenceofpicturestorieswhichwillbringaboutthedesiredthingorcircumstancesthatyoudesire.Donotbetooconcernedwithgapsinthepicturesbutsupplyyourownimaginationbridgestocrossthegaps.ThemainideaistowhipupyourDESIREEMOTIONSsothattheyproduceaneffectonyoursubconsciousness.Incarryingoutthesedreamsletyourselfgo.Makethecharactersinthepicturessayanddowhatyouwantthemtodo.Howeveryouhadbetternotpictureactualpersons,thatyouknow,doingthesethings.Realpersonsareapttofeelyourworkandthefeelingwillsetupcurrentsofoppositiontoyourproposals.Workonlywithimaginarypersonsandimaginarypicturesofthingsorrealpicturesofthingsbutimaginarypicturesofpersons.WhatyouaredoingisworkingwiththeCounterpartsoftherealthingsandyoucanhavealargedegreeofcontroloverthecounterpartsthatyoucannotgetovertherealpersonsandorthings.(Ihadpreparedalessononthissubjectofhowtocontrolorinfluenceajob,lodge,town,smallcity,county,corporation,companyorthingslikethat.IfyouwillwritemeattheaddressgiveninthisbookIwilltrytokeepthelessonsonhand,aswellasotherlessonsonvitalsubjects)ThelessonreferredtoteacheshowtocontroltheabovementionedthingsthruworkingontheCounterpartsofthosethings.TheCounterpartsarefarmoreeasiertocontrolthatthePhysicalThingstheyrepresentandmuchcanbedoneinworkingwiththem.Sodonotworkwithrealpeopleasitcanbeveryunsatisfactoryinresults,notthatitis“wikkid,”justunsatisfactory.TheOccultLawofE-motions–AsisusualinthisworktheOccultLawofE-motionsgoesonoverintothenextLawtocome,thereversalLaw.AlltheseLawsareprettywellconnectedandespeciallywhenwegetoutintothesefinespundistinctionsaswearedoingnow.HereisanotherdefinitionofE-motion.ANEMOTIONISATHINGTHATISOFTHENATUREOFNOW-NESS.THERECANBENOSUCHTHINGAS AFUTUREEMOTION.ALLEMOTIONSARENOW!!!YoucanhaveanemotionaboutathingthatyouthinkmightcometoyouinthefuturebuttheEMOTIONYOUHAVEISRIGHTNOW!YOUCANNOTTHINKOFANEMOTIONWITHOUTHAVINGIT!Thepreviousreasoningisthebasisforworkingwithemotions.Anotherwayyoucanlookatitisthis–Asthenextplanetothisisreversedtothisoneyoucanregarditasasortofmirrorandyoucanseeinthatmirrorthethingsthatyoualreadywant.Supposeyoucomeuptothatplaneasyoudotoamirroronthisplaneandyouholdupsomethingthatyouwanttothatplane-mirror(inyourimagination)Wellthereisthethingyouwantvisibleonthatreversed-Inner-Plane-mirror!!Andbeingasitexists

therenow,byyourworkofvisualizingitthere,THEMEANSOFITSEXISTENCEONTHATINNERPLANEHADTOCOMEINTOBEINGTOO,JUSTHADTOORYOUCOULDNOTEVENSEEITINYOURMINDPICTUREIMAGINATIONTHERE!Therefore,byyourcreationoftheimaginationimage,youbroughtthemeansofitsexistenceintobeingtoo!Andthereasonyoucandothisisbecauseofthereversednatureoftheplanenexttothisplane“above”.Nowlook!Ifyoudonotgettoofaroffthebeambydaydreaming,youcan,infantasytracebackapossiblelineofcreationofthemirroredobjectANDTHENWHENYOUGETBACKFARENOUGHATTEMPTTOLINKTHATFANTASYLINEWITHYOURSPHEREOFAVAILABILITY!!

Youcantrythis.Iguessitwon’thurtaslongasyoukeepyourperspective!Useanysortofthinking,feeling,fantasy,daydreaming,planning,researchingwhateveritisthatsuitsyournature.Feelfreetoexperimentallyoupleaseanddoitfreely,keeping

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inmindthatyouaredaydreamingandyouknowit,butrememberthatbackofitallliesyourSPHEREOFAVAILABILITYINREALITY.HereatthispointwecouldgooffthedeependandstarttalkingaboutAtoms,ElementalForces,Arethingsreallyreal?WhatdoesREALreallymean?Andsoonbutwemustbepractical.Youcansaythattheintenseemotionsthatyougeneratethrowsoutstreamersofdrawingforcethatdrawsthethingdesiredtoyou,yourpossessionandthismustbetruebecauseyouusuallygetthethingthatyou“emote”for.(Ofcourseinthisdayandageofmultipliedmanufacturingprocessesweactuallydonothavetogetonecertainthing,aduplicateofthatthingwillsurelydo.Sotrytokeepthisideainmind,leaveitopen).ButonethingiscertainyoudohavetohavetheDESIREwhichinturncreatedTHEEMOTIONCREATEDBYTHEDESIRE. ActuallythewayIamstatingthisisallwrong.ThewayitsoundsisthatyoudonotworkonyourSphereofAvailabilityunlessyouwantsomethingandthenyouturniton.Thatiswrong.Ididnotmeantogivethatideaatall.YourlifeshouldbeaplannedGROWTHOFYOURSPHEREOFAVAILABILITYwithallinorderandnowildsidetripsasIseemtobeadvocating.InfactsonaturalshouldyourbuildingupofyourSphereofAvailabilitybecomethatyousortofforgetaboutitasyougoaboutdoingit.Remember(Iagainrepeat)theobjectofyourlifeshouldbetobuildupyourSphereof Availabilitysothatitcanbringyouthethingsyouwantandwhatyouwantshouldbewhatyousetyourgoalfor;andtosetyourgoalyoushoulddosomelongthinkingandplanning.IfwhatyouwantisoftheRolls-RoycetypeofthingthenyoumustrememberthattogetRolls-RoycesyoumusthaveaRolls-RoycetypeSphereofAvailabilityanduntilyoudohavethatyouwon’tgetthecar.Howeverthereisonepositivethingyoucansayandthatisthis–thrusuccessivestepsofbuildingPROPERLYANDCORRECTLYANDPERFECTLYANDAFEWOTHERTHINGS–YOUCANBUILDUPYOURSPHEREOFAVAILABILITYSOTHATYOUCANREACHTHEROLLSROYCETYPEOFSPHEREOFAVAILABILITYSUPPLYBASE!Idonotthinkanyonewillargueagainstthat.

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L’ENVOI AND FINALITY

Iamreadingoverthesepagesforthelasttimebeforetheygototheprinter–when,fromthenon,changeswillbehardtomake,smallchangesyes,largechangesno.I

wonder–didIleaveanythingout?WhatobviousthingmoreshouldIhavesaid?(itmaycometomeinthedeadofnight)(IhopeIgotitallandmoredoesnotcome)(WellIcan’tthinkofanythingmoretosayrightnow)ForonethingIcouldhavewrittenbetterprose.ButifIdon’tstopsometimeIfindIcangoonendlesslyimprovingthewordsandsentences,revising,revising,revising–endlessly–andifIdidthatIdon’tknowwhenIwouldevergetthruwithabookatall.Iwillcover/hedgeup,again,formyselfbysaying,asIsaidinmyfirstbook,Iamnottryingtowritegloriousproseliteraturethatwillcarrymynamedowninhistoryasanauthor–Iwillneverbeagreatwriter/author–NoIamwritingonlytogetdownBasicOccultKnowledgeandBasicOccultWorkingDirections,andthatonaverydifficult

subject,perhapsthemostdifficultsubjectinthewholeworld–THESUBJECTOFMANANDHISPOWERS,andhowtousethemtoprotecthimselffromthehurtsofthePhysicalPlane.Certainlythisisasubjecttostaggeranyone’sability/confidenceastoknow,forsure,justhowtohandleproperly,andcorrectly,muchlesstoteachproperly.IDOTHISWRITINGJOB,NOTTOHELPMYSELF,NOTTOHELPYOU,BUTTOTEACHYOUTOHELPYOU,TOHELP,YOURSELF!!!Ihavebeenexpectingtobeaccusedofwritingtoofewpagesonsuchalargesubject.ImustadmitthatIdidnotpadoutthepagesofthebook,nordidIpadoutthepagesofthefirstbook,tomakethebookslarger.(Pleasenotethatthepaperisquitethin

andthattherearemorewordsonapagethanisusualinbooksespeciallytheolderbooksinwhichathickerpaperwasusedandadifferentkindofinkhadtobeabsorbedbythatpaper)Itriedveryhardtogorighttothecore/heartoftheOccultand,inassimplelanguageaspossible,explaintheBasicKnowledgeoftheArtofGettingMaterialThingsthruCreativeVisualization.IthenlaidoutthetoolsofthetradefollowedbyaspracticalworkingdirectionsofusingtheToolsaspossible.Itriedtokeepthingsclearandtothepoint,notgoingtoomuchintorapturousNuThotgushaboutdivineloveetalasagainstcoldintellectualism,neitherextremeofwhichwillgetusanywhere.Iwrotefortheearnest,average,student-person,sohecouldunderstandthematerialANDUSEIT.SOFORHEAVEN’SSAKE,ANDYOUROWNSAKE!LEARNTHEARTOFCREATIVEVISUALIZATION–ANDUSEIT!!

Ophielwelcomescorrespondencefromthosewhoareinterestedinthesubjectofthisbook,andotherOccultSubjects.Ophielwillansweryourletters,andansweryourquestions,asquicklyashecan.SomeoftheanswersmayconsistofprintedmaterialbutOphielwillalwaysattempttoaddapersonalnote.OphieldoesaskthateveryonesendingaletterencloseadollarIFYOUCAN AFFORDIT.Ifyoucannotafforditthenwrite,byallmeans,butstateyoucannotdonate.Foreignmoneycanbeaccepted.ALLMONIESGOFOREXPENSES,BELIEVEME.NONEOFITISSPENTINRIOTOUSLIVING,NEVERFEAR.PlanshavebeenmadetoopenanOccultMysterySchooltoteachtheOccultArts,probablyinLosAngeles.ThisschoolwillteachtheOccultArtsfreelyandhold

nothingbacknorwillanysillyoathsberequiredofstudents.StudentswillbefreetousetheOccultKnowledgetheygaveinanywaytheychoose.Thefirstinstructionsto

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begivenoutwillbeSTRICTLYSELF-HELP,SELF-DEVELOPMENT,SELF- ATTAINMENT,MENTALMAGIC,ENTIRELYFORTHEBETTEREMENTOFTHESTUDENTINALLWAYS,ANDFORTHOSEWHONEEDIT,IDOMEANPURSEWISEFIRST,FIRST,FIRST!IntimeotherMagicSubjectswillbeaddedsuchasCorrespondenceMagic,SympatheticMagic,NaturalMagic,andfinallyRitualMagicandVariationsofallthesekindsetcetera. ANNOUNCEMENT–Itwasannouncedpreviouslythatabookwouldbeofferedcontaininganextraordinarysimple,easytouse,SystemofDivination,NOTFORTUNETELLING,whichwastobecalledTHEORACLEOFFORTUNA.HoweverthisbookseemedtoarousesolittleinterestthatIputitasideforthetimebeing.IamunabletoaccountforthislackofinterestandtheonlythingIcanthinkofisthattherearesomanyfakefortunetellingsystemsintheworldthattheOracleofFortunawasconsideredjustanotheroneofthem.SincethenIhavetestedtheOracleofFortunamorethroughlyforallkindsoftestquestions-work.IHAVEFOUNDITSOGOODTHATIAMUNABLETOTAKE ADVANTAGEOFITSPOWERSDUETOTHEFACTTHATIHAVENEVERBEEN ABLEBEFORETOOBTAINADVANCEINFORMATIONABOUTEVENTSANDCIRCUMSTANCESANDIDONOTKNOWHOWTOUSESUCHINFORMATIONTOBESTADVANTAGE.AndthisissomethingIhaveneverheardsaidaboutanyfortunetellingdevice.HoweverunlessmorepeopleexpressaninterestinthebookIcannotputitout.IwouldappreciatehearingfromyouaboutyourideasastowhatIshoulddowiththeOracleofFortuna.DYNAMITEANNOUNCEMENT!!!–Everyoneisclairvoyanttosomedegree!!Clairvoyanceisoneofman’sbasicpowers,oneofthenaturalpowersofallmen.Increasedproper-controlleduseofClairvoyancecanbeofgreathelpinyourdailylife.HoweverClairvoyancealonewillnotsolveallyourproblems,nosingledevelopmentofanyoneOccultPowercandothat.(YoushoulddevelopallyourpowersasfastasyoufindoutaboutthemandthentheymustbeusedinconnectionwithyourPhysicalPowersnowlargelyunknownandnotunderstood.)InfactthebiggestobstacletotheeasyuseofClairvoyanceisnotbecomingClairvoyantorgettingnewinformationthruClairvoyance,butisinterpretingClairvoyantInformation/KnowledgeANDTHENTO ACCEPTTHEEvidence/Information,sogivenorsoobtained!!!Oncethesetwohurdlesarepastyoushoudfind,thrutheuseofClairvoyance,yourlifestraightening

outinamarvelouswayandcircumstancesalsoworkingoutinthewayyoudesire.OphielhasstartedworkonabooktobecalledTheArtandPracticeofClairvoyance.InthisbookOphielwillgobacktofirstprinciples,ashealwaysdoes,andbuildupthemechanicsoftheArtofClairvoyancefromthem.Ifyouareinterestedinthisforth-comingbookyourenquirycanhastenitsprintingandpresentation.Hermes Pan are the names of the two God Forces who “rule” the Earth Plane. I bidyou to look to them for guidance upon your Earth Journey. According to the teachingof the Caballa system they represent the Highest God on the Earth Physical Plane.

OPHIEL

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ADDENDA.

Asthisbook,mysecondbook,approachesthefinalstagesofbeingprintedtherearisestheopportunityofaddingafewmorepagesandIherebydoso.FirstofallIhaveanapologytomakeforthedelayintheappearanceofthisbook.Thisbookwasreadythreeyearsagoandhadactuallygonetotheprinterwhenaseriesofhappeningsoccurredwhicheffectivelypreventedit’sappearanceatthattime.Thefirstthingthathappenedwasthepassingonofmymother.Herdeathleftamass/messofproblemswhichwerenotsolvedforseveralyearsandthis,unfortunatelytookmymindoffOccultworkwhichis,asyouknow,veryexactinganddemandingandisespeciallyforme.Thesecondthingthathappenedwasthedeflectionofatrustedco-workerwho,duringmyabsence,removedmanybooksandpreparedlessonsandtriedtosetupaschoolforhimselfusinganamesimilartomineand,untilthiswasknown,receivingmymailandmuchmoneysenttherein.Hefailed,naturally,butnotuntilhecausedmemuchembarassementinmanywaysandalsowiththePostOfficetowhompeoplecomplainedinsteadofwritingtomedirect–whichsubjectwillbetreatedlateroninthisaddenda. Anaturalquestionyoucouldaskatthispointis–whydidn’ttheForcesoftheOccultwarnoftheimpendingtrouble?Andtheansweris–TheOccultForcesdidgiveplentyofwarningbut,duetolackofapplicationtosimplerudimentsofattentionthewarnings,atthetime,passedmeby.HoweversoprofoundwasthislessoninwarningsthatIgotenoughmaterialoutofitforabooktobewrittenlateronthissubjectofOccultwarnings.Pleasereadthefollowingcarefullyastheannouncedpolicyisnowinforce–Ifyouhaveanycause,orthinkyouhave,forcomplaintagainstOphiel(lessons,moneysent,whatnot)THENWRITEYOURCOMPLAINTTOOPHIELDIRECTANDWAITFORANANSWER(Ophielmightbeoutoftownand/orawayonOccultbusiness-andmagicinvestigations-inothercountriesMexico,Africa,Englandwitchcovensconnectionsetc.)You’llreceiveananswersoonerorlater.Ophiel,aswordlygoodsgoes,isrichandHASNONEEDTOSTEALANYMONEYFROMYOUORANYONEELSEANDDOESNOTDOSO.ThereforeanyonemakingacomplainttothePost

OfficeaboutOphielwillbetakencareofifcorrect,butwillthenbecutofffromallfutureOccultcommunicationofanykindwithOphielandwhateverotherpsychicmeasuresarenecessarywillbetakentoadjustmattersallaroundaccordingly. AnyofyouwhohadmadepreviouscontactwithseveralorganizationalattemptsbyOphielpleaserecontacthimagainandyouwillreceivefullcreditforpreviousdonationsinanyfuturesetup. Awordastoletters.Airmailtypeis,ofcourse,thebestkindofPostalService.OccasionallyyoumayuseSpecialDeliveryifyoufeeltheneedtoo.HoweverdonotuseRegisteredlettermailserviceasmanytimesittakesmuchlongertoreachmethananyotherkindofmailservice.

TheOccultistheFirstandLastGreatUnknown.TheBasicPhenomenaoftheOccultareopentotwokindsofStudies-Work.Thefirst–discoveryandthesecond–

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application.First–Discoveryof“Powers.”AndSecond–Discoveryofapplicationofthese“Powers.”WewilldevoteourselvestotheseTwinOccultWorks,tothebestofourability,fortherestofourlifeandthatyoushouldbenefitbyitisouronlywish.

OPHIEL

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For thousands of years people have written about God. Endless persons-authors have endeavored toexplain about God, and the mystery of the physical world.

Many of these people-authors had only a faint grasp themselves of what-it-was-all-about, hence theirwritings were hazy and nebulous and voluminous. Others had “secrets” unveiled to them by secretlodges and were unable to “tell all”, and so had to talk all around the subject, not saying anything vital,and the end result was worse than no God-book at all.

Still others were fakes, pure and simple fakes. The “best” of the fakes were the real fakes who sooner orlater gave themselves away. They were the “pure” fakes. The “simple” fakes were the worst and themost dangerous as they believed in their own fakery.

The test of a God-book should be “does it work?” or is it just talk-chatter? The books written by Ophielwork.

Ophiel’s first book was called THE ART AND PRACTICE OF ASTRAL PROJECTION. The directions inthis book are so clear and concise that many persons are able to enter other planes and explore andlearn. Thousands of people all over the world have read this book and have practiced projection to innerplanes and have gained knowledge from it. I could write a book just about the benefits to be gained fromthe exploration of the inner planes but that would not cover the subject properly. This book is truly abreakthrough in occult progress. For the first time, the previously secret methods of building and

developing the astral body are given with clear, simple directions that can be practiced in daily life.

Ophiel’s second book was named THE ART AND PRACTICE OF GETTING MATERIAL THINGSTHROUGH CREATIVE VISUALIZATION. The question of material supply has always been a vexingone. There was always a practice, known for ages, called visualization but the rules were never clear. Inhis second book Ophiel lays down some effective rules which many people have used successfully.Ophiel now knows much more about the origins of THINGS and in later books will tell more about Godand supply, but for ordinary circumstances of life the normal process of Creative Visualization will sufficeuntil the other books are written and published – so look for them.

Ophiel’s third book was called THE ART AND PRACTICE OF THE OCCULT. In this book Ophiel beginsthe study and use of the Caballa and the Tree of Life and all its million ramifications, as well as theknowledge of the Elemental Forces. Also, a simple ritual is given which is very useful in many ways.Deeper than the other books.

Ophiel’s fourth book was called THE ART AND PRACTICE OF CLAIRVOYANCE. Everyone has someclairvoyance in him and the more you listen to it, the more it “works” for you. The book also containsadditional Caballa knowledge. The more Caballa-Clairvoyance knowledge you have and use, the easieryour life here on this physical plane can be.

Ophiel’s fifth book, THE ORACLE OF FORTUNA, contains a simple little divination system based on thegame of solitaire which can answer questions, if the questions are framed carefully and properly.

Ophiel’s sixth book was called THE ART AND PRACTICE OF TALISMANIC MAGIC. This ancientsubject is brought up to date. It is possible to use the Astral Light by attaching it to an object, if done withintention and knowledge. Interesting results can be obtained. Should be used with caution.Ophiel’s seventh book is now in preparation – look for it. It has been kicking around the publishers muchtoo long, but strange forces have been at work to keep it from you. Ophiel has been told that his bookscontain the secret doctrine and, as I said, negative forces have been furious for years that these things

are becoming known, and have been working in every possible way to keep these books from comingonout. Ophiel wants to write twenty-five books before he passes on and he will not give up easily. But youwill have to do your part. You will have to ask and continue to ask this publisher to get onto publishingOphiel’s books and cut out the fooling around.

In preparation – look for it – Ophiel’s seventh book, THE ART AND PRACTICE OF CABALLA MAGIC.Dion Fortune wrote a great book about the Caballa but told nothing about the practices. Ophiel’sseventhbook starts to tell about how to use the Tree of Life, or Practices. He reveals what Dion Fortune left outbecause she received her knowledge from a lodge and was not at liberty to give it out. Ophiel receivedthe knowledge direct from the inner sources and can give it out freely. Use it and test it and find out foryourself.

Tentative books in preparation: at this time two more books are in preparation. One is a collection ofessays based on occult truth factors. Ophiel calls them VIGNETTES. They are now sold separatelybecause they have to be prepared by hand, as it were. Contains much occult humour and insight to

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occult ideas and much occult truth. I repeat – watch for it. Next, there is to be a book on the existence ofthe Demiurgeous. The mystery of mysteries. The God of the Gnostics which is all material things. If theDemiurgeous can be contacted properly and used, you have the Philosopher’s Stone which changes allthings into gold and that is no BULL.

And beyond this, other books are projected. But you will have to do your part by letting this publisherKNOW THAT YOU DEMAND THESE BOOKS AND THAT YOU WANT THEM AND NO MORE

FOOLING AROUND WITH THE ADVERSARY MISLEADING EVERYONE ABOUT THEIRPUBLISHING. LET HIM KNOW.

Ophiel is not so young and, if you want these books, he had better get them out. Ophiel is 73 years old.So act accordingly.

DEAR STUDENTS AND FRIENDS OF OPHIEL

For some years, now past, Ophiel has been writing little essays on pungent occult subjects, theseessays he calls “Occult Vignettes.” The subjects of these essays have been legion, and have been ofwide variance, from trivial to grand, but all have dealt with some essential points of vital information –interest, either of Life here on this Earth plane, or Life on the Inner Planes. As time has passed he haswritten more and more of these little essays of Truth until they now number a respected amount. Merelyfor identification purposes, these essays are labeled Series 1, Series 2, Series 3 and now, Series 4.

Series 4 has been copyrighted and is now ready, and here they are, described as follows:

SERIES 3 - #1, 1975 Winter Solstice Message, $1.50Strong presentation of Occult truths surrounding Christmas, Winter Seasons, New Years and otherpostpaganholidays. Personal Message.

SERIES 3 - #2. Some thought on the Ten Commandments. 16 pages. $3.00. Ophiel’s analysis of theTen Commandments and some annotations on their applications to today’s living-being. Heavy stuff. Ifyou are not ready, better not get it as it is heavy, really heavy, and to sloppy thinkers it will be a realshock as for the first time they face reality in truth.

SERIES 3 - #3, Living Life – Occult Vignette, 4½ pages, $1.25Rather deep essay about living daily life and calling attention to the personal manufacture of Thought-

Forms and their effects on our lives and some references to their effects on others. Some ideas as tohow to nullify adverse Though-Forms effects.

SERIES 3 - #4, The Happiness Doll, 1 page, $ .25What is not generally known is that all magical operations, especially “black” ones can be reversed. Thefamous, or rather pin-sticking doll can be reversed so that you can set up a self-doll and GIVE IT ALLKIND OF GOODIES. Can be very useful to your well-being.

SERIES 3 - #5. What is Man? 3½ pages, $1.25Introduces the Gnostic idea of a worker God who creates the physical world (out of No-Thing) and givessome ideas as to how to handle the Creator God, the Demiurgeous. Once you handle “it”, you’ve got itmade and you can now do things.

SERIES 3 - #6. The Dweller on the Threshold. 6½ pages. $1.50The title is dated but the knowledge is up-to-date. Concerns forces on the next plane and how you have(probably) built up your own opposite. Continues with ideas about how to handle your daily life withthese forces in view and how these forces are to be taken into account in all your actions, the objectbeing to lead a more perfect life and to get along better.

SERIES 3 – #7. Why Do You Let The Devil Use You? 5 pages, $1.25Contains ideas and suggestions as to how to work your two parts – conscious and subconscious minds(the badly working sub-mind is like a devil) – and how to watch for the alternating functioning of the twominds.

SERIES 3 - #8. More Ideas About God. 7½ pages $1.50Ophiel explains how certain ideas about the conception of the lesser countenance was arrived at, andhow they transferred over into the idea of the Demiurgeous. Then follow a number of ideas as to howyou are to arrive at a working knowledge of this situation and work it to your advantage.

SERIES 3 - #9. Astral Light – The Plastic Medium, 4 pages, $1.00Unexpected use and application of the Astral Light by a student, which surprised even me. Suggeststerrific opportunities unlimited for all kinds of physical changes to be brought about through its use in a

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simple way. Could be considered hot stuff by many!

SERIES 3 - #10. The Other You. 5 pages, $1.25Contains a thought-provoking idea of a/the double that you may have and gives some ideas about howto deal with this startling different-than-the-world-thinks situation. Also deals with thought-forms in thisconnection. Useful.

SERIES 3 - #11. Your Other You. 5½ pages, $1.30Note the difference in the title from the preceding. Several different ideas are presented here as theycame to me and I did not edit them. You separate the different ideas and reconnect them. Great value.Requires some study but should be rewarding.

SERIES 3 - #12. A Technique of Visualization - #1. 2 pages, $ .75Concerns you and the Demiurgeous and your ability to Creatively Visualize (under proper directions andwith proper preparations), something which is never realized by countless people and yet they doproduce negative creations, which they don’t want, all the time. Useful to you.

SERIES 3 - #13. What You Deserve or You Tell Them Baby! 2 pages $ .75Goes into the question of God-rewards and questions whether they are automatic. They can beautomatic but YOU have to tell them or i t – yourself!

SERIES 3 - #14. Assistance from the Gods. #1 - #2. 2 pages, $ .75Concise directions on how to “work” Inner Plane Forces “down here” for results. Good basic directions

just waiting for use.

SERIES 3 - #15. Treasure Map. 1½ pages, $ .50Description and directions as to manufacture and use of this ancient talisman. This talisman worked foryour ancestors millions of years ago and it can and will still work for you if you will use it.

SERIES 3 - #16A. Magic Workings on Matter. 1½ pages, $ .75Small, short and potent. Contains a concise explanation of the translation of force into form.

SERIES 3 - #16B. On the Art of Contacting God. 1½ pages, $ .50This vignette is a little hard to understand so I am charging less for it. Deals with attitudes in daily life asexemplified in everyday cliches, how attitudes can rule you, and suggests a method of dealing with

them. Not easy.

SERIES 3 - #17. Plato and the Soul, 2 pages, $ .50For some mysterious reason about 2000 years ago there were no definitely taught ideas about l ife afterdeath. None of the religions that were then current in the world taught such an idea, except in afragmentary way. Then Plato thought about a continuation of a life after death. He was talking about theEtheric body but the Church mistook that idea of the Etheric body for a thing called a Soul.

SERIES 3 - #18. The Two Dreamers. 3 pages, $ .75More about the Two Gods that create the existence of the world and some clarification as to how youareon your own as to your choice of arranging your life with your powers which you and all others have.

SERIES 3 - #19. Your Disloyal Life Opposition. 5 pages, $1.50There is some evidence that we are made up of two contending forces which seem to “rule” alternately

in our lives and bodies. A successful life is one that can adjust a balance between these two forces.Once it is known that there are these two forces some defence can be set up against the negative one.

SERIES 3 - #20. An Exercise in Preliminary Projection. Two parts, $1.00More information on Etheric Projection and information on some additional side-lines connected thereto.

SERIES 3 - #21. The Two Creators. 2½ pages, $1.25More knowledgeable information about the two creators who, between them, have made up the physicalworld. Much interesting and useful information.

SERIES 3 - #22. A Little Recapitualtion of the Occult Basis of All Things. 1¼ pages, $ .50 As it says, a recapitulation of some of the basics I have written about so far, and their relation to oldercliché stuff that we got tired of so many years ago as it apparently led nowhere. Some value for thought.

SERIES 3 - #23. Witch Craft. 5 pages, $1.25Natural witch craft forces as exemplified in this study of the application of raw nature to very materialnature forces by American Indians in time past. Close study will show that all witch craft is a combination

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creative visualization by janica (1)

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