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Project Portfolio (architecture and art) of a junior architect. (English version)

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Page 1: Portfolio Lucille daunay

© Martin Argyroglo

LUCILLE DAUNAYPORTFOLIO2014

Page 2: Portfolio Lucille daunay

L U C I L L E D A U N AY 3, rue du Général de Gaulle22230 MERDRIGNAC - FR

[email protected]+336 79 02 69 97

Driving l icence30/12/1988 (25 years)J u n i o r A r c h i t e c t

.

Work ExpEriEncEs

Cécile NIZOU architect, NANTES (44)Intern in an architecture agency.Building permits, houses, landscape design, technicals drawings...

Atelier UM+D, Curitiba, BRÉSILIntern in an architecture agency.2 contests for public universities (2° place), collective housing...).

«Jeunes musiciens du monde», Montreuil (93)Designer of the lobby (design and realisation).

Atelier_42_pixels, Bordeaux (33)Intern in an architecture agency.Building permits, houses, shops...

Logo designer, greeting cards designer, buisness/ promotional flyers design, storyboards, door to door prospector, receptionnist, cashier, hostess on a charter...

Jan. - June 2012part time

March 2010ponctual

May - June 2009full time

Summer jobs2006 - 2012(every summer)

July-Dec. 2013part time

AbilitiEs

AutocadSketchupRhinocérosGrasshopperRevitArchicadVectorworks

PhotoshopIndesignIllustrator

EnglishPortugueseGerman

Cooking : Preparation of desserts, experiments...Travel : 1 year in Brasil, 9 month in Egypt, 1 month in Turkey...Ancient civilizations, mysteries of sciences...

intErEsts

EducAtion

Master

-1st

and 2

nd ye

ar-

Nante

s, EN

SAN

NATIONAL D

IPLOMA

OF ARCHITE

CTURE wi

th ho

nors

ENSA

NA LEVELS

Renn

es (3

5)

2007

Prep

arator

y cou

rse, A

pplied

Arts

Paris

(15th

) ENS

AAMA

2008

BTEC

Natio

nal d

iplom

a 1st

year

Paris

(15th

) ENS

AAMA -

Olivie

r de S

erres

2009

BTEC Nati

onal

Diplom

a

Spac

e des

ign

2010

LICENCE O

F ARCHITE

CTURE

Curiti

ba, P

UCPR

, Brés

il2012 2013 2014

Licen

ce, 2

nd ye

ar

Natio

nal S

choo

l of A

rchite

cture

ENSA

N

2011

Page 3: Portfolio Lucille daunay

2014

The

scho

ol b

ecom

ing

a cr

eatio

n fa

ctor

y.EP

HEM

ERA

L H

OTE

L - I

DEA

S CO

MPE

TITI

ON

Team work - 2 weeksCamille SABLECécile DUMONT

In Nantes, every summer, the city gets animated by exhibitions, installations and art in public spaces.

The public place located on the top of the school is a one of the remarkable place choosen by Le Voyage à Nantes.

The client’s demand was to creat a living place on the rooftop, in order to make people discover this rather unknown location.

It was suggested to create an ephemeral hotel and we imagined bedrooms in chimneys, transforming the school in a big creation factory.The important element was to consider the scale of the city and the scale of the rooftop to have an installation working for both environment.

LE VOYAGE A NANTES 2014School of Architecture rooftop, Nantes

Page 4: Portfolio Lucille daunay

2014

The

scho

ol b

ecom

ing

a cr

eatio

n fa

ctor

y.EP

HEM

ERA

L H

OTE

L - I

DEA

S CO

MPE

TITI

ON

Page 5: Portfolio Lucille daunay

2014

Conc

eptio

n of

the

scre

en st

ruct

ure

OU

TDO

OR

CIN

EMA

- PR

OJE

CT S

ELEC

TED

Architecture National Diploma validation project.Team work - 16 weeks20 persons

After the ideas competition, the outdoor cinema project was selected and we worked to achieve this proposition.

This is a complete project that integrates different elements :- an illuminated sign facing the city- a stucture receveing the cinema screen- different furnitures modules to watch the movies- a complexe sound a light system- 75h of movies during the summer

We distributed the work between 20 persons, and I mostly worked on the structure, on the technical specifics, on the mecanics of the screen, on the relation with the suppliers and client and on the general organisation of the work for the group.

LE VOYAGE A NANTES 2014School of Architecture rooftop, Nantes

Page 6: Portfolio Lucille daunay

2014

From

scal

e 1/

200t

h to

scal

e 1

OU

TDO

OR

CIN

EMA

- PR

OJE

CT S

ELEC

TED

Page 7: Portfolio Lucille daunay

2014

Glo

bal d

raw

ing

of th

e ro

ofpr

ojec

tO

UTD

OO

R CI

NEM

A -

PRO

JECT

SEL

ECTE

D

Page 8: Portfolio Lucille daunay

2014

Bird

’s ey

e vi

ew o

f the

real

izatio

nO

UTD

OO

R CI

NEM

A -

PRO

JECT

SEL

ECTE

D

Page 9: Portfolio Lucille daunay

2014

Proj

ect c

ompl

eted

OU

TDO

OR

CIN

EMA

- PR

OJE

CT S

ELEC

TED

© Martin Argyroglo

Page 10: Portfolio Lucille daunay

2014

Proj

ect c

ompl

eted

OU

TDO

OR

CIN

EMA

- PR

OJE

CT S

ELEC

TED

© Martin Argyroglo

Page 11: Portfolio Lucille daunay

2014

Proj

ect c

ompl

eted

OU

TDO

OR

CIN

EMA

- PR

OJE

CT S

ELEC

TED

Page 12: Portfolio Lucille daunay

2014

Proj

ect c

ompl

eted

OU

TDO

OR

CIN

EMA

- PR

OJE

CT S

ELEC

TED

Page 13: Portfolio Lucille daunay

2014

Ope

nnin

g da

y - 1

000

pers

ons

OU

TDO

OR

CIN

EMA

- PR

OJE

CT S

ELEC

TED

© Martin Argyroglo

Page 14: Portfolio Lucille daunay

13

550

2540

80 110 120 1273 167 110 80 50

7463

200

100

100 63

7463

63

100

575

20

100

575

20

8010

040

8010

040

364836120

100

100

4010

010

040

364836

120

12060

60 100

120

3648

36

40

100

100

160

300

6060120

40

136°

136°

13

13

*Observations : L'écart entre les moises d'un poteau est de 45 mm, le buton métallique mesure40 mm, il font donc prévoir une "calle" de 5 mm. Prévoir une plaque de 2,5 mm de chaque côtédu buton avant de les percer.

40

45*

Repère : G.2

Matériau : Acier

Epaisseur : 5 mm

Quantité : 3 Echelle : 1/10°16.05.2014

Finition : Brute

PLATINE PLATINE G.2

V= cm^3/U

13

550

2540

80 110 120 1273 167 110 80 50

7463

200

100

100 63

7463

63

100

575

20

100

575

20

8010

040

8010

040

364836120

100

100

4010

010

040

364836

120

12060

60 100

120

3648

36

40

100

100

160

300

6060120

40

136°

136°

13

13

*Observations : L'écart entre les moises d'un poteau est de 45 mm, le buton métallique mesure40 mm, il font donc prévoir une "calle" de 5 mm. Prévoir une plaque de 2,5 mm de chaque côtédu buton avant de les percer.

40

45*

Repère : G.2

Matériau : Acier

Epaisseur : 5 mm

Quantité : 3 Echelle : 1/10°16.05.2014

Finition : Brute

PLATINE PLATINE G.2

V= cm^3/U

2014

Tech

nica

l con

cept

ion

of th

e st

ruct

ure

OU

TDO

OR

CIN

EMA

- PR

OJE

CT S

ELEC

TED

Page 15: Portfolio Lucille daunay

DENSE NEIGHBORHOOD2011Rezé, 44

2011

Plan

ning

a n

ew n

eigh

borh

ood

with

hig

h de

nsity

URB

AN

ISM

Team work - 8 weeksConstance LEJONCOURClémence AUMOND

The constraints of this site were the important transit around it : a highway in the north and tramway in the south.

We had to find a way to invite people in the new neighborhood and protect them from the noise and danger caused by the cars.

To divide the plots, we thought of the movements of walking people (the area is car-free), of the sunlight, of the views from and to the site and of the proportion between private, semi-private and public area.

Page 16: Portfolio Lucille daunay

Individual work - 5 weeks

After a group work of planning the neighborhood, I designed the southern area with a high density of city houses. To save floor area, these units are nested and stacked but each keeps its personal entry and a individual exterior space.The horizontal building is crossed by «green flow» that rhythms the facade and creates porosity with the city.This operation thus communicates with the rest of the neighborhood through the successive terraces that create views and link with the inside of the constructions.The apartments are oriented toward south, to gardens or terraces. Functional rooms (kitchen, bathroom…) are located on the North facade to avoid visibility from neighbors. Individual entries are located in the inner courtyard, forcing people to leave the public space to semi-public place before entering their private space, creating a smooth transition.

I M B R I C A T E D HOUSING2011Rezé, 44

2011

High

den

sity

hous

ing

in th

e ne

ighb

orho

od p

lann

edH

OU

SIN

G

Page 17: Portfolio Lucille daunay

VILLAGE AGAINST EROSION2011 Sundarbans region, Bangladesh

Team work - 13 weeksJonathan BOURHISCarine BERTAUD

In Bengali, «MATIPANGA» means «the land that falls.»5 million is the estimated number of people living on «tanks», ephemeral sediments islands deposited in the riverbed and swept away by floods.The challenge is to create a sustainable village (arable land and housing) for people threatened by floods in Bangladesh.Our village/dam helps control this phenomenon and therefore settle permanently. The structure of the village is based on traditional boats called «kettuvallam.»It performs three functions: the constitution of the dam, of the houses and the covered street. With the progressive development of the village on the riverbed, the dam changes the location of sediment deposit and is then stabilized with planting trees and installation of burlap (geotextile which Bangladesh is the largest exporter).

2011

Villa

ge /

natu

ral d

am to

gai

n la

nd o

n w

ater

VILL

AG

E &

HO

USI

NG

DES

IGN

Page 18: Portfolio Lucille daunay

2011

Villa

ge /

natu

ral d

am to

gai

n la

nd o

n w

ater

VILL

AG

E &

HO

USI

NG

DES

IGN

Page 19: Portfolio Lucille daunay

2011

Villa

ge /

natu

ral d

am to

gai

n la

nd o

n w

ater

VILL

AG

E &

HO

USI

NG

DES

IGN

Page 20: Portfolio Lucille daunay

2011

Villa

ge /

natu

ral d

am to

gai

n la

nd o

n w

ater

VILL

AG

E &

HO

USI

NG

DES

IGN

Page 21: Portfolio Lucille daunay

1 : Private bedroom2 : Shared Living room3 : Common rooms4 : Outdoor spaces 5 : Neighborhood

1

1

1

1

11

1

1

1

1

1

1

1

1

1

2

2

2

2

3

3

4

5

Groundfloor

First floor

REHABILITATION OF A RETIREMENT HOME - 2010Aubervilliers, 93

Program :15 rooms (18 people)2 common rooms4 Shared Living room1 GardenKitchen /laundry /reception

18.4 m2

261m2

38m2

200m2

85m2

2101

0D

iplo

ma

valid

atio

n pr

ojec

t BT

EC H

ighe

r Nat

iona

l Dip

lom

aRE

HA

BILI

TATI

ON

BTEC Higher National Diploma validation project.Individual work - 13 weeks

Based on Hundertwasser’s theory of the five skins man, I proposed an evolution from private spaces to public spaces:

1. The room is the «epidermis». The space that offers the most protection for seniors is a private space freely furnished.2. To facilitate community life, the shared living room, shared by four persons, recreates small «family units».3. The common rooms, with many small areas to reassure the elderly.4 - The garden is a place to meet people in the residence.

Page 22: Portfolio Lucille daunay

M I C R O -ARCHITECTURE 2010

Individual work - 8 weeks

This modulable furniture structures a space in a very short time to create a living space for one or more persons. It can be used to make a workplace more versatile or to settle quickly in a new empty place.

Each module performs a specific function: sleep / rest, Cooking / eating, working, washing.In the closed position, the total volume occupied is 8m3 In order to facilitate transport, it is separated into 4 blocks.Each module unfolds and stretches to organize a space.

2010

Furn

iture

to st

ruct

ure

a sp

ace

MIC

RO-A

RCH

ITEC

TURE

Page 23: Portfolio Lucille daunay

Le tombeau d’edgar Poe

Tel qu’en lui-même enfin l’éternité le change, Le poète suscite avec un glaive nuSon siècle épouvanté de n’avoir pas connuQue la mort triomphait dans cette voix étrange !

Eux, comme un vil sursaut d’hydre oyant jadis l’angeDonner un sens plus pur aux mots de la tribuProclamèrent très haut le sortilège buDans le flot sans honneur de quelque noir mélange.

Du sol et de la nue hostiles, ô grief !Si notre idée avec ne sculpte un bas-reliefDont la tombe de Poe éblouissante s’orne,

Calme bloc ici-bas chu d’un désastre obscur, Que ce granit du moins montre à jamais sa borneAux noirs vols du blasphème épars dans le futur.

Stéphane MALLARME

LA DERNIÈRE DEMEURE Le refuge d’un homme pour mourir, d’après un poème de S. MaLLarmé.

Sur une falaise battue par les vents, à l’extrémité de la presqu’île de Quiberon, se dresse une ancienne chaumière bretonne. Son nouvel hôte, l’homme solitaire, désire se retirer au bord de la mer, afin d’y mourir en paix.Chaque jour, les rayons de lumière qui passent par les ardoises transparentes balayent l’escalier, le descendent. Chaque jour, l’homme solitaire descend avec la lumière.Au coucher du soleil, un dernier rayon de lumière traverse l’escalier et illumine un bloc, qui deviendra un jour la tombe de l’homme solitaire.La lumière arrive par éclats dans la chaumière, mais la trame dense des marches l’empêche d’arriver jusqu’au sol.Lorsque l’homme solitaire descend l’escalier, il descend vers l’obscurité.

Le tombeau d’edgar Poe

Tel qu’en lui-même enfin l’éternité le change, Le poète suscite avec un glaive nuSon siècle épouvanté de n’avoir pas connuQue la mort triomphait dans cette voix étrange !

Eux, comme un vil sursaut d’hydre oyant jadis l’angeDonner un sens plus pur aux mots de la tribuProclamèrent très haut le sortilège buDans le flot sans honneur de quelque noir mélange.

Du sol et de la nue hostiles, ô grief !Si notre idée avec ne sculpte un bas-reliefDont la tombe de Poe éblouissante s’orne,

Calme bloc ici-bas chu d’un désastre obscur, Que ce granit du moins montre à jamais sa borneAux noirs vols du blasphème épars dans le futur.

Stéphane MALLARME

LA DERNIÈRE DEMEURE Le refuge d’un homme pour mourir, d’après un poème de S. MaLLarmé.

Sur une falaise battue par les vents, à l’extrémité de la presqu’île de Quiberon, se dresse une ancienne chaumière bretonne. Son nouvel hôte, l’homme solitaire, désire se retirer au bord de la mer, afin d’y mourir en paix.Chaque jour, les rayons de lumière qui passent par les ardoises transparentes balayent l’escalier, le descendent. Chaque jour, l’homme solitaire descend avec la lumière.Au coucher du soleil, un dernier rayon de lumière traverse l’escalier et illumine un bloc, qui deviendra un jour la tombe de l’homme solitaire.La lumière arrive par éclats dans la chaumière, mais la trame dense des marches l’empêche d’arriver jusqu’au sol.Lorsque l’homme solitaire descend l’escalier, il descend vers l’obscurité.

THE LAST HOME 2009A place to die, inspired by the poem “Edgar Poe’s tomb” S.Mallarmé

Individual work - 6 weeks

On a windswept cliff at the end of the Quiberon peninsula, stands an old Breton cottage.

Its new host, the solitary man, wants to retire to the sea, to die in peace.Each day, the rays of light passing through the transparent slates sweep the stairs, descending. Each day, the solitary man goes down with light.

At sunset, a last ray of light passes through the staircase and illuminates a block, which will one day become the tomb of the solitary man.

Ray of light comes in the cottage, but the dense grid of steps prevents it from reaching the ground.When the lonely man goes down the stairs, he descends into the darkness.

2009

Arch

itect

ure

insp

ired

by p

oetry

ART

/ARC

HIT

ECTU

RE

Page 24: Portfolio Lucille daunay

COMPETITION : EXTENSION OF A UNIVERSITY2012 - Brazil

Team work during an internship (6 persons) Atelier Um+D - 4 weeks

NATIONAL COMPETITION: 2nd place

During an internship in the agency UM + D (Curitiba, Brazil), I participated in a competition for the extension of a public university.

On a small field surrounded by tall buildings, we had to work vertically, burying part of the program (especially important considering the surface allowed to build).The proposed project is volumetrically very typical of Brazilian contemporary architecture: an underground place that when you gets closer, and two perpendicular buildings on top of it.

The majority of the proposition is well hidden, and without the cuts, we do not distinguish the library, auditorium and exhibition hall.

2012

Ext

entio

n of

a u

nive

risty

in th

e so

uth

of B

razil

INTE

RNSH

IP -

COM

PETI

TIO

N

Page 25: Portfolio Lucille daunay

2012

Ext

entio

n of

a u

nive

risty

in th

e so

uth

of B

razil

INTE

RNSH

IP -

COM

PETI

TIO

N

Page 26: Portfolio Lucille daunay

2012

Ext

entio

n of

a u

nive

risty

in th

e so

uth

of B

razil

INTE

RNSH

IP -

COM

PETI

TIO

N

Page 27: Portfolio Lucille daunay

03 0307 0703

4,12AA

BB

03 0307 0703

6,84AA

BB

S

08 03 08

9,56

AA

BB

S

0 1 2 4 8

escala 1:100

Primeiro pavimento

0 1 2 4 8

escala 1:100

Segundo pavimeto

0 1 2 4 8

escala 1:100

Terceiro pavimento

0 1 2 4 8

escala 1:100

Variações de layout

Legenda

01- Espaço comercial a=53,00 m202- Depósito espaço comercial03- Apartamento a=24,50 m204- Jardim privativo a=18,00 m205- Área de de Lazer 78,00 m206- Depósito garagem07- Apartamento a 30,40 m208- Apartamento 66,00 m2

prancha:

02data:

04/04/2012

Estudo PreliminarBREDA_RUA IRATI

MULTI-PROGRAM BUILDING - 2012Dwellings, lofts, shop.Curitiba, Brazil

Team work during an internship (3 persons) Atelier Um+D - 4 weeks

This building project has 13 student flats, 2 spacious apartments for the owner and his daughter, parking in the basement and a shop.

Client’s requests were particularly clear : most apartment possible for the lowest cost possible.

The use of brick was a big constraint for the project. To plan the construction, it was necessary to accurately place each piece of carpentry according to brick rhythm.

This building is located in Brazil, and we had to add in each studio an individual laundry room in each apartment, a specific area dedicated to barbecues to suit the brazilian culture.

2012

Ambi

tious

pro

gram

on

a sm

all

site

INTE

RNSH

IP -

MU

LTI-P

ROG

RAM

Page 28: Portfolio Lucille daunay

SCALE 1 EXPERIMENT 2010Visitors day, ENSAAMA school, Paris 15th

Team work (4 persons on the realization) - 1 week

In order to understand the real scale, we worked around the sentence «wandering in a rectangle space» at several scales :First, by drawing in 2 dimensions, then with small paper models at 1/200th scale.

After selecting one model, we built it with wood, big enough so people could really “wander” in it.

We tried to understand how, in a simple space (rectangular) the location of obstacles (high, low) would affect travel, locations and stops.This experiment was carried out in 3 days, installed during the visitor day at school, and was «tested» by more than 5,000 people over the weekend.

2010

How

doe

s peo

ple

mov

e in

a

give

nt sp

ace?

EXPE

RIM

ENT

- CO

NST

RUCT

ION

Page 29: Portfolio Lucille daunay

MORPHOLOGICAL STUDY - 2011Sundarbans region, Bangladesh

Team work - 4 weeksCarine BERTAUD

In connection with the project «A village against erosion» we worked around the mangrove. With informatics (rhino, sketchup ...) and physical tools (study models) we realized different representations of the same area.

The final form of the model is generated from an analysis of the function of the trees that grows in mangroves. Considering the water surface as plane of symmetry, we transcribed vegetation as «highs” and «lows”:High points are the tops of mangroves and lows roots.

2011

Inve

nt a

form

insp

ired

by

natu

ral f

orm

sM

ORP

HO

LOG

Y - N

ATU

RE -

ARC

HIT

ECTU

RE

Page 30: Portfolio Lucille daunay

PLAINE DENSE CITY - 2013(Full Density)Seine Saint-Denis - 93

Team work - 2 weeksClément DAGNEAUXValentin CARO

The Seine Saint-Denis plain contains many economic and urban opportunities.

We want to depart from the traditional urbanization by focusing on the links between real-estate and architecture and imagining new ways to make the city.

We cut the site in twenty horizontal strips.Once a sample acquired, the objective is to design the space cleverly to benefit from bonus : win extra square meter in exchange for instrastructures, equipment or green spaces.

The rules are not obstacles but oportunités to develop a new urbanism, more sustainable.The objective is to achieve diverses architecture forms and maintain a balance between density and quality of life.

2013

Rule

s to

enco

urag

e co

ncep

tor

to c

reat

e qu

ality

of l

ifeN

EW U

RBA

NIS

M

Page 31: Portfolio Lucille daunay

Individual work - 8 weeks

On a 10 000 sqm site, we established rules allowing each urbanism planner to determine the location of roads, surface area activities or the percentage of green spaces to obtain a variety of urban forms.But thanks to a system of bonus, it is in their interest to provide more green space and equipment in order to increase the ground occupation coefficient.

On a plot of 38 350 sqm, I propose an urban form offering:- 81 000 sqm of built area (45% for activities and 55% for dwellings)- 550 dwellings- 17% of green spaces- a ground occupation coefficient of 2,1

PLAINE DENSE CITY - 2013(Full Density)Seine Saint-Denis - 93

2013

Test

of t

he ru

les p

re-

esta

blish

edN

EW U

RBA

NIS

M

Page 32: Portfolio Lucille daunay

Places Points de connexions et respirations Traitement de sol

Végétation ciblée à l’échelle de l’ilot

Coupe Nord-Sud Travail sur les variations de hauteurs

Team work (10 persons)5 weeks

We were given an urban site for ten persons and we had to create ten plots, streets, implementations rules, green spaces, urban accomodation, programs... with a high density.

Our neighborhood is bordered by two major axes, allowing quick access for deliveries and emergencies.We worked internal paths more important for the life of the site.

We created urban porosity with a publics spaces system linked by theses paths. Crossings link the routes and trail, creating five places.

It allows to reintroduce smaller public spaces, creating breathing places in the urban density. Referring directly to the ancient Agora, the open spaces are gathering places for the neighborhood life where there are shops and activities.

POROSITY & DENSITY 2013Nantes

2013

From

an

empt

y sit

e to

a li

ving

ne

ighb

oroo

dU

RBA

N D

ESIG

N

Page 33: Portfolio Lucille daunay

2013

The

deta

illed

gro

und

floor

m

ade

by te

n pe

rson

sU

RBA

N D

ESIG

N

RDC

Page 34: Portfolio Lucille daunay

2013

Volu

met

ry d

esig

ned

to

max

imise

the

suns

hine

acc

ess

RETI

REM

ENT

HO

ME,

APA

RTM

ENTS

, SH

OPS

Individual work - 5 weeks

After the plots boundaries decided, I obtained a site of 1800sqm, with one shared wall, two facade openned on small places and one on a busy a noisy street.

With the high density of the neigborhood (we each had to conceive more than 5000sqm) I mostly took into account the sunshine to design the volumetry.Has every project was evolving, I sometimes had to make some adjustment due to someone’s modifications.

My program consist of a retirement home mixt with apartment and shops. This way, elderly people used to live in the city don’t get disconnected from life : people come to them in the building, in the common courtyard or in the place nearby.If needed, the retirement house can be transformed into student housing.

POROSITY & DENSITY 2013Retirement home, apartments and shops, Nantes

Page 35: Portfolio Lucille daunay

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