by andrew fling and jennifer foxx - making music funleft hand accompaniment patterns the boom-chick...
TRANSCRIPT
![Page 1: By Andrew Fling and Jennifer Foxx - Making Music FunLeft Hand Accompaniment Patterns the Boom-Chick Three ways to accompany songs with chord patterns in the left hand. Each example](https://reader036.vdocuments.site/reader036/viewer/2022062609/6101be86dc7d532fce3c1983/html5/thumbnails/1.jpg)
By Andrew Fling and Jennifer Foxx
An Elementary Piano Library
A Beginner’s Guide to Accompanying
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A Beginners Guide to Piano Accompanying
Written by Andy Fling and Jennifer and FoxxIllustrated by Andy Fling
Table of Contents
Chord Chart ............................................................. 3
Accompaniment Patterns ...................................... 5
Chord Voicing ........................................................ 10
Lead Sheets .......................................................... 15
First EditionCopyright © 2016 MakingMusicFun.net/FPSResources.com
All Rights Reserved
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Left Hand Accompaniment Patterns
the Boom-Chick
Three ways to accompany songs with chord patterns in the left hand. Each example shows a
different way to play Hot Cross Buns and another song included in this book.
&?
44
44˙ ˙œ œœ œ œœ
wœ œœ œ œœ
˙ ˙œ œœ œ œœ
wœ œœ œœ Œ
&?
43
43œ œŒ
˙ œ œœ ˙˙
˙ œ œœ ˙˙
œ œ œœ ˙˙
œ œ Œ
œ œœ Œ
G7 G7C C C
G7 G7C C C&?
44
44
˙˙ ˙˙
œ œ œ œ œ œww
œ œ œ œ œ
˙˙ ˙˙
œ œ œ œ œ œww
w
The Open Arpeggio
Brahms’ Lullaby
Jesus Loves Me
Hot Cross Buns
&?
44
44œ œ œ œ
œ œ .˙œ œ ˙
œ œ .˙œ œ œ œ
œ œ .˙œ œ ˙
œ œ .˙
Hot Cross Buns
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Left Hand Accompaniment Patterns
&?
44
44˙ ˙œ œ œ œ œ œ œ œ
wœ œ œ œ œ œ œ œ
˙ ˙œ œ œ œ œ œ œ œ
ww
G7 G7C C C
Alberti Bass
&?
44
44œ œ ˙œ œ œ œ
œ œ ˙œ œ œ œ
œ œ œ œœ œ œ œ
wœ œ œ œ ˙
Jingle Bells
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Accompanying Singers and Instruments
the Boom-Chick
The Open Arpeggio
Five ways to accompany singer or instrument where the piano plays a supportive roll, and the singer or instrument takes the melody.
&?
43
43ŒŒ
Œ ˙̇.˙
Œ ˙̇.˙
œ œ œŒ ˙.˙
œ œ Œ˙
˙ Œ
Here’s Brahms’ Lullaby with the Boom-Chick accompaniment pattern. This arrangement purposefully leaves out chord members in measures 3-4 to maintain a lighter texture.
&?
44
44Œ œœœ Œ œœœœ Œ œ Œ
Œ œœœ Œ œœœœ Œ œ Œ
Œ œœœ Œ œœœœ Œ œ Œ
Œ œœœ œœœ Œ
œ Œ Ó
&?
44
44˙̇ ˙˙
œ œ œ œ œ œww
œ œ œ œ œ
˙̇ ˙˙
œ œ œ œ œ œww
w
G7 G7C C C
G7 G7C C C
C G7
Hot Cross Buns
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Accompanying Singers and Instruments
&?
44
44˙̇̇ ˙˙˙œ œ œ œ œ œ œ œ
wwwœ œ œ œ œ œ œ œ
˙̇̇ œ œ˙˙œ œ œ œ œ œ œ œ
wwww
&?
44
44Œ œœœ. Œ œœœ..œ jœ .œ jœ
Œ œœœ. Œ œœœ..œ jœ ˙
Œ œœœ. Œ œœœ..œ jœ .œ jœ
wwww
&?
43
43‰ jœœœ.
Œ œœœ-œ- ‰ jœ- Œ
‰ jœœœ.Œ œœœ-
œ- ‰ Jœ- Œ‰ jœœœ.
Œ œœœ-œ- ‰ jœ- Œ
...˙˙˙.˙
&?
#
#44
44œœœ œœœ œœœ œœœw
œœœ œœœ œœœ œœœw
œœœ œœœ œœœ œœœw
œœœ œœœ œœœ œœœw
The CloneThe clone is a right hand pattern that is played when the piano is taking a supportive role. It is the most popular pattern for playing rock/pop music.The pattern is a quarter note chord followed by several “clones” of that chord. The following measures repeat that pattern with different chords, with pattern breaks at phrase points.
Rock
Alberti Bass
Jazz Waltz
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Accompanying Singers and Instruments
&?
#
#44
44œœœ œœœ œœœ œœœ.œ Jœ ˙
œœœ œœœ œœœ œœœ.œ Jœ ˙
œœœ œœœ œœœ œœœ.œ Jœ ˙
œœœ œœœ œœœ œœœw
The Clone w/Rock BassIn this version of the clone a electric bass accommpaniment pattern is added.
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A Tip from the Maestro...Never allow more than the interval of a 10th between hands.
Incorrect. Correct.
A Tip from the Maestro...Avoid “muddy” sounding chords. Never play chords in closed position lower than this one:
For inside book...
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Jingle BellsLead Sheet
James Lord Pierpont
00
& # 44 œ œ ˙Jin - gle bells,
G œ œ ˙jin - gle bells,
& # œ œ œ œjin - gle all the
wway.
œ œ œ œOn, what fun it
C
& # œ œ œ œ œis to ride in a
G œ œ œ œone - horse o - pen
D ˙ ˙sleigh. Oh,
& # œ œ ˙jin - gle bells,
G œ œ ˙jin - gle bells,
œ œ œ œjin - gle all the
& # wway.
œ œ œ œOn, what fun it
C œ œ œ œ œis to ride in a
G
& # œ œ œ œone - horse o - - pen
D wsleigh.
G
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Jesus Loves MeLead Sheet
Bible Song
00
& 44 œ œ œ œJe sus loves me,
C
œ œ ˙this, I know,
& œ œ œ œFor the Bi ble
F œ œ ˙tells me so;
C œ œ œ œLit tle ones to
C
& œ œ ˙Him be long,
œ œ œ œthey are weak, but
F C
œ œ ˙He is strong.
G7 C
& ˙ œ œYes, Je sus
C œ .˙loves me,
F ˙ œ œYes, Je sus
C
& œ .˙loves me,
G7 ˙ œ œYes, Je sus
C œ ˙ œloves me, The
F
& œ œ œ œBi ble tells me
C G7
wso.
C
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Traditional
Hot Cross BunsLead Sheet
Traditional
00
2) If you have no daughters,Give them to your sons.One a penny two a penny,Hot cross buns!
GC C
GC C
GC C
GC
& 44 ˙ ˙Hot cross
wbuns.
& ˙ ˙Hot cross
wbuns.
& œ œ œ œOne a pen - ny,
œ œ œ œtwo a pen - ny,
& ˙ ˙hot cross
wbuns.
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Baby BumblebeeLead Sheet
Traditional
00
& # 44 œI'm
œ œ œ œ œ œbring ing home my ba by
G C
- - -
& # œ œ ˙bum ble bee,
G œ œ œ œWon't my mom my
D7
- - -
& # œ œ œ œ œ œbe so proud of me? I'm
œ œ œ œ œ œbring ing home my ba by
G C
- -
& # œ œ ˙bum ble bee,
G
- - Spoken: Ouch! it stung me!
2) I'm squishing up the baby bumblebee,
Won't my mommy be so proud of me,
I'm squishing up a baby bumblebee,
Spoken: Ooh! It's yucky!
3) I'm wiping off the baby bumblebee,
Won't my mommy be so proud of me,
I'm wiping off the baby bumblebee,
Spoken: Now my mommy won't be mad at me!
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Mary AnnLead Sheet
Calypso
00
& c ˙ ˙All day,F
˙ ˙all night
œ œ ˙Ma ry Ann,
w-
& ˙ œ œDown by the
˙ ˙sea shore
œ œ ˙sift ing sand.
w- -
& œ œ œ œEv en lit tle
œ œ ˙child ren love
œ œ ˙Ma ry Ann,
w- - - -
& ˙ œ œDown by the
˙ ˙sea side
œ œ ˙sift ing sand.
w- -
Verse 1
Oh, when she walks long the shore people all she greets,
Wild birds fly her over and fish come to her feet.
In her heart there's love but I'm the only man,
Who's allowed to kiss my, oh Mary Ann.
Verse 2
Oh, when we marry we will have the time we ever thought,
I would be so happy, I'd kiss my mother-in-law.
All the little children running in the bamboo hut,
One for every palmtree and the coconut.
Chorus
GC
GC
G C
G C
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Brahms’ LullabyLead Sheet
Johannes Brahms
00
& 43 œ œLul la
˙ œ œby and good
C
˙ œ œnight, with- - -
& œ œ œros es be
œ œ œ œdight, With
G7
œ œ œ œli lies be- - -
& ˙ œ œspread is
œ œ œ œba by's wee
˙ œ œbed; Lay thee
C
-
& ˙ œ œdown now and
F ˙ œ œrest, may thy
C
œ œ œslum ber be
G7
-
& ˙ œ œblessed. Lay thee
C ˙ œ œdown now and
F
˙ œ œrest, May thy
C
& œ œ œslum ber be
G7
˙ Œblessed.
C
-
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Simple GiftsLead Sheet
Joseph Bracket
00
& b 44 œ œ'Tis the
œ œ œ œ œ œ œgift to be sim ple, 'tis the
F œ œ œ œ œ œgift to be free. 'Tis the
Am
-
& b œ œ œ œgift to come down
Gm
œ œ œ œ œ œwhere we ought to be. And
C7
œ œ œ œ œ œ œwhen we find our selves in the
F
-
& b œ œ œ œplace just right, 'Twill
Am œ œ œ œ œ œbe in the val ley of
Gm C7
œ œ œ ˙love and de light.
F Bb F
- -
& b ˙ .œ jœWhen true sim
F œ œ œ œ .œ jœpli ci ty is gained. To
C7 F œ œ œ œ œbow and to bend we
Am
- - -
& b œ œ œ œ œshan't be a sham'd. To
Gm C7
˙ .œ jœturn, turn will
F œ œ œ œ œ œbe our de light, Till by
Am
- -
& b œ œ œ œ œtur ning, tur ing we
Gm C7
œ œ ˙come round right.
F Bb F
- -