& Fiinifti IFDBJi f)Stf>S£>yt£S-(;(dc):

BOB LUCILLE

HOPE BALL

JAMES DUNN at w"THE GOLDEN GLOVES STORY" selected 46e*t vdjecU/

'Ves, readers <^

COMICShave been demand-

ing more and moreexciting stories about

TOMAHAWKand his young friend

DAN HUNTER— those two forest --wise,

Indian-fighting heroes

of fearless frontier days/mm• York 17, N. Y. Whitr

. 42nd St., Ne«

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(his LORDSHIP AWAITS IN THE GARDEN.' FOLLOWME, MUM.'

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Stop gaping aroundand do something

• COUTH,

ADVERTISEMENT

when itcwesto blowing bubbles, FLEER'S DUBBU BUBBLE cahT be beat/

Editorial Advisory BoardPR. LAURETTA BENDER

Alioclete Professor of Psychiatry

School of Medicine. New York Universil

JOSETTE FRANKConsultant on Children's Reading,

Child Study Association of Amarica

u Tha following mogoiines all bear thli tradcmorh

Dr. W. W. 0. SONESProfessor of Education anoDi.actc, of Curriculum Study,

University of Pittsburgh

Dr. S. HARCOURT PEPPARD

Director, Esse, County Juve

Newark. N. J.

Clin

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I'LL WEAR THE BLASTED SUIT >OU GOT ME,TILL I CAN FIGGER HOW TA BURN THESELONDON DUD5 AN' GIT ME SOME-DECENT CLOTHES DOWNTOWN.'BUT THAT'S AS PARA5 uI GO,' NOWf' -

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POOR MA'S QONNA 9E PRETTY UPSET-JUST FOUND OUT PRE5IDENT TEDDY ROOSEVELTISCOMIN'TOTOWN TO

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I COULD MAKE HIM BELIEVE IT, ALL RIGHT/I MADE YOU RELIEVE T WAS A BUTLER,DIDN'T IT--AWD I'M NOT,' I'M AN ACTOR/MY REAL NAME IS ARTHUR TYLERMJ'VE HEARD OF ME, I'M $UK£.

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THE FOLLOWfNS MORNINQ«THE WHOLE TOWN TURNS OUT FOR THE FIRST POX HUNT IN »<3 SQUAW"

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ER-THEN-WHATEVER YOU WANT TD DO TD >ME IS ONLY WHAT I DESERVE.' I AM GUILTY,I TELL YOU~Gt//iry/ NOBODY ELSE KNEWWHO I REALLY WAS- I WANT TOTAKE ALL THE BLAME.'

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THE TOPS IN POPS'J'HIS year. Tommy Dorsey celebrated his

fifteenth year in the band business. He oc-

cupies a unique niche in the entertainment

field. World-famous for his brilliant technique

in jazz, he is a highly respected musical artist

who has made classical recordings, too. Themusic world respects his keen judgment of

talent and his ability to build new stars.

•The Dorsey musical aggregation also has

been the incubator for many of the most im-

portant names in show business. The stimu-

lating "Tee Dee" personality has sparked

innumerable radio and film appearances. His

famous theme, "Get-

ting Sentimental Over

You," won for Dor-

sey the familiar label,

"The Sentimental

Gentleman."

Born in Mahoney

'Plane, Pa., where his

father was an accom-

plished instrumentalist,

organizer. Tommy attended

high school in Shenandoah. His father gave

him intensive musical training in every instru-

ment of the brass section before the trombone

was selected.

His first earnings, however, came from driv-

ing a truck for a meat market. For, this he

received $16 a week, but he soon discovered

that trombone playing, even in small bands.

was .much more remunerative. He and his

brother. Jimmy, played numerous one-nighters

together, traveling throughout the coal regions

of Pennsylvania. They finally organized their

first orchestra, which they called the Dorsey

Brothers Novelty Band. Although their group

didn't make the grade outside their home town,

they were soon offered a job with "big time"

name bands, and spent the next ten years

switching from one band to another on the

road, on radio stations, and in theaters.

By 1935, the Dorsey brothers had blowntheir horns with almost every major name or-

chestra, and then they organized their own sen-

sational unit, which boasted, among other

celebrated side men, the late Glenn Miller

.on the trombone. After almost two yiars, the

brothers broke up and Tommy opened with

his own band at the French Casino. The rest

is history. For ten years Tommy Dorsey has

retained his leadership on the air, in personal

appearances, and on RCA Victor recordings.

One of his latest platters on the RCA label

is "C'est Si Bon," with a good vocal job -by

pretty Frances Irvin. It's backed by "I Oughta

Know More About You." Jack Duffy joins

Frances on this Dorsey disc. Another newand excellent Tommy Dorsey waxing is "Com-in' Thru the Rye." coupled with "I Hadn't

Anyone Till You."

Perry Como fans won't want to bypass

Perry's latest Victor platter. "Hoop-De-Doo."

It's a fast-beat novelty tune with a real music-

hall bounce and delightful lyrics by Perry

and the Fontane Sisters. In "On the Outgoing

Tide," the plattermate, Como is at his best,

singing in slow, lilting rhythm of a love that

will survive earthly obstacles.•

Capitol Records has just released a slew

of new discs. If you're a Dixieland fan, take

a gander at the records bearing the Capitol

label and you're sure to discover the best in

Dixieland. Sharkey and His Kings of Dixie-

land waxed what we consider the best Dixie-

land piece of the month—

"In the Mood,"backed by "Solo Mio Stomp," Sharkey Bo-nano is on the trumpet; Santo Pecora on the

trombone; Lester Bouchon on the clary; Jeff

Riddick, piano; Chink Martin, tuba; and

Monk Hazel on the drums. This combo makes

for a sure-fire winner.

Paul Weston got in on the renewed Dixie-

land fad and recorded two old Dixie favor-

ites, "Original Dixieland One-Step" and

"Panama." Paul does many of the orchestral

backgrounds on the Capitol discs, and this

new' release is up to his usual fine" standard.

Jan Garber and his orchestra can take a

bow for their version of "The Old Piano Roll

Blues." The flip-over is "Clodhopper," a

strictly instrumental job. The label is purple,

which means it's Capitol.

A record that's getting a lot of play is

"Choo'n Gum." Kitty Kallen on the Mercury

label does a great job with the song, and on

the reverse side she is equally effective with

another brassy tune entitled "Juke Box Annie."

Also on a Mercury waxing, Bobby Sher-

wood and his orchestra will have you jumping

to his great interpretation of "Muskrat Ram-

ble" and "Dixieland Ball,"

Incidentally. Frankie Laine had better

watch his step. Satan from "Satan Wears a

Satin Gown" doesn't like the way that girl

from the swamp is taking the play away from

her; "Swamp Girl" is a big hit. You'll like

it though if you latch on to these two Laine

Mercury recordings,

Columbia has just released an album by

Arthur Godfrey called "Arthur Godfrey and

His Friends." The old redhead sings some

of the tunes he helped make popular, such as

"Too Fat Polka," Candy and Cake," and

"Making Love, Ukulele Style."

Frank Sinatra, Jane Russell and the Mod-

cmaires team up to make mighty good listening

on a Columbia platter entitled "Kisses and

Tears." On the flip-over Frank works without

Jane in "When the Sun Goes Down."

Decca Records has a winner with the An-

drews Sisters' platter. "I Wanna Be Loved."

Patty Andrews handles the vocal with her

sisters backing her up. The flip side is another

Andrews Sisters gem called "I've Got to Get

Out of the Habit."

You'll be singing a ditty called "Teasin'"

very shortly. It's a new Coral platter excel-

lently pen -fined by Connie Haines. The re-

verse side is an effective rendition of "All I

Do Is Wantcha." Georgia Gibbs on the Coral

label has turned out a fine job doing "I Don't

Care If the Sun Don't Shine" and "I'll Get

Myself a Choo Choo Train." Coral is a sub-

sidiary of Decca, and they are turning out

good discs in the tradition of the latter com-

pany.

M-G-M released a new Billy Eckstine rec-

ord entitled "My Destiny," which is reminis-

cent of an old Eckstine platter, "Somehow."

The coupler finds Mr. B. adding his magic to

"Roses."

Johnny Desmond has recorded one of the

cutest novelties in many a month. Two dis-

tinctive melodies and a catchy lyric are all

wrapped up neatly into a tricky little thing

called "The Picnic Song." The reverse side

is "I've Got a Heart Filled .With Love.'*

If you're a blues fan, you'll want to hear

the Striders' new Apollo disc—

"Five O'Clock

Blues" and "Cool Saturday Night."

We've received many letters from you fani

asking us to list the companies that are pro-

ducing records in the. three speeds. Here'i

the info:

RCA VICTOR 78 45 331/3CAPITOL 78 45 331/3M-G-M 78 45 331/3DECCA 78 33 1/3

MERCURY 78

COLUMBIA 78 7in. 33 1/3CORAL 78

APOLLO 78

That's about all for this month. Until next

time, keep spinning the discs . . . and happy

listening!

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LUCILLE WAS ->__^-^-—^ aiftjjj^^j

SOPN ON «V AinTkJPP'S i. n^yj*™"AUGUST 8, fcNKULUNti A*b IN V-^E3W**

THE'CHAUTflUQUA /•aSW-INTBUTTE,MONTANA, BUT INSTITUTE OF ~C^f&jM&'

WUStC'To^OPFJOW.'^^i^GPEW UP IN

JAMSSTOWN, **-*1/>—_ _—^' "vMd8^new lame, /VOUl? MOTHEU PLAyS BSwhepe hep

«IN CONCEPTS, DOESN'Tjffii

RWiLY MOVE& SHE? MASSE VOU'LL "1IBWHEN SHE ,86 FAMOUS LIKE HEP, SSWAS STILL (i?Sri SOME PAY/ r—rffc^SBAN INFANT...

Cs:-s 0»»t ifttcfe*:

- wia? v. jfc»-.4BB'r[fl| :

f^BPfefcw^^WwiBk

Mff) $; .V'jJPw

BUT DRAMATICS MEANT /MOPE TO YOUNGLUCILLE THAN PIP THE KEYSOAPC OF APlANa HEP HEAPT SET ON BECOMING ANACTRESS, SHE ENPOLLEP IN*THE JOHN/UUPPAY ANPEPSON PP/AM4T1C SCHOOL'.ONEDAY A TEACHEP TOOK HEP/ ASIPE—

VOU'D BETTER' ST4PTJOB HUNTING, LUCILLE.'

< YOU'ffE CASTING AIONEY'

\ STUPYIWG DPAMATCS.'

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BUT LUCILLE PEFUSEC? TO GIVE UPHEP DREAMS SO EASILY. SHE GOT AJOB WITH THE ROAD COMPANY OF"PlO PlTA".THEN ONCE AGAIN THE JINXSTRUCK WHEN SHE WAS FlPEP FOP"INEXPERIENCE.'" LUCILLE BEGAN TOTHINK THE TEACHEP HAP BEENPIGHT. FOP SOME TIME SME MiXePSODAS IN A &QOA0WAV STORE...

BUT LUCILLE'STITIAN LONELINESSWAS TOO BPEATH-TAKING TO BEWASTED BEHINDA SOCiA FOUNTAIN.'

SHE WAS SOONWORKING ASA WOP-EL tH

MANHATTAN'SCOAT-ANO-SUITSECTION... WHEREWORLD-FAMOUSPESlGNEP, HATTJECAPNEGlE.SAWHSRANP HIPED HEP?.

JUST WHEN. ITAPPEAPEO THATHEP FAME A5 ACARNEGIE MODELWOULD PAY OFFON THE STAGE,-A TRAGIC AUTO-MOBILE ACCIDENTIN CENTRAL PARKPUT LUCILLE IN

A WH6ELCHAII?FOP THPEE YEAfTS:

IT WAS A BAPACCIDENT, LUCILLE,ANP YOU'PE LUCKYTO &EAUV£/BVTKEEP YOUP CHIN UPWEIL PO OUP BEST,ANP MAYBE SOMEPAY YOU CAN WALKAGAIN...

THPEE YEARS OF GRITTY BATTLING AGAINSTPAIN AND DISCOURAGEMENT FOLLOWEO-BUTLUCILLE'S PLUCK AND PERSEVERANCE SAWHBP THROUGH, AND FAME CAME TO HEP ASTHE "CHESTERFIELD GIRL".ANO THEN...

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SHOlm.V XFTW :

HEIt HONEY/MOON,uiciu-e <sot us? w?st peal bpeawthe thpse years she had spentin a wheelckw well fitted heupop hep pole in "the big street'',in which she played a showgiplwho was pagawzbo ff?om thehips pown—

m

THEN FOUjCWEO"PICTURES AT"COLUMBIA,M.G.M.,ANE>

j PARAMOUNT,HER MOSTRecent being'fancy pants',

which cq-siarsHER WITHBOB HOPE,.,

R.K.O. LIKEDLUCILLE'5 WOPK'SO MUCH THATTHE?/ PUT HERUNpa?GOwn»cr.SHE BE?<*4NAPPEARING IN

SUCH PICTURESAS "THE GtRLFROM PARIS ",

"STAGE COOfi",AND "TOO MANYGlRLS^IN 1940LUCILLE /MARRIEDPESI AOtAZ,WITH WHOMSHE CO-STARREDIN THE LATTER1

PICTURE.-

LUCILLE THEM MOVEDOVER TO M.G.M. WHERESHE APPEARED IN THETITLE ROLE OF 'DUBARRY

WAS A LADY ".

TO HE1? FORTITUDE ANDCOURAGE, LUCILLE BALLSTANDS TOBAV AT THE PINNACLEOF SUCCESS.'AS SHE HERSELF SAVS,HER LIFE AND CAREER HAVE BEEN ONELONG 'OBSTACLE RACE*— A RACE .—IN WHICH SHE IS NOT ONLY STILlT^VERY MUCH IN THE RUNNING, ~HBUT WAY OUT IN THE LEAD

AS WELL.'

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ooo gooB <io SoO On „ooOS OqJteg/X»

THIS PAGE IS PUBLISHED AS A PUBLIC SERVICE IN COOPERATION WITHLEADING NATIONAL SOCIAL WELFARE AND YOUTH-SERVING ORGANIZATIONS.

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PATTI TELL5 ME I'M LIABLE TOBE YOUR FATHER-IN-LAWSOON i AND, ALTHOUGHI LIKE YOU, I THINKYOU'RE COMPLETELY

OVROWG FOR HER/ /(WHY.

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rgpoRTS "oS)

i MART El-

leiLMQREflGHT AGAINTONIGHT

JOE R'LEY

TO REFEREE

I'D SETTER HURRY ANDGET DRESSED-TOMGHT'STHE NIGHT, PATTI/ARE -you

SURE, I AM.AND I MOPE THEYKNOCK EACHOTHER OUT.'

COMINGTO THEFIGHT?

A FORTUNETELLERTOLD ME I'D LOSETONIGHT WITHOUTA KISS FROM

SCRWDQfcThere's a 300,000-gaIlon tank at the War-

ner Brothers studio which poses in variousmovies as an ocean, river, or lake. Recently,Oscar-winner Jane Wyman had to spend sev-eral long, damp days in the tank for shots ofa scene in which her sailboat overturns in abay. Between "takes," dripping Miss Wymanwas hustled into towels and robes, and com-forted with hot coffee. Despite her moist misery,one thing was sure: the pert star couldn'tdrown! Even if she didn't have the finest home-made dog-crawl in Hollywood, her safety wasassured by the presence of at least 100 would-be lifeguards—the crew of "The Lady Takesa Sailor." When the director informed Janethat Bette Davis had once "drowned" in thesame tank for a dramatic suicide scene, heronly reply to the grim thought was a plaintive,

"I wonder if she got as wet as I ami"

Members of a certain studio casting office

are sure now that they've heard everything!A woman phoned to ask if she could register

for work. "For yourself?" queried the studio.

"No," she replied, "I want to register my twopalm trees. They're awfully pretty and they'dlook good in a picture." "You must be ribbingme," said the casting director, whereupon thewoman got wrathy and banged down the re-

ceiver.

Character-actor Raymond Massey owns a

pre-Revolutionary Connecticut farmhouse, andit'i haunted by an unusual ghost—the ghostof a hone! "Our parlor was once a stable,"

explained the star, "and it was there that a

horse died in 1711." He hasn't seen the equinephantom yet, but his invisible presence is com-mon knowledge. "People think I'm mad," con-tinued Masaey, "when I tell them my ghost

situation. It seems that horses, poor things, aresoulless, and therefore aren't supposed to havethe material from which ghosts are made!"

buttons .

Strangers

Dennis Morgan lost most of his

recent press preview of "Perfect

which he co-stars with Ginger

The debuttoning, at the hands of avid auto-graph seekers, occurred when he left the the-

ater after the show. It left Mr. Morgan in

quite a state of embarrassment, and with the

feeling that somebody ought to invent a

"courtesy code" for signature hounds

—

onethat would get better results for them, and'at

the same time leave their victims clad in some-thing more than a tie!

"The 'code'," Mr. Morgan said, "should con-tain the following 'don't s':

"Don't maul an actor. He may need his but-tons more than you do.

"Don't ask him to use his own pen—andif you do, don't grab it. It may be a priceless

keepsake. '

"Don't stick your autograph book in his

car if it's moving away from the curb. Youmight get run over.

"Don't ask him to write out a special mes-sage to you if he's surrounded by other auto-graph seekers. Give them a break, too.

"Don't flash a bulb in his face. It mighthatter and cut him. If you must get a picture,

you'll get better ones by standing furtheraway.

"Don't approach him while he's dining in

a restaurant. Even an actor is entitled to eatin peace. If you must have his signature, waituntil he gets outside.

"Most actors and actress," Morgan concluded,"really love to give autographs. They'll givethem all day if things arc kept pleasant andcomfortable!"

FEATURE FILMS

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