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Bodybuilding
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All photos used in this booklet were taken during competitions. Theyare free of rights and used exclusively for educational and regulatorypurposes.Each athlete may request the removal of their photo.
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Summary :
1 : The outfit
2 : The passages
3 : Criteria of judgment
4 : Corrected posing
5 : Imposed posing
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1 : The outfit:
At any level of competition:
➔ Men and women outfit:
• Unicolor
• No motifs
• No rhinestones
• Gloss or glitter effect tolererated
• Width on side between 1 and 2 cm
• G-strings prohibited for men
• G-strings authorised for women (tanga recommended)
• Two piece bikini for women
➔ No jewellry (wedding ring authorised)
➔ The tan mest be well distributed (body and face – light makeup) and
dry to the touch.
➔ Epilation or shaving of the entire body is mandatory (women and men)
➔ Bib number at the left side of the waist and allways visible.
N.B After checking the outfit, any failure will automatically result in
disqualification of the athlete if no remediations is possible.
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2 : Les passages : ➔ FIRST STAGE : THE PRESENTATION :
Under the leadership of the chairman, all athletes of the same category are on stage.
The chairman presents each athlete in the ascending order of the bibs. Upon calling
his bib number and name the athlete takes a step forward. Free installation is
permitted.
Once all athletes are presented, the corrected positions are made.
➔ SECOND STAGE : THE IMPOSED POSING :
Under the leadership of the chairman, all athletes of the same category perform the
imposed poses:
5 poses for the women
7 poses for the men
➔ THIRD STAGE : THE COMPARISONS :
Before any comparison, drawers can be made. The left half of the athletes will have
to step back one step and the right half of the athletes will have to advance one step.
This allows the chairman to swap the two halves. Then under the direction of the
chairman all the athletes again perform the imposed poses.
After being placed in the ascending order of the bibs, the athletes are lined up at the
back of the stage. Third-party comparisons can then be requested by the judges in
order to better estimate the athlete's physique (s) and refine the ranking.
Requests for comparisons are made by the head of the table.
➔ FOURTH STAGE : THE FREE POSING :
- Duration : 1mn00 for the women and men
- Choreography choice is up to the athlete respecting the music / movement relation
- Outfit : identical in all respects to that of imposed posing. No accessories
authorized.
The choreography is noted.
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3 : Criteria of judgment :
The criteria of judgments are grouped and judged in three items:
➔Harmony of the body, symmetry, line, balance of the masses (the
lower body must be proportional to the upper body), hypertrophy, muscle
density. The athletes must therefore have a minimum of form,
muscular volume without having visible subcutaneous adipose tissue.
➔Harmonious and dry muscular definition on the whole body, without
the appearance of emaciation or anorexia
➔Freestyle choreography must be performed on music (relation music
/movement)
Note for women: Female athletes should be well proportioned without
exaggeration hypertrophy or dry, have mass, volume, and muscle
shape. Therefore they must imperatively have biceps significantly larger
than the forearms, well rounded shoulders, a good V and solid back, thighs
with quadriceps, ischios and calves clearly developed and well projecting.
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2 : Corrected posing :First comparison :
➔The four faces in corrected position (Always carried out with a rotation to the left)
corrected face corrected profil corrected back corrected profil
pose pose pose pose
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3 : Imposed posing :
Second comparison : The imposed poses (7 for the men, 5 for the women) :
(always with a rotation the the left)
• Front double biceps (men and women)
• Front lateral spread (men)
• Biceps cage best profil (men and women)
• Rear double biceps (men and women)
• Rear lateral spread (men)
• Side triceps best profil (men and women)
• Abdominals and Thighs (men and women)
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General attitude :
Tall-standing, "dignified" head, smiling
Legs:
Always contracted to the maximum. Depending on the
definition and volume more or less flexed. Force at the coxo-
femoral level as if to make an external rotation. It is possible
to raise the toes of the feet. Pelvis in anteversion.
Chest:
Maximum opening and optimum back flare, "chest
to ceiling" without tilting the body back Shoulders
aligned, abdominals, arms and forearms
contracted.
Front corrected
position
ATTENTION copyright : Code de la propriété intellectuelle : Article L335-2
Legs:
Always contracted to the maximum. Depending on the
definition and volume more or less flexed. Force at the coxo-
femoral level as if to make an external rotation. Basin in
anteversion. Do as if you wanted to take off the heels to bring
out the calves.
Back :
At maximum opening,
"occupying space". Scapulas
perfectly fixed, arms slightly
open, pelvis more or less in
anteversion.
Chest:
At maximum aperture, "chest
to ceiling" without rocking of
the body back Shoulders
aligned, arms and forearms
contracted
Above arms too
tight and slight
kyphosis
Rear corrected
position
ATTENTION copyright : Code de la propriété intellectuelle : Article L335-2
Profile corrected
position
ATTENTION copyright : Code de la propriété intellectuelle : Article L335-2
Legs:
The closest leg to the jury’s side crushed
against the opposite thigh to bring out
the ischios. Heel slightly raised, buttocks
back and up. The whole leg must be
contracted.
Chest:
Opening and enhancement of the
laterals . Abdominals retracted and
contracted. Bulged chest and contracted
pectorals. Open shoulders, watch for
alignment. Slight bust rotation towards
the jury
Arms :
To the jury’s side arms more or less
tense depending on the biceps or
triceps. Strong biceps, slightly flexed
arm, strong triceps, more tense arm and
internal rotation.
The other arm in flexed and contracted
position, without hiding the abdominals.
Avoid any retroversion
of the pelvis, bend the
legs and have a
"packed" position. Arm
too bent, shoulder
asymmetrical and not
sufficiently turned
towards the jury
ATTENTION copyright : Code de la propriété intellectuelle : Article L335-2
Legs:
A thigh on the side (more or less open according
to its definition and volume), preferably tight and
contracted. The other in identical position to the
corrected front position. Pelvis in slight
anteversion.
Chest:
Back as widened and expanded as
possible, shoulders aligned if possible .
Abdominals contracted and stomach
retracted.
Biceps:
The elbows are more or less
shoulder level according to the
morphology and the forearms more
or less flexed. The hands more or
less open and fists not closed.
Avoid putting one
leg too far forward
and leaning
backwards, the
pelvis in retro
version. Avoid
overcutting the
wrists and closing
the fists.
Avoid raising shoulders
and pressing head into
bust
Front Double
biceps imposed
position
ATTENTION copyright : Code de la propriété intellectuelle : Article L335-2
Best biceps pose
imposed position
Legs:
The Thigh closest to the jury crushed against
the opposite thigh to bring out the hamstring
ischio. In position more or less flexed
according to the volume and definition of the
hamstrings. Heel slightly raised, buttocks back
and up. The whole leg must be contracted.
Chest :
Rib cage in opening. Abdominals retracted
and contracted. Bulged chest and contracted
pectorals. Open and tighten the shoulders,
watch their alignment (a little on the slope
towards the jury). Slight bust rotation towards
the jury.
Arms:
Arm closest to the jury more or less in closure
depending on the volume and shape of the
biceps. Opposite hand resting on wrist or
beginning of forearm flexed. Arms opposed to
the jury more or less open according to the
morphology.
Avoid shrinking on
yourself, closing
your shoulders,
hiding the abs,
pelvis in retro
version
Avoid over-tilting
backwards, the
pelvis in retro
version
ATTENTION copyright : Code de la propriété intellectuelle : Article L335-2
Rear double
biceps imposed
position
Chest:
Back as wide and expanded as possible,
shoulders aligned if possible. All back
should be contracted.
Biceps:
The elbows are more or less at shoulder
level according to the morphology and the
forearms more or less flexed.
Legs:
A thigh on the side (more or less open
according to its definition and volume),
semi-tense and contracted. The other
opened and contracted, heel raised.
Pelvis in slight anteversion.
Avoid elbows too
low and forearms
too closed. Avoid
keeping the rear leg
in the center line.
Avoid forearms
that are too closed
and retracted.
Avoid lifting your
shoulders or
pushing your head
into your shoulders
ATTENTION copyright : Code de la propriété intellectuelle : Article L335-2
Chest :
Rib cage opened. Abdominals retracted
and contracted. Bulged chest and
contracted pectorals. Open and tighten
the shoulders, watch their alignment (a
little on the slope towards the jury).
Slight bust rotation toward jury to present
the triceps.
Arms:
Tight on the jury’s side, slightly offset to
the rear to see the buttocks. More or less
in internal rotation according to the
volume and definition of the triceps
Best triceps profile
imposed position
Avoid retracting on
oneself, or closing
the shoulders, to
conceal the
buttocks and to
have the pelvis in
retro version
ATTENTION copyright : Code de la propriété intellectuelle : Article L335-2
General attitude :
Tall standing, « dignified »
head, smiling
Legs:
A thigh in the direction of the jury, more or
less tense, but contracted to the
maximum. The other serves as a support
and is contracted as for the corrected
front position
Chest :
Very slightly tilted back. Abdominals
contracted. Play with the contraction of
the obliques. Open shoulders and flare
the back
Arms:
Preferably behind the head, well-
contracted biceps
Abdominals and
thighs imposed
position
Avoid over-leaning
backwards and
stretching the front
leg too much in the
axis or inward
Avoid too much
retraction, and
have legs too bent
ATTENTION copyright : Code de la propriété intellectuelle : Article L335-2
Legs:
Always contracted to the maximum. Depending on the
definition and volume more or less flexed. Force at the
coxo-femoral level as if to make an external rotation. It
is possible to raise the toes of the feet. Pelvis in
anteversion.
Chest:
Optimum opening and flare of the back, "chest to
ceiling" without tipping the body backwards,
Shoulders aligned, abdominals, arms and forearms
contracted
Front
corrected position
ATTENTION copyright : Code de la propriété intellectuelle : Article L335-2
Legs:
Always contracted to the maximum. Depending
on the definition and volume more or less
flexed. Force at the coxo-femoral level as if to
make an external rotation. Pelvis in
anteversion. Do as if you wanted to take off the
heels to bring out the calves.
Back :
At maximum opening,
"occupying space".
scapulas perfectly fixed,
arms slightly open,
pelvis more or less in
anteversion.
Chest:
Maximum opening and flare of
the back, "chest to ceiling"
without tipping the body
backwards, Shoulders aligned,
abdominals, arms and forearms
contracted
Rear corrected
position
ATTENTION copyright : Code de la propriété intellectuelle : Article L335-2
Legs:
The thigh closest to the jury
crushed against the opposite thigh
to bring out the ischios. Heel
slightly raised, buttocks back and
up. The whole leg must be
contracted.Chest:
Opening and enhancement of the
latirals. Abdominals retracted and
contracted. Bulged chest and
contracted pectorals. Open
shoulders, watch for alignment.
Slight rotation bust towards jury
Arms :
Jury side arm more or less tense
depending on the biceps or triceps.
Strong biceps, slightly flexed arm,
triceps strong arm more tense and
in internal rotation. The other arm
contracted in flexed position,
without hiding the abdominals
Avoid any retroversion of the
pelvis, bend the legs and
have a "packed" position.
arm too bent, unsymmetrical
shoulder insufficiently
oriented towards the jury.
Profile corrected
positions
ATTENTION copyright : Code de la propriété intellectuelle : Article L335-2
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Chest:
Back as widened and expanded
as possible, shoulders if possible
aligned. Abdominals contracted
and stomach retracted.
Biceps:
The elbows are more or less
shoulder level according to the
morphology and the forearm more
or less flexed. The hands more or
less closed.
Front double biceps
imposed position
Legs:
Thighs more or less strained according to
definition and contraction. Depending on the
definition it is possible to "shift" more or less
its weight on either leg to bring out the
musculature. Basin in slight anteversion.
Avoid raising shoulders
and pressing head into
the chest
ATTENTION copyright : Code de la propriété intellectuelle : Article L335-2
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Front double lateral
imposed position
Legs:
Legs more or less strained according to the
definition and in maximum contraction.
Depending on the definition it is possible to
"shift" more or less its weight on either leg
to bring out the musculature. Pelvis in
slight anteversion.
Chest:
Back as widened and expanded as
possible, dorsals well contracted.
Shoulders aligned if possible. Pectorals
contracted and bulged upwards if
possible. Biceps in contraction.
Abdominals contracted and stomach
retracted.
ATTENTION copyright : Code de la propriété intellectuelle : Article L335-2
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Best biceps cage profile
imposed position
Legs:
Jury side thigh crushed against the opposite thigh to
bring out the hamstring ischio. In position more or less
flexed according to the volume and definition of the
hamstring ischio. Heel slightly raised, buttocks back and
up. The whole leg must be contracted.
Chest :
Rib cage in opening.
Abdominals retracted and
contracted. Bulged chest and
contracted pectorals. Open
and tighten the shoulders,
watch their alignment (a little
on the slope towards the
jury). Slight bust rotation
towards jury.
Arms:
Jury arm arm more or less in
closure depending on the volume
and shape of the biceps. Opposite
hand resting on wrist or beginning
of forearm flexed. Arm opposed to
the jury more or less open
according to the morphology.
Avoid shrinking,
closing the
shoulders, hiding
the abs and
having the pelvis
in a retro version
Avoid over-leaning
back and having
the pelvis in retro
version
Rear double biceps
imposed position
Biceps:
The elbows are more or less shoulder level according
to the morphology and the forearms arm more or less
bent. The hands more or less open and fists not
closed.
Legs:
A thigh on the side (more or less open according to
its definition and volume), semi-tense and contracted.
The other opened and contracted, heel slightly
raised. Basin in slight anteversion.
ATTENTION copyright : Code de la propriété intellectuelle : Article L335-2 Formation arbitrage : culturisme
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Chest:
Back as widened and expanded
as possible, shoulders aligned if
possible. The whole back should
be contracted.
Avoid having elbows too low and
forearms too tight. Avoid keeping the
rear leg in the center line.
Avoid the front arms too
closed and retracted. Avoid
lifting your shoulders or
pushing your head into your
shoulders
ATTENTION copyright : Code de la propriété intellectuelle : Article L335-2
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Laterals imposed
position
Legs:
A thigh on the side (more or less open according
to its definition and volume), semi-tense and
contracted. The other opened and contracted,
heel slightly raised. Basin in slight anteversion.
Chest:
Back as widened and expanded as possible, dorsals well contracted. Shoulders
aligned if possible. Proud chest upwards to give volume on the upper body if possible.
Biceps in contraction.
ATTENTION copyright : Code de la propriété intellectuelle : Article L335-2
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Chest :
Rib cage in opening. Abdominals retracted and contracted.
Bulged chest and contracted pectorals. Open and tighten
the shoulders, watching for alignment. Slight bust rotation
toward the jury to introduce the triceps.
Best triceps profile
imposed position
Avoid shrinking, closing
shoulders, hiding glutes and
pelvis in retroversion
Legs:
The jury side thigh crushed against the opposite thigh
to bring out the ischios. In position more or less flexes
according to the volume and definition of the ischio.
Heel slightly raised, buttocks back and up. The whole
leg must be contracted.
ATTENTION copyright : Code de la propriété intellectuelle : Article L335-2
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Legs:
A thigh in the direction of
the jury, more or less tense,
but contracted to the
maximum. The other serves
as support and is
contracted as for the
corrected position of face.
Chest :
Very slightly tilted backwards. Abdominals
contracted. Play with the contraction of the
obliques. Open the shoulders and flare the back.
Arms:
Preferably behind the head, well-contracted biceps
Abdominals and thighs imposed position
Avoid over-leaning
backwards and
stretching the front
leg too much in the
axis or inward
Avoid too much
retraction, and
have legs too bent
BODYBUILDINGNEW CATEGORY: TRAINED FIGURE
WNBB www.wnbb.eu [email protected] ATTENTION copyright : Code de la propriété intellectuelle : Article L335-228
All photos used in this booklet were taken during competitions. They are free of rights and used exclusively for educational and regulatory purposes.Each athlete may request the removal of their photo.
Summary :
• 1 : The outfit
• 2 : The judgment criteria
29WNBB www.wnbb.eu [email protected] ATTENTION copyright : Code de la propriété intellectuelle : Article L335-2
We thank Michael Phillips and the NPA for their assistance in developing this new category and their photographic participation.
1 : The outfit:
At any level of competition:
- Bikini:
Unicolor
Authorized rhinestones
gloss and glitter effet authorised
minimum side width 1 cm
Two-piece bikini
Open or closed shoes
- jewelry, piercings allowed but not excess
- The tan should be well distributed (body and face - light makeup) and dry
to the touch
- Hair removal or shaving of the entire body is mandatory
- Bib number must be at the left side waist and always visible whatever the
outfit
N.B After control of the outfit, any failure will automatically result in the
disqualification of the athlete if no remediation is possible.
30WNBB www.wnbb.eu [email protected] ATTENTION copyright : Code de la propriété intellectuelle : Article L335-2
1 : The outfit :
OK
< 12 cm
< 12 cm
< 12 cm
< 2 cm
< 2 cm
< 2 cm
31WNBB www.wnbb.eu [email protected] ATTENTION copyright : Code de la propriété intellectuelle : Article L335-2
< 12 cm< 2 cm
< 4 cm authorised in 2018
Width dimensioned 1cm minimum regardless of the “material»
The outfit must be unicolor The "amenities" type
rhinestones, sequins, sequins on the bikini are allowed
1 : The outfit :
32WNBB www.wnbb.eu [email protected] ATTENTION copyright : Code de la propriété intellectuelle : Article L335-2
33WNBB www.wnbb.eu [email protected] ATTENTION copyright : Code de la propriété intellectuelle : Article L335-2
The judgment is based on the observation of the harmonious muscular
development resulting from regular bodybuilding work, and appropriate dieting
while respecting the integrity of the athlete. It deals with the following criteria
grouped and judged in two items:
❑ Harmony of the body, symmetry, line, balance of the masses (the lower
body must be proportional to the upper body), hypertrophy, muscle density.
Athletes must have:
❖ - shapes
❖ - muscle volume.
❑ Harmonious muscular definition on the whole body:
❖ - without appearance of thinness or anorexia (very heavily sanctioned point)
❖ - without subcutaneous adipose tissue or visible cellulitis.
In order to respect the physical and physiological integrity of the female athlete, the
athlete must be dry without being streaked
Note: Athletes must be well proportioned without hypertrophy and dry exaggeration, have a
minimum mass, shapes and shapely muscle. Therefore they must be bigger than the
forearms biceps, relatively round shoulders, a V back, shapely thigh quadriceps, hamstrings
and calves relatively prominent.
2 : Trained Figures criteria of judgement:
5 : Imposed Poses:
34WNBB www.wnbb.eu [email protected] ATTENTION copyright : Code de la propriété intellectuelle : Article L335-2
IDENTICAL TO THAT OF BODYBUILDING
6 : The free passage:
Duration : 1mn00
IDENTICAL TO THAT OF BODYBUILDING